Digital Design - Module 01 Semester 1, 2018 Junyu Fang
(900453) Joel Collins Studio15
Reading: Zeara Polo, A. 2010. Between Ideas and Matters.
According to Zeara-Polo, the diagram does not play a representational role in the design process but provides an organisational and can have a performative quality depending on how it is deployed. Explain how Diagram is different from Signs and Symbols? (100 words Maximum)
Both symbols and signs are abstract expression and commonly used to express the relationship between the form and the concept. From the reading, the sign is used to represent the dynamic object. It also expresses the functions or qualities of the object. The symbol can also express the dynamic object, but can communicate imformation through a fomal representation. Different from signs and symbols, the diagram does not play a role in presenting dynamic objects. It emphasizes on organizing every concepts and data together to form a logical, hirechical and abstract system, which is better to express the space, spatial distribution and the effect of objects. In addition, there should not be any annotations in diagram.
The structure of the pavilion(section) The glazing of the pavilion(plan)
Sylvain Deleu, Serpentine Gallery Pavilion, 2002, “the world’s most visited architecture website” https://www.archdaily.com/344319/serpentine-gallery-pavilion-2002-toyo-ito-cecil-balmond-arup/51423db8b3fc4bae2c00004e-serpentine-gallery-pavilion-2002-toyo-ito-cecilbalmond-arup-photo
Solid with structrue(perspective) Trace the paln view and evaluation view from the internent. Then, extrude curves to create the structure, solid part and glass of the pavilion seperately. Make sure that each edge of each part should be connectted well.
Reading: Hertzberger H. 2005. The in-between and The Habitable Space Between Things, from Lessons for Students in Architecture. Herzberger discusses how design should not be extreme in its functionality. Use your precedent study to explain how the pavilion allows for an appropriation of use. (100 words Maximum)
From the reading, Herzberger discussed that the flexibility and multiplicity should play an important role of defining space. The multiplicity of the space make themself contain more functions than defining them by only one specific purpose. Threshold, which is defined as the point that a physiological or psychological effect begins to be produced, is another term. Therefore, designers can not define the space for only one specific purpose. They should consider more about the multiplicity and functionalityto make the space multiple. For the Toyo Itoâ€™s Serpentine Pavilion. The distribution of glass and solid let some sunlight go through the pavilion to create a new threshold(shadow area and light area). Furnitures are located in the sahdow area to make sure that people will not sit under the sunlight directly. In addition, the shadow can also form the private and personal space for visitors.
South West Isometric The pavilion is combined by structure, glazing and solid. The distribution of glass and solid let the sunlight go through the building, which divides the internal space into two parts(light and shadow) to create a new threshold inside the pavilion. I believe that there must be some relationship between the human movement and this threshold. In this way, shadow has become the most important element that i should show. Actually, it is quite difficult to trace the shadow in rhino. Therfore, I chose to use Adobe Illustrator to trace the top surface of the pavilion, which is solid, and blue it to make it looks like the real shadow. This isometric view is chosen to show the shadow of the sunlight at 12 pm inside the building. After expolored the circulation and the threshould, i find that most people prefer to sit or stand in the shadow besides the sunlight rather than sit or stand under the sunlight. That is also why the furniture was formed that kind of distribution.
Week Two Diagrams
The 12pm sunlight goes through the glass, but the solid part prevent the
The first drawing is the distribution of the furniture. The second drawing ex-
sunlight. Finally, a new situation, a new threshold has been formed(shown as
presses the density of people who are not moving. The darkest grey part pres-
the third drawing) The shadow and the sunlight can create two difffernt feel-
ents there are the most people here and the lightest grey part means that
ings inside the building. The shadow area also can form a personal or private
there is a few people here. In addition, the wider path means more people
space to attract people sitting there, so it is easy to find that most furnitures
prefer to walk on that way. Arrows in the last drawing show the dierection of
are located in the shadow area.
walking people in the pavilion. I considered most people are willing to stay around the area which has chairsor benches in shadow area.
Save images from internet. Then, import those images into Adobe Illustrator Keep tracing
Export the linework into dwg file. Import it into rhino and trace it again. Then, extrude cruve to create the real module.
Make 2D and import line work into illustrator. (structure layer)
Blur the glazing layer to create the shadow on the ground
Make some furnitureâ€™s modules and mark the direction of moving poeple
Make 2D and import line work into illustrator. (glazing layer)
Make 2D and import line work into illustrator. (solid layer)
Use different colour to show the density of people insde the pavilion
Combine all layers together to get the final drawing
Compare with the real pavilion
Sylvain Deleu, Serpentine Gallery Pavilion, 2002, “the world’s most visited architecture website”. Accessed March 12, 2018. https://www.archdaily.com/344319/serpentine-gallery-pavilion-2002-toyo-ito-cecil-balmond-arup/51423db8b3fc4bae2c00004e-serpentinegallery-pavilion-2002-toyo-ito-cecil-balmond-arup-photo/.
People prefer to sit under the shadow
Sylvain Deleu, Serpentine Gallery Pavilion, 2002, “the world’s most visited architecture website”. Acessed March 12, 2018. https://www.archdaily.com/344319/serpentine-gallery-pavilion-2002-toyo-ito-cecil-balmond-arup/51423db8b3fc4bae2c00004e-serpentinegallery-pavilion-2002-toyo-ito-cecil-balmond-arup-photo/.
Published on Mar 12, 2018