Safarilink, The Link, issue 7

MY MOMBASA

AN INSIDER'S GUIDE TO THE SWAHILI COAST’S HISTORIC GEM

SUSTAINABILITY

MEET KENYA'S FIRST COMMERCIAL OYSTER FARMER A ‘SPECIAL’ SAMBURU SAFARI FLYING VISIT REVEALS REMOTE NATIONAL PARK'S UNIQUE WILDLIFE

RESPECT THE WILD A MODERN GUIDE TO SAFARI ETIQUETTE

An overnight stay at Elephant Bedroom Camp 10 Tanzanian rap

New doc celebrates Arusha’s heroes of hip-hop

Cultivating oysters

Climate heroes of the Kenyan coast 21 My Mombasa Josephine Kache reveals her hometown haunts

26 Leading with strategy

Meet our commercial manager Rose Kiget 28 Lamu artists

Leading lights of island's creative community

Unseen Nairobi A cinematic sanctuary for lovers of movies beyond the blockbusters 45 Remembering Craig A tribute to Amboseli’s legendary elephant

Phoenix House, Wilson Airport

PO Box 5616-00506, Nairobi, Kenya

Tel: +254 20 6690000 / 730 888 000

E: res@flysafarilink.com www.flysafarilink.com

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T: +44 (0)1206 752902

E: publishing@landmarine.com www.landmarine.com

Managing Editor: Mark Edwards

E: markedwards@landmarine.com

Advertising sales: Antony Gathi, Country Manager

T: +254 (0)721 584 465

E: antonygathi@landmarine.com

Terryann Mutindi

Digital marketing and communications strategist

E: terryann@flysafarilink.com

Printed in Nairobi.

Foreword YOUR JOURNEY, OUR COMMITMENT

It gives me great pleasure to welcome you onboard your Safarilink flight today. I would also like to offer my thanks to every passenger. Safarilink was named the Best Domestic Airline at the recent Kenya Tourism Awards, and we couldn’t have done it without you.

Success in the highly competitive airline industry depends on obtaining the trust and confidence of passengers. We are very grateful that you choose to fly with us.

The reasons we received the award are the same reasons that you choose us: our exceptional safety record, punctuality, and extensive connectivity to key tourist destinations, such as the Masai Mara.

As the first carrier in Africa and the Middle East to receive the IATA Standard Safety Assessment Certification (ISSA), we maintain top-tier industry standards. Our extensive network provides critical, daily connections from Nairobi Wilson Airport to popular spots like Diani, Lamu, Samburu, and Amboseli with competitive fares, and reliable, high-quality service.

we ALSO FOCUS ON ECO-FRIENDLY INITIATIVES, INCLUDING A PARTNERSHIP FOR A FUTURE ELECTRICPOWERED AIRCRAFT

We also focus on eco-friendly initiatives, including a partnership for future electric-powered aircraft and support for conservation in areas such as the Lewa Wildlife Conservancy.

As well as our award-winning domestic services, we are also building an international network of destinations. In February we added daily afternoon flights to Entebbe to add to the morning flights that were launched to the Ugandan city in December 2025. The route, from Nairobi via Kisumu, unlocks gorilla trekking adventures in Bwindi Impenetrable Forest as well as regional trade opportunities. Safarilink passengers can also leave Kenya for the beautiful beaches of Zanzibar and the mountains and wildlife of Arusha and Kilimanjaro in Tanzania.

Here’s to more award-winning adventures. I wish you a wonderful flight and hope to see you again soon.

ALEX AVEDI | CEO

MORE CHOICE FOR TRAVELLERS: SAFARILINK LAUNCHES EXTRA FLIGHTS TO ENTEBBE

Safarilink celebrates the launch of its new afternoon service to Entebbe via Kisumu.

Safarilink Aviation has added to its flights to Entebbe with the launch of new daily afternoon service to the Ugandan city.

The extra flights complement the morning flights to Entebbe that were launched at the end of last year and now give passengers the option of same-day travel between two major hubs in East Africa.

For business travellers, having both morning and afternoon flights makes it possible to travel to any of the three cities – Nairobi, Kisumu, or Entebbe – and return the same day. It also makes scheduling meetings much easier. For leisure travellers, especially those heading to safari destinations or lake region tourist spots, the

extra flights mean shorter waiting times and more flexibility when planning their trips.

Both morning and afternoon flights connect Nairobi and Entebbe via Kisumu, positioning the western Kenyan city as a key transit point for cross-border air travel between the two countries. Kisumu has increasingly served as a secondary hub for domestic and cross-border connectivity, particularly for travellers linking western Kenya, northern Tanzania, and eastern Uganda.

Both Entebbe services will operate from Nairobi’s Jomo Kenyatta International Airport Terminal 2, rather the capital’s Wilson Airport, which handles the majority of Safarilink flights.

it's official! we're kenya's best domestic airline

Safarilink Aviation was crowned Kenya’s Best Domestic Airline at the 2026 Kenya Tourism Awards (KTA).

The KTA Gala Awards Dinner took place on February 4, 2026, at the Argyle Grand Hotel Nairobi. The event celebrates outstanding achievements, innovation, and leadership in Kenya’s tourism and hospitality sectors.

We are deeply honoured to receive this premier award. Thanks to our passengers,

The launch event for the new flights

A special stay in

SAMBURU

A flying visit to Elephant Bedroom Camp gives mark edwards a close-up appreciation of reserve’s rare wildlife.

At around the half-way mark of my one-hour Safarilink flight to Samburu from Nairobi the landscape shifts dramatically. We are crossing the equator and seen from above the transition from southern to northern hemispheres is stark with the lush, agricultural highlands around Nanyuki giving way to the arid, rugged, and semi-desert terrain of the Samburu National Reserve.

It’s a reminder that I am venturing into one of Kenya’s more remote wildernesses in search of safari thrills. Samburu doesn’t get the tourist numbers of the country’s more famous southern parks, but I am soon feeling very glad to have taken the less-travelled path.

After a thrilling descent and an expert landing at the well-maintained Kalama air strip near the northern border of Samburu National Reserve, I get to soak up the stark but spectacular landscape from ground level. A vast expanse of savannah – with thorny thickets of acacia bushes growing in the ironrich red soil – is framed by rugged mountain peaks.

My guides from Elephant Bedroom Camp, the base for my one-night, are waiting for me at the airstrip. The eco-luxury retreat is located in the heart of the reserve so the 45-minute drive to get there proves to be a safari experience in itself. We have barely passed the Samburu entry gate – where I stop off to pay my US$ 80 overnight park

fee – before we encounter a herd of Grevy's zebra. One of the rarest and largest zebras in Africa, it is among the Samburu Special Five – a group of wildlife species that are specially adapted to the arid northern Kenya ecosystem, and particularly prevalent in Samburu National Reserve.

I see three more of the five before I’ve reached the camp. A flock of gigantic Somali Ostrich bound across the savannah; a herd of Beisa Oryx, immediately recognisable from their ringed horns and sharp black stripe along their flanks, are led by a dominant female with a rear-guard male; and a pair of the almost comically elongated antelope, the Gerenuk, fix us with their expressive brown eyes and twitching, tapered ears.

Grevy's zebra are among the samburu 'special five'

All of these animals have found a way to survive in the scorching Samburu heat. They can do without drinking water, getting moisture from the food they eat. The long-necked gerenuk – its Swahili name, 'swala twiga', means 'gazelle-giraffe' – can stand upright on its hind legs, reaching a height of around two metres, allowing it to reach food that is unavailable to most other antelopes.

The setting of Elephant Bedroom Camp is an oasis amid these arid surroundings. The 14 canvas tented suites are tucked within a forest of doum palms that offer welcome shade along the banks of the Ewaso Nyiro River. The critical 700 km waterway is a lifeline for wildlife in northern Kenya, which includes, as the camp’s name suggest, plenty of elephants. Around 1,000 elephants roam the Samburu National Reserve and its surrounding community conservancies. During my stay I see families of them – I arrive in late November in the middle of the calving season – trundle across the plains towards the camp.

Many have become regular visitors, familiar enough that they often wander into the camp from the riverbank. When I arrive, there is an elephant calmly standing next to the dining terrace, much to the delight of guests.

The camp’s welcoming team tell me some elephants are such

regular visitors to the site that staff know them individually, including one who prefers drinking from the tent’s private plunge pools rather than the Ewaso Nyiro – which is perhaps understandable given that its name translates from the Maasai language as ‘river of brown’ owing to its high volume of sediment. Apparently, the elephant is not put off quenching its thirst even if the plunge pool is occupied by a camp guest. The young morans (warriors) from the local Samburu community that act as the camp’s security team make guests aware when that particular elephant wanders into camp.

The 'butterfly people'

The Samburu, a semi-nomadic pastoralist community closely related to the Maasai, are known as ‘the Butterfly People’ due to their vibrant, colourful clothing, and elaborate beaded jewellery. The moran that escorts me to my room is typically striking looking with long, braided hair dyed red with ochre and animal fat. The handmade slingshot he carries is not for decoration, but rather for sending warning

“It's a reminder that i am venturing into one of kenya's more remote wildernesses”

shots to the forest’s population of acrobatic and opportunistic vervet monkeys.

The rooms offer a secluded, luxury experience. Each en-suite tent has its own private decking area with river view. The inside is spacious and attractive with African wood furniture including a four-poster bed (two in the family rooms). Solar panels heat the water and power the lighting and electrics across the camp.

Game drive

I head to the terrace for a late lunch. Stays at Elephant Bedroom Camp are full board and the meals during my stay were fresh and creative. It’s a picturesque dining spot with views over the river to the plains beyond and the surrounding trees alive with bird song. Many of Samburu’s 600 bird species are found in the riverine forest.

As sunset approaches we head out on a game drive. With the heat of the day dissipating, the hope is that the reserve’s wildlife will again be on the move. There is much to see. Small Nile crocodiles lie motionless on the riverbanks while troops of olive baboons scurry past. Dik-diks, Grant’s gazelles, and impalas dart for cover among the sparse vegetation, waterbucks graze in the fading light, and warthogs run at surprising speeds with their tails sticking straight up in the air.

