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THE CINEMATIC MAN WHO SOUNDS: SAYS BARBICAN CELEBRATES LATIN AMERICA WILL MUSIC FILM RULETHROUGH THE WORLD

OUR FERNANDO DEFINITIVE MEIRELLES GUIDE ON WHERE TO WATCH TELLS JUNGLE ABOUT THE WORLD HIS SECOND UKCUP FILM

WIN MEET TICKETS AND TRAIN TO CÉU, WITH THEANTUNES CAST OF ARNALDO ‘BRAZIL! BRAZIL!’ AND FESTINHO


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[daadl YOUR NOSE AND EXPLORE THE EATERIES AROUND

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the Southbank Centre throughout Taste of Brazil, as they spruce up their menus with Brasilian gastronomic delights, and quirky twists like the cucumber caipirinha! TGCFOQTGQPRCIG

ZhXVeZ THE BIG SMOKE TO THE ENCHANTING little Anglo-Brasilian world of Festinho on August 27th-29th. Check out their fundraising party at Favela Chic (page 16) and win tickets to the festival! UGGEQORGVKVKQPUQPRCIG

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\ZiYdlc NOT JUST TO FESTIVAL BRAZIL AT THE SOUTHBANK CENTRE but to the thoughtful lyrics of the genre-defying Arnaldo Antunes as he performs with Porcas Borboletas on July 16th. Delve into our cover feature for more details. Ă&#x20AC;KRVQRCIG

hZi hV^a ON A MOST ADVENTUROUS

theatrical experience: afloat on the Thames with a performance, cabaret and party until dawn, ritualistic and set to a soundtrack by DJ Dolores... check out Hotel Medea from July 16th and loads more throughout the month. UGGCIGPFCQPRCIG

add`je AND ENJOY THE SUMMER sky, and when night falls donâ&#x20AC;&#x2122;t forget there are still reams of wonderful shows and concerts as part of the Barbicanâ&#x20AC;&#x2122;s Blaze series in July, with CĂŠu (â&#x20AC;&#x2DC;sky/ heavenâ&#x20AC;&#x2122;) at the Hackney Empire on July 15thâ&#x20AC;Ś UGGOQTGQPRCIG


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COVER FEATURE

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Well underway, we go inside the biggest event on 2010’s calendar: Festival Brazil

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INTERVIEW Jungle catches up with the man who, with his new book, asks What if Latin America Ruled the World?



SPICES



4THINKING MINDS



DESTINATION

A true mixed bag for July, from Basso & Brooke to Fernando Meirelles, art to architecture, festivals to funk carioca

Arriving at the Southbank Centre this summer, a model favela which became a community role model

Scuba diving deep into the idyllic haven and underwater world of Fernando de Noronha

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What’s going on in town, at-a-glance

For your every eating and drinking need

Your rants and raves

Connected through the floor

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DIRECTOR OF CITY OF GOD, FERNANDO MEIRELLES TALKS TO JUNGLE ABOUT HIS NEW PROJECT ON THESE SHORES YQTFUD[<CKTC$TKNJCPVGRKEVWTGD[$TWPQ(KIWGKTGFQ

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©<AA¡ 8;<D “In no rush”. That’s how one of Brasil's most famous directors said he goes about his projects. In London to participate in an event sponsored by HSBC, Fernando Meirelles made the most of his visit to meet local producers. “I’m finalising negotiations to direct 360˚, a film about sexual appetite, about people who strive the highest professionally, those who’d do anything to get to the top. It’s an adult theme, but that seems inherent to human beings”. This will be the director’s second work related to the UK (The Constant Gardner (2005), being the first). With a script by Peter Morgan, of the acclaimed The Queen (BAFTA Best Film 2006), the film will be a partnership between England, Austria and the USA. Meirelles thinks co-productions are the key to project Brasilian filmmakers and technicians. “Outside Brasil there’s no perception of Brasilian cinema”. For him, language is one of the biggest obstacles. That’s the very reason, so as not to limit the audience of his last film, Blindness, Meirelles opted to take his adaptation of the romance by Portuguese writer José Saramago to the screen in English. When the subject turns to digital technologies, the director's quick to endorse it. “It’s possible I’ll shoot the next film in digital. I think it’s something it doesn’t help to be for or against; soon enough no one will use film”. Then he adds: “I find this wave of 3D films interesting, and wouldn’t dismiss the idea of working on something in that format”. Despite all these ideas, Meirelles is taking it slow and intends to end his career soon. “I think about retiring shortly, but first I’d like to realise my dream of filming Grande Sertão Veredas, the classic novel by Guimarães Rosa. It'll be hard, but I imagine it happening in a kind of similar style to that of Goddard”. ,&

