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JED JULIA ELIZABETH DiRENNA | INTERIOR DESIGN | KENT STATE UNIVERSITY


“SUCCESS DOESN’T COME FROM WHAT YOU DO OCCASIONALLY. IT COMES FROM WHAT YOU DO CONSISTENTLY.” - MARIE FORLEO

JED


JED


TABLE OF CONTENTS PERSONAL INFORMATION

6, 7

ACADEMIC TIMELINE

8, 9

RESTAURANT DESIGN

10, 11

WALL DESIGN

12, 13

RETAIL DESIGN

14, 15

OFFICE DESIGN

16, 17

MEDICAL CENTER DESIGN

18, 19

LIGHTING FIXTURE DESIGN

20, 21

PHOTOGRAPHY

22, 23


ABOUT JULIA EDUCATION Kent State University | KENT, OH | CLASS OF 2019 College of Architecture and Environmental Design Bachelor of Arts - INTERIOR DESIGN Minor - MARKETING

TECHNICAL SKILLS Autodesk Revit Autodesk AutoCAD Adobe Photoshop Adobe InDesign Adobe Illustrator Rhino Construction Documentation Specification Documentation Space Planning Finish and Furniture Selection

LEADERSHIP SKILLS Creativity Attention to Detail Problem Solving Flexibility Team Work

6

Lighting Design/Selection Hand Drafting Construction Technology Wood Working Model Making Verbal/Written Communication Attention to Detail Flexibility Problem-Solving Creativity

JED


CONTACT 8777 Renfrew St. Powell, OH 43065 jdirenna@kent.edu 614.634.1039

AWARDS

DEAN’S LIST FALL 2015 SPRING 2016 FALL 2016 SPRING 2017 FALL 2017 WENGER FAMILY SCHOLARSHIP 2017 TRUSTEE SCHOLARSHIP 2015- PRESENT

LYNDSEY RICE MEMORIAL SCHOLARSHIP 2015 Dedicated, committed, inspired student pursuing a Bachelor’s and possible Master’s degree in Interior Design using my talents and citizenship to make the world a better place for all.

7


ACADEMIC TIMELINE FALL 2015 AED AED ID COMM

10001 10101 14011 15000

DESIGN THINKING I DESIGN FOUNDATIONS STUDIO I INTRO TO INTERIOR DESIGN INTRO TO HUMAN COMMUNICATION

SPRING 2016 AED AED ARCH ARTH ID

10002 10102 10012 22007 14012

DESIGN THINKING II DESIGN FOUNDATIONS STUDIO II GLOBAL ARCHITECTURE HISTORY II RENAISSANCE TO MODERN ART HISTORY DESIGN AND HUMAN BEHAVIOR

FALL 2016 ID ID ID TECH VCD

8

24001 24011 24021 11071 17000

ID STUDIO I - SPACE PLANNING METHODS & MATERIALS I BUILDING SYSTEMS DIGITAL APPLICATIONS I WOODS TECHNOLOGY I COLOR: THEORY AND APPLICATION


SPRING 2017 ID ID ID ID CMGT

24002 24012 24013 24022 31015

ID STUDIO II - DETAILING & FABRICATION CODES & STANDARDS FOR ID HISTORY OF INTERIORS I 3D MODELING & RENDERING CONSTRUCTION TECHNOLOGY

FALL 2017 ID

34001

ID ID

34011 34012

ID ID ID

34013 34021 34022

ID STUDIO III - LARGE SCALE PLANNING & DOCUMENTATION LIGHTING FOR INTERIOR SPACES METHODS & MATERIALS II - INTERIOR MATERIALS ID BUSINESS & PROFESSIONAL PRACTICE LIGHTING FOR INTERIOR SPACES LAB METHODS & MATERIALS II - INTERIOR MATERIALS LAB

SPRING 2018- FLORENCE, ITALY ID

34002

ID ID ID

44014 44527 44611

ITAL

15204

ID STUDIO IV - GLOBAL AND HISTORICAL CONTEXT HISTORY OF INTERIORS II STUDY TOURS INTERIOR DESIGN RESEARCH AND PROGRAMMING BASIC CONVERSATIONAL ITALIAN

9


JED

RESTAURANT DESIGN THE CHALLENGE:

Design an upscale dining establishment including a bar and lounge within a 12,000 SF existing building shell. Design so that the kitchen makes up no more than 1/3 of the entire gross square footage. All design must comply with all ADA Requirements and the International Building Code. A concept should be developed from a style of food as well as a specific culture.

inspiration

DESIGN PROCESS USED: 1. 2. 3. 4. 5.

