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L I S A

A D A M I

- LCF BA FASHION DESIGN GRADUATE -

F A S H I O N

D E S I G N

P O R T F O L I O


L I S A A D A M I - LCF BA FASHION DESIGN GRADUATE -

F A S H I O N

D E S I G N

P O R T F O L I O

lisaadami@hotmail.com +44 7393860607 https://www.linkedin.com/in/lisa-adami-9976223a/


CONTENT .

1. GRADUATE COLLECTION - HANDWERK 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.7

MOODBOARD FABRIC BOARD PRINT DEVELOPMENT 3D PRINT DEVELOPMENT EXAMPLES OF SPEC-SHEETS RANGE PLAN ILLUSTRATIONS PHOTO SHOOT

2. TEXTILE DESIGN PROJECT - PARIS STUDY EXCHANGE 2.1 2.2 2.3 2.4 2.5

MOODBOARD COLOUR PALETTE PRINT DEVELOPMENT KNIT DESIGNS WEAVE DESIGNS

3. MCQUEEN INDUSTRY PROJECT 3.1 3.2 3.3 3.4 3.5 3.6 3.7

MOODBOARD TREND RESEARCH PRINT DEVELOPMENT AND FABRICS TRIMMINGS DESIGN DEVELOPMENT EXAMPLES OF SPEC-SHEETS PHOTO SHOOT


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DESIGN DEVELOPMENT

COMMODIFIED SELF


FABRIC SELECTION


PRINT DEVELOPMENT


PRINT VARIATIONS


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


3D PRINT DEVELOPMENT


DESIGN DEVELOPMENT


Strap: fold in the middle overlock (EFd) raw edge, topsttich in center of overlocking sttich Thread - Bobbin: Thread To p s t i t c h i n g : Mara 70, 36 Stitch Length: 2.5cm length

Eyelet positioned at left cuff corners and below right front neck

Tu n n e l inside: stitch on folded over and on one side overloked and topstitched

-EXAMPLES OF SPEC SHEETS

Inside cuffs, and collarstand are bound and then sitch onto sleeve/bodice. Left back bottom extension is bound Hem: pin hem double rolled 3mm

fuse tape neckline and armhole to make it stronger and prevent wearing out

Run and fell seam on main bodice and sleeve

Inside on tunnels button holes function as opening for drawstring 3/4 stitch length


EXAMPLES OF SPEC-SHEETS


PRODUCT RANGE


ILLUSTRATIONS


CLIMATE - BRIEF KILLING OURSELVES THE PROJECT LOOKS INTO THE CYCLE OF POLLUTION AND INTO NATURES AND THEIR REACTION THE EARTH, A SELFSUSTAINING ORGANISM KNOWN AS “GAIA” THE PLANET REPRESENST A FRAGILE BALANCE OF CONNECTED SYSTEMS. EVERY ELEMENT MUST INTERACT IN ORDER FOR THE ECOKILLING OURSELVES - INFLUENCE THE PROJECT LOOKSCAUSING DESYSTME TO HARMONISE. MANʼS HAS BEEN INTO THE CYCLE OF POLLUTION, IT’S IM- CYCLES. STRUCTION AND HAS BEEN DISRUPTING NATUREʼS ENERGY PACTS AND INTO NATURES REACTIONS THE RESULT: EXTREME WEATHER CONDIDITIONS AND NATURAL DISASTERS HUMAN INFLUENCE GLOBAL WARMING SINCE Smoke does ourON lungs and spirits chokeHAS our ACCELERATED hanging THE 1950S DUE TOspoil, THE and USE uOFrust FOSSIL FUELS FOR ENERGY OUTPUT. our iron”, College TOXIC FOR NATURE AS THEIR EMISSIONS - Balad SMOGof Gresham ARE HIGHLY HUMANS. WE ARE CHOKING ON THE DUST BY US PRODUCED BUT WE CONTINUE PRODUCING, FINALLY WE WILL END DESTROYING NATURE AND OURSELVES.

