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justin devon moore


p o rt f o l i o o f J u s t i n D e v o n M o o r e s e c t i o n 0 1 M ET H O D S A N D M A D NESS s e c t i o n 0 2 IN D EPEN D A NCE PR A CTICE

the following is a collection of works produced for the first semester o f m y s e c o n d y e a r o f g r a p h i c d e s i g n at u c a e p s o m .


0 1 METHODS AND MADNESS


o b s e r v at i o n s a n d r e p l i c at i o n s o f g r i d s


p l ag i a r i s m


one evening after a contextual studies l e s s o n a b o u t s i m u l a c r a a n d s h o r t ly after a studio session discussing s y s t e m s , i d e c i d e d t o p l ay v i s u a l ly w i t h t h e c o n c e p t o f p l ag i a r i s m . t h i s wo r k i s 100% mine.


I n f o m at i o n g r a p h i c s d e s c r i b i n g assumptions made, based on human av e r ag e s . T h e s e m o d e l s c o n c e a r n t h e influencial german, joseph bueys.


j o s e p h b u e y s w a s i n v o l v e d h e a v i ly w i t h s o c i a l issues issues and reflected this in his works. i d e c i d e d t o ta k e t h i s r e s e a r c h o p p u r t u n i t y to a d d to m y k n ow l e d g e o f c u r r e n t a f fa i r s w h i c h w i l l h o p e f u l ly s h o w ( o r n o t ) t h r o u g h m y l at e r w o r k s .


w e w e r e a s k e d t o ta k e s o m e t h i n g m u n d a n e a n d m a k e i t i n t e r e s t i n g . t r av e l l i n g i s p r e t t y m u n d a n e . i d o a l o t o f t h at. t h i s i l l u s t r at i o n s h o w s m y m o v e m e n t a r o u n d c e n t r a l l o n d o n f r o m s e p t 7 t h to d e c 7 t h .


the following few spreads are a l s o i n r e s p o n s e to t h e m u n da n e b r i e f. a l l w o r k s h o w wa s m a d e i n c o l l a b o r at i o n w i t h l a u r a h e c k f o r d.


t h r o u g h o u t t h e d u r at i o n of this project we m a n a g e t o m a i n ta i n a s e n s e o f p l ay f u l n e s s a n d s p o n ta n e i t y. t h e s e a r e t h e r e s u lt s f r o m d u n k i n g l au r a ’ s fac e i n f l o u r .


t h e o p p o s i n g p a g e s h o w s d e ta i l s f ro m o u r n e x t e n d e avo u r . w e decided after many hours of horse p l ay, t h at w e s h o u l d n t p l ay w i t h o u r f o o d , s o w e t r i e d t o i l l u s t r at e w h at w e h a d l e a r n e d .


removed string type and flour.


0 2 i n d e p e n da n t p r ac t i c e


m y i n d e p e n da n t p r ac t i c e s ta r t e d l at e l a s t s e m e s t e r . t h e s e i m ag e s a r e from the work in progress s h o w, T h e l e f t i m a g e w a s m a d e i n c o l l a b o r at i o n with lance de vries j n r . t h e i m ag e s s h ow n here were mark making experiments concearned w i t h t h e s pa c e i n w h i c h t h e y e x i s t e d.


i n a o n e d ay p r o j e c t h o s t e d b y v a u g h a n o l i v e r , i w o r k e d c l o s e ly a l o n g s i d e m i k a v a a j o k i t o p r o d u c e t h i s o c t o b e r c a l e n d e r s p r e a d . t h e i d e a w a s t o c r e at e a n o n c o n v e n t i o n a l calender. a f t e r r e s e a r c h i n g i n t o o c t o b e r w e l e a r n t t h at i t w a s ta k e n f r o m a c a l e n d e r i n w h i c h i t w a s p r e v i o u s ly t h e e i g t h m o n t h . b e c a u s e o f t h i s w e d e c i d e d to u s e h a n d s to r e p r e s e n t t h e t e n , t h e n s u b s e q u e n t ly e x c l u d e d a t h u m b o n e a c h l e a v i n g u s w i t h e i g h t ( o c to ) d i g i t s to e ac h h a n d m o d e l .