PROGRAMMING SCHEMATIC DESIGN DESIGN DEVELOPMENT CONTRACT DOCUMENTS PRESENTATION

DRAWINGS INCLUDED: • • • •

floor plan furniture plan finish plan reflected ceiling plan

• • • •

elevations cabinetry detail drawings rendered elevations rendered perspective

CONCEPT STATEMENT The concept of divinity is defined as the state of being God like. Through elegant forms and finishes, an atmosphere of fine-dining will incorporate a touch of Greece oceanside. Through the concept of DIVINITY, Ambrosia is used to call the restaurant. Ambrosia meaning, food fit for the gods. Throughout the space, the underwater lost island of Atlantis is referenced where mythological gods lived.

DESIGN INTENT The atmosphere will be one of fine food, fine wines and liquors, high-class service, and high-class ambiance to emulate a Greek colony and the lost island of Atlantis. The target market will be restaurant seekers with money to spend; upper-middle class and higher-end clientele, typically adults ages 30-55, both male and female with discretionary spending. Ambrosia will have an intimate, candlelit environment that mirrors that of a Greek temple in the underworld of Atlantis. 10

RENDERED FURNITURE PLAN


materials

BAR ELEVATION

ACCENT WALL ELEVATION

RENDERING With the use of beginner skills in Adobe Photoshop, renderings of the restaurant bar and adjacent accent wall were created. These forms and finishes embody the theme of Atlantis and Ambrosia. The blue represents the water of the ocean and the wood represents the wood

11


JED

WALL DESIGN DESIGN PROCESS USED:

THE CHALLENGE:

With biomimicry design and a concept, design, detail, and build a wall unit that includes a ceiling height of 14’ A.F.F with a wall length of 22’ including a door, stairs to the second floor, HVAC, acoustics, a lighting feature, and plumbing for a water element. All elements must comply with all ADA requirements.

DRAWINGS INCLUDED: inspiration

• floor plan • elevations • three detail drawings of: acoustics, plumbing and construction

• • • •

1. 2. 3. 4. 5.

PROGRAMMING SCHEMATIC DESIGN DESIGN DEVELOPMENT CONTRACT DOCUMENTS PRESENTATION

sections of all wall types axonometirc/isometric rendered elevations rendered perspective

CONCEPT STATEMENT The concept of TENSION, is defined as “the state of being stretched tight.” By distributing tension through a radial point, a force is created resulting in geometric forms. This forms stiffness, strength, and balance. Each element depends on the next to create a coherent whole.

BIOMIMICRY

This wall is influenced by a spider’s web possessing the characteristics of durability and tensile strength. When a spider web becomes wet or impacted on, it becomes “super-contracted”. This super-contraction creates high tension allowing the web to stay up when restrained. Tension is also present when the spider starts spinning their web. By connecting both ends to opposing structures, the web is held up. 12

FLOOR PLAN


MODEL MAKING AND RENDERING

materials

With the use of a laser cutter and the fabrication shop located within Kent State’s College of Architecture and Environmental Design, a model representing the design of this structural wall was crafted. Through well-thought-out placement and craft, the dependent forms come together to form a cohesive whole. The directional forms within the wall and the tension rods embody the characteristics of a spider web. Through the use of Revit and Adobe Photoshop, a representation was created to represent the structure and look of the wall. By using shadows and various colors, 3D form is created to resemble a realistic view of the wall.