C L I M A T E

The earth, a selfsustaining organism, represenst a fragile balance of connected systems. every element must interact in order for the ecosystme to harmonise. Man’s influence has been causing destruction and has been disrupting nature’s energy cycles. The result: extreme weather condiditions AND natural disasters GLOBAL Global warming and naturally changing weather patWARMING AND NATURALLY CHANGING WEATHER PATTERNS HAVE REterns have resulted in some of the most extreme weathSULTED SOME OF THE MOST EXTREME WEATHER CONDIDITIONS ON er IN condiditions on record. RECORD. Climate is changing, and that is largely caused by human activities which are largely irreversible. Glbal s caused by greenhausegases (fossiil fuels, THE warming CLIMATE inCHANGE CONFERENCE COP21 HELD IN PARIS IN 2015, burning, bforestation, coal burning, co2) areosols, MARKScausing THE FIRST OCCASION 20 YEARS OF UN NEGOTIATIONS THAT earth dinmming,IN solar activity)orbital cycles ALL NATIONS BE BOUND BY glaciers A UNIVERSAL CLIMATE AGREEMENT. Effects: WILL sea levels risings, meling, retreat, warming of eath extreme weather MISSING CARBON TARGETS SEEMS TO BE INEVITABLE BUT THERE ARE human influence on global has accelerated SUGGESTIONS THE WORLD COULDwarming BE 4 C (39.2 F) WARMER BY 2100 since the 1950s due to the use of fossil fuels for enerUNLESS CARBON TARGETS ARE REDUCED BY FIVE TIMES MORE PERgy output. THEIR EMISSIONS - SMOG ARE HIGHLY TOXIC FOR YEAR NATURE THAN CURRENT RATES. AS HUMANS. WE ARE CHOKING ON THE DUST DISASTERS BY US PRODUCED BUT WE CONTHE INEVITABILITY OF NATURAL TINUE PRODUCING, FINALLY WE WILL DESTROYING NATURE BY THE BURNING OF SMOG IS A TYPE OF AIR POLLUTANTENDCAUSED AND OURSELVES. LARRGE AMOUNTS OF COAL WITHIN ACITY OR DRIVING FROM VEHICUa global environmental disaster is overdue.

LAR EMISSIONS AND INUSTRIAL FUMES. THEESE REACT IN THE ATMOSPHERE WITH SUNLIGHT OT FORM SECONDARY POLLUTANTS THAT ALSO COMBINED WITH THE PRIMARY EMISSIONS TO FORM PHOTOCHEMICAL SMOG. SMOG HIGHLY TOXIC CAUSES SEVERE SICKNESS SHORTENS LIFE OR DEATH WE ARE KILIING OUR SELVES

INSPIRATION

A GLOBAL ENVIRONMENTAL DISASTER, WHICH IS OVERDUE, CLIMATE IS CHANGING, AND THAT IS LARGELY CAUSED BY HUMAN ACTIVITIES WHICH ARE LARGELY IRREVERSIBLE. GLBAL WARMING IN S CAUSED BY GREENHAUSEGASES (FOSSIIL FUELS, BURNING, BFORESTATION, COAL BURNING, CO2) AREOSOLS, CAUSING EARTH DINMMING, SOLAR ACTIVITY)ORBITAL CYCLES


