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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery

Thursday 18th July 2019


Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955

424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Madeleine White

424500

SALEROOM MANAGER David Jordan

424500

CASTLE GATE MANAGER Matt Hill

JAPANESE ART Alexandra Aguilar Sarah Lopez-Ferreiro

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

CASTLE GATE RECEPTION Sally Litherland BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director Natalie Milsted FCCA Finance Director ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

FRICS FRSA


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JEWELLERY

Thursday 18th July 2019 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 13th July Monday 15th July Tuesday 16th July Wednesday 17th July Thursday 18th July

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk

LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Wednesday 17th July. ILLUSTRATIONS

BUYER’S PREMIUM

Front cover: Lot 1513 Back cover: Lot 1512

Each lot is subject to a Buyer’s Premium of 25% plus VAT

Catalogue £12.00 (£15.00 by post)

Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 17th July.

TELEPHONE BIDDING


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Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley & Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond. CITES REGULATIONS Please note that lots marked  may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Saturday collections by appointment. 10.00am to 1.00pm


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1000

1001

1000. Property from the collection of Her Royal Highness The Princess Margaret, Countess of Snowdon, Vol. I: Jewellery and Fabergé, Tuesday 13th June 2006, Christie’s, London Property from the collection of Her Royal Highness The Princess Margaret, Countess of Snowdon, Vol. II: Silver, Furniture and Works of Art, Wednesday 14th £60-80 June 2006, Christie’s, London

1002 1001. A collection of antique and modern jewellery boxes, including various boxes by Must de Cartier and others by BULGARI, Van Cleef & Arpels, Harry Winston, Asprey, etc. £400-600

1002. A quantity of antique jewellery boxes £200-300

1003 1003. A quantity of antique jewellery boxes £200-300

1004. A quantity of antique jewellery boxes, including £100-200 four by Cartier and two by Tiffany & Co

1004

3


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1005 1006 1005. A large quantity of jewellery and costume jewellery, including a string of jade beads, a selection of carved jade plaques and discs, items of turquoise mounted silver jewellery, an Art Deco paste necklace, various gold charms and chains, a George III garnet and seed pearl gold brooch, a seed pearl enamel and diamond-set gold shield brooch and various other items of jewellery £200-300 1006. A large quantity of jewellery and costume jewellery, including an opal and diamond brooch, in fitted case, a lady's gold and enamel fob watch in fitted case, a cultured pearl and diamond ring, size N, a diamond-set gold quatrefoil pendant on chain, a diamond five stone ring, size M ½, an amethyst and seed pearl cluster ring, size N, a tiger's eye gold ring, size I ½, a damaged opal and diamond half hoop ring, a plain gold ring, a Mizpah gold brooch, a sapphire cluster ring, size N, a moonstone and ruby gold heart bangle and various other items of jewellery £400-600

1007

1007. A jewellery casket containing various items of jewellery, including a sapphire and diamond half-hoop ring, set in white gold, size O, a ruby and diamond carved yellow gold half hoop ring, size N, a gold signet ring, size J½, an 18ct plain gold band ring, size W, a smoky quartz brooch, three further gold rings, two gold bar brooches, a shell cameo brooch, a sovereign, a half sovereign and three gold £400-600 chains 1008. A jewellery casket containing various items of jewellery, including a George III diamond ring with vacant locket section, a George III gold mourning ring, a garnet five stone ring, a loose blue sapphire, a lady’s gold fob watch, a sovereign, a long gold chain, two strings of cultured pearls and various other items of jewellery and silver £500-700

4

1008


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1009

1009. A set of historical diamond replicas, consisting of fifteen faceted paste diamond replicas, including: The Koh-i-noor, The Orloff, The Regent, The Florenteen and The Hope, in fitted presentation case £1,000-1,500 1010. A large quantity of jewellery, including a collection of six gold and cultured pearl-set stick pins, an abstract gem-set gold brooch pendant, a shell cameo brooch in yellow gold frame, an opal bead and seed pearl necklace, three single-row cultured pearl necklaces, a 9ct gold fancy link bracelet (15.4g), a cultured pearl and wirework gold necklace, a pair of octagonal-form gold cufflinks with engraved decoration (stamped 18ct, 8.6g), a pair of yellow gold cufflinks with scroll engraved heart-shaped and twisted bar-form links (5.3g), a lady’s diamond-set gold dress watch with cordette strap, an emerald and diamond-set openwork bar brooch, a travel clock by LeCoultre in leather case, two modern shakudo brooches, a hardstone goldmounted compass pendant, a gold wreath-form necklace set with green and red stones, a diamond-set bi-colour gold bracelet, a beaded fabric bracelet with a chrysoprase and agate-set gold scroll clasp, a Victorian gold heart locket pendant with glazed compartment to reverse and red enamel decoration, a collection of gem-set gold rings and various other jewellery items £400-600

1010

1011 1011. Four gold wristwatches by Longines, manual movements, gold cases, on leather bands, two Longines cases £200-300 1012. A large group of jewellery, including a Regency circular gold brooch centred with a gem-set floral group on circular matted ground within a surround of chrysolites and cannetille decoration, 2.5cm wide. A pair of pear-shaped citrine and turquoise-mounted gold drop earrings. A gold spider brooch mounted with two sapphires. A Regency gold floral brooch set with a cluster of turquoise and centred with a ruby. A gold realistically formed rose brooch. A pair of circular gold drop earrings, each centred with a turquoise cabochon and seed pearls and with matching gold brooch with locket compartment to the reverse. A gold giardnetto brooch depicting forget-me-nots set with turquoise cabochons and seed pearls. Three further floral brooches. A pair of drop earrings, an amethyst-set gold ring. A carved hardstone cameo and seed pearl-set gold ring. A peridot-mounted gold brooch, a silver hinged bangle with gold floral decoration. A gilt metal integrated lattice bracelet. A pair of paste-set gilt metal bee earrings. A carved jet brooch with three profiles, a religious pendant, cased and a cultured pearl necklace £600-800

1012

5


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1013 1013. A smoky quartz spinning fob seal, with eight other desk seals, a moonstone and gold ring, a white opal and gold stick pin, a silver box, London hallmarks for 1959, a banded agate ring, necklace and earrings, eight pairs of earrings and ten rings £600-800 1014. A pair of synthetic sapphire and diamond earrings, with matching ring in yellow gold, size O, a cabochon sapphire and diamond yellow gold band ring, size T, a diamond-set pig cufflink, a pair of carnelian gold tortoise cufflinks, a smoky quartz gold ring, a gold necklace set with five blue-stones, a gold ring with ropetwist decoration, size O, a gold ring set with a citrine, size N, a pair of coral cufflinks and a citrine three stone ring £400-600

1014

1015. A group of cameos, including fifteen shell cameos, a glass cameo ring, a purple glass cameo brooch, three Wedgwood cameos, a silver cameo ring, and ten other glass and hardstone cameos and intaglios £200-300 1016. A collection of portrait miniatures, including an octagonal Jasperware double sided cameo pendant within gold frame and suspending from a gold chain, 1.7cm wide, fitted case. A gold brooch centred with a Jasperware plaque, with a cluster of small diamonds to the quarters, white enamel frame within a gold border, 3cm high, case. A small gold fob watch with white enamel dial, black Roman numerals and enamel romantic scene to the reverse (chipped). A carved hardstone cameo brooch pendant, the gold frame set with seed pearls, a small miniature of Charles II with blue enamel reverse, 1.8cm high. A carved hardstone cameo brooch of George II in filigree frame and two further portrait miniatures of ladies in gold frames £500-700 1017. A quantity of jewellery, including a smoky quartz-set gold ring, a pink stone and seed pearl-set gold bar brooch, a gold sovereign for 1910, a citrine-set gold bar brooch, a malachite bead necklace, two lady’s gold wristwatches, with various other jewellery items £400-600

1015

6

1016

1017


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1019

1020

1018

1018. A ruby, sapphire and diamond flag brooch, set in white gold, a moonstone fringe necklace with two moonstone rings, seven silver brooches, a hardstone crucifix pendant, a cultured pearl pendant and gold circular pendant set with a garnet £400-600 1019. A gold ring set with a moss agate cabochon, three gold bar brooches, a lady’s gold wristwatch, a leather-bound travel clock, a pair of marcasite and silver earrings, a silver fob watch, two belt buckles, a shell cameo, three brooches and a pair of earrings £100-200

1022

1021

1020. A collection of thirty two stickpins, and a rose quartz egg pendant £200-300 1021. A collection of eight lady’s wristwatches, including an Art Deco diamond-set platinum cocktail watch, a gold Omega wristwatch, three gold wristwatches on leather bands, a gold watch ring, and two other wristwatches, one cased £600-800 1022. A lady’s white gold wristwatch by Omega, with sixteen other gold and metal pocket watches and wristwatches £200-300 1023. A 9ct gold pocket watch by J.W. Benson, on 9ct gold chain, two lady’s gold fob watches, a pocket watch by American Waltham Watch Co and a 9ct gold chain £400-600

1023

7


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1024. An early 20th century moss agate and gold fob watch, on platinum watch chain, with a lady’s gold fob watch suspended from blue enamel and gold brooch, with a silver open faced pocket watch and a gold plated pocket watch £600-800 1025. A collection of nine silver, gold and base metal pocket watches and a desk clock £400-600 1026. An 18ct gold open faced pocket watch, with Roman numerals, subsidiary seconds dial, stem wind, cipher to case back, with 9ct gold watch chain and silver £500-700 sovereign holder 1027. A George III Irish 18ct gold openfaced pocket watch by Sean Houston of Dublin, white enamel dial with black Roman numerals and Arabic outer minutes, signed plate and diamond end stone to the foliate pierced balance cock engraved with a grotesque mask, the case with rubbed Dublin marks, maker’s initials possibly AN and probably 1806, the detachable cover engraved Houston Dublin no. 373, glass £400-600 missing, 4.5cm wide, 101g

1025 1024

1028. An 18ct gold pocket watch with stem wind, Roman numerals to the white dial, numbered 49799, on 9ct gold chain, 157g £300-400 1029. A 9ct gold open-faced pocket watch by Longines, the signed dial with Arabic numerals and subsidiary seconds dial, the case signed Baume, London marks for 1974, with a 9ct gold twisted link watch chain, 15g £400-600

1026

8

1028

1027

1029

1030. A 9ct gold travel clock, the squareshaped case with engraved decoration opens to reveal a square-shaped clock (catch not functioning and doesn’t close), with enamel dial and with Arabic numerals, London hallmarks for 1924, 3.5cm wide, 33.5g £200-300

1030


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1031. A travel clock by Movado, the leather outer case opening to reveal the rectangular dial with Roman numerals and subsidiary seconds dial, manual winding, numbered 504969, 5.5cm wide. with a similar travel clock by Nepro, quartz movement and date aperture, 5.7cm wide £200-300 1032. An Art Deco silver and enamel travel clock, in blue, black and red enamel case, of geometric design, hinged opening to reveal the rectangular dial with baton numerals, manual winding, in silver, 5cm long £300-400 1033. A lady’s diamond cocktail wristwatch, set with graduated single-cut diamonds (one missing) on a white gold ropetwist bracelet, French control marks and rubbed maker’s lozenge, 16cm long £350-450

1031

1032

1034. A lady’s diamond-set Art Deco wristwatch, the plain white dial with Roman numerals with diamond-set border in platinum £200-300 1035. A lady’s gold wristwatch by Baume et Mercier, manual movement, in textured 18ct yellow gold bracelet, Baume et Mercier box` £300-400 1036. A 9ct gold collar necklace, formed of bi-colour gold fancy links, 44cm long, 46g £150-250 1037. A gold curb-link bracelet, 20cm long, 29.4g £250-350

1034

1033

1038. A two pound coin gold pendant, the coin dated 1887, with scrolling gold upper section, 4.2cm high, 17.7g £400-600

1035

1038 1036

1037

9


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1039. A 9ct two-colour gold flat curb-link necklace and matching bracelet, 44cm and 18cm long, 70g total £450-550 1040. A gold charm bracelet, suspending assorted charms including a spinning compass charm, a garnet and diamond locket, a gold heart locket, a circular gold locket pendant with a cipher, date 1862 with a Viscountess’ coronet, a gold snake charm with rock crystal centre dated 1829 and 1830, three fob seals and various other £1,000-1,500 charms, 114g total

1039

Provenance: Mary-Anne, Viscountess Hereford.

