The Armory Show 2019

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THE ARMORY SHOW March 7 – 10, 2019



THE ARMORY SHOW March 7 – 10, 2019

Stand no. 112 Pier 90 12th Ave & 55th St New York City

Lyndsey Ingram 20 Bourdon Street London W1K 3PL T. +44 (0)20 7629 8849 E. info@lyndseyingram.com W. lyndseyingram.com


Gerald Laing Wheel and Smoke Acrylic and ink on card, 1964. Signed in pencil. 31.1 Ă— 42.2 cm

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Gerald Laing Skydiver (I) Acrylic and spray paint on paper, 1964. 31.3 × 26.5 cm

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Gerald Laing Print Oil on aluminium and chrome on brass, 1965. Signed and numbered verso from the edition of 46. (Ingram and Halliwell 50) 15 Ă— 43 cm

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Gerald Laing Bracket Acrylic on plastic and aluminium, formica box, 1965. (Artist's CR 75) 25 × 18 × 10 cm

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Gerald Laing Untitled Acrylic on plastic, aluminium, and formica box, 1965. (Artist's CR 79a) 15 Ă— 20 Ă— 9 cm

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Gerald Laing Indenty Acrylic on aluminium and chrome on brass on marble base, 1966. Signed and numbered verso from the edition of 25. (Artist's CR 134) 20 Ă— 51 Ă— 10 cm

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Gerald Laing Small Glitter Gyron Acrylic on plastic and gold-glitter Plexiglas, 1965. (Artist's CR 78) 43 × 25 × 4 cm

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Gerald Laing Starry Night Acrylic on plastic and blue-glitter Plexiglas, 1965. (Artist's CR 79) 50 × 18 × 4 cm

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Gerald Laing Small Arc Lacquered aluminium and chrome-covered brass support on polished marble base, 1968. Signed and numbered on base from the edition of 10. A further 10 editions were made in Roman numerals. (Ingram and Halliwell 60) 34 Ă— 12.2 cm

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Gerald Laing Study for Loop (Hinged) Watercolour and collage on paper, 1965. (Artist's CR 86b) 33 Ă— 22 cm

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Gerald Laing Little Red Loop Stove enamel on aluminium and chrome on brass, 1965. Signed and numbered verso from the edition of 15. (Ingram and Halliwell 51) 30 Ă— 15 Ă— 8 cm

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Gerald Laing Little White Tunnels Lacquered aluminium and chrome on brass, formica box, 1967. (Artist's CR 205) 23 Ă— 30 cm

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Gerald Laing Small Pink Lacquered aluminium and chrome-covered brass support on polished marble base, 1967. Signed and numbered verso from the edition of 22. (Artist's CR 163) 27 Ă— 18 Ă— 8 cm

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Gerald Laing Pied Plunge Lacquered aluminium and stainless steel on polished marble base, 1968. Signed and numbered verso from the edition of 10. (Artist's CR 213) 41 Ă— 18 Ă— 8 cm

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Gerald Laing Yellow Trace Lacquered aluminium and chrome-covered brass on polished marble base, 1968. Signed and numbered verso from the edition of 10. (Artist's CR 214) 62 Ă— 25 Ă— 9 cm

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Gerald Laing Witness The portfolio of 10 screenprints with diecut mylar in colour, 1968. Each signed in pencil and numbered from the edition of 75. Printed on smooth white paper by the artist Published by the artist with his blindstamp 61.8 Ă— 76.8 cm

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Gerald Laing Brigitte Bardot Screenprint in colours, 1968. Signed in pencil and numbered from the edition of 200. Printed on smooth white paper by the artist. Published by the artist with his blind stamp. (Ingram & Halliwell 22) 58.5 Ă— 89 cm

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Tess Jaray Untitled (Study, June '66) Pencil on paper, 1966. Signed in pencil. 21.6 Ă— 32.4 cm

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Tess Jaray Untitled (Study, May '66) Pencil on paper, 1966. Signed in pencil. 22.2 Ă— 31.8 cm

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Tess Jaray Untitled Graphite on paper, 1966. Signed in pencil. 28.4 Ă— 38 cm