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THE BARBICAN UNFURLS ITS STRING OF SUMMER SHOWS WITH BLAZE

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Now into its second year, the programme for the Barbicanâ&#x20AC;&#x2122;s summer festival is as diverse as the eventâ&#x20AC;&#x2122;s locations. Although the majority are based at the Barbican, some events are spread out across East London, from the classic Hackney Empire to the Royal Stratford East Theatre, not to mention the free reggae gig in Shoreditch Park. Youâ&#x20AC;&#x2122;d be silly not to go and check something out... Everyone wants to escape to festivals outside London, but not everybody remembers what the city itself has to offer. In times of recession, options closer to home are always welcome. When it comes to diversity, Blaze festival means business. You can dance to Lee â&#x20AC;&#x2DC;Scratchâ&#x20AC;&#x2122; Perryâ&#x20AC;&#x2122;s reggae or croon to the country blues of Bob Dylanâ&#x20AC;&#x2122;s son, Jakob Dylan. Or why not catch a showing of Dracula with its soundtrack composed by Philip Glass, and the legendary performance by Bela Lugosi? With so many shows on offer, itâ&#x20AC;&#x2122;s easy to lose yourself in the choice. For those enchanted with South America, thereâ&#x20AC;&#x2122;s still time. Caetanoâ&#x20AC;&#x2122;s wonderful show has passed, but two more Latin nights are set to heat up the festival. CĂŠu, the Brasilian singer and songwriter nominated for a Grammy, promises to put on a big return show on the 15th, sharing the spotlight with Bomba Electrica, the Colombian cumbia band. And speaking of which, Colombia have a night all to themselves on the June 25th (see right), with traditional music from Toto la Momposina, complimented by the anarchic Caribbean sounds of La Mojarra Electrica. Better get down to the box office on the double. ,&D['TKMC6CODMG

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7G6H>A G:6A>IN A TWO YEAR ANNIVERSARY WITH MUSIC, FOOTBALL AND CHARITY It was promotion of Brasilian culture in London which brought Soho’s Cafe 16mm and producer Alicia Bastos together; they had the location, she the concept, and Braziliality was born. The project explores Brasilian cultural references, but not necessarily artists only from Brasil; they can be Brasilians abroad, in Brasil with an international career, or foreigners influenced by Brasil. “The name Braziliality comes from Brasilian reality, or ‘Brasilianess’ in a loose translation”, says Alicia. The partnership worked so well it's set to celebrate 2 years at Favela Chic with The World Fun Cup, a ‘humorous World Cup hangover’, with a keepy ups competition, table football, bands, a short film and a dance by Everaldo Pereira. In association with the ABC Trust, the fundraiser also promotes their festival, Festinho, with Heather McClell and Natema from 2010’s line up. No doubt plenty more partnerships and parties to come. ,& I=:LDGA9;JC8JE5;6K:A68=>8 ?jan&*i]!+eb"&Vb!—) BNHE68:#8DB$7G6O>A>6A>IN

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THE HIT DOCUMENTARY ABOUT RIOâ&#x20AC;&#x2122;S BAILE FUNK SCENE GETS ITâ&#x20AC;&#x2122;S DVD RELEASE Since itâ&#x20AC;&#x2122;s release in 2008, Favela on Blast has toured more than 45 film festivals in 21 countries around the world. Directed by Leandro HBL and Wesley Pentz (a.k.a DJ/ producer Diplo), the film is a portrait of the funk carioca / baile funk subculture of the favelas of Rio de Janeiro. Baile funk music evolved from Miami bass in the 1980s, combining drum loops, samples and rapping. A commentary on violence and poverty and a celebration of sex, itâ&#x20AC;&#x2122;s fast, sensual and compelling, reflecting the favelas themselves. When the funk MC Tati Quebra Barraco sang â&#x20AC;&#x153;sou feia, mas tĂ´ na modaâ&#x20AC;? (â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m ugly but people dig meâ&#x20AC;?) back in 2005, nobody knew how long the hype would last. But whilst baile funk caught the imagination of the international community, itâ&#x20AC;&#x2122;s divided opinion within Brasil itself. â&#x20AC;&#x153;In Brasil people have a lot of prejudice about funk, they think itâ&#x20AC;&#x2122;s pornographic and stupid. At the same time the police think funk attracts criminals. This is true but funk's the soundtrack for the lives of the whole community, not just the criminalsâ&#x20AC;?, Leandro explains. â&#x20AC;&#x153;Still, attitudes are changing, funk's maturing and becoming more accepted.â&#x20AC;? In much the same way that capoeira and samba were both once prohibited before becoming integral parts of Brasilian culture, baile funkâ&#x20AC;&#x2122;s now gaining acceptance amid society. In 2008 the federal government of Rio state passed a law that made it virtually impossible to organise funk parties, only to be repealed in 2009 and a new law introduced that defined funk as a "cultural and musical expression of popular character", giving it greater protection. â&#x20AC;&#x153;Baile funk is an important part of community life; itâ&#x20AC;&#x2122;s here to stay,â&#x20AC;? says Leandro. Favela on Blast is a colourful, vibrant journey through the favelas, introducing the movementâ&#x20AC;&#x2122;s main players and celebrated MCs, and those out there with an open mind will no doubt enjoy the ride. ,&D[,COGU*WTTGNN &-,WPING&TWOU?JAN'%&%

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Ana Moura The new voice of Fado Thursday 4 November Union Chapel