The camp is tucked away in riverine forest for privacy and amazing views

Samburu also has an impressive big cat population. We find two majestic-looking lions, a male and female, side by side. Large prides are unusual in Samburu where prey is scarce and not for sharing. The lions dozed, seeming unbothered by the crescent of safari vehicles that had formed around them. I had never got this close to lions before in the wild.

Walking safari

The next morning, I am up at daybreak for a walking safari with a young Samburu guide and two armed rangers. We soon find there are far earlier risers out here. The rangers spot fresh leopard tracks on a dirt road while further on they trace the marks of a clan of bat-eared foxes which, they tell me, indicates there are cheetahs close by. I’m informed that as a smaller predator, cheetahs often have to leave much of the carcass of their kills behind, bullied by scavengers in greater numbers such as the foxes.

Bird life in Samburu is also active in the morning. The plumage of redbilled spoonbills is a lurid flash of colour against the harsh backdrop while European rollers dazzle with their turquoise colouring. Bateleur

eagles – known for their distinctive aerial acrobatics during courtship dances – are here in numbers as are black-capped social weavers with their enormous communal nests turning trees into avian apartment complexes.

We make for a rocky peak to the east known as 'kiterperie' to locals because the sun rises from behind it at dawn. We first see it as a purple-toned silhouette before the sun crests its summit. As we begin to climb, scores of sunbathing rock hyrax scamper back into crevices in the boulders. As we scale higher a far more surprising find is lots of elephant poo. Even my guides are surprised that a very adventurous, or very lost, elephant could scramble up here.

Panoramic views

A jutting rock offers the chance to take in the panoramic view across the plains to the tree cover of the camp. We see a herd of elephants kicking up dust in the dry landscape on their way to a cooling dip in the river.

Heading back to camp, I have my most satisfying animal encounter yet. There is just one of the Samburu Special Five I have yet to

see, and suddenly there they are, like sentinels of the savannah: five reticulated giraffes, indolently munching on acacia trees. It is my first time seeing this rare species in the wild. They are stunningly beautiful, perhaps even more so than the far more populous Maasai giraffe. With slow, steady steps, I am able to get close enough to admire their coats—brown polygonal patches like the terracotta tiles of an Italian villa..

I take a moment to absorb this creature’s beautiful otherness – how it manages to gentle and imposing at once. I have seen the Samburu Special Five, but there is much more to the reserve that is exceptional.

The kalama airstrip on the edge of samburu national reserve

New doc celebrates Arusha’s heroes of HIP-HOP

New documentary ‘This is GSan: The Untold Story of X-Plastaz and Maasai Hip-Hop’ pays tribute to the life and legacy of the pioneering Tanzanian rapper, who died in March 2025. safarilink speaks to the film’s American director, Gordon Fischer, about why hip-hop is so popular in GSan’s hometown of Arusha and how the music continues to give voice to a new generation of artists in the city.

The annual BET (Black Entertainment Awards) celebrates African Americans in music. A highly anticipated section of the event is the ‘Cypher’ in which the year’s biggest hip-hop stars take turns to rap live over a beat. The 2009 performance is widely regarded as one of the most memorable in the event’s history. The stellar line-up included legends Eminem, Mos Def (Yasiin Bey), and KRS-One, but it was the appearance of a handsome, charismatic Tanzanian freestyling (performing an improvised rap) in Swahili that was arguably the highlight.

The artist was GSan (real name Godsun Rutta) – an Arushaborn rapper who was one of the founding members of pioneering Tanzanian hip-hop collective X-Plastaz. The band had become hugely influential in their home country, attracting a fervent following for their distinctive fusion of hardcore rap with traditional Maasai vocal styles and socially conscious lyrics. Their renown grew globally with tours across Europe and South America. They were also embraced by the US rap scene with GSan becoming the first Tanzanian rapper to be invited to the BET Cypher.

GSan’s amazing musical journey is chronicled in a new feature-length documentary, ‘This is GSan: The Untold Story of X-Plastaz and Maasai Hip-Hop’. Sadly, the film

was prompted by the untimely passing of GSan – he died from cancer in March last year at the age of just 47.

Access to Arusha

The film’s director, Gordon Fischer, was given privileged access to GSan’s family – including younger siblings Diney and Steve who became part of X-Plastaz as preteens – as well as the wider Arusha hip-hop community. The result is a unique and intimate perspective of ‘A-Town’ – the name rap-loving locals have given the city. We see Arushans united in grief at the loss of a ‘soldier’ but also energised by plans to carry GSan’s legacy into the future.

Fischer’s access included being among those invited to receive GSan’s body when it was flown in from the US the ahead of his burial in Arusha. “Before beginning the documentary, I asked for blessings from (prominent local hip-hop artists) JCB and Chaka, who were chairing the funeral ceremonies,” Fischer says. “They introduced me to GSan’s parents. Everyone saluted the idea and encouraged me. The next night when I went to Kilimanjaro International Airport with JCB, Sugu and Chaka to receive GSan’s

body from Chicago, I knew that it was my job to make this documentary.”

Fischer, an American, has gained respect from Arusha’s hip-hop inner circle since basing himself in the city over a year ago. A life-long fan of rap music – Fischer says his childhood was soundtracked by an iTunes library of over 20,000 songs, “most of them being New York hiphop” – he has gone on to embrace the culture and community beyond the music.

“After living in the Bronx – the birthplace of hip-hop culture – for years, Arusha attracted me as the home of hip-hop in Tanzania,” he says. “When I came here after college, I found a country that shared my understanding that hip hop is more than music – it’s a culture, a tribe, a religion.”

Swahili rap

The New Yorker has learnt to speak – and rap – Swahili and says the mellifluous language lends itself to an MC’s flow.

“Swahili is truly a beautiful language and there are thousands of incredibly talented MCs here in Arusha alone. There are also new slang words invented daily. The language itself is melodic

X-Plastaz's influential album 'maasai hip-hop' was released in 2004

sounding even in casual conversation, so when rapping over a beat, the flow comes naturally.”

Fischer launched Metisha Movement, a social enterprise and streetwear brand, that provides an outlet for Tanzanian creatives through elements of hip-hop culture such as street art, live concerts, fashion and studio recordings.

He says: “Thanks to my best friends like Scooby ‘Askari Wa Miguu’, JCB, Fekeche ‘Beat Kubwa’ and Sanaa Maisha, I’ve been welcomed into the music scene. After one year here Metisha Movement has a role as a cultural architect and respected figure in the game due to our series of open mics, live shows, murals and streetwear. It’s a huge honour to be here contributing to the Arusha hip-hop scene.”

City in shock

As part of the scene, Fisher felt the shock waves that ran through it at the news of GSan’s death. “When GSan passed, the whole Tanzanian hip-hop community came together

in mourning. As I began to learn more about the legacy of GSan and X-Plastaz, and I realised their story is incredible.”

Arusha was integral to the music and identity of X-Plastaz. GSan and his older brother Faza Nelly (real name Nelson Chrizostom Rutta) started out rapping to entertain their friends and customers at the barber shop they ran in the city’s Kijenge neighbourhood. X-Plastaz was launched in 1996 with their Arushan roommate Ziggy-Lah the third founding member. While the trio were influenced by urban US rap they wanted to give their music a Tanzanian twist with Swahili lyrics and traditional instrumentation that acknowledged the country’s tribal heritage. When demand grew for their music and live concerts were organised, X-Plastaz did not just perform in Tanzania’s key cities, they also toured Arusha’s surrounding rural areas. Fans in these remote communities included Yamat Ole Meipuko (also known as Merege), a Maasai singer who joined the

How to watch ‘This Is GSan’

The film had its premiere in Arusha at Alliance Française on September 19, 2025. It is available to stream for free on YouTube. Go to www.youtube.com/watch?v=a3ATP27uthY

band in 1997. Merege’s traditional chanting would become key to the band’s unique ‘Maasai hip-hop’ style. The group’s first single, ‘Bamiza’, became a big hit across Africa and was followed by many more successful releases that demonstrated the group’s lyrical skill in addressing societal issues and what it means to be young and African. “X-Plastaz were rapping about the reality of life in the streets, the struggle and the culture which is why I believe their message and music lives on today nearly 20 years after they stopped performing regularly,” says Fischer.

Family roots

While the renown of X-Plastaz spread worldwide, the group never forgot their roots. As ‘This Is GSan’ reveals, the Rutta family are still closely linked to Arusha. Steve still lives in the city and the film captures both he and Diney recreating one of their X-Plastaz raps as adults. GSan’s parents also still call the city home. One of the film’s most powerful moments is at the funeral when the artist’s mother – who has had to bury two of her sons, Faza Nelly was killed in 2006 when he tried to intervene in a neighbourhood dispute – addresses the camera to eloquently reveal amid evident grief how she always supported her sons’ musical aspirations and believes all parents should encourage their children to pursue their talents.

Knowing the importance of the project, Fisher put his heart and soul into ‘This Is GSan’. He has been making documentaries with his mobile phone since he was a student at Colby College in Maine, in the US. “I gravitated to the art form after growing up making collages, learning how to take pictures in the streets of New York, and realising that video storytelling would be essential in the age of smartphones and the internet.” He now estimates he has made over

Below RIGHT: the film's director, Gordon Fischer

100 films, many of them focusing on his triptych of passions: basketball, social justice, and hip-hop. “Some of my best pieces include ‘Flags Are Merely Symbols’ (2014) about how history is taught in post-colonial Tanzania, and ‘This is G-House’ about a basketball team from Brooklyn,” he says.

Fischer employs a narrative structure that much like a hip-hop track ‘cuts and pastes’ interviews, archival footage, and music samples to piece together an affecting portrait of the Arusha music scene. “I approached editing the film like a producer, historian and philosopher making a memorial mixtape,” Fischer says. “One of the core elements of the documentary is a mural commissioned by Metisha Movement and painted by our graffiti artist Sanaa Maisha with assistance from MC Marangii. The painting of the mural is the symbolic backbone of the doc, a grounding motif we keep coming back to. As viewers' understanding of the X-Plastaz legacy expands, the evolution and eventual completion of the mural mirrors that awareness. By the end, we are reviving their legacy and memorialising them on the wall to be remembered forever.”

Memories of GSan and X-Plastaz are also brought to life by some excellent archive footage, which was recorded during the band’s European tour by their then manager. “It became a key foundation of the documentary,” says Fischer.