FRONT ELEVATION

BACK ELEVATION

MODEL 13


JED

RETAIL DESIGN- WORKOUT APPAREL DESIGN PROCESS USED:

THE CHALLENGE:

Through research relating to fashion, retail and the wall biomimicry, develop a concept to design a age-specific and demographic-specific retail clothing store in the existing historic train depot in downtown Kent, Ohio. Select an existing Clothing Brand Chain or develop your own. The previous wall design should be incorporated within the space. All design should comply with all ADA requirements as well as the International Building Code.

1. 2. 3. 4. 5.

PROGRAMMING SCHEMATIC DESIGN DESIGN DEVELOPMENT CONTRACT DOCUMENTS PRESENTATION

inspiration DRAWINGS INCLUDED: • • • •

• • • •

floor plan furniture plan finish plan reflected ceiling plan

CONCEPT STATEMENT

elevations custom point of purchase drawings custom clothing display detail drawings rendered perspectives

Through the concept of EMANATE, to issue or spread out from a source, strength and tension is created by forming a connection of movement through repetition of form and balance from a radial point.

STARTING POINT One can shop at Starting Point whether they are beginning their fitness journey or if they are continually strengthening their fitness Keyed Notes abilities. 1 4" Recessed LED Lighting

Floor One Floor Plan

Storage

2

1' x 4' LED Flush Mount Ceiling Lighting

3

LED Emergecy Exit Sign

4

Spotlight Track Lighting

5

Modern Emanating Light Fixture

6

Industrial Pendant Fixture

7

18" Exhaust Fan

1' - 10"

102

4' - 5 1/2" 1' - 4 1/2" 1' - 4"

7

4 1' - 0" 1' - 0"

3' - 5" 5' - 5 3/4"

10' - 1 1/2"

3' - 1 3/4"

3' - 6" 1' - 5"

1' - 6 1/2"

7' - 11 3/4"

2' x 2' ACT System 11' - 0" A.F.F.

3' - 4"

2' - 2"

4' - 7 1/2"

4' - 2 1/2"

6' - 7 1/4"

6' - 6 1/4"

13' - 11 3/4"

5' - 1"

1' - 10 1/4" 1' - 0"

7' - 1"

1' - 0" 6"

2' - 3 1/2" 4' - 6 1/2"

3' - 10 3/4"

3' - 3" 2' - 8 1/4" 5' - 6 1/4" 9' - 0 1/2"

1' - 11"

12' - 5 1/4"

1' - 0" 1' - 0" 7' - 1 1/2"

10' - 2 1/4"

PLASTER 14' - 5" A.F.F.

5' - 9 1/2"

4' - 5"

4' - 0 1/4" 1' - 1' 0"- 1' 0" 1'- 0" - 1' 0 1/4" - 0 1/4"

11' - 5 3/4"

5' - 11 1/2"

3' - 3 3/4"

17' - 8 1/2"

3' - 5 3/4"

6' - 3 1/4"

1

5

5' - 6"

5' - 8 1/2"

9' - 0 1/2"

1' - 5 3/4"

2' - 0"

2' - 2"

3' - 3 1/4" 3' - 11 3/4"

7' - 11"

5' - 11" 1' - 0" 2' - 0 3/4" 7' - 9 1/2"

12' - 5 1/4"

PLASTER 11' - 0" A.F.F.

3' - 2"

2' - 0"

1' - 0" 1' - 0"

5' - 4 1/2"

3' - 2 1/2" 3' - 9"

2' - 4 1/4" 6' - 3 1/2"

1' - 0"

3' - 1 1/2"

2' - 10 3/4"

6' - 6 3/4"

7' - 7 1/2" 1' - 0" 1' - 0"

2' - 10 3/4"

4' - 8"

7' - 11 1/4"

5' - 10 1/4"

7' - 6 1/4" 1' - 0" 1' - 0"

8' - 3 1/2" 1' - 11 1/4"

1' - 8"

2' - 5"

6 5' - 0"

6' - 4"

9' - 6"

4' - 10" 1' - 8"

3' - 4"

3' - 3"

3

2' - 11"

4' - 5 1/2"

2' - 10 1/2"

4' - 11 3/4"

6' - 1"

2' - 3 3/4"

2' - 3 1/4"

Restroom

Retail

Juice Bar

104

101

105

14 1

LEVEL 1

n

Floor One Reflected Ceiling Plan


RENDERINGS

materials

While utilizing Adobe Photoshop, renderings of the main shopping area, the point of purchase, and the biomimicry wall design were created. These spaces all come together through adjacencies, finishes, and flooring.

