Page 1

FINE JEWELLERY Wednesday 30th October 2019


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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN

VALUATIONS FOR INSURANCE & PROBATE

Michael Jeffery Zoe Smith

424505 446955

Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA Amanda Lawrence (PA)

424509 424598 424509

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424506 +44 (0)7812 601098 424571 424591

MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

Janice Clift (Office Manager) 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER Matt Hill

CASTLE GATE MANAGER JAPANESE ART Alexandra Aguilar Sarah Lopez-Ferreiro

David Jordan 424583 424591

CASTLE GATE RECEPTION Sally Litherland

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Clive Stewart-Lockhart FRICS FRSA Deputy Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director

ASSOCIATE DIRECTORS SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

339752 446980

424500

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

424500


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JEWELLERY Wednesday 30th October 2019 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Friday 25th October Saturday 26th October Monday 28th October Tuesday 29th October Wednesday 30th October

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde FGA 01722 424586 cg@woolleyandwallis.co.uk

LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk ILLUSTRATIONS Front cover: Lot 1605 Back cover: Lot 1534 - 1539 Inside front cover: Lot 1588 Page 1: Lot 1605 Catalogue £12.00 (£15.00 by post)

Please register by 5pm on Tuesday 29th October BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 29th October


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Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley & Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond. CITES REGULATIONS Please note that lots marked Îť may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Saturday collections by appointment. 10.00am to 1.00pm


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1000

1001

1000. KUNZ, G. F., STEVENSON, C. H., The Book of the Pearl; The History, Art, Science and Industry of the Queen of Gems, (New York: The Century Co.: 1908) £400-600 1001. A quantity of antique and modern jewellery boxes, including boxes for pendants, stick pins, brooches and rings (one by Kutchinsky) £300-400

1002

1002. A black casket containing assorted jewellery, including a gold charm bracelet, a 9ct gold curb-link bracelet, an amber bead necklace, a diamond and gem-set cluster ring, and various other items of jewellery and costume jewellery £800-1,200

λ 1003. A pair of Edwardian diamond and turquoise bow earrings, set in platinum and gold, 2.5cm high, converted post fittings, with a Victorian amethyst and seed pearl pendant within gold cannetille surround, 5cm high, a reverse-carved crystal brooch depicting a pussywillow in gold Austrian mount, a garnet-set gold oval brooch, a seed pearl insect gold bar brooch and a coral necklace £400-600

1003


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1004 1004. A collection of thirteen Chinese gold jewellery items, including pendants, rings, bracelets etc, 233g total £3,500-4,500 1005. A collection of fifteen Regency and Victorian mourning brooches, each gold brooch centred with a glazed locket containing plaited hair within seed pearl surround and gold mourning inscription on black enamel ground, most engraved to the reverse the deceased's name and date of death (varies between 1827 - 1849), 2.1 - 3.8cm wide. £1,000-1,500

6

1005

1006. A Victorian sapphire and diamond bar brooch, a baguetteshaped diamond half-hoop ring set in yellow gold, size N½, a fire opal ring in yellow gold, size N, two shell cameo brooches, a sapphire and diamond scroll ring, size M, a ruby and diamond foliate brooch, a cultured pearl and sapphire circular brooch, a diamond cluster ring, size M, a diamond half-hoop ring, size N, a ruby and seed pearl brooch, a sapphire and diamond half-hoop ring, size R and a paste ring size N½ £400-600

1006


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1008 1007 1007. A group of thirty-four carved hardstone and shell cameos and intaglios £200-300 1008. A Jugenstil stone-set silver brooch pendant by Theodor Farhner, centred with an amazonite cabochon with three navette-shaped blue stones to each side of the decorative and beaten silver mount, signed with inverted TF and 935, 3.7cm wide. Together with a collection of eleven desk seals of assorted designs, including a seated owl, two small cameos, two fob seals and three glass intaglios and a pendant £100-200 1009. Ten brooches, including four gold bar brooches, a garnet and cultured pearl foliate brooch, a Victorian circular enamel and gold brooch, a silver brooch set with moonstones, an Arts & Crafts amethystset silver brooch, a red glass lozenge brooch within gold cannetille surround, and a purple paste brooch in gold-coloured metal, together with three items of silver by Tiffany & Co, including a bow brooch, a leaf brooch and a cosmetic brush, all individually cased £200-300 1010. A pair of Victorian micromosaic gold earrings, 6cm high, a gold pendant suspending three citrine briolettes, decorated with a gold bird, 7cm high, and a gold pendant set with micromosaic depicting a bird, 3cm wide £400-600

