Jap Sam Books Catalogue 22 | 23

Jap Sam Books, headed by Eleonoor Jap Sam, is an independent international publishing house based in the south of the Netherlands. Jap Sam Books publishes titles that explore developments in architecture, art, philosophy, design, photography and theory as well as the fields that touch them, such as urbanism, landscape, sociology and history. Jap Sam Books has been established to reflect, connect and respond to developments in these fields, by bringing out a range of critical and reflective books for an international audience.

We believe in a multidisciplinary approach and cross-border thinking. The books that we publish are not only educational and inspirational, but also very beautifully designed, and all produced in close collaboration with our contributors. The following pages contain a complete catalogue of available publications and journals, together with a list of forthcoming titles. –

THE BOOK AS ART AND VISION

Jap Sam Books was invited by SixtyEight Art Institute to exhibit a selection of publications in Copenhagen (Denmark) to reflect on books as art objects with a focus on their materiality and visuality. The exhibition The Book as Art and Vision curated by Denisa Tomkova took place at the SixtyEight gallery space from December 3rd, 2021 until January 20th, 2022. At the opening of the exhibition, founder Eleonoor Jap Sam and curator Denisa Tomkova engaged in a conversation on Jap Sam Books’ publishing approach.

In the interview, Eleonoor Jap Sam puts her publishing career into words, here are some quotes from the interview:

‘It was an incredibly inspiring and educational journey, a process of trial and error, incredibly hard work and then the gift of all those beautiful books.’

‘A book also has a lot of rules, and it is interesting to see how you can extend or stretch these rules.’

‘I think it is important to get out of your comfort zone. To immerse yourself in the other, or to invite the other to contribute.’

‘Publishing, especially in the field of art and culture, also gives you the opportunity to be a link between the different practices, to connect them. We work with artists, with art institutions, with museums, with galleries, the academic world, the business world, distributors, bookstores, etc. Being a spider in a web must be something you like.’

‘It is also important that within the book, the reader is given the freedom to really connect with the book. Many people 'find' books or are really looking for a particular book. Sometimes just to absorb the content, but often also just to have the book in your home bookcase. It remains a fascinating process, the richness of having books.’

‘Developing and publishing books is all about working together, thinking about how to tell the story and publish it in book form, and which peripheral elements you add such as an exhibition, a seminar or even producing a short film.’

To see the complete and extended version of the interview follow this link.

| The past, present and future of solar energy mapped out by award-winning solar designer Marjan van Aubel.

| For this book Marjan van Aubel interviewed various experts from the field: Pallas Agterberg (Alliander), Habiba Ali (Sosai Renewable Energies), Paola Antonelli (MoMA), Ben van Berkel (UNStudio), Pauline van Dongen, Felix Hallwachs (Little Sun), Lex Hoefsloot (LighYear), Hella Jongerius, Marjan Minnesma (Urgenda Foundation), Alex Nathanson (Solar Protocol), Daan Roosegaarde, Wim Sinke (UvA), Neel Tamhane (Space10/IKEA), Karl Wagner (Solar Museum).

Solar Futures: How to Design a Post-Fossil World with the Sun by solar designer Marjan van Aubel explores the future of solar energy.

Solar energy needs a new narrative - one that says goodbye to old perspectives and only talks about the efficiency and the payback time of blue solar panels. This publication illustrates what we need to know to transition from solar technology to solar design using everyday integrated aesthetic solutions.

The book is divided into three parts: the first part explains how we designed with the sun in the past, providing a visual timeline of the historical development of solar power. The second part discusses the present: Where are we now and what is solar design? It provides examples of innovative solar

SOLAR FUTURES

HOW TO DESIGN A POST-FOSSIL WORLD WITH THE SUN

author Marjan van Aubel additional texts Matylda Krzykowski, Sander Mann final editors Marjan van Aubel, Eleonoor Jap Sam design SJG (Joost Grootens, Dimitri Jeannottat, Julie da Silva) printer Wilco Art Books

17 x 24 cm 288 pages

numerous illustrations English hardcover

ISBN 978-94-92852-65-6

September 2022 €39.95

With the support of the Creative Industries Fund NL, Prins Bernhard Cultuurfonds and the Sandberg Institute

Marjan van Aubel

'What makes energy unique is its alluring, intangible force – you cannot touch or hold it, yet everything is imbued with it. As Marjan van Aubel says: ‘You can bring, make, give and consume energy. We have to figure out how to do it.’ Matylda Krzykowski, designer, curator and artist

design in architecture, fashion, mobility and product design. Finally, the last part looks at the future and asks how we can ensure solar energy does not become the asbestos of the 21st century.

MARJAN VAN AUBEL (1985) is an award-winning innovative solar designer who brings solar energy into daily life. She designs for a positive future by combining the field of sustainability, design and technology. Van Aubel’s goal is to make solar power more accessible for everyone. She has created lasting change through solar design, integrating solar power seamlessly into the buildings and objects that surround us. Her most notable works are Sunne, Current Table, Power Plant and the roof of the Netherlands Pavilion at the World Expo 2020 in Dubai. With Pauline van Dongen she is the cofounder of The Solar Biennale.

www.marjanvanaubel.com www.thesolarbiennale.com

‘It’s time for the transition from solar technology to solar design, where we use the power of beauty to help facilitate change.’

| Boxset with 6 Cahiers: Introduction, Practice, Theory, Media, Education, and Inspiration.

| Including Get started! Planning Tool for Civic Empowerment, consisting of 1 board game, 45 cards, 1 manual and prepacked inspiration.

The influence of media, big data and artificial intelligence on our daily lives is becoming increasingly tangible. The Civic Empowerment Toolbox focuses on the design of active citizenship and citizen participation, offering many examples as well as opportunities to kickstart your own initiative.

Together, the six cahiers, including the introduction, offer a complete overview of design for civic empowerment where practice and theory come together, resulting in design recommendations, examples and future opportunities for research and education. The book is an analogue read from start to finish, but you can also read it crisscross, starting with any of the book’s key concepts, subdivided in twenty themes, allowing you to delve deeper into the fascinating elements of civic empowerment.

The book is intended for (future) designers, scholars, students and policymakers as well as those interested in design for and with the (local) community, but above all, for those that want to change the world for the better.

THE CIVIC EMPOWERMENT TOOLBOX ACTION DESIGN FOR URBAN FUTURES

author Ben Schouten et al. design WVDV / Willem van de Ven final editing : Eleonoor Jap Sam, Aaron Bogart printer NPN Printers & Moeskops

partners Eindhoven University of Technology (TU/e), Amsterdam University of Applied Sciences (AUAS)

16.5 x 23.5 cm 320 pages numerous illustrations

Boxset

BEN SCHOUTEN graduated in 1983 from the Rietveld Academy for Visual Arts. He works as a designer, he was appointed full professor of Playful Interactions at the Department of Industrial Design at the Eindhoven University of Technology in 2010 and as a lector of Play & Civic Media Research at the Amsterdam University of Applied Sciences in 2013. His dissertation was awarded a Bronze World Medal for Design in the category New Media, subcategory Information and education, in New York, USA. His work focuses on play and design for social innovations, citizen empowerment and culture.

‘Our call accepts that there may be an infinite number of equally valid, but possibly less accessible – or merely accessible by certain communities – knowledge systems, much like concurrent physics is considering the existence of a multiverse of parallel universes.’

editors Cubic Journal

|

CUBIC JOURNAL

ALTERNATIVE KNOWLEDGES –COMMUNITIES · CREATIVITY · NARRATION

issue editors Peter Benz, Huaxin Wei & Justin Chiu-Tat Wong, operational editor Gerhard Bruyns copy editor Chan Nin design Daniel Echeverri partners Cubic Society, Cubic Research Network co-publisher The Hong Kong Polytechnic University Environmental & Interior Design School of Design

20 x 26 cm 150 pages

bl/w & fc illustrations English softcover ISBN 978-94-92852-63-2 October 2022 €25.–

| A peer-reviewed journal published in conjunction with Cubic Society and Cubic Research Network.

| An academic discussion within the pursuit of advancing knowledge via design disciplines.

A reflection on the existence of different knowledge forms.

Many knowledge forms are predominantly practical in nature and aligned with creative practices in the arts. The arts themselves are alternative knowledge systems on their own right. When conventional formats have exhausted their possibilities, creative workers like artists and designers create a space for exchange between themselves and their audience. Creative production is thus about making previously inaccessible knowledge available by giving it form.

This issue of Cubic is a reflection on the different knowledge forms that are informed, established and passed on within communities in non-academic ways. The featured contributions seek to experiment with narrative forms, recombine research materials, represent public communities and integrate algorithmic principles to uncover the unseen.

AVAILABLE ISSUES

CUBIC JOURNAL NO. 4

DESIGN EDUCATION: Pedagogy - Critique -

& Francesco Zurlo

CUBIC JOURNAL NO. 3

DESIGN MAKING: Practice - Making -

Daniel Elkin & James Stevens [eds.]

CUBIC JOURNAL NO. 2

GENDER IN DESIGN: Other - Different - Wilful

Wirman

Uta Brandes [eds.]

CUBIC JOURNAL NO. 1

DESIGN SOCIAL: Technology - Activism - Anti-Social

Peter Hasdell [eds.]

Photos: Studio Renate Boere

|

CELEBRATING PATTERNS

CHRISTIE VAN DER HAAK

editors Eleonoor Jap Sam, Renate Boere, Christie van der Haak authors Arthur Crucq, Jeannine Hövelings, Yvonne Oordijk, Philip Peters translation Arthur Crucq, Marie Louise Schoondergang design Studio Renate Boere printer Graphius Group

24.3 x 31.2 cm 288 pages numerous fc illustrations English | Dutch softcover open spine dust jacket ISBN 978-94-92852-52-6

January 2022 € 30.-

With the support of Jaap Harten Fonds, Prins Bernhard Cultuurfonds/Elisabeth Vermaat Müller, Creative Industries Fund NL, Stedelijk Museum Kampen

| A collection of over 200 original patterns.

Beautifully designed with a visual index of her oeuvre in the dust jacket.

‘My patterns are nothing more than a representation, a reflection of the entire world in the broadest sense of the word. Each pattern is a particle of a particle of the infinite whole that cannot be depicted but can be further contemplated.’

Christie van der Haak

Celebrating Patterns. Christie van der Haak contains an extensive collection of patterns by Dutch designer and visual artist Christie van der Haak with insights into her working method. It is a sequel to the award-winning publication Sproken | Fairy Tales. Christie van der Haak published by Jap Sam Books and Stroom Den Haag.

CHRISTIE VAN DER HAAK (1950) started her career as a painter and later focused on designing fabrics that funcion as both autonomous artworks and utility objects, such as tablecloths. In her work she combines traditional techniques and technological means. In the Netherlands she has recently held exhibitions at Stedelijk Museum Kampen, Kunstmuseum Den Haag, Museum De Lakenhal and Kasteel Helmond. She has also exhibited internationally at the Wolfsonian Museum (USA).

STITCH YOUR BRAIN

author Monica Auch

additional texts Prof. R. Zwijnenberg, Dr. Marieke Hendriksen, Charlotte Steels, Mané van Veldhuizen editor Eleonoor Jap Sam design SJG / Joost Grootens

17 x 24 cm 256 pages numerous fc illustrations English softcover ISBN 978-94-92852-77-9 Spring 2023 €30.–

| Unique hybrid project touching both the fields of science and art by textile artist and former M.D. Monika Auch.

| Beautifully designed by Studio Joost Grootens.

| Stitch Your Brain celebrates its 10th anniversary in 2023!

Stitch Your Brain is a long-term study into the intelligence of the hand by artist and former medical doctor Monika Auch. The book reflects the results of the empirical study Auch worked on for the past decade about the importance of creating with your hands in our digital age and the effects of slow creation on neuro cognitive learning, health, and well-being.

The detailed images of a collection of 100+ stitched brains created by participants and their personal comments illustrate the influence of medical image making on body-identity and brain awareness. The creations are in fact a tactile, textile multitude of intimate self-portraits. At the same time, they are a dynamic documentation of changing visions and concerns on global issues throughout the past 10 years.

The data analysis and interpretation by Monika Auch provides insights in the relationship between creativity, stress management, age, well-being, and skill learning. Experts in art history, art, science interactions, and neuroscience who were involved early on in the project comment on the research and place it in a broader context. Contributions by Prof. R. Zwijnenberg, Dr. Marieke Hendriksen, Charlotte Steels (director of the Gawthorpe Textiles Collection), and Mané van Veldhuizen. The texts include topics such as the importance of coexistence of art and science and why they need each other, ethical and esthetical changes of self-perception due to modern brain research, the history of medical imagery of the brain and brain imagery using art and textile design in the past and present, among others.

MONIKA AUCH (1955, Germany) lives and works in Amsterdam where she received her education in medicine (UvA) and art. While practicing as M.D. she attained a degree in textile design and printmaking at the Gerrit Rietveld Academy (2000). A hybrid of art and science her work is focussed on the ‘intelligence of the hand’ in both her visual work and artistic research, based on empirical models. Monika Auch moved from her native Germany to Amsterdam where she studied and practiced medicine while studying textiles at the Gerrit Rietveld Academy. (BA_2000) Since 2001 she works as a visual artist with a focus on visual work through weaving. She researches the Intelligence of the Hand in the projects STITCH_MY_BRAIN and WeefLab. Monika Auchs’ practice is informed by regular publications on the material based making of art for Dutch kM magazine. She teaches design on all levels, drawing from a rich archive of material and a commitment about the importance of creativity, hands-on making and personal growth of students.

The world that Jasper de Beijer presents to the audience through his photographic works is fascinating, familiar and disconcerting all at the same time. His work is about the process of looking, seeing and interpreting. At first you think it’s a photograph of reality, but then you see it’s a photograph of a paper model. You are swept into a narrative that is more than a photograph. You need to respond in some way, but how? This is precisely the question the artist is asking the audience: Do you really know what you are seeing?

The publication Critical Mass. Jasper de Beijer and the exhibition by the same name were made possible with the support of the Agnes van den Brandeler Museum Prize, jointly awarded to Museum Rijswijk and the artist.

CRITICAL MASS

JASPER DE BEIJER

Diana Wind, Eleonoor Jap Sam

Arnoud van Aalst, Merel Bem, Diana Wind, Jasper de Beijer

Dianna Beaufort, wordsontherun, Robert van de Walle

Mainstudio (Edwin van Gelder, Gianluca Flütsch, Christian Knöpfel)

NPN Drukkers

Museum Rijswijk

pages

the process of looking, seeing and interpreting.

narrative beyond photographs into the passages of world history.

Bem

of Museum Rijswijk

JASPER DE BEIJER (1973) is a Dutch artist whose work focuses thematically on a specific historical period and event. He explores the processes of seeing, interpreting, and understanding as a viewer. Visual data is used to analyse historical moments such as Dutch colonialism in Indonesia. His work is a photographic registration of a labour-intensive working process that eventually results in an autonomous artwork.