MAIN SHOPPING AREA

POINT OF PURCHASE

CUSTOM DISPLAYS

CUSTOM WALL DESIGN

15


JED

OFFICE DESIGN- IIDA STUDENT COMPETITION THE CHALLENGE:

Through a related concept, design the new marketing and sales support office located on the second floor of the exisinting building shell of OFS Brands Headquarters. The new space should include open office workspaces, private offices, and communal area while incorporating the OFS brand throughout. Since the open office concept is a priority to the company, acoustical elements should be incorporated. All design should comply with ADA requirements and the Indiana Building Code.

DRAWINGS INCLUDED: inspiration

• • • •

floor plan furniture plan finish plan reflected ceiling plan

• • • • •

DESIGN PROCESS USED: 1. 2. 3. 4. 5.

PROGRAMMING SCHEMATIC DESIGN DESIGN DEVELOPMENT CONTRACT DOCUMENTS PRESENTATION

power and data plan elevations sections rendered elevations rendered perspectives

CONCEPT STATEMENT The concept of NEXUS can be defined as connecting or uniting multiple things together. By tying these elements together, a continuous flow of energy is created and transferred from each point to the next creating a unified whole. Through this connection, a network is created surrounding a stable core.

SPACE PLAN

16

The concept of NEXUS is integrated into the workplace design of OFS Brands through the columns, walls, floors, and overall space plan. These common points of communication and collaboration in the office space are integrated into the column designs. Each common ground column includes an attached bench seating element for collaborative work or conversation, as well as a design feature that is rooted up from the column, sent up into the ceiling and then traveled towards the other collaborative workspace columns. The columns are located near the main nodes of the VP offices, the showroom, and outside the CEO’s office.

RENDERED FURNITURE PLAN


materials

RECEPTION AREA

COLUMN SEATING

RENDERINGS With the use of Adobe Photoshop, realistic views were created representing the spaces of the reception area and a custom column bench seating. Along with the applied colors of blue and red, the OFS Brand is reinforced throughout. The color RED: The color BLUE:

BLOCK PLAN

• • • • •

concentration productivity freedom security balance

• • • • •

energy power strength leadership courage

17


Through a related concept, Plan and design NEXT’s new, medical office space, measuring approximately 12,000 SF. Do not include building core elements, such as restrooms, elevators, stairs, and utility rooms labeled NIC (Not in Contract. Design to include the NEXT brand throughout. Since privacy is a top concern in this medical center, acoustical elements should be incorporated. All design should comply with ADA requirements and the Seattle Building Code. power and data plan elevations sections rendered elevations rendered perspectives

open office and individual work areas

shared offices

DESIGN STATEMENT

large conference

social workers

scribes

exam rooms

consult rooms nurses

resource center/ medical supply

Clinic Director

massage rooms

office manager/ receptionist

medium conference

medical assistants

physicians

dieticicans

mother’s relaxation room

workcafe

reception/ waiting

enironmental services

acupuncturist

acupuncture room

all NEXT employees

laundry/ environmental space

intern

education and lifestyle zones

unisex washrooms

supply manager

massage therapist

billing clerks

all NEXT employees

phone/ quiet rooms

employee and space connections space to space connections public private employees

PROGRAMMING- ADJACENCIES General Construction Notes

18' - 2 7/8"

4' - 0"

5' - 4"

5' - 1"

FLOOR PLAN

4' - 9" 5' - 6" 1' - 5 1/2"

3' - 0"

1' - 0"

1' - 4" GFI

4' - 6"

6' - 0 1/8"

2' - 3 5/8"

8' - 8 5/8" 2' - 5 3/4"

9 1/4

"

GFI

1' - 6 5/8"

4' - 2 7/8"

SHARED OFFICE 160

1' - 3"

GFI

0' - 6"

"

GFI

W

W

D

D

7' - 6 1/4" 5' - 2"

