Page 1

Name

Ä‚ĹľĆŒĹ?ĆŒĹ?Ɖ

Personal Data

Flat 9, 156 Arlington Road, London NW1 7HP, Camden Town m: 07983525282, e: zamriarif@gmail.com

PROFESSIONAL EXPERIENCE(SINGAPORE)

WZK&^^/KE>K:d/s   

  

WĹ˝Ć?Ĺ?Ć&#x;ŽŜÄ‚Ć?Ä‚ĹśÄ‚ĆŒÄ?ĹšĹ?ƚĞÄ?ƚ͏ĚĞĆ?Ĺ?Ĺ?ĹśÄžĆŒ͞ůŽŜĹ?Í˛ĆšÄžĆŒĹľÍżĹ?ŜĂĚĞĆ?Ĺ?Ĺ?ŜͲůĞĚ  Ć?ƚƾĚĹ?Ž͏ŽĸÄ?ÄžƚŽÄ‚Ć?Ć?Ĺ?Ć?ĆšƚŚĞĆ‰ĆŒĹ˝ĹŠÄžÄ?ĆšÄ¨ĆŒĹ˝ĹľĹ?ĹśĹ?Ć&#x;Ä‚ĹŻ Ĺ?ĹśÄ?ĞƉĆ&#x;ŽŜĆšĹšĆŒĹ˝ĆľĹ?ĹšĚĞĆ?Ĺ?Ĺ?ĹśƚŽÄ?ŽžƉůĞƚĞĚÄ?ŽŜĆ?ĆšĆŒĆľÄ?Ć&#x;ŽŜ hd/KE

2011- 2013

4th Year leading to RIBA Part 2 WĹ˝Ć?ĆšĹ?ĆŒÄ‚ÄšÄ‚ĆšĆŒÄ?ĹšĹ?ƚĞÄ?ĆšĆľĆŒÄ‚ĹŻĆ?Ć?Ĺ˝Ä?Ĺ?Ä‚Ć&#x;ŽŜ^Ä?ŚŽŽůŽĨĆŒÄ?ĹšĹ?ƚĞÄ?ĆšĆľĆŒÄž

2006- 2010

ŽžƉůĞƚĞĚZ/WÄ‚ĆŒĆšĎ­Íž&Ĺ?ĆŒĆ?ƚůĂĆ?Ć?ÄžĹ?ĆŒÄžÄžÍż ĆŒÄ?ĹšĹ?ƚĞÄ?ĆšĆľĆŒÄ‚ĹŻĆ?Ć?Ĺ˝Ä?Ĺ?Ä‚Ć&#x;ŽŜ^Ä?ŚŽŽůŽĨĆŒÄ?ĹšĹ?ƚĞÄ?ĆšĆľĆŒÄž

1998

ÄžĆŒĆ&#x;ÄŽÄ?ĂƚĞĹ?ĹśZÄžĆ?Ĺ?ĚĞŜĆ&#x;Ä‚ĹŻ/ĹśĆšÄžĆŒĹ?Ĺ˝ĆŒÍžĹ?Ć?Ć&#x;ĹśÄ?Ć&#x;ŽŜͿ LCE School of Art and Design

1993 - 1996

Diploma in Architectural Technology Singapore Polytechnic



July 2013 Dec 2013

>ŽŜĚŽŜtÄžĆ?ĆšKŜĞ Architectural Assistant & FFE Designer Ď­ĎŹĎą>Ä‚ĹśÄ?Ä‚Ć?ĆšÄžĆŒ'ĂƚĞ͕,LJĚĞĆ‰Ä‚ĆŒĹŹÍ•WĆŒĹ?ǀĂƚĞZÄžĆ?Ĺ?ĚĞŜÄ?Äž Interior Refurbishment & Interior Design SĆľĆŒÇ€ÄžÇ‡Ĺ?ĹśĹ?Í•ĹŻĹŻĹ?ĞŜƚWĆŒÄžĆ?ĞŜƚĂĆ&#x;ŽŜĆ?ΘÄžĆ?Ĺ?Ĺ?ĹśĞǀĞůŽƉžĞŜƚ



Window Display/ Changing Room

Residential

^ŚŽĞŽƾĆ&#x;ƋƾĞ͕sĹ?ǀŽÄ?Ĺ?ƚLJ^ŚŽƉƉĹ?ĹśĹ?DÄ‚ĹŻĹŻ Interior Design & Refurbishment ŽŜÄ?ĞƉƚ͕ÄžĆ?Ĺ?Ĺ?ĹśĚĞǀĞůŽƉžĞŜƚ͕dÄžĹśÄšÄžĆŒΘŽŜĆ?ĆšĆŒĆľÄ?Ć&#x;ŽŜ











 

 





 

 

Walkers Court

Fashion Store

 

DŽŜĆ&#x161;Ć&#x2030;Ä&#x17E;ĹŻĹŻĹ?Ä&#x17E;Ć&#x152;Í&#x2022;<ĹśĹ?Ĺ?Ĺ&#x161;Ć&#x161;Ć?Ä?Ć&#x152;Ĺ?Ä&#x161;Ĺ?Ä&#x17E;Í&#x2022;KĸÄ?Ä&#x17E; Interior Refurbishment & Interior Design SĆľĆ&#x152;Ç&#x20AC;Ä&#x17E;Ç&#x2021;Ĺ?ĹśĹ?Í&#x2022;ĹŻĹ?Ä&#x17E;ĹśĆ&#x161;Ć&#x2030;Ć&#x152;Ä&#x17E;Ć?Ä&#x17E;ĹśĆ&#x161;Ä&#x201A;Ć&#x;ŽŜĆ?Í&#x2022;Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÎ&#x2DC;ŽŜĆ&#x161;Ć&#x152;Ä&#x201A;Ä?Ć&#x161; Ĺ˝Ä?ƾžÄ&#x17E;ĹśĆ&#x161;Ä&#x201A;Ć&#x;ŽŜ

 

^Ć&#x161;ĆľĆ&#x152;Ĺ?Ĺ?Ć?Ć?Ć?Ĺ˝Ä?Ĺ?Ä&#x201A;Ć&#x161;Ä&#x17E;Ć?ÍŹ^Ć&#x161;ĆľĆ&#x152;Ĺ?Ĺ?Ć?Ä&#x201A;Ć&#x152;Ä?ŽŜWĆ&#x152;ŽĎůĹ?ĹśĹ? Architectural Assistant

  July 2010 Sept 2011

DÄ&#x201A;Ć&#x2030;Ć&#x2030;Ć&#x152;ŽŊÄ&#x17E;Ä?Ć&#x161;Ć? Architectural Assistant