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Tess Jaray Untitled (Study, Jan '67) Pencil on paper, 1967. Signed in pencil. 27.9 Ă— 38.1 cm

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Frank Stella Sinjerli Variation III Lithograph and screenprint in colours, 1977. Signed in pencil and inscribed A.P IX. One of 20 artist's proofs aside from the edition of 100. Printed on Arches Cover paper by Bruce Porter, James Welty, and John Campione, New York. Published by Petersburg Press, New York. (Axsom 117) 81.3 Ă— 107.9 cm

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Donald Judd Untitled (Schellmann 39) Woodcut printed in cadmium red, 1961 - 69. Signed in pencil and numbered from the edition of 12. Printed on cartridge paper by the artist and his father, Roy Judd. Published by the artist. (Schellmann 39) 77.8 Ă— 55.9 cm

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Donald Judd Untitled (Schellmann 51) Woodcut in cadmium red, 1961-69. Signed in pencil. Inscribed verso: Don Judd Block 8R# 8/10 61-69. (This is impression 8 from the edition of 10). Printed on etching paper by Roy C. Judd, the artist's father. Published by the artist. (Schellmann 51) 76.5 Ă— 55.2 cm

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Donald Judd Untitled (Schellmann 71) Woodcut printed in cerulean blue, 1961-69. Signed in pencil and numbered from the edition of 12. Printed by Roy Judd. Published by Edition der Galerie Heiner Friedrich, Munich. (Schellmann 71) 76.8 Ă— 55.2 cm

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Ellsworth Kelly Orange over Green Lithograph printed in colours, 1964-65. Signed and inscribed 'E.A'. One of 4 artist's proofs aside from the edition of 75. Printed by Marcel Durrassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 27) 89.5 Ă— 60.3 cm

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Ellsworth Kelly Orange over Blue Lithograph printed in colours, 1964-65. Signed and inscribed 'E.A.' One of 7 artist's proofs aside from the edition of 75. Printed on Rives BFK Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 28) 89.5 Ă— 60.3 cm

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Ellsworth Kelly Light Blue with Orange Lithograph printed in colours, 1964-65. Signed in pencil from the edition of 75 and 11 artist's proofs. Printed on Rives BFK Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 14)

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Ellsworth Kelly Yellow Lithograph printed in colours, 1964-65. Signed and inscribed 'E.A.' One of 9 artist's proofs aside from edition of 75. Printed on Rives BFK Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 5) 89.5 Ă— 60.3 cm

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Ellsworth Kelly Black Lithograph , 1964-65. Signed and inscribed 'E.A'. One of 10 artist's proofs aside from the edition of 75. Printed on Rives BFK Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 4) 89.5 Ă— 61.6 cm

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Ellsworth Kelly Yellow over Yellow Lithograph printed in colours, 1964-65. Signed and inscribed 'E.A.' One of 8 artist's proofs aside from the edition of 75. Printed by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 25) 89.5 Ă— 59.7 cm

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Ellsworth Kelly Red-Orange over Blue Lithograph printed in colours, 1964-65. Signed and inscribed 'E.A'. One of 10 artist's proofs aside from the edition of 75. Printed on Rives BFK Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 20) 89.5 Ă— 59.7 cm

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Ellsworth Kelly Blue and Yellow and Red-Orange Lithograph printed in colours, 1964-65 Signed in pencil and inscribed 'E.A.' One of 10 proofs aside from the edition of 75. Printed on Rives BFK Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 17) 89.5 Ă— 60 cm

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Ellsworth Kelly Blue and Orange and Green Lithograph printed in colours, 1964-65. Signed and inscribed 'E.A'. One of 6 artist's proofs aside from the edition of 75. Printed on Rives BFK Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris. (Axsom 16) 89.9 Ă— 60.6 cm

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Ellsworth Kelly Sunflower I Lithograph, 2004. Signed in pencil and numbered from the edition of 50. Published by Gemini G.E.L., Los Angeles. 94 Ă— 73.7 cm

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Ellsworth Kelly Oak VI Lithograph, 1992. From the Series of Oak Leaves. Signed in pencil and numbered from the edition of 30, plus 10 artist's proofs. Printed on Rives BFK Paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles. (Axsom 264) 76.2 Ă— 91.4 cm

