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3 Songs from Chamber Music James Joyce

Jacob Mashak

VIII. Who Goes Amid the Green Wood

                q = 76 mp

Soprano

Who goes a - mid

    5

Who gives

p

 

  mf

12

Who

(3+2+2+2)

a - do - ring

f

wood to make it

    



        3

in the sun - light

 

3

mf

By

 

ways

mer - ri er?

        3

f

   that

know

   

   

the light



    

rit.

pp                               

       foot - fall?

all

       



a - mid the mer - ry green

pass - es

      

With spring - tide

     

3 f                            3

        9

wood

mp

her?

  

the green

  f  

  

         

  

Flute

  

Who pass - es in

the

sweet

sun

light with mien so

                pp

vir - gi - nal?

  




  f  cresc.          16

a tempo

The ways of all the

    

        

ff

4



wood - land Gleamwitha soft and

    

    

20

23



  

Car - ry so brave

 

For

    

whom

 

doesallthe

        

f

                        

    

ff

              sun - ny wood - land

gol - den fire

3

 

                

a -

tire?

mf

cresc.

mf

         

O,

it

is

                                        f 3

mf 26    3   3        3   3            3

 

                                        for 3

my

true love

The woods their rich ap - pa - ral

3

    

 3

   

       

for my

  

one true love 3

pp

O, it is

3

3

mf 3

29

wear

rall.

    

p

     

p

that is so

young

  and

   

fair.

           pp

 


4

XII. What Counsel Has the Hooded Moon

          q = c.72 f

Soprano

What coun - sel

Flute

  

    

has

the hood - ed

         

moon

Put in the

f

     38

          

  

my shy - ly

              

              

   

heart,

        3 3                             sweet,

Of

   

  

42

stars

  

    

    46

Love,

 With

his feet

 

A

sage

Glo - ry

that is

  

but kith

and

 

     and kin

                  

        

the

plen - i - lune,

          

  

be - neath



in an - cient

   

co - me - di - an

             

Ca - pu

 

  

-

chin?

 

            


5

    50

    

 

   52

3

54

vine,







am

wise

  

eyes



f

  



  

dis

 

  

   

A

    

  

in

p

56

Be - lieve

glo

-

me

ra - her

 

-

re

 

 

-

of

ry

kin

the

de -

-

 

dles

in those

   

f

  

Trem - bles

to

3

 

pp

 

 f 

             

star - light.

Mine,

 



  

f

O

 

 

 

mine!

mp

 

mp

 

  



  

 

3

gard

pp

No more be



that

mf

                         60

      

3

 

    

   

              

      

mf

tears

    

in

moon or

   

mist

 

for

thee





sweet sen - ti - men - tal - ist.

  




6

XXX. Love Came To Us In Time Gone By

      q = c. 54 pp

Soprano

Love came

Flute

   

   

rit.

70

to

  pp

mp



fraid.  



  3    

was stan - ding nigh

    

    



  3    

 

più f

3

Wel - come to us now

     

       

    

 

  

past

That had

For Love at first is all



at the last

  

shall go

più f

  pp

a-

             up - on.

                     

 

his sweet hours, ma - ny a

       

The ways that we

 

     

          

   

twi - light shy - ly

3

Freely

Love is

 

       

     3

We were grave lo - vers.

one.



When one at

mf

    

(hmm...)

by

            

mf

 pp  

     

Tempo primo

79

86

  

in time gone

And one in fear

            

us

mp       

played

74

     

  

   

 

3 Songs from Chamber Music  

for Soprano and Flute, text by James Joyce.

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