Ď´ĎŽWÄ&#x201A;Ć&#x152;ĹŹĹ&#x161;Ĺ?ĹŻĹŻZĹ˝Ä&#x201A;Ä&#x161;Í&#x2022;Ä&#x17E;ĹŻĆ?Ĺ?Ç&#x152;Ä&#x17E;WÄ&#x201A;Ć&#x152;ĹŹÍ&#x2022;WĆ&#x152;Ĺ?Ç&#x20AC;Ä&#x201A;Ć&#x161;Ä&#x17E;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśÄ?Ä&#x17E; Interior Design/Refurbishment/Planning & Landscape SĆľĆ&#x152;Ç&#x20AC;Ä&#x17E;Ç&#x2021;Ĺ?ĹśĹ?Í&#x2022;Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ



















Sept 2007Mar 2008 



tK,Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;Ć?WĆ&#x161;Ä&#x17E;>Ć&#x161;Ä&#x161; Project Coordinator/Technician EKDhÍ&#x2022;ϭϭͲĆ?Ć&#x161;Ĺ˝Ć&#x152;Ä&#x17E;Ç&#x2021;>ĆľÇ&#x2020;ĆľĆ&#x152;Ç&#x2021;Ć&#x2030;Ä&#x201A;Ć&#x152;Ć&#x161;ĹľÄ&#x17E;ĹśĆ&#x161;Ć? Ä&#x161;Ä&#x201A;Ć&#x2030;Ć&#x;Ç&#x20AC;Ä&#x17E;ZÄ&#x17E;ĆľĆ?Ä&#x17E; Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x161;Ä&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161;Í&#x2022;ĹŻĹ?Ä&#x17E;ĹśĆ&#x161;WĆ&#x152;Ä&#x17E;Ć?Ä&#x17E;ĹśĆ&#x161;Ä&#x201A;Ć&#x;ŽŜĆ?Í&#x2022;WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?  Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜĆ?Í&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152; 





EÄ&#x17E;Ç Ć&#x161;ŽŜ^ĆľĹ?Ć&#x161;Ä&#x17E;Ć?Í&#x2022;ϯϹͲĆ?Ć&#x161;Ĺ˝Ć&#x152;Ä&#x17E;Ç&#x2021;>ĆľÇ&#x2020;ĆľĆ&#x152;Ç&#x2021;Ć&#x2030;Ä&#x201A;Ć&#x152;Ć&#x161;ĹľÄ&#x17E;ĹśĆ&#x161;Ć? New Proposal Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x161;Ä&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161;Í&#x2022;ĹŻĹ?Ä&#x17E;ĹśĆ&#x161;WĆ&#x152;Ä&#x17E;Ć?Ä&#x17E;ĹśĆ&#x161;Ä&#x201A;Ć&#x;ŽŜĆ?Í&#x2022;WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?  Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜĆ?Í&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ









Residential

  May 2013 July 2013



WĆ&#x152;Ĺ?Ç&#x20AC;Ä&#x201A;Ć&#x161;Ä&#x17E;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśÄ?Ä&#x17E;Í&#x2022;ϯͲÄ&#x17E;Ä&#x161;Ć&#x152;ŽŽžDÄ&#x201A;Ĺ?Ć?ŽŜÄ&#x17E;ĆŠÄ&#x17E; Ä&#x201A;Ć&#x152;Ć&#x152;Ĺ?Ä?Ä&#x17E;Ä&#x201A;ĹśŽŜÄ&#x161;ŽžĹ?ĹśĹ?ƾž Interior Design & Refurbishment ŽŜÄ?Ä&#x17E;Ć&#x2030;Ć&#x161;Í&#x2022;Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x161;Ä&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161;Í&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ

&Ä&#x201A;Ć&#x152;žŽĆ?Ä&#x201A;,Ĺ˝Ć&#x161;Ä&#x17E;ĹŻĹ?ĹśdÄ&#x201A;Ĺ?Ç Ä&#x201A;Ĺś  Refurbishment Design development & Tender

Entrance

^Ć&#x161;DÄ&#x201A;Ć&#x152;Ç&#x2021;Í&#x203A;Ć?Ä?Ä?Ĺ˝Ć&#x161;ŽƾĆ&#x152;Ć&#x161;Í&#x2022;<Ä&#x17E;ĹśĆ?Ĺ?ĹśĹ?Ć&#x161;ŽŜÍ&#x2022;WĆ&#x152;Ĺ?Ç&#x20AC;Ä&#x201A;Ć&#x161;Ä&#x17E;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśÄ?Ä&#x17E; Interior Refurbishment & Interior Design SĆľĆ&#x152;Ç&#x20AC;Ä&#x17E;Ç&#x2021;Ĺ?ĹśĹ?Í&#x2022;Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÎ&#x2DC;ŽŜĆ&#x161;Ć&#x152;Ä&#x201A;Ä?Ć&#x161;Ĺ˝Ä?ƾžÄ&#x17E;ĹśĆ&#x161;Ä&#x201A;Ć&#x;ŽŜ





Dec 2001Mar 2006

WZK&^^/KE>yWZ/EÍž>KEKEÍż 

MOART Interior Designer

Window Display/ Changing Room

Residential



Mar 2006Sep 2006

Jan 2001Dec 2001

'Ć&#x152;Ĺ˝Ć?Ç&#x20AC;Ä&#x17E;ŜŽĆ&#x152;WĆ&#x152;Ĺ˝Ć&#x2030;Ä&#x17E;Ć&#x152;Ć&#x161;Ç&#x2021;'Ć&#x152;ŽƾĆ&#x2030;  Ç&#x2020;Ć&#x161;Ä&#x17E;Ć&#x152;Ĺ?Ĺ˝Ć&#x152;Î&#x2DC;/ĹśĆ&#x161;Ä&#x17E;Ć&#x152;Ĺ?Ĺ˝Ć&#x152;ZÄ&#x17E;Ć&#x161;Ć&#x152;ŽĎĆ&#x161;ĨŽĆ&#x152;WĆ&#x152;Ĺ˝Ć&#x2030;Ä&#x17E;Ć&#x152;Ć&#x;Ä&#x17E;Ć?Ĺ?ĹśDÄ&#x201A;Ç&#x2021;ĨÄ&#x201A;Ĺ?Ć&#x152; SĆľĆ&#x152;Ç&#x20AC;Ä&#x17E;Ç&#x2021;Ĺ?ĹśĹ?Í&#x2022;Ä&#x17E;Ć&#x161;Ä&#x201A;Ĺ?ĹŻĹ?ĹśĹ?Ä&#x201A;ĹśÄ&#x161;WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜĆ?

