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Wilfred Edward Salter Owen

1893 - 1918

Few would challenge the claim that Wilfred Owen is the greatest writer of war poetry in the English language. He wrote out of his intense personal experience as a soldier and wrote with unrivalled power of the physical, moral and psychological trauma of the First World War. All of his great war poems on which his reputation rests were written in a mere fifteen months. From the age of nineteen Wilfred Owen wanted to become a poet and immersed himself in poetry, being especially impressed by Keats and Shelley. He was working in France, close to the Pyrenees, as a private tutor when the First World War broke out. At this time he was remote from the war and felt completely disconnected from it too. Even when he visited the local hospital with a doctor friend and examined, at close quarters, the nature of the wounds of soldiers who were arriving from the Western Front, the war still appeared to him as someone else’s story. Eventually he began to feel guilty of his inactivity as he read copies of The Daily Mail which his mother sent him from England. He returned to England, and volunteered to fight on 21 October 1915. He trained in England for over a year and enjoyed the impression he made on people as he walked about in public wearing his soldier’s uniform. He was sent to France on the last day of 1916, and within days was enduring the horrors of the front line. Born Oswestry, Shropshire. Educated at Birkenhead Institute and Shrewsbury Technical College.  From the age of nineteen Owen wanted to be a poet and immersed himself in poetry, being especially impressed by Keats and Shelley. He wrote almost no poetry of importance until he saw action in France in 1917. He was deeply attached to his mother to whom most of his 664 letters are addressed. (She saved every one.) He was a committed Christian and became lay assistant to the vicar of Dunsden near Reading 1911-1913 – teaching Bible classes

and leading prayer meetings – as well as visiting parishioners and helping in other ways. From 1913 to 1915 he worked as a language tutor in France.  He felt pressured by the propaganda to become a soldier and volunteered on 21st October 1915. He spent the last day of 1916 in a tent in France joining the Second Manchesters. He was full of boyish high spirits at being a soldier.  Within a week he had been transported to the front line in a cattle wagon and was “sleeping” 70 or 80 yards from a heavy gun which fired every minute or so. He was soon wading miles along trenches two feet deep in water. Within a few days he was experiencing gas attacks and was horrified by the stench of the rotting dead; his sentry was blinded, his company then slept out in deep snow and intense frost till the end of January. That month

was a profound shock for him: he now understood the meaning of war. “The people of England needn’t hope. They must agitate,” he wrote home. (See his poems The Sentry and Exposure.) He escaped bullets until the last week of the war, but he saw a good deal of front-line action: he was blown up, concussed and suffered shellshock. At Craiglockhart, the psychiatric hospital in Edinburgh, he met Siegfried Sassoon who inspired him to develop his war poetry. He was sent back to the trenches in September, 1918 and in October won the Military Cross by seizing a German machine-gun and using it to kill a number of Germans.  On 4th November he was shot and killed near the village of Ors. The news of his death reached his parents home as the Armistice bells were ringing on 11 November 1918.

DULCE ET DECORUM EST Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind. Gas! Gas! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound’ring like a man in fire or lime . . . Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulce et Decorum est Pro patria mori. Wilfred Owen

Profile for The Last Post Magazine

The Last Post magazine - Autumn 2012 - Anzac Day Special  

The Last Post magazine - Autumn 2012 - Anzac Day Special

The Last Post magazine - Autumn 2012 - Anzac Day Special  

The Last Post magazine - Autumn 2012 - Anzac Day Special

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