t h e s e p o s t e r s w e r e c r e at e d i n p r e p a r at i o n f o r l e t t e r p r e s s w o r k at n e w n o r t h p r e s s . w e w e r e a s k e d t o d e f i n e o u r p r ac t i c e . i a m v e ry i n t e r e s t e d i n r u g g e d, l ow q ua l i t y m e d i a a s w e l l a s h i g h ly p o l i s h e d . i d e c i d e d t o ta k e s o m e d u b b e d c o m e n ta r y f r o m a r a d i o h o s t a n n o u n c i n g a n u n r e l e a s e d t r a c k ( e x t r e m e ly r u g g e d ) a n d t u r n t h e m i n t o v e c t o r i z e d typographic works.


r e v e r t i n g to t y p e new north press december 9th til 12th p h oto g r a p h s f r o m t h e p r i v at e v i e w


i w a s f o r t u n at e e n o u g h t o b e a m o n g s t a s m a l l n u m b e r o f s t u d e n t s s e l e c t e d f r o m u c a e p s o m t o at t e n d a l e t t e r p r e s s w o r k s h o p at n e w n o r t h p r e s s a n d e x h i b i t i n t h e i r l e t t e r p r e s s e x h i b i t i o n “ r e v e r t i n g to t y p e � . t h e e x h i b i t i o n , c u r at e d b y g r a h a m b i g n e l l d i s p ly e d letterpress works from all over the globe.


s i m u l a c r a a n d v oy e u r i s m . a f t e r s t u dy i n g s o m e w r i t t e n w o r k s o f j e a n b a u d r i l l a r d. i a p p l i e d s o m e o f h i s c o n c e p t s i n to m y processes and work.


i t h a s b e e n s u g g e s t e d t h at o n a v e r a g e w e g e t c a u g h t o n c c t v 6 0 t i m e s e a c h d ay. w e e n t e r t h e f i r s t o r d e r o f s i m u l a c r a b o t h u n k n o w i n g ly a n d u n w i l i n g ly. I t i s o n o n ly a r a r e o c c a s i o n t h at o n e c a n a v o i d p o s t m o d e r n i s t i c l i f e f o r e v e n a small amount of time.


t h i s i l l u s t r at i o n d e n o t e s m y o r i e n tat i o n a r o u n d c e n t r a l l o n d o n f r o m s e p t 7 t h to d e c 7 t h . t h e o p p o s i n g pa g e represents all journeys.


H i g h ly f a b r i c a t e d , a e s t h e t i c a l ly pleasing models of simulacra, with n o o r i g i n . STEP INTO T H IS SI M UL A TE D WORL D . IT IS NEIT H ER TRUE NOR F A LSE . IT IS , ITS ONLY RE A LITY.


D u p l i c at e s c a n d e p r i v e u s o f t h e i m p a c t o f r e a l i t y. T e c h n o l o g y h a s e n a b l e d u s to e n h a n c e d o c u m e n tat i o n o f t h e r e a l s o m u c h s o t h at w e h a v e become disappointed in their r e s p e c t i v e r e a l i t i e s . W e e m b r ac e t h e s i m u l at i o n s o f r e a l i t y a n d “ e c s ta s y o f t h e r e a l ” w h i c h a r e dished up for us by the media. W e e m b r ac e t h e h y p e r r e a l i t y o f r e a l i t y TV a n d d o c u m e n ta r i e s a n d the reproduction of reality as i t s t r a n g l e s t h e r e a l . W e l i k e to d i s s i m u l at e a n d s i m u l at e . W e w a n t t o b e l i e v e t h at i t i s p o s s i b l e t o l o o k t h at b e a u t i f u l f o r t h e c o s t o f j u s t a f e w p r o d u c t s , w e wa n t t o b e l i e v e t h at w e a r e d r i v i n g o f f i n t h at f o r m u l a o n e c a r , a f t e r a l o n g d ay s h o o t i n g t e r r o r i s t s b e f o r e n o s e b l u n t s l i d i n g t h at 2 2 s ta i r h u b b a . W h o w o u l d n ’ t ?


I t c a n b e s a i d t h at n o t a l l t y p e s o f d i g i ta l m e d i a a r e c r e at e d t o o b s c u r e , d i s s i m u l at e o r s i m u l at e , s o m e m e d i a i s c r e at e d i n at t e m p t t o r e f l e c t a r e a l e q u i v a l e n t.


l o : f i wa s m a d e f o r h a n d m a d e a n d bound as a collection of work with contributions from jake grear. c u r r e n t ly t h e r e i s a n o n l i n e i s s u e d i s p l ay i n g m y 3 5 m m p h o t o g r a p h y.

Year Two Semester One Portfolio  

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