DĹ˝Ä&#x161;Ͳ>Ĺ?Ç&#x20AC;Ĺ?ĹśĹ?&ĆľĆ&#x152;ĹśĹ?Ć&#x161;ĆľĆ&#x152;Ä&#x17E;^Ĺ&#x161;Ĺ˝Ç Ć&#x152;ŽŽžÍ&#x2022;KÄ&#x161;Ä&#x17E;ŽŜdĹ˝Ç Ä&#x17E;Ć&#x152;Ć? New Extension, Refurbishment and Interior Design Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x161;Ä&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161;Í&#x2022;ĹŻĹ?Ä&#x17E;ĹśĆ&#x161;WĆ&#x152;Ä&#x17E;Ć?Ä&#x17E;ĹśĆ&#x161;Ä&#x201A;Ć&#x;ŽŜĆ?Í&#x2022;WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?  Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜĆ?Í&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ

Ä&#x201A;ĹľÄ&#x17E;Ć&#x152;dÄ&#x201A;Ĺ&#x161;Ä&#x17E;Ć&#x152;Ä&#x17E;Ć?Ĺ?Ĺ?Ĺś^Ć&#x161;ĆľÄ&#x161;Ĺ?ŽͲ&Ĺ˝Ć&#x152;ĹľÇ Ä&#x17E;Ć&#x152;ĹŹÇ&#x152; Interior/Architectural Assistant & Technician WĆ&#x152;Ĺ?Ç&#x20AC;Ä&#x201A;Ć&#x161;Ä&#x17E;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśÄ?Ä&#x17E;Í&#x2022;^Ä&#x17E;ĹśĆ&#x161;Ĺ˝Ć?Ä&#x201A;/Ć?ĹŻÄ&#x201A;ĹśÄ&#x161; New Proposal Design development

Ď°ŽŜĆ?Ć&#x161;Ä&#x201A;Ä?ĹŻÄ&#x17E;ĹŻĹ˝Ć?Ä&#x17E;Í&#x2022;,Ä&#x201A;ĹľĆ&#x2030;Ć?Ć&#x161;Ä&#x17E;Ä&#x201A;Ä&#x161;Í&#x2022;WĆ&#x152;Ĺ?Ç&#x20AC;Ä&#x201A;Ć&#x161;Ä&#x17E;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśÄ?Ä&#x17E; Interior Design/Refurbishment//Feasibility Study SĆľĆ&#x152;Ç&#x20AC;Ä&#x17E;Ç&#x2021;Ĺ?ĹśĹ?Í&#x2022;ĹŻĹ?Ä&#x17E;ĹśĆ&#x161;WĆ&#x152;Ä&#x17E;Ć?Ä&#x17E;ĹśĆ&#x161;Ä&#x201A;Ć&#x;ŽŜĆ?Í&#x2022;Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161; Ä&#x201A;ĹśÄ&#x161;WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜĆ?

WĆ&#x152;Ĺ?Ç&#x20AC;Ä&#x201A;Ć&#x161;Ä&#x17E;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśÄ?Ä&#x17E;Í&#x2022;ϰͲÄ&#x17E;Ä&#x161;Ć&#x152;ŽŽžDÄ&#x201A;Ĺ?Ć?ŽŜÄ&#x17E;ĆŠÄ&#x17E;Í&#x2022;ŽŽŜdÄ&#x17E;Ä?ĹŹ,Ä&#x17E;Ĺ?Ĺ?Ĺ&#x161;Ć&#x161;Ć? Interior Design & Refurbishment ŽŜÄ?Ä&#x17E;Ć&#x2030;Ć&#x161;Í&#x2022;Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x161;Ä&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161;Í&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ WĆ&#x152;Ĺ?Ç&#x20AC;Ä&#x201A;Ć&#x161;Ä&#x17E;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśÄ?Ä&#x17E;Í&#x2022;Ć?Ä&#x17E;ĹľĹ?ͲÄ&#x161;Ä&#x17E;Ć&#x161;Ä&#x201A;Ä?Ĺ&#x161;Ä&#x17E;Ä&#x161;Ĺ&#x161;ŽƾĆ?Ä&#x17E;Í&#x2022;^ƾŜĆ&#x152;Ĺ?Ć?Ä&#x17E;Ç&#x20AC;Ä&#x17E;ŜƾÄ&#x17E; Interior Design & Refurbishment ŽŜÄ?Ä&#x17E;Ć&#x2030;Ć&#x161;Í&#x2022;Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x161;Ä&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161;Í&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ

Ď°Ď°Ć&#x152;Ä&#x201A;Ä&#x161;Ä?ŽƾĆ&#x152;ĹśÄ&#x17E;^Ć&#x161;Ć&#x152;Ä&#x17E;Ä&#x17E;Ć&#x161;Í&#x2022;WÄ&#x201A;Ć&#x152;Ć?ŽŜĆ?'Ć&#x152;Ä&#x17E;Ä&#x17E;ĹśÍ&#x2022;WĆ&#x152;Ĺ?Ç&#x20AC;Ä&#x201A;Ć&#x161;Ä&#x17E;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśÄ?Ä&#x17E; Interior Design/Refurbishment/Planning & Landscape Design Development & Tender ^Ć&#x2030;Ä&#x17E;ĹśÄ?Ä&#x17E;Ć&#x152;&ƾŜĹ?Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;Ć? >ŽŜÄ&#x161;ŽŜ Architectural Assistant Ä&#x201A;Ç&#x2021;Ć?ĹŻÄ&#x17E;ĨŽĆ&#x152;Ä&#x161;KĆ&#x152;Ĺ?Ä&#x201A;ĹśĹ?Ä?Í&#x2022;EŽƍŜĹ?,Ĺ?ĹŻĹŻ, ^Ĺ&#x161;Ĺ˝Ć&#x2030;ÍŹ^Ć&#x2030;Ä&#x201A;ÍŹZÄ&#x17E;Ć?Ć&#x161;Ä&#x201A;ĆľĆ&#x152;Ä&#x201A;ĹśĆ&#x161; Interior Design/Refurbishment Surveying, Design Development, Ä&#x201A;ĹśÄ&#x161;WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜĆ? KĆ&#x161;Ĺ&#x161;Ä&#x17E;Ć&#x152;tĹ˝Ć&#x152;ĹŹÍ&#x2022; >ŽŜÄ&#x161;ŽŜ

