Page 1

Jacob Mashak

Works for Piano 2007 – 2011

Editions d'Ys


Works for Piano 2007 – 2011

Vraitit (2007)

3

Indetermezzo (2008)

4

Homage Nr.4 for two toy pianos (one player) (2011)

6

“Signature” Variations (2009))

8

Piano Sonata (2011)

13


3

Vraitit

Jacob Mashak

 

 

8 



 

 

 8

 

8 

 8

 





 



 

 





8





 8



 

 

 

8





 

8

8

8

 

8



8

 

 

8

Very slow, freely expressive dynamics


Indetermezzo

4

Jacob Mashak

on an Intermezzo of Brahms

Adagio

                p            

                                                       12                                                            7

                     

 

                       p               24                     17



f





  

 







   

 

  

rit.

           

            

 

 



      

cresc.

 

             fp dim.                    

                            p

31

                               



               

     

   

                                           


                                f f                                       3 3 3 3 3 3 3        

5

37

  



42

  

48



        p





 

   



 



 

        

        pp                     

58

63

     

     

fp

dim.

                  

                           

  

   3

                   

 

  

                                                     rit.

3

 

   rit.

        

                         







dolce

dim.

 



        

          

53

 

in tempo

rit.

 

  

più p

 

          

       

           


Homage Nr. 4 Toy Piano I bright, louder

Andante con tenerezza

  

     Toy Piano II        somber, quieter   

        II 

   

       f      II   25

I

        II  



      

mf

   I               II   17

      

mf

9

I

  

   

cant.

 

 

                       

         II  

   

   

 

pp

42

I

   

    

 

              

                           

 

 

 

            

 

 

33

I

   

 

Jacob Mashak

  

  

 

       f            



   I                                         II 

        

50

  

    

 

 

       


2

 

58

                   II   I

      

        

mp



                               

66

II

 

73

I

II

 

     

          II   81

I

  

89

I

 

 

   

 

  

97

     

    

       

         

morendo

               I   103

II

   

 

      

 

 

        

      

                 

   

 

RH

  

      

      

   

  

 

   

 

LH

mf

               

   

  

    II     II

            



 f 

   



 

 

  

       

 

   

  

 

 

 

pp


"Signature" Variations

8

        ff       

6

Andante

   

       

mf

 

      

     

    

  

   

Jacob Mashak

Vivace

f

   



  

  

                   

  

             

                                            

9

                                 

11

               

                

13

                                       

                                                        

            


9

15

                                                                        

17

                                                                 

19

        

              

                                        

                                                                                  

21

 

                   

23

                   

  

 


10

Andante

   mf  

5

   

    

 

    

                   

     

  

  p  

Andante

ff

mf

      

    

                         

     

     

       

       

   



   

                                               

Vivo

pp

                                                                      

6

3

3

3

3

                                                            

9

 

     

                                                  

13

                                         3    

16

3

     


11

Lento

 

 

 

               

 p sempre

sim.                                   



 





 

2

 



3

 





sim.

 

 

 

 

5

 

 



6







        

 





   

                   

 sim. 

 

   sim.      

       



  

4

 

             

  

  

  

     

      

  

  

  

 

















 

 









sim.



 

 



         

 

  

   

 

 

   

    

         

 

    

       

   

 

 

 

   

          


12

       ff      

Andante

6

  

Allegro

                        mf f               

  

  

  

 

 

  

 

 

 

 

    

     

                          

    

   

     

  

                                      

9

  

   

           

  

  

 

 

                                        

12

  

 

  

 

  

  

 

          

                                                                        

15

  

  

  

    

                                                        

18

  

21

                         

          

 

 

    

             

   


13

        

Lent

pp

    

     

7

    

       

14

 

Sonata

                  

 

    

     

         

    

 

                piú f                      Faster

              

Tempo I

 

Faster

    

pp

      

 

   

    

piú f

        

     

Tempo I

pp

    

21



                                       

   

       

    

 

Jacob Mashak

          

   

      

                     

       

   


14

      

    

28 Faster

Tempo I

    

piú f

Tempo I

   

34

pp

   

pp

      

          

             

       

42

    

  



       

   

      

      

    

Faster



 

          

piú f

      

     



 

           

    

 

            

 

    

 

 

             

   

 

                

    





       

      

48

 

      

 



 



      

 

                  


15

      

    

54 Faster

piú f

        

     

60

       

Faster



74

Faster



piú f

                

  

      

   

   

       

Tempo I

 

   

piú f

   

 

   

                          pp                                   

       

67

 



    



                

 

     

Tempo I

 

pp

         

 

              

            

             

   

 

Tempo I

pp

 

   

     

   

   

     

  


16

   

81

                          

            

89

        

          

      

96

      

 

      

 

102

  

    

           

           

          

Tempo I                    piú f pp

       

       

        

   

 

 

         

Faster

  

        

  

  

    

         

 

          

                       

 

     

             f

pp

       

    


17

110 Faster

         

       piú f

 Faster  117                     

      

124

piú f

          

 

131

  

   

       

Tempo I

        

        

    

pp

pp

    

pp

 

                          

  Tempo I          

    

                            

Tempo I

piú f

  

     

          

                            

Faster

               

                pp

           

    

    

Tempo I

     

     

     

           

Faster

piú f



     

Faster

piú f

 

   

            f


18

Andantino (e=70)

 

sim.                                  

mp

                 mf                                   

8



legato e dolce

     

  

14



20

 

      

26

 



 



 









       

 

    

   

 

   

 









 

    

 

  

     

   

   



     

  

 

   

 

         

 

  



 

   

 




32

 

38

   

        

ppp

  

  

46

  

 

 

  



 

 

 

  

 

  

 

    



  

     

 





        

    

       



  

  

 

     

  

  

 

   come sopra                 

 

 



 



  

Andantino

 

52

             

  

                    

Grave

42

19

   

 



    

   

 

  

 

 

  

 




20

       

65

 

71

 









 

  





  

       Grave

 

     

  

ppp

  

82

  

    

 

 

  

      

  

    

 

   

  

       

    

78

   

  

58







 

  

        

  

  







  

    

 

 

  





   

                         

  

  

   



 



 

  



  



               

   


86

  

  

92

 

98

 

104





come sopra

 

   

   

   





        



      

  

 

            

 

  



110

 

 

  





 





 







  

   



 

 

   

  



  





  



poco rit.



 



 

   

   

 

      

 

    



  

    

       

  

 

 

  

  

 

 



      

   

        

  

   

   

Andantino

21

      



 

 

Works for Piano, 2007 - 2011  

includes Vraitit, Indetermezzo, Homage No.4 for two toy pianos, one player, Signature Variations and Piano Sonata

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