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BRITISH-BRASILIAN DUO RIDE THE SILK ROAD TO THE EAST

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Bruno Basso and Christopher Brooke are the latest fashion designers to be honoured an exclusive space by the Design Museum: in a tank on the banks of the Thames, right in front of the venue. Part of the British Council’s New Silk Road project, spanning Iran, Kazakhstan, Pakistan and Bangladesh, the pair were invited on a ten-day trip to Uzbekistan, resulting in a colourful capsule textile design, the print of which was then incorporated into a simple dress from their Autumn/ Winter 2010 collection, and features in a ten-minute film. “We were looking for designers whose aesthetics reflect what we can find in these countries, a point of connection between them and the local people” says Carla Sorrell of the British Council, the exhibition’s curator. As part of the exchange, three Uzbek weavers came to England last spring to visit the designers’ atelier and absorb a bit of the English culture and craft. ”We hope it inspires a more contemporary understanding of the creativity and craft in these regions, that the culture is really inspiring“, says Carla. On until August, the duo's installation couldn’t have come at a more fitting time, as just upstream the Southbank Centre celebrates Basso’s home country with the summery events of Festival Brazil (see page 27). ,&D[$KC$G\COCV

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Who hasn’t heard that slogan saying “Brasil’s the country of the future”? Because it seems to be getting ever more serious. Brasil has already become, at least, the talk of the town. No, I’m not talking about the World Cup that we didn’t win. But speaking of which, Brasil now has got much bigger concerns than keeping its football as art status. Host of the World Cup in 2014 and the 2016 Olympics in Rio de Janeiro, the country is going through a period of great economic optimism and is readying itself for a future promising a real swathe of new investments, and it’s defining the country as a new world power. This is the panorama that's on show in the exhibition Swarming Futures, held by Gallery 32, the Brasilian Embassy’s cultural venue in London. Curated by architect Ricardo de Ostos, and part of the celebrated London Festival of Architecture – that makes the city breathe architecture – this edition of the event comes with the theme Welcoming Cities, a study about the creation of cities as a reflex of multiple actions across the urban fabric. “The intention is to discuss this speculative scenario and analyse new routes to be followed by Brasilian cities”, explain Ricardo, who in his curation brought together from potential projects to the most innovative, and the critical-conceptual. Four relevant groups in current architectural production were selected: MMBB, representing new architecture in São Paulo; the much-revered Triptyque, a FrancoBrasilian collective known for its ecologically engaging proposals and award-winning designs; Vazio S/A, instigating discussion about the future through visions such as The Ultimate Skyscraper (see image left); and BCMF, which put together projects from the 2007 Pan American Games and the proposal for the Rio 2016 bid. "The Pan American's legacy is the Olympics", says Bruno Campos, on the importance of designing big events also for the future. The exhibition also bears the installation ‘Yesterday’s Future’, a collaboration between the artist João Wilbert and the Studio Naja & De Ostos. “The work shows images of the future with eyes in the past”, comments Wilbert, who takes advantage of the aesthetic of machines and circuits, as demonstrated in this case by the radio antennas, one of the first devices to carry information to Brasília in the 50’s, a direct reference to the Modernist legacy. Recently one of three finalists amongst the 39 participants in the Silver Pigeon Award, honouring the best exhibition of the International Showcase, Swarming Futures runs until August. For more images and videos, check out Jungle’s website. ,&D[6JGNNKWU<CORTQIPQ


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JD PICKS THE BEST OF THE HOTTEST EVENT THIS SUMMER: SOUTHBANK CENTREâ&#x20AC;&#x2122;S FESTIVAL BRAZIL

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Itâ&#x20AC;&#x2122;s been a long time in the making and it wasnâ&#x20AC;&#x2122;t easy. Over 70 Brasilian events in the form of concerts, exhibitions, talks, films and performances are taking over the Southbank Centre. This summerlong festival is a combo of local Brasilian artists, classic names, and up-and-coming musical and literary voices. Mix this with a big dose of audience involvement and the line up might just transport you mentally a little bit closer to the shores of Brasil. Its stereotype as the land of â&#x20AC;&#x2DC;sun, samba and footballâ&#x20AC;&#x2122;, which still prevails in many foreignersâ&#x20AC;&#x2122; minds, isnâ&#x20AC;&#x2122;t helped by the fact that much of Londonâ&#x20AC;&#x2122;s Brasilian scene and small-scale festivals always focus on the countryâ&#x20AC;&#x2122;s music. Festival Brazil stands out in this respect due to its emphasis on another great artistic export, national literature. This summer you can hear poetry, take part in debates, see Ernesto Netoâ&#x20AC;&#x2122;s awe-inspiring site-specific sculptures, or check out a free weekend of workshops and shows from cultural collective AfroReggae. Music legends and new artists hit the London stage and a series of documentary films highlighting the role and influence of historical music figures will end the festival. Jungle has prepared a low down of the HSBC-sponsored festival, with artist interviews and our best picks. Read on and enjoy!

