Isabelle Lutz
nuclear kiss & tattoos of sorrow 130x160cm #126, 2011 © Isabelle Lutz
a collage made by a Dutch artist in order to induce the original message and to transmit it to three other artists living respectively in Portland, San Diego and Providence. At the end of the experiment, several exhibitions to highlight the inner workings of this transference are planned in 2014 in Europe and the United States. Your artworks have been exhibited in many countries, from Switzerland, your native country, to the USA, from France to the United Kingdom, where you currently live and work: what experiences have you had exhibiting in different countries? What are the differences-if any- between exhibiting in
| 59,4x42 cm | #182, 2013 © Isabelle Lutz
of affinity: I like the resonance and intensity of this color. Another pieces on which I would like to spend some words on are Aldi's Chickens in Love and especially the recent A Kiss & A Frog, that has impressed me very much: could you lead our readers through the development of these projects?
Aldi's Chickens in Love is an empirical video and an aesthetic romantic-comic exercise, featuring a love story between chickens and a female character at least insane, plagued by paranoid ideation ... [!]. Concerning A Kiss & A Frog, I participated to the project "telephone" in collaboration with the Satellite Collective of NY. I had to translate
in the slightly acid world | vivoequidem gallery Paris, 2009 © Isabelle Lutz
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