SVA BFA DESIGN
MY NAME IS HSIAOPU CHANG, also as known as lumi. I’M A 24-YEAR-OLD GIRL FROM TAIWAN. THROUGHOUT THE SEMESTERS I’VE BEEN CONBINING MY WORK WITH WHATEVER I LOVE PERSONALLY AND TRYING TO REACH A PLACE WHERE A PERSONL WORK CAN ALSO TOUCH OTHERS. IN OTHER WORDS, THE WORKS I’VE DONE represent who I AM AND WHAT I LOVE.
07 Hsiaopu Chang 2016 BFA Design Sophmore portfolio
12 36 46 70 78 92
visual literacy conceptural works from visual literacy, and i’ve learned how to think outside of the box and be playful.
special worKshop/ daily project CREATE A FIGURE OF ANIMAL BY USING ramdom ELEMENTS AND LEARN HOW TO SOLVE PROBLEMS WITH very LIMITED SOURCES. THE FINAL PROJECT OF THE CLASS “HISTORY OF GRAPHIC DESIGN” which is to make art everyday.
illustration work notebook and card DESIGN WORKS BASED ON MY ILLUSTRATIONs and pen dwawings from the dwawing class during spring semester.
design procedure POSTERS DESIGN INSPIRED BY specific MOVIEs AND 125 variation posters based on a book cover image.
printmaking in cuba EXPERIENCE THE BEAUTY OF CUBA AND LEARN HOW TO MAKE PRINTMAKING ART WITH THE LOCAL WORKSHOP. LEARN THE TECHNIC OF DIFFERENT PRINTMAKING.
branding MAKE BOOKS OF A SPECIFIC THEME AND DEVELOPE THE VISUAL LANGUAGES.
typefaces study, and design a new typeface with classic letter form knowledge.
15 | visual literacy | 2016 | 15 x 22 inches |
16 i miss summer
17 | visual literacy | 2016 | 15 x 22 inches |
got an a+++ for the first time
19 | visual literacy | 2016 | 15 x 22 inches |
had a fight with my twin
21 | visual literacy | 2016 | 15 x 22 inches |
hang out with friends
23 | visual literacy | 2016 | 11 x 17 inches |
24 children splashing in a pool
25 | visual literacy | 2016 | 11 x 17 inches |
26 insect hitting a windshield
27 | visual literacy | 2016 | 11 x 17 inches |
Using the geometric shapes indicated below as the focal point of each design, create eighteen(18) identifiable images by adding other elements while maintaining the integrity of the given mark. Solutions must be executed with technical proficiency. Use black and white unless the concept dictates otherwise.
| visual literacy | 2016 | 16 x 23 inches |
Graphic designers often use symbolic appilications to best communicate an idea.
31 | visual literacy | 2016 | 16 x 23 inches |
33 | visual literacy | 2016 | 13 x 18 inches |
35 | visual literacy | 2016 | 11 x 17 inches |
old flying witches
special workshop / daily project
hanoch piven workshop
38 dr. chicken
41 we were asked to bring all kinds of waste or abandoned objects in order to recreate an animal-ish figure out of ramdom elements and solve problems within limited time. the animal i made is a chicken based little bird. after the workshop, i was introduced to a different way of thinking and creating. special thanks to hanoch piven.
meltimng colored ice cube
42 daily project
43 | history of graphic design | final presentation | 2016 | 48 seconds |
45 i put water color in ice cubes and melt them on A big piece of paper and document THE MELTING PROCESS. itâ€™s a 48-second-long film with 235 pictures in it. a cuBe a day, 101 days in total.
47 instructed by Skip Olga
67 Day 3
itoR es s
68 Tiny Stories The saddest word in the whole wide world is the word almost He was almost in love. She was almost good for him. He almost stopped her. She almost waited. He almost lived. They almost made it. Nikita Grill
He was alomist in love. She was almost good for him. He almost stopped her. She almost waited. He almost lived, They almost mede it. The saddest word in th whole wide world is the word almost. He was alomist in love. She was almost good for him. He almost stopped her. She almost waited. He almost lived, They almost mede it.