‘This Is GSan’ also explores the roots of the America-Arusha cultural cross-fertilisation. There are scenes of the Tanzanian city’s streets clogged with dala dala minibuses decorated with graffiti depicting US rap stars such as Tupac and Nas while Arushan raps are interviewed on camera about the Stateside hip-hop albums and

artists that inspired their musical journey. Arusha is also famous as the Tanzanian city that gave sanctuary to Black Panther power couple Pete and Charlotte O’Neal when they were forced to flee the US in the early 1970s. The couple have called A-Town home ever since and have built strong connections with the local music scene just as the Black Panther Party (BPP) served as a significant inspiration for early political hip-hop artists in America.

Charlotte O’Neal – now best known to Arushans as ‘Mama C’ – is a captivating presence in ‘This Is GSan’, seen performing her own music and as a figure of wisdom and dignity at the funeral. “I heard about the mythic legend of Mama C a decade ago, and this year I was fortunate to meet her at an event she was performing at with her band,” Says Fischer. “We became friends and when GSan died, Mama C became the spiritual force that united the community around conscious and collective remembrance. It is a huge honour to unite with her here in East Africa, and I’m proud that the documentary also helps shine light on the history and legacy of the Black Panthers.”

US connection

Fischer’s presence continues the American connection, and his hope is that he can be the conduit for further hip-hop cultural exchange.

“When I began seeing myself in Tanzania for the long term, I realized I’m naturally positioned as a bridge between New York and Arusha, someone rooted in the culture who can help connect the two cities through our shared love of hip-hop. One of our upcoming goals is to host a concert in Arusha for New York legends and to organise a crew of Arusha MCs to perform in New York.”

Fischer hopes that his film raises awareness of the richness of the Arusha hip-hop scene and the

foundational role played by GSan and X-Plastaz. Watch the film – it’s available to stream on YouTube –and you’ll find plenty of reasons to visit the city beyond its renown as the gateway to wildlife adventures in Tanzania’s northern safari circuit. The city looks fantastic through Fischer’s lens – it is incredible he was working with just a smart phone – with the streets bathed in morning sunlight as Mount Meru looms in silhouette.

Music lovers will find plenty to do and listen to here. Fischer says the hip-hop scene in Arusha is thriving right now with Metisha Movement at the centre of the action. “We have our own studio with an inhouse producer graffiti artist and photographer and videographer,” he says. “We have a dream of opening our own radio station, complete with podcasts, a magazine and online blog. There is so much talent here and Metisha Movement is a platform for organising and collaborating. We host Open Mics and Live Shows almost every weekend so if you’re in Arusha, hit us up.”

Where to start with the music of x-plastaz

‘Msimu kwa msimu’ – Maasai Hip Hop Version

One of their most notable and popular hits that showcases the band’s unique blend of traditional Maasai chanting with hip hop.

‘Nini dhambi kwa mwenye dhiki?

A conscious rap song dedicated to the poor. The video was shot on the top of the Ol Doinyo Lengai volcano.

‘Dunia dudumizi’

A standout track that demonstrates the group’s lyrical skill in addressing societal issues with captivating rhythms.

‘Bamiza’

This was the group's very first single and became a big hit across East Africa shortly after its release in 1998.

x-plastaz toured europe at the height of their international fame

WIN

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Want to know your Pinot Noir from your Pouilly-Fuissé? Here’s your chance to sip, swirl and savour under the guidance of experts who live and breathe French wine.

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TERMS & CONDITIONS: One entry per person. Entrants must be 18 or over. The prize excludes travel to and from the venue and is subject to availability. Employees and relatives of Safarilink, Land & Marine Publications Ltd, and Le Decanter are not eligible. The winner will be announced in the next issue of The Link and contacted directly.

Last issue’s Competition Winner

Congratulations to Gregory Maitha who wins dinner for two at Tamarind Brasserie in Karen. Well done and thanks for flying with Safarilink. For more information on Tamarind Brasserie visit www.tamarind.co.ke/locations/brasserie

How to ENTER

For a chance to enjoy this experience, simply email a photo of yourself holding this issue of The Link while on your Safarilink flight to competition@landmarine.org by 15 May 2026.

CULTIVATING OYSTERS:

CLIMATE

HEROES OF THE KENYAN COAST

Sa helping hand. Along the coast, communities have long harvested wild oysters from natural beds in the mangroves, but overfishing, destructive harvesting, habitat loss, and poor water quality have depleted populations of the local delicacy.

Gloria Justin has an answer that brings the bivalve back to Kenya in numbers big enough to support commercial demand, and maximise the mollusc’s vital role in sustaining, restoring, and protecting the coastal environment.

Gloria is Kenya’s first commercial oyster farmer. Her company, Swahili Coast Farms, currently operates with more than 400 nets of oysters suspended in the nutrient-rich waters of Gazi Bay around 50km south of Mombasa.

“We farm oysters intentionally and consistently rather than relying on what nature happens to provide,” Gloria says. “We import sterile Pacific oyster spat [baby oysters] from France, a species that is globally preferred for its fast growth and high meat to shell ratio. This allows us to produce oysters all year round and grow them to sizes that wild oysters in Kenya never achieve.”

The oysters are continuously submerged in water, enabling them to filter more water and grow faster. Gloria adds: “Periodically, we remove the oysters from the water to grade, clean, and tumble them, which strengthens the shell,

As the country’s first commercial oyster farmer, Gloria Justin is blending international expertise with local opportunity to enhance Kenya’s marine environment and add a luxury delicacy to its cuisine.

creates the desired cupped shape, and improves overall quality. Every oyster we sell is traceable, carefully farmed, and produced using world-class techniques that meet international standards, making them suitable for both local and global markets.”

The aquaculture and fisheries graduate honed her understanding of the technical and operational aspects of oyster farming while working for the first and largest oyster farm in the Middle East. In time, Gloria was drawn to the idea of applying these skills in her home country while addressing broader challenges.

She says: “Kenya has exceptional natural conditions for oyster production. Farming allows us to tackle issues here such as marine conservation, climate change, youth employment, and food security while producing a premium seafood product.”

Gazi Bay

After a rigorous site selection process for the farm, Gazi Bay was chosen as it is an area with minimal human settlement, hotels, or industrial activity compared to other parts of the coast. This is essential as oysters are filter feeders that accumulate contaminants from their environment.”

While Gazi Bay is renowned for its clean waters, Gloria says the farming of filter-feeder oysters has a purifying ripple effect on the surrounding marine environments. Like coral, the fused-together oysters of the farm form a sort of reef to protect the coast and act like a marine sanctuary for other fish.

“A single oyster can filter up to 200 litres of water daily,” says Gloria. “Our farm acts as an artificial reef, creating habitats for marine organisms and supporting breeding and settlement of various species, which enhances biodiversity.

“We also recycle shell waste by returning it to the ocean to help build artificial reefs, contributing to the health of the Diani-Chale reef system. Additionally, our farming structures help reduce the impact of strong currents, offering protection to the shoreline and surrounding marine life.”

Gazi is also strategically located just a 45-minute drive from Mombasa’s Moi International Airport allowing Swahili Coast Farms to export its oysters quickly to international markets. “Often within 48 hours of harvest,” Gloria says.

Gazi is also close to the beach resorts of Diani. Tourists are invited to learn more about the farm’s operations on organised tours that include boat trips to the 12-metre floating platform offshore. Gloria says: “They can choose to harvest oysters themselves or observe the process while snorkeling around

Gloria Justin is Kenya's first commercial oyster farmer

“our farmed oysters have a clean finish that reflects the quality of the water”

the farm. The experience includes freshly harvested oysters followed by freshly grilled fish and coconut water sourced from the local community. Sunset visits are particularly special, offering breathtaking views and a peaceful return under the stars.”

Fresh

Select restaurants in Diani were the first to serve the farm’s fresh oysters to diners. “When we stocked our first batch of oysters, we intentionally limited sales to three clients to ensure consistency and quality. These were The Sands at Chale Island, The Sands at Nomads, and Asha Boutique Hotel. With our second batch, we expanded our client base to include Blue Marlin Hotel, La Terrasse, and Eleven Pearl in Diani

as well as Oysters and More in Nairobi. We are now gradually expanding beyond the south coast.”

Diners can expect the farmed oysters to have a markedly different taste profile to the wild-grown varieties.

“Wild oysters growing in mangroves tend to have a strong fishy taste and can be quite salty,” Gloria says. “Our farmed oysters offer a more balanced profile. They are creamy, briny, and umami rich, with a clean finish that reflects the quality of the water they grow in and our unique farming techniques.”

Slurping an oyster for the first time can be an intimidating experience. Gloria has been there.

“My first oyster experience was much like many others, slightly hesitant,” she says. “It happened in Dubai during my previous job. Shortly after, I was promoted to quality control manager, which meant tasting at least three oysters a day for five days a week. Enjoying oysters quickly became essential to the job. For anyone curious enough to follow that path, we are always open to volunteers.”

Gloria does share some advice to help newbies navigate their first oyster tasting. “I often tell people that if they have ever had a raw egg, they should not be afraid of oysters. They rarely taste the way people imagine. I always recommend trying them the classic way first, fresh, raw, with the natural liquor retained and a squeeze of lemon/lime. For those who are more adventurous, especially gin lovers, oysters pair beautifully with a dash of good quality gin.”

Oyster fun facts

Natural water filters: oysters are incredible natural water filters. A single adult oyster can filter up to 50 gallons of water per day, removing algae and excess nutrients from the water.

Gender fluid delicacies: oysters can change gender! They often start life as male and may switch to female later, sometimes changing back and forth multiple times during their lifespan.

Mangrove connection: the mangrove forests of Gazi Bay are among the most extensive in Kenya. These unique ecosystems provide crucial habitat for juvenile fish and help protect the coastline from erosion.

Year-round harvest: thanks to Kenya's tropical climate, we can harvest oysters year-round. Unlike colder regions where oyster harvesting is seasonal, our oysters are always in season!

For more information on Swahili Coast Farms and to book a farm visit, go to www.swahilicoastfarms.com/

The farmed oysters are now a feature of the local dining scene

An insider's guide to

MOMBASA

content creator and ceo of real estate company Mombasa_ spacesKe Josephine Kache gives us the lowdown – or should that be slow down? – on her beautiful hometown.

