Page 1

Transposed Score Orchestra B

Cue 11 Michael Curran Orchestration by Geoff Knorr

q = 70

   Ottavino  

Oboe

    







  

    



  

 

    

 

mf

 

   

   

  

  

  

  

p

 



    

   2.  

Percussione 2

 



3.





 

Tamtam

Arpa

Santoor

   

   

Violino 1

Contrabasso

 a2 

        

   

 

    



p

mf

 

mp



 

   

 

  



 

 

   

mf

mf

4 Copyright © 2010 Firaxis Games

 

5 Blocci di legno coreano

  

   

     

      

   

solo

mp

mp

         mp

   

       

   

   

   

mp

mp

mp

6

   mp 

  

mp

 

5

    

mf

  

niente

mf

      

    

    

   

   

mp

     

mf

p

    

 

 

mp

   

3

mp

 

2

    



  

mp

             



 

mp



    

mp

   

  

           



  

 

mp



mp

    

   

  

mf

 

 





 

mp

 



   

mp

 



p

pp

mp

        

 





mp

Violoncello

mf

 

p

mp

 

 

    

   

mp



     

Viola

 

mp

mp

mp

    

Violino 2





mf

      

q = 70

 

mf



 

   

mf



mp

   

pp

   





    



Percussione 1

   



p

  

mf



   

pp



   

  p

Timpani

   



p

Tuba

      



      

1 2

1 Fagotti 2

Tromboni

    



1.

1 Trombe in Do 2

      

p

3 Corni in Fa 4



1 2



   

mp

   2.   

Corni in Fa

 







1 2

Clarinetti in Sib

    

  

Corno Inglese





Flauto

7


2

Cue 11 - Transposed Score

Ott.

A    

Fl.

Ob.

C.i.

1 Cl. 2 (Sib)

1 Fg. 2

  

 

  

  



        

(1/4#)



 

 





 

 

 

  

 

 

 

 

   



 

  

 

    

 

 

 

p

   

 

  mp

       

p

2.

p

   



1 Cor. 2 (Fa)

 

3 Cor. 4 (Fa)

1 Tr. 2 (Do)

 

1 2

 





 









Trb.

Tb.

Timp.

Perc.1

Perc.2

p

(con spazzole)

  

 

 

 

 

 

 

  

 sul tasto  

  

 

sul tasto

p

8

   

              

 



mp

    

ss. gli

sul tasto

 

mp

p

Cb.

   

Vcl.

a2



  

 

D Cb B / E F# Gb A

 

Vla.

 

D Cb B / E F# Gb A

Vl.2

  

mp

A Vl.1

                                  



San.

p

 

. gliss

Arp.

 

sul tasto p

p

9

 

   

10

   

    

   

 

   



  

 

   



   

 

   



unis.

 

   



 

   



  

 

 

    

   

div.

11

12

tutti

13


3

Cue 11 - Transposed Score

    

Fl.

 

    

    

Ob.

   

C.i.

    

mp

  2.   

1 Fg. 2

       



1 Cor. 2 (Fa)

 

p

p

  

3 Cor. 4 (Fa)

   

 

   

 

 

  

 mp

  

 

  

 

    

 

 

1 Cl. 2 (Sib)



 

   

    2.

3.

p

Tb.

Timp.

Perc.1

Perc.2

   

 





San.

norm.      norm.    



   

    

   

norm.

mp

   norm.    mp

 

mp

mf

 





 

mp



     

mp

 

mp

     

 

      

    

 

 

  



 

 

  

 

  17

mf

mf

mf

   mp 

  

     

  



   

      

  sul tasto 

  

  



    

mp

p

mp

 

18

mp

mf

p

    

mf

  

niente

     



pp

  

16

mp





  

15

p

 

 

mp

 

  

mp

mp

mf

mp

  

 

 

p

   

     

    

   

mp

mf

 

        

mf

                            



 

mp

 a2

  

    

    

   

    

    

          

           



   

  

mf

mf



mp

  

mf

      

mp

 

  



   

    



mf

             

 

    

      

mp

mp

  

p

      

   

 



    

    

      

mf

      

mf

 norm.  mp

    

  



      

 

 

   



  

14

 

mp

Cb.

  



mp

Vcl.



mf

mp

Vla.



     

B      Vl.1   Vl.2

  



pp

 

   

Arp.











1 2



Trb.

pp

  





   

  p

1 Tr. 2 (Do)





Ott.

B     

         mp

   

       

   

   

   

mp

mp

mp

19

20


4

Cue 11 - Transposed Score

Ott.

  



 

Fl.

Ob.

C.i.

1 Cl. 2 (Sib)

1 Fg. 2

C

mp

   

 

   

  

 

    

    

(1/4#)



   



 



 





 





 

1.

p

 

       

 

1.



 

     



1.

    



p

p





1 Cor. 2 (Fa)

 

3 Cor. 4 (Fa)

1 Tr. 2 (Do)

 

1 2

 





 





 

 

Trb.