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festival brazil

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SO, HOW DO YOU PICK AND CHOOSE FROM BRASIL’S VAST FAUNA TO MAKE SURE YOU do justice the music of one of the world most prolific cultural countries? First you get a legend, one that sells out anywhere in the world and represents the African heritage and rich musicality that only someone who’s been recording since the ‘60s can. That’s Gilberto Gil and he’ll perform on the very stage he debuted on in London when exiled by the military regime in 1969. Keeping the theme of “legends”, you invite a singer (the first Brasilian female platinum record), acclaimed in Brasil - that doesn’t visit London too often - in the form of Maria Bethânia. With poetic lyrics in her songs, her rich deep voice is a sheer pleasure to hear. Spicing things up with a true, urban Rio sound, get soon-to-be-star, Mart’nália, and to showcase what’s fresh from Brasil, Porcas Borboletas supporting Arnaldo Antunes. The latter, a former singer with big ‘80s band Titãs, is an independent star in his own right, having enjoyed a solid solo carer as musician and poet - he’s been Jungle’s columnist since our first edition (see p66). And there’s still room for Os Mutantes, Afroreggae, and a great selection of local musicians (see p33). Tasty indeed.

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MARIA BETHĂ&#x201A;NIA

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CLARICE LISPECTOR HAS BEEN DESCRIBED BY EMINENT LITERARY figures as a â&#x20AC;&#x153;Jewish Brasilian born in the Ukraineâ&#x20AC;?, â&#x20AC;&#x153;better than Borgesâ&#x20AC;?, and by Caetano Veloso as one of the chief revelations of his adolescence along with sex, love and bossa nova. The mysterious 20th century writer, with movie-star looks and an indefinable foreign accent has yet to gain her deserved place in Brasilâ&#x20AC;&#x2122;s literary canon, as redressed by Author Benjamin Moser with his biography Why This World. Hear a talk by him on July 12th (RFH, 7pm, ÂŁ7). SĂŁo Paulo resident Milton Hatoum, a professor of Latin American literature, grew up in the Amazon surrounded by Arabic, and is considered one of Brasilâ&#x20AC;&#x2122;s greatest living writers. Having sold over 200 million copies (translated into eight languages), he will discuss his works, including his recent novel, Ashes of the Amazon, which criticises the Brasilian military regime, a story of a long rebellion and the struggle to understand it, on July 17th (1pm, ÂŁ7). And a must see is football legend SĂłcrates holding forth on the beautiful game. Heâ&#x20AC;&#x2122;ll be in conversation with Alex Bellos, author of Futebol â&#x20AC;&#x201C; The Brazilian Way of Life, on July 18th, Queen Elizabeth Hall (5pm, ÂŁ10).

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festival brazil

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RIO RESIDENT ERNESTO NETO HAS OPENED THE HAYWARD GALLERY AFTER its year-long refurbishment with his show The Edges of the World. Honoured to be part of an experience he describes as wonderful but intense, Neto discusses his interactive exhibition and Brasil’s role on the world stage. What do you hope people take away with them after viewing your exhibition? I hope they leave with some freedom inside themselves and a sense of delicateness in my art. You can touch everything, but at the same time it’s very fragile – always a tension between strength and weakness. I hope people leave my exhibition wanting to smell, breath and explore the world more. Your work relies heavily on touch. Would you consider it sensual? Definitely as my art very much relates to

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the body. We are all bodies in space. Some people have more space for sensuality, some have less. The same goes with money, education, etc. All of this relates to your state of being, which is at the core of my work. My art is all about relationships – one piece is always touching, stretching or holding another piece in place. Just like human relationships - which can be kind, sexual, tense, loving and aggressive – my art reflects the same, and when the spectator interacts with it, they bring their psychological soul to the piece itself. Would you call your art ‘Brasilian’? My work is not about Brasil, it’s about art in a contemporary time in an urban space. As someone from Rio, I would love to take the beach to the Hayward, but it’s impossible because it would just be a representation of

the original. I want to bring concepts instead. How timely is the festival with Brasil’s advancement on the economic stage? It’s great Brasil is rising, but the country needs a huge investment in education, and without it, we can’t really move on. But Brasil the country of the future? I don’t think we care about that. We want to be respected and recognised. In the end, a big company in Brasil is the same as one in the UK or US. Companies have their own ideas, so I can’t see how expanding in that way adds anything to the Brasilian spirit. Brasilians have a strong rational orientation from Western culture, but at the same time we have a sensual, dense, relaxing mix between African and native Brasilian. Our step is slower, our flesh is softer, we are less objective and our time is not just money.

“The festival highlights how Brasilian arts are so exciting in a variety of diverse areas. A few years ago for many people Brasil meant either football or samba and it was a rarity to see a major artist from a field other than music in London. Now we have key players in literature, design, visual arts, architecture and music showing work at a really vibrant festival. Nowadays Brasil means so much more to so many people.”