1009

1011. An Edwardian seed pearl and turquoise gold star pendant, set in gold, a gold shell pendant, a silver and gold Victorian locket pendant, with a border of seed pearls, 4.5cm high, a gold fine-link necklace set with cultured pearls and a seed pearl-set bow brooch £200-300

1010

1011

7


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1012

1013

1012. A Victorian citrine-mounted gold scroll brooch, 6cm wide and a 19th century black enamel mourning brooch set with a central panel of plaited hair in closed-back gold mount, 5.2cm wide £200-300 1013. A Victorian turquoise and seed pearl-set gold pendant, 3.7cm high, with an Edwardian blue guilloche enamel and seed pearl pendant, on broken fine-link gold chain £200-300 1014. A diamond five-stone ring, set with graduated old cushion-shaped diamonds in yellow gold, London hallmarks for 1875, size K, with an Edwardian seed pearl brooch, a gold pendant mounted with a half sovereign and a jade ring £400-600

1014

1015. Seven gem-set rings, including a diamond cluster ring, set in yellow gold, size P, a diamond half hoop ring set in silver and gold, size J, a diamond solitaire ring, set with shoulder diamonds in platinum and yellow gold, size J, a diamond cluster ring, size L, a diamond solitaire ring, set in yellow gold, size L, an amethyst ring, size H½ and a ruby and diamond cluster ring set in platinum and yellow gold, size N £500-700 1016. An Edwardian sapphire and diamond half-hoop ring, set in carved and pierced yellow gold mount, Birmingham hallmarks for 1912, size N, with another sapphire and diamond half hoop ring, size Q, with a diamond half hoop ring, Chester marks for 1909, size L½, and another smaller sapphire and diamond ring, size P £300-400 1017. A diamond solitaire ring, the princess-cut diamond is rub-over set in platinum, size K, with a blue topaz and diamond cluster ring, size K and a shell cameo ring set in gold, size P £200-300 1018. A 19th century gold mourning ring, with vacant plaque, the shank with plaited hair within 15ct yellow gold, Chester hallmarks for 1884, size O, with another 19th century gold ring applied with the word ‘Astore’ for the city in Pakistan, in 18ct yellow gold, Birmingham hallmarks, size O £150-250

1015

8

1016

1017

1018


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1019

1020

1021

1019. A diamond five-stone ring, set with five graduated old circular-cut diamonds in platinum, size O½, with a diamond cross-over ring set in yellow and white gold, size N £200-300

1022

1020. Two diamond five-stone rings, each set with old circular-cut diamonds in yellow and white gold, size P½ and size Q £300-400 1021. An Australian gold mining ring, centred with a cartouche applied with a cross, pick-axe and shovel on matted ground, the shoulders chased with foliate scroll decoration, ring size in excess of Z £600-800 1022. An Australian gold mining brooch, formed as a pick-axe, shovel and bucket, 4cm wide, with a matching gold stickpin, a gold nugget stickpin and a circular gold brooch centred with a gold map of Australia, 2.2cm wide £200-300 1023. A Victorian shell cameo brooch, depicting Hebe and Zeus in a gold frame, with two smaller shell cameos in gold frames £200-300

