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LEXIE YISHA LI Portfolio 2018


LEXIE YISHA LI

MArch, University of Pennsylvania lexieli007@gmail.com

PROFESSIONAL EXPERIENCE

6/2017 - 8/2017

12/2013 - 10/2014

06/2012 - 11/2013

EDUCATION

CEMEX Research Group AG Biel, Switzerland Research & Development in Material Design Intern, working with innovative cement products to design and construct fabric-formed structures Sun Hung Kai Financial Hong Kong SAR SHK Private Signature Account Department Sales & personal assistant for Senior Vice President of Sales Financial Partners Limited Hong Kong SAR Operations & Administration Department Junior administrative and sales assistant for a wealth management firm

06/2015 - 05/2018

Master of Architecture University of Pennsylvania, Philadelphia, PA

08/2008 - 06/2012

Bachelor of Business Administration (Hons.) Hong Kong Baptist University, Hong Kong SAR Finance Concentration - First Class

08/2010 - 06/2011

CONTENTS 1 Hollumn

Rock Climbing Center in Canal Park, New York

2 Dewy

Combating Drought through Fabric-Formed Concrete

3 Thirsty

Augmented Water Agents in Seoul, South Korea

4 Masonry Thin Vaults & Cantilevers Fabrication Workshops

5 Subverted

Exchange Program Baylor University, Waco, TX

Urban Housing in Francisville, Philadelphia

SKILLS

Technical Rhino Maya V-Ray

ABOUT ME

6 Printmaking

Language Mandarin (Native); English (Excellent); Cantonese (Good);

• • •

Relief and Screen Printing Illustrator InDesign Photoshop

Grasshopper Revit AutoCAD

Physical Modeling Laser Cutting

Seeking a challenging entry-level designer position where I can further my design abilities as I pursue my career and license as an architect; Self-motivated, curious, wide design interest, and a fast learner; Amateur potter

7 Ceramics

Exploration Of Form and Function


Hollumn Rock Climbing Center in Canal Park, New York Spring 2017 Studio 602 Group Project Critic: Kutan Ayata Partner: John Hilla

Entrance

With this project we negotiate the boundary between nature and culture. Instead of recreating ‘nature’ in the city or referring to the absolute man-made against ‘nature’, we aim to create authentic ‘objects of nature‘ to cultivate unique qualities for outdoor recreational activities.

Transverse Section

We utilize a single building element, a column, and explore how this element can change in scale and compose habitable spaces by morphing into other building elements such as walls and ceilings.


Elevation

Longitudinal Section

Vertical Climbing In A Column

These habitable columns create merged spaces above and below an intermediate forest of outdoor climbing and bouldering, with figural sections marking a specific edge condition.


Top Floor: Indoor bouldering Outdoor bouldering

Ground Floor: Entrances Equipment rental Locker rooms Gym Classroom Cafe Mechanical room

Outdoor Climbing

The surface treatment takes inspiration from nature and aims to provide climbability with levels of difficulties. These patterns are common in nature, but by distorting their scale become strange to one’s perception.


Hold 1

Model _ Bottom & Exterior Pattern Texture Study

Hold 2

Model _ Whole

Model _ Top Detail

Section Model


Dewy Combating Drought through Fabric-Formed Concrete Summer 2017 Internship CEMEX RGA Switzerland Partners: Zak Al-Haffar, Kaj Marshall

Arrangement Iteration (Provisional)

Prototype 1

Prototype 2

Prototype 3 _ First Full Scale Model

Prototype 4 _ Slab

Final Prototype Assembly

With this project we explore the formal and functional potential of fabric-formed concrete. In light of the chronic drought in California, the purpose of the project is to mediate the situation by collecting rain, atmospheric, and run-off water through the use of pervious concrete, and using the collected water to recharge over-exploited aquifers. The project also provides a

cool, shaded resting place that encourages interaction between visitors. With its modular design, the project can be configured to accommodate different site conditions with varying sizes and shapes. The unique anthropomorphic forms of the elements are designed with considerations of the construction method, material limitations, and functional requirements.


Full Scale Prototype Construction

Canopy (Back) _ Fiber reinforced fast curing concrete

Seat (Butt) _ Fiber reinforced concrete

Final Prototype Assembly

Initial experiments were conducted to test the elasticity of fabrics, and to gain additional knowledge of each type of concrete, including its texture, curing time, and workability after pouring. Full scale elements were then built with fabric forms fastened to wood frames, and assembled together

Tentacles _ Pervious concrete with three different sizes of aggregates

after curing. This whole process has been a truly rewarding experience in terms of design, construction, and collaboration. The finished prototype is now a part of the showroom at CEMEX Switzerland.