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Ellsworth Kelly Wild Grape Leaves I Lithograph, 2004 From the Series of Five Plant and Flower Lithographs. Signed and inscribed AP 10/10. An artist's proof aside from the edition of 30. Printed on Rives BFK paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles. (Axsom 311) 58.4 Ă— 78.7 cm

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Andy Warhol Shadows I Screenprint with diamond dust, 1979. Signed in pencil verso and numbered from the edition of 15. Printed on Arches 88 paper by Rupert Jasen Smith, New York. Published by the artist, New York. (Feldman & Schellmann II.207) 109.2 Ă— 77.5 cm

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Andy Warhol Shadows I Screenprint with diamond dust, 1979. Signed in pencil verso and numbered from the edition of 15. Printed on Arches 88 paper by Rupert Jasen Smith, New York. Published by the artist, New York. (Feldman & Schellmann II.207) 109.2 Ă— 77.5 cm

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Richard Smith Tip Top Screenprint, 1964. Signed in pencil and inscribed 'AP 7/10'. 64.8 × 64.8 cm

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John Hoyland Large Swiss Red Lithograph printed in colours, 1968. Signed in pencil and numbered 68 from the edition of 100. 54 Ă— 81 cm

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Howard Hodgkin Nick Lithograph printed in colours, with hand colouring, 1977. Signed in pencil and numbered from the edition of 100. Printed on Crisbrook hand-made paper by Petersburg Studios, New York. Published by Petersburg Press, New York. (Heenk 32) 47 Ă— 58.5 cm

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Bridget Riley Untitled (La Lune en Rodage - Carlo Belloli) Screenprint, 1965. Signed in pencil and numbered from the edition of 200. Printed by Kelpra Studio, London. Published by Editions Panderma, Basel. (Schubert 6) 31.9 Ă— 31.9 cm

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Bridget Riley Untitled (Winged Curve) Screenprint, 1966. Signed in pencil and numbered from the edition of 75, plus 10 artist's proofs. Printed by Kelpra Studio, London. (Schubert 7) 57.8 Ă— 62.5 cm

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Bridget Riley Untitled (Fragment 3) Screenprint on Plexiglas, 1965. Signed in pencil (in reverse from back) and numbered from the edition of 75, plus 4 artist's proofs. Printed by Kelpra Studio, London. Published by Robert Fraser Gallery, London. (Schubert 5c) 62.2 Ă— 80.5 cm

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Bridget Riley Untitled (Fragment 4) Screenprint on Plexiglas, 1965. Signed in pencil (in reverse from back) and numbered from the edition of 75. Printed by Kelpra Studio, London. Published by Robert Fraser Gallery, London. (Schubert 5d) 71.2 Ă— 68.6 cm

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Bridget Riley Untitled (Fragment 6) Screenprint on Plexiglas, 1965. Signed in pencil (in reverse from back) and numbered from the edition of 75 plus 10 artist's proofs. Printed by Kelpra Studio, London. Published by Robert Fraser Gallery, London. (Schubert 5f) 74.5 Ă— 73.8 cm

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Jonas Wood Untitled #4 Lithograph and screenprint , 2014. Signed in pencil and numbered from the edition of 50. Printed by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles. 121.9 Ă— 94 cm

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Jonas Wood Untitled #2 Lithograph and screenprint , 2014. Signed in pencil and numbered from the edition of 50. Printed by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles. 121.9 Ă— 94 cm

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Jonas Wood Untitled Set of two screenprints in colours, 2015. Signed in pencil and numbered from the edition of 50. Printed by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles. 24.3 Ă— 19.4 cm

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David Hockney Mirror, Mirror on the Wall Etching and aquatint printed in colours, 1961. Signed in pencil. From the edition of aproximately 50. Printed on handmade English paper by Ron Fuller and Peter Mathews at the Royal College of Art, London. Published by Petersburg Press, London. (Tokyo 10; SAC 10) 56 Ă— 79 cm

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David Hockney The Student: Homage to Picasso Etching and aquatint, 1973. From the portfolio 'Homage to Picasso.' Signed in pencil and inscribed E.A 4/15. One of 15 artist's proofs aside from the edition of 90. Printed on Arches paper by Atelier Crommelynk, Paris. Published by Propylaen Verlag, Berlin/Pantheon Press, Rome. (Tokyo 143) 75.5 Ă— 56.5 cm

