Page 1

LISA BIELAWA

Double Violin Concerto for the Boston Modern Orchestra Project with Colin Jacobsen and Carla Kihlstedt

2008 with text by Goethe, translated by Walter Kaufmann

Commissioned by BMOP and Premiere: The Campaign for New Works, Frederica and James R. Rosenfield, James Barnett and Carolyn Haynes, and the Radcliffe Institute for Advanced Study. Composed in Residence at the Radcliffe Institute. Š2008 by Lisa Bielawa


LISA BIELAWA Double Violin Concerto I. Portico II. Song III. Play Within a Play TRANSPOSED SCORE Duration c. 24:00

Instrumentation Two Solo Violins 2 Flutes (Fl.2=Picc.) 2 Oboes (Ob.2=Engl. Hn.) 2 Bassoons 2 Horns in F 2 Trumpets in C Trombone Accordion Strings

p.1 p.11 p.34


TEXT for II. Song from Goethe’s Faust Translated by Walter Kaufmann You know, the stage… Lets each do what he wants to do; Tonight, therefore, I say to you, Do not spare our machinery, Employ the sun and moon, do not hold back! Use all the stars we have in stock; Of water, fire, walls of rock, And beasts and birds there is no lack. Leave the great world, let it run riot, And let us stay where it is quiet. It’s something that has long been done, To fashion little worlds within the bigger one. Used by permission of David Kaufmann, trustee of the Estate of Walter Kaufmann.


Performance Notes Ornamentation and the Ornament Library This symbol †is found in the solo violin parts in all three movements, and in the accordion and principal cello parts in movement III. It always accompanies a bracket-indicated passage, like this: †

!O"

#! !

! " R

This notation indicates that the player may ornament the bracketed section, using elements from the attached Ornament Library, and adapting them if necessary to include the versions of the neighbor notes that appear in parentheses. The embellishments in the Ornament Library range from very simple to very florid. Some of them can be altered to fit into various diatonic or modal contexts (in which case any accidentals that appear in the Library are in parentheses), and others are more strictly defined (in which case the accidentals appear without parentheses). Material from the Ornament Library may also be used in the Cadenza in Movement III, pg. 76. E-String Violin In Movement II, Carla plays an alternate violin strung entirely with E strings and tuned to the following pitches: IV

! #$

III

$

$

II

"I$


Ornament Library " !$" # !

SAME-NOTE ORNAMENTS:

! % %

#%

% %

' %%

%%

%%'

%

!$"% % ! % % % %

% $% $ % %

&%

%% (

#

%

!$" % %

3

3

%%

#

%

!$" % %

"!$" # % $% $% % % %

% % % % % $% % % 3

% % %!$"% % #

% %%%# %%

%!$"%!$"% % %

#

3

)!$"))!$")

% $%% ! %% $$" %% %

"!$" # % % %*% % % % %

$% % %%' $% % &% % %

ASCENDING ORNAMENTS:

#

(maximum gliss: 3rd)

! # ! %

% %$

%$

%

% % % % % %

% %$

% %$

% $% % % % &% %

%

&$

etc.

&

%

%

%

%

' %%

%

!"" %

etc. % % % % *% & *& && & $& & && *&

or adapt any same-note ornament to ascend

DESCENDING ORNAMENTS:

! %%% # ! #

& & &

#

(maximum gliss: 3rd)

etc.

% !$"% !$"%

%

or adapt any same-note ornament to descend

#

%

G%

% % % %

% % % !& & & " (or any lower note)

% % !$"% !$"% %

#

$% % &% $% $% &% % % G

% &% % % !*"%

%

% etc.

%

%


Double Violin Concerto for Colin, Carla, Gil and BMOP

TRANSPOSED SCORE

Lisa Bielawa 2008

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73

Fl. 2

Ob. 1

f 3

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Vln. I

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11

II. Song *N.B. - Carla uses E-string violin for this movement (see Performance Notes) text by Goethe, trans. Walter Kaufmann

! ! Piccolo " !

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Flute 1

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.

. . . . . .

.

. . .

f

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.

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"bonk" w/ hand on mouthpiece (approx. timing)

f

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1

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play any note as desired. do not align with each other.

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17

! Picc. " 36

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repeat as desired. do not align with each other.


18 39 ! )'9 Picc. " 3

"

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19

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34

Accordion

III. Play Within a Play

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71

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73

! ; Fl. 1 " 8 268

Fl. 2

Ob. 1

Ob. 2

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74

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C Tpt. 1

Vln. I

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; 8

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Bsn. 1

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75

282 ! ; (% Fl. 1 " 8

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Bsn. 1

Bsn. 2

Hn. 1

Hn. 2

C Tpt. 1

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76

X CADENZA Play 2-4x (cue off Carla)*

x only ! % 1st (% ( % Fl. 2 " 289

% (% "" %

to Eng. Hn. 1st x only

Ob. 2

(

#

#

#

#

#

#

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#

#

#

#

#

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Soloists: Use elements from Ornament Library and/or other thematic material from the piece for cadenza. Sections between brackets are suggestions only.

X CADENZA Play 2-4x (cue off Carla)*

+/, always hand off cadenza with this gesture. ! %+ ( / # % ( (( Colin " Carla

% % "" % ) O &+&+& & &

&&

mf

&&

X CADENZA Play 2-4x (cue off Carla)*

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bow as needed

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77

+/, accel. ! +( / + ( ( 4 ( + ( ( + ( ( ( +( (4(+( ( +( ( ( ( ( ( ( ( ( ( ( ( Colin " 306

mf

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78

! Hns. "

#

#

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#

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325

C Tpt. 1

C Tpt. 2

Tbn.

"

%

! 8 ! 8 ! 8 ! 8

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79

AA

! ; Ob. 1 " 8

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; "8

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/ / ; ! ( &( ( (/ -& ( ( ( *( &( ( (/ , . . . mf

334

Eng. Hn.

Bsn. 1

Bsn. 2

C Tpt. 1

C Tpt. 2

Tbn.

Accord.

Vla.

Vc.

Cb.

mp

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e=e Poco Piu Mosso

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Carla

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80

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341

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"

Colin

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81

! Ob. 1 " ( .9 ( ( 345

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Double Violin Concerto  

Lisa Bielawa: Double Violin Concerto for two violins and chamber orchestra

Double Violin Concerto  

Lisa Bielawa: Double Violin Concerto for two violins and chamber orchestra

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