SA NEES NETFO ,YTILAUQ LACIGAM A EVAH SDUOLC .SELATYRIAF DNA SMAERD FO LIGHTNING C NEZORF RO STELPORD DIUQIL -FECLAIRE O SSAM E- LANGER BISIV AOF NATURE SUDDEN ELECTROSTRATIC DURING AN ELECTRICAL STORM BETWEEN ELECTRIC CHARGED REGIONS A EPSUS SLACIMEHC SUOIRAV RO RETAW FO EDADISCHARGE M OR AN OTHER CLOUD OR THE GROUND . CLOUDS EQUALIZE THEMESELVES ALP EHT FO ECAFRUSOF EHAT ECLOUD VOBA EBETWEEN REHPSOMTHAT TA EHCLOUD T B DEDIVIDBUS DNA THROUGH SMROF LADISCHARGING CISYHP 5 NI DALSO EDIV CALLED STRIKE IT HITS AN OBJECT ON THE GROUND. DURATION OF A STRIKE IS USUALLY AROUND 30MICROSECONDS. LIGHTNING USUALLY OCCURS WHEN WARM AIR AND COLDER AIR MASSES ENITHIRB ECNANIMUL EHT .EREHSOPORT NIHTIW OH YB DENIMRETED SARE I ERMIXED EHPSOM. THERE OH EHTARE NI D3UTYPES OLC CG (CLOUD D=TO GROUND), CC (CLOUD TO CLOUD) OR IC (IN CLOUD) UNPREDICTABLE UNKNOWN DETTTIMSNART DNA DERETTACS ,DETCELFER SI GIL RETTACS STELPORD EHT .SELCITRAP SDUOLC SOBA NOITCELFER FO SSECORP SIHT .YLTNEIC A :SDUOLC .SRULOC DUOLC F EGNAR EHT SESUAC EOP A YNAM ROF NOITARIPSNI F ECRUOS REDNOW NUS NEHW ETIHW SRUOLOC .SDUOLC FO YRTEP BROSBA OT RAEPPA SDUOLC NIHT ,HGIH /DER .RUOLOC SDNUORGKCAB/STNEMNORIVNE C TI SNAEM EULB NEERG ,ESIRNUS TESNUS - SKNIP/ NI STNETULLOP OT EUD WOLLEY RETAW FO TOL A D OT YAD A NO NI EVIL EW GNITEMOS SI RETAEW EB YAM STSIGOLOROEEM LLEW WOH ETIPSES DNA NIMOCEB SI TI STNEMEVOM DNA DOOM STI TCIDERP NIW GNIKAERB DROCER SA SSELWAL EROM DNA AEW .YLGNISAERCNI SWEN EHT DOOLF NIAR SU LSNORTNOC TI ECIOV RENNI SʼERUTAN

BLUE - THE MOST APPRECIATED COLOUR IN WORLD. IS USUALLY ASSOCIATED TO POS T H I N G WILD BUT C BEAUTIFUL DAN

SKY SEA PEACE TRANSLUSCENT ELECTRIC IN GIBLE INSUBSTANTIAL FUMY SMOKE CL LIGHTNING ELECTRIC WEATHER BREEZE F POWER DYNAMISM ACTION STORM WIND P OCEAN HOR

SAD DISTANCE UNKNOWN DULL OBS THICK DENSE DARK WILD COLD FROZEN EM ELUSIVE GRIEF SORROW DEATH BITTER SOM DISMAL DEJECTED MORBID DOLEFUL MON NIE SILENCE SECRECY STILL UNCERTA VAGUE UNSURE DELUSORY ELUSIVE F FALLACIOUS CONTRAST ILUSORY DECEP EVANESCENT TRANSCIENT EQUIVOCAL F TIVE INDEFINITE IMPONDERABLE INCOMPRE SIBLE AMBIGUOUS DEVIOUS INDIRECT F FRIGID VIOLENT WET HOWLING GHOST HAU MENACING SAVAGE FRIGHTENING M CIOUS LOURING FIN

CALM COMFORTING CONTEMPLATION D

DEPTH FAITHFULNESS CONFIDENCE REASSU FIDELITY INFINITY SERENE TRANQUIL SU EMPYREAL DIVINE SUPERNATURAL DAINT LESTIAL ETHEREAL BEAUTIFUL SPOPHISTIC SILENCE H

MOODBOARD

ENNUI SOBR JAUNE CURIOSITE SPONTA VIOLET MORT MYSTICISME SERET SP T A L I T ORANGE DYNAMISME EXUBERANCE S R I T DEBRIDE - ENTFESSELT/ZUEGEL


