Jeanne Artemis - Fenster for Piano Solo

Page 1

JEANNE ARTEMIS Fenster for Piano Solo (2004-2022)


2

JEANNE ARTEMIS Fenster for Piano Solo (2004-2022)

Performance Notes Notes about "mesto": This piece is supposed to be played with romantic rubato. Notes about "marcato": The accents in this piece (bars 11-18 and 27ff.) are of high importance and should be very audible, as they add another layer of polyrhythm and disturbance to the figures. Notes about "pesante": In this piece, the left hand is supposed to be really massive, strong and brutal in the foreground. The right hand is a rhythmic grid in the background, which provides an orientation for the listener, to which the left hand strongly powers against. This is reversed only in the tremolo contours of the right hand in bars 17-35. Notes about "dolce": The right hand is supposed to be seemingly weightless and utilize romantic rubato.

Between each piece should be a pause of at least 5 seconds. Currently, the cycle consists of 7 pieces.

Status: January 2022


 

 = 35

2 4

2 4

  3

I. grave 2

 

3

4 4

4 4

4 4

10

 42 

2 4

11

4 4

7

       3          

     44      3

4

5

          3 3                

        3 4     4 

6

(2009)

(echo)

8

2 4

  3

2 4

9

      

    3         poco



 

3

4 4

4 4

2 4

2 4


4

II. misterioso

    

 = 85

    

    





3

(2009) 2

   

Ped.

    

3

             

3

3

  



 

Ped.

5

                

7

     

8

 



più

Ped.

6

  4

  

                 

 

3

3

Ped.

               3

3

3



       

3



 


5

9

       

[11]

(Ped.)

10

                

    3

11

    

più

          

3



Ped.

             3

   

 

 


    

6

III. pesante

 = 125

3

2

         3  8                   8

8

8

5

6

   

8

                

10

8

8

       

              

14

8

8

18

      8

8

       

11

   

7

19

8

   

          

4

   

9

   

                    

2 4 2 4

              

                                             

                          15

3

                                              

   

              8

 

(2011)

            

12

16

      

20



13

                                17

3 4 3 4

               

       

2 4 2 4


  

7

2

21

4    2 4    8

8

 3  

28

4

3 8

8

4

3 8

8

39

8

4

  

 

             

   

       8

 

            

 3  4

34

22

40

4 4

4 4

  

23

29

2 4 2 4 35

2 4 2 4

   

   

 

  

41

24

   

30

36

 

   

 

3

   

 

      3

25

31

37

   

   

    42

 

26

   

32

38

3 4 3 4

43

   

 

27

 

3 4

 

3 4

33

 

  

3 4

3 4

                

    



  

            


 

8

 = 25

IV. mesto

 42      

2

molto rubato

   

6

11

  

 

 

16

 43

3

2 4



7



3

3

3

13

  

  

3

  

  3 3                        3      4  3 

14

2 4

2 4



 

9

più

              3

3

         

  

10

15

3

17

3

5

3     3           3 3 3 3                       

   

  

4

3

             

8

               12

    

      3 3              3

(2004)

18

   



19

3 4

3 4

3

3 4

          3

3

 

20

  

    3

3 4


8

2 4

4                         

 8

3

2 4

 

from far away ... aus weiter ferne ...

      

  

                    3 8

8

8

 8

10

 8

(2020)

           6          

Ped.

5

4 3 4

    

   

 

        

  

11

3 4 3 4

9

2 4 2 4

   

 

12

8

8

8

  8

3

  

7

         

3 4

3 4

                

                       14                8

9

    

         

  

 

  

2

 

 8

V. dolce

 

 

molto rubato

 

 = 80

 

13

2 4

   

2 4

    

 15        



... dedicated to Fidan Aghayeva-Edler

 

 8

*


10

 = 45

   

4 4



 54    

5 4

(Ped.)

 

7

3 4

 3    4

  

 

2

6 4



4 4

Ped.

4

VI. amabile

  

6  4

   



  6

5

4 4

4 4

 

  





 

  

   

6

8

3

7 4

   

 



     



7 4  6

(2019)

 

    



9

6 4

6 4

 





 

      

 

 

 

 

5 4 5 4

3 4

  

6

 

  

 43


 

 

11

VII. marcato

 = 155

(2009)

   4            4              4           4  2

4

3

8

8

 

5

  

       8

8

6

                



7

8

9

 

          

           44                         4          4                     13 14 15         3              4                      3 4                               

10

11

8

very strong and audible accents

12

8

8

8

3

16

4

3 8

8

4

D.S.                                                                                  17

18

4 4 4 4


  

12

4     4   4 ord 4             

19

20

8

8

23

8

 8

 



          

       

27

24

3 4 3 4

                                                                     

                                           8

8

left hand like right hand in bar 11

 8

 8

                         

25

29



26

30

                                       

33

 

22

                                                                            

28

32

21



34

   



31

                  

35





 

                       