Tb.

Timp.

Perc.1

Perc.2

p

 

 

 

    



a2

   



p

 

 

                                  



  

(con spazzole)

  



     

    

        

 

    

 

norm.



D Cb B / E F# Gb A

 

mp









D Cb B / E F# Gb A

   



s.

glis

 

San.

. gliss

Arp.

 

mp

       

C Vl.1

    

Vl.2

 

Vla.

Vcl.

Cb.

 

21

 

      

pp

sul tasto

sul tasto

p

sul tasto p

p

22

     p

sul tasto

p

 

23

   

 

    

   

div.

24

25

   

   



 

    

 

    



unis.

  

    

26

27

 




5

Cue 11 - Transposed Score

Ott.

D           

Fl.

   

Ob.

C.i.

1 Cl. 2 (Sib)

Fg.

1 2

mp

  

 



  





 

     

    





























   













   













  













1 Cor. 2 (Fa)

 















3 Cor. 4 (Fa)















1 Tr. 2 (Do)

   













1 2

   













   













 

 

 

 

 

 

 

 

Trb.

Tb.

Timp.

Perc.1

Perc.2

 

 

               

                                    

 



 

(Bacchette di legno)



 

 

        

  







  





 





.

iss gl

   

San.

     

 









(con spazzole)

norm.

D Cb B / E F# Gb A

   

Arp.



mp



D Cb B / E F# Gb A

  

              







 

 

 

 



 

      

 

   

   



 

   

  

          

gli ss.

D Vl.1

        

Vl.2

Vla.

Vcl.

p

p

   

 

   

   





p



   

 

   

   





 

   

 

   

   



 

p

Cb.

28

p

29

30

31

32

33

  34

   

 


6

Cue 11 - Transposed Score

Ott.

E     

Fl.

Ob.

Fg.

1 2

mp

  

    

mp

  

 

  

  

  

  

    

    



    



mp





mp

p

    

1.

mp

  

    

mp

  p

 

 

 

3 Cor. 4 (Fa)



1 Tr. 2 (Do)

   

1 2

   

   

  p

 

Perc.1

Perc.2

Arp.

San.

 

 

          



   

   



        

         

          

p



   

 

(con spazzole)

Vl.2

p

p

Vla.

    p

Vcl.

Cb.

 

  

  

  

  

    

        

  

 

 

    

36

    

37

    

 

norm.

         

         

 



    

       

  

norm.

norm.

   



norm.

norm.

38

39

mp

mp

   

norm.

   

35

mp

F

        

 

mp

   

    

40

41

 

 

 

E Vl.1



 

 

  p

 

p

Timp.



 



    

 

 

Tb.

a2

2.

1 Cor. 2 (Fa)

Trb.

p

   

1 Cl. 2 (Sib)

     

   

C.i.

F

 

42

 

 


7

Cue 11 - Transposed Score

Ott.

  

Fl.

Ob.

1 Cor. 2 (Fa)

  

  

  

    

1 Cl. 2 (Sib)

1 2

  

    

   

mf

 

 

Trb.

Timp.

Perc.1

Perc.2

 

 

 



 





mp

     

 

 

 

pp



 

 

   

 

  



  

  

 

   

 

 

    

 

43

44

 

 

D C§ B# / E F# Gb A

   





  

 









   

   

   







 

                  

 

          

   

   

p

 

  

 

  



   

 

mp

 

   



 

 

mp

  

 mp

 

mp

46



  

     

mp

mf

45



mp

mf

pp

mp

mf

 

mp

D C§ B# / E F# Gb A

mf



   

mf

 

    



norm.

s. glis

 

mf

D Cb B / E F# Gb A

  

niente

s. glis

 

mf

mp

 

mp

(con spazzole)

   

 

 

 

 

niente

 

niente

mf

  

p

D Cb B / E F# Gb A

 

pp

 

 

 

   

mp

mf

Cb.

          

mp

mf

s.

mp

 

s gli

   



 

   

  

 



mf

ss.

     





         

pp

 

   

  

Vcl.

  



mf

Vla.

 

 

mf

 

 

 

 

Vl.2



gli

Vl.1



San.

 

mf

   

Arp.

mf

 

 

   

1 2

Tb.

 

 

1 Tr. 2 (Do)

 

mf

p

3 Cor. 4 (Fa)

mf

      

     

mf

mf

  

C.i.

Fg.

47

   48

        

mf

   


8

Cue 11 - Transposed Score

p

      

1 Cl. 2 (Sib)

  

 

   

  

  

  

 

 

  

   

3.

p

     

1 2

Tb.

Timp.

Perc.1

p

   

  

  



 

 

   

 



p

Gran Cassa (Bacchetta di spugna)

 

mf

    

Arp.



 

p

p

pp

Perc.2

 

 

pp

mf

Trb.