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FORMED IN 1993 BY JOSĂ&#x2030; JUNIOR IN RIO, AFROREGGAE IS A NON-PROFIT organisation that aims to take young favela residents off the streets and away from drugs through means of music. In the face of adversity, the AfroReggae movement offers hope and leadership to young Brasilians. Its founder talks to Jungle... Your weekend of activities and performance at Festival Brazil is very interactive, is that an important element of what AfroReggae does? We live and breathe interactivity daily in Rio. We have 74 projects on the go at all times which operate with an incontrollable tenacity. Our projects are driven by a great sense of urgency and this can be found in all of the work we carry out. We operate within different social classes, using actions that reflect diverse regions, that commonly would have all reasons to hate each other and band together in favour of a more egalitarian city. What is AfroReggaeâ&#x20AC;&#x2122;s main aim and has the organisation expanded outside of Rio? To invest in the transformation of people who are linked to crime in society. We help take people out of that world, mediate conflicts in the favelas and create a new reality for favela residents across Rio. Itâ&#x20AC;&#x2122;s all part of the groupâ&#x20AC;&#x2122;s DNA, which continues to

multiply and reinvent itself. We want to take AfroReggae to every Brasilian state and around the world. We have no interest in maintaining a fixed base. As AfroReggae gains more fame, is there ever a danger that some young people who join are only seeking celebrity? Some young people come to AfroReggae in the same manner that some want to join a football team, with the dream of being rich and famous. But if members of the group are seeking fame to do good, I have no problem. We generate new entrepreneurs that have all sorts of sensibilities. Brasil is becoming a bigger player on the global economic stage â&#x20AC;&#x201C; will there always be a need for NGOs like AfroReggae? Today many Brasilian NGOs receive financial support from the government at local, state and federal levels. Itâ&#x20AC;&#x2122;s funny that when we started 17 years ago, NGOs didnâ&#x20AC;&#x2122;t want to align themselves with the government or businesses. In terms of our future â&#x20AC;&#x201C; I would very much like to say working in conflict areas or helping rehabilitate narco-traffickers wonâ&#x20AC;&#x2122;t be necessary. Itâ&#x20AC;&#x2122;s one of our dreams. And if one day we arenâ&#x20AC;&#x2122;t needed anymore, you can find me at home playing with my kids and writing books.

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Itâ&#x20AC;&#x2122;s good to sit, watch and listen to the alluring and thought-provoking array of Brasilian artistic exports on offer at this yearâ&#x20AC;&#x2122;s festival, but shedding your apprehensive British skin for a moment and getting involved is the best way to really dive in and get a true taste. The impressive line up of free workshops, dance jams and art adventures will leave you hungering for more. Or perhaps better yet, get you to join a regular samba class!

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CAMINO & JUNGLEDRUMS presents

The Southbank Centre in association with JungleDrums presents a series of free Friday afternoons concerts by local Brasilians playing sounds from their homeland, and London locals playing musical odes to the country’s heritage. Here are some of our favourites:

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SARAVAH SOUL

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Funky Afro-Brazilian beats, energetic drumming and old-school ska and bossa nova in Camino’s yard. 7pm ‘til late ¡ALWAYS FREE ENTRY! Amstel jugs £5.50 for Sunday Live Sessions only 3 Varnishers Yard, Regents Quarter, King’s Cross WWW.CAMINO.UK.COM


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THE PROJECT THAT STARTED OUT LIKE CHILD’S PLAY AND CHANGED THE LIFE OF A COMMUNITY “In 1997, when I was 14, there were two paths I could’ve taken in life, but the wealth and respect promised by the world of crime appeared much more immediate. I created an alternative for myself”, recalls Cilan Oliveira, one of the founders of the social project ‘Morrinho’, in Rio de Janeiro. It was child’s play that made the dream of a new life tangible for Cilan, and for the community of the Pereira da Silva favela, more commonly known as ‘Pereirão’. “During that period my brother, Maycon Oliveira, and I began building a model of Pereirão with my father’s leftover construction materials. It wasn’t anything more than a bit of fun, to keep ourselves occupied and forget about the problems of our day-to-day lives.” This bit of fun, which attracted the participation of dozens of youngsters, developed aesthetically and took on such impressive proportions that it eventually

drew the attention of journalists and filmmakers in Rio. It was around 2001 that the ‘Morrinho’ (or ‘little hill’), as the model became known, began to earn recognition as a work of art. And it was during the same period, with the arrival of filmmakers Fabio Gavião and Markão Oliveira, that the ‘make-believe’ town manifested itself as a social project. They began to train the boys in audiovisual media, and one thing led to another. Cilan reflects: “today one of the results of project ‘Morrinho’ is TV Morrinho, which produces films, carrying out the editing and filming for the companies involved, and aims to start teaching young people from the community”. The model currently measures an impressive 300m2 and is chiefly financed by Turismo no Morrinho, the company responsible for attracting tourists to the installation. “Unfortunately people tend to see Rio as divided; between slum and city. I don’t believe this, but I think ‘Morrinho’ has

THE FAVELA ON THE SOUTHBANK

been responsible for bringing the two worlds closer”, reveals Cilan. The project, currently involving more than 20 youths, has already participated in high-profile international events, such as the Venice Biennale, in 2007. “Be it in Brasil or in any part of the world, the public reaction is always the same: everyone is impressed by it.” More important than its social role, according to its founder, is the model’s symbolism. “It’s become a place where the people of Pereirão come to escape their problems, talk and relax”, he says. In a favela, where entertainment is scarce, the installation has become a town square or community centre of sorts. “My calm moments are there, it’s like a temple to me”. ‘Morrinho’s next stop is London, for Festival Brazil. The group will run workshops and create a replica, on show for the summer, raising awareness of Brasilian culture which, according to Cilan, has and always will emanate from the favelas. ,&