‘Plunge into Jasper de Beijer’s mind and let yourself be swept away into the passages of world history as it all flows before your eyes in a dream.’

van Aalst

by rules or historical accuracy (or political correctness), De Beijer magnifies reality.’

Promotional photos: Mainstudio

LABYRINTH. TON KRAAYEVELD

art Ton Kraayeveld texts Bertus Pieters, Marie Jeanne de Rooij, Niek van Vugt & Madeleine Steigenga, Katja Diallo, Ge van Steenbergen editor Eleonoor Jap Sam translation Robert van de Walle design Studio Renate Boere printer ORO Grafisch Project Management

17 x 24 cm 304 pages

bl/w & fc illustrations

English | Dutch softcover, dust jacket

ISBN 978-94-92852-62-5

September 2022 €32.–

With the support of Jaap Harten Fonds, Mondriaan Fund, Gemeente Dordrecht, crowdfunding voordekunst

Labyrinth is an exploration into Ton Kraayeveld’s ‘network in space and time’. The opening contribution by Bertus Pieters guides us through Kraayeveld’s oeuvre, his relationship to Modernism, the influence of his daily experiences and a net of well-known historical figures. A collection of exemplary paintings is accompanied by selected questions from an interview by Marie Jeanne de Rooij. Each question giving an opportunity to reflect, uncover and peak into the labyrinth of his oeuvre. Following is a text by Niek van Vugt and Madeleine Steigenga, admirers and collectors of his work. Ge van Steenbergen then briefly discusses a small green painting before a final contribution by Katja Diallo who explores the ever-constant presence of Franz Kafka throughout Kraayeveld’s works.

Connected with each other, the paintings and drawings by Ton Kraayeveld stare at the audience, inviting it to enter his world where time and space are flexible and visual anachronism is normal. Each painting is a protest against forgetting, in which fragmentation and simultaneity merge. His work is less about the act of painting than about the painting itself as a bearer of images or meanings. Abstraction and figuration coincide, always deriving from reality and giving his paintings a stronger unity and coherence, a new-found layeredness. For Kraayeveld, a painting has to invite the viewer to see it from several perspectives, levels and interpretations. A new challenging tension is introduced by a shift from a literary to a more implicit political subject matter.

‘I think a work of art is something different than an opinion, but that it should be able, in its complexity and layeredness, to pose questions or raise issues.’

Ton Kraayeveld

‘I want a painting to offer itself generously to that imaginary viewer.’

TON KRAAYEVELD (1955) is a Dutch visual artist who now lives and works in Dordrecht. He graduated in 1985 from the Willem de Kooning Academie in Rotterdam. His oeuvre contains lots of patterns and symbols. His life and experiences, such as many artist-in-residencies influence his work, providing him with new insights and themes. As a protest against the passing of time, he uses paint and manipulated images of visual history, placing them into different contexts. Distilled autobiographical experiences are combined with an internal world of associations and reflections. However, there is room for the viewers to formulate their own thoughts and use their imagination.

Photos: Studio Renate Boere

Jeremiah Day

WHAT SPEAKS TO US ARJAN VAN HELMOND

FRAGMENTS IN TIME, SPACE AND PAINTING

editors Eleonoor Jap Sam, Renee Schuiten-Kniepstra authors Jeremiah Day, Arjan van Helmond, Marieke Jooren, Georges Perec translation Robert van de Walle design PutGootink

lithography Marc Gijzen printer Drukkerij Tuijtel

23.3 x 28 cm 192 pages

fc illustrations

English | Dutch softcover Japanese binding, dust jacket ISBN 978-94-92852-55-7

April 2022 €35.–

With the support of Mondriaan Fund, Jaap Harten Fonds, Creative Industries Fund NL, Voordekunst

| An exploration of the things we surround ourselves with in our daily lives.

| A collection of residues of memories and connections that make up who we are.

What speaks to us. Arjan van Helmond is a publication about the oeuvre of Dutch visual artist Arjan van Helmond, which offers a broad overview of his work from the past 12 years. The book is a moment to look back, reflect, collect and connect.

ARJAN VAN HELMOND (1971) is interested in using painting as a medium to help the audience think about the objects in our daily lives. His focus is on using ordinary yet evocative details to build up a form of realism that traces a path between history, culture, cliché and human behaviour. Aside from exhibiting internationally in cities such as New York (USA), London (UK), Sydney (Australia) and Shanghai (China), he teaches painting at AKI-ArtEZ School for Art and Design in Enschede (The Netherlands).

‘Van Helmond has posed a kind of lexicon of discovery and encounter: moments of reckoning, where the details seem to offer (or rather insist on?) the potential for meaningfulness.’

|

MIRAGES. LIEVEN HENDRIKS

texts Dominic van den Boogerd, Rianne Groen, Menno Vuister editor Eleonoor Jap Sam translation Robert van de Walle design Kummer & Herrman lithography Marc Gijzen printer NPN Drukkers partners Gallery Ron Mandos, CODA Museum

22 x 30 cm 152 pages bl/w & fc illustrations English | Dutch softcover ISBN 978-94-92852-66-3 October 2022 €30.–

With the support of the Mondriaan Fund, Jaap Harten Fonds

Beautifully designed with a silk-screened cover on mirrorfinished paper.

| Accompanies the epynomous exhibition at CODA Apeldoorn, October 2, 2022 - January 15, 2023.

Mirages documents the work by Dutch artist Lieven Hendriks over a period of twenty years. In his paintings he gives shape to abstract concepts such as hope, comfort and desire. The manipulation of light always plays an important role in the construction of his works. The painted subjects evoke a field of tension with the historical idea of painting. His paintings thus balance between temporality and eternity, between presence and absence, between truth and deceit.

The book offers a comprehensive overview of the artist’s paintings with texts from Dominic van den Boogerd, Rianne Groen and an interview with the artist by Menno Vuister.

LIEVEN HENDRIKS (1970) is a visual artist who takes everyday subjects in which human touch is visible as a starting point for his work. By using trompe l’oeil effects, his flat canvases appear as loosely stretched lines, deceiving the eyes of the viewer. In his work, he plays a game with the nature of observation, touching upon the essence of painting and the value attached to it. He graduated from the HKU in Utrecht in 1994 and was a resident at De Ateliers in Amsterdam. His work is part of renowned international collections such as Museum Voorlinden, ESMoA Los Angeles and the Nagoya University of Arts Collection.

|

MARC BIJL THE WORKS 1984–2084

texts Marc Bijl, Belinda Hak, Tom Morton, Ellen Blumenstein and Birgit Laback design Studio Remco van Bladel

20 x 28 cm 176 pages

fc illustrations

English hardcover

ISBN 978-94-92852-67-0

Spring 2023 €30.–

With the support of the Mondriaan Fund, Stiftung Neustart Kultur Bonn, Researchstipendium Senat Berlin, Gallery

Upstream, Gallery Reinhard Hauff, Gallery The Breeder

A catalogue for a fictional survey exhibition in the year 2084.

What will the world look like 100 years from now?

In Marc Bijls’ catalogue for a fictional survey exhibition in the year 2084, time comes to us from the future. Bijl considers himself an observer of society, of everyday conditions and contemporary culture. In a society structured by narratives and fictions, by immaterial scripts that insinuate themselves into lifestyles, institutions, and ideology, he turns his attention to concealed myths, codes and structures that order everyday life. He leads us into the year 2084 and from there back to the aesthetics of the 1980s. In a body of work that forms a critically purposeful montage of observations, Bijl playfully combines methods of appropriation and deconstruction, drawing from counter-cultural traditions and the real-time iconography of 'high' and 'low' culture alike. The works that result from the appropriated and manipulated sources (in media including painting, installation, sculpture, video, posters, stickers and legally marginal interventions in public space) are unfailingly inventive within the artist's unique stylistic idiom, which bears the influence of pop, punk and goth culture.

MARC BIJL (1970) is a Dutch visual artist currently living in Berlin. He graduated from the Royal Academy of Art & Design in ‘s-Hertogenbosch in 1997. In 1996 he also studied at the Rennie Macintosh School of Art in Glasgow. His work is part of many international private and public collections such as the Stedelijk Museum Amsterdam and the Hudson Valley Center for Contemporary Art in New York.

Jan van de Pavert. Collected Works is a richly illustrated body of work covering the artist’s oeuvre of the past years. Initially, van de Pavert became known for his sculptures, his early works referred to architecture and resembled parts from buildings, such as windows and doors. An example is the 1987 work Inversion : the work is a door and doorpost folded inside out, for which an original door and doorpost were used as a mould.

Later, the artist decided to use these architectural elements in films as well and eventually started using computer animations. As this developed, he focussed more and more on murals. In an interview he justified this as follows: “I could put an entire exhibition in one film. While I was working on that, I decided to add murals to the spaces. I asked myself the question: if these spaces were covered with murals, what kind of iconography would they show? What would muralism, like Diego Rivera’s, look like in this day and age?”

A central topic in van de Pavert’s drawings is the development of figuration. He took historical paintings originating in earlier centuries as his starting point, asking himself: what do these works mean to our world right now? The themes he developed in response to this question play an important role in the publication.

JAN VAN DE PAVERT. COLLECTED WORKS

author Jan van de Pavert, Mark Kremer editor Eleonoor Jap Sam design Studio Remco van Bladel

16.5 x 24 cm 328 pages

Fc

bw illustrations

hardcover

comprehensive illustrated monograph on

work of Dutch visual artist Jan van de Pavert.

designed by Remco van Bladel.

Starting in the 1990s, he began working on watercolours that served for computer animated films. The representations in those watercolours were about the avant-garde movements and the political left. Later, he focussed more on youth, the 1960s and 1970s and the idea of freedom. In 2013, these murals were executed on large scale for the first time for an exhibition at Art Centre De Appel in Amsterdam. 20th century avant-garde clearly lives on through the artist’s oeuvre.

JAN VAN DE PAVERT (1960) lives and works in Rotterdam. He studied at Academy of Fine Arts Sint-Joost in Breda from 1979 to 1982, where he was taught by Hans van Zummeren and Theo Mols. From 1982 to 1984, he continued his studies at Ateliers ’63 in Haarlem with Stanley Brouwn and Carel Visser, among others. Van de Pavert established himself as an independent artist in Amsterdam in 1984. He moved to Utrecht in 1992, before he finally settled in Rotterdam in 1998.

HOW TO MAKE SCULPTURE MOVE RUTA BUTKUTE & EMILY KOCKEN

art Ruta Butkute

text Emily Kocken

design Inedition / Eva van der Schans printer die Keure

21 x 25.5 cm 112 pages

English softcover

ISBN 978-94-92852-58-8

July 2022 €30.–

With the support of Mondriaan Fund, Jaap Harten Fonds, Tijl Fonds/Prins Bernhard Cultuurfonds, Amsterdams Fonds voor de Kunst

| A conversation on ‘how to make sculpture move’.

| Includes interactive QR codes.

Ruta Butkute’s art practice is guided by a reflective approach to the physicality of sculpture and its relation to performers, audiences and the spaces in which they interact. Departing from the principle that an object has a function hidden inside, she redefines the origins and functions of materials and forms to evoke their intricate capacity to move. Working around her sculpture with different mediums led to many experimentations and to the development of a new medium she calls ‘sculptural performance’. Objects/sculptures and their space are now placed in a transformative field.

This book is a collaboration between Butkute and Emily Kocken, in which artwork, images and texts work in unison as equal factors. By using principles as reversal and mirroring they transform and activate each other. Via a poetic assemblage of linguistic genres, world plays and critical references, new meanings are unfolded. The reading experience challenges the readers to research their perspective and find new interpretations as they reveal themselves gradually. This play between meaning and feeling, moving and thinking invites the readers to explore sculpture on a new level, considering new functions beyond the visbile, the conceptual, philosophical and rhetorical.

EMILY KOCKEN (1963) is a Dutch writer and a visual artist. Her debut novel Witte vlag (Querido, 2013) about a young couple surviving the art world, was nominated for the Academica Prize of Literature. Her novel De kuur was selected among the De Groene Amsterdammer’s favourite books. Lalalanding (2021) was described in Trouw as a ‘magical web of history and intimate relations’. Kocken also works as an event moderator in the field of art, performance, philosophy and literature.

RUTA BUTKUTE (1984) is a Lithuanian artist who studied at the Vilnius Academy of Arts, the Gerrit Rietveld Academie and the Rijksakademie in Amsterdam. She has been an artistin-residence at the Lower Manhattan Cultural Council in New York, the creative residency Arita in Japan, the Work Space Brussels and at the Rosas P.A.R.T.S. in Brussels. Her work has been exhibited both nationally and internationally at many galleries and institutions such as Fons Welters in Amsterdam, the Contemporary Art Centre in Vilnius, the Teruhiro Yanagihara Gallery in Osaka, the Kaaistudios in Brussels and several other locations. Her education in ceramics deeply affects her work in how she uses primal material aspects such as weight, scale, mass and gravity. She is the receiver of an Established Talent Grant from the Mondriaan Fund. Butkute has also received development grants from the Amsterdams Fonds voor de Kunst. Her works are part of the AMC art collection. She is represented by Bradwolff Projects in Amsterdam.

www.emilykocken.nl www.rutabutkute.com www.inedition.nl

SCHAEPMANSTRAAT –DE KEMPENAERSTRAAT

author Lucas Lenglet editor Sophia Zürcher translation Billy Nolan design Michaël Snitker

28 x 18.5 cm 96 pages

bl/w & fc illustrations

English softcover

ISBN 978-94-92852-68-7 Spring 2023 €25.–

Supported by Stichting Niemeijer Fonds.

| Beautifully designed by Michaël Snitker.

The core of the publication Schaepmanstraat - De Kempenaerstraat is the eponymous temporary artistic intervention which Dutch artist Lucas Lenglet made on the facade of his apartment in Amsterdam. For the period of five months he fenced off the windows of his apartment with a steel mesh construction. Reflecting on this artwork, Lenglet describes and unfolds the historical, socio-political and artistic layers connected to the local circumstances and private motivations leading to the intervention in an essay.

The publication originated as a collaboration with graphic designer Michaël Snitker and is enriched and illustrated with visual material gathered from local archives. It connects the artwork to the housing crisis, the rent strike from 1932 and the violent squatters riots from 1985 amongst others. Another layer to the publication is formed by the interior photographs Lenglet took during his COVID-19 quarantine in his self-created domestic cage. The publication gives an inside into the past, present and future of Schaepmanstraat - De Kempenaerstraat and could be read as a showcase of Lenglet’s work in general.

LUCAS LENGLET (1972) is a visual artist who graduated from the Gerrit Rietveld Academy in Amsterdam in 2000. In his practice, where he combines studio work and working in public space, he examines notions of inclusion and exclusion by means of the language of the built. He showed his installations and sculptures in solo presentations in amongst others, Stedelijk Museum Bureau Amsterdam, Palais de Tokyo, Stigter van Doesburg gallery and most recent Kröller-Müller Museum. Lenglet participated in various group shows in institutes like Atelier Néerlandais Paris, 3rd Athens Biennale, Martin-Gropius-Bau in Berlin and Kunstinstituut Melly in Rotterdam. His work in public space can be visited in Potsdam, Sint-Oedenrode, Utrecht and Zaanstad. He has been a (visiting) lecturer and advisor at Gerrit Rietveld Academie, LUCA School of Art Brussels, van Eyck and Rijksakademie and is a mentor for starting artists on invitation of the Mondriaan Fund.