1040

1041. A gold charm bracelet, the curb-link bracelet suspends thirteen assorted gold charms, with a heart-shaped padlock clasp, 69g £600-800 1042. A gold charm bracelet with assorted charms, including a 9ct gold horseshoe, a 9ct gold scallop shell set with a seed pearl, a 9ct gold piano and a 9ct gold bell. Together with nine un-mounted charms including a gold compass-mounted charm. 93.8g total £500-700 1043. An Italian emerald-set gold bracelet, designed as five ropetwists conjoined with emerald clusters, 19cm long, 33g £600-800

1041 1042

1044. A topaz and diamond suite of jewellery, comprising a pendant and earrings set with circular-cut blue topaz within a surround of circular-cut diamonds in white gold, post and clip fittings. Together with a matching ring set with a circular-cut blue topaz within a surround of circular-cut diamonds, with further diamonds to the shoulders in white gold, size M £400-600 1045. A black opal and diamond gold pendant, the pear-shaped solid black opal is set below a circular-cut diamond in yellow gold, together with a fancy-link two-row gold neck chain, pendant 2.5cm high, necklace £600-800 56cm and 84cm long

1043

10

1044

1045


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1046 1048

1047 1046. A pair of cultured mabé pearl and diamond earrings, set within yellow gold borders decorated with six circular-cut diamonds, 19mm wide, post and clip fittings £150-200 1047. A pair of cultured mabé pearl and diamond cluster earrings, £200-250 set in yellow gold, clip and post fittings 1048. A pair of yellow gold earrings, opening to suspend interchangeable nephrite and rhodonite hoops, clip fittings, 5.2cm longest £600-800 1049. A pair of chalcedony and diamond drop earrings, each openwork section set with an oval-shaped green chalcedony within a surround of circular-cut diamonds, suspending from foliate diamond-set links and openwork circular upper sections centred with £400-600 a round brilliant-cut diamond in white gold, 9cm high 1050. An amethsyt and diamond-set gold bangle, set with a large oval-shaped amethyst and six graduated diamonds in yellow gold, 5.5cm inner diameter, 63g £1,000-1,500 1051. A white gold collar necklace, suspending a Victorian diamond-set part-crescent pendant set in silver and gold, collar 41.5cm £600-800 1052. An abstract onxy, diamond and rock crystal necklace, set with fluted beads separated with fancy yellow gold links and suspending a diamond and onyx pendant, 42cm long, with matching earrings, 5.5cm high £800-1,200

1049

1050

1052 1051

11


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1053. A moonstone fringe necklace, set in gold with oval-shaped moonstone cabochons on a fine-link gold neck chain, 40cm long £200-300

1054. Two oval-shaped citrines and a cushion-shaped citrine, 26.39cts, 24.12cts, 25.63cts and a demi-lune shaped blue topaz weighing 22.74cts, £150-200

1053

1055. A rock crystal and gem-set foliate brooch, designed as carved flowers, the stamens set with clusters of rubies, diamonds, emeralds and sapphires, with a diamond-set white gold stem, 6.5cm high £400-600

1054

1055

1056. An aquamarine and diamond bracelet, set with aquamarine and diamond clusters separated with diamond-set links in white gold, 17.5cm long £400-600

1057. An aquamarine-set long chain, the square-shaped aquamarines set in yellow gold spectacle mounts on a fine-link gold chain, 58cm long £800-1,200

1058. An abstract opal and diamond brooch pendant, on a textured gold chain, London hallmarks for 1986 and with obscured maker’s mark, 4.8cm long, chain 40cm approx. £500-700

1056

1059. An abstract gem-set gold brooch, c1970, the textured yellow gold mount is set with circular-cut emeralds and diamonds, 5cm wide £300-400

1060. A yellow gold foliate brooch, set with a central line of circular-cut rubies, £200-300 7.2cm long, 14g

1057

12

1058

1059

1060


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1061

1062

1064

1063 1061. An abstract gold pendant, set with two emerald-cut amethysts in textured 9ct gold, London import marks for 1974, on oval link gold chain, pendant 2.5cm wide, chain 48cm long £150-250 1062. An Arts & Crafts silver pendant by Ella Naper, of openwork foliate design with engraved decoration and purple enamel and counter enamel, set with a sugarloaf-shaped amethyst and suspending a further oval-shaped amethyst, signed Ella Naper, on a bar-link silver neck chain with purple enamel decoration, pendant 8cm high, chain 42cm £250-350 1063. A Victorian shell cameo brooch, depicting Aurora’s procession within gold foliate and scroll engraved frame, 8cm wide £600-800

1065

1066

1064. A shell cameo pendant, depicting a woman in relief, within a border of citrines set in silver cut-down collets, 3.6cm wide £200-300 1065. A 19th century carved shell cameo brooch, depicting Nyx carrying her two sleeping children amongst stylised clouds amd with an owl flying close, the gold frame decorated with twisted rope and Greek key pattern borders, cameo 6cm high £400-600 The imagery was taken from a marble relief by Bertel Thorvaldsen, dated 1815. 1066. A carved hardstone oval cameo, depicting the profile of a man with short hair, possibly Julius Caesar, 2.4cm high, and a carved hardstone long oval cameo depicting the profile of a man, 2.2cm high £400-600

1068

1067

1067. A Victorian micromosaic brooch, depicting a spaniel in tesserae, within gold scroll border, 6cm wide £400-600 1068. A Victorian Scottish hardstone brooch, set with a circular-cut citrine within agate teardrop borders in silver-gilt, 5.4cm wide, case £200-300 1069. A micromosaic gold necklace, suspending oval plaques depicting rural scenes, in gold collets, on gold neck chain, 48cm long £600-800 1070. An onyx, pearl and diamond pendant, the onyx drop with pearl terminal is set with an emerald and diamond surmount (stones missing) and suspended from a diamond-set bale in platinum, on fine-link platinum neck chain, pendant 6.5cm long £300-400

1069

1070

13


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1071. A turquoise parure, comprising a necklace set overall with turquoise cabochons in yellow gold, with matching earrings and brooch in silver and yellow gold closed back settings £600-800 1072. An Edwardian peridot and seed pearl pendant, set in yellow gold on fine-link yellow gold neck chain, pendant 5.5cm high, chain 34cm long £200-300 1073. A pair of carved jade earrings with gold fittings, with similar bracelet and brooch, with a lady’s diamond-set cocktail wristwatch and a Victorian pietra dura gold brooch £200-300

1072

1071

1074. A single-row jade bead necklace, the spherical beads measure 9.3mm wide approx, set with a yellow gold clasp. Together with a jade bangle and a pair of jade disc earrings, with yellow gold pearl-set wirework mounts, post fittings, 149g total £400-600 1075. A carved jade pendant, 6.5cm high £200-300 1076. A jade bangle, the green jade bangle of dshape cross section, internal diameter 6.5cm, 73.5g £300-400 1077. A carved jade pendant, the white jade is pierced and carved in the form of a small creature clinging to a gourde, yellow gold suspension loop, 4.6cm high £100-200 1078. A oval amber bead necklace, the beads graduate from 9 - 20mm, 78cm, 60g £200-300

1074

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

1073

1079. An oval amber bead necklace, the beads graduate from 16 - 25mm, 42cm long, 89g £200-300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

1075

1076

1078

14

1077

1079


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1081 1080. A collection of eight fob seals, etc., including three spinning fob seals, a spinning pendant with secret Masonic symbols, a Masonic fob engraved with letters and symbols, a seal engraved with love birds to the matrix and two with crests, a collection of four modern gold-mounted fob seals and two gold-mounted hardstone cylinder t-bars. £300-400

1080

1081. An unusual gold fob seal, the cubeform body with hinged locket compartment containing a dice, scroll engraved overall and with shield-shaped vacant chalcedony matrix, 3cm high £200-300

1082 1082. A Regency gold watch key, incorporating fruiting vine and a collection of eight assorted miniature fob seals, including one with lyre-form body and carved Carnelian intaglio £400-600 1083. A quantity of jewellery, including a pendant designed as a miniature ten-stamp prospecting rock-crushing battery, 2.5cm wide. Two porcelain-mounted pendants, one of heart design the other as a vase of flowers. A Regency gold miniature jug. A spinning fob seal with locket compartment and applied with a carved carnelian intaglio. A small mourning fob seal with hinged locket compartment containing plaited hair and engraved internally with initials and dated 1816, the carnelian matrix engraved ‘Not lost but gone forever’. Together with a small locket pendant incorporating a vacant circular carnelian to one side and George III guinea to the other. £300-400 1084. Six fob seals, including three engraved with full arms to the hardstone matrices, two with plain matrices and a spinning two-sided fob, and a fob seal mounted with a hardstone matrix carved with a figure of the Reverend George Whitefield who died in 1770 £400-600

1083

1084

1085. A collection of five fob seals, including one with a faceted oval tapered citrine body with gold mounts and four other fob seals with hardstone matrices £400-600

1085

15


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1087

1088

1086 1086. Two miniature portraits, one depicting Charles James Fox (1749-1813), the famous politician, 6cm high, and another miniature portrait of a gentleman with short black hair, white cravat and black coat, gold frame and glazed compartment to the reverse containing plaited hair, 7.2cm high £80-120

1090

1087. A pair of two colour gold cufflinks, of geometric design in yellow and white gold £150-200

1089

1088. A pair of sapphire trefoil cufflinks, set in white gold, French control marks, with two other pairs of yellow gold cufflinks £400-600 1089. A pair of ruby-set gold cufflinks, the hinged circular links are set with ruby terminals in yellow gold, 3.4cm wide £300-400

1091 1090. A pair of horse head gold cufflinks, and a pair of triangular gold cufflinks, 28g £500-700 1091. A sapphire and diamond half hoop ring, set in yellow gold, size N½, a moonstone bar brooch, a seed pearl and amethyst bar brooch, a citrine and seed pearl bar brooch, a pair of lapis lazuli gold drop earrings and an aquamarine and seed pearl bar brooch, case £150-250

1093 1092

1092. A gem-set gold ring, set with a central emerald-cut smoky quartz, within a border of cabochon sapphires, rubies and moonstones, with faceted garnet and ruby and emerald border, in ropetwist gold £250-350 surround, size N½ 1093. An Egyptian-themed gold brooch, depicting the sun god Ra in yellow gold decorated with enamel, 5.4cm wide £300-400 1094. An Indian long gold chain, set with pierced gold spherical links, seed pearl beads, emeralds and gold beads decorated with enamel and set with turquoise, 128cm long, 56g £1,000-1,500

1094

16


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1095

1096

1095. A gem-set gold dachshund brooch, the stylised dog with ruby collar, with textured decoration in yellow gold, 4cm wide £500-700

1097

1096. An early 20th century diamond-set brooch forming the word Cedric in platinum, 3.5cm wide £400-600 1097. A diamond-set gold bow brooch, the bi-colour gold bow brooch set to the centre with old circular and rose-cut diamonds, 5.8cm high, 13g £150-250

1098 1098. Two pairs of shell earrings, one purple and brown cowrie shell pair applied with seed pearls and gold pellet decoration and set in yellow gold, clip fittings, the other spiral shell earrings with gold pellet decoration, set in 18ct yellow gold with London hallmarks for 18ct 1990 and French £400-600 control marks 1099. A ruby and diamond scroll brooch, of foliate form and with horseshoe section, set with graduated circular-cut rubies and diamonds in yellow gold, 5cm high £400-600

1099

1101

1100. A quantity of jewellery, including two diamond cluster rings, a diamond fivestone ring, a two-colour diamond crossover ring, a pair of opal stud earrings and an opal ring, a cultured pearl and diamond bow brooch, a pair of blue diamond stud earrings. Together with an emerald and diamond-set pendant on a fine-link gold neck chain, with matching drop earrings £600-800 1101. A Victorian heart-shaped mourning brooch pendant, the rock crystal heart applied with diamond-set cipher above hair, within a border of pearls in yellow gold, 3cm high, with an amethyst and seed pearl gold brooch a pearl, a diamond locket pendant and a turquoise mounted gilded pendant £400-600

1100

17


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1102. An Ottoman Empire-style silver and enamel chattelaine pendant, the stylised sword decorated with enamel in fitted case £150-250 1103. A Victorian gold snake-link necklace, of tapered form and with barrellink clasp, 11.9g £300-400 1104. A Victorian gold locket pendant, set with seed pearls and a portrait of a young girl in gold, a Victorian coral, seed pearl and blue enamel locket pendant, a Victorian turquoise and gold brooch, a gold locket pendant containing hair, A George III seed pearl locket brooch, and a paste-set silver pendant £400-600

1103

1105. A ruby and diamond cluster ring, the oval-shaped ruby set within a surround of circular-cut diamonds in platinum and yellow gold, size L. Together with a gem-set bar brooch, set with a sapphire and diamond pansy and trefoils of diamonds in yellow gold, 4cm long £200-300

1102

1106. A sapphire line bracelet, the squareshaped sapphires set in white metal, 16cm long. Together with a pearl-set gold ring, size S £200-300 1107. A diamond solitaire ring, the old pear-shaped diamond is set in foliate scrolling yellow gold mount, size N, with a pair of 9ct gold cufflinks, and a 22ct and 18ct £400-600 plain gold ring, 8.2g (total)

1105

1108. A garnet and chrysolite-set gold insect brooch, 2cm high, and a mother of pearl and paste drop-shaped silver brooch, 3.5cm high £200-300 1109. A gem-set butterfly brooch, set overall with sapphires, rubies, diamonds and emeralds in silver and gold, 4.2cm wide £500-700

1104

1106

1107 1108

18

1109


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1110. A Regency pinchbeck chain, textured circular links with barrel cannetille clasp, 38cm long £200-300 1111. A Victorian amethyst and seed pearl brooch, set with two pear-shaped amethysts within seed pearl surround in yellow gold, 4.1cm wide £400-600

1110

1112. A pair of antique emerald and diamond drop earrings, formed from two clusters and separated with seed pearls in silver and gold, 4.8cm high, with a matching emerald and diamond cluster ring, set in yellow gold, size H £400-600 1113. An early 20th century choker necklace, the curved slide designed as two barley ears and set with rose-cut diamonds within a rectangular twisted border, gold, black velvet collar with gold clasp, 4.5cm wide, fitted case by Asprey. An early 20th century black velvet bracelet with gold slide, designed as a quatrefoil set with seed pearls and rose-cut diamonds and with gold clasp and an early 20th century silk bracelet, the circular clasp with white enamel decoration and containing the initial B, set with rose-cut diamonds and gold clasp. With three unsetdiamonds which weigh 1.47cts total, four £200-300 green stones and a blue stone

1111

1112 1113

1114. A group of four jewellery items, including a pair of oval-shaped sapphire stud earrings, an opal and diamond cluster ring set in yellow and white gold (damaged, size L), an opal, ruby and diamond cluster ring (size P) and a diamond cluster crossover ring set with square and baguette-shaped diamonds in white gold (three stones missing, size N) £200-300 1115. A quantity of jewellery, including a pair of opal doublet-set cufflinks. Together with a diamond half-hoop ring set with circular-cut diamonds in white gold, with London hallmarks for 1976, size N½, and a smaller diamond half-hoop ring set with circular-cut diamonds in yellow gold, size L½ £400-600

1114

1115

1116

1116. An aquamarine and diamond ring, the oval-shaped aquamarine set within a surround of graduated old circular-cut diamonds in yellow gold, French control marks, size K, with a diamond cluster ring, set with nine circular-cut diamonds, French control marks, size F, and a pair of amethyst and nephrite foliate gold earrings £400-600 1117. A quantity of jewellery including an Edwardian amethyst and gold pendant, a pearl and diamond cluster mourning ring, size L½, a garnet and diamond half hoop ring, size R½, a turquoise and pearl half hoop ring, size Q½, and a white stone eternity ring, size M½ £300-400