1023

1024. A Victorian hardstone cameo brooch, depicting Ceres in profile within a border of pearls and black enamel in yellow gold, 6.5cm high £800-1,200 1025. A late 18th - early 19th hardstone cameo brooch, depicting a double portrait of a baccanti and a man in profile, in a Victorian foliate engraved gold mount, cameo 2.5cm high, brooch 3.5cm high £400-600 1026. A Victorian carved lava cameo, depicting Leonardo Da Vinci, within a later gold frame, 5cm high £200-300 1027. A hardstone intaglio bracelet, the intaglios possibly 18th - 19th century, depicting a standing warrior, three figures in profile, a cardinal, Hercules wearing the Nemean lion skin and a seated emperor, mounted in a later gold bracelet, French control marks and with maker's lozenge JN, 19.5cm long £800-1,200

1024

1025

1026

1027

9


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1029

1030

1028. A tanzanite bead necklace, the graduated rondel-shaped beads measure 10 - 22mm and are set with a textured yellow gold clasp, 206g total £3,000-4,000

1028

1029. A two-row cultured pearl necklace, with a ruby and diamond-set gold abstract clasp, 46cm longest £600-800 1030. A four-row cultured pearl necklace, with a gem-set clasp, a pair of diamond and cultured pearl drop earrings, a pair of emerald stud earrings, a pair of diamond earrings, two vacant earring fittings and a cased set of three studs £600-800 1031. A single-row cultured pearl necklace, with a diamond-set Art Deco clasp, 44cm long £400-600

1033

1032. A cultured pearl and diamond necklace, the baroque cultured pearls separated with pavé-set diamond links, 90cm long £1,200-1,500

1031

1033. A single-row cultured pearl necklace, set with a sapphire and diamond cluster clasp in platinum and gold, 34cm long £400-600 1034. A three-row cultured pearl necklace, with a ruby, sapphire and diamond cluster clasp in yellow gold, 50cm longest £800-1,200

1034

10

1032


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1038 1037

1036

1035

1035. A 19th century emerald and diamond cruciform pendant, set in yellow gold with French marks, on fine-link yellow gold chain, chain 40cm long, pendant 4cm high £400-600 1036. A sapphire and diamond cluster pendant, the oval-shaped sapphire set in a surround of old circular-cut diamonds and surmounted by a further old circular-cut diamond in yellow and white gold, 2.2cm high £600-800

1039

1037. A tsavorite garnet and diamond collar necklace, of foliate design and set with an oval-shaped tsavorite garnet and round brilliant-cut diamonds on an articulated gold collar necklace, 39cm long £1,800-2,000 1038. A pair of sapphire and diamond cluster earrings, the heart-shaped centre sections invisibly-set with calibré-cut sapphires within a surround of round brilliant-cut diamonds in yellow gold, post fittings, 1.5cm high £500-700 1039. A sapphire and diamond bracelet, set with calibré-cut sapphires within a border of diamonds in yellow and white gold, 18cm long £2,000-3,000

1040

1040. A pair of coral and diamond-set earrings, the abstract foliate mounts set with coral cabocons and circular-cut diamonds in textured yellow gold, obscured maker’s marks, clip fittings, 3cm high £800-1,200 1041. An emerald and diamond brooch, of leaf design, the open wirework gold brooch is set with circular-cut diamonds and an outer surround of circular-cut emeralds, signed Sanz, 9cm long £600-800 1042. A pair of gem-set gold bracelets, each set with a line of rubies, sapphire and emeralds (one missing) in yellow gold, each 17.5cm long £500-700

1041

1043. A jade bead necklace and bracelet, the green jade beads measure 9mm approximately, necklace 84cm long, 119g total £200-300 1044. A pair of diamond-set bow earrings, pavé-set with a central plaque of diamonds in platinum and yellow gold, post and clip fittings, 2cm high £400-600 1045. A French gold bird brooch, the bird set with a ruby eye, the nest set with cultured pearls in yellow gold, 3cm wide, case £400-600