MOTHER'S MILK

author Marie Ilse Bourlanges introduction text Zoë Dankert editor Marta Pagliuca Pelacani design Alix Chauvet printer robstolk ® Amsterdam

With the support of Mondriaan Fund, Foundation Harlet Snug (CH), Stichting Stokroos and Tijl fonds Cultuurfonds/Prins Bernhard Cultuurfonds

15.5 x 24 cm 348 pages bl/w & fc illustrations

English hardcover thread sewn binding / special edition offset duotone with metallic and mat ink ISBN 978-94-92852-74-8 Winter 2022 € 35.–

| Special, limited edition with a beautiful design by Alix Chauvet in cooperation with the artist Marie Ilse Bourlanges.

| This project was initiated and presented as a performance and series of video works at 3bisF Contemporary Art Centre located in Montperrin Psychiatric hospital in Aix-en-Provence (France) during the Manifesta Biennial in 2020.

Mother’s Milk (re)constructs the story of Ilse, the author’s grandmother. Alienated in the psychiatric hospital of La Timone, in Marseille, Ilse resided there from 1952 until her death in 1983. Bringing together archival material, correspondences and conversations narrated via documentary poetry, Marie Ilse Bourlanges assembles the fragments of a family history hiding in plain sight.

An undertow of embodied memory meets the flow of institutional remembrance, drawing parallels between the discarded material of archives and the necessary mechanisms of physiological forgetting. Mother’s Milk offers an intimate journey into madness, intergenerational trauma transmission and the role of artistic research in imagining a possibility of healing.

MARIE ILSE BOURLANGES (1983) is an interdisciplinary artist, whose practice combines tangible, performative and written matter. Prompted to reveal how intimacy can resonate collectively to repair social and ecological tears, her work explores the reciprocity of strength and vulnerability.

|

TOOLS FOR COLLECTIVE LEARNING THE NAME CHANGE INITIATIVE AT KUNSTINSTITUUT MELLY

TOOLS VOOR COLLECTIEF LEREN DE NAAMSVERANDERING VAN KUNSTINSTITUUT MELLY

texts Veronica Babayan, Teana Boston-Mammah, Tayler Calister, Boutaina Hammana, Yahaira Brito Morfe, Callum Dean, Rosa de Graaf, Sofía Hernández Chong Cuy, Michiel Huijben, Wooseok Jung, Stijn Kemper, Alex Klein, Jessy Koeiman, Prem Krishnamurthy, Nina Schouten, Alexander Tanazefti, Emily Turner, Rolando Vásquez Melken, Aqueene Wilson, Yan Zhihan, Vivian Ziherl editors Sofía Hernández Chong Cuy, with Rosa de Graaf, Jessy Koeiman, Jeroen Lavèn, and Vivian Ziherl. translators Marie Louise Schoondergang, James Hannan, Milou van Lieshout, Jet van den Toorn design Julie Peeters printer Vier-Türme GmbH, Benedict Press

17 x 24 cm, 288 pages

bl/w & fc illustrations

English | Dutch softcover

EN ISBN 978-94-92852-69-4

NL ISBN 978-94-92852-70-0

November 2022 €19.50

Kunstinstituut Melly is supported by the city of Rotterdam and the Ministry of Education, Culture and Science in the Netherlands. Additional support is provided by the Hartwig Art Foundation.

This publication is part of Kunstinstituut Melly’s Name Change Initiative, which is in part supported by Stichting Droom en Daad, Fonds voor Cultuurparticipatie, BankGiro Loterij Fonds | DOEN Foundation, Stichting Elise Mathilde Fonds, J.E. Jurriaanse Foundation | Volkskracht, Prins Bernhard Cultuurfonds.

Published in a Dutch and English edition.

'The name change was premised on the criteria that the former name impinged upon a pursuit of social inclusivity, which is vital to the relevance and contribution of cultural practice in general.'

On January 27, 2021, the institution formerly known as Witte de With Center for Contemporary Art in Rotterdam was renamed Kunstinstituut Melly. The renaming was and is informed by local debates and international discussions; it is mobilized by ambitions that relate to social transformation, and by the felt responsibility in visualizing these changes, since the role as a contemporary art institution is presenting and discerning the present.

This book is about the arrival at such criteria and ideas, as much as it is about the intricacies involved in our institution’s name change. As suggested by the book’s title, Tools for Collective Learning , the aim for this publication is to be more of a toolbox than a document. It is made with the conviction that all vital change happens through collective learning; that recording oral histories and discursively articulating embedded experiences can further this cause.

The name Melly was inspired by Melly Shum Hates Her Job, an artwork by Ken Lum. This artwork takes the form of a billboard, and it has been displayed on the institution’s façade since 1990.

EURASIA – AN ATLAS

editors Nav Haq, Joanna Zielińska design Tariq Heijboer printer Graphius partner Museum van Hedendaagse Kunst Antwerpen / M HKA

17 x 24 cm 400 pages

fc illustrations

English softcover with flaps ISBN 978-94-92852-76-2

Spring 2023 €34.–

Made possible with the support of the Mondriaan Fund

The concept of Eurasia evokes myriad different ideas across geological, ideological, cultural and artistic paradigms. Housing three quarters of the world’s population (as well as three quarters of the world’s energy resources), the Eurasian supercontinent is also home to a great plurality of cultures. It is a space where historical, contemporary and futuristic visions coexist, interact and mutate.

The publication EURASIA –An Atlas is a reader surveying the cultural and conceptual landscape of the Eurasia. Structured around approximately twenty keywords, it compiles texts from a variety of authors, historical documentation, and texts on the artistic practices of visual artists. Trans-historical in focus, EURASIA – An Atlas will offer theoretical and artistic insights into a progressive Eurasianism, engaging with diverse contributors and agents across Eurasia. Several texts have been commissioned to offer reflection on the notion of Eurasia from contributors across the fields of art, history and philosophy, forming a compendium of material for those interested in understanding the emerging reality of the new Eurasian age. Rooted in - but reaching beyond - the visual arts, EURASIA – An Atlas will be unique amongst publishing on this theme.

NAV HAQ is associate director at M HKA – Museum of Contemporary Art Antwerp. He was a founding editor of the online research platform for the L’Internationale confederation of European museums and is and editor at Afterall

JOANNA ZIELI Ñ SKA is an art historian, writer and performance curator. Currently, she works as a senior curator at M HKA. From 2015-2020, she was the Head of the Performing Arts Department at the Ujazdowski Castle Centre for Contemporary Art in Warsaw.

|

With text contributions by Bart de Baere, Bruno Maçães, Dina Akhmadeeva, Ekaterina Vorontsova, George Orwell, Grant Watson, Haegue Yang, Jimmie Durham, Joanna Zieliñska, Nam June Paik, Nav Haq, Nicholas Riasoanovsky, Nikolay Smirnov, Pejvak, Quddus Mirza, Rana Dasgupta, Yuk Hui, Yulia Sorokina, among others.

I EURASIA – An Atlas is published as part of ‘Our Many Europes’, a project in confederation ‘L’Internationale’.

|

BEGINNING IN THE MIDDLE CONVERSATIONS ON THE POST-SOVIET

'The artists showed us that their post-Soviet reality is never an either/ or situation, it is not a monolith, but something fluid and subject to change. Adapting to circumstances; transcending territorial boundaries; exploring the archetypes, spaces in-between, ‘underwater’ processes, shapes of disrupted figures and pathways, and different passings of time without clear origins or futures.’ Elsbeth Dekker, Robbie Schweiger

10 x 17 cm 192 pages

bl/w & fc illustrations

English softcover

ISBN 978-94-92852-72-4

Winter 2022 €24.50

With the support of the Mondriaan Fund, Jaap Harten Fonds

| A journey from and through (post-) Soviet contexts ending in Dutch art collections.

Including interviews with Umida Akhmedova, Babi Badalov, Saodat Ismailova, Gulnara Kasmalieva & Muratbek Djumaliev, Taus Makhacheva, Yerbossyn Meldibekov, Almagul Menlibayeva, Maria Mkrtycheva, Furqat PalvanZade, Alexander Ugay.

Beginning in the Middle . Conversations on the Post-Sovie t, edited and compiled by Elsbeth Dekker and Robbie Schweiger, explores the works, lives and travels of artists coming from a (post-) Soviet context. The conversations delve deeper into questions of art and (de)colonisation in countries in the Caucasus and Central Asia, most of which recently celebrated their 30th anniversary of independence.

Departing from Dutch collections and exhibitions, the conversations try to grapple with questions on the meaning and relationships that these artworks and artists are enabling. Touching upon various notions of time, space and perception, it wonders how to include other stories and voices into Dutch collections and Western stories of art. Three travelogues by Furqat Palvan-Zade take these conversations to another time and place – all the way across Eurasia and back to the Netherlands.

ELSBETH DEKKER is art historian, legal scholar and PhD Candidate, Faculty of Law, Legal Theory and Legal History, Vrije Universiteit Amsterdam.

ROBBIE SCHWEIGER is art historian and slavist, affiliated with the Stedelijk Museum Amsterdam. www.superflus.com

editors Elsbeth Dekker & Robbie Schweiger design Tariq Heijboer printer Graphius

ART

TOUCH. CAREN VAN HERWAARDEN

texts Merel Bem, Gustan Asselbergs, Ludo van Halem, Caren van Herwaarden design Ruud Willems

24 x 28 cm 144 pages

fc illustrations

English | Dutch softcover with dustjacket

ISBN 978-94-92852-75-5

Spring 2023 €35.–

With the support of the Prins Bernhard Cultuurfonds / Elisabeth Vermaat Müller Fonds, Jaap Harten Fonds

| A publication that is close to the skin and won’t let you go.

| A collection of works on paper and watercolours, drawing, collages and sculptures.

| With text contributions by Merel Bem (author, lecturer, art historian, and copywriter), Gustan Asselbergs (philosopher, author, musician), and Ludo van Halem (art historian and curator).

Dutch artist Caren van Herwaarden uses a multimedia approach in her practice including works on paper and watercolours, drawings, collages, and sculptures. She is in search of finding the meaning of compassion, humanity, physicality, and erotica through her work. This results in art pieces that show strength in vulnerability, softness in mercilessness, and comfort in defeat. She focusses on bare beings, without any façade or frills. Because when in conflict, where you are not in control and the world is no longer feasible you must rely on others.

The artist’s work became darker, tangible, rawer, and more layered in the past years. To intensify the intimacy and the possibility to empathize she aims to create her work to be as physical and tangible as possible, to the point you can almost touch and smell it. This is exactly what TOUCH carries out, a publication that is close to the skin and won’t let you go.

This monograph is layered, sweltering, beastly, earthly, and raw, alternated by transparency, lightness, and simplicity of pencil drawings. The artworks interchange from light to ominous, dark, and monumental. From fast and hectic to forcibly slow-adagio.

CAREN VAN HERWAARDEN studied at the State Academy of Fine Arts in Amsterdam and AKI Academy of Art & Design. After graduating she worked at Leiden University in the anatomical collection to study the inside, the material from which we are built.

‘I have this lifelong fascination for the human body as a reservoir for our thoughts, doubts and fears.’

Caren van Herwaarden

‘It intrigues me that our body knows so much, also about the other. The memory and ‘intelligence’ do not only live in our brain. It is precisely the body, the skin, and the muscles that store memories.

Experiences are embedded in the body: the body memory. Our body can only tell our brain as much as our brain does to our body.’

Caren van Herwaarden

GABO

PORTRAIT OF A SCULPTURE PORTRET VAN EEN SCULPTUUR

editors Eleonoor Jap Sam, Dees Linders, Siebe Thissen, Patricia van Ulzen authors Carel Blotkamp, Toke van Helmond-Lehning, IEF Capital, Eleonoor Jap Sam, Dees Linders, Rutger Morelissen, Siebe Thissen, Patricia van Ulzen, Sjoerd Westbroek translation Marie Louise Schoondergang design 75B

printer Veldhuis Media B.V. partners Sculpture International Rotterdam, Beeldende Kunst & Openbare Ruimte (BKOR), CBK Rotterdam

26.5 x 20.7 cm 224 pages bl/w & fc illustrations

English | Dutch hardcover ISBN 978-94-92852-27-4 April 2022 € 30.-

With the support of Jaap Harten Fonds, Prins Bernhard Cultuurfonds / Breeman Tall Fonds and Mondriaan Fund

| An exploration of the sculpture’s relation to Rotterdam’s history and Gabo’s oeuvre.

| A recently completed restoration and the changing meaning of the sculpture in public space.

The spatial construction by Russian-American artist Naum Gabo from 1957 is one of the three key artworks making up Rotterdam’s unique international collection ‘Sculpture International Rotterdam’. Commissioned by department store the Bijenkorf, it is now situated in front of its building by architect Marcel Breuer, at the heart of the city on the Coolsingel. After a long-awaited restoration, this book describes the turbulent life of this artwork and its relationship with Rotterdam’s history.

The book opens with a foreword by Carel Blotkamp on Gabo’s place in the long tradition of interaction between architecture and sculpture. The prologue by artistic director of Sculpture International Rotterdam Dees Linders, explores the construction of meaning around this artwork. Next is the main text, written by art and culture historian Patricia van Ulzen, which researches into the origins and the reception of the sculpture on the Coolsingel from the very first conversations Gabo had with the management of the Bijenkorf in 1954 up until the unveiling ceremony in 1957. It includes the designing

Patricia van Ulzen

and production processes. The following interlude by Siebe Thissen traces the Bijenkorf’s interest in visual art back to 1917. Toke van Helmond-Lehning then unveils the friendship between Naum Gabo and Dutch writer, historian and anarchist Arthur Lehning. This publication also features observations by Rotterdam-based artist Sjoerd Westbroek and a poem by Hester Knibbe. Ethical, artistic and technical dilemmas are examined by researcher and specialist in conservation and restoration Rutger Morelissen. At the end, a timeline by Eleonoor Jap Sam intertwining important events in the life of Gabo and his artwork for the Bijenkorf. IEF Capital, the current owner of the construction by Gabo completes the book with a letter to the reader.

While living in different locations around the world, Gabo used his art to fight for freedom of thought and imagination. His sculpture stands the test of time and continues to absorb new meanings over and over again.

‘The Bijenkorf sculpture has no title and is an abstract work. But of course Gabo was regularly asked what it represented, to which he would often give the enigmatic answer that it was “the absolute representation of itself”.’

DOORWAYS

MICHIEL KLUITERS

photography Michiel Kluiters

text Maria Barnas, Steven Humblet editor Eleonoor Jap Sam design Mainstudio (Edwin van Gelder) printer Zwaan Lenoir

24 x 32 cm 128 pages

bl/w & fc illustrations

English softcover Swiss binding

ISBN 978-94-92852-60-1

September 2022 €32.–

With the support of Mondriaan Fund, Stichting Stokroos, Amsterdams Fonds voor de Kunst

| A collection of photographs exploring spatiality beautifully designed by Mainstudio.