1117

19


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LOTS 1118-1161

A PRIVATE COLLECTION OF ANTIQUE RINGS 1118. Four 19th century turquoise-set gold rings, two set with diamonds to the centre, size L½, K½, a turquoise fruiting vine ring, set in gold, size K½, a seed pearl and turquoise cluster ring, size M½ £200-300 1119. Three 19th century gem-set gold rings, including a chrysolite and red stones ring, size R, a 15ct gold ring set with pink and white stones, with Birmingham hallmarks for 1900, size R, and a paste and seed£200-300 pearl set gold ring, with Birmingham hallmarks for 1873, size Q 1120. Six 19th century gem-set rings, including a 19th century 12ct gold ring, centred with a cluster of four garnets and seed pearls with engraved foliate shoulders, Birmingham marks for 12ct and 1868, size Q½. An 18th century amphora-form ring set with rubies, an emerald and a rose-cut diamond in gold, size I½. An 18th century 18ct gold ring set with three emeralds and four rose-cut diamonds with foliate engraved shoulders, Birmingham marks for 1870, size Q½. A 19th century gold ring set with two circular-cut garnets, a pear-shaped shoulder garnet (one missing) and six small emeralds, size K. An early 19th century gold ring set with five circular-cut garnets in gold, with bifurcated shoulders, size M and a 19th century gold ring set with three emeralds and two opals with pierced scroll shoulders, size L £300-400 1121. Four 19th century gem-set gold rings, including a forget-me-not cameo and pearl ring, size K½, a pearl and red paste three stone ring, size R, a green paste and seed pearl ring, size P½, a garnet, pearl and emerald ring, size P½ £200-300 1122. Nine antique gem-set rings, including an 18ct gold 19th century ring set with two half pearls, each shoulder set with a sapphire and two rose-cut diamonds, maker’s mark CG, size J. A 12ct gold 19th century ring set with a line of rubies and a line of seed pearls with foliate engraved shoulders, maker’s mark MJR and Birmingham mark for 1873, size O. A 19th century 12ct gold ring set with five red stones and seed pearls, maker’s mark MJR, Birmingham mark for 1872, size Q. A 15ct gold ring set with three small coral cabochons and two seed pearls to each shoulder, Birmingham marks for 1900, size Q. A 19th century 18ct gold ring, set with a centre cluster of four green stones, seed pearls and four rubies with pierced scroll shoulders, Birmingham marks for 1866, size M. A late 19th century gold ring set with four opals and six small rubies, size M½. A 19th century gold ring set with two oval-shaped chrysolites and two garnets, size O½. A 19th century 15ct gold ring alternately-set with four emeralds and three garnets, with scroll engraved shoulders, size R. £400-600

1123. Six antique gem-set rings, including an 18ct gold crossover ring set with two circular-cut garnets, Birmingham marks for 1908, size N. A 15ct gold 19th century ring, set with small garnets and three seed pearls to the shoulders (one missing), Chester marks for 1886, size L. A 9ct gold ring set with five circularcut garnets, Birmingham marks for 1909, size Q½. An early 19th century gold ring, centred with a cushion-shaped amethyst set within a surround of seed pearls and with stylised fluted fleur-de-lys shoulders, size K. An early 19th century gold ring set with five circular-cut garnets, size M and a 19th century gold ring centred with an oval-shaped amethyst within a surround of seed pearls and further seed pearls to the bifurcated shoulders, size P. £300-400 1124. Six 19th century gem-set gold rings, including a citrine and pearl ring, size O, a pearl and garnet cluster ring, size Q, two emerald and pearl half hoop rings, both size O½, a ruby and pearl cluster ring, size O and a closed-back garnet and pearl cluster ring, size K £300-400 1125. Six antique gem-set gold rings, including an Edwardian 18ct gold ring, of scroll form and alternately-set with four graduated rubies, three opals and rose-cut diamonds set to the foliate borders, Chester marks for 1902, size M. A 19th century gold ring, set with three garnets with scroll decoration to the borders and shanks, size J. An early 19th century gold ring centred with an opal within a border of faceted black circular stones, bifurcated shoulders to the double rope design shank, size P. A 19th century gold stylised buckle ring, possibly Russian, with 56 mark and maker AS, size R. A 19th century gold mourning ring, centred with a small carved hardstone cameo depicting a forget-me-not between two pearls, size L and a 19th century gold ring, set with four green stones and three rose-cut diamonds, pierced scroll mount, size M £300-400 1126. Six 19th century gem-set rings, including a 19th century ring set with three garnets and four seed pearls in a 9ct gold foliate engraved mount, Birmingham hallmark for 1874, size J. A 19th century seed pearl cluster ring with blue enamel decoration to the foliate shoulders, size P½. A 19th century gold mourning ring, the seed pearl-set forget-me-not is mounted on a black enamel ground with further enamel decoration to the shoulders, size N½. A 19th century gold three-stone ring, set with an emerald and two rubies to the pierced mount and engraved with decoration to the shoulders, size T and a 19th century gold ring with pierced scroll shoulders and centred with a cluster of seed pearls and a turquoise, size R £300-400

20


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1118

1119

1120

1121

1122

1123

1125 1124

1126

21


WW102-588 Listing.qxp_Layout 1 07/06/2019 13:22 Page 22

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1127. An early 19th century amethyst and emerald ring, set in yellow gold scrolling mount, engraved shank, Birmingham hallmarks for 15ct, maker V*A, size O £100-200 1128. A 19th century garnet, emerald and pearl ring, set in 15ct yellow gold scroll mount, Birmingham hallmarks for 1866, size N½ £100-200 1129. A 19th century garnet and emerald ring, set within yellow gold scrolling and engraved mount, size N½ £100-200 1130. An early 19th century ruby and white stone ring, set within scrolling gold shoulders in 18ct gold, Birmingham hallmarks for 1819, size L½ £100-200 1131. A 19th century opal and emerald cluster ring, set in yellow gold, size J½

£100-200

1132. A 19th century ruby, emerald and pearl cluster ring, set in yellow gold, Sheffield hallmarks for 1840, size M £100-200 1133. A 19th century garnet and opal half-hoop ring, set in 15ct yellow gold scroll mount, Birmingham hallmarks for 1864, size M £100-200 1134. A 19th century gem-set ring, set with a garnet and green and white paste within 15ct gold scrolling shoulders, Birmingham hallmarks for 1870, size P £200-300 1135. A 19th century garnet and pearl ring, set in 15ct yellow gold scroll mount, Birmingham hallmarks for 1882, size P½ £100-200 1136. An early 19th century emerald and pearl five stone ring, set in gold scrolling mount, size M £200-300 1137. A 19th century garnet and emerald cluster ring, set in fluted 15ct gold mount, Birmingham hallmarks for 1869, size L £200-300 1138. A 19th century chrysolite and ruby half-hoop ring, set in yellow gold, size N½

£100-200

1139. A 19th century ruby and diamond cluster ring, set in yellow gold scroll mount, size M £100-200 1140. A 19th century seed pearl and diamond cluster ring, decorated with black enamel in yellow gold, with inscription for 1842, size P½ £100-200 1141. A 19th century ruby and seed pearl ring, set in carved and scroll engraved 15ct yellow gold mount, Birmingham hallmarks, size P £100-200 1142. A 19th century garnet and emerald half-hoop ring, set in 15ct gold scroll mount with engraved shank, Birmingham hallmarks for 1865, size O, case £100-200 1143. A carved agate oval-shaped intaglio-mounted gold ring, depicting a seated female figure, size £200-300 K1⁄2 1144. A George III turquoise and gold chain ring, the turquoise plaque set in closed-back yellow gold mount on a five row chain shank, size M approximately £100-200

22


WW102-588 Listing.qxp_Layout 1 07/06/2019 13:22 Page 23

1127

1128

1132

1133

1129

1130

1131

1134

1135

1136

1139

1140

1141

1137

1138

1142

1143

1144

23


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1145. A 19th century gold buckle ring, decorated with blue enamel forget-me-nots, size O½ £200-300 1146. A 19th century amethyst and emerald ring, set in 15ct yellow gold scroll setting, Birmingham hallmarks for 1848, size P, case £200-300 1147. A 19th century gold and enamel mourning ring, the central black enamel quatrefoil set with a diamond within enamel and diamond shoulders in yellow gold, glazed locket compartment to underbezel, size N½ £150-250 1148. A Regency aquamarine five-stone ring, set within elaborate gold scroll mount and ropetwist shank, with inscription to the interior ‘Remember the Giver’ in yellow gold, size N½ £200-300 1149. An early 19th century rock crystal ring, set in yellow gold closed back scroll mount, engraved M.G to interior, size S½ £100-200 1150. A 19th century emerald and pearl cluster ring, set in 15ct gold with engraved decoration to the shank, Birmingham hallmarks for 1866, size M½ £100-200 1151. A 19th century opal and black enamel mourning ring, set with seed pearls in gold scrolling mount, London hallmarks for 18ct, dated 1831, inner inscription, size K £200-300 1152. A garnet and emerald half-hoop ring, set in yellow gold scroll mount with engraved decoration to shank in 15ct yellow gold, Birmingham hallmarks for 1866, size R £100-200 1153. A 19th century acrostic ring, set with four gemstones spelling the word LOVE in lapis lazuli, opal, garnet and emerald in yellow gold scroll mount, size J £100-200 1154. A 19th century amethyst half hoop ring, set in yellow gold scroll mount, size Q

£100-200

1155. A 19th century opal and ruby half-hoop ring, set in 15ct yellow gold scroll mount, Birmingham hallmarks for 1873, size P £100-200 1156. A 19th century citrine and emerald half-hoop ring, set in yellow gold scroll mount, size Q £100-200 1157. A George III garnet and pearl ring, set in gold with ropetwist shank, inscription to interior for 1819, size P½ £150-250 1158. A 19th century gem-set cluster ring, set with garnets, emeralds and an aquamarine in scrolling 15ct gold mount, Birmingham hallmarks for 1848m size Q½ £200-300 1159. A 19th century ruby, emerald and seed pearl ring, set in 15ct gold scroll mount, Birmingham hallmarks, size N½ £100-200 1160. A 19th century garnet and seed pearl cluster ring, set in yellow gold, Birmingham hallmarks, size V £100-200 1161. A 19th century opal, emerald and diamond cluster ring, set in yellow gold, size H½

24

£100-200


WW102-588 Listing.qxp_Layout 1 07/06/2019 13:23 Page 25

1145

1148 1146

1150

1149

1147

1152 1151

1153

1154

1155

1158

1157 1156

1160 1159 1161

25


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1162. A lady’s steel and gold Oyster Perpetual Date wristwatch by Rolex, signed gold dial with baton numerals and date aperture, gold bezel and winder and steel and gold bracelet, deployant clasp, case 2.8cm wide including winder £600-800 1163. A steel Reverso wristwatch by LeCoultre, signed dial with baton numerals and subsidiary seconds dial, manual movement, inscription to reverse for EGB, on broken steel bracelet, case 2.8cm wide including winder £600-800 1164. A lady’s diamond-set dress watch by Omega, the signed dial with baton numerals and diamondset bezel, on white metal woven strap bracelet, 17.5cm long £400-600 1165. A gentleman’s gold Omega wristwatch, the signed dial with Arabic and baton numerals, sweep seconds hand, automatic movement, gold case, on 9ct gold strap bracelet, 18cm long, case 3.7cm wide (including winder) £600-800 1166. A lady’s bi-metal Santos Ronde bracelet watch by Cartier, burgundy dial, signed automatic calibré 2670, case back serial 090758634, to a signed bi-metal bracelet with deployant clasp, 24mm wide £600-800 1167. A gold Montre De Souscription pocket watch by Breguet, c1798, movement 245, the signed white dial with Arabic numerals, souscription calibré with central going-barrel wound from the front, overhanging ruby-set cylinder escapement, the gold case-back inscribed with initials FW, 6cm wide, fitted Breguet case £5,000-7,000 1168. A lady’s gold wristwatch by Baume et Mercier, the signed dial with Roman numerals, quartz movement, numbered to reverse 560924 and 38307, on leather strap with a Cartier deployant clasp, case 2cm wide £400-600 1169. A lady’s gold bracelet watch by Blancpain, the brick-link gold bracelet is set with a line of circularcut emeralds and diamonds, the end of the strap is hinged and opens to reveal a square watch face, the white enamel dial signed Blancpain UTI and with baton numerals, with French control marks to the bracelet and case back, scratched inventory number 50258, 16cm long £1,200-1,600 1170. A gentleman’s gold Oyster Perpetual wristwatch by Rolex, c1949, ref 5018, serial number 654359, the signed dial with Roman numerals and sweep seconds hand, case 36mm, on leather band £5,000-7,000 1171. A gentleman’s gold wristwatch by Baume et Mercier, the signed gold dial with date aperture and Roman numerals, Quartz movement, engine-turned bezel, numbered 906122 and 45125 to reverse on plaited gold band, 18cm long, 72g £1,000-1,500 1172. A gentleman’s Oyster Perpetual steel Rolex wristwatch, baton numerals, sweep seconds hand, later leather band, 36mm wide £600-800

26


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1162

1163 1164

1165

1166

1167

1171

1172

1168

1170

1169

27


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1173. An English mid 18th century cartouche-shaped agate snuff box, with gold mounts and hinged cover, foliate and shell decoration to the borders, with shell thumb piece, French import marks, 6.5cm high £1,500-2,000 1174. An English mid 18th century shield-shaped agate snuff box, with rococo decoration to the gold cage-work mounts and thumbpiece, 3.5cm high £1,500-2,000 1175. An English mid 18th century capstan-shaped agate box, with rococo decoration to the gold cagework mounts and thumbpiece, French import marks, 2.5cm high £800-1,200 1176. A French late 18th century gold long oval snuff box, with striated engine-turned decoration overall, the hinged cover and base with foliate borders, French control marks, 9.8cm wide, 118g £2,500-3,000 1177. A yellow gold rectangular lipstick holder, with concealed watch by Cartier, striated engine-turned decoration with vacant cartouche, signed dial, numbered 12988 to the body, 7cm long, fitted case signed Cartier £1,500-2,000 1178. An early 20th century faceted cylindrical smoky quartz perfume bottle, with rose-cut diamond borders, containing a stopper (damaged), French control marks to the gold mounts, with unidentified rubbed maker’s lozenge, 6.5cm high, fitted case by Boucheron £2,000-3,000 1179. A George III portrait miniature pendant, depicting a woman in profile, within engine-turned gold frame, glazed locket compartment to reverse containing plaited hair and initials GC in gold, 5cm high £150-250 1180. A George III miniature portrait of a gentleman, wearing a white-faced scarlet jacket and white stock, 3.8cm high, in gold pendant mount with locket compartment to the reverse containing gold initials on plaited hair £200-300