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BLUE - deep blue THE MOST APPRECIATED COLOUR IN THE WORLD. IS USUALLY ASSOCIATED TO POSITIVE THINGS WILD BUT CALM SKY sea peace TRANSLUSCENT electric INTANGIBLE insubstantial fumy SMOKE CLOUD LIGHTNING electric weather breeze force power dynamism action storm wind peace ocean horizon sad distance unknown dull OBSCURE THICK DENSE DARK wild cold frozen EMPTY ELUSIVE GRIEF SORROW DEATH bitter somber dismal dejected morbid doleful monotonie silence secrecy still uncertainty vague unsure delusory elusive frail fallacious contrast Ilusory deceptive evanescent TRANSCIENT equivocal fugitive indefinite imponderable incomprehensible ambiguous devious indireCt froid frigid violent wet howling ghost haunted menacing savage frightening minacious finster CALM COMFORTING contemplation deep DEPTH faithfulness confidence REASSURING fidelity infinity serene tranquil subtle empyreal divine supernatural dainty celestial ethereal beautiful spophisticated silence HOPE yellow: bitter yellow illuminates our vision and leads our eye. the brightes colour of the colour spectre luminous immediate perception even from far, very vivid light lighning sun life hope faithful loyal heat accident prevention energy electricity visibility clear ARTIFICAL DANGEROUS alarming apocalyptic threatening menacing HOT HURTFUL warning of possible danger or calling for caution Toxic substance or poison energic attracts attention luminous brilliant shiny lucid vivid illuminating creates the illustion that objects are closer then they are heat power strenght engaging very lively fire activity danger unsafe dynamisme orange = menacing orange formed of the energy of red and the entuthiasm of yellow lightning electricity visibility ARTIFICAL DANGEROUS alarming apocalyptic threatening menacing HOT HURTFUL warning of possible danger or calling for caution Toxic substance or poison energic attracts attention luminous brilliant shiny lucid vivid illuminating creates the illusion that objects are closer then they are heat power strenght engaging very lively fire activity danger unsafe dynamisme

white: CHOCKING white PUREST COLOUR clouds snow cold glacier virtue goodness fidelity hope divine positive clean security simplicity innocent CALM serene silence relaxing pure poetic dream soft comfort TRANSLUSCENT smoky fading fragile vulnerable youth black: obscure black Black is both a color and the absence of color, color without color mysterious dark negative death unknown uncertain unfortune danger menacing threatening trouble bad evil destructive vicious wiched harmful intimidating frightening omen absorbs all the colours heavy thick dense intense dominating powerful strong dynamic agressive obscure somber neutral trist sad depressing hopeless end anxiety frightening solitude emptiness invisiblity shadow undecided DISTANT apocalyptic

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THE PALETTE CONSISTS OF A MIX OF VERY DARK VALUES A FEW MID TONES AND A VERY LIGHT COLOURS. THE HIGH AMOUNT OF DARK COLOURS MAKES THE COLOUR PALETTE FEEL VERY HEAVY AND MELANCHOLIC AND THE CONTRAST BETWEEN THE CLEAR AND OBSCURE COLOUR IS EXPLICIT. THE CLEAR COLOURS LIGTHEN THE PALETTE UP AND GIVE IT SOME lIFE.

hues the palette is composed of only 4 main hues of the colour wheel and the achromatique colours white black and grey. the hues are very opposing, violet AND blue on one side and yellow and orange on the other side. A clear contrast is visible. Orange and Yellow colours are very important for the balance of the colour palette.

COLOUR PALETTE

grey: melancholic grey neutral, unknown TRANSLUSCENT evanescent professional empty no emotion trist sad melancholic grumpy grey weather grey mood depressing moody monotonie DISTANT deep

violet = LOURING violet formed by the energy of red and the tranquillity of blue YOUTH MAGIC MYSTERIOUS MELANCOLIC humility ARTIFICIAL SECRET excentriC energy TRISTE OBSCURE DISTANT DEPTH ambiguity ambivalence equivocal uncertainTY equivocal DUBIOUS inaccessible distant dignity honourableness portly ROYAL RICH GRAND ASTONISHING CALM spiritual DREAM SWEET soft delicate vulnerable


