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harmonious balance of concept and beauty for beauty’s sake,” he says. “Further, by embracing his roots as a consummate draftsman, Alexander has liberated himself to make some of the most honest work he’s ever produced: at once direct, unbridled and resplendent.” Collector and publisher Keith Fox says he’s purchased older pieces by Alexander and treasures their presence in his home. “Our most recent acquisitions of Alexander’s works were two pieces from his No Good at Exits exhibition from 2014,” Fox explains. “Hung in our home, we pass by these paintings daily. His highly expressive figures and faces are an enduring joy to look at, and the salient brushstrokes and marks are remarkably congruous with the abstract elements.”

Profile for Design magazines

Tạp chí mỹ thuật nước ngoài 2017  

Tạp chí mỹ thuật nước ngoài 2017

Tạp chí mỹ thuật nước ngoài 2017  

Tạp chí mỹ thuật nước ngoài 2017

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