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The make up artist

Damian

Garozzo interviewed by Simina Turcu


You have such an impressive CV, working with some of the best of the best magazines. Who did you enjoy working for the most? It'd be unfair for me to single out one client/or magazine, so i'd have to say currently I enjoy working most with my mentors. I'm still fortunate enough to work alongside some of the industries biggest names in makeup, on huge editorials (Vogue/ Num�ro) and campaigns (Chanel etc.) Nothing compares to being able to witness the masters in their element, its awe inspiring.

Jed Root, Inc.


What looks have you loved this season? Raf Simons last show for Jil Sander this season was breathtaking. The makeup was impeccable, matte "rose-petal" lips paired with minimal porcelain skin- it embodied all thats great about makeup artist Peter Philips work.

Do you have any 'go-to' signature looks that works every time? I generally lean towards more beautifying makeup. "Ugly/ arty" works for the avantgarde cartwalk, but when it comes to the street nothing beats a classic smokey eye and nude lip, or simply a few coats of mascara paired with a bright lipstick/ or stain. - these types of looks can be tailored to flatter any face.


What are your favorite 2012 trends?

What made you become the person that you are?

At the moment, i'm loving bold brows, and bright lips in matte textures.

My parents: Its not everyday that a boy tells his parents he wants to be a makeup artist, and its a miracle they actually encouraged me to chase my dreams half way across the world!

What do you dream of for the future? The usual I guess, health/ wealth and travel! Living in Paris is a fairytale (when you're not trying to hail a cab, or order a coffee, or post a letter internationally!), but I also love the progressive energy of cities like New York and London, so working regularly between these cities is something I aspire to in the future.


L OVE U BABY L OVE S

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Th emuse um ofb r ok e n Re lat i onsh i p s And t he c on c ep to f f a i l ed r e l a t i on s h i p s and t he i rr u i n s . P eop l e emb r a c ed t he i de a o fe xh i b i t i ng t he i rl o v el ega c ya sas o r t o far i t ua lt os t r eng t hen our be l i e fi ns ome t h i ng mo r e me an i ng f u l t h an r andom s u f f e r i ng .


An Ex Ax e


A Wedd i ng Dr e s s

Gr aph i c De s i gn Book


Que st i oni ngt h ed ar ki nf ash i on Ther e ar ea l ways two s i des t o everyt h i ng - good aga i ns t bad , l ove aga i ns t ha t e and b l ack aga i ns t wh i t e .T wo di f f er en ts i des t o every s t ory . T wo s i des o fac o i n . The wor l d ar ound us seems t or o t a t e ar ound op p osi t e s . Wha t wou l dt he mean i ng be o f one w i t hou tt he o t her i nt he end? Cou l d you i magi ne t he good w i t hou tt he bad , wou l dt he dark s i de o f a sou l exi s t w i t hou tt he good s i de ? No ta ta l l . Th i s app l i es t of ash i on as we l l . Wou l d be Do l c e be Do l c ew i t hou t Gabbana ? V i c t or w i t hou t Ro l f? Pr obab l yt he c omb i na t i on o f oppos i t es i s wha tc r ea t es t he amazi ng ,t he un i que and t he spec t acu l ar i nf ash i on . One o ft he l a t es tt r ends t ha t some savvy des i gner s have exp l or ed i st he dua l i ty o ft he sp i r i t ,t ha t dark s i de t ha t we k i nd o fw i sh t of or ge t , bu t t ha t so i nev i t ab l y a t t r ac t s us . L i k e Be t sey Johnson ,w i t h her 2 0 1 1 2 0 1 2 A/W c o l l ec t i on ,t hose mode l s wer e l ook i ng a t you l i k eo l d Go t h i cw i t ches ,w i t ht he i r pa l e sk i n and dark ha i r bu ts t i l lt he t ouch o fr ed f l ower s and c o l our made t hem somehow so f t er , l i k ei ft hey wer e mak i ng f un o ft he i r dark s i de . Chane l on t he o t her hand ,f an t as t i ca l l yr ep l i ca t es t ha t sense o fl one l i nes s typ i ca lo ft hose cr e at ur e soft h eni g h t . C r a i g Lawr enc e exp l or ed a modern Go t h i c Jane E yr e . And t hen aga i n Gar e t h Pugh sen t us di r ec t l yt ot he next l eve lw i t ht he Got h i cq ue e nt ha t seems t o be c om i ng f r om t he moon . A f t er a l l , wha t wou l d we be w i t hou tt he b l ack days , t he summer b l ues , t he gr ey , c osy Sunday a f t ernoons t ha tl ead t ot hose i n t er es t i ng c onver sa t i ons w i t h your i nner se l f? I canno ti magi ne t he wor l do ff ash i on w i t hou tt he expr es s i on o ft he dark s i de o ft h i ngs , because i ti s wha t mak es us appr ec i a t et he f l owery summer c l o t hes and t he odd p i nk i sh ou t f i t , and mos to fa l l ,i t mak e us l ook f orwar d t ot he summer c o l l ec t i on a f t er a dark t oned w i n t er , or wha t mak es us de si r eso much a new l ea t her jack e t and r ocky boo t s . We a l l wan tt oa tl eas t onc e expr es s our dark h i dden s i de , even i f jus t f or a shor ti n t ense momen t .F ash i on l e t s us do t ha tw i t h no r e g r e t s , and l e t ' s no tf or ge t ,w i t h any c onsequenc es ! Ale ssi aGot t ih t tp : / / i wan t owork f or f r anca . b l ogspo t . c om/


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