First things first…

Mombasa is a city you don’t rush. You arrive, you breathe, and slowly almost without noticing it pulls you into its rhythm.

After landing, I always tell visitors to slow down. Grab a

fresh madafu (Swahili for ‘fresh coconut water’), feel the coastal breeze, and let the Swahili concept of pole pole (slowly slowly) guide your stay. Mombasa reveals itself best when you stop chasing time.

FLY WITH US: TWO FLIGHTS DAILY

If I had just one day in the city…

I’d start the morning wandering through Old Town – admiring carved wooden doors, narrow alleyways, and centuries of history. Lunch would be street food: mishkaki (grilled meat on skewers) and viazi karai (potatoes deep fried in flour), eaten standing, just like the locals. In the afternoon, Fort Jesus offers context to the city’s layered past. We’d end the day watching the sun melt into the Indian Ocean from Nyali Beach.

"three words that define mombasa: warm cultural, and timeless."

Melnikov

Robin Batista | Shutterstock

Elen Marlen | Shutterstock.com

My street-food favourite…

Viazi karai from Old Town – crispy, spicy, and impossible to eat just once. For a proper sit-down meal, Swahili biryani or pilau from places like Barka or Tarboush never disappoints. Coastal cuisine here is rich, aromatic, and deeply cultural.

Hidden corners and local hangouts…

Tourists often miss some of Mombasa’s quieter gems. Cafesserie in Old Town is perfect for coffee with character, while the Blue Room in the CBD offers a nostalgic glimpse into old-school Mombasa. These are places where the city feels lived-in, not staged.

Culture in motion…

If there’s one event everyone should experience, it’s the Mombasa Carnival (typically in November) – a celebration of colour, culture, and identity. Throughout the year, you’ll also

find authentic music and dance performances in Old Town and along the coast, where tradition meets modern expression.

Markets and meaningful souvenirs

For fresh produce and real local energy, Marikiti and Kongowea markets are unmatched. Old Town shops are ideal for spices, fabrics, and handmade keepsakes – each carrying a story of the coast.

A piece of peace…

When I need quiet, I escape to Jumba la Mtwana ruins or take early-morning walks along less crowded beaches in Shanzu. These places remind you how peaceful Mombasa can be when the city is still waking up.

Local wisdom…

There’s a Swahili saying I love: Haraka Haraka haina baraka. It means ‘rushing brings no blessings’. It perfectly captures life here.

Getting around and local etiquette

Tuktuks are fun, Uber is convenient, and walking is best in Old Town. Greet people warmly, dress modestly in cultural areas, and respect prayer times – small gestures go a long way.

Three words that define Mombasa

Warm. Cultural. Timeless.

What I miss most when I’m away…

The ocean breeze mixed with the scent of spices – once it becomes part of you, you carry it everywhere.

What I wish people understood…

Mombasa is more than beaches. It’s history, heritage, and community woven together. A city that lives slowly, deeply, and beautifully.

Keep up with Josephine’s adventures on her Instagram page @jossie_kache

giraffes at nguuni nature sanctuary near mombasa

LEADING

with Strategy

Safarilink Commercial Manager Rose Kiget shares the skills that drive her role, and the evolving opportunities she sees across East Africa’s aviation sector

Q: What has been your career highlight in aviation so far?

One of my greatest career highlights has been transitioning from an operational role into a strategic commercial leadership position. Moving from managing and optimising day-to-day flights to now shaping the commercial strategy as Commercial Manager has been incredibly fulfilling.

At Safarilink, being entrusted with driving revenue strategy, strengthening partnerships, and contributing to executive-level decision-making has been a defining milestone. Seeing commercial strategies translate into measurable growth in passenger revenue and network performance gives me immense professional pride.

Q: What opportunities has working with Safarilink given you to build on your skills?

Safarilink has given me the opportunity to fully integrate strategy, analytics, and leadership. Unlike larger airlines where roles can be very specialised, Safarilink offers a dynamic environment where commercial decisions directly impact operations, finance, and customer experience.

I’ve been able to strengthen my skills in strategic management, policy formulation, pricing optimisation, stakeholder engagement, and cross-functional collaboration.

Q: Was aviation always your dream career or did you discover it later in your career?

I always knew I wanted to build a career within the airline and tourism industry. I was naturally drawn to the professionalism, structure, and even the sense of identity reflected in the uniform that is so distinctive in this field.

I began by pursuing a course in Tours and Travel, which provided a strong foundation in aviation and the wider travel sector. I later advanced my education with a degree in International Business Administration, followed by a master’s in Leadership and Governance. Throughout my academic journey, I found myself particularly drawn to strategy, systems thinking, and structured decision-making.

Q: What does a typical day look like in your role?

There is rarely a ‘typical’ day. My mornings usually begin with reviewing booking trends, load factors, revenue performance, and route forecasts. I assess pricing strategies and inventory positioning to ensure we remain competitive and profitable.

I spend a significant amount of time engaging with internal teams, reservations, operations, sales, and outstation teams ensuring alignment between

commercial strategy and operational realities.

Q: What are the skills that a good commercial manager needs?

A strong commercial manager needs analytical discipline, strategic thinking, and sound commercial judgment. The ability to interpret data, booking patterns, demand forecasts, competitor pricing and convert it into actionable strategy is critical.

Equally important are communication and relationship management skills.

Q: Have you had any mentors or inspirational figures in your aviation journey?

Yes, I have been fortunate to work with leaders who emphasised structure, accountability, and longterm thinking. Having mentors who are not only subject matter experts but also approachable enough to coach, guide, and challenge me has been instrumental in shaping my professional growth. For that, I am truly grateful.

Transitioning to commercial manager has proved fulfilling for rose

Q: What is your favourite Safarilink destination to fly to and why?

The Masai Mara remains my favourite safari destination as it truly represents the heart of our airline’s identity – connecting travellers to one of the most iconic safari experiences in the world.

From a commercial perspective, the Mara network is particularly fascinating. With its multiple airstrips, strong seasonality, and fluctuating demand patterns driven by migration cycles and global travel trends, it presents both complexity and opportunity. Managing capacity, pricing, and inventory in such a dynamic environment is challenging, but extremely rewarding when strategy and timing align successfully.

I must also mention Lamu. It has a completely different charm: serene, culturally rich, and steeped in history. The contrast between the wild savannah of the Mara and the tranquil coastal beauty of Lamu reflects the diversity of destinations Safarilink connects. Both destinations, in their own way, capture the magic of Kenya and remind me why I am proud to be part of this industry.

Q: African airlines are outperforming global averages in female aviation leadership with a significant number of women in high-ranking, executive, and technical positions. Do you see Safarilink as a key player here?

Absolutely. African aviation has made notable progress in advancing female leadership, and I am proud to be part of that positive momentum. Safarilink reflects this progress through a culture that prioritises merit, competence, and opportunity.

the masai mara and lamu remind me why I am proud to be part of this industry

rose believe women should pursue leadership roles with confidence

In my experience, Safarilink values competence, innovation, and collaboration. We have strong female representation among our top-ranking senior executives, and across management, operational, and technical roles. Safarilink is also proud to be among the airlines in the region with a growing number of female pilots and engineers.

Q: How do you see the aviation industry evolving in East Africa over the next five years, and what role will Safarilink play in that transformation?

East Africa’s aviation sector is well positioned for steady growth, driven by tourism recovery and expansion, increased regional trade, and continued infrastructure development. Over the next five years, we are likely to see deeper digital integration across distribution channels, more sophisticated and data-driven revenue management practices, and stronger regional connectivity as airlines respond to growing intra-African travel demand.

Safarilink is strategically positioned to contribute meaningfully to this transformation.

Our recent launch of flights to Entebbe now operating two times daily reflects our commitment to regional integration. In addition, our operations to Zanzibar complement our established domestic network in Kenya, effectively connecting three key East

African countries: Kenya, Uganda, and Tanzania.

Q: What are some of the biggest challenges you’ve faced in your role, and how have you overcome them?

One of the most significant challenges in my role has been navigating volatile market conditions, including fluctuating demand, seasonality in travel patterns, and operational disruptions. The safari and regional aviation space is particularly sensitive to global travel trends, economic shifts, and even weather patterns, all of which can impact performance.

Another ongoing challenge is access to comprehensive industry data to support long-term planning and informed decision-making.

To address these challenges, I rely on a structured and analytical approach. By strengthening internal process and discussions, conducting daily post-performance audits, and fostering close cross-functional collaboration, that focus on minimising risk while identifying growth opportunities.

Q: What advice would you give to young people, especially women, aspiring to pursue a career in aviation?

Do not be intimidated by the complexity of the industry, instead, let it motivate you to build strong technical and strategic skills.

For young women especially, pursue leadership roles confidently. Invest in education, seek mentors, and remain resilient. Aviation needs diverse perspectives, and there is space for women not only in operational roles but in executive, technical, and strategic leadership positions.

LAMU’S CREATIVE WAVE: ISLAND ARTISTS SHAPING THE FUTURE

As the oldest and best-preserved Swahili settlement in East Africa, Lamu is in touch with its past, but it is also home to a growing community of contemporary artists with creative visions that embrace the island’s future.

ENN CERAMICS

Located within Lamu Airport, this store showcases the work of ceramic artist and ENN Ceramics founder Elizabeth Natul Nenge. Kenyan-born Elizabeth trained at the world-renowned arts and design college Central Saint Martins in London. Her work combines modern artistry with African ceramic heritage and incorporates native materials such as Mount Kenya clay and sand from Lamu. Products include pots, vases, and ceramic jewellery. Production is centred in Nairobi where Elizabeth opened a new workshop in 2025 and runs classes to learn ceramics techniques such as wheel throwing. However, expansion is underway in Lamu with plans for a new studio in Lamu Town in place. For now, travellers at the airport can visit the gallery before or after their flights. International shipping can be arranged as can commissions for bespoke ceramics for home and hospitality spaces across East Africa.

Explore more on Instagram at @enn_ceramics.