With Doorways , visual artist Michiel Kluiters investigates how space (or spatiality) works in photography and how it can become an instrument for narration. A series of photographed spaces opens up a conversation and tells us intimate stories. These captured stills look like unfinished buildings or abandoned ruins, still under construction or already in decay. Are we looking at places that represent a possible dystopian future or the remnants of a utopian past? An oblique cinematic light collides with the walls of these spaces, suffusing them with a sense of mystery. Each depicted warped space conveys a feeling of confinement and introduces a temporal aspect – of something pointing towards a future completion or a lingering memory of an irrevocable past – which contributes to the inherent instability of these works.

MICHIEL KLUITERS (1971) is a Dutch visual artist. In his works he questions and reimagines the space that surrounds us and our relationship with it. Although his approach is quite diverse, photography is a constant. Structural elements of it, such as its reproducibility, its so-called transparency and its way of evoking spatiality are the foundation of his practice. As playful as Kluiters work might be, his aim is to question our idea of what it means to make the world visible through technological means. Or rather use photography’s very existence on the borderline between presence and absence to make something both visible and invisible at the same time.

RAABJERG by Danish artist Rune Peitersen explores the changing landscape of Northern Jutland (Denmark) from the last Ice Age until today. From the 16th century up to 19th century, violent sand drifts due to human activity and climate change have turned a once fertile landscape into a barren wasteland. Throughout the years, kings and elected parliaments have enacted laws in hopes of retrieving the original landscape. After two hundred years, they succeeded by reintroducing plants to the dunes. Nevertheless, this ‘success’ has transformed the landscape into a controlled state, especially suited for tourism. Today these dunes are considered ‘natural’ and efforts have shifted in preserving them. However, it is in the very nature of a landscape to constantly transform itself. How then can we preserve transition?

RAABJERG. RUNE PEITERSEN

text & photography Rune Peitersen

editor Eleonoor Jap Sam

design Mainstudio (Edwin van Gelder, Christian Knöpfel, Roberto Lenza) printer Zwaan Lenoir

22 x 28.5 cm 288 pages

bl/w & fc illustrations

English | Danish softcover Japanese binding

ISBN 978-94-92852-57-1

May 2022 €30.–

With the support of Mondriaan Fund, the Creative Industries Fund

| A look into the morphing landscape of Northern Jutland, Denmark.

| Accompanied by a film premiered at the Biennale für Aktuelle Fotografie in Mannheim, Germany in March 2022.

RUNE PEITERSEN (1971) now lives and works in Amsterdam and Brussels. He graduated with a BA from the Royal Academy in The Hague in 1999 and later received a MA from the Frank Mohr Institute in Groningen in 2001.

His work has been exhibited internationally. In his work, he attempts to identify and problematise some of the deep-rooted (visual) narratives and systems of thought that lie at the base of the construction of our contemporary societal structures. In recent years the starting point often involves two opposite positions within a given system, e.g. an observer and the observed. The relationship between these two is then used to describe the system itself.

‘During my childhood, the sand finally lost its grip on the landscape.’

Rune Peitersen

AS ABOVE, SO BELOW

NOORDA

Ruchama Noorda, Dick Hebdige design Sabine Verschueren

Wilco Art Books

With the support of Mondriaan Fund, Jaap Harten Fonds & Tijl Fonds/Prins Bernhard Cultuurfonds

| Includes a poster of the (woodcut) artwork Will of Nature (2011) by Ruchama Noorda.

| Beautifully designed with coloured book-edge finishing and linen cover.

As Above, So Below documents the work by Amsterdambased artist Ruchama Noorda over a twenty-year period and explores the esoteric system of belief that links her practice to the early 20th century Lebensreformers, the European avantgarde, and today’s no growth environmentalist movement. This book offers a comprehensive overview of the artist’s installations, drawings, videos, sculptures, and performances with written commentary by the artist and by California-based art and cultural critic Dick Hebdige. The reader is invited to enter Ruchama Noorda’s world where dreaming mirrors action, where life and work, prana and carnality, microcosm and macrocosm open into one another.

RUCHAMA NOORDA is an artist who uses a variety of media and materials in performances and installations. She graduated with a BFA from the Royal Academy in The Hague in 2002 and went on to complete her MFA at the Sandberg Institute in Amsterdam in 2004. She was awarded the Stroom Stimuleringsprijs (The Hague) in 2002, and the Hermine van Bers Prijs (Leiden) in 2007. In 2015 she was awarded a doctoral degree in the PhDArts program from the Academy of Creative and Performing Arts (ACPA) at the University of Leiden for research undertaken into the early 20th century Lebensreform movement.

DICK HEBDIGE is emeritus professor of Studio Art and Film and Media Studies at the University of California, Santa Barbara. His current research interests include media topographies, Desert Studies, installation art, sub/counter cultures and performative criticism. He has written extensively on contemporary art and design, media and cultural theory, popular music and subculture.

Photos: The Book Photographer

THIS NAKED INCIDENT

authors Alexander van der Heide, Nathalie Hartjes, Sander Coers photographer Sander Coers editors Florian Cramer, Michelle Teran, Nathalie Hartjes translation Jason Coburn design Hoax printer NPN Drukkers partners MAMA, Willem de Kooning Academie research centre

22.5 x 26 cm 124 pages

bl/w & fc illustrations

English | Dutch softcover open spine

ISBN 978-94-92852-50-2 December 2021 €30.–

| A book by hair & make-up artist and art director Alexander van der Heide and photographer Sander Coers.

| A conversation on masculinity’s definitions, experiences, and expressions through texts and images.

| An attempt to find oneself and to understand what masculinity is outside stereotype imposed limits.

The book project started from a conversation between the authors and five peers, all assigned male at birth in an attempt to understand what masculinity actually is. It is a dive into the place masculinity holds in today’s young people lives. There are moments, set by places and people around us, that leave room for a more flexible way of expressing ourselves. Through text and images collected over a period of three months, Alexander van der Heide and Sander Coers conclude that masculinity is not rigid but rather performative. The outcome is a collection of portraits that capture the fluidity of the subject’s masculinity. Included are a personal introduction by the makers, an in-depth essay exploring notions of masculinity, the short story ‘the Barbershop’ and an epilogue by Nathalie Hartjes, director of MAMA.

ALEXANDER VAN DER HEIDE (1998) is currently working both as a curator for VISIONARY Agency in Amsterdam and as an independent creative producer and make-up artist. Specialised in fashion photography, he has collaborated with Vogue China, de Bijenkorf, Mirror Mirror Magazine and G-star. He has a BA in Art & Design from the Willem de Kooning Academie in Rotterdam.

SANDER COERS (1997) is a Rotterdam-based photographer and the recipient of the Ron Mandos Photo Talent Award 2021. By investigating identity and heritage through stories told in colourful, and seductive stills, he attempts to visualise through his work memories evoked by echoes of his youth days. He crafts melancholic, romantic and dream-like realities reflecting his own personal stories and those of his contemporaries.

‘You act in your environment, and then you take the masculine form of your environment.’

|

|

STATIONS LISTENING TO THE DEEP EARTH

editors Stuart Hyatt, Janneane Blevins, W Benjamin Blevins design PRINTtEXT printer Graphius

15.2 x 21.6 cm 180 pages bl/w & fc illustrations English hardcover digital download card

ISBN 978-94-92852-35-9

April 2022 €25.–

The essential companion to Field Works album Stations including a digital audio download card.

| A collection of multiple voices and polyphonic ways of knowing.

A hymn of what the Polar North sounds like encouraging us to listen to its magical sounds.

Under commission by the Anchorage Museum and the National Geographic Society, Stuart Hyatt explores what the Polar North sounds like by recording its earthly sounds. The book is divided according to stages of a transcendent psychological journey: Invocation, Reverie, Rhapsody and Quieting. With colourful illustrations, photographs and a digital audio we are guided into listening to Earth’s sounds.

In Invocation Hanna Benn transcribes a leitmotif of her vocal duet with the planet while Ashon Crawley opens up the landscape with a hymn. Followed by a vibrant precolonial tectonic report from the Andes by Gustavo Valdivia, in Reverie Paige Lewis unfolds a quantum fantasia atop pixelated spectrograms.

To make sense of both familiar and strange topographies, Joan Naviyuk Kane, Kashina and Ishmael Angaluuk Hope explore sensory terrains in Rhapsody.

In Quieting Anaïs Duplan and Laraaji listen to newly found harmonies and dissonances. As a conclusion, Debi Kilb and a consortium of seismologists offer a postlude foundation built on hard science.

With contributions by: Hanna Benn, Hanna Craig, Ashon Crawley, Anaïs Duplan, Ishmael Angaluuk Hope, Joan Naviyuk Kane, Kashina, Debi Kilb, Lraaji, Thomas Lecocq, Paige Lewis, Enrique Ramirez, Gustavo Valdivia.

ALSO AVAILABLE

METAPHONICS

THE FIELD WORKS LISTENER’S GUIDE

www.printtext.co www.stuarthyatt.org

‘I knew the Earth could shout, but could it also whisper?’ Stuart Hyatt

BLIND DATE WITH THE FUTURE STEFANIE ZOCHE / HAUBITZ + ZOCHE

authors Stefanie Zoche, with Ann-Katrin Günzel, Franziska Kunze, Stefan Rahmstorf, Jens Soentgen photographers Stefanie Zoche, Sabine Haubitz / Haubitz + Zoche

editor Eleonoor Jap Sam translation A llison Moseley design COCCU Studio (Christian Lange)

16 x 24 cm 256 pages

illustrations

softcover perfect binding ISBN 978-94-92852-73-1

| In conjunction with an exhibition at Pinakothek der Moderne, Munich (DE).

| Beautifully designed by COCCU Studio (Christian Lange).

| With text contributions by Dr. Ann-Katrin Günzel (art historian, author, guest editor of Kunstforum), Dr. Franziska Kunze (art historian, curator at Pinakothek der Moderne),Prof. Stefan Rahmstorf (oceanographer and climatologist at Potsdam Institute for Climate Research, Professor at Potsdam University) and Dr. Jens Soentgen (chemist, philosopher, head of the Augsburg Science Centre).

German duo Haubitz + Zoche were among the first artists in Germany to address climate crisis in their work. The book Blind Date with the Future gives a comprehensive overview of the artistic projects on ecological issues such as sea level rise or dwindling resources that they have realised between 2006 and 2022. In the context of current climate debates their oeuvre is becoming increasingly relevant.

An art-historical essay by Ann-Katrin Günzel and an interview between Franziska Kunze and Stefanie Zoche provide background information on the artworks. The text section is supplemented by two scientific essays: Stefan Rahmstorf, one of the leading climate researchers, summarizes the current state of knowledge about sea-level rise, while Jens Soentgen offers a philosophical-scientific reflection on the mobilization of matter in the Anthropocene.

STEFANIE ZOCHE (1965) and SABINE HAUBITZ (1959–2014) worked together for sixteen years. After Haubitz’ death in 2014, Zoche has continued the work in her own name. As an artist duo they worked with a variety of media such as photography, video, sculpture, and installation, reflecting on urban space, architecture, and the element water. In later years of their collaboration, climate crisis and other ecological issues became the focus of their work. Meanwhile Stefanie Zoche has turned her attention to sand as a dwindling resource and is currently working on alternative building materials to cement. Haubitz + Zoche were represented at the Havana Biennial in 2012. In 2007 they received the German Photo Book Award for Sinai Hotels , in 2016 the German Architecture Photo Book Award for Hybrid Modernism .

‘Artistic reflections on climate crisis and scarce resources in the age of the Anthropocene.’

FUTURE CITIES STORIES BEHIND THE STATISTICS OF URBANIZATION AND GROWTH

author Stephanie Bakker photographer Yvonne Brandwijk editors Stephanie Bakker, Eleonoor Jap Sam translation Mark Baker design Kummer & Herrman printer NPN Drukkers

23 x 28 cm 248 pages

fc illustrations

English softcover with flaps

ISBN 978-94-92852-49-6

April 2022 €39.95

With the support of Creative Industries Fund NL, the Van Eesteren-Fluck, Van Lohuizen Foundation

| Five years of travel to five of the fast-growing cities in the world: Kinshasa, Lima, Yangon, Meddellín and Addis Ababa.

| Insights on urban development beyond statistics and into an intimate window on what it takes to develop inclusive cities.

| Featured in an exhibition commissioned by the United Nations and in an award-winning interactive documentary.

By 2050 more than 70% of the world’s population will be living in urban areas. Cities in Africa, Latin America and Asia in particular are growing like never before. Photographer Yvonne Brandwijk and journalist Stephanie Bakker embarked on a journey to five of the up-and-coming cultural, creative and economic hubs of tomorrow: Kinshasa, Lima, Yangon, Medellín and Addis Ababa. The publication is the result of five years of memories, documentations, adventures and research. The reader is invited to plunge unprepared into different cities and situations, roam around them freely and with an open mind, discover the strengths of each city.

Stephanie Bakker and Yvonne Brandwijk teach us to look into small-scale projects that could grow into something big, into ordinary people with extraordinary stories. The personal stories of these people open an intimate window and provide insights into what it takes to develop inclusive cities that offer space for unique individuals and personal growth.

Stories from the Future Cities project have appeared across a wide range of international media (including newspapers de Volkskrant, die Welt, El Pais, Le Monde, de Morgen ). The interactive documentary won a World Press Photo Award for Digital Storytelling and the exhibition commissioned by the Unites Nations was created for the Habitat III summit in Quito, Ecuador.

‘We found that culture isn’t a luxury, but a necessity: essential in creating a city that is sustainable, authentic and inclusive.’

Photos: Kummer & Herrman

THEORY

URBANISM

JAUNE, GEEL, GELB, YELLOW. MONOCHROME. ANTONIS PITTAS

editors Lisa Bakker, Eleonoor Jap Sam

authors Antonis Pittas, Maria Barnas, I.K. Bonset, Laurie Cluitmans, Johan F. Hartle, Dirk van den Heuvel, Bram Ieven, Bruno Latour, Thalia Ostendorf, Bart Rutten & Doris Wintgens

translations Lisa Bakker (D/E), Michael Meert (F/E), Robert van de Walle (D/E) design Alex Farrar printer die Keure

10 x 20 cm 768 pages two-colour printing open spine softcover safety foil English | Dutch | French ISBN 978-94-92852-44-1 January 2022 €37.–

With the support of the Mondriaan Fund, Creative Industries Fund NL, Jaap Harten Fonds, Centraal Museum, Reflexfolie, Sign & Safety

| A multilingual reflection on the failing of modernity and an exploration of acts of resistance.

| Type fonts extracted from street signs in France, the UK, the Netherlands and Germany.

| A fluorescent “brick” with reflective foil, coloured book-edge finishing and silver / safety yellow twocolour printing.

|

Includes a removable silver sticker sheet for the cover.

jaune, geel, gelb, yellow. Monochrome discusses the failure, collapse and historicisation of the modernist ideals embraced by Theo van Doesburg, set against the current political backdrop of mass protest. The book is an extension of Antonis Pittas’ artist-in-residence experience at the Van Doesburghuis, which coincided with the yellow vests protests. There, Pittas turned the house into a performative murder crime scene of modernity.