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David Hockney Lithographic Water Made of Lines, Crayon, and Two Blue Washes Lithograph printed in colours, 1978-80. Signed in pencil and numbered from the edition of 85. Printed on TGL handmade paper by Roger Campbell, Rodney Konopaki and Kenneth Tyler at Tyler Graphics Ltd, New York. Published by Tyler Graphics Ltd, New York, with their blind stamp. (Tokyo 209) 75.6 Ă— 86.4 cm

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David Hockney Big Celia Print #2 Lithograph, 1982. Signed in pencil and inscribed AP VII/XX. An artist's proof aside from the edition of 100. Printed on Arches Cover paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. 133.4 Ă—146.1 cm

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David Hockney Warm Start Lithograph and screenprint in colours, 1993. Signed in pencil and numbered from the edition of 68, with 33 artist's proofs. Printed on Arches 88 paper. Published by Gemini G.E.L., Los Angeles, with their blindstamp and copyright inkstamp verso. 54.6 Ă— 64.8 cm

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Wayne Thiebaud Delicatessen Aquatint, 1964. From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Pies Aquatint, 1964. From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Suckers Aquatint, 1964. From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Candied Apples Aquatint, 1964. From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Banana Splits Aquatint, 1964 From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Dispensers Aquatint, 1964 From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Lunch Counter Aquatint, 1964 From 'Delights' portfolio. Signed in pencil and numbered from the edition of 100. Printed on Rives BFK paper by Kathan Brown at Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 32.5 Ă— 27.5 cm

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Wayne Thiebaud Half Cakes Screenprint, 1971. From 'Seven Still Lifes and a Silver Landscape'. Signed in pencil and inscribed AP. An artist's proof aside from the edition of 50. Printed by Kathan Brown, San Francisco. Published by Parasol Press Ltd, New York. 75.6 Ă— 56.5 cm

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Wayne Thiebaud Candy Counter Linocut, 1970 From 'Seven Still Lifes and a Rabbit.' Signed in pencil and numbered from the edition of 50. Printed on Arches paper. Published by Parasol Press Ltd., New York. 56.5 Ă— 76.2 cm

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Wayne Thiebaud Little Red Suckers Aquatint printed in red, 1971-2014 Signed in pencil and numbered from the edition of 35. Printed by Emily York, Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 25.4 Ă— 26.67 cm

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Wayne Thiebaud Hill Street Woodcut printed in colours, 1987. Signed in pencil and inscribed 'AP 7' An artist's proof aside from the edition of 200. Printed by Tadashi Toda, Kyoto. Published by Crown Point Press, San Francisco. 94 Ă— 61 cm

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Wayne Thiebaud Meringue Drypoint and aquatint printed in colours, 1995. Signed in pencil and numbered 35 from the edition of 50, with 10 artist's proofs. Printed on Somerset Textured paper by Daria Sywulak, San Francisco. Published by Crown Point Press, San Francisco. 94 Ă— 66 cm

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Wayne Thiebaud Pie Case Colour direct gravure with aquatint and drypoint, 2002. Signed in pencil and numbered 12 from the edition of 40. Printed on woven Somerset paper by Dena Schuckit. Published by Crown Point Press, San Francisco. 67.3 x 79.3

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Wayne Thiebaud Cupcakes and Donuts Direct gravure printed in colour, 2006. Signed in pencil and numbered from the edition of 40. Printed on Somerset paper by Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 66.2 Ă— 78 cm

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Wayne Thiebaud River and Farms Watercolour over direct gravure with drypoint , 2002/2007. Signed in pencil and inscribed 'T.P.' 'Trial proof – hand painted with watercolor'. A trial proof aside from the edition of 40. Printed by Crown Point Press, San Francisco. Published by Crown Point Press, San Francisco. 35.7 × 41 cm

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Ed Ruscha Miracle Lithograph printed in colours, 1999. Signed in pencil and numbered from the edition of 60. Printed on John Koller HMP paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L. 39.1 Ă— 63.2 cm

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