Thirsty Augmented Water Agents in Seoul, South Korea Fall 2017 Studio 701 Group Project Critic: Simon Kim Partner: Kyuhun Kim

World Building

In this project we create architectural characters that are sensate and augmented. Here the character Water Agent is motivated by its innate thirst. These characters collect and store water through unique mechanisms that in turn result in the creation of other-than-human environments in which they

grow, evolve, and converge. These agents are essentially rolled up urban wetlands that expand or contract in response to their water supply. Different aspects of their behavioral potentials are examined through various design mediums presented here. World of Water Agents


Hair (plant fiber)

Hydrogel Metal Pipe (support & transport water)

Membrane

Waste Water Processing Unit Membrane Hydrogel

Skin

Water Collection Device Water Collection Device

Hydrogel Hair (plant fiber) Hydrogel Water Agent Section

Agents in a family interact and share resources in ways much like in the rhizome model. Different families thrive in different conditions, whether human-made or not, and share conjoined areas where they evolve into hybrid forms among families. The

agents cycle through various states of existence in both macro and micro scale, i.e. different components go through life stages independently from the whole, be it floating, drinking, aging, or gathering.

Seoul Head


Water Pavilions

Sitting In The River

Water Processing Units

Plaza

Head

A New World


Masonry Thin Vaults & Cantilevers Fabrication Workshops Full 2017 Masonry Tectonics Course Group Project Critic: Franca Trubiano

Formworks

Finished Vault (Back)

Formworks

Finished Rotation Cantilever (Overall)

Step 1: Arches

Finished Vaults (Side)

In this project we explored the formal and building potential of vaults and tiles with a design generated through digital parametric tools. We built three vaults from three types of a total of six arches. The vaults overlap slightly at their edges, creating a layering effect. The building process started with the

Step 2: Filling Up Between Arches

construction of the arches, then the space between the arches was closed save an intentionally designed opening in the middle of the first vault. Complexity of design was complimented by precision of execution when the right parameters were utilized to generate effective construction guidelines.

Step 1: Laying Bricks & Reinforcement Rods

Finished Rotation Cantilever (Zoomed In)

In this project each team is responsible for the fabrication of one end of a cantilever table. The one I worked on as shown in images above is called the Rotation Table, and is designed to test the tensile strength of pivoted reinforced masonry cantilever. The reinforcing systems including metal fiber

Step 2: Pouring Grout & Adding Metal Ties

reinforced grout, fiber glass resin rods, and metal ties were designed to accommodate the change in surface curvature and provide stronger resistance to tensile forces in both micro (fiber in grout) and macro (rods) scales. The project successfully held in place after CMU supports were removed.


Subverted Urban Housing in Francisville, Philadelphia Fall 2016 Studio 601 Individual Project Critic: Brian Phillips

Section 1

Roof Top 102’ Roof Top (L) 81’

Platform 34’

Night View

As a result of communities’ negative impression of subculture being destructive and insolent, subculture is consistently fighting to maintain its place in the city. In addition, subculture today faces threats coming from within. The temptation to be popularized and commodified is slowly taking the ‘sub’ away from subculture.

Subverted creates a mutual supportive system where the linear street-to-household arrangement is bent up in the middle, allowing a gradient between mainstream and subculture to take place. Pure subculture spaces are located below grade and pure mainstream spaces are raised up, allowing a mixed area to situate at street level.

Residential units for young entrepreneurs, students, etc.

Mixed area for Airbnb, skateboarders, home office, etc.

Basement -20’

Subculture area for bands, rehearsal studios, etc.

Section 2


Original Units

Re-attach

New Units

The aggregation started with simple forms. Pairs composed of a main space and a supportive space will re-attach with other pairs, forming new units. By arranging the units in plan, a circuit-like fabric is created. The fabric is then bent up to form vertical towers, and different programs such as bathroom and

Initial Aggregation

Add Glazing

Fabric

Bend

Programs

living room are assigned to each tower. This helps to define the boundaries of each apartment and provide parameters for further alterations of the overall form. From initial aggregation, the complex is edited with consideration of edge conditions, traffic, and programs.

Edge Condition

Program (height)

Plaza

Blimp View


19th St. _6/f Plan

Ground Plan

Cameron St. _3/f Plan

Living Pod Platform Interior Interior to basement Site Plan


Printmaking Relief and Screen Printing Fall 2017 Fine Art Studio Individual Projects Critic: Lindsay Buchman

“Melting Creation”_ Experimental Time Flow Screen Printing & Paint Ice Cube

“War”_ Fact/ Fiction: A Time Form CMYK Screen Printing

“Chaos”_ Color Interaction: Text/ Image Screen Printing

“____ Is Good All The Time”_ Notes to Omission Linoleum Cut


Ceramics Exploration Of Form and Function Selected Works from 2015 - 2016 UCAL Individual Projects


THANK YOU

Vase, 2016


LEXIE YISHA LI lexieli007@gmail.com (267) 530 8552 2930 Chestnut St, Philadelphia, PA, USA 19104

Yisha Li_Portfolio  

Architecture portfolio

Yisha Li_Portfolio  

Architecture portfolio

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