The book is characterized by a reflective yellow foil, generally used for traffic barriers and road signs. The material evokes associations with danger, visibility, warning, protection, toxicity, safety and control. It features photographs taken by Pittas printed in silver on safety yellow-tinted paper. The title jaune, geel, gelb, yellow. Monochrome. is borrowed from van Doesburg’s Dadaist magazine Mécano , published about 100 years ago.

‘Modernist architecture is particularly indebted to the idea of an environment that can bring about changes, especially in human behaviour.’

Antonis Pittas

‘This paradox or dilemma is what interests me: How something intended to improve the status quo can turn into its opposite, and how, in reverse, destruction can become constructive.’

Antonis Pittas

The book concept by Antonis Pittas, brings together writers from different fields with contributions by: (poet) Maria Barnas, (poet) I.K. Bonset, (curator Centraal Museum) Laurie Cluitmans, (philosopher) Johan F. Hartle, (architect) Dirk van den Heuvel, (philosopher) Bram Ieven, (sociologist) Bruno Latour, (social anthropologist) Thalia Ostendorf, (artistic director Centraal Museum) Bart Rutten, (curator) Doris Witgens.

ANTONIS PITTAS (1973) is a Greek Amsterdam-based visual artist and honorary fellow of the Faculty of Humanities at the University of Amsterdam. His research at the university falls under the heading Recycling History (Historicising the Contemporary) . Pittas’ artistic practice mainly explores contemporary social and political issues via acts of resistance, violence, vandalism and control.

The Book Photographer

REUSE TO REDUCE ARCHITECTURE WITHIN A CARBON BUDGET THE CASE OF BIOPARTNER 5 POPMA TER STEEGE ARCHITECTS

editor Jan Willem ter Steege texts Aaron Betsky, Mantijn van Leeuwen, Josse Popma, Jan Willem ter Steege design Tariq Heijboer printer Raddraaier partners Popma ter Steege Architects, Stichting BioPartner

19.5 x 27,5 cm 192 pages

Fc & bw illustrations

English softcover

ISBN 978-94-92852-79-3 Winter 2022 € 29.90

With support of Creative Industries Fund NL, Municipality of Leiden, University of Leiden

| BioPartner 5: New lab building shows potential for largescale reuse of building materials.

| A building as a statement on sustainability.

BioPartner 5 at Leiden Bio Science Park is the first Paris Proof building in the Netherlands. Popma ter Steege Architecten (PTSA) designed the business building with offices, laboratories, and meeting facilities as a gathering place for the campus.

The architects developed a design for a demountable building and a host of ideas to reduce the consumption of raw materials, energy, and water. This included a strategy of scouting out potentially reusable materials in the course of the design process and purchasing them themselves. That this would lead to the purchase of the entire main supporting structure from used steel was not foreseen at the time.

The new Biopartner 5 laboratory at the Leiden Bio Science Park was constructed from as much as 165,000 kg of steel that had formed the base of a nearby university building for 50 years. The steel was dismantled, moved 750 metres, processed on site, and then rebuilt as a 'donor skeleton' for the new building. Through its unique scale and method, BioPartner 5 shows the promise of large-scale reuse in construction. From the entire reused steel supporting structure to the internal walls, from the floor finish to the toilets.

Reuse to Reduce shows the future of architecture through the process of building the new Biopartner 5 laboratory.

Popma ter Steege Architects view the pressing challenges facing the world as an inseparable part of their work. Design-wise, the PTSA investigates the new aesthetics of circular building. In recent years, they have worked on various progressive tasks. From energy-neutral renovation to a circular product label. With their Nucleus Building, they won the 2019 Rhineland Architecture Prize.

“No longer is a building a monument to one institution or person, and no longer is it a sink of materials. It is rather a celebration of what human beings have made until then, and an opening towards the possibility of new ways of living within the ruins and scaffolding we create today.”

Aaron Betsky

The woods and heaths north of Arnhem have been the scene of many military activities. What once was an exercise ground for field artillery, became during the Second World War one of the largest military airfields in occupied territory. To prevent recognition from the air, the German Luftwaffe built hundreds of buildings designed as farmhouses and barns to blend into the existing landscape. During the Cold War new buildings were added and large areas of the northern Arnhem edge are still inaccessible to the general public today. Since 2007, almost 200 buildings have been preserved and have become part of one of the largest listed sites (rijksmonumenten) in the Netherlands. The included historical photographs, GPS coordinates and maps are for curious readers who wish to embark on a journey through a forbidden landscape.

VERBODEN LANDSCHAP

SPOREN EN VERHALEN VAN EEN DUITSNEDERLANDS CULTUURLANDSCHAP

author Hans Jungerius

editors Caro Delsing, Eleonoor Jap Sam photography Hans Jungerius cartography Catalogtree design since 1416 – creative studio printer ORO Grafisch Project Management

14.8 x 21 cm 248 pages Dutch softcover ISBN 978-94-92852-59-5

July 2022 €24.50

With the support of Mondriaan Fund, Provincie Gelderland, Gemeente Arnherm, ARK Natuurontwikkeling, Stichting Verborgen Landschap

| The zero issue of the OtherGuides series edited by Hans Jungerius.

| A guide along the traces that tell the story of a hidden military landscape in the woods of Arnhem.

| Includes historical photographs, GPS coordinates and a map.

HANS JUNGERIUS (1969) is a Dutch artist and explorer. Due to his interest in landscape and history, he organises projects and excursions in the Netherlands and abroad. Jungerius also did two television series entitled StraalVoorbij (‘right past’ in Dutch) about places we walk past by without noticing. He is also the initiator of the repurposing of two former sites of the Ministry of Defence along the northern edge of Arnhem as a creative and working area known as Buitenplaats Koningsweg.

OTHERGUIDES is a series of books to encourage readers to explore little-known regions, often with a still young history. In combination with photographs and maps, the untold stories of these landscapes form an intriguing whole and are witnesses of the ever-changing and unpredictable roles between humans and their surroundings. The series lets the reader experience what other travel literature prefers to remain silent about.

What is inspiration? What inspires you? How does inspiration move? How do we constantly inspire each other? How does creative inspiration itself change through each unique personal experience? Designer Anna Bates attempts to answer these questions with a glance into the inspirational impulses essential to creative work processes. The project started by asking one architect to create their own work following a stimulus given by Theo Van Doesburg’s painting The Rhythm of a Russian Dance. The work would then be passed on to other architects, who in turn would draw inspiration from it for their own subsequent work. Weaving an ever-growing web of conversations, interplay and inspiration, the chain began in 2017 with the work by American architect Gary Bates of Space Group. The project was exhibited at the Aedes Architecture Forum in Berlin (2019). The 111 architects involved in the project contributed through paintings, sketches, photographs, architecture pieces and even poetry.

Contributions by: Ada Tolla & Giuseppe Lignano, Adrien Verschuere, Alexander S. Brodsky, Alexandre Loureiro, Alvaro Puntoni, Andra Matin, Anna Puigjaner, Anne Holtrop, Antón García-Abril, Armando Ruinelli, Arno Brandlhuber, Aslı Çiçek, Barbara Bestor, Bet Capdeferro & Ramon Bosch, Bettina Götz, Bijoy Jain, Bostjan Vuga, Carla Juaçaba, Catie Newell, Charlotte Truwant & Dries Rodet, Christian Kerez, Clark Thenhaus, Clemens Bortolotti, Daniel Norell & Einar Rodhe, David Kohn, Derek Dellekamp, Dieter Dietz, Do Ho Suh, E. V. Day, Ferda Kolatan, Filipe Madeira, Florencia Pita, Francisco Cifuentes, Frank Barkow, Freek Persyn, Gary Bates, Gilles Delalex & Yves Moreau, Go Hasegawa, Hernán Díaz Alonso, James Shen, Jan De Vylder, Jan Edler, Jan Olav Jensen, Jean Pierre Crousse, Jennifer Bonner, Jing Liu, Job Floris, Johannes Käferstein, Johannes Robbrecht, Jon Lott, Jonathan Sergison, Jürgen Mayer H., Jun’ya Ishigami, Kivi Sotamaa, Leonid Slonimskiy, Lina Ghotmeh, Luis Callejas, Lyndon Neri & Rossana Hu, Makoto Tanijiri, Manuel Aires Mateus, Magui Peredo & Salvador Macías, Marcelyn Gow, Marie-José Van Hee, Marina Tabassum, Mark Foster Gage, Mark Lee, Mauricio Rocha, Michael Meredith, Michael Young, Minsuk Cho, Moon Hoon, Nader Tehrani, Neil M. Denari, Neyran Turan, Níall McLaughlin, Niklaus Graber, Oana Stănescu, Patrícia Barbas, Paula Santos, Paulo Providência, Peter Stutchbury, Pieterjan Gijs, Rainer Köberl, Renato Rizzi, Ricardo Bak Gordon, Ricardo Flores, Rick Joy, Rozana Montiel, Rui Mendes, Sam Chermayeff, Sam Jacob, Sami Rintala, Sheila O’Donnell & John Tuomey, Simon Hartmann, Sou Fujimoto, Stéphanie Bru & Alexandre Theriot, Susanne Fritzer, Tatiana Bilbao, Thomas Mennel, Tod Williams & Billie Tsien, Tom de Paor, Tom Emerson, Tom Wiscombe, Toni Gironès, Tuomas Toivonen, Ulrika Karlsson, Volkan Alkanoglu, Volker Giencke, Walter Angonese, William O’Brien, Winka Dubbeldam, Yang

‘In a handmade sketch you directly open up the reservoir of memories, ideas, images and fantasies, and space for research and exploration emerges.’

‘During drawing, a new reality unfolds on paper. You create a world of your own, without rules or laws of others. For me, drawing equals experiencing total freedom.’

Bob Custers

THE JOY OF DAILY DRAWING BOB CUSTERS

drawings Bob Custers

texts Renate Boere, Eleonoor Jap Sam, Liesbeth van der Pol, Bob Custers

translation Robert van de Walle design Studio Renate Boere printer ORO Grafisch Project Management

13.8 x 18.4 cm 608 pages

bl/w & fc illustrations

English | Dutch softcover ISBN 978-94-92852-61-8

Winter 2022 €24.50

| An inspiring call to keep drawing!

Bob Custers is architect and founder of VOCUS Architecten. In The Joy of Daily Drawing. Bob Custers , he shows a unique and complete development in drawing of 50 years, in which the growth from child to adult architect can be seen. The result is a book of more than 600 pages that contains a wealth of images, texts and insights. The book shows the value of daily drawing as a means of reflection, introspection and research, but above all contains an inspiring message for young designers and architecture students who are at the start of their development: keep drawing!

With contributions by Eleonoor Jap Sam (preface), Liesbeth van der Pol (epilogue), Renate Boere (interview with Bob Custers).

BOB CUSTERS (1968) is a Dutch architect and founder of VOCUS Architecten. He works as an independent architect, freelance illustrator and painter.

The province of Gelderland in the Netherlands inherits many castles, country houses and estates. Together they form historic estate landscapes that partially determines the regional character. Urbanism and climate change have had significant effects on its protection and management. An abundance and a shortage of water, spatial fragmentation and increasing pressure from recreation and tourism are only a few of the challenges that need to be addressed. The complexity of such challenges requires a regional perspective to fully comprehend the coherence and systematic relationships between the estates and to help find common ground in which stakeholders can work together to increase the resilience and adaptability of these valuable landscapes.

Resilient Estate Landscapes Gelderland offers a landscapebased regional approach to understanding, planning and designing heritage landscapes. It elaborates a preservationthrough-planning approach that takes spatial development

with historical landscape structures as a basis. It aims at engaging stakeholders in a meaningful process of visualisation/ communication to invent spatial strategies and principles founded on co-creation and collaboration while employing spatial design as an essential means. As a powerful roadmap for the protection and development of future-proof estate landscape, the presented practice-oriented approach has implementations in policy, planning and design. By showcasing best practices in the region and beyond, this publication is a valuable resource for anyone interested in the past, present and future of heritage estate landscapes.

Resilient Estate Landscapes Gelderland results from a collaborative project of TU Delft Landscape Architecture, the Province of Gelderland and heritage organization Gelders Genootschap in the framework of the Characteristic and Sustainable Heritage programme (KaDEr) and the EU-Interreg project Innocastle.

The interior is fundamental to architecture. Regardless of its scale, it is informed and shaped by ideas. These ideas appear in architecture in the great variety of interiors that we assume as public: those spaces within which we consider ourselves as free individuals, within which we are among others and are conscious of our place in society and in the world. Public interiors have been designed to affect and condition our consciousness, our behaviour and our relation to others and to authority. During the course ‘The Architecture of the Interior’ at TU Delft, Mark Pimlott gave a series of lectures on the public interiors in the West through history, focusing on significant ideas that have contributed to their realisation and reception. Based on this series of lectures called ‘Fundamentals’, Pimlott proposes six interpretative themes – the Garden, the Palace, the Ruin, the Shed, the Machine and the Network – through which public interior could be considered. The chosen examples form a kind of canon and submitted to the context of these themes, they offer a further interpretation of the public interior as manifestations of ideas inscribed within material culture.

Brought up in Montréal (Canada) MARK PIMLOTT (1958) is an artist, architectural designer and writer whose practice encompasses installation, photography, film, art for public spaces and architecture: particularly interiors. He is assistant professor of architectural design at TU Delft’s Chair of Interiors Buildings Cities. Pimlott is the author of Without and within: essays on territory and their interior (episode publishers, 2007) and In passing: Mark Pimlott photographs (Jap Sam Books, 2010). Numerous journals of architecture have published his articles and essays. Among his realised work: Neckinger Mills, London (1988; 1994); Red House interiors,

THE PUBLIC INTERIOR AS IDEA AND PROJECT

author Mark Pimlott

editor Eleonoor Jap Sam

SJG (Joost Grootens, Silke Koeck, Simon Ruaut) printer ORO Grafisch Project Management

‘Pimlott’s understanding of the interior is broad: everything from the borders of a nation to a garden, a temple, a room, a shopping mall or a city. His categories of interiors — Garden, Palace, Ruin, Shed, Machine and Network — are enough in themselves to provoke and the book is a fascinating and readable study of how the public interior shapes our everyday existence and articulates the nature of the society that builds them.’