SIMON MARUI

Like many young creatives on Lamu, Simon discovered his passion for painting at the pioneering, created-by-artists-for-artists Anidan Arts Centre. Now he is one of the centre’s art teachers nurturing young talent. The kids at the centre inspire Simon’s own art. “Seeing creativity grow in others and sharing ideas also inspires me to keep creating,” he says. His work is expressive and contemporary with a focus on colour, emotion and storytelling. The everyday life and culture of Lamu are recurrent themes in his paintings. “The ocean, the architecture, the colours, and the peaceful atmosphere all shape my ideas and creativity,” he says. “Life here moves at a different pace, which gives me time to observe, reflect, and turn those experiences into paintings.”

Visitors to Lamu can see and buy Simon’s work at Phoenix Studio in Lamu Town. He also has an Instagram page @maruiartist where he posts his most recent work.

"each face i paint is a dream i once lived. Every curve, every shade carries a memory" anna mokeira

ANNA MOKEIRA

As a child growing up in Lamu, Anna Mokeira learned to draw by copying comic books. Art has continued to be an outlet for her, but now it her own life that provides inspiration. Her deeply personal paintings in acrylic, oil pastels, oil paint, draw on past traumas in a powerful, cathartic form of self-expression. Most of Anna’s striking work is figurative, but the people depicted are distorted and dreamlike with elongated necks and multiplied facial features. “Each face I paint is a dream I once lived. Every curve, every shade, carries a memory – a whisper from my childhood in Lamu, a story born between salt air, laughter, and silence,” she says. Anna was among the five Kenyan artists involved in the eco-aware art installation Lamu Space Station in 2022. Now Anna’s latest work is on display at harbour-side hotel Lamu House and at her own pop-up roadside stall in Lamu Town. Having found her artistic voice, Anna is keen to take her creativity to new levels. She hopes soon to open a studio as a base for her work and to support other artists in Lamu. There are also plans for a trip to Nairobi to learn new skills such as sculpture and tattoo art.

To see examples of Anna’s work and to arrange a viewing in Lamu, visit @mokeiraanna on Instagram.

ANNA MOKEIRAº

MUHSIN AHMED

Muhsin’s murals, signwriting and graffiti art are a colourful contrast to the whitewashed, sun-reflecting walls of most homes and buildings in Lamu. His striking work decorates fishing boats, motorbikes, and shop fronts. A common thread in his work is the ‘Lamu Eye’ – a symbol of identity here that features a star cradled in a crescent moon that is painted on the prow of dhow fishing boats as a talisman to protect sailors. In addition to the public murals and street works he produces framed, gallery-ready art. His interest in creating art began when he was just a small child and has become his livelihood. “Lamu offers no options for me to choose other work,” he says.

Muhsin’s Instagram page @muhsinahmedarts showcases his latest work

JOSEPHAT ODONGO

For centuries, the people of Lamu have relied on fishing as a way of life and source of income. Josephat’s artwork is a reflection of the marine ecosystem’s importance on his home island. Visitors to the bohemian beach paradise of Shela village on the south-east edge of Lamu Island will find Josephat in his studio turning discarded driftwood into fish-shaped art. He carves and paints the wood into wall decorations, mirrors and homeware. Each piece reflects creativity and sustainability with the driftwood sourced from local beach clean-ups. These eco-friendly gifts are on display for purchase at the studio – launched in 2019 and located next to the Peponi bar and restaurant – and the popular Floating Restaurant moored just a short boat ride from Shela or Lamu Town harbours. The studio also showcases work by other local artists and Joseph shares his skills with a new generation of locals at a small arts school he set up.

For more information of Josephat’s work, call +254 7233476641, email: talentcornercreative57 @gmail.com or just drop by the studio.

EXPLORING THE LAYERS OF MIGORI Journey Home :

FLY

James travels to her ancestral home of Migori and finds herself reconnect with the region’s natural rhythms.

Travelling to my ancestral home Migori – or dala as the Luo habitants of the region call it – was not just driven by the desire to reconnect with my people but also the desire to explore history and tick-off a travel bucket list destination. From the moment you arrive, Migori has a way of grounding you and removing all the pressures of the city life. The land feels lived in, the stories layered, and the pace of life unhurried in a way that invites reflection.

Being in Migori is to experience Kenya at its most intimate. The ancestral homesteads are living spaces where generations overlap, and stories are passed down in conversation rather than text. Sitting

with elders, listening to accounts of migration, family lineages, and how land has shaped identity over time becomes a form of heritage tourism that no curated experience can replicate. It is in these moments that home reveals its deeper value as a travel destination not through spectacle, but through connection.

Another moment I relish is watching the rolling hills of sugarcane which to me is like witnessing the county’s backbone. Stretching across the landscape in long, green waves, the cane fields shape both the scenery and the economy, turning ordinary road journeys into moments of reflection. As the wind moves through the tall stalks, the land feels alive, rhythmic, and purposeful. Sugarcane farming is not just a visual marker of Migori’s countryside but a

livelihood for thousands of households and a defining feature of the region’s agricultural identity.

Beyond the homesteads, Migori town carries a quiet energy. Visitors can immerse themselves in the vibrant, multi-ethnic atmosphere of Migori Town, a bustling border hub with hotels, markets, and a lively commercial scene. Here you can engage with resident communities such as the Luo, Kuria, and Abasuba to experience their rich cultural traditions. On market days, the spaces hum with trade, colour, and conversation. The food is local and honest, with fish like tilapia or omena (sardines) from nearby waters, grains from surrounding farms, and produce that reflects the seasons. Walking through these spaces offers travellers a chance to understand

Harriet

migori has a significant shoreline along lake victoria

"Another moment I relish is watching the rolling hills of sugarcane .."

everyday life, where commerce and culture meet naturally.

A drive towards the lakeside town of Sori introduces travellers to landscapes that feel untouched by hurry. Near Lake Victoria, time stretches. Fishermen prepare their boats in the early morning, and evenings are marked by stillness and dramatic sunsets over the water.

Sori does not perform for visitors, rather it simply exists, and in doing so it ends up offering peace.

While in Migori, a visit to the ancient Thimlich Ohinga stone settlement – a UNESCO World Heritage site –offers a glimpse into centuries-old dry-stone architecture built without mortar, reflecting the ingenuity of the region’s early inhabitants. The settlement has recently added the

Thim Lich Ohinga Giraffe Sanctuary to its attractions. Another place which travellers can explore is the Macalder gold mining ruins, remnants of colonial-era tunnels and building foundations that tell the story of Migori’s industrial past. I love touring this place as it offers a glimpse into how gold mining shaped my people and the landscape over a century ago.

Nature lovers will find beauty at Gogo Falls on the Kuja River, which winds through Migori County before emptying into Lake Victoria.

Beyond the town, one can also explore attractions in Homa Bay County which is just an hour from Migori.

Ruma National Park, tucked away from the usual safari circuits, offers a quieter encounter with wildlife.

Game drives here feel personal and unhurried, set against rolling plains and open skies. The absence of crowds allows nature to take centre stage, reminding travellers that Kenya’s wildlife experiences extend far beyond its most famous parks. One can also explore Lake Simbi, which is located just a short drive from Migori town. It’s a small, magical crater lake renowned for its striking green waters and

serene surroundings. The lake is framed by natural vegetation and birdlife, making it an ideal spot for quiet reflection, photography, and nature walks along its edge. It’s also possible to explore the area by strolling the paths around the lake, observing the rich bird species that inhabit the wetlands, and simply enjoying the peaceful atmosphere that contrasts with the bustle of Migori town.

'Kenya at its most intimate': scenes from the migori region

A mountaineering memoir FROM AN AFRICAN PERSPECTIVE

Lilly Arajova, the Senior Presidential Advisor on Tourism in Uganda, has written a memoir about climbing the Rwenzori Mountains – Africa’s highest mountain range, and just a short connecting flight from safarilink destination entebbe. Here she talks to Harriet James about why she hopes ‘Mountains of the Moon’ will shine the spotlight on her country as a world-class mountaineering destination.

Q: How does it feel to be the first woman to publish a memoir about climbing the Rwenzoris?

It’s a deeply personal and quietly historic moment. On one hand, there’s pride in knowing that my footsteps on those rugged, cloudkissed slopes are now part of the record not just for climbers but for women adventurers everywhere. On the other, there’s a humbling awareness that I carry the voices of many who came before me but were never heard, while opening a door for those who will come after. It feels as if the mountains themselves have handed me a medal that says: “You endured. You told it. And now it will never be forgotten.”

Q: What sparked the idea for this book?

The inspiration came from a desire to capture the raw beauty, challenges, and transformative power of the Rwenzori experience before it faded into memory. Climbing those mountains was not just a physical journey, but a spiritual awakening that reshaped how I see nature, resilience, and myself. I wanted to share the untold perspective of a Ugandan woman on those slopes, celebrate our natural heritage, and invite readers to hear the mountains’ own ‘echoes’ lessons about courage, persistence, and interconnectedness. By publishing this memoir, I also hope to shine an international spotlight

on Uganda as a world-class mountaineering destination.

Q: Were there any challenges in getting your memoir published?

Publishing felt like climbing the Rwenzoris all over again. It was exciting, exhausting, and rewarding. I spent months writing and rewriting to balance authenticity for seasoned climbers with accessibility for newcomers. Finding a publisher who understood that this was both a personal journey and a way to showcase Uganda’s adventure potential was a big step. The hardest part was carving out time amid a busy schedule, but like on the mountain trail, every challenge made the destination sweeter.

FLY WITH US: FOUR TIMES WEEKLY TO ENTEBBE

Q: Why is it important for Africans, especially in tourism, to tell their own stories?

It’s crucial because we understand the heart and context of our destinations in ways outsiders often can’t. When Africans tell their own stories, we present our landscapes, cultures, and people with authenticity not as stereotypes or through someone else’s lens. This shapes how the world sees us and influences how visitors experience our countries. Owning our narratives lets us highlight Africa’s

richness and diversity while ensuring tourism benefits communities and preserves heritage for future generations.

Q: How do you think your memoir changes perceptions of Uganda and African adventure tourism?

Too often, Africa’s adventure stories are told by outsiders, but this is from someone who calls this land home. It highlights the skill, resilience, and passion African mountaineering demands while revealing

the warmth and authenticity of our people and experiences. I want readers to see Uganda not just as a safari destination but as a worldclass adventure hub.

Q: What kind of training and mindset did you need before the climb?

