Irene Dapunt busy itself in the last years in their work with the relation of language and picture, text and character. Beside large sized canvases usually small objects and first of all work on paper developed. Daily, almost diary-like it formulates on it its ideas and considerations: collage-like it combines here drawings, usually gegenständliche with photos, textiles and texts. The topics, which are treated in the new work, are strongly coined of personally female Sicht-und handling way. Although the artist in some work refers her person and her body, none finds a documentation of the same to the exhibition places the own everyday life. Or rather it uses these items as equal material. The voltage in these factories results from it that contents and aesthetics do not correspond themselves often consciously, but is created moving in opposite . By the combination and arrangement of the individual pixels Irene Dapunt produces strong sensuous-erotic often also absurdironical suspense-creating moments. Irene Dapunt uses paper as projection surface: It concerns to sketch ideas to visualize conceptions of pointing possibilities out like somewhat being could. Always however these work is ambiguous, permits most diverse Lesarten and is characterized by strongly ironical moments. To approach irony as only possibility things and argue with them, but as of bringing the things on the point. Text from Bettina M. Busse
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Irene Dapunt最近几年一直忙于其创 作，探讨语言与图画、文本与形象 的关系。除了大尺寸画布之外，她 也创作了一些小物件和纸质作品。 每天，她都要像写日记一样制定自 己的观点和事项：像拼贴画一样连 接着各种图纸，还会附有照片、布 条和文字。新作品中的主题，是通 过个人化、女性独有的视野及处理 手法被有力地创造出来。尽管有些 作品其实指向艺术家本人乃至其身 体，但是没有人能找到和这些展 览、特有的日常生活一样的文献记 录。或者更确切地说，将这些东西 当成可以相媲美的材料来用。 从这些工厂中生产出来的电压导致 了一些并不有意识地与自身保持一 致的内容和美学，它们是在相反的 运动中创造的。通过组合和排布独 个像素，Irene Dapunt创造出强烈 的、色情的，并且经常是荒诞-讽刺 的、制造悬疑的瞬间。 Irene Dapunt把纸当做投影面，试 图通过描绘想法来将一些理念形象 化，譬如将一些可能性指明。这种 作品往往是模糊的，允许多种不同 的版本存在，甚至有时候有强烈的 讽刺意味。 把讽刺作为唯一可能的事去接近， 并和它们争辩，但要把事情带到关 键点之上。 Bettina M. Busse撰文
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