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Oscar Guardiola-Rivera

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interview

OSCAR GUARDIOLA-RIVERA’S BOOK WHAT IF LATIN AMERICA RULED THE WORLD? DEPICTS A FASCINATING NEW ALTERNATIVE AWAY FROM THE PRAGMATISM OF THE EUROPEAN MODEL Oscar Guardiola-Rivera is a man with big ideas. According to him the geography of the Amazon is the direct result of mankind. If the subject turns to football, he likes to provoke by saying that the sport was not invented by the English. These and other thoughts are what comprise his new book, an epic read with almost 500 pages which has just been released in the UK, an exploration of the growth in the importance of Latin America on the international scene. Oscar met Jungle at the top of the Hayward Gallery, where the artist (and friend of Oscar) Ernesto Neto has new work on show as part of Festival Brazil, promoted by the Southbank Centre. “This exhibition is yet more proof of this Latin invasion which is taking shape”, he says. Were you supporting Brasil this world cup? (Laughs) Absolutely! Sócrates (the football player) says that the way a country plays football shows the spirit of the country, and I’ve always thought that makes sense - if you look at England, for example, it’s a lot of millionaires who are very difficult to manage; they’re very good individually but can’t play together. There’s also this doom and gloom which accompanies the entire country. Then there’s this story happening in the current world cup, where every country is playing with confidence, gusto, renewed strength and imagination - and it’s

expanding further than football, to politics, economics - and obviously Brasil is the best example. Is it just a coincidence that everything’s started happening recently? What is happening over there is no coincidence - this is the story I’m telling in my book. There is growing recognition of the importance of Latin America on the world stage.

IN 2040 THE USA WILL BECOME THE ‘LATINO STATES OF AMERICA’... The most important thing here in England is the growing Latino community. Last year there was a demographic map published of London that showed huge Latino populations, mainly Brasilians and Colombians. It’s difficult to tell how many of us are here but the estimate is 150,000200,000. There is a parallel with the USA, where last year’s census said that 10-15 states now have a Latin majority, with an estimate that by 2040 (when Brasil is set to become the 4th largest economy in the world), the USA will become the ‘Latino States of America’. While everybody is

looking at China, I believe the real story is happening in the Americas – this is just the tip of the iceberg. With immigration difficulties here and growing opportunities in Latin America, a lot of immigrants are now beginning to head back to their native Latin countries. London received Latinos for around ten years, and it seems like this friendship is ending… Absolutely. The Latinos who came here over the last few generations were escaping political dangers, as well as those searching for economical opportunities. The more recent waves of immigration are people from different sectors of Latin Societies – because people in Latin America are acquiring more means to consume and are spending more and paying for better educations. There is a professional class migrating to Britain not necessarily because they want a better economic future but because they’d like a different way of life - a wider, cosmopolitan experience. Europe is the best place to be if you are a writer, an engineer, a designer, an artist; all kinds of work emerge out of diversity. And there is a second factor: our common history. It’s sad to see a regression to such strict terms on immigration here in Europe – it’s regressive in terms of economics and culture and also completely unrealistic. It cannot respond to the economic reality and needs or to the age problem Europe faces. As the

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Oscar Guardiola-Rivera world globalises there needs to be a greater sense of empathy with other areas, for future generations to help deal with larger global issues such as climate change or the financial crisis. You mention a lot the indigenous spirit of Latin America. Brasil is not so much an indigenous country and the positivity towards the native people isn’t strong... Any Brasilian who’s grown up in an urban centre would have heard negativity towards indigenous people. As my generation is reaching its late 30’s, we remember thinking these things, maybe saying them, in the past - but now we see the value of this

inheritance to larger issues where there doesn’t seem to be a modern solution climate change for example, where our heritage and indigenous lifestyles can be a positive thing. What was the impact of Brasil’s involvement in the Tehran Declaration? The week before the 2009 Copenhagen summit, Lula managed to get away saying that the causes of the climate crisis came from somebody with blonde hair and blue eyes, and the media over here actually responded to that by saying ‘well… I guess you’re right actually’. The point is that Brasil’s soft power is being recognised -

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the Tehran declaration [on nuclear weapons] brokered by Brasil and Turkey is historical. It proves that the seemingly large powers were unable to get Iran to sit at the table. Certainly, it shows a level of maturity to assert yourself and start to lead rather than follow. Now people are saying something completely different - ‘we are no longer accepting losing, we are winning…’ And this is the reason Latin America will rule the world; it has a better proposal to make to others and it is ready to meet those others to discuss that proposal, it will not force that on anybody. Our soft power is not as soft as it seems, it comes backed with