Edwin Heatcote

London (2001; 2004; 2011; 2014) in collaboration with Tony Fretton architects; La scala, Aberystwyth (2003) and World, a public square at BBC’s Broadcasting House in Central London (2013). Pimlott’s work has also been exhibited solo at Studiolo and 1995 (Todd Gallery, London, 1995/1998); All things pass (Stroom, The Hague, 2008). His installation Piazzasalone in collaboration with Tony Fretton was shown in the Corderie dell’Arsenale at the 12th International Architecture Biennale in Venice.

|

PRIX

ROME

editors Noura Habbab, Eleonoor Jap Sam, Hyun Vin Kaspers & Dominique Geelen texts Marieke Berkers, Syb Groeneveld, Noura Habbab, Mark Minkjan

keynote text Ola Hassanain translation Marie Louise Schoondergang design Lesley Moore printer NPN Drukkers

partners Mondriaan Fund, Creative Industries Fund NL, Prix de Rome, Het Nieuwe Instituut

17 x 24 cm 156 pages

fc & bw illustrations

Dutch | English softcover

ISBN 978-94-92852-64-9

December 2022 €15.-

| The oldest award in the Netherlands for talented visual artists and architects.

Prix de Rome 2022 Architecture was organized by the Mondriaan Fund in close collaboration with the Creative Industries Fund NL, and Het Nieuwe Instituut, on behalf of the Dutch Ministry of Education, Culture and Science.

| With a keynote essay by Ola Hassanain, who leads a critical spatial practice as a visual artist and trained architect. In her work, she focuses on the subtle politics of space—namely, how built spaces react to and reinforce violence from state entities.

| The nominees are Arna Mačkić, Dividual (Andrea Bit and Maciej Wieczorkowski), Lesia Topolnyk, and Studio KIWI (Kim Kool and Willemijn van Manen).

The theme of Prix de Rome 2022 Architecture is Healing Sites .

In a time where labour issues and climate issues go hand in hand, this edition of the Prix de Rome Architecture calls to rethink and redesign spatial practices. Architecture has been complicit in establishing the ecocidal legacies of capitalism, colonialism, and imperialism. How can architects, urbanists, and landscape architects reflect upon and rearticulate the way they work in undoing these legacies?

The international jury of the Prix de Rome (Carson Chan, Alessandra Covini, Afaina de Jong, Jan Jongert, and Dirk Sijmons, technical chair Syb Groeneveld) has selected four nominees out of 53 anonymous entries for the shortlist of Prix de Rome Architecture.

PRIX DE ROME 2019

Beeldende Kunst / Visual Arts Mirjam Beerman & Eleonoor Jap Sam [eds.]

ISBN 978-94-92852-16-8

With contributions by: Sascha Bronwasser (keynote essay), Maarten Buser, Brenda Tempelaar, Sophia Zürcher, Mirjam Beerman & Eelco van der Lingen

PRIX DE ROME 2021

Beeldende Kunst / Visual Arts Mirjam Beerman & Eleonoor Jap Sam [eds.]

ISBN 978-94-92852-45-8

With contributions by: Rein Wolfs (keynote essay), Dagmar Dirkx, Esmee Postma, Mirjam Beerman & Eelco van der Lingen

www.mondriaanfonds.nl www.stimuleringsfonds..nl www.prixderome.nl www.hetnieuweinstituut.nl

UPCOMING FOOTPRINT 30 EPIPHYLOGENETIC TURN AND ARCHITECTURE: IN (TERTIARY) MEMORY OF STIEGLER

editors Robert A. Gorny, Andrej Radman

978-94-92852-40-3

FOOTPRINT 31 OPEN ARCHITECTURE: TRADITION, POSSIBILITIES AND SHORTCOMINGS

editors Jorge Mejía Hernández, Esin Komez Daglioglu

FOOTPRINT 32 RETHINKING THE ARCHITECTURE OF DWELLING IN THE DIGITAL AGE

editors Nelson Mota, Dirk van den Heuvel

FOOTPRINT 29

THE ARCHITECTURE OF POPULISM: MEDIA, POLITICS, AND AESTHETICS

issue editors Léa-Catherine Szacka, Salomon Frausto production editors Stavros Kousoulas, Andrej Radman, Aleksandar Staničić

editor Heleen Schröder

editor Lila Athanasiadou

Architecture Theory Chair, Faculty of Architecture and The Built Environment, Delft University of Technology

x 25.7 cm 168 pages

softcover

978-94-92852-39-7

architecture

theory

of conceptual frameworks and methods

critical and reflexive texts.

‘This number, the twenty-ninth, of Footprint explores architecture’s intersection with media, politics, and aesthetics through the lens of populism.

recent years, the link between architecture and populism has resurfaced in the form oh heated polemics.’

29 aims at exploring the architectural relations to populism intended as the political approach that strives to appeal to the “common” public. It examines architecture’s intersection with media, politics and aesthetics. From Nazi Germany to Trump’s presidency the use of architecture and its relationship with ideologies is reflected upon, as well as how architectural aspirations are reshaped in the light of different populist ramifications. This issue is an open inquiry into how architecture has been instrumentalised as a propaganda tool and how it has changed in accordance with social, economic and political determinants. Including both traditional and visual essays, it ends with an interview to Mary McLeod.

ALSO AVAILABLE

Footprint 28 All is in Formation: Architecture, Cybernetics, Ecology Stavros Kousoulas, Dulmini Perera [eds.] ISBN 978-94-92852-38-0

Footprint 27 Conflict Mediations Aleksandar Staničić, Marc Schoonderbeek, Heide Sohn, Armina Pilav [eds.] ISBN 978-94-92852-29-8

Footprint 26 The Architecture Competition as ‘Contacts Zone’: Towards a Historiography of Cross-Cultural Exchanges Jorge Mejía Hernández, Cathelijne Nuijsink [eds.] ISBN 978-94-92852-19-9

Footprint 25 The Human, Conditioned Víctor Muños Sanz, Dan Handel [eds.] ISBN 978-94-92852-18-2

Footprint 24 The Architecture of Housing after the Neoliberal Turn Nelson Mota, Yael Allweil [eds.] ISBN 978-94-92852-08-3

Footprint 23 The Architecture of Logistics Negar Sanaan Bensi, Francesco Marullo [eds.] ISBN 978-94-92852-07-6

Footprint 22 Exploring Architectural Form: A Configurative Triad Stavros Kousoulas, Jorge Mejía Hernández [eds.] ISBN 978-94-90322-98-4

Footprint 21 Trans-Bodies / Queering Spaces Robert Gorny, Dirk van den Heuvel [eds.] ISBN 978-4-90322-92-2

Footprint 20 Analytic Philosophy and Architecture Approaching Things from the Other Side Karan August, Lara Schrijver [eds.] ISBN 978-4-90322-84-7

Footprint 19 Spaces of Conflict Marc Schoonderbeek, Malkit Shoshan [eds.] ISBN 978-94-90322-72-4

Footprint 18 Constellation of Awakening: Benjamin and Architecture Patrick Healy, Andrej Radman [eds.] ISBN 978-94-90322-64-9

Footprint 17 The ‘Bread & Butter’ of Architecture Nelson Mota, Ricardo Agarez [eds.] ISBN 978-94-90322-61-8

The book is divided into three sections: a first exploration of background and characteristics of polder areas guides the reader to a mapped overview of global and regional polder landscapes. Some of these landscapes are then selected, analysed and described by local experts. Polder Landscapes of the World aims at providing insights into regional variations and the challenges they face because of intensive cultivation and habitation. The landscapes are addressed as cultural expressions rather than just a mere result of water engineering. These areas were usually reclaimed for people to work and live there, establishing landscapes with a rich variety of cultural identity and special, functional, ecological characteristics.

Examples include: Beemster (The Netherlands), San Joachim Delta (USA), Nile Delta (Egypt), Lammefjord (Denmark), Hachirogata polder (Japan), Ning Shao Plain (China), Vistula Delta (Poland), Holland Marsh (Canada), the East Anglian Fenland (UK) and more.

POLDER LANDSCAPES OF THE WORLD

editors Steffen Nijhuis, Bart Schultz & Michiel Pouderoijen design Thomas Soete

24 x 30 cm 224 pages

English hardcover

ISBN 978-94-92852-06-9 Spring 2023 €39.50

With the support of Delft University of Technology, Creative Industries Fund NL

|

| An exploration of polder landscapes as cultural expressions.

An open perspective on polder’s problematic situations of intensive cultivation and habitation.

| An overview via geo-information technology of global and regional polder landscapes.

The book presents the pending architecture throughout Athens. It engages the spectator in a process of viewing parts of the void in the history of the city under an architectural, social and political light. The skeletons of polykatoikia are emblematic of the development of modern Greece throughout the second half of the 20th century. By treating the unfinished buildings as study objects, the book deals with the politics of urban space. A different chronicle of the development of modern Athens is built with photographs, archival documents and found artefacts. The contributions by Brooke Holmes, Olaton Issaias and Elpida Karaba critically reflect on the phenomenon from different perspectives. This atlas introduces a method for extracting forgotten memories and hidden structures, suggesting an alternative reading of the city.

[UN]FINISHED

ATLAS OF ATHENS’ INCOMPLETE BUILDINGS – A STORY OF HIDDEN ANTIMONUMENTS

authors & editors Maria Lalou, Skafte Aymo-Boot texts Elpida Karaba, Brooke Holmes, Platon Issaias translation Danai Kapranou, Dimitris Philipoupolitis, Theofilos Tramboulis, Tania Theodorou design Sam de Groot

19.5 x 27.5 cm 288 pages bl/w & fc illustrations English | Greek hardcover ISBN 978-94-92852-26-7 Winter 2022 €30.–

With the support of the J.F. Costopoulos Foundation and the Danish Arts Foundation

| The project has been presented at many institutions such as Princeton University.

MARIA LALOU (1977) is a Greek artist based in Amsterdam and Athens. Her work focuses on the topic of 'viewing' trhough large-scale instatllations, performances and publications. She holds a BSc in Product Design and Architecture from the Technical Institute of Athens and a BFA from the Gerrit Rietvield Academie in Amsterdam. In 2020 she founded together with Skafte Aymo-Boot the platform cross-sectionarchive in Athens.

SKAFTE AYMO-BOOT (1970) is a Danish architect. After working at VMX Architects in Amsterdam, he co-founded in 2009 NEZU AYMO architects. He works in the field of conjunction between the strictly architectural and the strong idea, with a focus on program and material. The overlap of theoretical and practical in his work has been leading AymoBoot to numerous collaboration projects - in particular with visual artists.

www.un-finished.org www.nezuaymo.com www.reaction-lalou.com www.cross-section-archive.org

ROLLABLE RAMBLINGS KOEN TASELAAR

artist Koen Taselaar initiative Block C, Groningen text Katalin Herzog translation Jenny Wilson design Team Thursday printer Zwaan Lenoir

24 x 32 cm 164 pages softcover, Japanese binding bl/w & fc illustrations English | Dutch ISBN 978-94-92852-48-9 €30.–

REPAIRING EARTHQUAKE PROJECT 2011-2021

concept & artist Nishiko editors Nicola Kirkaldy, Patrick M. Lydon, Nishiko text contributors Philip Peters, Yuu Takehisa translation Roxane van Beek, Nicola Kirkaldy, Nishiko design Janneke Hendriks, Sepus Noordmans printer Graphius

16.5 x 24 cm 272 pages softcover numerous fc illustrations English | Japanese ISBN 978-94-92852-12-0 €30.–

BOOKS

111 INCEPTION . Anna Bates

[E] ISBN 978-94-92852-47-2 €25,169 Klushuizen. Van experiment naar instrument Annemarie Sour [ed.]

[D] ISBN 978-90-5973-116-5 €25.-

56 Beaver Str. Erik Wesselo, J.M. Edwards

[E] ISBN 978-90-5973-056-4 €29.50

A Colour Has Many Layers . Liesbeth Piena Mirjam Westen [ed.]

[E/D] I SBN 978-94-92852-41-0 €20.–

Sieger White Award 2020

A Critical History of Media Art in the Netherlands Platforms, Policies, Technologies Sanneke Huisman, Marga van Mechelen [eds]

[E] ISBN 978-94-92852-14-4 €39.95

A E I OU. Articles, Essays, Interviews and Out-takes by Tony Fretton

[E] ISBN 978-94-90322-70-0 €27.50

A Decade of Country Hits. Art on the Rural Frontier Richard Saxton, Margo Handwerker [eds]

[E] ISBN 978-94-90322-40-3 €35.-

A Fair Share of Utopia

[E] ISBN 978-94-92852-34-2 € 15.-

A Schelde Riverscape. Vlassenbroek Broekkant Wapke Feenstra (Myvillages), Ronald van de Sompel

[D/E] ISBN 978-94-90322-55-7 €24.50

A Short History of Dutch Video Art. Una breve historia del video arte en Holanda Sebastián López [ed.]

[E/S] ISBN 978-90-5973-031-1 €27.50

Best Dutch Book Designs 2005

AND/AS. Art and/as Research at the Royal Academy of Fine Arts Antwerp Els De Bruyn, Johan Pas [eds]

[E] ISBN 978-94-90322-65-6 €19.50

Andor von Barsy Photographer in Rotterdam 1927–1942 Joop de Jong, Frits Gierstberg [eds]

[D/E/G] 978-94-90322-26-7 €25.-

Anuli Croon. Patterns of Life | Levenspatronen. Made in Rotterdam 1999-2015 Vera Illés, Aat Ceelen, Maarten Janssen, Dees Linders

[D/E] ISBN 978-94-90322-59-5 €25.-

Architecture as Landscape intervention. Work by Drost + van Veen Architects

[E] ISBN 978-94-90322-23-6 €10.Architectuur bedrijven | Enterprising Architecture Johanna Gunther [ed.]

[E] ISBN 978-94-90322-10-6 €40.-

Art for Government Property 2000–2003 | Kunst bij Rijksgebouwen

[D/E] ISBN 978-90-5973-006-9 €21.50

Atlas Haarlem Oost Marjolijn Boterenbrood, Renée Borgonjen [D] ISBN 978-90-5973-119-6 €25.-

BEELDEN . Stadsverfraaiing in Rotterdam sinds 1940

Siebe Thissen

[D] ISBN 978-94-90322-62-5 €37.50

Mr. J. Dutilhprijs 2018

Before I Was Born . Voor ik geboren werd Tja Ling [E/D/C] ISBN 978-94-92852-31-1 €32.-

Boerenzij | The Rural Side. Wapke Feenstra, Myvillages [E/D] ISBN 978-94-92852-33-5 €30.-

Call me Ishmael | Noem me Ismaël Doris Denekamp, Geert van Mil

[D/E] ISBN 978-94-90322-51-9 €20.-

Christie van der Haak: Sproken - Fairy Tales Jane Huldman, Philip Peters [eds] [D/E] ISBN 978-94-90322-60-1 €30.- [sold out]

European Design Award 2016

International Design Award 2016

Consuming instinct. Gurt Swanenberg [D/N] ISBN 978-94-90322-76-2 €25.-

Critical and Clinical Cartographies International Conference Proceedings Andrej Radman, Stavros Kousoulas [eds] [E] ISBN 978-94-90322-58-8 €25.-

Crossing Frans van Lent, Lucette ter Borg [D/E] ISBN 978-90-808675-2-9 €15.-

Cultural Activism Today. The Art of Over-Identification BAVO [eds] [E] ISBN 978-90-5973-061-8 €21.50

David Bergé. A Walk in High Resolution [E] 978-94-92852-22-9 €20.-

De Beste Plek | The Best Place Wapke Feenstra [D/E] 978-90-8690-144-9 €24.50

De Nieuwe Delta. De Rijn-Maas-Schelde Delta in verandering Bianca de Vlieger [D] ISBN 978-94-90322-73-1 €24.95

Demystified . The European Ceramic Workcentre as Centre of Excellence Nick Renshaw [E] ISBN 978-94-90322-71-7 €33.-

De Wereld op Zuid. Bouwen aan een brede school Theo Kupers, Eleonoor Jap Sam, Jannes Linders [eds] [D] ISBN 978- 94-90322-04-5 €24.50

Dispersion. A Study of Global Mobility and the Dynamics of a Fictional Urbanism Diego Barajas [E] ISBN 978-90-5973-002-X €19.50

DIY Klarenstraat. A new perspective on the post-war social housing block | Zelfbouw en de herontdekking van de portiekflat Patricia van Ulzen, Antoin Buissink, Rufus de Vries [eds] [D/E] ISBN 978-94-90322-66-3 €25.-

Doodgewoon | Dead Normal Wim van Ophem [D/E] ISBN 978-90-5973-033-5 €23.50

Doorgeschoten. Bolted Maarten Kolk [D/E] ISBN 978-90-5973-069-4 €23.50

Douala in Translation. A view of the city and its creative

transforming potentials Lucia Babina, Marilyn Douala Bell [eds]

[E] ISBN 978-90-5973-071-7 €24.50

Best Dutch Book Designs 2007

Duet for Cannibals: Forms of Cultural Appropriation

Inti Guerrero [ed.]