28


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1173 1174

1175

1176

1180

1177 1178

1179

29


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1181. A diamond cluster ring, the openwork lozenge ring is vertically set with three circular-cut diamonds, with further circular-cut diamonds and calibré-cut blue stones in platinum, size N £600-800 1182. An aquamarine and diamond ring, the emerald-cut aquamarine is set with two round brilliant-cut shoulder diamonds, with further circular-cut diamonds to the shoulders in white gold, size N½ £800-1,200 1183. A ruby and diamond half hoop ring, set with old cushion-shaped rubies, diamonds and sapphires in yellow gold, size R½ £200-300 1184. A sapphire and diamond cluster ring, the emerald-cut sapphire set within a surround of graduated circular-cut diamonds in yellow and white gold, size Q½ £500-700 1185. A diamond seven-stone ring, set with round brilliant-cut diamonds in yellow and white gold, size N £400-600 1186. A sapphire and diamond cluster ring, rubover-set with a circular-cut sapphire weighing approximately 1.40cts within an openwork surround millegrain-set with circular-cut diamonds in 18ct white gold, size N £600-800 Accompanied by report number 78171-28 dated 26 July 2018 from GCS, London stating that the round-cut sapphire weighs approximately 1.40cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1187. An aquamarine and diamond cluster ring, the oval-shaped aquamarine weighs approximately 4.00cts and is set within a surround of circular-cut diamonds in yellow and white gold, size O½ £1,500-2,000 1188. A diamond seven-stone half-hoop ring, the seven round brilliant-cut diamonds are set in 18ct white gold, size K £250-350 1189. A diamond cluster ring, formed as three graduated flower-head clusters in yellow and white gold, size O £600-800 1190. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of round brilliant-cut diamonds and diamond-set shoulders in white gold, size N½ £600-800 1191. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circular£400-600 cut and channel-set tapered baguette-shaped diamonds in yellow gold, size O 1192. A diamond triple cluster ring, the round brilliant-cut and two pear-shaped diamonds set within a surround of circular-cut diamonds, with further graduated circular-cut diamonds to the shoulders in white gold, size N½ £400-600 1193. A diamond cluster ring, the rectangular centre section is set with three rows of graduated circularcut diamonds, with further smaller circular-cut diamonds to each shoulder in white gold, estimated total £900-1,200 diamond carat weight 1.20cts, size O½ 1194. A sapphire half-hoop ring, set with three graduated oval sapphire cabochons with diamond pointers in a yellow gold pierced and carved scroll mount, size O £600-800 1195. A ruby and diamond ring, the oval-shaped ruby is rubover-set within a surround of circular-cut £200-300 diamonds in a bi-colour asymmetrical gold mount, size M 1196. A diamond full-circle eternity ring, set with single-cut diamonds in platinum, size N

£400-600

1197. A yellow gold buckle ring, set with rubies and diamonds, size V½

£400-600

1198. An emerald and diamond ring, the cabochon emerald is set between trefoils of round brilliant-cut £1,800-2,000 diamonds to each shoulder in white gold, size M 1199. A sapphire ring, the oval-shaped cabochon sapphire is set in a plain white gold mount, size O £400-600 1200. A diamond cluster ring, set with seven round brilliant-cut diamonds in platinum and yellow gold, size O½ £200-300 1201. An emerald half-hoop ring, set with three graduated emerald cabochons in a pierced and carved £600-800 scroll mount with old circular-cut diamond pointers in yellow gold, size M 1202. An aquamarine ring, the oval-shaped aquamarine is claw-set in 9ct yellow gold, with Birmingham marks for 1991, size O½ £200-300

30

1203. A diamond cluster ring, set with an oval-shaped diamond within a surround of circular-cut diamonds, with further circular-cut diamonds to each shoulder in white gold, size K½, together with an 18ct £300-400 white gold wedding band with inner inscription, size J½


WW102-588 Listing.qxp_Layout 1 07/06/2019 13:24 Page 31

1182

1183

1186

1187

1190

1191

1184

1181

1185

1188

1192

1189

1193

1197

1201

1194

1198

1202

1196 1195

1199

1200

1203 (2)

31


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1204. A diamond cluster ring by De Beers, the round brilliant-cut diamond weighs 0.70cts and is set within a surround of circular-cut diamonds, with further diamonds to the shoulders in platinum, signed De Beers and with inventory number B47903, size M, with De Beers case and diamond passport £1,200-1,500 1205. A diamond-set ‘strip’ pendant by Theo Fennell, the vertical bar pendant is rubover-set with six princess-cut diamonds in 18ct yellow gold, embossed ‘STRIP’ to the reverse, with maker’s mark TF and London hallmarks for 1957, 2.5cm high, chain 45cm, Theo Fennell case £600-800 1206. A pair of emerald and diamond drop earrings, the cabochon emeralds are rubover set in white gold above trefoil upper sections set with baguette-shaped diamonds and an emerald, 2cm high £1,000-1,500 1207. A spinel and diamond cluster ring, the oval-shaped red spinel is set within a surround of circularcut diamonds in white gold, size L½ £1,000-1,500 1208. An opal single stone ring, the solid white opal is set in a 9ct scrolling gold mount, London hallmarks for 1990, size N £200-300 1209. A sapphire and diamond crossover ring, the pear-shaped yellow and blue sapphires are rubover£800-1,200 set in yellow gold, with four round brilliant-cut diamonds to each shoulder, size P 1210. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of round brilliant-cut diamonds and a marquise-shaped diamond to each shoulder in white gold, size N £1,500-2,000 1211. A ruby line bracelet, channel-set with square-shaped rubies in white gold, London import marks for 18ct, maker’s mark EI, 19cm long £1,000-1,500 1212. A diamond brooch and matching earrings, the scrolling brooch suspending diamond-set tassels, set overall with graduated round brilliant-cut, baguette, marquise and pear-shaped diamonds in white gold, 6.8cm high. Together with a pair of matching drop earrings, post and clip fittings, 5cm high £1,500-2,000 1213. An opal and diamond cluster brooch, the navette-shaped solid white opal weighs approximately 17.50cts and is set within a surround of round brilliant-cut diamonds in yellow and white gold, 3cm wide £800-1,200 1214. An emerald gold pendant, the emerald-cut emerald is claw set in 18ct gold, with London hallmarks and maker’s mark AG, 2cm high £2,000-3,000 Accompanied by report number 79203-41 dated 28 February 2019 from GCS, London stating that the octagonal-cut emerald weighs approximately 5.70cts and is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia 1215. An unset emerald-cut aquamarine weighing 41.48cts

£800-1,200

Accompanied by report number 13020 dated 22 July 2016 from GCS, London stating that the emerald-cut aquamarine weighs 41.48cts and is a natural aquamarine. 1216. A diamond line bracelet, set with circular-cut diamonds in yellow gold, 18cm long

£400-600

1217. A pair of sapphire and diamond cluster drop earrings, formed as an articulated line of three sapphire and diamond flower head clusters in white gold, post fittings, 2.8cm high £800-1,200 1218. A zircon and diamond ring, the oval-shaped blue zircon is set within a surround of pear-shaped diamonds in yellow gold, size P £2,500-3,500 1219. An emerald and diamond three-stone ring, the emerald-cut emerald weighs approximately 1.70cts, with a round brilliant-cut shoulder diamond to each shoulder in yellow and white gold, size N½ £400-600 1220. A diamond-set cluster ring, centred with a round brilliant-cut diamond within a border of eight smaller round brilliant-cut diamonds in 18ct white gold, size H½ £600-800 1221. A tanzanite and diamond ring, the white gold ring of chevron design and set with graduated £300-400 circular-cut diamonds and a triangular-shaped tanzanite, size N

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1205 1204 1217

1218

1219

1220

1206

1212

1207

1221

1213

1216

1208 1214 1209

1210

1211

1215

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1222. A pair of onyx and diamond cufflinks, each rectangular link is terminated with rows of rose-cut diamonds and centred with an old circular-cut diamond in silver on gold, each link 12mm wide £150-250 1223. A pair of diamond-set white gold cufflinks, of cut-cornered rectangular form, fluted and set with a central diamond in white gold £200-300 1224. A pair of gold dog cufflinks, each depicting the profile of a dog in brushed gold, each 1.8cm high, 20g total £400-600 1225. A pair of Art Nouveau gold iris cufflinks, with engraved decoration, 14mm diameter

£600-800

1226. A pair of carnelian cufflinks by Carlo Giuliano, the oval carnelian cabochons set in yellow gold collets, signed with plaque to the adjoining links £1,000-1,500 1227. A pair of gem-set playing card cufflinks, pavé-set with rubies and sapphires in gold

£800-1,200

1228. A pair of gold bone cufflinks, the polished gold cufflinks comprising a larger and smaller gold bone, 22g £400-600 1229. An unusual pair of 19th century stick pins, the gold pins each incorporate a pair of teeth (probably stag), held in cups clasped by a rose-cut diamond-set serpent with ruby eyes, each 9.5cm high £500-700 1230. A lapis lazuli, onyx and diamond dress set, comprising a pair of cufflinks and four dress studs, each circular link set with a lapis lazuli disc within a surround of onyx and small circular-cut diamonds, each applied with a square-shaped diamond in yellow and white gold £1,000-1,500 1231. A pair of rectangular white gold cufflinks, with fluted decoration, each set with a diamond, French control marks £500-700

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1223

1222

1224

1226

1225

1229

1227

1228

1230 1231

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1232. A tsavorite garnet and diamond insect brooch, the body is invisibly-set with calibré-cut tsavorite garnets, pavé-set to the wings with round brilliant-cut diamonds and with red-stone eyes all in yellow gold, 2cm high £800-1,200 1233. A pair of red coral and onyx earrings, the torpedo-form earrings comprised of onyx and coral sections and suspending from a circular-cut diamond in white gold, 5cm high £400-600

1234. A citrine and diamond-set gold collar necklace, of abstract design, the pendant set with an ovalshaped citrine within a diamond-set hammered gold surround, on a gold collar necklace (clasp damaged), £2,000-3,000 pendant 8.5cm high, necklace 13.5cm wide, 81g 1235. A coral and diamond-set gold flower brooch, set with a central coral cabochon with coral and diamond border in textured gold mount, 6.5cm high £800-1,200

1236. A pair of synthetic ruby and diamond cluster earrings, the circular earrings each set with graduated circular-cut synthetic rubies in yellow gold and quartered with white gold sections set with small £400-600 circular and rose-cut diamonds and white stones, post fittings, 1.8cm high 1237. A cultured mabé pearl and diamond cluster ring, the mabé pearl set in a surround of circular-cut and baguette-shaped diamonds in an openwork platinum scroll mount, size O £400-600 1238. A gold and coral dress ring, set with an oval coral cabochon within ropetwist border and brushed yellow gold mount, stamped 900 and with Italian hallmark, approx. size L½ £550-650

1239. An opal and diamond gold ring by Lucy Copelstone, the 22ct gold abstract openwork mount with wirework decoration and set with an oval-shaped opal and circular-cut diamonds, London hallmarks for £600-800 1962 and maker’s mark LEC, size S½ 1240. An abstract diamond-set gold ring, set with graduated round brilliant-cut diamonds in textured yellow gold, size P £300-400 1241. A sapphire and gold ‘gypsy’ ring by Chaumet, of broad tapered hoop design and rubover-set with an oval-shaped sapphire cabochon, the hollowed shank signed Chaumet Paris no. 122902, with maker’s mark to the outer shank, size J½ £450-500 1242. An emerald and diamond pendant, the oval cabochon emerald is set within an abstract gold mount set with round brilliant-cut diamonds, maker’s mark GM, on fine-link gold neck chain, pendant 2.7cm high, neck chain 44cm long £3,500-4,000 1243. An oval-shaped opal and diamond cluster ring, set within a surround of round brilliant-cut diamonds in yellow and white gold, size P½ £800-1,200 1244. A diamond scroll brooch, pavé-set with graduated round brilliant-cut and baguette-shaped £1,500-2,000 diamonds in platinum and white gold, 7cm high 1245. A diamond-set gold bangle, 1970s, the tapered polished 18ct gold bangle is set with an oval bombé-section pavé-set with circular-cut diamonds, with maker’s mark EG & A and London hallmarks for 1977, 6cm inner diameter £600-800 1246. A pair of gem-set drop earrings, set with an emerald-cut tourmaline, and an emerald-cut citrine suspending amethyst and aquamarines in yellow gold, 4.5cm high including shepherd’s hook fittings £400-600 1247. A pair of sapphire and diamond foliate earrings, each set with a trefoil of cabochon sapphires and cushion-shaped diamonds within white metal leaves, 3cm high £400-600 1248. A ruby-set gold cocktail ring, the rectangular-shaped ring is channel-set with square-shaped rubies £400-600 in a tapered yellow gold mount, size M½ 1249. A sapphire and gold flower brooch, set with a central cluster of circular-cut sapphires within textured gold leaves, signed Tiffany & Co, Italy to reverse, 4cm wide £600-800

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1232

1236

1235

1234 1233

1239

1240

1237 1241

1238 1244

1242

1243

1245

1246 1247 1248

1249

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1250. A hessonite garnet and diamond pendant, the oval-shaped garnet is rubover-set and suspends from a chevron design upper section set with old circular-cut diamonds in white gold, pendant 3cm high, chain 34cm long £1,800-2,000 1251. An abstract opal and diamond pendant, the solid white opal of hexagonal form set with a line of circular-cut diamonds in platinum and yellow gold, 4cm high £600-800 1252. A ruby and diamond-set suite of jewellery, comprising a necklace, bracelet, earrings and a ring. The necklace of foliate spray design and set with round brilliant-cut diamonds, marquise-shaped rubies and festoons of tapered baguette-shaped diamonds in yellow gold, 37cm long. Together with a matching bracelet, 18.5cm, clip earrings, 2.5cm high and a ring, size M½ £5,000-7,000 1253. A multicoloured sapphire and diamond ring, set with a cushion-shaped blue sapphire within a border of diamonds and flanked with a triangular pink and yellow sapphire in white gold, diamond-set gallery £1,500-2,000 and shoulders, size N½ 1254. A tanzanite and diamond cluster ring, the emerald-cut tanzanite is rubover-set within a surround of circular-cut diamonds in white gold, size P £1,000-1,500 1255. An emerald and diamond three stone ring, the emerald-cut emerald weighs approximately 1.70cts, £1,000-1,500 flanked with round brilliant-cut diamonds in yellow gold, size O½ 1256. A kunzite and diamond ring, the emerald-cut kunzite weighs approximately 19.90cts and is set with seven circular-cut diamonds to each shoulder in 18ct white gold, size M½ £800-1,200 1257. An emerald and diamond cluster ring, the oval-shaped emerald weighs approximately 1.70cts and £1,200-1,500 set within a surround of round brilliant-cut diamonds in white gold, size N½ 1258. A ruby and diamond ring, the oval cabochon ruby is rubover-set with two rows of circular-cut diamonds channel-set to each shoulder in yellow gold, size N½ £500-700 1259. An aquamarine and diamond pendant, the emerald-cut aquamarine weighs approximately 6.00cts and is set within a border of round brilliant-cut diamonds in yellow and white gold, 2.6cm high including pendant £800-1,200 loop 1260. A loose oval-shaped tanzanite weighing 4.46cts

