To nd out the answer to that question, I started doing an interesting exploration of blind drawing architectural experiences. The process begins with researching speci c buildings in terms of their architectural intent, the documented experience, and building elements. The next step is to do a blind drawing of the experience from my visit to the actual space. The conclusion is that I would document the experience in a new composition where it contains foregrounded moments, such as dramatic light and shadow, signi cant forms or details of a space, but not exactly aligned with the actual physical space. This process is representative of the individual perception, which organizes a new set of foreground and background compositions upon encountering a space.
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