Winter 2012 Summe 2011 Summer 2008 Autumn 2009 Summer 2007  

^ŽƾĆ?Ĺ&#x161;Ä&#x17E;ĨÄ&#x201A;Ć&#x161;:Ä&#x201A;Ç&#x152;Ç&#x152;ĹŻĆľÄ?ÍŹZÄ&#x17E;Ć?Ć&#x161;Ä&#x201A;ĆľĆ&#x152;Ä&#x201A;ĹśĆ&#x161;Í&#x2022;EŽůĹ?Ä&#x201A;Ć?Ď­Ď­ ŽůůÄ&#x201A;Ä?Ĺ˝Ć&#x152;Ä&#x201A;Ć&#x;ŽŜÇ Ĺ?Ć&#x161;Ĺ&#x161;Ä&#x201A;Ć&#x152;Ć&#x;Ć?Ć&#x161;Í&#x2022;Ć&#x152;Ć&#x161;ÍŹDĆľĆ?Ĺ?Ä?WÄ&#x201A;Ç&#x20AC;Ĺ?ĹŻĹŻĹ?ŽŜ^Ć&#x161;ŽŜÄ&#x17E;Ä?Ć&#x152;Ĺ?Ä&#x161;Ĺ?Ä&#x17E; Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x161;Ä&#x17E;Ç&#x20AC;Ä&#x17E;ĹŻĹ˝Ć&#x2030;ĹľÄ&#x17E;ĹśĆ&#x161;Í&#x2022;Ĺ&#x161;Ä&#x17E;ĹŻĆ?Ä&#x17E;Ä&#x201A;&ĹŻĹ˝Ç Ä&#x17E;Ć&#x152;^Ĺ&#x161;Ĺ˝Ç Í&#x2022;^Ć&#x2030;Ä&#x17E;ĹśÄ?Ä&#x17E;Ć&#x152;&ƾŜĹ? Ä&#x17E;Ć?Ĺ?Ĺ?ĹśÄ&#x201A;ĹśÄ&#x161;&Ä&#x201A;Ä?Ć&#x152;Ĺ?Ä?Ä&#x201A;Ć&#x;ŽŜÍ&#x2022;WÄ&#x201A;Ç&#x20AC;Ĺ?ĹŻĹŻĹ?ŽŜÍ&#x2022;Ä&#x201A;Ć&#x161;&Ä&#x201A;Ä?Ĺ?Ć&#x161; DĹ˝Ä&#x161;Ä&#x17E;ůͲžÄ&#x201A;ĹŹĹ?ĹśĹ?Í&#x2022;hĆ&#x152;Ä?Ä&#x201A;ĹśĆ&#x;ĹśÄ&#x17E;WÄ&#x201A;Ç&#x20AC;Ĺ?ĹŻĹŻĹ?ŽŜĨŽĆ&#x152;>ŽŜÄ&#x161;ŽŜ  Ä&#x17E;Ć?Ĺ?Ĺ?Ĺś&Ä&#x17E;Ć?Ć&#x;Ç&#x20AC;Ä&#x201A;ĹŻÍ&#x2022;Ć&#x161;žŽĆ?



Jul 1996Nov 2000

Jul tĹ?ĹŻĹŻĹ?Ä&#x201A;Ĺľ>Ĺ?ĹľĆ?Ć?Ĺ˝Ä?Ĺ?Ä&#x201A;Ć&#x161;Ä&#x17E;Ć?WĆ&#x161;Ä&#x17E;>Ć&#x161;Ä&#x161; 1996tĹ?ĹŻĹŻĹ?Ä&#x201A;Ĺľ>Ĺ?ĹľĆ?Ć?Ĺ˝Ä?Ĺ?Ä&#x201A;Ć&#x161;Ä&#x17E;Ć?WĆ&#x161;Ä&#x17E;>Ć&#x161;Ä&#x161; Nov Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x201A;ĹŻdÄ&#x17E;Ä?Ĺ&#x161;ĹśĹ?Ä?Ĺ?Ä&#x201A;Ŝ͏Ć&#x152;Ä&#x201A;Ĺ&#x152;Ć?ĹľÄ&#x201A;Ĺś 2000 Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x201A;ĹŻdÄ&#x17E;Ä?Ĺ&#x161;ĹśĹ?Ä?Ĺ?Ä&#x201A;Ŝ͏Ć&#x152;Ä&#x201A;Ĺ&#x152;Ć?ĹľÄ&#x201A;Ĺś

Jul 1996Nov 2000









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WÄ&#x201A;Ć&#x161;Ä&#x17E;Ć&#x152;Ć?ŽŜÄ&#x161;Ĺ?Ä&#x17E;Í&#x2022;ϾͲĆ?Ć&#x161;Ĺ˝Ć&#x152;Ä&#x17E;Ç&#x2021;>ĆľÇ&#x2020;ĆľĆ&#x152;Ç&#x2021;Ć&#x2030;Ä&#x201A;Ć&#x152;Ć&#x161;ĹľÄ&#x17E;ĹśĆ&#x161;Ć?Í&#x2022;WÄ&#x201A;Ć&#x161;Ä&#x17E;Ć&#x152;Ć?ŽŜZÄ&#x161;  WÄ&#x201A;Ć&#x161;Ä&#x17E;Ć&#x152;Ć?ŽŜÄ&#x161;Ĺ?Ä&#x17E;Í&#x2022;ϾͲĆ?Ć&#x161;Ĺ˝Ć&#x152;Ä&#x17E;Ç&#x2021;>ĆľÇ&#x2020;ĆľĆ&#x152;Ç&#x2021;Ć&#x2030;Ä&#x201A;Ć&#x152;Ć&#x161;ĹľÄ&#x17E;ĹśĆ&#x161;Ć?Í&#x2022;WÄ&#x201A;Ć&#x161;Ä&#x17E;Ć&#x152;Ć?ŽŜZÄ&#x161; New Condominium New Condominium WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜÍ&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ  WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜÍ&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ

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tĹ?ĹŻĹŻĹ?Ä&#x201A;Ĺľ>Ĺ?ĹľĆ?Ć?Ĺ˝Ä?Ĺ?Ä&#x201A;Ć&#x161;Ä&#x17E;Ć?WĆ&#x161;Ä&#x17E;>Ć&#x161;Ä&#x161; Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x201A;ĹŻdÄ&#x17E;Ä?Ĺ&#x161;ĹśĹ?Ä?Ĺ?Ä&#x201A;Ŝ͏Ć&#x152;Ä&#x201A;Ĺ&#x152;Ć?ĹľÄ&#x201A;Ĺś REFERENCE REFERENCE hĹśĹ?Ć&#x161;Ć?Ď°Ď­Í&#x2022;Ď°ĎŽÍ&#x2022;Ď°ĎŻWÄ&#x17E;Ć&#x161;Ä&#x201A;Ĺ?ĹśZÄ&#x161; ŽŜĆ?Ä&#x17E;Ć&#x152;Ç&#x20AC;Ä&#x201A;Ć&#x;ŽŜŽĨWĆ&#x152;Ä&#x17E;Í˛Ç Ä&#x201A;Ć&#x152;ZÄ&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśĆ&#x;Ä&#x201A;ĹŻhĹśĹ?Ć&#x161;Ć? WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜÍ&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ 6WXUJLV$VVRFLDWHV6WXUJLV&DUERQ3URĂ&#x20AC;OLQJ Gareth RobertsGareth Roberts6WXUJLV$VVRFLDWHV6WXUJLV&DUERQ3URĂ&#x20AC;OLQJ Partner 20 Works Perseverance Works Partner 20 Perseverance WÄ&#x201A;Ć&#x161;Ä&#x17E;Ć&#x152;Ć?ŽŜÄ&#x161;Ĺ?Ä&#x17E;Í&#x2022;ϾͲĆ?Ć&#x161;Ĺ˝Ć&#x152;Ä&#x17E;Ç&#x2021;>ĆľÇ&#x2020;ĆľĆ&#x152;Ç&#x2021;Ć&#x2030;Ä&#x201A;Ć&#x152;Ć&#x161;ĹľÄ&#x17E;ĹśĆ&#x161;Ć?Í&#x2022;WÄ&#x201A;Ć&#x161;Ä&#x17E;Ć&#x152;Ć?ŽŜZÄ&#x161; Hackney RoadHackney Road New Condominium London E2 8DD London E2 8DD WĹŻÄ&#x201A;ŜŜĹ?ĹśĹ?Ć&#x2030;Ć&#x2030;ĹŻĹ?Ä?Ä&#x201A;Ć&#x;ŽŜÍ&#x2022;dÄ&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;Î&#x2DC;ŽŜĆ?Ć&#x161;Ć&#x152;ĆľÄ?Ć&#x;ŽŜ gareth@sturgis.co.uk gareth@sturgis.co.uk Pasquale Amodio Pasquale Amodio Mapprojects Mapprojects Partner 2 Elizabeth Street Partner 2 Elizabeth Street SW1W 9RB London, SW1WLondon, 9RB info@mapprojects.com info@mapprojects.com AutoCAD 17 years Photoshop /Illustrator/Indesign 8 years Rhino/Sketchup Charles WalkerCharles 5 years Walker & Martin SelfArchitects Zaha Hadid Architects & Martin Self Zaha Hadid Maya/3D Max 1 year 10 Bowling Tutors at AA Tutors at AA 10 Bowling Green Lane, Green Lane, ^ĹŹÄ&#x17E;Ć&#x161;Ä?Ĺ&#x161;ĆľĆ&#x2030;ÍŹsÄ&#x17E;Ä?Ć&#x161;Ĺ˝Ć&#x152;Ç Ĺ˝Ć&#x152;ĹŹĆ?ÍŹDĹ?Ä?Ć&#x152;Ĺ˝Ć?Ć&#x161;Ä&#x201A;Ć&#x;ŽŜ  ĎŽÇ&#x2021;Ä&#x17E;Ä&#x201A;Ć&#x152;Ć?  EC1R 0BQ, London, London, UK. EC1R 0BQ, UK. Ć&#x152;Ć&#x161;Ä?Ä&#x201A;ž͞&Ĺ˝Ć&#x152;WĆ&#x152;Ĺ˝Ä&#x161;ĆľÄ?Ć&#x161;&Ä&#x201A;Ä?Ć&#x152;Ĺ?Ä?Ä&#x201A;Ć&#x;ŽŜͿ  ĎŻžŽŜĆ&#x161;Ĺ&#x161;Ć? Charles.Walker@zaha-hadid.com Charles.Walker@zaha-hadid.com ^</>>^

 

 

AutoCAD AutoCAD 17 years Photoshop /Illustrator/Indesign Photoshop /Illustrator/Indesign 8 years Rhino/Sketchup Rhino/Sketchup 5 years Maya/3D Max Maya/3D Max 1 year ^ĹŹÄ&#x17E;Ć&#x161;Ä?Ĺ&#x161;ĆľĆ&#x2030;ÍŹsÄ&#x17E;Ä?Ć&#x161;Ĺ˝Ć&#x152;Ç Ĺ˝Ć&#x152;ĹŹĆ?ÍŹDĹ?Ä?Ć&#x152;Ĺ˝Ć?Ć&#x161;Ä&#x201A;Ć&#x;ŽŜ  ^ĹŹÄ&#x17E;Ć&#x161;Ä?Ĺ&#x161;ĆľĆ&#x2030;ÍŹsÄ&#x17E;Ä?Ć&#x161;Ĺ˝Ć&#x152;Ç Ĺ˝Ć&#x152;ĹŹĆ?ÍŹDĹ?Ä?Ć&#x152;Ĺ˝Ć?Ć&#x161;Ä&#x201A;Ć&#x;ŽŜ  ĎŽÇ&#x2021;Ä&#x17E;Ä&#x201A;Ć&#x152;Ć? Ć&#x152;Ć&#x161;Ä?Ä&#x201A;ž͞&Ĺ˝Ć&#x152;WĆ&#x152;Ĺ˝Ä&#x161;ĆľÄ?Ć&#x161;&Ä&#x201A;Ä?Ć&#x152;Ĺ?Ä?Ä&#x201A;Ć&#x;ŽŜͿ  Ć&#x152;Ć&#x161;Ä?Ä&#x201A;ž͞&Ĺ˝Ć&#x152;WĆ&#x152;Ĺ˝Ä&#x161;ĆľÄ?Ć&#x161;&Ä&#x201A;Ä?Ć&#x152;Ĺ?Ä?Ä&#x201A;Ć&#x;ŽŜͿ   ĎŻžŽŜĆ&#x161;Ĺ&#x161;Ć?

17 years 8 years 5 years 1 year ĎŽÇ&#x2021;Ä&#x17E;Ä&#x201A;Ć&#x152;Ć? ĎŻžŽŜĆ&#x161;Ĺ&#x161;Ć?

 

 

&Ć&#x152;Ä&#x17E;Ä&#x17E;Ĺ&#x161;Ä&#x201A;ĹśÄ&#x161;Ć?ĹŹÄ&#x17E;Ć&#x161;Ä?Ĺ&#x161;Ä&#x17E;Ć?Í&#x2022;Ć&#x2030;Ä&#x17E;Ć&#x152;Ć?Ć&#x2030;Ä&#x17E;Ä?Ć&#x;Ç&#x20AC;Ä&#x17E;Ä&#x161;Ć&#x152;Ä&#x201A;Ç Ĺ?ĹśĹ?Í&#x2022;žŽÄ&#x161;Ä&#x17E;ůͲžÄ&#x201A;ĹŹĹ?ĹśĹ?ĆľĆ?Ĺ?ĹśĹ?E  &Ć&#x152;Ä&#x17E;Ä&#x17E;Ĺ&#x161;Ä&#x201A;ĹśÄ&#x161;Ć?ĹŹÄ&#x17E;Ć&#x161;Ä?Ĺ&#x161;Ä&#x17E;Ć?Í&#x2022;Ć&#x2030;Ä&#x17E;Ć&#x152;Ć?Ć&#x2030;Ä&#x17E;Ä?Ć&#x;Ç&#x20AC;Ä&#x17E;Ä&#x161;Ć&#x152;Ä&#x201A;Ç Ĺ?ĹśĹ?Í&#x2022;žŽÄ&#x161;Ä&#x17E;ůͲžÄ&#x201A;ĹŹĹ?ĹśĹ?ĆľĆ?Ĺ?ĹśĹ?E ĹľÄ&#x201A;Ä?Ĺ&#x161;Ĺ?ĹśÄ&#x17E;Ä&#x201A;ĹśÄ&#x161;ĹŻÄ&#x201A;Ć?Ä&#x17E;Ć&#x152;Ä?ƾƍŜĹ?  ĹľÄ&#x201A;Ä?Ĺ&#x161;Ĺ?ĹśÄ&#x17E;Ä&#x201A;ĹśÄ&#x161;ĹŻÄ&#x201A;Ć?Ä&#x17E;Ć&#x152;Ä?ƾƍŜĹ?