£400-600

1261. A pair of princess-cut diamond stud earrings, the diamonds weigh approximately 0.70cts in total within rubover white gold setting, screw-post fittings £600-800 1262. A pair of sapphire and diamond earrings, set with an oval-shaped yellow diamond above a larger oval-shaped sapphire in yellow and white gold, post fittings, 1.5cm high £3,500-4,500 Accompanied by report number 78450 dated 9 August 2018 from GGT, Sri Lanka stating that the ovalshaped sapphire weighs 2.49cts and is a natural sapphire. Accompanied by report number CA1469 dated 13 July 2018 from GGT, Sri Lanka stating that the oval-shaped sapphire weighs 2.11cts and is a natural sapphire, with no evidence of heat treatment. 1263. A pair of diamond cluster earrings, each centred with a circular-cut diamond within a surround of eight smaller circular-cut diamonds in white gold, approximate total carat weight 2.40cts, each 1.3cm wide £1,700-2,000

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1250

1252

1251

1260

1253 1261 1255

1257

1262 1259

1254

1263

1256 1258

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1264. A Victorian ruby and diamond bracelet, of scrolling form with engraved decoration and articulated snake-link back section in yellow gold, 17.5cm long £800-1,200 1265. A Victorian amethyst, turquoise and pearl necklace, set within gold pellet borders suspended from a four-row fine-link neck chain, probably converted from another piece of jewellery, 42cm long £600-800 1266. A pair of sapphire and diamond drop earrings, the briolette-shaped sapphires suspend from foliate upper sections set with old cushion-shaped diamonds in silver on gold, shepherd’s hook fittings, 4.8cm high £1,500-2,000 1267. An early 20th century gem-set star brooch, set with rubies, diamonds and a central pearl in silver and gold, 4cm wide £400-600 1268. A Victorian turquoise diamond and pearl pendant and earrings, set with a central line of four pearls within a border of rose-cut diamonds and buff-top turquoise below a diamond-set bow and turquoise bale, with a similar pair of earrings in silver and gold, pendant 7cm high, earrings 4.5cm high £800-1,200 1269. A Victorian turquoise and diamond brooch, set with graduated oval turquoise cabochons within scrolling diamond borders in silver and gold, 3.2cm wide £300-400 1270. A Edwardian gold long guard chain, formed from alternating fancy links in yellow gold, 112cm long, 40g £1,000-1,500 1271. An amethyst cameo brooch, depicting a woman in the classical manner, within cultured pearl and black enamel border in yellow gold, 3.5cm high, fitted case £400-600 1272. A Regency long guard chain, comprised of textured circular links and barrel-form clasp in yellow metal, 88cm long £400-600 1273. A fancy-link gold bracelet, set with yellow gold Victorian lockets, two set with enamel flowers, with chain-link back section and a locket-set clasp, 18cm long, 122g £2,500-3,500 1274. A 19th century gold pendant suspending a section of gold-bearing quartz, from foliate yellow gold mount, 6cm long £100-200 1275. A pearl and diamond gold bangle, set in yellow gold, 6cm inner diameter, case

£600-800

1276. A mid 19th century opal and emerald bow brooch, set in yellow gold, 3.8cm wide

£200-300

1277. A pair of Victorian garnet and gold cluster earrings, suspending from gold trefoils, 3.7cm high £300-400

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1267

1266 1264

1265

1269

1268

1270

1273

1276

1271

1277

1272 1275 1274

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1278. An antique carved oval agate intaglio depicting Perseus, 1.3cm high, mounted in a broken gold ring, size R approx. £100-200 1279. An early 19th century carved sapphire intaglio, depicting Julius Caesar, the octagonal sapphire 1.5cm high, mounted in gold, size P½ £600-800 1280. A mid 17th century carved agate bust, probably depicting a Roman Senator wearing robes, on a hardstone plinth, the carving 5.5cm high, fitted case £800-1,200 1281. A late 19th century carved hardstone cameo, depicting a seated Cupid chained to a rock, his head held in his hands with despair, signed below Pistrucci, mounted in a gold stick pin £400-600 Benedetto Pistrucci was particularly well known for his fine engraving of the St George and Dragon design used for British sovereigns. A similar example by Giovanni Pichler can be seen in the Metropolitan Museum of Art, Rome. A chained Cupid traditionally appears in the mythological scene with Andromeda chained to the rock whilst being rescued by Perseus from the Sea Monster. 1282. A 17th century carved agate oval intaglio, depicting a standing Mars holding a sword in one hand and a flaming torch in the other with a war trophy and armour to the base line, 2.5cm high, mounted in a gold ring, size N £800-1,200 1283. A 19th century oval carved carnelian intaglio, Zeus transformed to an eagle and Hebe offering a cup on a plinth, 2.7cm high, gold ring mount, size K £1,000-1,500 1284. A carved three-colour agate cameo depicting the profile of Hypnos, hair tied back, with wings and portrayed with his eyes open, 2.8cm high, in a heavy gold ring mount, size O £1,500-2,000 1285. A small fob seal, c1800, the mount designed as a dolphin with polychrome enamel decoration and further decoration to the mount, the 18th century oval carved carnelian intaglio depicting Leander swimming to Hero at Hellespont, 2.7cm high £1,500-2,000 1286. A 17th century carved agate cameo, depicting the profile of a gentleman with short curly hair and a beard, mounted within a frame of small circular-cut diamonds in white gold, cameo 2.8cm high £2,000-3,000 1287. A gold bracelet (c1950) mounted with nine assorted carved carnelian oval intaglios, the majority probably Roman, 18.5cm £1,500-2,000 1288. A carved agate scarab pendant with intaglio, depicting various Egyptian hieroglyphs, gold suspension loop, the scarab 1.8cm high £400-600 1289. An 18th century carved hardstone cameo brooch, depicting Gaius Mucius Scaevola, plunging his hand into a sacrificial fire in the presence of Lars Porsena, mounted on an oval bloodstone plaque and with gold frame with foliate decorated border, the white hardstone group 2.2cm wide £600-800 1290. A Roman carved agate intaglio, depicting a quadriga of horses at full gallop, 1cm wide, mounted in a gold pendant £600-800 1291. An 18th century carved oval agate cameo, probably depicting the profile of a Roman Emperor with foliate head band, 2cm high £1,000-1,500 1292. A late 18th century carved hardstone cat fob seal, with gold-mounted carved agate intaglio depicting a man and a woman with diamond-set suspension ring £1,000-1,500

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1278

1281

1282

1285

1283

1279

1284

1280

1287

1286

1291

1290

1289 1292 1288

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1293. A large boulder opal and diamond cluster ring, the rectangular boulder opal set within a surround of circular-cut diamonds in yellow and white gold, size W½ £800-1,200 1294. A diamond-set gold hair clip by Cartier, set with five graduated circular-cut diamonds in yellow gold, signed Mtd Cartier, with maker’s mark and London hallmarks for 1981, 4.3cm wide, Cartier case £1,000-1,500 1295. A gem-set cruciform pendant by Cartier, set with square-shaped sapphires, pear-shaped rubies and a square-shaped emerald in yellow gold, signed Cartier, 1993 and with scratched inventory number G65820, 2.9cm high £600-800 1296. A suite of diamond and mother-of-pearl set gold jewellery by Roberto Coin, comprising a plaited wirework collar necklace, bracelet and clip earrings, each set with a central white gold band with alternate rows of mother-of-pearl and circular-cut diamonds, each piece set with a hidden circular-cut red stone to the reverse, necklace 12cm diameter, bracelet 17.5cm long, earrings 2.2cm high, 87g total £2,000-3,000 1297. A topaz and diamond cluster ring, the cushion-shaped orange topaz weighs approximately 13.00cts and is set within a surround of small circular-cut diamonds in yellow and white gold, size M½ £3,000-4,000 1298. A sapphire and diamond ring by Chaumet, the fancy-cut yellow sapphire set with tapered blue sapphire shoulders and a surround of circular-cut diamonds in 18ct yellow gold, signed Chaumet London and with import marks for 1983, size L½, Chaumet box £1,500-2,000 1299. A suite of sapphire and diamond-set jewellery, comprising a necklace, bracelet and drop earrings. The necklace set with a pear-shaped sapphire and diamond cluster pendant, below an oval-shaped pink sapphire and diamond cluster on an 18ct yellow gold ropetwist neck chain half-set with sapphires and diamonds, London hallmarks for 1984, with obscured maker’s mark St and stamped AJW, 42cm long, with a matching bracelet, 19.5cm long, and matching drop earrings, 2.5cm high, total approx 14.50ct blue sapphires and 11.50ct pink sapphires £4,000-6,000 1300. A pair of emerald and diamond drop earrings, channel-set with square-shaped emeralds and diamonds in yellow gold, post fittings, 3.6cm high £800-1,200 1301. A pair of trinity de Cartier gold hoops earrings, formed as interlocking tri-colour gold hoops, signed Cartier and with maker’s mark SCA, stamped with inventory number 158242, 2.2cm high, post fittings, £400-600 Must de Cartier box 1302. A pair of synthetic ruby, cultured pearl and diamond drop earrings, the square-shaped synthetic rubies are set within a surround of graduated round brilliant-cut diamonds, suspending a baroque-shaped cultured pearl with diamond-set upper sections in white gold, 6cm high £800-1,200 1303. A loose oval-shaped tanzanite weighing 7.64cts

£600-800

1304. A ruby and diamond cluster pendant, the oval-shaped ruby weighs approximately 4.00cts and is set within a surround of round brilliant-cut diamonds in 18ct yellow and white gold, 2.5cm high £2,000-3,000

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1293

1294

1295 1296

1297

1298

1302

1299

1301 1300

1304 1303

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1305. A gem-set and enamel Holbeinesque pendant, set with a central oval garnet cabochon within polychrome enamel border set with chrysolites and suspending a chrysolite drop in yellow gold, engraved decoration to reverse, 5.5cm high £800-1,200 1306. A 19th century gem-set enamel pendant, decorated overall with black and white enamel and set with emeralds, rubies and peridots in gold, 5.2cm high £400-600 1307. A French mid 19th century enamel, diamond and pearl pendant, set with graduated old cushionshaped diamonds, in tulip-shaped mounts within turquoise coloured enamel border and quartered with pearls in yellow gold, French control marks, 6cm high £800-1,200 1308. A 19th century carved hardstone cameo brooch, depiciting a woman in the classical manner, within gold ropetwist border, 4.5cm wide, with a pair of matching cameo and gold earrings, fitted case £400-600 1309. A pair of Victorian Etruscan Revival gold earrings, the graduated articulated spheres decorated with ropetwists in yellow gold, 6cm long £300-400 1310. A large 19th century carved hardstone cameo brooch, depicting the profile of a woman, her hair £800-1,200 tied up in a bun to the front and also flowing over her shoulders, gold frame, 5.5cm high 1311. A 19th century gold and enamel fob watch, the outer case decorated with the portrait of a lady, set with rose-cut diamonds, within black enamel border, hinged and opening to reveal a white and blue enamel dial with Roman numerals, manual winding, the reverse case decorated with a cherub, suspended from scrolling gold brooch, 8cm high £400-600 1312. A 19th century silver and micro mosaic bangle, the tesserae depicting Aurora’s procession, in £400-600 silver filigree surround, 5.7cm wide 1313. A chrysoberyl catseye and diamond cluster ring, the oval-shaped chrysoberyl catseye cahochon set within a surround of old cushion-shaped diamonds in yellow gold, size N £200-400 1314. A Victorian pearl and diamond cruciform brooch, alternately-set in yellow gold, 4cm high £400-600 1315. A Victorian pietra dura bracelet, the hardstone panels depicting flowers within gold ropetwist borders, 18cm long, with similar pietra dura brooch, 4cm high, and earrings, 5.8cm high £1,200-1,500

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1309

1307

1308 1306

1305

1312 1311

1310

1315

1314 1313

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1316. A Victorian diamond and pearl portrait brooch pendant, depicting a woman on her wedding day, within a border of diamonds and pearls in yellow gold, folding pendant loop, 4cm high £300-400 1317. A silver and enamel brooch by Murrle Bennett & Co, decorated with an oval blue and green enamel plaque within foliate border, in silver, signed with maker’s mark to reverse, 3.2cm wide £150-250 1318. An Edwardian peridot fringe necklace, the oval-link chain set with pearls suspends a row of pearshaped peridots and pearl and peridot swags in yellow gold, 38cm long £800-1,200 1319. An Art Nouveau gold and emamel pendant, of openwork foliate design and decorated with polychrome enamel, suspending a lozenge-shaped peridot in yellow gold, on a fine-link gold neck chain with £300-400 festoons and a further enamel flower link to each side, pendant 4.5cm high, chain 40cm long 1320. An Edwardian peridot and seed pearl bracelet, set with hexagonal peridots, fancy-links and seed pearls in yellow gold, 18cm long £600-800 1321. An early 20th century tourmaline and diamond pendant, set with pink and green tourmalines, seed pearls and diamonds, millegrain-set in silver and gold, on fine-link neck chain, 45cm long £200-300 1322. A rectangular shakudo plaque brooch, depicting birds amongst foliage within a yellow gold bamboo frame, 7.8cm wide £600-800 1323. An early 20th century sapphire and diamond gold bar brooch, the oval-shaped sapphire set within a surround of old circular-cut diamonds on an openwork yellow gold bar brooch set with further graduated old circular-cut diamonds, 6.5cm wide £400-600 1324. A pair of emerald and diamond drop earrings, each emerald and diamond cluster is set below a line of single-cut diamonds, suspending from diamond-set upper sections in yellow and white gold, 3.7cm high £400-600 1325. An Victorian seed pearl and diamond flowerhead brooch pendant, set with a central round brilliant-cut diamond within a surround of graduated pearls in closed-back yellow gold setting, 3.2cm wide £300-400 1326. An Edwardian zircon and diamond cluster ring, set with a circular-cut zircon within a surround of circular-cut diamonds in platinum and white gold, size R½ £400-600 1327. An diamond and pearl three-stone ring, the central pearl set with two rose-cut diamonds in yellow gold, size S £400-600 1328. An Edwardian pearl and diamond Harem ring, the openwork triple ring is centred with a pink, white and grey seed pearl between cushion-shaped diamonds, with further rose-cut diamonds to the shoulders in yellow gold, size M½ £400-600 1329. A zircon and diamond cluster ring, the oval-shaped zircon is set within a surround of diamonds quartered with kite-shaped rubies in platinum and yellow gold, size K½, case £300-400 1330. A ruby and diamond three-stone ring, set with an oval-shaped ruby and flanked with cushion£400-600 shaped diamonds in yellow gold, size O½ 1331. An early 20th century sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 5.00cts and is set within a surround of circular-cut diamonds in platinum, size P £4,000-6,000 Accompanied by report number 79181-32 dated 22 October 2018 from GCS, London stating that the cushion-cut sapphire weighs approximately 6.00cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon). 1332. A cultured pearl and diamond ring, the cultured pearl set within a surround of round brilliant-cut diamonds in platinum, size N £400-600

