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Ashti

For Ferdous



Jung Sun Kang

Not too Fast, broad and hopeful



           5

 

    

9

 

 

 

 

        

   





3

3



   



3

                 5  6     

11

                

  

     

     3     3

 

 

  

 

 

3

 



3

 

© Jung Sun Kang, 2017

  6



 

 

 

    3  



            3    5


                                 

2

Ashti

13

  

                                   

14



15

                               



16



                                   

 


                                  Ashti

17



                                   

18



19

                               



20



                                   

  

3


4

21

 

23

 



5

  

  5

    

 

     

28

 

5

5

    

   

  

5

5                        

 

25

  

Ashti



5

 

 

   

   

      

5

                            


29

  



 

  



     

                 3 3           

 

 

 

37

 

  

  

   

 

  



   

32

35

Ashti



           

                3         

      

 

  

 

    

5

 

3





 

5


6                                          5    

6

5

39

41



 

 

   6

        

Ashti

      3

        3

3

 

                                                             3 3  3 3   6   

43

                         5 3 6  6    

45

       3

3

     


                                6 6             Ashti

47

                             

49

 

52

55

  



 

   

                

 



 

molto rit.

 



  



 

Slow and Expressive

    



   

 

7


8

 

58

  

 

  

  

   

  

   

 

   

  

 



 

   

  

66

  

 

  

62

70

  

  

Ashti



 

   

 


   

   

74

  

Ashti

 



 

9

"Ashti" for Caillon (2017)  

Carillons can amplify the music carried by refugees across borders as they seek safety from war, discrimination, abuse, and human rights vio...

"Ashti" for Caillon (2017)  

Carillons can amplify the music carried by refugees across borders as they seek safety from war, discrimination, abuse, and human rights vio...

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