Climbing the Rwenzoris demands both physical and mental preparation. Physically, I trained for stamina, strength, and endurance from long hikes to cardio workouts to handle steep trails, high altitude,

The route to the top of the Rwenzori mountains rises from tropical rainforest to equatorial glaciers

and unpredictable weather. Mentally, I focused on resilience and adaptability, knowing the mountain can change in minutes. You must push through fatigue, stay positive, and trust your team. I’d say my formula was 70 per cent mental preparedness and 30 per cent physical fitness.

Q: Can you describe the most difficult point of the expedition and how you overcame it?

The toughest moment came on day three at 4,300 meters when I suffered from altitude sickness. I felt awful and was in pain, but our well-trained guides administered medication from the first aid kit that helped me manage the symptoms. After about three hours, I felt much better and could continue. Their support was critical.

Q: Were there unforgettable people, wildlife, or cultural experiences that made it into your story?

Absolutely. I describe the diverse plants, birds, and animals, including primates, found on the mountains. The book also shares stories from indigenous people and guides who explain their culture and history. These encounters enriched the journey and connected me deeply to the place.

Q: How do the Rwenzori Mountains connect to Uganda’s tourism identity and marketing potential?

The Rwenzoris are one of Uganda’s most powerful symbols of natural beauty and adventure. As Africa’s highest mountain range and a UNESCO World Heritage Site. Globally, many don’t realize Uganda is home to these legendary ‘Mountains of the Moon’ so there’s huge untapped potential. By telling their story alongside our gorillas, safaris, and heritage, we can attract adventure travellers and position Uganda as a world-class destination.

Q: What message do you hope your memoir sends to African women aspiring to take on similar challenges?

"Too often, Africa’s adventure stories are told by outsiders, but this is from someone who calls this land home"

I want women to know that no dream is too bold and no challenge beyond their reach. The Rwenzoris taught me that strength isn’t about fearlessness but about moving forward despite fear and doubt. Our stories and voices matter. By stepping into spaces where we’ve been underrepresented, we break barriers and open paths for others. If my journey inspires even one woman to take her first step toward her own mountain, then it has been worth it.

Safarilink connects to Entebbe (via Kisumu), with direct flights from Nairobi Wilson Airport (WIL). The Rwenzoris can then be reached by car via Kampala or a scheduled flight from Entebbe International Airport to Kasese Airstrip, which is then followed by a 40 minute-drive.

The Rwenzoris are a powerful symbol of uganda's natural beauty

THE WILD

A modern guide to safari etiquette Respect

Award-winning photographers Jonathan and Angela Scott explore how mindful behaviour on safari can protect wildlife, enrich traveller experiences, and support a more sustainable future.

The animals in places like Kenya’s iconic Masai Mara National Reserve have become so accustomed to the noise and movements of safari vehicles that they take little notice of the guests seated inside. This process of habituation has allowed people a close-up view of creatures such as lions and leopards, and elephants and rhinos, with vehicles acting as a mobile hide, masking the human form sufficiently to cause the animals to tolerate their presence rather than move away. This privilege puts the onus on all of us to respect the wild creatures we so want to see. They are not there simply to entertain us.

On the plus side, wildlife tourism to Africa’s parks and reserves generates much-needed foreign currency for local economies. Some of the revenue goes towards managing protected areas and helping communities living with wildlife to meet their development needs. However, getting the right balance between the financial benefits of tourism and the wellbeing of the natural environment is no easy matter. Too often the tourism industry and administration tasked with managing wilderness areas have been willing to sacrifice sustainable environmental practices for the sake of making a “quick buck”.

In today’s world of global warming, climate crisis, and catastrophic loss of biodiversity we are paying the

price of years of exploitation with little or no regard for the long-term consequences of our actions. With the surge in tourism across the globe in the wake of the Covid-19 pandemic, it is time to put the focus back on nature: acknowledging it as a priceless gift rather than simply a commodity to be monetarised.

Choose wisely

Fortunately, more guests want to be part of a sustainable future. We encourage visitors to look carefully at websites to learn what sustainable practices the various tour companies, camps, lodges, and guides adhere to. Do they, for instance, support local communities through their business? How much does the company or individual care about the impact of visitors on the natural environment? And how much do they care as individuals about their own impact?

AN AFRICAN SAFARI IS AN INCREDIBLE EXPERIENCE THAT COMES WITH A RESPONSIBILITY AND A DUTY TO PROTECT WHAT REMAINS OF THE WORLD'S WILD PLACES

Wild animals must be given space by safari visitors

In an attempt to reconnect people to the idea that a healthy natural environment is essential to life itself, we founded the non-profit Sacred Nature Initiative (SNI) in 2021. SNI is based on three pillars: to Inspire, Educate and Conserve. It is currently supporting Narok County Government’s One Mara Brand initiative by promoting a culture of good practice and enhanced visitor experience – a safari etiquette – to be embraced by safari guides and guests to help realise the dream of having the 6,000 sq km Greater Mara Ecosystem declared a UNESCO World Heritage Site.

Manners matter

We chose the word ‘etiquette’ to convey a sense of politeness and good manners towards the wildlife, your safari companions and local communities. In the words of Zambian safari guide Ian Salisbury: “An African safari is an incredible experience that comes with a responsibility and a duty to protect what remains of the world's wild places. Our behaviour on safari should be about much more than obeying rules, it is about having the utmost respect

for the wild creatures and their unique habitats.”

This sensitivity to our environment is particularly important now that everyone is a photographer – whether brandishing a smartphone or wielding a 600mm telephoto lens. The intense desire to “get the shot”, driven to a greater

degree than ever by the selfie epidemic, has exacerbated poor standards of guiding with financial incentives – a handsome gratuity – the reward. We are all going to have to accept that there are times when we cannot or must not get into the best position to take a photograph without disturbing our subject.

SAFARI ETIQUETTE: A FEW EXAMPLES

If a predator is on the move, particularly if it wants to hunt, give it space and don’t try to follow.

If you are watching a mother with young, whether a gazelle with newborn fawn or a cheetah with cubs, be mindful of the way she is responding. If she looks nervous or wants to move, back off or leave. This is particularly critical at big cat den sites. Mothers have been forced to move from secure hiding places due to the close approach of safari vehicles and ended up losing their cubs.

Don’t encircle wildlife, give them room to enter or exit their chosen location.

Take a moment to savour being on safari without a camera pressed to your face. Bring binoculars with you to make the most of your sightings. And when it comes to the Masai Mara, remember that it’s not just about witnessing the great migration of wildebeests and zebras or finding big cats. Explore the diversity of animals and birds, plants and insects, marvelling at the interconnectedness of all living things.

Link to the Safari Etiquette ebook: www.jonathanangelascott.com/shop/p/safari-etiquette Link to the Sacred Nature Initiative: www.sacrednatureinitiative.com/

take a moment to savour your safari without a camera

All photography: ©Jonathan and Angela Scott | bigcatpeople.com

WHERE CINEMA AND COMMUNITY MEETS ON A ROOFTOP UNSEEN NAIROBI

Unseen Nairobi, Kenya’s first independent cinema, looks beyond the blockbusters for its carefully curated film choices. mark edwards finds about more about the films, food, and community on offer at this cinematic sanctuary in the capital.

There are few clues from ground level, but on the top-floor of an eight-storey office block in Nairobi’s bustling Kilimani neighbourhood you’ll find a 50-seater cinema showing some of the best films you may never have heard of.

Launched in 2021, as Kenya’s first independent cinema, Unseen Nairobi has gone on to foster a creative community in the capital through its diverse and thought-provoking film programming and special events. Film lovers can come here to escape the city bustle, turn their phones

off for a couple of hours and lose themselves in the magic of cinema. There is also the opportunity to combine a movie with a meal by dining at the venue’s Rooftop bar and restaurant that enjoys wonderful views over Nairobi’s urban core.

The Kenyan capital has more than 10 multiplex cinemas, two of which offer giant Imax screens and surround sound, but the choice of films between them is a dwindling slate of global blockbuster releases.

Co-founder and creative director at Unseen Nairobi Naomi O’Callaghan says the cinema’s success reflects

"

there is a demand for Kenyan, East African or even African films"

a growing desire among Kenyans to watch films that resonate with their realities. “We prioritise new Kenyan and East African releases. The multiplex cinemas are not screening enough Kenyan, East African or even African films, but there is a demand for them.

“We mostly screen films from the past two years and preferably new releases. The curation is mostly done by the cinema’s directors, but we do have guest curators for specific events or film festivals.”

Recent screenings include acclaimed new Kenyan documentaries ‘How to Build a Library’, which chronicles the restoration of Nairobi’s historic McMillan Library, and ‘The People Shall’ – a cinematic homage to the country’s Gen Z-led protests.

This February presents more opportunities to see the powerful Sudanese documentary ‘Khartoum’, which made a strong impact when first screened at last year’s Nairobi Film Festival with Unseen Nairobi among the 10-day event’s screening venues.

Film favourites

Asked to pick a few of her favourites, Naomi says it is an almost impossible task as there are “so many”, but gives special mention to another Kenyan doc ‘Battle For Laikipia’, which, she says, had a “huge impact” when screened, as well as ‘Soundtrack to a Coup d’Etat’, an inventive documentary which explores the link between US jazz and geopolitical machinations surrounding control of the Democratic Republic of the Congo in the 1950s and 1960s.

" combine a movie with a meal by dining at the venue’s Rooftop bar"

Naomi also highlights the weeklong Aflam-Sudan (Sudan Film Festival) that Unseen Nairobi hosted in 2024 with films including the award-winning drama ‘Goodbye Julia’.

The cinema hosts two screenings every day except Wednesday when it is closed for private hire. Sundays start from 10am with children’s film club Mini Mornings that creates a cosy, kid-friendly environment with soft lighting and lowered volumes for animated films such as Kenyan series ‘Uli & Tata’.

Every fourth Sunday the breadth of programming at Unseen Nairobi widens even further with Unseen Gems, a film club that introduces audiences to rare releases and cult classics from around the world. Recent screenings range from the 2020 Ivorian prison drama ‘Night

The rooftop restaurant is the place for pre- or post- film food

of the Kings’ to American silent classic ‘Within Our Gates’ released a century earlier and believed to be the oldest surviving film by a black director. The club is run by Unseen Nairobi and Matthew Daintrey-Hall, a British film lecturer and novelist now based in Nairobi. Weeks ahead of each screening he selects three films around a chosen theme and posts the shortlist on the Unseen Gems Instagram page. The film with the most online votes from followers is the one screened. The interactive element to the club continues once the screening is over with Matthew leading a discussion in which audience members can share their reactions to the film.