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1316

1317

1318

1319

1320

1322

1321

1323

1326

1327

1324

1328

1325 1329 1330

1331

1332

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1333. A pink sapphire and diamond ring, the square-shaped pink sapphire is set within a surround of small circular-cut diamonds and two baguette-shaped diamonds to each shoulder in platinum, size O £600-800 1334. A diamond three-stone ring, the three circular-cut diamonds weigh approximately 1.15cts total, set in platinum, size N £1,400-1,500 1335. A diamond cluster ring, the openwork lozenge-shaped centre section set with a circular-cut diamond within a surround of smaller circular and baguette-shaped diamonds, with a small circular-cut £800-1,200 diamond to each shoulder in yellow and white gold, size N 1336. A sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 1.40cts and is set within a surround of ten circular-cut diamonds in yellow and white gold, size N £1,400-1,500 1337. An opal and diamond cluster ring, the rectangular-shaped opal set within a surround of fourteen circular-cut diamonds in yellow and white gold, size Q½ £600-800 1338. A diamond cluster ring, set with graduated round brilliant-cut diamonds in white gold, size I £400-600 1339. A pair of kunzite, coral and diamond earrings by A. E. Kochert, the pavé-set diamond semisphere suspends an emerald-cut kunzite above a round coral bead, in white gold, signed with maker’s mark, 5.5cm high, with a matching brooch/pendant, maker’s mark, 3.1cm high £1,500-2,000

1340. A cabochon ruby and diamond ring, the circular ruby weighs approximately 18.00cts, flanked with £400-600 circular-cut diamonds in yellow gold, size Q 1341. A sapphire and diamond cluster ring, set with a trefoil of oval-shaped sapphires within a surround of circular-cut diamonds in white gold, size P £800-1,200 1342. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of circularcut diamonds in white gold, size N £800-1,200 1343. A diamond-set gold collar necklace, set with graduated old circular-cut diamonds within twisted rope borders in white gold, 45cm long, 46g £2,000-3,000 1344. A pair of lapis lazuli and diamond drop earrings, the drop-shaped lapis lazuli beads suspend from a round brilliant-cut diamond rubover-set in white gold, post fittings, 4cm high £400-600 1345. An aquamarine and diamond pendant, the pear-shaped aquamarine suspends from a diamondset upper section in white gold, on a fine-link white gold neck chain, pendant 3.5cm high, chain 45cm long £800-1,200 1346. A diamond solitaire pendant, the old circular-cut diamond weighs approximately 0.90cts, claw set in white gold, on fine-link white gold neck chain, 39cm long £400-600 1347. A matching yellow gold bombé ring and earrings by Damiani, all set with scrolls of white and £1,000-1,500 brown circular-cut diamonds, ring approximately M½, 35g total, Damiani box 1348. A lady’s cultured pearl and diamond wristwatch by Longines, the central panel set overall with graduated diamonds, hinged opening to reveal a Longines wristwatch on cultured pearl bracelet, 17.5cm long £800-1,200 1349. A three-row cultured pearl bracelet, set with an oval-shaped opal and diamond cluster clasp, 18cm long £800-1,200 1350. An emerald solitaire ring, set in white gold, size P

£300-400

1351. A diamond five-stone ring, the graduated circular-cut diamonds weighs approximately 1.50cts total and are rubover set in yellow and white gold, size N £1,200-1,500 1352. A diamond crossover ring, the two circular-cut diamonds weigh approximately 0.70cts, with further circular-cut diamonds to the shoulders in platinum, size O½ £1,200-1,500 1353. A diamond set flower head ring, the petals pavé-set with circular-cut diamonds in white gold, size P £400-600

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1334

1333

1335

1336

1337 1339 1338

1343

1340

1346 1341 1345 1342

1344

1347

1350 1348

1351

1352 1353

1349

51


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1354. A 19th century amethyst heart pendant, the heart-shaped amethyst suspends from a seed pearl and gem-set coronet in yellow gold, 4cm high £200-300 1355. A 19th century shell cameo brooch, depicting Ceres in profile, within an Etruscan Revival ornate gold frame, glazed compartment to reverse, 5.6cm high £400-600 1356. An Etruscan Revival gold pendant, the central hemisphere set with the intials ROMA within ropetwist and pellet decoration, suspending amphora and initials MA under fruiting vines in yellow gold, 11cm long, fitted case £1,500-2,000 1357. A Regency pink topaz and emerald gold brooch, set with graduated oval-shaped topaz and emeralds, with cannetille decoration, 4.6cm wide, fitted case £600-800 1358. A late Victorian sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of cushion-shaped diamonds, with a further cushion-shaped diamond to each shoulder in yellow gold, size L½ £800-1,200 1359. A 19th century ruby and diamond cluster ring, set within gold scrolling shoulders, size P £200-300 1360. A Victorian Etruscan Revival gold bracelet, decorated with blue enamel hemispheres with pearls and diamond clusters in yellow gold, glazed locket compartment to reverse, 5.8cm inner diameter, fitted case, with a matching blue enamel and pearl brooch with glazed locket compartment to reverse in yellow gold, 3.4cm wide, case £800-1,200 1361. A Regency gold brooch, set with pink topaz and chrysolites in cannetille border, 9cm high, case £600-800 1362. A pair of Victorian garnet-set gold earrings, of twisted knot design, with cannetille decoration £300-400 and a garnet trefoil benath a leaf in yellow gold, 3.5cm high 1363. A gold cowry shell parure, comprising a necklace, bracelet and earrings, the shells within gold ropetwist borders and separated with cannetille flowerheads, necklace 39.5cm, bracelet 17cm, earrings 6cm high £800-1,200 1364. A Victorian Etruscan Revival gold brooch, set with a round solid white opal cabochon within £800-1,200 ropetwist yellow gold border, 2.7cm wide, fitted case 1365. A carved amethyst cameo brooch, depicting a woman in profile within yellow gold ropetwist border, 4cm high £400-600 1366. A Victorian hardstone cameo brooch, depicting a woman in profile with gold ropetwist border, 4.6cm wide £400-600 1367. A Victorian gold snake brooch, the realistically styled serpent with diamond-set eyes suspends an old cushion-shaped diamond and an emerald bead from its mouth, in yellow gold, 3.8cm wide £1,500-2,000

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1357

1354 1355

1358

1359

1356

1360 (2)

1362

1361 1363

1364

1367

1365 1366

1360 (2)

53


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1368. A lady’s abstract gold wristwatch by Chopard, c1970, the signed lapis lazuli dial set within textured gold lozenge-shaped case on matching bracelet, case numbered 34644 and 5038, 5.5cm wide, 17cm long, case £2,500-3,500 1369. A chalcedony, onyx and diamond necklace, the pendant formed from an articulated chalcedony lozenge within an onyx lozenge, quartered with diamonds, suspending from a conforming necklace, 48cm long £2,000-4,000 1370. A French coral and enamel gold brooch, the branch of red coral is entwined with a textured gold vine set with plique-à-jour enamel gold butterlies, with French control marks and maker’s mark AG in lozenge, 8cm wide, together with a polished aventurine quartz display base £1,000-1,500

1371. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.75cts, set in £500-700 yellow gold, size M 1372. An aquamarine and diamond ring, the emerald-cut aquamarine is set with small circular-cut diamonds to the open work shoulders in white gold, size L½ £800-1,200 1373. A sapphire, emerald and diamond cluster ring, of openwork knotted design and set with an oval cabochon sapphire and two emerald cabochons, in a surround of graduated circular-cut emeralds and diamonds in white gold, size I £1,500-2,000 Accompanied by report number 79215-39 dated 21 May 2019 from GCS, London stating that the cabochoncut sapphire weighs approximately 3.00cts and is a natural sapphire with no indications of heat treatment. Origin: Myanmar (Burma). 1374. An aquamarine solitaire ring, the rectangular-shaped aquamarine set in white gold, size L½ £800-1,200 1375. A French emerald and diamond bombé ring, the pierced lattice form ring is set with an emeraldcut emerald and with nine small diamonds set to each shoulder, French maker’s lozenge mark with initials BJ and French control mark. size K½ £2,000-3,000 1376. A pair of cultured pearl and diamond earrings, the cultured pearls set within a scroll surround of single-cut and baguette-shaped diamonds in white gold, post and clip fittings, 3cm high £2,000-3,000 1377. An abstract gold bracelet, with textured and plain decoration, London hallmarks for 9ct gold, 1975, maker DS&S, 17.5cm long, 57g £600-800

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1368

1369

1370 1371

1372

1376

1373

1375 1374

1377

55


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1378. A ‘Panthere’ tri- colour gold bangle by Cartier, of torc design, the flexible hoop with tri-colour gold wirework decoration, with polished panther head terminals, signed Cartier, inventory number 762897, internal diameter 6.5cm, 50.1g £2,500-3,000 1379. A gold suite of jewellery, the collar necklace and bracelet with fluted rectangular links, necklace 43cm, bracelet 18cm, 150g total £2,800-3,500 1380. A diamond three-stone pendant, vertically-set with a marquise-shaped and two oval-shaped diamonds, on a fancy-link yellow gold neck chain, the diamonds weigh approximately 4.20 cts in total, pendant 3.8cm, chain 40cm long £2,000-3,000 1381. A ruby and diamond three-stone ring, the oval-shaped ruby weighs approximately 2.80cts and is £2,000-3,000 set with triangular-cut shoulder diamonds in 18ct yellow gold, size J 1382. A ruby, emerald, sapphire and diamond ring by Adler, set with an emerald-cut ruby weighing 1.51cts within a geometric surround of bufftop emeralds and sapphires and graduated baguette-shaped shoulder diamonds in yellow gold, size Q £2,500-3,000 Accompanied by report number 5776-6388 dated 19 July 2016 from GCS, London stating that the octagonalcut ruby weighs 1.51cts and is natural ruby with no indication of heat treatment. Origin: Thailand 1383. A sapphire and diamond pendant, set with an oval-shaped blue sapphire and a larger yellow sapphire weighing approximately 10.50cts, rubover-set within a surround of round brilliant-cut diamonds in yellow gold, 4.8cm high £2,000-3,000 Accompanied by report number 79211-71 dated 13 May 2019 from GCS, London stating that the ovalshaped sapphire is a natural yellow sapphire with no indications of heat treatment. Origin: Madagascar. 1384. A yellow sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 6.50cts, in yellow gold, size N½ £2,000-3,000 1385. A rectangular opal and diamond cluster ring, the solid white opal is set within a surround of round £800-1,200 brilliant-cut diamonds in yellow and white gold, size Q 1386. An amethyst and diamond pendant, the pear-shaped amethyst is set within a surround of circularcut diamonds in yellow gold, 5.7cm high £800-1,200 1387. A sapphire and diamond three-stone ring, the oval-shaped sapphire is set with an oval-shaped diamond to each shoulder in white gold, size N½ £800-1,200 Accompanied by report number 5182039835 dated 7 December 2016 from GIA stating that the oval-cut sapphire weighs 4.43cts and is a natural sapphire with indications of heat treatment. 1388. A pink sapphire and diamond ring, the cushion-shaped pink sapphire is set within a surround of rose-cut diamonds in yellow and white gold, size N £4,000-6,000 Accompanied by report number A86578 dated 8 January 2019 from GGTL, Sri Lanka stating that the sapphire weighs 3.13cts and is a natural pink sapphire with no evidence of heat treatment. 1389. A gold zodiac pendant by Cartier, depicting Gemini, signed and numbered 108432, 2.5cm high £600-800 1390. A pair of cultured pearl and diamond drop earrings, the white and golden cultured pearls with diamond-set caps suspend from a line of graduated round brilliant-cut diamonds in white gold, post and clip fittings, 7cm long £2,000-3,000

56


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1378

1380

1379

1381

1382 1383

1390

1384 1385 1386 1387

1388

1389

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1391. A single-row natural pearl necklace, the pearls graduate from 2.0 to 6.6mm, with a three stone diamond clasp, necklace 44cm long £800-1,200 Accompanied by report number 79208-69 dated 10 April 2019 from GCS, London stating that the golden pearls measure 2.0 - 6.6mm approx. and are natural saltwater with no indications of treatment. Pearls under 3mm in size have not been tested and may be either natural or cultured. 1392. A Victorian natural pearl and diamond brooch pendant, set with a natural pearl with diamond scroll surround in silver and gold, 4cm high £600-800 Accompanied by report number 79212-87 dated 21 May 2019 from GCS, London stating that the cream pearl measures 8.0 x 7.9 x 6.7mm and is natural saltwater with no indications of treatment. 1393. A pair of natural pearl, emerald and diamond drop earrings, each natural pearl is set within a circular surround of calibré-cut emeralds and circular-cut diamonds, each suspending from an articulated line of graduated old circular-cut diamonds in platinum, post fittings, 3.2cm high £2,500-3,000 1394. A natural pearl necklace, the pearls graduate from 3.0 to 7.7mm with a two-colour gold clasp set £2,000-3,000 with white stones, French control mark, 71cm long Accompanied by report number 79214-65 dated 21 May 2019 from GCS, London stating that the cream to golden pearls measure 3.0 - 7.7mm and are natural saltwater. 1395. An early 19th century French hollow natural pearl and diamond swan brooch, the pearl forming part of the body and the upper section set with rose-cut diamonds and a red stone eye in silver, French control marks, 3cm wide £1,500-2,000 Accompanied by report number 02929 dated 27 May 2010 from The Gem and Pearl Laboratory, London stating that the irregular oval-shaped part-drilled pearl measures 9.9 x 22mm approximately and is a natural hollow saltwater pearl. 1396. A single-row natural pearl necklace, the cream pearls graduate from 5.4 to 10.8mm approx and are alternately-strung with small seed pearls, 49cm long, no clasp £5,000-10,000 Accompanied by report number 79204-56 dated 4 April 2019 from GCS, London stating that the cream pearls measure 5.4 - 10.8mm diameter approximately and are natural saltwater with the exception of 2 freshwater natural pearls. 1397. A Victorian natural pearl and diamond cluster ring, set with a pearl within a surround of cushionshaped diamonds in silver and gold, size O £1,000-1,500 Accompanied by report number 79204-59 dated 4 April 2019 from GCS, London stating that the cream pearl measure 6.8 - 8.9mm approx. and is natural saltwater with no evidence of treatment. 1398. A single-row natural pearl necklace, the 175 pearls measure from 2.6 to 6.2mm, no clasp, 86cm long, 14.97g £800-1,200 Accompanied by report number 16669 dated 14 December 2018 from The Gem & Pearl Laboratory stating that the 175 pearls measure 2.6 - 6.2mm and are natural saltwater. 1399. A single-row natural pearl necklace, the pearls measure from 4.1 to 6.5mm and are set with a ruby and diamond cluster clasp, 75cm long £1,500-2,000 Accompanied by report number 78138-63 dated 21 January 2018 from GCS, London stating that the cream pearls measure 4.1 - 6.5mm and are natural saltwater with no indications of treatment. 1400. A pair of natural pearl and diamond drop earrings, set with three graduated pearls, joined with diamond-set links in platinum, 4.5cm high £800-1,200 Accompanied by report number 16868 dated 15 February 2019 from The Gem & Pearl Laboratory, London stating that the six part-drilled button-shaped pearls measure 4.0 to 5.6mm and are natural saltwater with no evidence of treatment.