CONSULT ROOM

CONSULT ROOM

5' - 4"

155 4' - 6"

154

GFI

2' - 2 1/4"

7' - 10"

GFI

MEDICAL SUPPLY 157

W

W

D

D

23' - 2 7/8"

2' - 4"

ENVIRONMENTAL/LAUNDRY 1' - 4"

158

158 GFI

FURNITURE PLAN

Power/Data Plan 1/8" = 1'-0"

Scale

1/8" = 1'-0"

A-100

5' - 3 5/8"

9' - 0"

2' - 8 1/2"

GFI

ENVIRONMENTAL/LAUNDRY

1

3' - 8"

8' - 7"

2' - 5 1/8"

10' - 8 1/8"

1' - 5 3/4"

4' - 6"

159

4' - 1"

156

3' - 0"

OPEN OFFICE

GFI

7' - 10"

0' - 7" 2' - 4"

2' - 8"

6' - 11"

3' - 0"

1' - 1 3/8"

2' - 0"

RESOURCE CENTER

6' - 11 5/8" 2' - 4"

16' - 4"

2' - 1" 4' - 8"

1' - 8 1/2"

3' - 3 5/8"

11' - 4 1/2"

153 10' - 6 3/4"

151

7' - 8 7/8"

4' - 3"

0' - 4"

Exam Room

ACUPUNCTURE ROOM

Construction Plan Construction Plan 1/8" = 1'-0"

0 1/2

0' - 6"

2' - 1"

NEXT Medical

1

2' - 9 5/8"

GFI

0' - 5"

GFI

GFI

0' - 5"

0' - 5" 4' - 6"

GFI

GFI

137

1' - 5 3/8"

11' - 6 3/4"

9' - 1"

5' -

6' -

152

UNISEX WASHROOM

Julia DiRenna ID Studio III- Large Scale Planning and Documentation NEXT Medical Office Design Project 2 Professor Morris December 13, 2017

13' - 8 1/4" 12' - 1"

C1 10' - 1 1/2"

4' - 0 1/2"

3' - 0"

5' - 11"

6' - 3"

6' - 3"

3' - 9 7/8" 3' - 0"

11' - 4 3/8"

17' - 7 3/8"

4' - 6 1/2"

157

Exam Room

2' - 6 1/8"

8" 5/

MEDICAL SUPPLY

150

- 10

C1

6"

8'

1' - 4"

5' - 0 1/4"

GFI

GFI

Eos, Geos Recycled Glass Terrazzo in Red Rocks

3' - 3 3/8"

3' - 0"

5' - 4 1/4"

C1

169

156 0' - 2 1/2" 6' - 0"

GFI

3' - 2"

135

CONSULT ROOM

3' - 0 3/8"

RESOURCE CENTER

5' - 0"

161

4' -

136

PHONE BOOTH

159

7' - 0"

2' - 3" 2' - 2 7/8"

EDUCATIONAL/ LIFESTYLE ZONE

UNISEX WASHROOM

CORRIDOR

OPEN OFFICE

155 2' - 2 3/4"

0' - 9"

Steelcase V.I.A Curtain Wall

138

45' - 7 1/2"

8"

4' - 4"

4' - 5" 4' - 10"

16' - 5"

3' - 5 7/8"

W2

1' - 11 3/8"

0' - 4"

13' - 10 3/4" 8' - 1 3/8" 3' - 7 1/8"

13' - 7"

4' - 1 1/8" 10' - 3"

EDUCATION/ LIFESTYLE ZONE

RECEPTION

C1

4' - 7 1/4"

5' - 5 3/8"

12' - 1 7/8"

6' - 4 1/2"

3/

149

GFI

153

6' - 3 1/4"

C1 -0

7' - 1 5/8"

18' - 6 1/4"

10' - 0 7/8"

4'

EXAM ROOM

3' - 0 1/8"

0' - 6"

4' - 5"

5' - 7"

CONSULT ROOM

0' - 11 5/8"

GFI

5' - 0 5/8"

9' - 1 1/2"

5' - 6 1/2" 8' - 4 1/8" 8' - 2 3/8" 5' - 1 7/8"