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interview

good results and will move us towards a better life - in the end that’s what we all want, irrespective of our nationalities, ethnic origins or cultural differences. You use Lula as an example, but at the same time Brasilian politics can be so corrupt and people don’t seem to rise up. Can you see a direct relationship in the way the country works? I don’t want to romanticise about Brasil; politics is not the space of pure ideals - it is dirty and it is corrupt. But politics is also about building a public space for people to come and defend their views. If you throw a party there will always be gatecrashers, but

I do not believe corruption is more widespread in Latin America than in the rest of the world. We know so little about our history and when we find out about it we start to feel good about being Latin American; this is what is taking place amongst so many Latin Americans. And the geography is huge! How many Europe’s could you put inside Brasil alone? Six? People are more adaptable, more creative. No matter whether you’re talking to an Argentinean from Patagonia, a Gaúcho from the South of Brasil, a Carioca, an Afro Caribbean from Cuba, this is what makes us all who we are. We are creatures of light, I

guess that’s why there is yellow everywhere, on all our flags! And I realised this so much later in life. I thought I was part this and part that, now I know I am Latin American - I don’t need to look up to Europe or the USA. The book is an end product of selfdiscovery. Our richness is in our diversity, and that is our political richness too. They tried doing things another way and it didn’t work. It’s time to do it our way. ,& L=6I>;A6I>C6B:G>86GJA:9I=:LDGA94 WnDhXVg<jVgY^daV"G^kZgV!)-%eV\Zh!GGE—'% 7ADDBH7JGN#8DB

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LATIN AMERICA HAS A BETTER PROPOSAL TO MAKE AND IS READY TO MEET OTHERS AND DISCUSS THAT PROPOSAL. WE WILL NOT FORCE IT ON ANYBODY.

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NATURAL WONDERS, EMPTY BEACHES AND UNDERWATER ADVENTURES IN FERNANDO DE NORONHA Ask any Brasilian which would be Brasil's natural paradise, and nine out of ten would say Fernando de Noronha. Even though the majority have never been there, the island has become a symbol of national unanimity, a cause for pride and even inspiration for the campaign: "Noronha, one of the seven wonders of the world". Who would've thought that an island that receives biologists, surfers and holidaying couples alike - where the Lambada, as performed by the childlike dance couple, Chico and Roberta, was born - could be the most fantastic of places in a tropical paradise like Brasil? Perhaps it's due to the huge array of activities for nature-lovers, like swimming

with turtles in Sueste, seeing schools of dolphins, experiencing one of the island's unforgettable sunsets over the Dois Irmãos hill, or spotting the countless land and sea birds that populate its blue skies. Or maybe it's because the island limits the number of visiting tourists to just 420 at any one time, so that even during high-season you can enjoy breathtaking deserted beaches.

So much to see |

In 1988, 70% of the archipelago was declared a National Marine Sanctuary. The aim being to protect the island's habitats, study bird migration and reproductive trends in dolphins and crustaceans, study shark behaviour and implement Project Tamar, for the protection

of sea turtles. The sanctuary is run by IBAMA, the Brasilian Institute for the Environment, which has instilled a strong sense of environmental awareness in the almost two-thousand strong population. In 2009, the cable TV channel National Geographic made a documentary about sustainable tourism on the island. Upon arrival, your first activity should be a trip around the island, known as the Ilha Tour, which lasts a whole afternoon. Those who dread the traditional tourist bus excursion, as found in European capital cities, complete with cameras and photoflashes, should leave their prejudices behind, since this excursion will provide you with useful information for your entire stay.

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fernando de noronha Of all the places to visit, Baía do Sancho, Praia do Leão and Baía dos Porcos are the finest of the island's eighteen stunning beaches. Sueste and Praia do Atalaia are where the best natural swimming pools are found, but the most impressive location is underwater, and it's not without reason that this is the number one dive site in all of Brasil.

Beneath the water too | Underwater visibility can exceed 40 metres, with an average temperature of 28°C. Add to this the incredible rock formations, the 230 different species of fish, the 15 varieties of coral, five species of shark and the rich and unique marine life, and it's no wonder that let alone Brasil, Noronha is considered one

of the world's best dive sites. A spectacle of colours and fish, themselves quite accustomed to divers, make the experience one of perfect interaction with nature. You don't need a huge amount of luck to come across friendly sharks resting in small caves or underneath rocks, as well as lobsters, eels, giant turtles and octopus.

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fernando de noronha A necessary prerequisite for anyone who wants to visit Fernando de Noronha is a basic diving course. Several companies offer courses locally, but you're a better off doing one before you travel so you can head straight to the water upon arrival. Have a look at the London School of Diving, at Scuba Zone and the Big Squid shop for an idea of courses, products and prices in the UK. Give it a try and then prepare yourself for a unique and unforgettable adventure in one of the greatest paradises on earth. ,&

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FENG SUSHI Sake Sangria, Strawberry Caipirinha and a novel summer picnic hamper

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G U A N A B A N A L A T I N

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C A R I B B E A N

”GLOBTROTINGLY GOOD FOOD” HHHH

C U I S I N E

2 COURSES £10 (MON-THU 5PM - 7PM)

FREE CORKAGE (APPLIES TO PARTIES OF 10 OR MORE SET MENU REQUIRED)