1043

1044

1045

1042

11


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1046

1047

1048

1046. An Edwardian amethyst and seed pearl necklace, suspending circular-cut amethysts and seed pearls on fine-link yellow gold neck chain, 39cm long £100-150 1047. A George III coral and gold necklace, the two-row gold necklace set with carved corals in gold cannetille setting, with a coral clasp and suspending two carved coral beads with seed pearl terminals in gold mounts, 40cm long £800-1,200 1048. A cultured pearl and diamond pendant, the chain set with cultured pearl and diamond quatrefoils and further small diamonds, suspending a pendant set with three rectangular clusters on articulated diamond-set knife edge mounts in white gold, chain 46cm long, pendant 6cm long £1,000-2,000 1049. An opal pendant, the two solid opals are rubover-set in yellow gold, 7.5cm high £600-800

1049

1050. A pair of zircon cluster ear studs, set in platinum, 12mm diameter

£800-1,200

1051. A Victorian yellow gold brooch, designed as a ribbon with engraved scrolling decoration, with three pearl and diamond stars, 6cm wide £200-300 1052. A Japanese style gold brooch, depicting a kneeling geisha next to a diamond-set tree in yellow gold, 4.8cm wide £400-600

1050

1053. A Victorian white enamel and amethyst-set gold bangle, the heart-shaped amethyst is set within pierced scrolling mount decorated with white enamel and diamonds on expanding gold bangle, 5.5cm inner diameter (smallest), with a matching white enamel and amethyst gold brooch, 7cm high £1,000-1,500 1054. A Victorian gem-set brooch, of flowerhead design and set with rose-cut diamonds, circular-cut amethysts, sapphires, a demantoid garnet, a chrysolite, and a garnet in silver on gold, suspending from a detachable diamond-set foliate upper section, detachable brooch pin, 6cm high £400-600

1051

1052

12

1053

1054


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1055

1056

1057 1055. An aquamarine and diamond brooch, the oval-shaped aquamarine is set within a pierced scallop-edged surround set with diamonds in white gold, 3.5cm wide £400-600

1058

1056. A pair of diamond flowerhead earrings, set with a central cluster of diamonds within textured 9ct yellow gold petals, post and clip fittings, 2.5cm wide £600-800 1057. A Victorian opal and demantoid garnet pendant, set with graduated opal cabochons and demantoid garnets in yellow gold, with brooch fitting to reverse, 4cm high £400-600 1058. A Victorian diamond-set black enamel locket, set with rose-cut diamonds in silver and gold, glazed locket compartment to reverse, 6.2cm high £450-550 1059. A gem-set gold bangle, the plain gold bangle is set with oval and cushionshaped gemstones including garnets, zircons a topaz and an amethyst, 6cm internal diameter, 53g £500-700

1059

1060. An aquamarine and diamond bracelet, set with aquamarine and diamond clusters separated with diamond-set links in white gold, 17.5cm long £200-300 1061. A ruby and diamond closed crescent brooch, set with graduated rubies and diamonds in yellow and white gold, London hallmarks for 1975, 2.8cm wide £400-600 1062. A Victorian coral and diamond brooch pendant, pierced and set overall with coral cabochons, pearls and cushion-shaped diamonds in yellow gold, 4cm high £500-700 1063. A gem-set insect brooch, set with a circular-cut sapphire and rose-cut diamonds in gold, 2.2cm high £300-400 1064. A French Art Nouveau silver and plique-à-jour enamel pendant by Frédéric Charles Victor de Vernon, depicting the Madonna within a surround of blue plique-àjour enamel decoration, signed F. Vernon, French control mark to the bale, 3.2cm high £150-250 For a similar example by F. Vernon, see British Museum exhibit no. 1978,1002.996.