The club is an excellent way to build your cinema knowledge, which you can then put to the test at Unseen Nairobi’s regular quiz nights held at the Rooftop and led by actor and filmmaker Mugambi Nthiga and animation director and musician Naddya Adhiambo

Oluoch-Olunya. The hosts are examples of the creatives who have found a like-minded community at Unseen Nairobi. “We have many filmmakers and film lovers who have made it the unique space it has grown into,” says Naomi. “We have a loyal customer base that loves the feel of the space. They soon gave the cinema, bar and restaurant a great energy that they have continued to come back for.”

Rooftop community

The Rooftop is where the community comes together. Open from 10am it offers breakfasts (with an expanded brunch menu at weekends) until 4pm along with an all-day selection of sandwiches, soups, and platters made for sharing with your cinema date. There is also a well-stocked bar to create signature cocktails such as the Unseen Whiskey Sour made with bourbon, Angostura bitters, ginger beer, lime, and black pepper. Bar drinks can be enjoyed while watching your movie as

can the Rooftop’s unique range of cinema snacks such as homemade arrowroot crisps and black sesame, salt and marshmallow popcorn.

The air-conditioned cinema itself was built from scratch by the Unseen Nairobi team and features 50 plush seats that were reclaimed from an old Nairobi theatre. “It gives the room it’s charm,” says Naomi.

Whether you’re a long- time fan of cinema or just starting your journey into the world of film, Unseen Nairobi is ready to welcome you to its rooftop world.

To see upcoming film schedules at Unseen Nairobi and book screening tickets, go to www.unseen-nairobi.com/

To see the film shortlist for the next Unseen Gems and to register your vote, go to the club’s Instagram page @unseengems_filmclub

Unseen Nairobi has built a creative community of film lovers

REMEMBERING CRAIG

Harriet James pays personal tribute to Amboseli’s legendary tusker.

When I first heard the news that Craig, Amboseli’s legendary super tusker, had passed away I felt a pang of loss that surprised me. Amboseli has close to two thousand elephants roaming its plains but seeing Craig always felt like a talismanic moment. He stood large and patient, his ivory tusks nearly touching the earth, sometimes framed against the distant silhouette of Mount Kilimanjaro.

Photographers would hold their breath when they saw him and travellers would whisper. Craig had always seemed more than just another elephant but was a symbol of survival, a living testament to what decades of protection and careful conservation could achieve. He carried a quiet dignity, unhurried even in the presence of humans.

I remembered vividly the early morning game drive during my stay at Angama Amboseli, when our goal was to find him among

the herds. By bringing travellers into the heart of Amboseli with responsible safari experiences, Angama helps fund anti-poaching patrols, community outreach, and habitat protection programmes managed in partnership with the Kenya Wildlife Service (KWS) and local conservation initiatives. Every game drive, educational talk, or photography session at the lodge is also an opportunity to raise awareness about the fragile population of super tuskers (rare, older male African elephants known for their exceptionally large tusks).

I woke before sunrise, eager to capture that golden light with the surreal backdrop of Mount Kilimanjaro. My guide from Angama Amboseli, Jeremy Lorinyo, had promised me sun after the previous night’s heavy downpour. But what truly elevated this experience was riding alongside Jay Supeyo, a conservation photographer and Angama’s resident lensman. Throughout the drive, Jay and Jeremy shared stories of Craig and being that I was also learning photography, they offered technical tips while reviewing my shots.

During that game drive at Kimana sanctuary, the awe of searching for him was entwined with the beauty of the park itself. The Amboseli ecosystem stretches beneath the shadow of Kilimanjaro, its vast plains punctuated by swamps, acacias, and dusty tracks.

While we were enjoying a bush breakfast break, we were notified that Craig had been spotted. We set off immediately, but our vehicle was soon stuck in the muddy terrain. With assistance from the crew of another vehicle, we managed to get back on the road. Luckily, calm, patient Craig was still there when we arrived.

"I remembered vividly the early morning game drive during my stay at Angama Amboseli, when our goal was to find him among the herds"

As we gazed in amazement, Jeremy whispered to me: “Tuskers are male elephants with exceptionally large tusks, typically weighing over 45 kilograms each. They are extremely rare, with only a handful left in the wild.”

He added that despite the fact that he has seen Craig many times, each new meeting was one to cherish.

Beyond their iconic status, tuskers play a vital role in ecosystems. Their feeding habits help shape vegetation, create water pathways for other animals, and maintain the balance of habitats.

Craig’s story is inseparable from Amboseli itself. Born in January 1972 to the matriarch Cassandra

of the CB elephant family, he grew into one of Africa’s few ‘super tuskers’. In a continent where ivory poaching decimated elephant populations, Craig’s longevity and survival were remarkable. His enormous tusks, once coveted by poachers, became emblems of conservation success rather than tragedy. Over decades, rangers, KWS, local communities, and conservation partners ensured his safety, enabling him to roam freely and live into his mid-50s – a rare feat for an elephant in the wild.

Craig’s death is significant because each super tusker represents not only genetic diversity but also a cultural and ecological legacy. With so few remaining, the loss of one tusker like Craig is a reminder that even the most well-protected giants are vulnerable, and every conservation success is also a call to continued vigilance and stewardship.

However, despite the fears, his life also stands as clear proof that concerted conservation achieves lasting outcomes. Craig sired several calves over the years, ensuring that his powerful genes and gentle temperament continue to shape elephant families within the Amboseli ecosystem. Additionally, Kenya’s elephant population has been growing, rising from around 36,280 in 2021 to over 42,070 in 2025, according to official estimates. These are not merely numbers but symbols of resilience in a world where ivory poaching once devastated elephant numbers.

Amboseli National Park is a four-hour drive south from Safarilink's Nairobi Wilson base or three hours (plus the border crossing) from Arusha. Day trips are possible with a very early start, but an overnight stay near the park would make the experience less hectic.

supertusker craig is much-missed in amboseli

Our destinations

From Kenya’s premier national parks through Africa’s highest mountain to the best beach resorts of the Indian Ocean coast, Safarilink’s network of 17 destinations showcases East Africa’s finest attractions.

NAIROBI

The non-stop Kenyan capital is also Safarilink’s hub with our operations centred at the city’s Wilson Airport. Nairobi is the place to soak up Kenya’s contemporary culture with its vibrant food, music and art scenes. If you want to escape the bustle, head to the capital’s ‘green lungs’, Karura Forest, or make the most of Nairobi being the world’s only wildlife capital with a visit to Nairobi National Park.

ARUSHA (Three flights daily)

Arusha is a vibrant city with a growing cultural scene, offering diverse music, food, and art experiences. Known as the ‘Safari City’, it’s the gateway to Tanzania’s world-renowned

Northern Circuit of wildlife reserves such as Serengeti, Ngorongoro Crater and Tarangire National Park. For those short on time, Arusha National Park offers game drives, walking safaris, and canoeing on the city’s doorstep.

ENTEBBE

(Two flights daily)

Entebbe is a welcoming lakeside town on the shores of Lake Victoria, offering a relaxed atmosphere and friendly locals. It’s not just a charming destination itself, but also the gateway to Uganda’s prime animal adventures. From here, embark on unforgettable mountain gorilla trekking or head to Jinja, the adventure capital of East Africa, for

thrilling activities like white-water rafting and bungee jumping.

TSAVO WEST (Daily flights)

Tsavo West National Park offers some of the most magnificent game viewing in the world with its safari staples including elephant, rhino, hippos, lions, cheetah, leopards and buffalo.

NANYUKI (Three flights daily)

The gateway to the wilderness of Mount Kenya National Park where wildlife includes leopards, giant forest hogs and more than 100 bird species. The town is also the starting point to trails ascending Africa’s second-highest peak, Mount Kenya.

MOMBASA

(Two flights daily)

Kenya’s historic second city is a living museum that reflects its time as a trading hub linking Africa with China and India. It is also an excellent starting point for Kenya’s renowned beach resorts.

MALINDI (Daily flights)

The town of Malindi sits amid a string of tropical beaches dotted with hotels and resorts. Much of the spectacu-

lar coastline is protected by the Malindi Marine National Park and there is more untouched natural splendour at the nearby Arabuko-Sokoke Forest Reserve, which is home to elephants and more than 200 species of birds.

LEWA DOWNS

(Three flights daily)

The Lewa Wildlife Conservancy is famous for the variety of rare wildlife it protects. Set in a valley in the middle of the

Laikipia Plateau, it is home to East Africa’s largest rhino population as well Grevy's zebra, Sitatunga antelope, cheetah, lion, elephant and reticulated giraffe.

LAMU (Daily flights)

Sun, sea and Swahili culture. Lamu is a true island escape. Wander the labyrinthine streets of its Unesco-recognised town – the oldest and best-preserved Swahili settlement in East Africa – take in the spectacular sunset from a traditional dhow fishing boat or just explore the stretches of footprint-free beaches that ring the island.

AMBOSELI

(Two flights daily)

Mount Kilimanjaro provides the stunning backdrop to the Amboseli National Park, framing your safari views of huge herds of elephant as well as leopard, lion, cheetah, giraffe and more than 600 bird species.

ZANZIBAR

(Two flights daily)

This vibrant Indian Ocean island offers visitors a taste of Swahili culture old and new. In the ancient port of Stone Town coral and limestone houses, palaces, and forts survive from its 19th century trading heyday while the island’s coastline is a blend of sleepy fishing villages and swanky beach resorts. Inland

follow your nose for the heady perfume of the spice farms.

SAMBURU

(Three flights daily)

The Samburu National Reserve is known for its abundance of rare northern specialist species such as the Grevy Zebra, Somali Ostrich, Reticulated Giraffe, Gerenuk and the Beisa Oryx – also referred to as the ‘Samburu Special’.

NAIVASHA (Daily flights)

The calm, glassy waters of Lake Naivasha contain a huge hippo population. Boat trips are available, some that take you to the privately owned game sanctuary of Crescent Island, which is walkable and will reveal giraffe and zebra. Far more wild animals are to be found in the neighbouring Hell’s Gate National Park with herds of buffalo and all manner of antelope roaming amid the dramatic Rift Valley landscape.

