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Full Score

An Old Story for double bass tuned in fifths and Marimba

by: Jordan O'Connor


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Duration 7 minutes

Commisioned by Mike Brough Summer 2009


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An Old Story         

       

Jordan O'Connor

q = 60

mp

            

mp

q = 60 soft mallets

                           p                              

6



mf

         

11



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      

      

  

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                          

       

p

     

      

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mp

mp

    

Copyright © 2009

   

        

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 

   

 p

    

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4 16

  

p

   

    

  

arco

mf

p

      

3 6                          

 

       

mf

p

19

 

pizz

mf





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         

p

0  

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

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6

mf

6

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II

                        mf

                       3

3

3

p

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mf

 3

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pizz

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                                        mp

 

25

  3



arco

 



                   


27



f

pizz

mf

5

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f

                                               

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                                    

31



 



                                    

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 

 

                                


6

 

                  

37

 

   

   

pizz

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f 3

3                

   

                          3    3

   

arco

 

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3

mf

                           

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3

 

3

  

     

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 

 3

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    

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f

            


 



43

  

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  

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                             

 

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7

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  

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

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  

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                                           no dim

3

3

3

3

3

3

f

 

3

f

 pizz. 3

p

 

6

p

3            

49

p

   

  3

3

          mf trem             

mf


8 53

 

   



  



 

 



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 

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

 

 

 

   

 

   

   

 

 

       arco     mf

                 

 

 

 

  

 

               

solo

     

p

   

 

express.

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             

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  

 

  

       

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 

  

 

    

63

68



 

 



  

 

 

59

 

mf

p


      

  

 

 

  

    



   

 

with longing

mp

f

 

 

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 

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 

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 

  

 

 

9

 

mf

 

91

 

 

 

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pizz

mf

 

  

 

mp

  



   

    



 

mf

 



 



85

pp

f

  

 

   

79

 

f

II

74

    p

 

                                


10 94

poco rit.

 



  



                              poco rit.

 

95

  

  



 

                                 

          3  

  

An Old Story  

Composition for Double Bass (tuned in 5ths) & Marimba

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