1061

1062

1060

1063

1064

13


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1065

1066

1065. A Victorian seed pearl and diamond-set gold heart locket pendant, the front pavéset with seed pearls (one missing) and a diamond, glazed locket compartment to reverse, on twisted bi-colour gold neck chain, 38cm long, heart 16mm wide £600-800 1066. An Art Nouveau locket pendant, depicting a nymph amongst irises, glazed locket compartment to interior, stamped FIX to bale, with two other Art Nouveau circular pendants £200-300 1067. A 19th century gem-set and enamel gold brooch pendant, the centre enamel section depicting a reclining woman within a scrolling foliate gold surround set with rose-cut diamonds, suspending a pear-shaped aquamarine drop, 3.5cm high £600-800 1068. An early 20th century foliate brooch, decorated with circular and baguette-shaped diamonds in platinum and white gold, 3cm high £200-300

1067

1069. A late Victorian diamond-set portrait brooch, depicting a young girl within glazed locket compartment, mounted on mother-of-pearl and within a border of old circular-cut diamonds in silver on gold, 2.7cm wide £400-600 1070. An Art Deco composite diamond-set brooch, of feather design and set overall with graduated old and single-cut diamonds in platinum, 3.6cm high £600-800 1071. A white gold Wyckham Swan brooch, the white gold swan set with rose-cut diamonds to the body, 2.2cm high £200-300 The same swan features as the centre of the Buckingham Regimental emblem, and the High Wycombe coat of arms 1072. A circular azurite malachite brooch, set with a central amethyst cabochon in silver and gold collet, with silver fittings to reverse, maker’s mark JSW and Sheffield marks for 1994, 5cm wide £100-200

1068

1073. A diamond-set gold and enamel butterfly brooch pendant by Leo de Vroomen, with blue and green guilloche enamel decoration, the thorax set with circular-cut diamonds and with diamond eyes in 18ct yellow gold, with removable pendant loop, signed de Vroomen and with maker’s mark, London hallmarks for 2001, 5.4cm wide £500-700

1069

1070

14

1071

1072

1073


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1074

1075

1076

1074. A lady's Art Deco diamond-set wristwatch, the rectangular dial with black Arabic numerals, the platinum case set overall with graduated single-cut diamonds, on an adjustable white gold mesh strap, 16mm wide £200-300 1075. A lady’s gold wristwatch by Bueche Girod, the signed white dial within diamond-set bezel on 9ct gold strap bracelet, quartz movement, 17cm long, 2.5cm wide £300-400 1076. A gentleman’s gold pocket watch, the plain white dial with black Roman numerals, subsidiary seconds dial, stem wind in 18ct gold case, case signed Camerer Kuss & Co, London, £800-1,200 1077. A lady’s 18ct gold fob watch by Vacheron & Constantin, with plain white dial and black Arabic numerals, key wind, on fancylink gold long guard chain, 94cm long £200-300 1078. A gentleman’s 18ct gold pocket watch by Thomas Russell & Son, the signed white dial with Roman numerals and sweep seconds hand, stem wind, 3/4 plate movement numbered 87971, Chester hallmarks for 1894 £800-1,200

1078

1079. A gentleman's gold Rolex precision wristwatch, baton numerals and subsidiary seconds dial (missing hands) in gold case, 3.8cm wide, Rolex box £500-700 1080. An 18ct gold lighter by Dupont for Cartier, of rectangular form, decorated with a woven fabric pattern in yellow gold, signed and with Cartier maker’s mark, London import marks for 1961, 4.8cm high, 108g £100-150

1077

1081. An early 19th century desk seal, set with a green agate intaglio possibly depicting Sir William Blake in profile, in scroll engraved gold setting and carved waisted wooden mount, 8cm high, fitted case £250-300

1079

1080

1081

15


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1082

1083

1082. A 17th century octagonal carnelian with full coat of arms, in gilt metal ring, intaglio 1.5cm high, ring size O, together with a black onyx intaglio depicting a griffin, mounted in a gold ring, intaglio 2.9cm wide, ring size O £200-300

1084

1083. A Regency fob seal, with repoussé shell decoration, suspended from a split ring, with a carnelian matrix engraved with a coat of arms, 3.6cm high, with a smaller bell-form fob seal with a bloodstone matrix engraved with a coat of arms, 3.2cm high £200-300 1084. A pair of blue and white enamel oval cufflinks, set in 18ct yellow gold, with a pair of 9ct gold oval cufflinks with engine-turned decoration, London hallmarks for 1927 £300-400 1085. A French late 18th century gold etui, with gold and black lacquer Japanning decoration, with a standing figure reading beneath a tree to one side and Mons to the other, the base with a 16 petal chrysanthemum, containing a pair of steel and gold scissors, a pen knife with steel blade and tortoiseshell body and a small gold-cased pencil, 9.5cm high £300-400

