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❁Continued from page 59 Music campers from Iowa, Japan, Hilo and Hawi find the ancient platform for creativity, the shrine that blossoms under watchful eyes of appreciation, the perspective Auntie Nona emphasized more than any. Appreciating what the rest of the planet seems to have forgotten: mahalo and music, movement and mana. In the papa ‘olelo language class on the Kalanikai Lanai, Kaliko teaches that the feeling behind the words conveys everything. Being as careful with ‘okina placement and pronunciation as in finger-plantings on the slack key guitar with Keola, the learning catches you off-guard. You’re picking up the voice, the sound and the kauna—hidden messages behind the words—because they’re fun, pleasurable, sweet.


Thursday: Pō‘aha (poh ah-ha)

Welcome Triathletes! Wishing you well in the Ironman! Give us a call, we can help you with island hopping and activities! We always go the extra step for you, whatever it takes!

In Melinda Caroll’s voice training class, the teacher intones, “All the parts, all your voices, create this beautiful texture. Relax, enjoy, make your move, and let yourself go into the sound. Whatever comes out, let’s just have fun,” says Melinda, another of Auntie’s protégés. Textured men’s voices blend with the sopranos, not yet perfect, but moving, perky yet soothing. It does what Auntie Nona said music must do. “It’s more important what you feel,” she said. “The feeling is what translates to the doing. And without feeling, there is no doing. So you don’t transmit it to other people unless something is ignited in your heart. Whether it’s good or sad or bad, it’s got to start there first.” KonaBob, aka Robert Stoffer, stands beside Melinda, serving up the backbeat with his fretless, lightweight wonder, the Walkingbass. The creativity of people never ceases to amaze me. In Hawai’i, geniuses are like geckos. Under every palm tree. Outside on the Kama’aina Terrace, we overlook King David Kalākaua’s Po’o Pond and the ancient canoe landing. More talk story. Keola muses on the “full circle of learning” fostered at Music Camp. “The music is a vehicle for the culture we come from,” says Keola. “We all come up different sides of the pyramid, Moana with her hula, me with the guitar stuff, and Kopono’ai with the oli. We’re all working towards the same place of ‘mālama ko aloha.’ Keep the aloha alive. It’s all about music and all about aloha.” A group of school children are preparing to sing “Hawai’i Pono’i” on the verandah. “There’s a full circle of learning here,” Keola points out. “See those Explorations Academy students there. Mom and Dr. Mitchell had this outreach van at Kamehameha Schools on O‘ahu, where they would go to different places and have their workshops, then get back in the van, and go around and teach,

Linda Nagai

Shawn Sato

Helping you create those magical memories

Melinda Caroll conducts voice class while KonaBob plays the WalkingBass (left) overlooking the gardens at Keauhou Beach Resort – Photo by Karen Valentine

September-October 2011  
September-October 2011