[E] ISBN 978-94-90322-21-2 €14.-

Dutchscapes. Jan Koster Tijs van den Boomen, Merel Bem, Eleonoor Jap Sam, Jan Koster

[E] ISBN 978-90-573-106-6 €29.50

Eco3: Doen denken. Rotterdam Vakmanstad / Skillcity 20102012 Henk Oosterling

[D] ISBN 978-94-90322-35-9 €29.90 [sold out]

Emotional Architecture #4 . Calin Dan Calin Dan, Judith Angel, Adela Marcu

[E] ISBN 978-94-90322-39-7 €17.50

Éric Van Hove Fenduq Eelco van der Lingen [ed.] [D/E] ISBN 978-94-92852-11-3 €22.50

Erik Odijk The Academy of the Sublime [D/E] ISBN 978-94-92852-21-2 €35.-

Best Dutch Book Designs 2020 - student jury

Every Day until Antwerp / Alle dagen tot aan Antwerpen Jacqueline Schoemaker [D/E] 978-94-92852-25-0 €15,-

Evidence. Jan Dietvorst & Roy Villevoye [E] 978-94-90322-90-8 €15,-

Longlist Prix Bob Calle du livre d'artiste 2019 Exurbia. Wonen buiten de stad Harry den Hartog [ed.] [D] ISBN 978-90-5973-048-9 €22.50

Forget & Remember. Gil & Moti Gil & Moti, Eleonoor Jap Sam [eds] [E/D/H] ISBN 978-94-92852-37-3 €25.-

Francine Broos. Interior Architect Eleonoor Jap Sam [D/E] ISBN 978-90-5973-074-8 €59.50

Future Citie s . Stories behind the statistics of urbanization and growth Stephanie Bakker, Yvonne Brandwijk [E] ISBN 978-94-92852-49-6 € 39.95

GABO. Portrait of a Sculpture. Portret van een sculptuur Dees Linders, Siebe Thissen, Patricia van Ulzen, Eleonoor Jap Sam [eds]

[E/D] ISBN 978-94-92852-27-4 €30.-

Game Set and Match II . On Computergames, Advanced Geometries, and Digital Technologies Kas Oosterhuis, Lukas Feireiss [eds]

[E] 978-90-5973-036-6 €40.- [sold out]

Gesloopt, gered, bedreigd . Omgaan met naoorlogse bouwkunst Aimee de Back, Jo Coenen, Marieke Kuipers, Wiek Roling [eds]

[D] ISBN 978-90-5973-010-6 €29.50

GRIP. Hedwig Houben Zoë Gray [ed.]

[E] ISBN 978-94-90322-75-5 €25.Hans van Houwelingen | Undone Mihnea Mircan [ed.] [D/E] 978-94-90322-34-2 €19.50

(H)eerlijk werken Matthew Loulidi, Yvonne Lub, Jennifer Schoone [eds]

[D] 978-94-90322-28-1 €10.-

Het Ringvaartgevoel . Een ontdekkingsreis rond de Haarlemmermeer Herman Vuijsje, Marian van de Veen-van Rijk [D] 978-94-90322-47-2 €19.50

Here | Hier Frank Halmans Robbert Roos [et al.]

[E] ISBN 978-94-90322-14-4 €27.50

High-Rise and the Sustainable City Han Meyer, Dan Zandbelt [eds]

[E] ISBN 978-90-8594-049-4 €39.95

Hiryczuk/Van Oevelen | Landfall Marente Bloemheuvel, Zsa-Zsa Eyck [eds] [D/E] 978-94-90322-20-5 €24.95

Home Reassembled On Art, Destruction & Belonging

[E] ISBN 978-94-90322-85-4 €19.50

How to tell a story of my father. Keiko Sato [E] ISBN 978-94-90322-03-8 €24.95

Huisboomfeest . Een kunstproject van Wapke Feenstra over cyclische tijd in het Piushaven-gebied van Tilburg Wapke Feenstra [D] ISBN 978-94-90322-18-2 €14.-

Human Branding. Strutting Johnnie Walker Kenneth Pratt, Boris van Berkum

[E] ISBN 978-90-5973-005-2 €9.50

Hyperbody. First Decade of Interactive Architecture Kas Oosterhuis [et al.] [E] ISBN 978-94-90322-09-0 €40.-

Best Dutch Book Designs 2012

I don’t know what you are going to say Erik Hagoort [E] ISBN 978-94-90322-91-5 €17.50

If I Can’t Dance, I Don’t want to Be Part of Your Revolution Frédérique Bergholz, Tanja Elstgeest, Anne Fletcher [eds] [E] ISBN 978-90-5973-046-5 [sold out]

Ik weet niet wat jij gaat zeggen Erik Hagoort [D] ISBN 978-94-90322-89-2 €17.50

In de vorm van mensen Caroline Waltman [D] ISBN 978-90-5973-028-1 [sold out]

In passing . Mark Pimlott photography [E] ISBN 978-94-90322-16-8 €25.-

In Search of Europe? Art and Research in Collaboration.

An Experiment Andrea Heister, Samuli Schielke, Daniela Swarowsky [eds] [E] ISBN 94-90322-43-4 €24.50

It’s All Happening So Fast. A Counter-History of the Modern Canadian Environment Lev Bratishenko, Mirko Zardini [eds] [E] ISBN 978-94-90322-78-6 €35,-

Jan van Munster | Licht Light Peter Lodermeyer [D/E/G] ISBN 978-94-90322-25-0 €49.50

jaune, geel, gelb, yellow. Monochrome . Antonis Pittas [E/D/F] ISBN 978-94-92852-44-1 €37.Le temps presse: une contre-histoire environnementale du

Canada moderne Lev Bratishenko, Mirko Zardini [eds]

[F] ISBN 978-94-90322-79-3 €35.-

Long Island City. Connecting the Arts Nina Rappaport, Colin Cathcart, David Reinfurt [eds] [E] 978-097-7717-50-7 [sold out]

Macht?... Aan welk volk?! Jonas Staal [D] ISBN 978-94-90322-01-4 €17.50

Marcel Pinas . Artist more than an artist Rob Perrée, Alex van Stipriaan, Christopher Cozier, H.E. Lamur [D/E] 978-94-90322-30-4 €29.50

Maria Hees . 30 years of design Lotte Menkman [et al.] [D/E] ISBN 978-94-90322-12-0 €28.50

METAPHONICS . The Field Works Listener’s Guide

Stuart Hyatt, Janneane Blevins & Benjamin Blevins [Eds] [E] ISBN 978-94-92852-02-1 €25.-

Moderniteit in een behoudende omgeving . Jan Albarda en de Groep van Delft Jan Molema, Suzy Leemans [D] ISBN 978-94-90322-17-5 €38.50

No Seat At The Table Minem Sezgin [E] ISBN 978-94-92852-32-8 €25,-

Nosso Lar. Brasília Jonas Staal [E/P] ISBN 978-94-90322-45-8 €15.-

Once upon a time...the observations of Hillegon Brunt [E/D] 978-94-90322-69-4 €30,Bekroond Mooi Marginaal 2012-2017 OpTrek in Transvaal. On the role of public art in urban development. Interventions and research Veronica Hekking, Sabrina Lindemann, Annechien Meier [eds] [D/E] ISBN 978-94-90322-06-9 €28.50

Play the City. Games Informing the Urban Development Ekim Tan [E] 978-94-90322-87-8 €30.-

Power?... To Which People?! Jonas Staal [E] ISBN 978-94-90322-02-1 €17.50

Present. Kunst bij Rijksgebouwen 2004–2006

[D] ISBN 978-90-5973-064-9 €27.50

Present. Percentage for Art in the Netherlands 2004–2006

[E] ISBN 978-90-5973-060-1 €27.50

Rattle! Rattle! Ide André Mirjam Westen [ed.]

[D/E] ISBN 978-94-92852-15-1 €20.00

Best Dutch Book Designs 2019

Sieger White Award 2018

Raymond Depardon. Photographer and Filmmaker

Frits Gierstberg, Nico de Klerk [eds]

[D/E] ISBN 978-90-5973-040-3 €12.50 [sold out]

Remy Jungerman. Behind the Forest Charl Landvreugd, Gwen Parry, Rob Perrée [eds]

[E] ISBN 978-94-92852-46-5 €25.-

Remy Jungerman. Where the River Runs Rob Perrée [ed.] [E] ISBN 978-94-92852-13-7 €29.50

Best Dutch Book Designs 2019

Best Dutch Book Designs 2019 - student jury

AIGA NYC 50 BOOKS | 50 COVERS Winner

René Tosari . Diversity is Power Rob Perrée [ed.]

[E/D] ISBN 978-94-92852-04-5 €29.50

Repairing Earthquake. Project 2011-2021 Nicola Kirkaldy, Patrick M. Lydon, Nishiko [eds] [E/J] ISBN 978-94-92852-12-0 €30.-

DAM Architectural Book Award 2020/Shortlist

Best Dutch Book Designs 2021 - student jury Retail & Interior Design Raphael van Amerongen, Henri Christiaans [eds] [D/E] ISBN 978-90-5973-007-6 €24.00 [sold out]

Rody Luton. Time Encircled [E] ISBN 978-94-92852-42-7 €32.-

Rollable Ramblings. Koen Taselaar [E/D] ISBN 978-94-92852-48-9 €30.-

Best Dutch Book Designs 2021

Best Dutch Book Designs 2021 - student jury Rotterdam Waterstad 2035 Pieter de Greef [ed.] [D/E] ISBN 978-90-5973-024-3 €15.Ruins in the Netherlands XIX–XXI Lara Almarcegui [D/E ] ISBN 978-90-5973-092-2 €19.50 [2nd edition] see play eat walk. Gwangju Folly III: Where the everyday and the unexpected intersect Chun, Eui-Young; Yoo, Uoo Sang; Wee, Jinbok; Kim, Hongsung; Eleonoor Jap Sam [eds] [E/K] 978-94-90322-86-1 €15.Seoul Scape. Towards a New Urbanity in Korea Francisco Sanin, Pai Hyung-min [eds] [E] ISBN 978-90-5973-089-2 €8.-

SJANGHAIPARK. Experimenteel geworteld in het alledaagse . Experimentally rooted in the everyday Martine Bakker, Eleonoor Jap Sam, Hans van Lunteren, Bettina van Santen [eds] [E/D] ISBN 978-94-92852-43-4 €24,50

Silvia B. Of Beauty and Doubt [E] ISBN 978-94-90322-81-6 €49.Sneeuweieren / Snow Eggs . Peggy Verzett, Paul Bogaers [E/D] ISBN 978-94-92852-36-6 €17.50

Stations . Listening to the Deep Earth Stuart Hyatt, Janneane Blevins, Willa Benjamin Blevins [eds] [E] ISBN 978-94-92852-35-9 €25.-

Stefanos Tsivopoulos. ARCHIVE CRISIS. Shaking up the Shelves of History. Stefanos Tsivopoulos, Hilde de Bruiijn [eds] [E] ISBN 978-94-90322-44-1 €27.STIFF. Hans van Houwelingen vs Public Art Max Bruinsma [ed.] [D/E] ISBN 978-90-75380-14-9 €25.-

Surviving the Suburb Gregor Harbusch, Martin Luce, Ton Matton, Wim Timmemrans [eds] [D/G] ISBN 978-90-5973-090-8 €10.-

The Artist Interview. For Conservation and Presentation of Contemporary Art. Guidelines and Practice Lydia Beerkens [et al.] [E] ISBN 978-94-90322-32-8 €28.- [2nd edition]

The Extras Bert Danckaert

[E] ISBN 978-94-90322-68-7 €15.-

The Fringe Projects Vibskov & Emenius

[E] ISBN 978-90-5973-115-8 €35.-

The Last Painting Theory Franck Bragigand

[E] ISBN 978-94-90322-63-2 €28.-

The Living Surface. An Alternative Biology Book on Stains by Lizan Freijsen Lizan Freijsen, Ed van Hinte, Hanneke Gelderblom

[E/D/F] ISBN 978-94-90322-77-9 €32.- [2nd edition]

Best Dutch Book Designs 2017

European Design Award 2018

International Design Award German Design Award 2019 GOLD

The Making of Polder Cities. A Fine Dutch Tradition Fransje Hooimeijer

[E] 978-94-90322-50-2 €34.-

The New Craft School Susanne Pietsch, Eireen Schreurs, Sereh Mandias, Dolf Broekhuizen

[E] ISBN 978-94-92852-03-8 €30.-

The New Delta. The Rhine-Meuse-Scheldt-Delta in Transition

Bianca de Vlieger

[E] ISBN 978-94-90322-74-8 €24.95

The Panda People and Other Works | Henrik Vibskov

[E] ISBN 978-94-90322-15-1 €27.50 [sold out]

The ParallelShow . Frans van Lent [E] ISBN 978-94-90322-96-0 €19.50

The Public Interior as Idea and Project Mark Pimlott

[E] ISBN 978-94-90322-52-6 €27.50 [2nd edition]

The Red Snowball. Ten Years of Cross-Cultural Activities: Chinese European Art Center Ineke Gudmundsson, Annelie Musters, Tineke Reijnders, Els Nieuwenhuis [eds] [E/C] ISBN 978-94-90322-11-3 €49.50

The university is now on air, broadcasting modern architecture

[E] ISBN 978-94-92852-01-4 €30.-

Most Beautiful Swiss Book 2018

The Walter Benjamin and Albert S. Project Maurice Bogaert

[E] ISBN 978-94-92852 -24-3 €30.-

DAM Architectural Book Award 2020/Shortlist

Best Dutch Book Designs 2020

Tokyo TDC Annual Awards 2021 Excellent Typography & Design

The Wheel of Fortune. Gamebook David Maroto

[E] ISBN 978-94-90322-49-6 €15.-

The Wonderful World of VenhoevenCS Architects

[E] ISBN 978-90-5973-073-1 €32.50

The World as Project. A Political Theory of Design Friedrich von Borries

[E] ISBN 978-94-92852-23-6 €15.Longlist Die Schönsten Deutschen Bücher 2021 Tokyo TDC Annual Awards 2021 Excellent Typography & Design

This Naked Incident

Alexander van der Heide & Sander Coers

[E] [D] ISBN 978-94-92852-50-2 €30,-

Tirzo Martha. I wonder if they’ll laugh when I’m dead Rob Perrée [ed.]