151

154

6' - 1 1/2"

5' - 3 5/8"

5' - 6 5/8"

1' - 3"

7' - 7 1/8"

3' - 9"

3' - 9 5/8" 1' - 10" 4' - 0" 4' - 11"

5' - 8 1/8"

1' - 1 1/2"

5' - 2"

5' - 3 3/8"

7' - 6 1/2" 5' - 10 3/8" 18' - 10 7/8"

0' - 4"

146

1' - 4"

8' - 6 3/8"

4'

3' - 0 1/8"

3' - 0"

EXAM ROOM

9' - 3 7/8" 3' - 6 1/8"

4"

135°

2' - 3"

160

144

8' - 8" 2' - 10 3/4"

140

1" thick custom 3Form Infinite Glass Curtain Wall

W1

Exam Room

2' - 2 7/8" 2' - 3" 2' - 3" 3' - 0 1/8"

ACUPUNCTURE ROOM

135

SHARED OFFICE

163

3/

6' - 11 7/8"

4' - 8 3/4"

2' - 2 1/2"

0' - 11 7/8" 4' - 7 5/8" PHONE BOOTH

1' - 7 1/4"

W1

W2

C1

148

REVISION LIST

-8

2' - 2 1/2"

C1

147

4'

1' - 11 1/2" 4' - 2 7/8"

2' - 3"

2' - 2 7/8" 135 °

139

8' - 11"

3' - 11"

MASSAGE ROOM

12' - 3 1/2"

2' - 8 3/8"

EXAM ROOM EXAM ROOM

142

Keyed Notes

LARGE CONFERENCE

161

° 62

145

8"

- 7"

152

3' - 0 1/8"

137

3' - 11"

RECEPTION

Exam Room

EXAM ROOM

10' - 7 1/2"

2' - 3 5/8"

9' - 3 1/2"

2' - 9" 1' - 7 1/4"

EXAM ROOM

1/

3' - 11 3/8"

10' - 0 7/8"

3' - 0"

2' - 2 7/8"

143

EXAM ROOM

EDUCATIONAL/ LIFESTYLE ZONE

C1

3' - 9 1/4"

EXAM ROOM

-6

45°

150

UNISEX WASHROOM

8"

12' - 2 1/2"

4'

3/

0' - 9"

8"

-3

141

11' - 2 1/4"

2' - 3"

0' - 11"

1' - 7"

3/

5'

1 A-500

13' - 2 1/2"

6' - 0 3/4"

6' - 0"

2 A-500

PHONE BOOTH

162

6' - 4"

1' - 6 3/8"

-2

21' - 10 1/2"

5' - 1 1/8"

9' - 4"

5' - 10 1/4"

15' - 3 5/8"

9' - 3 1/4"

EXAM ROOM

9' - 6 7/8"

5' - 1 3/8"

4' - 4"

3' - 3"

W1

149

W2

2' - 0"

C1

0' - 7"

163

5' - 4 5/8"

C1

3' - 0"

MASSAGE ROOM

6' - 0" 4' - 10 5/8"

136 11' - 8 5/8"

2' - 4"

2' - 6 7/8"

3' - 0 1/8" 2' - 2 7/8"

3' - 0 1/8"

2' - 2 3/4" 2' - 2 7/8" 2' - 6 3/8"

2' - 2 3/4"

2' - 3"

6' - 4 3/4"

7' - 6 5/8"

54°

168

5' - 10"

5' - 10 7/8"

W2

PHONE BOOTH

3' - 6"

8' - 4 3/4"

W1

5' - 11 1/2"

21' - 6 5/8"

2' - 2 7/8"

3' - 0 1/8"

146

C1

2

11' - 0"

62 °

3' - 2 1/4"

62 °

5' - 0"

2' - 3 3/4" 2' - 4 7/8"

3' - 0 1/8" 2' - 3"

2' - 6 7/8"

EXAM ROOM

A-200

162

3'

169

7' - 4 7/8"

2' - 2 7/8"

144

C1

7' - 2 1/2"

W1 CORRIDOR

8' - 4 1/4" typ.