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1391

1394

1393

1395

1396

1392

1398

1397

1399

1400

59


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1401. A ruby and diamond suite of jewellery, the necklace set with sixteen graduated oval-shaped rubies in silver and gold, mounted overall with graduated circular-cut diamonds, with conforming ruby and diamond pendant, 39cm long. With a pair of matching pear-shaped ruby and diamond drop earrings and an ovalshaped ruby and diamond cluster ring, size O, cased ÂŁ15,000-20,000

60


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61


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1402. A realistically-formed mouse ring, set in yellow gold with diamond-set eyes, the platinum tail looping round to form the shank, size P½ (approx) £400-600 1403. An Art Nouveau demantoid garnet and enamel brooch, of foliate design and decorated with blue enamel, suspending four articulated demantoid garnet drops in yellow gold, 5.3cm long £400-600 1404. An Aesthetic Movement gold grasshopper brooch pendant, with engraved decoration and set with rose-cut diamonds to the prothorax and with diamond eyes, detachable pendant loop, 5.5cm wide, 14.2g £200-300 1405. A plique-à-jour enamel and gold pendant by Cartier, depicting a stylised castle on mother of pearl ground within plique-à-jour enamel foliate surround and a border of seed pearls in yellow gold, French £2,000-3,000 control marks, signed and numbered 64005, 2.5cm wide 1406. A sapphire and diamond fringe necklace, of scrolling foliate design, set overall with graduated old cushion-shaped diamonds, suspending briolette-shaped sapphires in silver and gold £2,000-3,000 1407. An early 20th century gem-set gold and enamel insect watch pendant, realistically formed, the wings each set with a crescent of graduated rose-cut diamonds and a pearl, on red guilloche enamel ground, push-button release opens the spring-loaded wings to reveal a small watch with white enamel dial and Roman numerals, the sides and shoulders with further black enamel decoration, the shoulders set with small diamonds and with emerald eyes, realistically engraved to the underside, inner case numbered 4904, 5.5cm £4,000-5,000 1408. An Art Nouveau amethyst, diamond and enamel belt buckle, set in yellow gold, floral motifs in black and purple coloured enamel, set with three cabochon amethysts and old cut diamonds, 70mm wide, 33.5g £3,000-4,000 1409. A pair of Edwardian pearl and diamond drop earrings, the upper pearl suspends a line of diamonds and a pearl and diamond cluster millegrain-set in platinum, 3.5cm high, case £800-1,200 1410. An Edwardian pearl and diamond ring, set with a central pearl and two old circular-cut diamonds within a border of smaller old circular-cut diamonds in platinum and gold, size P £1,000-1,500 1411. An early 19th century gold and seed pearl fruiting vines brooch, with textured yellow gold leaves, 8cm wide, with a similar smaller brooch and pendant £300-400 1412. An early 20th century moonstone ruby and enamel pendant, the central cabochon moonstone set within ruby surround and a further laurel border of white enamel and pearls, suspending an articulated oval moonstone cabochon in yellow gold, 5.7cm high, fitted case £500-700 1413. An Art Nouveau enamel and seed pearl gold shamrock brooch, the leaves decorated with varicoloured green enamel, seed pearl borders and a diamond centre in yellow gold, 3cm wide £500-700 1414. An early 20th century pearl and demantoid garnet foliate brooch, set with a diamond in yellow gold, 5cm wide £400-600 1415. An Aesthetic Movement gold insect brooch, with fluted abdomen, the textured wings and thorax set with circular-cut rubies and diamonds, with maker’s mark H 14k and stamped ‘Pat. Nov. 30’86’, 5.5cm wide £300-400 1416. An Aesthetic Movement gold insect brooch pendant, with fluted body and textured gold wings set with small green stones, and a circular-cut diamond, stamped ‘Pat. Nov. 30’86’, 4.3cm wide £300-400 1417. An Edwardian enamel flower brooch, set with diamond centres in yellow gold, 4cm wide £200-300

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1403

1402

1406

1404

1405

1409

1410 1407 1408

1413 1412 1411 (part)

1416

1415

1417

1414

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1418. A Victorian seed pearl fringe necklace, the fancy-link gold necklace suspending gold ropetwist trefoils and seed pearl cannetille clusters in yellow gold closed-back mounts, 36cm long, fitted case £1,000-1,500 1419. A bracelet formed with seven pierced circular panels, depicting the bow and arrows of Amor, each within white enamel borders joined with foliate links with blue rectangular frames, the clasp stamped 257, 17cm £1,500-2,000 1420. A Victorian sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of old circular-cut diamonds in yellow gold, with London hallmark and obscured maker’s mark, size J £600-800 1421. A pair of Victorian emerald-set gold earrings, of twisted knot design, with cannetille decoration in yellow gold, 3.5cm high £300-400 1422. A Victorian diamond-set grasshopper brooch, realistically formed and pavé-set overall with diamonds (two missing) in silver and gold, 4.2cm wide, fitted case by Sir John Bennett Ltd £1,000-1,500 1423. A ruby five-stone ring, the graduated oval-shaped rubies are set in a pierced and carved 18ct gold scroll mount with diamond pointers, size M½ £600-800 1424. An Edwardian aquamarine mounted gold pendant, designed as a stylised flower head and set with eight briolette-shaped and two oval-shaped aquamarines in yellow gold, 5.5cm long £2,500-3,500 1425. A pair of Victorian gold drop earrings, the upper gold spheres suspending a gold ovoid with articulated tassels, 4.5cm long £400-600 1426. A Victorian opal and diamond cluster ring, the oval opal cabochon is set within a surround of £200-300 small old circular-cut diamonds in a yellow gold scroll carved mount, size L 1427. An Edwardian pearl and diamond brooch, the diamond-set bow suspends a wreath, alternatelyset with pearls and diamonds, suspending an articulated pearl and diamond drop to the centre, in platinum and yellow gold, 3.8cm wide £3,000-4,000 1428. An Etruscan Revival gold bangle, with ropetwist and pellet decorated in yellow gold, 3.2cm wide, £800-1,200 5.3cm inner diameter, case 1429. A 19th micromosaic bracelet, set with oval panels, the tesserae depicting flowers, within gold cannetille surround, 19.5cm wide, with a matching micromosaic gold brooch, 5.4cm high, fitted case £2,500-3,500

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1418

1419

1420 1422

1423 1421 1424 1425

1426 1427 1429

1428

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1430. An 18th century gold posy ring, engraved to the interior with the inscription ‘IN + HOPE + I + REST+’ with engraved decoration to outer shank, size N, case £800-1,200 1431. A Regency gold long guard chain, with gold barrel clasp decorated with flowerheads, 96cm long, 28.7g £600-800 1432. A Regency gold long guard chain, with gold clasp, 120cm long, 38g

£1,000-1,500

1433. A George III diamond-set clasp, set with graduated old cushion-shaped and pear-shaped diamonds in silver and gold, 3cm wide £4,000-6,000 1434. A George III emerald and diamond cluster ring, set with an emerald-cut emerald within a diamond and emerald border in closed-back yellow gold mount, size Q £600-800 1435. A Regency gold acrostic ring, set with a ruby, emerald, garnet, amethyst, ruby and diamond, £2,000-3,000 spelling REGARD, within gold cannetille surround, size O 1436. An early 19th century double-headed eagle brooch, decorated with blue enamel and diamond eyes, with diamond-set initials applied to the breast in silver and yellow gold, 5.6cm long £1,000-1,500 1437. A George III enamel and diamond brooch, the blue enamel surmounted with a centrepiece depicting a bird amongst foliage, set with diamonds, within a diamond border in closed back silver and £200-300 gold mount, 3.5cm wide 1438. A George III garnet-set cruciform brooch pendant, set overall with oval, circular and pear-shaped garnets in closed-back gold mounts, with a glazed locket compartment to the reverse containing hair and with a foliate carved gold suspension loop, 6.5cm high £300-400 1439. An antique gold posy ring, with engraving to interior ‘jioy to find a constant mind’, maker’s mark AM, size R½ £600-800 1440. A medieval-style gold signet ring, c1500, engraved with a Tau cross surrounded by droplets depicting the tears or blood of Christ, inscription to interior ‘tout ma vie’ French for ‘all my life’ with remnants of niello, in yellow gold, size M½ approximately £1,500-2,000 Accompanied by a letter from the Treasure Registrar at the British Museum confirming that the Crown’s interest in the find has been disclaimed. 1441. A George III flowerhead brooch pendant, set with coloured stones in closed-back gold mount, 3.5cm wide, with a similar smaller flowerhead brooch, 2.5cm wide £400-600 1442. A Regency gold long guard chain, with textured circular links in yellow gold, 114cm long, 54.4g £2,000-3,000 1443. A Viking gold earring, 6th - 7th century, of circular twisted rope design, external horizontal diameter approximately 3cm £800-1,200 1444. A whimsical antique enamel ring, depicting a gentleman in traditional medieval attire, with a wild boar hunted by three dogs, decorated with polychrome enamel, approximately size K½ £400-600 1445. A pair of matching George III gold agate bracelets, the oval agate cabochons set within gold £800-1,200 collets, in original fitted case, each bracelet 16cm long 1446. A Regency gold necklace, set with ovoid links decorated with rubies and cannetille, alternately-set with plain links with pellet and cannetille decoration, rectangular-shaped gold clasps set with three rubies, 38cm long £600-800 1447. A George III aquamarine bracelet, the oval-shaped aquamarines set in closed-back yellow gold mounts, 17cm long £600-800

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1430

1432

1431 1435 1434

1436 1433

1439 1437

1438 1440

1441

1442

1443

1445

1444

1446

1447

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1448. An Art Deco diamond and enamel compact by Cartier, of Islamic inspiration, decorated with black enamel and a diamond-set framed portrait of a noble woman, with diamond-set hinged loops, diamond thumbpiece, with counter gold decoration, the inner compartment containing two sections for a powderpuff and powder, with broken mirror, signed Cartier with French control marks, 8.8cm high £3,000-4,000 1449. A yellow gold bangle, set with an Art Deco cocktail wristwatch by Boucheron, set within diamond and onyx border in platinum, with inscription to reverse dated 1919, 5.5cm inner diameter, 60g total £1,500-2,000 1450. An Art Deco emerald and diamond bracelet, millegrain-set with graduated circular and baguetteshaped diamonds, accented with emeralds in platinum, 17.8cm long £6,000-8,000 1451. An early 20th century French cultured pearl and diamond brooch by Jean Després, the openwork brooch of quatrefoil design set with a pearl and graduated circular-cut diamonds in yellow gold, signed in script ‘J. Després’ and with maker’s lozenge, French control marks, 4cm wide £2,500-3,500 1452. An Art Deco sapphire and diamond clip brooch by Cartier, pierced and set with graduated squareshaped sapphires, and graduated circular and baguette-shaped diamonds in platinum, signed to clip and numbered 3615935 £8,000-12,000 1453. A gem-set bracelet, formed from lines of sapphire, ruby and emerald beads with Art Deco diamond set clasp and centre section in platinum, 17cm long £1,500-2,000 1454. A sapphire and diamond cluster ring, the emerald-cut sapphire is set within a surround of £7,000-9,000 graduated circular-cut diamonds in platinum, French control marks, size L Accompanied by report number 79198-54 dated 7 February 2019 from GCS, London stating that the octagonal-cut sapphire weighs approximately 6.50cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon). 1455. An orange topaz and diamond ring, the oval-shaped orange topaz set to each shoulder with a trefoil of round brilliant-cut diamonds in yellow gold, size S½ £1,000-1,500 1456. A sapphire and diamond cluster ring, the circular-cut sapphire is set within a rectangular-shaped diamond surround in platinum and white gold, French control marks, inner re-sizing shank, size M½ £2,000-3,000 1457. An orange topaz and diamond ring, the oval-shaped orange topaz set with two round brilliant-cut £600-800 diamonds in yellow gold, size R½ (with inner re-sizing ring) 1458. A sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 1.60cts and is set wthin a surround of circular-cut diamonds with a pear-shaped diamond to each shoulder in platinum, size L½ £2,000-3,000 Accompanied by report number 79796-34 dated 24 January 2019 from GCS, London stating that the ovalcut sapphire weighs 1.60cts approximately and is a natural sapphire with no indications of heat treatment. Origin: Myanmar (Burma) 1459. A yellow sapphire and diamond three-stone ring, the rectangular-shaped yellow sapphire weighs approximately 7.40cts and is set with triangular-shaped shoulder diamonds in 18ct yellow gold, size K½ £6,500-7,500 1460. A sapphire and diamond cluster ring, the emerald-cut sapphire weighs approximately 5.50cts and £4,000-6,000 is set with graduated rows of circular-cut diamonds to each shoulder in platinum, size L½ Accompanied by report number 79211-21 dated 21 April 2019 from GCS, London stating that the octagonalcut sapphire weighs 5.50cts approximately and is a natural sapphire with no indications of heat treartment. Origin: Sri Lanka

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1449 1448

1451 1452

1453 1454

1455

1456

1450

1457

1458

1460

1459

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1461. A late 19th century diamond, emerald and pearl necklace/tiara, designed as a graduated fringe of old-brilliant-cut diamond trefoil panels with pearl triple spray terminals, with matching smaller spacers on articulated knife-edge links and set with emeralds, c1890, detachable diamond-set back section and with tiara frame ÂŁ6,000-8,000

70


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71


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1462. A cabochon emerald and diamond suite, the necklace set with ten emeralds, each set within a cluster of circular-cut diamonds and joined with diamond-set bows in silver and gold, 42cm long, with a matching pair of earrings and a conforming ring set in yellow gold, size P, fitted case by Garrard ÂŁ25,000-30,000 Accompanied by report number 79217-86 dated 7th May 2019 from GCS, London stating that the majority of the emeralds are Colombian with moderate to significant clarity enhancement.