1086

1085

1086. A 19th century hardstone box, set with banded agate, the bottom section engraved with shell decoration in gold collets, 6cm wide £300-400

1088

1087. A gold charm bracelet, the 9ct gold curb link bracelet with heart padlock clasp suspends a collection of charms including three fob seals with vacant matrices, one hardstone fob seal with initals J G S, six sovereign coins and a 9ct St Christopher medallion, 88.5g £1,000-1,500 1088. An early 20th century diamond-set initial brooch, depicting the letters MC set with rose-cut diamonds in platinum and gold, 2.9cm high £300-400 1089. A silk and gold evening bag by Cartier, with woven decoration and a plaited silk strap, the fluted cylindrical 9ct gold clasp, with London hallmarks for 1969, 22.5cm wide, Cartier box £500-700

16

1087


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1089

17


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1090. A diamond three-stone ring, set with a round brilliant-cut diamond weighing approximately 0.65cts with tapered baguette-shaped shoulder diamonds, joined together with a matching half-eternity ring in white gold, size O £600-800 1091. An emerald and diamond ring, the emerald-cut emerald is set with a square-shaped diamond to each shoulder in white gold, size K £600-800 1092. A pink sapphire and diamond ring, the square-shaped pink sapphire is set within a surround of small circular-cut diamonds and two baguette-shaped diamonds to each shoulder in platinum, size O £600-800 1093. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of old circularcut diamonds in yellow and white gold, size P £600-800 1094. An aquamarine and diamond ring, the emerald-cut aquamarine set with baguette-cut diamonds to each shoulder in white gold, size N½ £700-900 1095. A sapphire and diamond cluster ring, the emerald-cut sapphire is set within a surround of single-cut diamonds in white gold, size J½ £300-400 1096. A diamond cluster ring, the three graduated round brilliant-cut diamonds are set within a diamond crossover surround in white gold, size R £400-600 1097. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of cushionshaped and circular-cut diamonds in yellow gold, size R½ £400-600 1098. An emerald and diamond cluster ring, the cushion-shaped emerald is set within a surround of small circular-cut diamonds in platinum, size M½ £1,000-1,500 1099. A sapphire and diamond cluster ring, the graduated French-cut sapphires set in a row with circularcut diamonds in yellow and white gold, size O½ £450-650 1100. An emerald and diamond cluster ring, centred with three graduated old circular-cut diamonds within a surround of tapered calibré-cut emeralds and further circular-cut diamonds in white metal, size O½ £1,000-1,500 1101. A ruby and diamond triple cluster ring, the circular-shaped rubies are set within a surround of singlecut diamonds in yellow and white gold, size M £200-300 1102. A ruby and diamond half-hoop gold ring, set with five oval-shaped rubies within circular-cut diamond borders, size P½ £600-800 1103. An aquamarine and diamond ring, the square-shaped aquamarine is set within a surround of circular-cut diamonds in yellow and white gold, maker’s mark DT and with London hallmarks for 2012, size M £800-1,200 1104. A ruby five-stone ring, set with graduated step-cut rubies in gold, size P½

