Page 1

Music as a Troped Process

Alto Saxophone

         mp

Alto Saxophone

    

    

Jacob Mashak

    

    

    

                                 

       7

    

    

    

    

    

   

                                            

   

   

   

   

   

   

    

   

   

    

    

    

    

     

    

    

    

    

    

    

     

    

    

    

    

    

    

14

                                     21

                                    28

                                 35

                                                     


2

       42

     

     

     

     

     

     

                                                  49

     

     

     

     

     

     

     

                                                         

sub-tone

57 ppp



sempre mp

ord.mp

                                                                                                 sub-tone

       

                  

sempre mp



ppp

65

                               

sub-tone ppp

 

                                    mp           sempre ord. mp

                                                                             sub-tone       73

     80

 

ord. mp

ppp

  

 

  

                            

                                  


87                                                                      94     

                                                               101

  

  

        

    

 



        

       

                

108

116

  

                               

                                                                  

 

3

  

  



               

                                                               

                   

                     

   

124

           

 

   

 

 

                                       


4

 

 

                                                              132

                   

dim al fine

       

x noteheads = key clicks

                                                          139

                                                        

                                                   147

                                                 

                                                   154

(x noteheads = key clicks)

................       ................       ................ ................  ................

accel. poco a poco

                                                   161



................ ................ ................ ................ ................

................ ................                   ................ ................       ................ (accel. poco a poco)

                                                                            n. ................ ................                ................  ................    ................  n. 168

repeat ad lib.

Music as a Troped Process  

for two Alto Saxophones