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n in the 1960s. stmodernism bega Po in th wi y ph ra Photog coming an issue, nd photography be ou ar y it al e in ig With or styles within th to expand their n ga be s er ph ora photog stmodernism in ph e idea around Po n media itself. Th t, by compositio r the focal poin te al to s d wa be hy ri tograp self. Desc the photograph it om fr it ve mo re ve or to rast the creati raphy was to cont as banal, photog a. Early signs the Modernist er of rk wo ng gi ga and en d be the work of photography woul in m is rn de mo st of Po coloured photoo brought about wh n, to es gl Eg m Willia taken in black e time were only th at es ag im ; graphs tcome was deemed this opposing ou e or ef er th e it and wh e the viewer and aimed to challeng is Th t. is rn de Postmo s actually art, that his work wa ea id e th d an s, critic eston’s work is The style of Eggl . on ti es qu or de was un influenced the ph stmodernism has Po w ho of e e pl yl am st an ex an opposing as a whole. With it tography movement to what we know y aped photograph sh s ha e qu ni ch of te tive and daring. as today; innova