£400-600

1105. A Victorian ruby and diamond ring, centred with an oval-shaped ruby between trefoils of old circularcut diamonds in yellow gold, size P £150-250 1106. A diamond solitaire ring, the round brilliant-cut diamond weighs 0.73cts, set in platinum, with maker’s mark DE and with London hallmarks for 2018, size X £800-1,200 Accompanied by report number 1192029774 from GIA stating that the round brilliant-cut diamond weighs 0.73cts and is a natural diamond with H colour, SI1 clarity and no fluorescence. 1107. A chrysoberyl catseye and diamond cluster ring, the cabochon chrysoberyl catseye is set within a surround of round brilliant-cut diamonds, with further circular-cut diamonds to the shoulders in white gold, maker’s mark JMS and with 18ct London hallmarks for 2007 £300-400 1108. A diamond cluster ring, set with graduated circular-cut diamonds within yellow gold scrolling surround on textured yellow gold band, size K £600-800 1109. An opal and diamond cluster ring, the opal set within a surround of round brilliant-cut diamonds in platinum, size Q £700-900 1110. A diamond full-circle eternity ring, claw-set with round brilliant-cut diamonds in white gold, estimated total diamond weight 1.80cts, size M½ £400-600 1111. A diamond solitaire ring, claw-set with a princess-cut diamond on plain platinum band, maker’s mark EF and London hallmarks for 2005, with a plain shaped platinum wedding band, maker’s mark B&Co, both size L½ £2,000-3,000 Accompanied by report number 12820356 dated 8 September 2003 from GIA stating that the square modified brilliant-cut diamond weighs 1.05cts and is a natural diamond with E colour, VS2 clarity and no fluorescence.

18


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1090

1091

1092

1094

1095

1099

1100

1093

1096

1101

1097

1098

1102

1104

1105

1103

1106

1107

1108

1109

1110

1111

19


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1112. An 18ct open-faced chronograph, sweep seconds for chronograph and subsidiary seconds dial with push-button activation on the stem, skeleton inner case with foliate scroll decoration to the borders, 5.4cm wide £800-1,200 1113. An 18ct gold hunting-cased minute repeating chronometer, the dial signed for S. Smith & Son, 9 Strand London, 153B-135, subsidiary seconds dial at 3 and 30 minutes dial at 9, stem-wind, the back case heavily engraved with initials, push-button activation, 5cm wide £1,000-1,500 1114. A gentleman’s gold Constellation wristwatch by Omega, the signed gold dial with baton numerals and sweep seconds hand, date aperture, automatic movement, on leather band, case 3.8cm wide £1,000-1,500 1115. A gentleman’s Datejust Oyster Perpetual wristwatch by Rolex, the signed blue dial with date aperture and sweep seconds hand, model number 1603/0, serial number 3453964, on steel jubilee bracelet, 3.8cm wide, with additional Rolex steel bracelet, service receipt and papers £1,500-2,000 Provenance: David Latham 1116. A lady’s bi-metal Santos Ronde bracelet watch by Cartier, burgundy dial, signed automatic calibré 2670 movement, case back serial 090758634, to a signed bi-metal bracelet with deployant clasp, 24mm wide £400-600 1117. A square gold wristwatch by Omega, the signed gold dial with baton numerals, manual movement, gold case, on leather band, case 2.7cm wide £400-600 1118. A gold wristwatch by Jaeger-LeCoultre, the signed white dial with Roman numerals and date aperture, quartz movement, in gold case, on leather band, case 3.3cm wide £500-700 1119. A gentleman’s gold Patek Philippe wristwatch, the signed dial with Roman numerals and date aperture, automatic movement, reference number 3601/003, movement number 1308085, on 18ct yellow gold Patek Philippe band, case 3.5cm wide, with Patek Philippe box and papers £5,000-7,000 1120. A lady’s gold wristwatch by Piaget, the oval dial with Roman numerals signed Piaget and Asprey, case numbered 9802 and 221001, on Piaget leather strap and gold buckle, quartz movement, 3cm wide, Asprey box £300-400 Accompanied by a certificate of origin and guarantee dated 22 March 1974 from Piaget, London. 1121. A titanium and 18ct gold Declaration wristwatch by Cartier, silver sunburst effect dial with curved rectangular case, set with a quatrefoil of circular-cut diamonds and numbered 80113CE2611, with eight three-colour gold sliding rings, one set with small diamonds, black silk band with white gold deployant clasp, Cartier box and key, 15.5cm long £1,000-1,500 1122. A gentleman’s gold ‘Bubbleback’ Rolex Oyster Perpetual wristwatch, the signed cream dial with triangular hour markers, sweep seconds hand, movement numbered F30732, serial number 731294, model number 6085, on leather strap £1,500-2,000