The saddest word in the whole wide world is the word almost. He was alomist in love. She was almost good for him. He almost stopped her. She almost waited. He almost lived, They almost mede it.
| typography poster design | 2016 | 11 x 17 inches |
69 Nikita Grill
AKE ME UP
greeting cards design
74 #fieldtripinEATALEY #anHourSketch #ham #cheese #drawingclass
YOU ARE WHAT YOU EAT
WAKE ME UP WHEN SCHOOL IS OVER
76 BRUNCH AT TIFFANYâ€™S
g MAR SCOTIN RSE SE
r b ROB ERT DEN IRO
instructed by Peter Albert
movie series poster design
81 | design procedure | 2016 | poster design | 11 x 17 inches |
movie poster design
| design procedure | 2016 | poster design | 11 x 17 inches |
DEAD MAN Jim Jarmusch
doubel-sided movie poster design
85 design procedure 2016 poster design 11 x 17 inches
based on all the elements on the original book cover, create25 vary posters a day.
29 games for parties
29 games for parties for children age s 3 to 12
89 | basic design workshop | 2016 | 8.5 x 11 inches |
91 ORIGINAL COVER
printmaking in habana, cuba
96 flower man
97 | sva destinations | printmaking | 2016 | wood board | 10 x 10 inches |
Linoleum cut printmaking part I
102 BEHEADED MAN
lithography printmaking PART I
104 smoking feet
Linoleum cut printmaking part II
106 wind pattern
lithography printmaking PART II
Linoleum cut printmaking part III
114 chinese charater â€œpuâ€œ
PU in chinese means “unpolished jade“ which is the last charater OF my CHINESE name.
[ pu ]
type specimen book
A TYPE SPECIMENT BOOK OF THE TYPEFACE “WESTERN BANG BANG” WHICH SHOWS THE DETAILS AND CREATES AN APPRICIATATABLE STYLE OUT OF IT.
western bang bang
a b c
A l pbha s t e
d e f g h i j k l m n o p q r s t u v w x
ABC DEF GHI JKL MNO PQR S TU VWX
MMMMMMMMMMMMMM MMMMMMMMMMMMMM MMMMMMMMMMMMMM MMMMMMMMMMMMMM WMMMMMMMMMMMMM MMMMMMMMMMMMMM MMMMMMMMMMMMMM MMMMMMMMMMMMMM MMMMMMMMMMMMMM MMMMMMMMMMMMMM MMMMMMMMMMMMMM
1.,;2!?3%4 &# 5 6 7@8()9^1$/0>
1112 1415 16661 20 22232425
I WILL ALWAYS REMEMBER YOU WILL ALWAYS REMEMBER YOU ILL ALWAYS REMEMBER YOU L ALWAYS REMEMBER YOU ALWAYS REMEMBER YOU
WAYS REMEMBER YOU AYS REMEMBER YOU YS REMEMBER YOU S REMEMBER YOU EMEMBER YOU MEMBER YOU EMBER YOU MBER YOU BER YOU ER YOU R YOU YOU
LWAYS REMEMBER YOU
A SUBCULTURE STUDY BOOK OF HIPHOP WHICH SHOWS THE VISUAL LANGUAGE OF HIPHOP CULTURE AND presentS THE TYPEFACES WHICH are commonly seen in GRAFFITI art. HIPHOP CULTURE WAS ORIGINALLY DEVELOPED IN NEW YORK CITY AND HAS BECOME A WORLD WIDE POP CULTURE NOW.
Graffiti Presentation â€” Title
Graffiti Page No.4
writing in the United States, it gained widespread attention in the late 1960’s and 1970’s. Most Americans have come to associate this graffiti explosion with urban gangs.
Although gangs have produced a portion of urban graffiti during the last three decades, most is more accurately linked to hip hop, a mix of cultural practices that appeared in New York and other U.S. cities during the mid1970’s.
Presentation â€” Title
HIP HOP TITLE
amsterdam graffti amsterdam graffti
posca mad thrasherz
posca mad thrasherz
STUVWXYZ ABCDEFGHIJKLMNOPQR abcdefghijklmnopqrstuvwxyz STUVWXYZ 123456789.,?! abcdefghijklmnopqrstuvwxyz 123456789.,?!
ABCDEFGHIJKLMNOPQR STUVWXYZ STUVWXYZ abcdefghi jklmnopqrstuvwxyz abcdefghi jklmnopqrstuvwxyz 123456789. 123456789. ,?! ,?!
