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Ko a l a e n ra c h a INTERIOR ARCHITECTURE AND SPACE DESIGN


ÍNDICE

01 LLACUNA PRIMER PREMIO

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L’INGANNO FELICE

MENTSANA

WELCOME REFUGIES

NAU BOSTIK

SUMMER

A CONCURSO

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ABSTRACT

BCN POSTALES

PLAY

NEW BASIC

ORÍGENES

Hueco interior de 13 cm de profundidad. Hemos eliminado el asa interior para aprovechar más espacio y así permitir comprimir el packaging sin que eso suponga un espacio interior menor.

La tira superior de ABS de la caja de lego sustituye a el nuevo material actual de la compañia dirigido para la comercialización del Nimuno Loops material puesto que así disminuimos costes de producción ya que solo se trabajaría con un material.

Pieza circular encajada para la sujeción de la asa a la caja.

Caja de ABS con nueva etiqueta, de menos medida e información sintetizada. Dos de las caras verticales incorporan la plataforma de construcción de lego igual que la tira superior sustitutiva del Nimuno Loop matieral. Así el propio packaging forma parte del juego. Mayor interacción. Sin romper con la iconografia y los materiales de lego conseguimos reducir el impacto ambiental.

Detalle de tapa ABS transparente. 2 semicirculo se situán en la arista inferior de la cubierta, justo en el medio de la recta, encajando con la pieza circular que permite la sujeción de la tira roja sustitutiva del Nimuno Loops material.

Tapa superior totalmente transparente para facilitar la visualización interior de la cantidad de piezas y dimensiones reales.

Espacio de 3 cm en las dos caras del packaging que incorporan plataforma constructiva de circunferencias para la colocación de la tapa superior en el cubo inferior.

La parte inferior de la caja dispone de un espacio de 2 cm de profundida para facilitar el encaje de más packaging nuevos de lego e incluso la propia colocación de la tapa superior debajo de la caja de juego.


ABOUT ME

C:5 M:0 Y:11 K:18

Third course of the degree in design in the mention of space. As I have become more and more familiar with interior design, I have become more and more captivated by the idea of being able to create spaces. I think it is essential to understand light and how to work with it to create good projects.

MISSION STATEMENT

VISION

WHY KOALAENRACHA?

From the Koala I extract his friendly appearance, his relationship with his peers and his group feeling, and his strong and powerful character that is not seen at first sight until the animal is studied in depth. On a roll is the cause of constant and well-done work.

I have skills in the music field. I also participated in the production of the web series Kdm;) directed and produced by young talents. I’ve been monitoring Cau at the Flower of Neu for a year. And I have attended business training classes in Barcelona actively. This summer I have done an online marketing course and I have already made an order for an NGO that has been launched very recently, I had the pleasure of being able to make the logo and the business card. I am looking forward to future projects commissioned by Miquel Bestraten, Director of the Master in Marketing and Management of Luxury Companies at Eserp and Director of Luxury Experience Barcelona.

HOW COULD YOU VISUALIZE ME?

My future brand must have a vision of the field and must solve the maximum of problems with the simplest solution to make it friendly and close to its later use, with a very present and powerful design discourse, in the background, multifunctional and adaptable.

CORPORATE VALUES

Personal evolution and improvement, critical thinking, respect, self-esteem, power, self-reliance, social commitment, loyalty, ambition, honesty, closeness, commitment, collective feeling and security.

AVATARS QUIÉN SOY, QUÉ HAGO, QUé VAS A ENCONTRAR EN MI PORTFOLIO

I am a person interested in entrepreneurship, creativity and the correct communication of ideas. I have an aptitude for teamwork. I am a passionate person and I am anxious to train as a person as well as a professional. I consider good presentations and rapid conflict resolution to be very important. The commitment and work day after day is what has marked the success of this last course and I am very proud of how I am progressing. “Demanding yourself to be your best version” and “no excuses” have created habits of work and dedication that I will continue to maintain. I believe that there is always room for improvement, and that knowledge is infinite. We never stop learning.

I do interior architecture and space design to change ways of doing things and from the exhaustive analysis of the problem to look for the best possible solutions and I do it through an organized structure, with a field vision.


SOFIA MARTIN PEREZ

LLACUNA Place-names such as Laguna recall the marshy origin of Poblenou, typical of areas near the mouths, such as the Besòs River. Toponyms such as Laguna or Joncar recall the marshy origin of Poblenou, which is the basis of the conceptualization of our project. Starting from the criterion of exploring the possibilities that light alone gives, the installation aims to praise the past, using light to re-experience the mysteries of the lagoon that will resurface ephemerally from the current urban environment. Between modern office buildings and refurbished industrial buildings, we want an active user to be immersed in a lighting plan that evokes the original lagoon. The desired effect is that the urbanized soil is erased and the humidity and vaporousness of the underlying marshy atmosphere is perceived. We want the protagonist of the installation to be the people, who, from their immersion in the horizontal lighting plan - like the stagnant water of the lagoon - provoke a movement that will transform the space sensory. In this way, shadows will be generated and it will encourage the rest of the visitors to immerse themselves in this lighting plan and to discover the atmosphere of the lagoon, the origins of Poblenou.

FESTIVAL LLUM BCN 2018

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SOFIA MARTIN PEREZ

Workshop directed by Roger Paez, Gabi Paré, Maria de la Cámara, Toni Montes. Tutors of Elisava. Students: Esther Abad, Joana Bisbe, Clàudia Blanes, Carla Camín, Alberto Cantera, Joan Carreres, Maria Casadellà, Aina Engelhard, Aina Flores, Nils Kamminga, Sofía Martín, Cristina Peiris, Carme Roig, Ariadna Sala, Clara Viladecans. Turbines i màquines de fum

FESTIVAL LLUM BCN 2018

Làser

Proyecto extracurricular, ganador del 1r premio de Llum Bcn 2018 a la mejor instalación lumínica entre universidades.

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SOFIA MARTIN PEREZ

SUMMER LAMP

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LÁMPARA VERANO 2018 / EXPERIMENTACIÓN CON PVC

El subnombre de esta lámpara es Blue & Yellow. Se trabaja el pvc a partir de tubos elásticos de 2 mm y se genera un entramado textil que alterna tres colores con la finalidad de generar un objeto colgante que conceptualmente nos recuerda al verano, por sus colores, por su forma y su simplicidad y acabados aparentemente despreocupados aunque muy pensados por otra parte. Fabricada en una fracción de tiempo de 18 horas. Hecha íntegramente a mano.


SOFIA MARTIN PEREZ

ESPACIO SURREALISTA 2018 / EXPERIEMNTACIÓN CON ALAMBRE

ABSTRACT

Esta maqueta fue realizada con la intención de plasmar el caos dentro de una persona ordenada, meticulosa y submergido detrás de toda esta personalidad un discurso generado desde el amor hacia todo lo que le rodea. El espacio de trabajo se convierte en un lienzo en blanco que puede trabajarse como uno quiera, incluso con un material tan industrial como és el alambre. Con el simple manojo del material gana en sencillez un trabajo que desde la sutileza más absoluta de la doblegación del material encontramos una complejidad absorvente en su volumetría final y como esta es plasmada en 2D mediante las sombras que la propia maqueta genera. Lo que se ve no siempre es hacia donde uno debe mirar.

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DIGITAL PORTFOLIO SOFIA MARTIN PEREZ  
DIGITAL PORTFOLIO SOFIA MARTIN PEREZ  
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