1998



 

 

 

 

1998 hĹśĹ?Ć&#x161;Ć?Ď°Ď­Í&#x2022;Ď°ĎŽÎ&#x2DC;Ď°ĎŻWÄ&#x17E;Ć&#x161;Ä&#x201A;Ĺ?ĹśZÄ&#x161;Ć&#x2030;ĆľÄ?ĹŻĹ?Ć?Ĺ&#x161;Ä&#x17E;Ä&#x161;Ĺ?Ĺś^Ć&#x161;Ć&#x152;Ä&#x201A;Ĺ?Ć&#x161;Ć?dĹ?ĹľÄ&#x17E;Ć?Î&#x2DC;/^,ĹľÄ&#x201A;Ĺ?Ä&#x201A;Ç&#x152;Ĺ?ĹśÄ&#x17E;  hĹśĹ?Ć&#x161;Ć?Ď°Ď­Í&#x2022;Ď°ĎŽÎ&#x2DC;Ď°ĎŻWÄ&#x17E;Ć&#x161;Ä&#x201A;Ĺ?ĹśZÄ&#x161;Ć&#x2030;ĆľÄ?ĹŻĹ?Ć?Ĺ&#x161;Ä&#x17E;Ä&#x161;Ĺ?Ĺś^Ć&#x161;Ć&#x152;Ä&#x201A;Ĺ?Ć&#x161;Ć?dĹ?ĹľÄ&#x17E;Ć?Î&#x2DC;/^,ĹľÄ&#x201A;Ĺ?Ä&#x201A;Ç&#x152;Ĺ?ĹśÄ&#x17E;

1998



1999

1999 Paterson Edge featured Paterson in ISH Edge magazine featured in ISH magazine

1999

2000

2000 Poetry Won 2nd Prize Poetry & published Won 2nd Prize in Acmabooks.com & published in Acmabooks.com

2000

2001

2001 Sunrise was featured Sunrise in Home was featured & Decor in magazine Home & Decor magazine Boon Teck HeightsBoon featured Teck in Heights Straitsfeatured Times in Straits Times

2001

2003

2003 Odeon Towers featured OdeoninTowers D+A magazine featured in D+A magazine Won Bronze Award Won for Bronze 9th SIA-ICI Award Colour for 9th Award SIA-ICI Colour Award

2003 2004



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Kd,Z^</>>^

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,/sDEd^ ,/sDEd^

5R\DO&ROOHJHRI$UW+HDGSURJUDPPH 5R\DO&ROOHJHRI$UW+HDGSURJUDPPH Kd,Z^</>>^ Kensington Gore Kensington Gore London SW7 2EU London SW7 2EU &Ć&#x152;Ä&#x17E;Ä&#x17E;Ĺ&#x161;Ä&#x201A;ĹśÄ&#x161;Ć?ĹŹÄ&#x17E;Ć&#x161;Ä?Ĺ&#x161;Ä&#x17E;Ć?Í&#x2022;Ć&#x2030;Ä&#x17E;Ć&#x152;Ć?Ć&#x2030;Ä&#x17E;Ä?Ć&#x;Ç&#x20AC;Ä&#x17E;Ä&#x161;Ć&#x152;Ä&#x201A;Ç Ĺ?ĹśĹ?Í&#x2022;žŽÄ&#x161;Ä&#x17E;ůͲžÄ&#x201A;ĹŹĹ?ĹśĹ?ĆľĆ?Ĺ?ĹśĹ?E ĹľÄ&#x201A;Ä?Ĺ&#x161;Ĺ?ĹśÄ&#x17E;Ä&#x201A;ĹśÄ&#x161;ĹŻÄ&#x201A;Ć?Ä&#x17E;Ć&#x152;Ä?ƾƍŜĹ? $DPHU7DKHU'HVLJQ6WXGLR Aamer Taher Aamer Taher $DPHU7DKHU'HVLJQ6WXGLR Director Singapore Director Singapore 5 Burn Road #06-02 5 Burn Road #06-02 ,/sDEd^ 69972 69972 info@aamertaher.com info@aamertaher.com hĹśĹ?Ć&#x161;Ć?Ď°Ď­Í&#x2022;Ď°ĎŽÎ&#x2DC;Ď°ĎŻWÄ&#x17E;Ć&#x161;Ä&#x201A;Ĺ?ĹśZÄ&#x161;Ć&#x2030;ĆľÄ?ĹŻĹ?Ć?Ĺ&#x161;Ä&#x17E;Ä&#x161;Ĺ?Ĺś^Ć&#x161;Ć&#x152;Ä&#x201A;Ĺ?Ć&#x161;Ć?dĹ?ĹľÄ&#x17E;Ć?Î&#x2DC;/^,ĹľÄ&#x201A;Ĺ?Ä&#x201A;Ç&#x152;Ĺ?ĹśÄ&#x17E; WOHA Architects Pte Ltd Pte Ltd Richard HassellRichard Hassell WOHA Architects & Wong Mun Summ SIngapore & Wong Mun Summ SIngapore Paterson Edge featured in ISH magazine Partners Hong Kong Street Partners 29 Hong Kong 29 Street 059668 059668 Poetry Won 2nd Prize & published in Acmabooks.com Sunrise was featured in Home & Decor magazine Boon Teck Heights featured in Straits Times Odeon Towers featured in D+A magazine Won Bronze Award for 9th SIA-ICI Colour Award

2004



2004 dĹ&#x161;Ä&#x17E;>Ĺ˝Ĺ&#x152;ĨÄ&#x17E;Ä&#x201A;Ć&#x161;ĆľĆ&#x152;Ä&#x17E;Ä&#x161;Ĺ?Ĺś^Ĺ?ĹśĹ?Ä&#x201A;Ć&#x2030;Ĺ˝Ć&#x152;Ä&#x17E;Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ŊŽƾĆ&#x152;ĹśÄ&#x201A;ĹŻ  dĹ&#x161;Ä&#x17E;>Ĺ˝Ĺ&#x152;ĨÄ&#x17E;Ä&#x201A;Ć&#x161;ĆľĆ&#x152;Ä&#x17E;Ä&#x161;Ĺ?Ĺś^Ĺ?ĹśĹ?Ä&#x201A;Ć&#x2030;Ĺ˝Ć&#x152;Ä&#x17E;Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ŊŽƾĆ&#x152;ĹśÄ&#x201A;ĹŻ

2005 

 