12' - 4 3/8"

3' - 0 1/8"

EXAM ROOM

UNISEX WASHROOM

W1

2' - 2 7/8"

0' - 10 3/4"

3' - 0 1/8"

2' - 2 7/8"

2' - 3"

2' - 6 3/4"

2' - 6 3/4"

3' - 0 1/8"

3' - 0 1/8" 2' - 3"

6'

144°

- 5"

C1

148

15' - 5 7/8"

7' - 8 1/4"

2' - 2 7/8"

4' - 2" 10' - 4 1/8"

144°

- 5"

20' - 7 5/8"

13' - 2 1/8"

15' - 5 7/8" 2' - 4 7/8"

3' - 0 1/8" 2' - 3"

2' - 2 7/8"

10' - 2 5/8"

0' - 8"

2' - 3" 6'

C1 142

2' - 2 7/8"

2' - 7 1/8" 3' - 0"

6' - 7 1/8" 5' - 4 1/2" 9' - 4 1/8"

21' - 5 3/8"

6' - 8 7/8" 4' - 4 1/2"

16' - 5" 6' - 9"

11' - 1 1/2"

- 11

7/8"

EXAM ROOM

W1

WORKCAFE

5' - 0"

MOTHER'S ROOM

EXAM ROOM

7' - 6 1/2"

15' - 7 5/8"

4' - 10" typ.

6' - 8"

C1

147

7' - 2 3/8"

EDUCATION/ LIFESTYLE ZONE 138

13' - 9"

4' - 0 3/4"

10' - 1 1/2"

2' - 8 1/4" 3' - 4"

140

C1

166

16' - 5 1/2"

EXAM ROOM

4' - 5 1/4"

OPEN OFFICE

WORKCAFE

1. All wall o 2. All outle 3. All wet l 4. Coordin 5. All equip manuf

" 6 3/4

6'

C1

15' - 6 3/4"

MASSAGE ROOM

5' - 11 7/8"

145

8' - 3 1/8"

18' - 8 3/4"

8' - 5 3/4"

5' - 4 3/4"

EXAM ROOM

1' - 2 1/2"

7' -

7' - 10 1/4"

W1

14' - 4 1/4"

C1

7' - 2 1/2"

" 8 7/8

19' - 9"

143

2' - 9 1/2" 4' - 0 5/8" 2' - 6 1/4"

164

4' -

8' - 10 1/8"

EXAM ROOM

4' - 8 3/4"

GFI

"

C1

4' - 8 3/4"

165

1/4

141

4' - 8 1/2"

4' - 9 1/2"

4' - 6 3/8"

GFI

11

0' - 1 7/8" typ. MASSAGE ROOM

3' - 6 7/8"

2 A-300 15' - 5 1/2"

4' - 4"

GFI

2' -

1' - 10 1/8" typ. 5' - 7 1/2"

139

W2

16' - 1 3/8" 15' - 1 3/8"

167

3"

3' - 0"

15' - 11 1/8" 15' - 11 7/8"

SHARED OFFICE

HUDDLE SPACE

1' -

A-300 5' - 1 1/4"

4' - 5 7/8"

LARGE CONFERENCE

C1

7' - 9 5/8"

GFI

1' - 1 1/2"

MEDIUM CONFERENCE

"

1

8' - 5"

3' - 4"

10' - 6 1/8"

3"

C1 4' - 4 7/8"

W2

15' - 8 3/4"

1' - 3 7/8"

3 5/8

A-200

3' - 0"

6' -

164

2' - 6"

1' -

HUDDLE SPACE

165

W1

1' - 9" 2' - 8" 2' - 0" 2' - 6"

"

MEDIUM CONFERENCE

166

10' - 6 1/8"

168 10' - 1 1/2"

3' - 9 7/8"

2' - 7 5/8"

3 3/8

OPEN OFFICE

18' - 11 7/8"

MOTHER'S ROOM

2' - 6"

8' -

W2

14' - 5"

2' - 6"