CU LT UR E
hi fo p h Br rm op i re on ed d s a ex gga x in ur su re pan e, Ne ing b-c pr d dis w t u es ed co Yo he ltu en in rk ea ra a t ta o n r ti a d f Cit ly 1 l mo on w un y. 97 v H i 0s em w de k, a e or ly hi vi ld a p h ng in t nt t w cce op its he ha id S e. pte ha ro ou t d s s ot th fo s rm inc in e of
n io sh fa 137
Presentation â€” Title
Hi p al ho ur so p f is ba k as n st a d n f ow hio yl ist as n n, e o in hi as o f Am r ri f ct on an er om gin dr iv , d ic Af at ess e ot an r in ci he , L ica g sc ty r at n en y inn in e o ou er f N th ew on Yo the Ci rk ty .
138 A BOOK OF THE BRAND “HIGHIQ“ WHICH SHOWS THE WHOLE GRAPHIC ELEMENTS AND VISUAL LANGUAGE OF THE BRAND AND design products that support the sensation of the brand. the notion of the brand book is to enjoy and just smoke.
H A brand for professional smokers.
IGHIQ creats the art of SMOKING. Choose the type, shape, size and the color of your own customized weed stuff. Applying the latest 3-D printing tech and all you have to do is download the file online, then, you can PRINT your product out.
CUSTOMIZED WEED STUFF
SVA-BFA DESIGN 2016 16/SP BASIC TYPE I (DSD-2050-Z)
THE LOGO DESIGN & TYPEFACE
THE PRODUCT DESIGN & PROCESS
COLOR PALETTE & VISUAL LANGUAGE
PACKAGE & BUSINESS CARDS
HSIAO PU CHANG
1 2 3
ALL WELL DESIGNED BY WEED STUFF DESIGNER. THE LATEST 3-D PRINTING DELIVERY SYSTEM. HELP YOU DEFINE THE BEST SMOKING EXPERIENCE. HIGHIQ is the very first one, customize product ONLY for the real smokers. We will definetly level up the experience of smoking marijuana. The perfect gift for yourself, for your friends and of course, for the real smokers .
626 uC cha -203-6 hang ngp u04 799 20@ gm ail.c om
626Ch chan 203- ang gpu0 6799 420@ gm ail.c om
/ Matches Box
Hsi ao P
626 uC cha -203-6 hang ngp u04 799 20@ gm ail.c om
TH E O RD E R P ROCESS HIGHIQ has our own order system which allows the designers and the custome to communicate throughly for unlimited time. So dont worry! WE GOT YOU!
1 2 WITH VERY CLEAR CONSTRUCTION
more than 100 options CHOOSE THE METERIAL
Different kinds of meterials make sure that our customers can find the best and the most satificational experience of smoking.
3 4 5
IN YOUR FRONT DOOR!
MOCK UP PREVIEW AND CATOLOG
the latest pantone color palette CHOOSE THE COLORS
The amoung of color selection is fo good UNLIMITED! You can choose from one color to as many as you ever imagined!
AN ESTAMATED SIZE RANGE WILL BE PROVIDED
FINAL PRODUCT DESIGN AND REVIEW
XXS, XS, S, M, L, XL, XXL, XXXLARGE, HUGE
single (or multy) pipe, bowl, bong, chamber or hookah SELECT THE TYPE
animals, characters, cartoon, comics, basically, ANYTHING
SELECT THE SIZE
Is it going to be a pipe, a bowl, a bottle, a bong, a chamber or a hookah? Even mulity bong. Just name it!
From regular small one-handed pipe, to as big as a helmet, we can do it. The price raises depends on how big it is.
Surprise us with your IMAGINATIONS!!!
SMOKE WEED EVERYDAY
TYPEFACE AaBa AaBa AaBa AaBa AaBa AaBa AaBa
Roboto Black Roboto Bold Condensed Roboto Medium Roboto Medium Italic Roboto Light Roboto Thin Roboto Thin Italic
HIG HI HIGHIQ HIGHIQ DESIGN FOR DESIGN FOR PROFESSIONAL PROFESSIONAL SMOKERS AND CREATE AN ENJOYABLE SMOKERS AND CREAT AND PLAYFUL A ENJOYABLE BRAND DESIGN. AND PLAYFUL BRAND DESIGN.
HSIAOPU CHANG A.K.A: LUMI ADD: 219 E 23RD ST, APT 17, NEW YORK, NY 10010 TEL: +1 626 203 6799 E-MAIL: CHANGPU0420@GMAIL.COM