  

 

   

1 Tr. 2 (Do)

f



   

 

mf

  

  



      

    

      

    

f

  



3 Cor. 4 (Fa)



      

 

 

    

f



  

p

1 Cor. 2 (Fa)

p







1.

1 Fg. 2



     

mf

  f

Vl.1

      

    

mf

Vl.2

    

    

   

  

        

mf

Vla.

Vcl.

mf

Cb.

49

mf

f

   

 

    



f









f

f

f

f

    

mp

mf



 

   52

f

mp

  

   mp

5 Blocci di legno coreano

  

  

     

        

  

      

        mp

   

       

   

   

   

mp

mp

mp

mp

54

55

  sul tasto  p

mp

 

53

  

    

  

 

   

 

 

f

f

      

mp

     

  

niente

    

    

mp

      

 

 

 

mp

 

  

  

f

f

    

      

 

mp

    

       

mp

     



 

  

D Cb B / E F# Gb A          

f

mp

  

 

 

 

mp

 

 

 

51

 

mp

  

 

50

    

 

f

   

 

   

   

mf

        

mp

              

  

   

  

   

 

 



      

mp

   

f

f

G

   

   

                                   

San.

           

  

      

  





   

 

 

mp

  

f

  



      

mp

   

  

 



      

mp

  

.



 



    

gli ss

   

C.i.



      





 



gliss .

   

mp

    

mp



gli ss.



 

gliss .

Ob.

    

gliss .

Fl.

 

gliss .

Ott.

G     


9

Cue 11 - Transposed Score

H    Ott.  Fl.

Ob.

C.i.

1 Cl. 2 (Sib)

Fg.

1 2

  

 

  

  

    

   



    

   

    

   



 

 





 





 

 

mp

        

1.

    

p





    



 



1 Cor. 2 (Fa)

 

3 Cor. 4 (Fa)

1 Tr. 2 (Do)

 

1 2

 





 





 

 

Trb.

Tb.

Timp.

Perc.1

Perc.2

p





 

a2

                                    

  

(con spazzole)

   



     



 

         

 

   

p

 



 

    



norm.



D Cb B / E F# Gb A

 

      

pp

  

  sul tasto

 

p

56

sul tasto

p

57

     p

p

sul tasto

Cb.

p

Vcl.

  

sul tasto

Vla.







   

mp

   

Vl.2

ss. gli

H Vl.1



D Cb B / E F# Gb A

 

San.

. gliss

Arp.

 

58

   

 

    

   

div.

59

60

            

   

   



 

    

 

    



unis.

    



    



61

62


10

Ott.

Cue 11 - Transposed Score

I          

Fl.

   

Ob.

C.i.

1 Cl. 2 (Sib)

Fg.

1 2

mp

  

  



  

J

    

 

  

    

 

  

mp



  

   

   

 



3 Cor. 4 (Fa)



1 Tr. 2 (Do)

   

1 2

  

   

 



          

1 Cor. 2 (Fa)

Trb.

Tb.

Timp.

Perc.1

Perc.2

Arp.

   

   

      

San.

I    Vl. Solo  

Vcl.

Cb.

  

 

  

  

norm.

         

mp

   

solo

mp

J

     

p

p



   

   

63

64

 

65

66

    

p

p

   

 

   

    (con spazzole)

niente

   

Vla.

         

 

   

Vl.2

    

   

   

Vl.1

p





1.

         

    

    

   

      

           

  

67

   

68

69


11

Cue 11 - Transposed Score

Ott.

      

Fl.

 

Ob.

 

C.i.

 

1 Cl. 2 (Sib)

Fg.

1 2

 

 

 

     

 

                  

mp

 

niente

p

mp



   

     

p

                  

 pp

pp

p



niente

pp

 

  



 

 

1 Cor. 2 (Fa)

 

 

3 Cor. 4 (Fa)

 

1 Tr. 2 (Do)

 

 

1 2

 

 

 

 

 

 

 

  

 



              



        

Trb.

Tb.

Timp.

Perc.1

Perc.2



     

         

mp

        

mp

mp

 

mp solo

mp

 

        

  

mp

70

71

72

73

 

 

  



p

pp

         

p



         

pp

  



p

75

   

  

pp

     

pp

76

 

 

pp



 

  

p

p

74

  

p

   

 

 

p

p



 

p

     

mp

 

p

 

.

D Cb B / E F# Gb A

gliss

 

D Cb B / E F# Gb A            

D C§ B# / E F# Gb A

       

. gliss

solo

  

Vcl.

ss.

 

Vcl. Solo

           

D Cb B / E F# Gb A

  

Vla.

D C§ B# / E F# Gb A

mp

           

gli

  

Vla. Solo

ss.

  

Vl.2

Cb.

  

Vl.1



s.

   Vl. Solo 

D Cb B / E F# Gb A

s gli

  

San.

norm.

gli

  

 

(con spazzole)

s.

   

s gli

Arp.

    

77

China - Wu Zetian Peace - "Gao Shan Liu Shui"  

Orchestral score from the recording sessions for Civilization V.

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