[E] ISBN 978-94-90322-88-5 €29.50

Best Dutch Book Designs 2017

Best Dutch Book Designs 2017 - student jury

Tools of Belief Anoushka van Velzen, Antoine Bodar [D/E] ISBN 978-90-5973-080-9 €17.50

TUSSEN TIJD. Gebruik van ruimte in transitie Barbara Luns, Yvonne Lub [eds] [D] ISBN 978-94-90322-41-0 €19.50

UMZUG. Paintings & Drawings Ton Kraayeveld Lucette ter Borg, Gerrit Willems [D/E] ISBN 978-94-90322-00-7 €15.-

UNFIXED. Photography and Postcolonial Perspectives in Contemporary Art Sara Blokland, Asmara Pelupessy [eds] [E] ISBN 978-94-90322-29-8 €29.50

Unnoticed Art. Frans van Lent Frans van Lent, Maria Martens [eds] [E] ISBN 978-90-808675-0-5 €15.-

Urbanized Deltas in Transition Han Meyer, Steffen Nijhuis [eds] [E] ISBN 978-90-8594-054-8 €29.95

Verboden Landschap Andre Dekker, Caro Delsing, Hans Junge rius, Jaap Kroneman [eds] [D] ISBN 978-94-90322-83-0 €27.50

Via Vinex. Straatbeeld van 10 jaar Vinex Martine Leroi, Gladys Jacobson, Mattijs van ‘t Hof [D] 978-90-5973-054-0 €19.50

Vorratskammer / Pantry Kathrin Böhm, Wapke Feenstra, Antje Schiffers (Myvillages), Thomas Sprenger [E/G] ISBN 978-94-90322-38-0 €29.-

Votiv & Totem. Paintings, Sculptures, and Watercolours by Peter Otto Rob Smolders

[D] 978-90-5973-047-2 €32.50

Votiv & Totem. Schilderijen, beelden en aquarellen van Peter Otto Rob Smolders

[D] 978-90-5973-045-8 €32.50

Walls that teach. On the architecture of Youth Centres Susanne Pietsch, Andreas Müller [eds] [E] ISBN 978-94-90322-42-7 €34.-

Best Dutch Book Design 2015

DAM Architectural Book Award 2015 Wall | Line Caroline Waltman [D/E] ISBN 978-90-59730-26-7 [sold out]

Wat heet lichamelijke opvoeding. Ecosociale educatie op de Brede school Henk Oosterling, Aetzel Griffioen [eds] [D] ISBN 978-90-3022-36-6 €29.50

Where are we now? 5th Marrakech Biennale Hicham Khalidi, Amanda Sarroff [eds] [A/E/F] ISBN 978-94-90322-46-5 €25.Utwrydsk pietsjanke fokkema

[E/D/FY] ISBN 978-94-92852-17-5 €29.50

Without and Within: Essays on Territory and the Interior Mark Pimlott

[E] ISBN 978-90-5973-034-2 €37.50

Best Dutch Book Designs 2007 Woorden als daden. Rotterdam Vakmanstad/Skillcity 2007–2009 Henk Oosterling

[D] ISBN 978-94-90322-05-2 €29.95 1st, 2nd edition [sold out]

Working with Architectonic DNA Karin Christof [ed.]

[E] ISBN 978-94-90322-22-9 €15.-

WORKS. Lon Pennock Thomas Köllhofer, Frits Scholten

[E/G] ISBN 978-94-90322-80-9 €29.50

SERIES / BOOKAZINES

CUBIC JOURNAL

CUBIC JOURNAL issue #1. Design Social Technology

[E] ISBN 978-94-92852-05-2 €25.-

CUBIC JOURNAL issue #2. Gender in Design [E] ISBN 978-94-92852-09-0 €25.-

CUBIC JOURNAL issue #3 . Design Making [E] ISBN 978-94-92852-10-6 €25.-

CUBIC JOURNAL issue #4. Design Education [E] ISBN 978-94-92852-28-1 €25.-

FOOTPRINT

Footprint 17. The ‘Bread & Butter’ of Architecture [E] ISBN 978-94-90322-61-8 €25.-

Footprint 18 . Constellation of Awakening: Benjamin and Architecture [E] ISBN 978-94-90322-64-9 €25.-

Footprint 19 . Spaces of Conflict [E] ISBN 978-94-90322-72-4 €25.-

Footprint 20 . Analytic Philosophy and Architecture [E] ISBN 978-4-90322-84-7 €25.-

Footprint 21. Trans-Bodies / Queering Spaces

[E] ISBN 978-4-90322-92-2 €25.-

Footprint 22 . Exploring Architectural Form: A Configurative Triad [E] ISBN 978-4-90322-98-4 €25.-

Footprint 23 . The Architecture of Logistics

[E] ISBN 978-94-92852-07-6 €25.-

Footprint 24. The Architecture of Housing after the Neoliberal Turn

[E] ISBN 978-94-92852-08-3 €25.-

Footprint 25. The Human, Conditioned

[E] ISBN 978-94-92852-18-2 €25.-

Footprint 26. The Architecture Competition as ‘Contact Zone’ [E] ISBN 978-94-92852-19-9 €25.-

Footprint 27. Conflict Mediations

[E] ISBN 978-94-92852-29-8

Footprint 28 . All Is In Formation

Stavros Kousoulas, Dulmini Perera [eds]

[E] ISBN 978-94-92852-38-0 €25.-

GLOBAL HOUSING SERIES

Global Housing Dwelling in Addis Ababa Dick van Gameren, Nelson Mota [eds]

[E] ISBN 978-94-92852-20-5 €27.50

HUNCH

Hunch 1 Jennifer Sigler [ed.]

[E] ISBN 90-805362-1-0 €15.- [sold out]

Hunch 2 Jennifer Sigler [ed.]

[E] ISBN 90-805362-2-9 €15.- [sold out]

Hunch 3 Jennifer Sigler [ed.]

[E] ISBN 90-805362-3-7 €15.- [sold out]

Hunch 4 Jennifer Sigler [ed.] [E] ISBN 90-805362-4-5 €15.-

Hunch 5 Jennifer Sigler [ed.] [E] ISBN 90-805362-5-3 €15.- [sold out]

Hunch 6/7 Jennifer Sigler, Roemer van Toorn [eds] [E] ISBN 978-90-805362-6-5 €29.50

Hunch 8 . Double Dutch Penelope Dean [ed.] [E] ISBN 978-90-805362-7-2 €15.00 [sold out]

Hunch 9 . Disciplines Penelope Dean [ed.] [E] ISBN 978-90-805362-7-2 €15.00 [sold out]

Hunch 10 . Mediators Penelope Dean [ed.] [E] ISBN 978-90-78525-01-1 €15.00 [sold out]

Hunch 11. Rethinking Representation Penelope Dean [ed.] [E] ISBN 978-90-78525-02-8 €15.00 [sold out]

IA SERIES

iA#1 – Interactive Architecture Kas Oosterhuis, Xin Xia [eds] [E] ISBN 978-90-5973-058-8 €18.-

iA#2 – Interactive Architecture Kas Oosterhuis, Xin Xia [eds] [E] ISBN 978-90-5973-062-5 €18.-

iA#3 – Emotive styling Kas Oosterhuis, Xin Xia, Owen Slootweg [eds] [E] ISBN 978-94-90322-08-3 €18.-

iA#4 – Quantum Architecture Kas Oosterhuis, Han Feng, Xin Xia [eds] [E] ISBN 978-94-90322-27-4 €18.-

iA#5 – Robotics in Architecture Kas Oosterhuis, Henriette Bier [eds] [E] ISBN 978-94-90322-31-1 €18.-

L’EDITIONS DU MALENTENDU SERIES

The Magic Stove: Barry, Soyer and The Reform Club or How a Great Chef Helped to Create a Great Building Thomas A P van Leeuwen [E] ISBN 978-90-826690-0-8 €22.-

SOLECA PLANEDO SERIES

Boxset Soleca Planedo. Susan Kooi

[E] ISBN 978-94-92852-00-7 €60.-

Lonely Planet. Campania Felix. Susan Kooi

[E] ISBN 978-94-90322-82-3 €21.50

Lonely Planet. Escoural-O-Novo Susan Kooi

[E] ISBN 978-94-90322-99-1 €21.50

Lonely Planet. Yamatai Koku. ( 邪馬台国 ) Susan Kooi

[E] ISBN 978-94-90322-93-9 €21.50

M12 / LAST CHANCE PRESS SERIES

An Equine Anthology Nell Boeschenstein, Josh Garrett-Davis, Richard Saxton, Kirsten Stoltz [eds]

[E] ISBN 978-94-90322-54-0 €18.95

An Equine Anthology 7” record €9.-

Cool Pastoral Splendor Richard Saxton, Kurt Wagner, Kirsten Stoltz

[E] ISBN 978-94-90322-53-3 €18.95

Boxset Center Livot Library M12 ISBN 978-94-90322-97-7 €130.-

Cool Pastoral Splendor 7” record €9.-

Future Rural Archive Margo Handwerker, Josh Garret-Davis, Chris Sauter, Richard Saxton [eds]

[E] ISBN 978-94-90322-94-6 €18.95

Future Rural Archive 7” record €9.-

Star Route 1 Mary Welcome, Daniel Bachman [eds]

[E] ISBN 978-94-90322-95-3 €18.95

Star Route 1 7” record €9.-

This Road Leads to Nowhere: Pierre Punk Josh Garrett-Davis [ed.]

[E] ISBN 978-94-90322-67-0 €18.95

This Road Leads to Nowhere: Pierre Punk 7” record €9.-

MONDRIAAN FUND ESSAY SERIES

Creativity and Other Fundamentalisms Pascal Gielen

[E] ISBN 978-90-76936-39-0 €15.-

Koolhaas in Beijing Edzard Mik [E] ISBN 978-90-76936-27-7 €15.-

Post-Propaganda Jonas Staal

[E] ISBN 978-90-76936-22-2 €15.-

The emancipated museum Steven ten Thije [E] ISBN 978-90-76936-49-9 €15.-

The Myth of Artisthood Camiel van Winkel [E] ISBN 978-90-76936-40-6 €15.-

Vistas of Modernity Rolando Vázquez [E] ISBN 978-90-76936-53-6 €15.Wild Park. Commissioning the Unexpected Jeroen Boomgaard [E] ISBN 978-90-76936-28-4 €15.-

MYVILLAGES BOOK SERIES

A Photographic Portrait of a Landscape. New Dimensions in Landscape Philosophy Pietsie Feenstra, Wapke Feenstra (Myvillages)

[E] ISBN 978-94-90322-37-3 €24.50

Company: Movements, Deals and Drinks Kathrin Böhm (Myvillages), Miranda Pope [eds]

[E] ISBN 978-94-90322-56-4 €24.50

Images of Farming Wapke Feenstra, Antje Schiffers, (Myvillages) [eds] [E] ISBN 978-94-90322-24-3 €24.50

PRIX DE ROME SERIES

Prix de Rome 2019 Beeldende Kunst / Visual Arts

Mirjam Beerman, Eleonoor Jap Sam [eds] [D/E] ISBN 978-94-92852-16-8 €15.-

Prix de Rome 2021. Beeldende Kunst. Visual Arts Mirjam Beerman, Eleonoor Jap Sam [eds] [E] [D] ISBN 978-94-92852-45-8 €15.

SOURCE SOURCE 01. The Shape of Justice Louise Schouwenberg [ed.] [E] ISBN 978-90-5973-068-7 €15.-

SOURCE 02. Disclosing Dapperbuurt Louise Schouwenberg [ed.] [E] ISBN 978-90-5973-081-6 €15.-

SOURCE 03 . Timeless Necessity Louise Schouwenberg [ed.] [E] ISBN 978-90-5973-084-7 €15.- [sold out]

SOURCE 04. Tippelzone Revised Louise Schouwenberg, Mike Thompson [ed.] [E] ISBN 978-90-5973-085-4 €15.-

SOURCE 05 . Designing Global Choice Louise Schouwenberg [ed.] [E] ISBN 978-94-90322-19-9 €15.- [sold out]

For orders and enquiries

For online purchases and more information about Jap Sam Books visit our website. Prices and availability are subject to change.

Jap Sam Books

Vianendreef 93D 4841LE Prinsenbeek The Netherlands

T +31 (0)76 205 50 43 info@japsambooks.nl www.japsambooks.nl

Chamber of Commerce / Kvk: 27334362

team Jap Sam Books Eleonoor Jap Sam Erik Hombrink Ronja Driessen Giorgia Rota design logo Heleen Krijgsman design catalogue Montse Hernàndez i Sala www.montse-hs.com

print

Veldhuis Media BV

© 2022 Jap Sam Books, authors, artists, photographers, designers

Representation and distribution

THE NETHERLANDS, BELGIUM CB, Culemborg www.cb.nl

Jesse Presse, Jesse Muller, representative (the Netherlands, Belgium) www.jessepresse.nl

. UNITED KINGDOM, IRELAND Art Data 12 Bell Industrial Estate 50 Cunnington Street London W4 5HB United Kingdom T +44 (0) 208 747 1061 F +44 (0) 208 742 2319 orders@artdata.co.uk www.artdata.co.uk

SPAIN AND PORTUGAL

Distribution Art Books Avda. Fernández Latorre, 5 15006 A Coruña Spain T +34 981 255 210 T +34 629 889 001 info@distributionartbooks.com www.distributionartbooks.com

EUROPE, AMERICA, CANADA, ASIA, AUSTRALIA, NEW ZEALAND Idea Books, Amsterdam, representatives: Perimeter Distribution (Australia and New Zealand), Helen Fung (China and Hong Kong SAR), Julie Onishi (Japan and Asia), Philip Galliani (USA and Canada), Stefan Schempp (Ger many and Austria), Sébastien Richard (France, Switzerland and Francophone Belgium). Nieuwe Hemweg 6R 1013 BG Amsterdam The Netherlands T 31 (0)20 622 61 54 www.ideabooks.nl

MEXICO AND LATIN AMERICA

Nicolás Friedmann/ red. Representaciones editoriales Rbla. Badal, 64 Ent. 1 08014 Barcelona Spain T +34 637 455 006 T +34 934 217 310 nicolasfriedmann@gmail.com www.nicolasfriedmann.com

. OTHER COUNTRIES

Please contact Jap Sam Books or Idea Books