2005 KÄ&#x161;Ä&#x17E;ŽŜdĹ˝Ç Ä&#x17E;Ć&#x152;Ć?Ä&#x17E;Ç&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;Ä&#x17E;Ä&#x161;Ĺ?Ĺś^Ĺ?ĹśĹ?Ä&#x201A;Ć&#x2030;Ĺ˝Ć&#x152;Ä&#x17E;Ď­Í&#x2014;Ď­Ĺ?Ć&#x161;Ç&#x2021;Í&#x2014;'Ä&#x201A;ĹŻĹŻÄ&#x17E;Ć&#x152;Ç&#x2021;ŽĨ  KÄ&#x161;Ä&#x17E;ŽŜdĹ˝Ç Ä&#x17E;Ć&#x152;Ć?Ä&#x17E;Ç&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;Ä&#x17E;Ä&#x161;Ĺ?Ĺś^Ĺ?ĹśĹ?Ä&#x201A;Ć&#x2030;Ĺ˝Ć&#x152;Ä&#x17E;Ď­Í&#x2014;Ď­Ĺ?Ć&#x161;Ç&#x2021;Í&#x2014;'Ä&#x201A;ĹŻĹŻÄ&#x17E;Ć&#x152;Ç&#x2021;ŽĨ  Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x17E;Î&#x2DC;hĆ&#x152;Ä?Ä&#x201A;ĹśÄ&#x17E;Ć?Ĺ?Ĺ?ĹśÎ&#x2DC;Ć&#x2030;ĆľÄ?ĹŻĹ?Ć?Ĺ&#x161;Ä&#x17E;Ä&#x161;Ä?Ç&#x2021;hZ  Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x17E;Î&#x2DC;hĆ&#x152;Ä?Ä&#x201A;ĹśÄ&#x17E;Ć?Ĺ?Ĺ?ĹśÎ&#x2DC;Ć&#x2030;ĆľÄ?ĹŻĹ?Ć?Ĺ&#x161;Ä&#x17E;Ä&#x161;Ä?Ç&#x2021;hZ   

2005 

 

KÄ&#x161;Ä&#x17E;ŽŜdĹ˝Ç Ä&#x17E;Ć&#x152;Ć?Ä&#x17E;Ç&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;Ä&#x17E;Ä&#x161;Ĺ?Ĺś^Ĺ?ĹśĹ?Ä&#x201A;Ć&#x2030;Ĺ˝Ć&#x152;Ä&#x17E;Ď­Í&#x2014;Ď­Ĺ?Ć&#x161;Ç&#x2021;Í&#x2014;'Ä&#x201A;ĹŻĹŻÄ&#x17E;Ć&#x152;Ç&#x2021;ŽĨ Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x17E;Î&#x2DC;hĆ&#x152;Ä?Ä&#x201A;ĹśÄ&#x17E;Ć?Ĺ?Ĺ?ĹśÎ&#x2DC;Ć&#x2030;ĆľÄ?ĹŻĹ?Ć?Ĺ&#x161;Ä&#x17E;Ä&#x161;Ä?Ç&#x2021;hZ 

2006



2006







2006 KÄ&#x161;Ä&#x17E;ŽŜdĹ˝Ç Ä&#x17E;Ć&#x152;Ć?Ĺ˝Ä?Ć&#x161;Ä&#x201A;Ĺ?ĹśÄ&#x17E;Ä&#x161;Ĺ&#x161;ŽŜŽƾĆ&#x152;Ä&#x201A;Ä?ĹŻÄ&#x17E;ĹľÄ&#x17E;ĹśĆ&#x;ŽŜĹ?ŜϴĆ&#x161;Ĺ&#x161;^/  KÄ&#x161;Ä&#x17E;ŽŜdĹ˝Ç Ä&#x17E;Ć&#x152;Ć?Ĺ˝Ä?Ć&#x161;Ä&#x201A;Ĺ?ĹśÄ&#x17E;Ä&#x161;Ĺ&#x161;ŽŜŽƾĆ&#x152;Ä&#x201A;Ä?ĹŻÄ&#x17E;ĹľÄ&#x17E;ĹśĆ&#x;ŽŜĹ?ŜϴĆ&#x161;Ĺ&#x161;^/ Architectural Design Architectural Award Design Award Ä&#x161;Ç&#x20AC;Ä&#x201A;ĹśÄ?Ĺ?ĹśĹ?Ĺ&#x161;Ĺ?Ĺ?Ĺ&#x161;Ä&#x17E;Ć&#x152;Ć?Ć&#x161;ĆľÄ&#x161;Ĺ?Ä&#x17E;Ć?Ä&#x201A;Ć&#x161;Ć&#x161;Ĺ&#x161;Ä&#x17E;͞ƾŜÄ&#x161;Ä&#x17E;Ć&#x152;Ĺ?Ć&#x152;Ä&#x201A;Ä&#x161;Î&#x2DC;Ć&#x2030;Ĺ˝Ć?Ć&#x161;Ĺ?Ć&#x152;Ä&#x201A;Ä&#x161;Íż  Ä&#x161;Ç&#x20AC;Ä&#x201A;ĹśÄ?Ĺ?ĹśĹ?Ĺ&#x161;Ĺ?Ĺ?Ĺ&#x161;Ä&#x17E;Ć&#x152;Ć?Ć&#x161;ĆľÄ&#x161;Ĺ?Ä&#x17E;Ć?Ä&#x201A;Ć&#x161;Ć&#x161;Ĺ&#x161;Ä&#x17E;͞ƾŜÄ&#x161;Ä&#x17E;Ć&#x152;Ĺ?Ć&#x152;Ä&#x201A;Ä&#x161;Î&#x2DC;Ć&#x2030;Ĺ˝Ć?Ć&#x161;Ĺ?Ć&#x152;Ä&#x201A;Ä&#x161;Íż





KÄ&#x161;Ä&#x17E;ŽŜdĹ˝Ç Ä&#x17E;Ć&#x152;Ć?Ĺ˝Ä?Ć&#x161;Ä&#x201A;Ĺ?ĹśÄ&#x17E;Ä&#x161;Ĺ&#x161;ŽŜŽƾĆ&#x152;Ä&#x201A;Ä?ĹŻÄ&#x17E;ĹľÄ&#x17E;ĹśĆ&#x;ŽŜĹ?ŜϴĆ&#x161;Ĺ&#x161;^/ Architectural Design Award Ä&#x161;Ç&#x20AC;Ä&#x201A;ĹśÄ?Ĺ?ĹśĹ?Ĺ&#x161;Ĺ?Ĺ?Ĺ&#x161;Ä&#x17E;Ć&#x152;Ć?Ć&#x161;ĆľÄ&#x161;Ĺ?Ä&#x17E;Ć?Ä&#x201A;Ć&#x161;Ć&#x161;Ĺ&#x161;Ä&#x17E;͞ƾŜÄ&#x161;Ä&#x17E;Ć&#x152;Ĺ?Ć&#x152;Ä&#x201A;Ä&#x161;Î&#x2DC;Ć&#x2030;Ĺ˝Ć?Ć&#x161;Ĺ?Ć&#x152;Ä&#x201A;Ä&#x161;Íż

