Latest News Trench collapse on refurb site A Fife-based construction company has been fined after a worker had to be dug out of a trench that collapsed onto him.
D
undee Sheriff Court heard the 43-year-old employee of Wallace Roofing and Building Limited suffered a broken shoulder and collarbone as well as punctures to both of his lungs and fractures to all but two of his ribs. Emergency services helped the rescue operation following the incident in September 2011 at a house renovation in Falkland. A trench was being dug with an excavator to help connect the drainage system of the old property with a new extension. When the workers came across a boulder preventing them from further digging, the excavator was used to try and move the rock. The injured man, who was in the trench laying the new piping, was trying to help guide the excavator.
During this operation one of the trench walls, nine feet deep, subsided, burying the worker under the dislodged earth. Workers immediately started digging the soil away from the man’s head to allow him to breathe. He remained partially buried in the trench until the emergency services arrived and dug him free. He remained in hospital for almost three weeks. An HSE investigation found that the trench had not been supported or ‘stepped back’, to control the risk of the trench collapsing. Inspectors also found that nobody had formal health and safety training for managing a construction site and that work involving the excavated trench had not been risk assessed. As a result, workers were given instructions through verbal briefings rather than detailed, mapped out planning. Wallace Roofing and Building Limited, of Fife, pleaded guilty to safety breaches and was fined £14,000. Speaking after sentence, HSE Inspector Ritchie McCrae said: “The risks associated with collapsing excavation walls are well known, as are the necessary control measures which could easily have been employed. On this occasion, the company failed to identify the risk and consequently there was a total absence of any control measure which would have prevented this incident from occurring. The injured worker sustained serious, permanent injury and is extremely lucky to still be alive.”
Stanton Williams transform Nantes’ fine arts museum into a vibrant and democratic art space The Musée d’arts de Nantes will open to the public on 23 June 2017.
F
or this landmark cultural project, the London-based architecture practice Stanton Williams has transformed the existing Musée des Beaux-Arts de Nantes – an exemplary expression of the city’s civic and cultural pride and one of the largest Fine Arts Museums in France outside Paris. Located in the heart of a residential quarter in the city, the Musée des Beaux-Arts consisted of the 19th Century ‘Palais’ and 17th Century Oratory Chapel.
2009-2017’ will run for six months from the official opening. The exhibition allows visitors to immerse themselves in the project by covering the entire sixyear period of planning and construction through the display of development models from the competition stage, to information about the methodologies and museography involved. The exhibition will also include previously unseen photographs of the construction process, which reveal the complex aspects of the transformation.
Stanton Williams’ aim was to transform the introverted image of the former Musée des BeauxArts into a vibrant, democratic and welcoming contemporary space that is open to the city and its people. The design adds a contemporary layer to the historical buildings, with two new buildings – the ‘Cube’ extension for contemporary art and an archive facility with a public library. A new basement underneath the Palais has been created to house an auditorium, educational spaces and additional exhibition spaces. A fully integrated landscape design has also been implemented around the museum, with a new sculpture garden located within the urban block.
Two films will feature in the exhibition; the first documents the entire design process behind the new museum and will include sketches, drawings and model making; the second film, by Studio Cullen Williams, will use the method of time-lapse film to capture the journey of light as it travels through the museum, galleries and translucent marble façade.
In response to an all-encompassing brief, Stanton Williams worked with the Museum to design the exhibitions within the galleries themselves, and also collaborated with Cartlidge Levene to create a new overall visual identity for the new Musée d’arts de Nantes. This has contributed to the formulation of a clear visual identity, which unites the museum’s exterior and interior, and creates a holistic museum experience. Patrick Richard, Director at Stanton Williams, leading this project, says: “We are grateful to the city of Nantes for entrusting us to transform and extend the City’s Museum of Art, design the exhibition spaces for their exceptional and valuable art collections and create galleries for temporary art installations. The new Museum has been conceived around the collections themselves, creating an intimate dialogue between art and architecture that firmly embeds the new Museum within the distinctive historical setting of the city.”
On the occasion of the opening, French publishers Archibooks will launch a dedicated monograph on Stanton Williams’ transformation as part of their new series: L’esprit du Lieu. The book introduces the many facets of the building for the first time. In extensive texts, Stanton Williams, the Mayor of Nantes Johanna Rolland, the Director of the Musée d’arts de Nantes Sophie Lévy and consultants Max Fordham and Artelia will describe the concept as well as the content-related and artistic aspects of this new museum. Archival imagery and numerous illustrations complete this overview. To mark the opening of the Musee d’arts de Nantes and to coincide with the one-year anniversary of the appointment to design the new Museum of London, Stanton Williams will host a talk on 6 June, entitled Transformation and Continuity, as part of the London Festival of Architecture. Paul Williams and Patrick Richard will discuss the relationship between memory and architecture with writer and broadcaster Tom Dyckhoff at the Museum of London.
As part of the inaugural exhibition programme at the new Musée d’arts de Nantes, Stanton Williams has curated an exhibition that details the processes involved in designing a significant public museum. Located in the Salle Blanche ‘L’epopée d’un Project,
RRNews - Issue 25
71