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Email duncan.fraser.art@gmail.com

DUNCAN FRASER


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I find interest within peoples relationships to, yet alienation from the inert; the objects that belong to us, yet outlast us. I intend to capture the fleeting memories of their interactions with these objects, layering footage onto the object to create a record of interaction.


Email duncan.fraser.art@gmail.com

DUNCAN FRASER


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I find interest within peoples relationships to, yet alienation from the inert; the objects that belong to us, yet outlast us. I intend to capture the fleeting memories of their interactions with these objects, layering footage onto the object to create a record of interaction.


Email

Blog

lucyfudge@hotmail.co.uk

lucyfudge.blogspot.com

LUCY FUDGE

We have tirelessly used the body within the history of art in the pursuit of a greater or truer understanding of the relationship between ourselves and our realities. Within my practice I explore the multitude of associations, connotations and meanings the body can independently evoke in us all


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Email

Blog

lucyfudge@hotmail.co.uk

lucyfudge.blogspot.com

LUCY FUDGE

We have tirelessly used the body within the history of art in the pursuit of a greater or truer understanding of the relationship between ourselves and our realities. Within my practice I explore the multitude of associations, connotations and meanings the body can independently evoke in us all


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Email

Blog

lucyfudge@hotmail.co.uk

lucyfudge.blogspot.com

LUCY FUDGE

We have tirelessly used the body within the history of art in the pursuit of a greater or truer understanding of the relationship between ourselves and our realities. Within my practice I explore the multitude of associations, connotations and meanings the body can independently evoke in us all


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Email izzif@btinternet.com

MARIE FURTER My work is symbolic and gestural of heart and mind. Mental phenomona are in some respects non physical. Realisation of sentient is the impetus to my practice, underpinned by the notion of ‘Cartesian dualism’. Stitch forms the skeleton to pieces, thus mimicking the ethereal nature of feeling.


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Email izzif@btinternet.com

MARIE FURTER My work is symbolic and gestural of heart and mind. Mental phenomona are in some respects non physical. Realisation of sentient is the impetus to my practice, underpinned by the notion of ‘Cartesian dualism’. Stitch forms the skeleton to pieces, thus mimicking the ethereal nature of feeling.


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Email

Website

bethsgadd@yahoo.co.uk

www.bethgadd.weebly.com

BETH GADD

My work deals with The Self, and the effect that living in our current society has on us as individuals and social groups. I am particularly interested in the physical aspect of this, and my work is a response to issues such as the size zero culture and what is typically considered to be ‘ugly’.


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Email

Website

bethsgadd@yahoo.co.uk

www.bethgadd.weebly.com

BETH GADD


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My work deals with The Self, and the effect that living in our current society has on us as individuals and social groups. I am particularly interested in the physical aspect of this, and my work is a response to issues such as the size zero culture and what is typically considered to be ‘ugly’.


Email

Website

bethsgadd@yahoo.co.uk

www.bethgadd.weebly.com

BETH GADD


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My work deals with The Self, and the effect that living in our current society has on us as individuals and social groups. I am particularly interested in the physical aspect of this, and my work is a response to issues such as the size zero culture and what is typically considered to be ‘ugly’.


Email jgibbs596@gmail.com

JOSH GIBBS

The use of soap, water, ink and dye is recorded on video where the recording is the transient medium itself. The key conceptual aspect of the work is the transcendent nature of space and the array of relative existential and cerebral parallel planes.


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Email jgibbs596@gmail.com

JOSH GIBBS

The use of soap, water, ink and dye is recorded on video where the recording is the transient medium itself. The key conceptual aspect of the work is the transcendent nature of space and the array of relative existential and cerebral parallel planes.


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Email jgibbs596@gmail.com

JOSH GIBBS

The use of soap, water, ink and dye is recorded on video where the recording is the transient medium itself. The key conceptual aspect of the work is the transcendent nature of space and the array of relative existential and cerebral parallel planes.


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Email jgibbs596@gmail.com

JOSH GIBBS The use of soap, water, ink and dye is recorded on video where the recording is the transient medium itself. The key conceptual aspect of the work is the transcendent nature of space and the array of relative existential and cerebral parallel planes.


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Email

Blog

pollyanna.hodson@live.co.uk

pollyannahodson.blogspot.com

POLLYANNA GODSON


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Email

Blog

pollyanna.hodson@live.co.uk

pollyannahodson.blogspot.com

POLLYANNA GODSON


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Email

Blog

pollyanna.hodson@live.co.uk

pollyannahodson.blogspot.com

POLLYANNA GODSON


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Email

Blog

pollyanna.hodson@live.co.uk

pollyannahodson.blogspot.com

POLLYANNA GODSON


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Email nathalie88@gmail.com

Chikae Howland

My practise is about culture, the things I love and that make me happy. In this project I have gone back to my roots of drawing and painting. My method is simplicity and realism done in a delicate manner.


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Email nathalie88@gmail.com

Chikae Howland

My practise is about culture, the things I love and that make me happy. In this project I have gone back to my roots of drawing and painting. My method is simplicity and realism done in a delicate manner.


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Email nathalie88@gmail.com

Chikae Howland

My practise is about culture, the things I love and that make me happy. In this project I have gone back to my roots of drawing and painting. My method is simplicity and realism done in a delicate manner.


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Email nathalie88@gmail.com

Chikae Howland


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My practise is about culture, the things I love and that make me happy. In this project I have gone back to my roots of drawing and painting. My method is simplicity and realism done in a delicate manner.


Email sam_humble@msn.com

SAM HUMBLE

Gilles Deleuze and Felix Guattari’s concept of ‘becoming-animal’ rejects metaphor or symbolism; it perceives identity as being a multiplicitous process rather than a static phenomenon. I deconstruct and reform the human and the animal figure mutually in the act of drawing.


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Email sam_humble@msn.com

SAM HUMBLE


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Gilles Deleuze and Felix Guattari’s concept of ‘becoming-animal’ rejects metaphor or symbolism; it perceives identity as being a multiplicitous process rather than a static phenomenon. I deconstruct and reform the human and the animal figure mutually in the act of drawing.


Email rebecca_johnson1988@hotmail.com

BECKY JOHNSON

I work with a wide range of materials often changing between organic and man-made. The aim of my work is to arouse curiosity and invite touch through its tactile qualities. I am influenced by symbolism, nature and the sublime, using anything that sparks my imagination and incorporating it into my art.


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Email rebecca_johnson1988@hotmail.com

BECKY JOHNSON

I work with a wide range of materials often changing between organic and man-made. The aim of my work is to arouse curiosity and invite touch through its tactile qualities. I am influenced by symbolism, nature and the sublime, using anything that sparks my imagination and incorporating it into my art.


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Email lpj@mail.com@hotmail.com

LIAM KELLY


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Email lpj@mail.com@hotmail.com

LIAM KELLY


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Email

Blog

jane_e_k@hotmail.co.uk

www.inmyotherlife.blogspot.com

JANE KENINGTON

My work is about space. The spaces around us, the spaces we occupy, the spaces we might not notice and the space in our heads. Through the use of thread and wire I make forms to fill these spaces injecting complexity into often overlooked spaces.


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Email

Blog

jane_e_k@hotmail.co.uk

www.inmyotherlife.blogspot.com

JANE KENINGTON

My work is about space. The spaces around us, the spaces we occupy, the spaces we might not notice and the space in our heads. Through the use of thread and wire I make forms to fill these spaces injecting complexity into often overlooked spaces.


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Tim Yearbook Spreads 1st May  

Tim Yearbook Spreads 1st May

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