Page 1

Piano 1

Quartet

 

 





     

     



 

                                 

 

for any four Pianos, Toy Pianos, Celestas or Harps

   



 

  

  

      

Jacob Mashak

 



    



 





 

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Piano 2

Quartet



  

  

       

  

 

for any four Pianos, Toy Pianos, Celestas or Harps

 

 

  

 



     

  

 

 

  



   

    

                             

Jacob Mashak

 

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Piano 3

Quartet 

 

 

  

 

    





for any four Pianos, Toy Pianos, Celestas or Harps

 

   

  

 



    



 



  

 



 

 

  

  

   

      





 

   





 



Jacob Mashak



 

  

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Piano 4

Quartet



for any four Pianos, Toy Pianos, Celestas or Harps

 

 

 



    

       

   

 



 



   

 

  

   

 

      

 



 

  

    

 

 

 

 





    

 



    

Jacob Mashak

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Toy Piano 1

Quartet for any four Pianos, Toy Pianos, Celestas or Harps

   

 

 

 

 

 

    

 

 

       



      



  

   

 





 

   

   

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.

Jacob Mashak


Toy Piano 2

Quartet for any four Pianos, Toy Pianos, Celestas or Harps Jacob Mashak

 

  

   



  



 

 



















 

 

 



  

 



One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Toy Piano 3

Quartet for any four Pianos, Toy Pianos, Celestas or Harps

  

  

   



 

 





 

 

 









 

Jacob Mashak

  

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Toy Piano 4

Quartet for any four Pianos, Toy Pianos, Celestas or Harps

 

 

 





 

 



 

 



Jacob Mashak











One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Harp 1

Quartet

  

 

 





 

for any four Pianos, Toy Pianos, Celestas or Harps



 

 



  

 

    

  



 





  

  



Jacob Mashak



 



     

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Harp 2

Quartet

  

 

 

    





  

 

 

 

for any four Pianos, Toy Pianos, Celestas or Harps

  

   

 



   

 

 



 

 



 



  

Jacob Mashak

  



One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Harp 3

Quartet for any four Pianos, Toy Pianos, Celestas or Harps

 

 

 

 

   

 

   



 

 





  



  

 

 



 

Jacob Mashak

  

     

   

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Harp 4

 

 

for any four Pianos, Toy Pianos, Celestas or Harps

 





   

 



  

 

   

 



 

Quartet

 

 

 

  

 



 









 





Jacob Mashak

  

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Celesta 1

Quartet for any four Pianos, Toy Pianos, Celestas or Harps

        

 

   

 



   



  

  

 





 





  

 

Jacob Mashak

 



   

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Celesta 2

Quartet for any four Pianos, Toy Pianos, Celestas or Harps

 

   



 





 







 

          



  





 

 

Jacob Mashak

  

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Celesta 3

Quartet for any four Pianos, Toy Pianos, Celestas or Harps

    

 

 

  

 

 

  

 



  

Jacob Mashak

 



 

 

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.


Celesta 4

Quartet for any four Pianos, Toy Pianos, Celestas or Harps

   



  

 



 





 







  

  









    



Jacob Mashak

One minute per line, rhythm is completely free in each line. Dynamics are free, but not to exceed mp. Accidentals apply only to the notes they precede. Let all sounds ring out throughout the performance. At the 4 minute mark, each instrument plays one of A, C, E or E-flat (all must be played) simultaneously and lets ring for 30 seconds more.

Quartet  

for any four Pianos, Toy Pianos, Celestas or Harps