MASAI MARA

(Four flights daily)

The wild and rugged landscapes of the Masai Mara offer Kenya’s premier safari adventures. From July to October, it hosts the world-famous Great Migration of 1.5 million wildebeests with the Mara river crossings a dramatic highlight. The park also hosts all of the Big Five animals.

LOISABA

(Three flights daily)

The Loisaba Conservancy in Northern Kenya is a haven for over 260 bird and 50 mammal species, including endangered Grevy’s zebra. Big cat lovers will also find prides of lions, cheetahs and leopards. African wild dogs, thought for many years to be extinct in the region, are returning.

KISUMU (Five flights daily)

Kenya’s third-largest city is situated on the northern shores of Lake Victoria. The lakeside vantage point offers some spectacular sundowner opportunities as well as boat rides and fishing trips. For animal adventures, head to the Kisumu Impala Sanctuary that shelters herds of impalas, zebras, cheetahs and baboons.

DIANI BEACH

(Two flights daily)

The Kenyan coast is blessed with beautiful beaches galore, but Diani may be the fairest of them all. With 15 km of powdery white sand and waters calmed by an off-shore coral reef it provides ideal conditions for swimming, snorkelling, scuba diving, kite surfing, and water sports like windsurfing and kiteboarding.

MIGORI (Two flights)

The high altitude and clean air of this city nestled in the highlands of western Kenya has produced some of the world’s best distance athletes. It is a place that rewards the outdoor life with natural attractions such as the Rift Valley, Kakamega Forest, Kerio Valley and the Nandi Hills nearby.

Our destinations

UGANDA

Entebbe

Kisumu

KENYA

Samburu

Laikipia Loisaba

Lewa Downs

Nanyuki Naivasha

Masai Mara

TANZANIA

Zanzibar

Mombasa

Tsavo West

Amboseli

Malindi

Lamu

Migori

Diani Beach

Arusha

Our fleet

The 14-strong Safarilink fleet includes aircraft suited to the remote airstrips and short flight times that make up the majority of the destinations we serve. We also have four twin-engine Dash 8s to fly more passengers on longer routes

CESSNA CARAVAN

C208BS

Number of aircraft: 11

Engine type: Turbo-prop single engine

Manufacturer: Textron Inc (formerly Cessna)

Crew: Two pilots

Maximum passengers: 12

▪ This workhorse of the fleet is a rugged fixed under-carriage aircraft that is ideal for landing on the ‘dirt’ airstrips common in game parks. Its high wings and large windows allow exceptional viewing of the unfolding scenery and animals while in flight. Our Cessna Caravan fleet now totals 10 after the arrival of two new aircraft in March 2024.

DEHAVILLAND DASH

8-106 (5Y-SLD)

Number of aircraft: One Manufacturer: DeHavilland Canada

Engine type: Twin engine Crew: Two pilots and one flight attendant

Maximum passengers: 37

▪ This Pratt & Whitney 120A powered aircraft is well known to commuter travellers around the world. Its pressurised cabin enables it to fly above the weather on the longer routes and its all-leather seats provide a touch of luxury.

SAFARILINK CONTACTS

ADDRESS: PHOENIX HOUSE, WILSON AIRPORT, PO BOX 5616, NAIROBI 00506, KENYA

TEL: +254 20 6690000

TEL: +254 730 888 000

EMAIL: RES@FLYSAFARILINK.COM

WEBSITE: WWW.FLYSAFARILINK.COM

CALL CENTRE: 020 669 0000

TWITTER: @FLYSAFARILINK

FACEBOOK: @FLYSAFARILINK INSTAGRAM: @FLYSAFARILINK

DEHAVILLAND DASH

8-315 (5Y-SLK)

Number of aircraft: One Manufacturer: DeHavilland Canada

Engine type: Twin engine Crew: Two pilots and two flight attendants

Maximum passengers: 52

▪ This Pratt & Whitney PW123E powered aircraft has a pressurised cabin which enables it to fly above the weather on the longer routes. It features all-leather seats for each passenger.

DEHAVILLAND DASH

8-311 (5Y-SLC)

Number of aircraft: One Manufacturer: DeHavilland Canada Engine type: Twin engine Crew: Two pilots and two flight attendants

Maximum passengers: 50

▪ This Pratt & Whitney PW123B powered aircraft has a pressurised cabin which enables it to fly above the weather on the longer routes. It features all-leather seats for each passenger.

DEHAVILLAND DASH

8-202 (5Y-SLO)

Number of aircraft: One Manufacturer: DeHavilland Canada

Engine type: Twin engine Crew: Two pilots and one flight attendant

Maximum passengers: 37

▪ This Pratt & Whitney PW123D powered aircraft has a pressurised cabin which enables it to fly above the weather on the longer routes. The interior is with all leather seats to provide a touch of luxury.

NAIROBI

PHOENIX HOUSE, WILSON AIRPORT

MOBILE: +254 730 888 000

DIANI

TELEPHONE: +254 710 772 222/ 735 697 410

EMAIL: DIANIOFFICE@FLYSAFARILINK.COM

KISUMU

TELEPHONE: +254 793 500 500/ 757 500 500

EMAIL: KISUMUOFFICE@FLYSAFARILINK.COM

MALINDI

TELEPHONE: +254 769 700 700

EMAIL: MALINDIOFFICE@FLYSAFARILINK.COM

LAMU

TELEPHONE: +254 769 600 600

EMAIL: LAMUOFFICE@FLYSAFARILINK.COM

ENTEBBE

TELEPHONE: +256 792 171 846

ENTEBBEOFFICE@FLYSAFARILINK.COM

KAMPALA

TELEPHONE: +256 792 170 946

EMAIL: KAMPALAOFFICE@FLYSAFARILINK.COM

MOMBASA

TELEPHONE: +254 769 000 444/ 101 888 000

EMAIL: MBAAIRPORT@FLYSAFARILINK.COM

ZANZIBAR

TELEPHONE: +255 674 308 858

EMAIL: ZNZOFFICE@FLYSAFARILINK.COM

Passenger information

BOOKINGS

Book your flights at www.flysafarilink.com and pay by credit card or mobile money. Alternatively, email res@flysafarilink. com for other payment options such as credit card payment links‚ or bank transfer options.

TRAVELLING WITH CHILDREN

Children of two years of age and above but not more than 12 years of age are charged at 75 per cent of the applicable adult fare‚ depending on the class booked. Infants under two years of age are not charged providing they are not occupying a seat. Infants are not entitled to a baggage allowance.

ONLINE CHECK-IN

Save time at the airport and check-in online between 18 hours and two hours before your flight. You can also checkin and download your boarding pass on your phone. When you check-in online‚ you can choose your seat for free. Once you have checked in online you will be required to present yourself at the check-in counter to confirm your presence.

CHECK-IN TIMES

Check-in counters will close 60 minutes prior to departure time on international flights (to/from Zanzibar, Arusha, Entebbe and Kilimanjaro) and 30 minutes prior to departure time on other services. After these cut-off times passengers will not be allowed to check-in.

SAFARI LOUNGE

Our Safari Lounge is an extension of our main dedicated lounge and is located at our head office on the first floor at Wilson Airport‚ Nairobi. Whether you’re travelling for business or pleasure‚ you can relax in our executive lounge for up to four hours before your flight. While here passengers can enjoy the services of a personalised barista with coffee roasted by hand. They can also take advantage of the shower facilities and

FREQUENT FLYER

the drink and snack bar. The Safari Lounge opens daily from 0600hrs to 1600hrs and can be booked for passengers on both private charters or scheduled flights at a fee of US $40 per person. It must be booked at a minimum of six hours prior to departure time. Children under 12 years will not be permitted unless booked as part of a private charter group. To book‚ contact our reservations team at res@flysafarilink. com or call +254 730 888 000.

▪ Safarilink’s frequent flyer programme, ‘Safari Bonus’, allows passengers to earn reward points on every Safarilink scheduled flight. To sign up complete the online enrolment form on our website.

▪ Once you have signed up you will get a membership number, which you will need to quote at the time of booking or upon checking in.

▪ Points can be earned on both one way or return Safarilink scheduled flights. The number of points earned are subject to the class of travel and fare paid.

▪Points cannot be earned on complimentary tickets. Children upwards of two years old can register as members. Points earned can be transferred to a registered member.

▪ Once you have sufficient points‚ book your reward ticket to any of our 17 amazing destinations

▪ Requests for award tickets should be sent to safaribonus@ flysafarilink.com‚ quoting your membership number and name. For any queries or clarifications‚ please send an email to safaribonus@flysafarilink.com

BAGGAGE ALLOWANCE

Zanzibar‚ Kisumu‚ Diani‚ Lamu, Entebbe, Mombasa and Malindi: 20kg max

All other destinations: 15kg max

▪ The baggage allowance is inclusive of hand luggage. Infants not paying for a seat are not entitled to baggage allowance. Excess baggage will only be carried‚ at the sole discretion of the captain of the aircraft‚ if the payload of the aircraft and/or space permits and will be charged at the prevailing rate for carriage of freight.

BAGGAGE FAQ:

Is there anywhere I can store any excess baggage?

▪ Yes‚ there is a complimentary secure store at our Wilson Airport Office. Please ask at the Check-in counter.

Is the 15kg baggage allowance inclusive of hand luggage?

▪ Yes. If passengers have significant excess baggage they can book a ‘freight’ seat at an adult rate‚ which permits confirmed carriage of an extra 75 kgs. What happens if my baggage is over the weight limit?

▪ In most circumstances our check-in staff will use their discretion and allow a leeway of up to two kgs. However additional excess baggage will only be carried‚ at the sole discretion of the captain of the aircraft‚ if the payload of the aircraft and/or space permits and will be charged at the prevailing rate for carriage of freight (currently KES350 per kg on domestic flights; US$5 per kg between Mombasa and Zanzibar; and US$10 per kg on flights between Nairobi and Zanzibar).

Why do you ask that my luggage is in a soft bag?

▪ Most of our flights are operated by aircraft whose luggage compartments have limited volume and are of an irregular shape. It is thus more difficult for us to stow large rigid suitcases‚ which in an extreme situation‚ might have to be carried on the next available flight.