2008 



2008 Swoosh Pavillion Published Swoosh Pavillion by Blueprint/Exhibited Published by Blueprint/Exhibited at at >ŽŜÄ&#x161;ŽŜÄ&#x17E;Ć?Ĺ?Ĺ?Ĺś&Ä&#x17E;Ć?Ć&#x;Ç&#x20AC;Ä&#x201A;ĹŻ  >ŽŜÄ&#x161;ŽŜÄ&#x17E;Ć?Ĺ?Ĺ?Ĺś&Ä&#x17E;Ć?Ć&#x;Ç&#x20AC;Ä&#x201A;ĹŻ

2008 



Swoosh Pavillion Published by Blueprint/Exhibited at >ŽŜÄ&#x161;ŽŜÄ&#x17E;Ć?Ĺ?Ĺ?Ĺś&Ä&#x17E;Ć?Ć&#x;Ç&#x20AC;Ä&#x201A;ĹŻ

2011 

 

2011 ^Ä&#x17E;ĹŻÄ&#x17E;Ä?Ć&#x161;Ä&#x17E;Ä&#x161;Z/WÄ&#x201A;Ć&#x152;Ć&#x161;Ď­Ć&#x2030;Ć&#x152;ŽŊÄ&#x17E;Ä?Ć&#x161;ĨŽĆ&#x152;Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x17E;KĆ&#x2030;Ä&#x17E;ĹśÇ&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;ŽŜ  ^Ä&#x17E;ĹŻÄ&#x17E;Ä?Ć&#x161;Ä&#x17E;Ä&#x161;Z/WÄ&#x201A;Ć&#x152;Ć&#x161;Ď­Ć&#x2030;Ć&#x152;ŽŊÄ&#x17E;Ä?Ć&#x161;ĨŽĆ&#x152;Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x17E;KĆ&#x2030;Ä&#x17E;ĹśÇ&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;ŽŜ Ç&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;ŽŜÄ&#x201A;Ć&#x161;Z/  Ç&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;ŽŜÄ&#x201A;Ć&#x161;Z/

2011 

 

^Ä&#x17E;ĹŻÄ&#x17E;Ä?Ć&#x161;Ä&#x17E;Ä&#x161;Z/WÄ&#x201A;Ć&#x152;Ć&#x161;Ď­Ć&#x2030;Ć&#x152;ŽŊÄ&#x17E;Ä?Ć&#x161;ĨŽĆ&#x152;Ć&#x152;Ä?Ĺ&#x161;Ĺ?Ć&#x161;Ä&#x17E;Ä?Ć&#x161;ĆľĆ&#x152;Ä&#x17E;KĆ&#x2030;Ä&#x17E;ĹśÇ&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;ŽŜ Ç&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;ŽŜÄ&#x201A;Ć&#x161;Z/

 

 

REFERENCE Gareth Roberts Partner

6WXUJLV$VVRFLDWHV6WXUJLV 20 Perseverance Works Hackney Road London E2 8DD gareth@sturgis.co.uk

Pasquale Amodio Partner

Mapprojects 2 Elizabeth Street London, SW1W 9RB info@mapprojects.com

Charles Walker & Martin Self Zaha Hadid Architects 10 Bowling Green Lane, Tutors at AA London, EC1R 0BQ, UK. Charles.Walker@zaha-ha

5R\DO&ROOHJHRI$UW+HD Kensington Gore London SW7 2EU Aamer Taher Director

$DPHU7DKHU'HVLJQ6WXG Singapore 5 Burn Road #06-02 69972 info@aamertaher.com

Richard Hassell & Wong Mun Summ Partners

WOHA Architects Pte Ltd SIngapore 29 Hong Kong Street 059668


Mimicry in Exterior and Voyeurism in Interior

Patterning Drawing

Section - Pattern of Use

Void Spaces Carved Out of Building Volume from Basement to Roof

Glass Roof Canopy

Roof Terrace

Perforations on void wall allow visual interactivity and voyeurism concealing or revealing spaces and movement of people

2nd Floor Level

Residents looking at Brewer Street

Viewer from Walkers Court

Roof Terrace Glass Louvres at 0 Degrees Maximum Exposure for Window Display Maximum Effect of Mimicry from Changing Booths for Viewers from Walkers Court

Mezzanine at Apartment 2

Glass Louvres inclines to max 40 Degrees Maximum Privacy for Residents Behind Brewer Street

Angle of Louvres to adress 2 street conditions - Maximum Exposure Vs Privacy

Window Display/ Changing Room

sex shops

s e x

Residential

Apartment 2

WA L

KE

RS

CO

UR

Apartment 1

T

Ground Level

ER

ET

RE

ST

EW

BR

Window Display/ Changing Room

Residential

2 Units of Residential Apartment Ground Level Fragment of Glass Louvres

s e x

Glass Facade

WA L

Changing Booths/ Window Display At Atrium Space with Access Stairs from basement KE

RS

CO

Entrance

Steel Frame Structure

UR

T

Residential

Walkers Court

Coincident Pattern to unify 2 separate programs Tonality of pigment is applied on glass louvres by using ppvb layer in between glass create luminosity at the centre band of the louvres at night

T

ER

EW

BR

Mimicry-Silhouette of Women shoppers in Changing Booths Mimic Patterns in Sex Shops

ST

E RE

Preservation of memory of Raymond Revue Billboard to activate the facade and bring back Soho glorious past

Atrium Void Space carved Out of Building Volume Residential Apartment

Fashion Store

Fashon Store

Proposed Building In Context Tonality on Building Skin

Basement Fashion store with access stairs to changing booths from Basement


Camouflage Strategy - Mimicry along Walkers Court: Perceiving One as the Other The facade of the new proposed building in this street which houses women fashion store in the basement and residential apartment serves as a window display and changing both. The suggestive silhouttes formed by women changing clothes mimics the characteristics of the programmatic patterns along the street

BE

RR

IC

KS

TR

EE

T

T

EE

TR

RS

TE

PE

WA

LK

ER

SC

OU

RT

ER

ET

RE

ST

EW

BR

Urban Strategy - Visibility The location of the building at the corner of Brewer St and Walkers Court makes the new building highly visible. During the day, the bridge that houses the former Raymond Revue is hidden. The proposal is to bring this side of the building and the bridge highly visible during the night through lumious pvb layer on the the glass louvre/blades when Walkers Court is active so as to bring in potential night shoppers

RU

PE

RT

ST

RE

ET


Date: 20 - 10 - 10

Garden Design

Dwg no. 82PR-GP01

1:200 @ A3

82 Parkhill Road- London

map projects limited - 60 Southwark Bridge Road - London - SE1 0AS - t: +44 (0) 20 7633 99 55 - e: info@mapprojects.com

3293.SIN

Zamri cv jan 2014 v15  

Zamri's CV and Some samples of work

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