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1463. An Art Deco diamond ring, set with an old-cut marquise-shaped diamond weighing approximately 4.80cts within graduated shoulders set with old cushioncut diamonds millegrain-set in platinum, size J½, in Wartski case £12,000-15,000

73


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1464. A flower head gold and enamel brooch by Tiffany & Co, c1960, the petals and centre spray section with polychrome enamel decoration, stamped 18K, signed Tiffany & Co and with maker’s mark for Preformed Parts Inc., 4cm high £800-1,200 Preformed Parts Inc. was a company that made jewellery for different Newark New Jersey makers such as Tiffany & Co. 1465. A French pearl and diamond bangle, set with a central line of graduated old cushion-shaped diamonds within fluted gold border set with pearls, in yellow gold, French control marks and maker’s lozenge CD, 5.5cm inner diameter £1,500-2,000 1466. A gold, ruby and diamond bracelet, 1970s, formed with striated gold rectangular sections and mounted with lines of circular-cut diamonds and marquise-shaped rubies, 19cm, 69g £3,500-4,000 1467. A yellow sapphire and diamond ring, the cushion-shaped sapphire weighs 20.36cts, set within bifurcated diamond shoulders in yellow gold mount, the inside shank numbered 25202, size N, Cartier box £8,000-12,000 Accompanied by report number 79215-15 dated 21 May 2019 from GCS, London stating that the cushioncut sapphire weighs 20.36cts and is a natural yellow sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon). 1468. A sapphire and diamond leaf brooch by Van Cleef & Arpels, set with three fancy-cut sapphires within borders of graduated circular-cut and baguette-shaped diamonds, signed to reverse and numbered 15600, 5.4cm high £6,000-8,000 1469. A diamond-set gold cocktail ring, centred with an emerald-cut diamond weighing approximately 1.45cts and set within a surround of tapered baguette-shaped and square-shaped diamonds in a polished gold mount, size N £2,000-3,000 1470. A pair of ruby and chrysoberyl catseye cluster earrings, claw-set in yellow gold, clip fittings, 2.5cm high £800-1,200 1471. A pair of sapphire and diamond scroll earrings, set with a round brilliant-cut diamond to the centre within a graduated border of circular-cut sapphires and graduated baguette-shaped and circular-cut £1,000-1,500 diamonds in platinum and white gold, 2cm high

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1464

1465

1467

1466

1468 1469

1470

1471

75


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1472. A diamond-set stylised vermicelli white gold necklace by Asprey, set overall with graduated round brilliant-cut diamonds, signed to the clasp Asprey London, 37.5cm, fitted case by Asprey £8,000-12,000 1473. A diamond half-hoop ring, channel-set with princess-cut diamonds in platinum, size L

£400-600

1474. A star sapphire and diamond cluster ring, the circular blue cabochon sapphire weighs approximately 29.00cts, set within a surround of round brilliant-cut diamonds in 18ct white gold, size R½ £1,500-2,000 1475. A black opal and diamond cluster ring, the oval opal cabochon is set within a surround of circularcut diamonds in yellow and white gold, London hallmarks for 1997, size Q £1,000-1,500 1476. A B.ZERO 1 diamond-set white gold bangle by Bulgari, centrally-set with a line of round brilliant£2,500-3,500 cut diamonds, engraved Bulgari to the gallery, 5.5cm inner diameter 1477. A Bulgari three-band B.ZERO 1 ring, of sprung spiral design and engraved Bulgari to the gallery, signed Bulgari, stamped 750 and with Italian hallmarks, size K½ £400-600 1478. A pair of fancy diamond stud earrings, each set with a circular-cut fancy diamond within a surround of circular-cut white diamonds in white gold £2,500-3,500 Accompanied by report number 00005130 dated 3 December 2010 from Saxon Kruss stating that the round brilliant-cut diamonds weigh 0.38 and 0.41cts and are natural diamonds with fancy vivid yellow colour and SI2 and SI3 clarity. 1479. A pair of diamond-set drop earrings, mounted with graduated rondels each pavé-set with circularcut diamonds, with further small circular-cut diamonds to the lever-back fittings in white gold (one stone missing), 4cm high £2,000-3,000 1480. A diamond-set full circle white gold bangle, set with fifty-two round brilliant-cut diamonds, internal diameter 7cm £4,000-6,000 1481. Three fancy diamond-set gold bangles, one alternately-set with fifty-two round brilliant-cut diamond in groups of three white diamonds and six fancy-coloured diamonds, the other two bangles each set with fifty-one fancy-coloured round brilliant-cut diamonds, all in yellow gold, each with 7cm internal diameter, 53g total £3,000-5,000 A verbal report was obtained from GCS, London stating that of samples tested the diamonds showed no evidence of treatment. 1482. A diamond-set full circle white gold bangle, set with fifty-two round brilliant-cut diamonds, internal diameter 7cm £4,000-6,000

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1473

1474 1472

1475

1481 1476

1480

1477

1482 1478 1479

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1483. An antique gold collar necklace, formed from baton and circular links in yellow gold, 37cm long, 45.5g £1,500-2,000 1484. A Victorian amethyst and diamond pendant, set with a hexagonal amethyst within a rose-cut diamond border and diamond trifurcated bale, 2.8cm high £600-800 1485. A Victorian amethyst rivière necklace, formed from graduated oval-shaped amethysts in gold cutdown collets with pellet decoration, suspending a cross-shaped pendant which detaches to be worn as a brooch, necklace, 42cm long, brooch 6.6cm wide, case £3,500-4,000 1486. A Victorian diamond and enamel serpent bangle, the stylised gold snake decorated with blue enamel and diamonds in yellow gold, 5cm inner diameter £1,500-2,000 1487. A pair of sapphire and diamond cluster earrings, the sugarloaf sapphires are set within a surround £1,500-2,000 of old cushion-shaped diamonds in silver and gold, post and clip fittings, 1.3cm wide 1488. A Victorian demantoid garnet and diamond cluster ring, the oval-shaped garnet is set within a surround of old circular-cut diamonds in yellow gold, size N½ £600-800 1489. A diamond cluster ring, the centre circular-cut diamond weighs approximately 0.45cts and set within a surround of old circular cut diamonds, with a further circular-cut diamond to each shoulder in yellow £2,000-2,500 gold, size M½ 1490. A Victorian diamond star brooch, set overall with cushion-shaped and rose-cut diamonds in silver and gold, 3.6cm high £800-1,200 1491. A Victorian moonstone and diamond pendant, the large moonstone cabochon, quartered with clusters of old circular-cut diamonds in silver and gold, pendant 4.8cm high, on fine link chain, 60cm long £800-1,200 1492. An Edwardian diamond-set heart locket, set with a central heart-shaped diamond, pavé-set within circular-cut diamonds in silver and gold, glazed locket compartment to reverse, 2.2cm high £1,000-1,500 1493. A Fabergé sapphire and diamond brooch, set with a circular cabochon sapphire, within twisted border of diamonds in silver and gol, maker’s mark for August Holmstrom, 56 zolotnik and kokoschnik, 4cm wide £5,000-7,000 1494. A Victorian ruby and diamond half-hoop ring, set with two oval-shaped rubies and three graduated old circular-cut diamonds in a yellow gold carved and pierced scroll mount, size K £1,000-1,500 1495. A late Victorian opal and diamond brooch pendant, formed from two conjoined pear-shaped clusters set with cabochon opals and old circular-cut diamonds, suspended from a bow in silver and gold, detachable brooch fitting and folding pendant loop, fitted case £800-1,200 1496. A Victorian blue glass and diamond brooch, set with a large turquoise-coloured glass cabochon within rose-cut diamond borders quartered with stylised diamond fleur de lys in silver and gold, 4cm wide £400-600 1497. A Victorian diamond-set snowflake brooch, set overall with graduated old cushion-shaped £200-300 diamonds in silver and gold, 3cm wide

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1484 1483

1485

1487

1486 1488 1492

1490 1491 1489

1494 1497

1495 1493 1496

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1498. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 2.20cts, set in plain white gold mount, size L £5,000-7,000 1499. An emerald and diamond three-stone ring, the cushion-shaped emerald set with two tapered baguette-shaped shoulder diamonds in yellow gold and platinum, size L £3,000-4,000 Accompanied by report number 1089143 dated 21 December 2017 from AGL, New York stating that the square cushion-shaped emerald weighs 0.98cts and is natural beryl with no clarity enhancement. Origin: Colombia. 1500. A diamond solitaire ring, the pear-shaped diamond weighs 3.45cts, claw-set in platinum, size T £5,000-7,000 Accompanied by report number 79210-27 dated 13 May 2019 from GCS, London stating that the pear-cut diamond weighs 3.45cts and is a natural diamond with M-N colour and VVS2 clarity. Type: IaAB, Fluorescence: Strong. 1501. A diamond solitaire ring, the old circular-cut diamond weighs approximately 1.75cts is claw-set in platinum, size N½ £2,000-3,000 1502. A diamond solitaire ring, the old circular-cut diamond weighs approximately 1.70cts, with millegrain-set diamond shoulders in platinum and gold, size N½ £2,500-3,500 1503. A pair of early 20th century jade drop earrings, the circular jade cabochons suspend articulated lines of seed pearls and further jade drops, 5.5cm high, fitted case £2,500-3,000 Accompanied by report number 10869 dated 25 February 2015 from The Gem & Pearl Laboratory, London stating that the two part-drilled drop-shaped and two cabochon-cut jades are mottled green jadeite jade with no evidence of treatment. 1504. A jade and diamond pendant, the old cushion-shaped diamond suspends a carved jade pendant in gold, chain 40cm long, pendant 7cm long, fitted case £400-600 Accompanied by report number 79213-71 dated 15 May 2019 from GCS, London stating that the carved jade weighs approximately 24cts and is natural green jadeite jade with no indications of impregnation. 1505. A carved jade plaque, the green jadeite jade with carved foliate decoration and pierced pendant loop, 5cm high, 19.9g £1,000-1,500 1506. A pair of jade and diamond drop earrings, each carved and pierced jade plaque suspends from bi-colour gold upper sections pavé-set with circular-cut diamonds, 6.5cm high £800-1,200 1507. An Art Deco diamond-set panel bracelet, set overall with graduated circular and baguette-shaped £6,000-8,000 diamonds in platinum, the centre diamond weighs approx 0.50cts, 18cm long 1508. A orange sapphire-set bombé ring, the circular-cut sapphire weighs 6.92cts and is set in white gold within a surround of circular-cut diamonds, size T £3,000-4,000 Accompanied by report number 17339 dated 24 May 2019 from The Gem & Pearl Laboratory, London stating that the round mixed-cut sapphire weighs 6.92cts and is a natural orange sapphire with no evidence of heat treatment. 1509. An Art Deco jade and diamond brooch, depicting Atlas holding a celestial sphere represented by a carved and pierced green jade plaque, set with old ciruclar and baguette-shaped diamonds in white gold, 8.8cm high £3,000-5,000 Accompanied by report number 79217-83 dated 7th May 2019 from GCS, London stating that the jadeite jade showed no indication of treatment. 1510. A pair of early 20th century diamond drop earrings, the upper sections designed as stylised pagodas, set with sapphires and diamonds, suspending two further diamonds in gold, the two principal diamonds weigh approximately 3.00cts in total, 3cm high, case £3,000-4,000 1511. An Art Deco diamond-set brooch, the hexagonal brooch pierced and pavé-set with diamonds in platinum and white gold, 4cm wide £400-600

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1500 1504 1501

1502

1498

1499

1503

1505

1506

1508

1510 1507

1509

1511

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1512. A single-row natural pearl necklace, the 69 pearls graduate from 5.0 to 9.0mm, with a diamondset rondel clasp by Boucheron, pavĂŠ-set overall with round brilliant-cut diamonds in platinum, signed Boucheron Paris with French control marks and numbered 770, necklace 46cm long, with Boucheron case ÂŁ20,000-40,000 Accompanied by report number 79216-24 dated 22 May 2019 from GCS, London stating that the cream pearls measure 5.0 - 9.0mm approximately and are natural saltwater, with no indications of treatment.

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1513. A pair of ruby and diamond drop earrings, set with round brilliant-cut diamond clusters suspending three articulated lines of graduated round brilliant-cut diamonds and oval-shaped rubies, with pear-shaped diamonds terminals in platinum, signed Pederzani, 6.5cm long, estimated total diamond weight 19.50cts ÂŁ6,000-8,000

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FINE JEWELLERY

Thursday 31st October 2019 Entries are now being accepted for this sale

To be sold 31st October A yellow sapphire-set gold ring, 29.70cts. Estimate: £15,000 - £20,000


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To be sold 31st October A Victorian gold bracelet containing portrait and eye miniatures, depicting various member of the Nottidge family. Estimate: ÂŁ8,000 - ÂŁ12,000

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk


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SILVER & OBJECTS OF VERTU Tuesday 16th July 2019

By Tiffany and Co, a 19th century silver and mixed metals Mokume tea caddy, Edward Moore period 1873-1891. Estimate: £1,000 - £1,500*

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price


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DESIGN

Wednesday 16th October 2019 Closing date for entries 23rd August

Two Dunhill Aquarium table lighters designed by Margaret Bennett. Estimates ÂŁ1,000-1,500 and ÂŁ2,000-3,000*

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price


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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.


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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega () have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked  may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.


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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol () indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is


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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.


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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000


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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;


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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available


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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Follow A345 for 1.7 miles. At Beehive Park & Ride F follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd. 020 7424 7830 jammdesign.co.uk


WW102-588 Listing.qxp_Layout 1 07/06/2019 13:30 Page 96

WOO L LE Y & WA L LI S

Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 18th July 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

96

www.woolleyandwallis.co.uk


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NEXT VALUATION DATES: 5th July, 6th September, 4th October No valuation day in August.

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Woolley & Wallis  

Jewellery | Thursday 18th July 2019

Woolley & Wallis  

Jewellery | Thursday 18th July 2019