DESIGN DEVELOPMENT


KNIT DEVELOPMENT


PRINT DEVELOPMENT


COLOUR VARIATIONS


PRINT DEVELOPMENT


COLOUR VARIATIONS


PRINT DEVELOPMENT


COLOUR VARIATIONS


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


WEAVE EXPERIMENTATIONS


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


WEAVE EXPERIMENTATIONS


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


WEAVE EXPERIMENTATIONS


WEAVE EXPERIMENTATIONS


CLOUDS HAVE A MAGICAL QUALITY, OFTEN SEEN AS A PLACE OF DREAMS AND FAIRYTALES. A VISIBLE MASS OF LIQUID DROPLETS OR FROZEN CRYSTALS MADE OF WATER OR VARIOUS CHEMICALS SUSPENDED IN THE ATMOSPHERE ABOVE THE SURFACE OF THE PLANET. DIVIDED IN 5 PHYSICAL FORMS AND SUBDIVIDED BY ETAGE WITHIN TROPOSHERE. THE LUMINANCE BRIHTINESS OF A CLOUD IN THE HOMOSPHERE IS DETERMINED BY HOW LIGHT IS REFLECTED, SCATTERED AND TRANSMITTTED BY THE CLOUDS PARTICLES. THE DROPLETS SCATTER LIGHT EFFICIENTLY. THIS PROCESS OF REFLECTION ABOSORPTION CAUSES THE RANGE F CLOUD COLURS. CLOUDS: A NATURAL WONDER SOURCE F INSPIRATION FOR MANY A POETRY. THE PETRY OF CLOUDS. COLOURS WHITE WHEN SUN IS VERY HIGH, THIN CLOUDS APPEAR TO ABSORB THEIR ENVIRONMENTS/BACKGROUNDS COLOUR. RED/ORANGE /PINKS - SUNSET SUNRISE, GREEN BLUE MEANS IT CONTAINS A LOT OF WATER YELLOW DUE TO POLLUTENTS IN AIR. THE WEATER IS SOMETING WE LIVE IN ON A DAY TO DAY BASIS AND SESPITE HOW WELL MEEOROLOGISTS MAY BE ABLE TO PREDICT ITS MOOD AND MOVEMENTS IT IS BECOMING MORE AND MORE LAWLESS AS RECORD BREAKING WINDS AND RAIN FLOOD THE NEWS INCREASINGLY. WEATHER = NATUREʼS INNER VOICE IT CONTRONSL US

WEAVE EXPERIMENTATIONS


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


KNIT EXPERIMENTATIONS


DESIGN DEVELOPMENT


KNIT EXPERIMENTATIONS


DESIGN DEVELOPMENT

KNIT EXPERIMENTATIONS


DESIGN DEVELOPMENT


MCQUEEN

INDUSTRY PROJECT “LEE” DIFFUSION LINE

“MEMENTO” REMEBER THE PAST AND THE GONE

CONCEPT The collection goes back to Lee's root, reflects on Lee’s Lee life, his past. his inspirations and work. It tries to achieve Lee’s desire to create emotions in people, through recalling us of our transient lifes and its inevitable end. “Memento” reminds us to reflect of our selfsand to honour our lifes. The collection is very self centered, allowing a quiet moment of reflection in a society where respite is unknown. It’s about getting to know yourself. It’s aiming to make people feel, reflect, dream and belief. Clothing is not seen as simple material product but as object that provokes thinking, create meaning and emotions. The collection is experienced, and not simply worn. The wearer, his experience, feelings and inner thoughts are the focus. The new , lower priced Diffusion line “Lee” will increase the brands sales reaching a wider audience but still reflecting McQueens ethos and identity.

CONCEPT


MOODBOARD


TREND RESEARCH


SILHOUETTE


TWEED - 100% WOOL

MOLESKIN - 100% COTTON

VELVET - 50% SILK, 50% RAYON

LINING - 100% COTTON

ORGANZA - 100% POLYESTER

TULLE - 100% SILK

MONOPRINT - DIGITAL PRINT - CHIFFON

MONOPRINT - DIGITAL PRINT - VELVET

BLEACH - MOLESKIN

LINING - 100% ACETATE

CREPE DE CHINE - 100% SILK

EMBORIDERY - METAL THREADS - TULLE

SCREENPRINT - 3D PAINT (PUFF BINDER) - TULLE

BATIK DYE - CREPE - COTTON

FABRICS AND PRINTS

PRINT - DIGITAL PRINT - CREPE


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


EXAMPLES OF SPECSHEETS

DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT


DESIGN DEVELOPMENT

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