1

167

1. All interior walls are 5/8" thickness Gyp. Board mounted on both sides. 2. All interior walls are constructed of 20 gauge steel studs spaced 16 in. OC U.N.O 3. All columns and exterior walls are exisiting to remain U.N.O. 4. All exterior walls are finished with 1/2" thickness Gyp. Board mounted on the interior side. 5. All interior Gyp. Board mounted walls are 4" thickness U.N.O. 6. All windows are existing to remain. 7. All hinged single flush interior doors are 36" x 80" Walnut construction. 8. All hinged doubled flush interior doors are 72" x 80" Walnut construction. 9. All sliding doors leading to patient room are contructed of glass panels with Walnut framing. 10. All interior single pocket doors are 36" x 80" constructed of Walnut. 11. All door kick plates are constructed of Aluminum. 12. All countertops are 36" A.F.F. and are constructed of stainless steel U.N.O. 13. All Exam and Consult Rooms contain a built in Steelcase Health Relay Monitor Display. 14. All stairs are existing construction and comply with the applicable codes. 12' - 9 5/8"

2' - 6"

3' - 7"

5' - 4 7/8"

10' - 4"

3' - 0"

SHARED OFFICE

10' - 3"

8' - 9 3/8"

15' - 9 3/8"

3' - 4"

12' - 3"

4' - 3 7/8"

4' - 4"

20' - 7 1/2"

4' - 2"

11' - 7 5/8"

3' - 6"

18' - 5 1/2"

2' - 7 1/8" 3' - 4"

3' - 10"

16' - 2 3/4"

4' - 2"

9' - 7 7/8"

20' - 5 1/4"

7' - 8 3/4"

36' - 5"

7' - 2"

14' - 5"

135°

18

With NEXT being a care facility geared towards Millennials, TRANSCEND represents a main characteristic of this generation. Millennials are transcending in society through the use of technology, In healthcare terms, one can go beyond their limits to become the healthiest version of themselves. This multidisciplinary medical facility includes inspiring, innovative, fun, functional, flexible, and collaborative spaces while providing millennials and Baby Boomers access to modern technology within healthcare. In the finish selections, a touch of nature is incorporated into stimulating spaces with directional forms that are incorporated to aid in the overall design as well as wayfinding. These finish selections consist of the colors yellow, representing youth and happiness, and orange representing youth and energy as well as warmth. Directional forms in these colors are reinforced throughout the space. The space plan of the facility is designed with lines of sight and core areas in mind. Directional forms within the lighting, flooring, and wall-coverings lead patients and employees through the space to aid in wayfinding and enhance one’s experience.

PROGRAMMING SCHEMATIC DESIGN DESIGN DEVELOPMENT CONTRACT DOCUMENTS PRESENTATION

all NEXT employees

2' - 2 7/8"

• • • • •

2' - 2 7/8" 0' - 8 1/4" 3' - 1 7/8"

floor plan furniture plan finish plan reflected ceiling plan

2' - 5" 2' - 3"

• • • •

1. 2. 3. 4. 5.

7' - 7 7/8"

DRAWINGS INCLUDED: inspiration

DESIGN PROCESS USED:

THE CHALLENGE:

9' - 9 3/8"

JED

NEXT MEDICAL CENTER- STEELCASE DESIGN COMPETITION


materials

CUSTOM CEILING ELEMENTS

RECEPTION AREA

PATIENT ROOM

RENDERED FLOOR PLAN

CORRIDOR

WORKCAFE 19


JED

inspiration

LOTUS FLOWER LIGHTING FIXTURE- DESIGN PROPOSAL

THE CHALLENGE: While studying a period in history, design an object that incorporates a relevant design motif or object from the period of history chosen.

DETAILS INCLUDED: • • • •

research of period of history design of lighting fixture cost estimation specifications

FULLY CLOSED AND OFF 20


parts

Junction Box Canopy Pendant LED Panels

PARTIALLY OPEN AND DIMMED

FULLY OPEN AND ON 21


JED

22


23

Julia DiRenna Portfolio  

Work in progress student portfolio including restaurant, retail, corporate, healthcare, and structural design.

Julia DiRenna Portfolio  

Work in progress student portfolio including restaurant, retail, corporate, healthcare, and structural design.

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