BRING YOUR OWN ALCOHOL

Haw

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GUANABANA

SHISHA GARDEN

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85 KENTISH TOWN RD LONDON NW1 8NY

WWW.GUANABANARESTAURANT.COM

CAMDEN TOWN

0207 485 1166 / 2008 *(




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Hey Natalia, super to know you enjoyed the event, weren't the two live acts fun! And you'll be glad to hear that Maracatu Mafuá are playing another JD event: our Summer Sunday Session at Camino on July 25th - round up your friends and come! JD

Don't hesitate to send us your raves and rants! JungleDrums p.o. box 49713 london wc1x 8ww inbox@jungledrums.org FOOTBALL FEEDBACK Hi Jungle, [Copa Jungle at Camino] was great. Such delicious bar nibbles and the first Brasilian band, Zeep (I think), took the celebrations to the next level. The lead vocalist had such a beautiful voice and I still can't believe she sang one entire song about bananas and it flipping ROCKED! It almost felt as if I was on a fantastic holiday and a cheap one at that as I only paid the cost of a tube ticket :-) Thanks again! Jewel Minchella, via email Thanks Jewel, you know what, after we put them on supporting Céu last November, the gig at Camino last month was one of the best shows we've seen Zeep play, they really rose to the occasion and boosted the celebratory spirit! JD SAMBA & SAUDADES Hi Jungle, [Copa Jungle at Dingwalls] was lovely! I managed to bring 7 friends along with me, we booked a table and everything! I loved the samba school and the Maracatu band. The lady from the latter is great by the way! Ohhh it made me miss my great state Pernambuco! Natalia Revi, via email

FOUND IN TRANSLATION Hi there, I just wanted to email you all at JungleDrums to offer you free translation work. I'm Scottish, living in London and fluent in Portuguese after studying Portuguese & Brazilian Studies at Kings College London and living in different parts of Brasil for over 2 years. I've also lived in Mozambique and Portugal, and I’m also a campaigner, film maker and photographer. I've seen the impact JungleDrums has made for new Brasilian arrivals into London and also for people who have a passion for Brasilian culture. It would be a pleasure to contribute to this publication in any way I can. Let me know what I can do! Um abraço, Katy Woods, via email Hi Katy, you heard of the Iron Bru 'Bruzil' campaign!? Really fantastic to hear from you and of Jungle's influence - we'll be in touch - be great to have you contributing! JD A HAPPY WINNER Hi Jungle, I just wanted to say a quick thank you for the tickets to Brazil! Brazil! We had a great evening, loved the performance and it has made me want to go to Brasil even more. A few of my office went to see it the following day and loved it too. Thanks once again, Genevieve Scott, via email Hey Genevieve, well done for winning the competition and that's great you enjoyed the show so, and even better that you spread the word at work! Hope you make it to Brasil soon JD

I:99N B89DC6A9

THE COTSWOLDS ARTIST WITH A PASSION FOR BRASIL, COLOUR, HIS HOME REGION, AND A CUSHION WE RAN AS A PRIOR 'GOTTA HAVE'! What do you do? I'm an artist (teddym.com). How did you find JD? I've picked up copies at Guanabara and I once designed some artwork for a charity which featured in JD. What's your favourite part of the magazine? The magazine offers a great overview of Brasilian culture – it encompasses all that's great about the Latin spirit. The writing is informative and the layout captures the depth of colour that represents the fabulous country of Brasil. Do you have a connection to Brasil? I helped my friend Cristina Carneiro de Mendonca to establish EphemeralBrazil. com, a charity with an aim of helping provide long term

enterprise for vulnerable residents of Rio's favelas. I also love Brasilian street art. What is your favourite place in Brasil? Rio has the edgy lifestyle but, I think for sheer beauty, it would have to be the beaches of Ilha Grande. Favourite Brasilian food/ drink/product? Feijoada - I had a Brasilian girlfriend who used to cook this using her mother's recipe and it was fantastic! Also, when I'm painting in my studio in the Cotswolds I live in my Havaianas. Best Brasilian place in London (or Cotswolds!)? The Cotswolds is rather lacking Latin spirit, no surprise there, so I head to Guanabara for fantastic music and party spirit. ,&

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     Minimum monthly top up ÂŁ15. Pay & Go on O2 customers only. Extra calls to international mobiles and landlines only. Excludes calls to Tunisia, Republic of Congo, Democratic Republic of Congo, Solomon Islands, Sao Tome and Principe, Sudan, Norfolk Island, Cuba, Papua New Guinea, Vanuatu, Somalia, East Timor and Syria, which are charged at the International Caller Bolt On rates, also excludes calls made by or to satellite phones (i.e. Thuraya). Video, premium rate numbers, Inmarasat and mobile Internet calls are excluded. Extra minutes do not rollover to the next month. Subject to network coverage. Terms apply. See o2.co.uk

JungleDrums issue 82 - July 2010  

JungleDrums is the only magazine that covers all that’s new and essential in Brazilian arts, entertainment and lifestyle in London. Showcasi...

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