20


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1113 1115

1116 1112

1119

1114

1121

1117

1118

1122 1120

21


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1123. A pair of nephrite and gold cufflinks by René Boivin, the carved nephrite links with waisted fluted decoration, set in yellow gold. 17mm long £2,000-3,000 Accompanied by a letter of authenticity dated 2013 from Françoise Cailles, Author of René Boivin: Jeweller (London: Quartet Books: 1995). 1124. A lapis lazuli and diamond dress set, comprising cufflinks and four buttons, the fluted lapis lazuli beads each set with a diamond in yellow gold £400-600 1125. A pair of early 20th century gem-set acrostic gold cufflinks, the oval-shaped hammered gold links set with a circular-cut diamond, emerald, amethyst and ruby spelling ‘DEAR’, maker’s mark CS*FS and with 18ct Chester hallmarks for 1907, each link 1.9cm high, with a conforming set of studs, maker’s mark S.BS and 18ct London hallmarks for 1907, fitted case £800-1,200 1126. A pair of BVLGARI BVLGARI cufflinks by Bulgari, set with a central disc of onyx, the surround engraved Bulgari in yellow gold, with Italian hallmark and stamped 750, toggle fittings, each link 1.5cm wide £400-600 1127. A pair of enamel and gold cufflinks, with blue and green striped enamel decoration in yellow gold, with Italian hallmarks and stamped 750, each 1.3cm wide £400-600, 1128. A set of playing card cufflinks, depicting the four aces in enamel, with four matching buttons in yellow gold £1,500-2,000 1129.

A pair of oval textured gold cufflinks, alternately set with a ruby and a diamond in yellow gold £600-800

1130. A Regency amethyst-set gold fob seal, the scrolling mount designed with the busts of two dragons, with further foliate decoration and set with an oval-shaped amethyst in yellow gold, 2.8cm high £800-1,200 1131. A 19th century French gold stickpin by Fannière Frères, depicting Pan in silver on lapis lazuli, within engraved gold border, signed to reverse and with French marks to pin, 8.3cm high, 2.1cm wide £300-400 1132. A Victorian ruby and diamond bird stick pin, pavé-set with graduated rose-cut and cushionshaped diamonds and rubies in silver and gold, case £300-400 1133. An early 19th century gold seal, set with a carnelian intaglio depicting a pelican in her piety, 3.5cm high £200-300 1134. A pair of ruby and diamond-set gold cufflinks, the octagonal links set with a central calibré-cut ruby within a border of eight circular-cut diamonds in 18ct yellow gold, maker EF and London hallmarks for 1997, 18mm diameter £400-600 1135. A pair of reverse-carved crystal cufflinks, depicting two cricketers, in yellow gold mounts, with gold torpedo links £600-800 1136. A pair of gold and diamond wooden design cufflinks, set in 18ct yellow gold, maker’s mark P&BH and London import marks for 1997 £400-600 1137.

A pair of scarab cufflinks, within yellow gold settings, joined on oval-link chains

£400-600

1138. A fluted yellow gold ring set with a banded agate intaglio, engraved with the coat of arms for Slepowren, size O £350-450 1139. A pair of amethyst-set gold cufflinks, the sugarloaf-shaped amethysts are set in yellow gold, each link 1.3cm wide £200-300

22


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1125 1124

1123 1128

1127

1126

1131 1132

1134 1130

1129

1133

1136 1135

1139 1137

1138

23


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1140. A diamond three-stone ring, set with an old circular-cut diamond and two round brilliant-cut diamonds in platinum, size M £600-800 1141. A ruby and diamond cluster ring, the cushion-shaped ruby set within a surround of single-cut diamonds in platinum, size M £400-600 1142.

A diamond bombé ring, the tapered ring pavé set with circular-cut diamonds in white gold, size O½ £600-800

1143. A diamond-set Star of David pendant, set overall with single-cut diamonds in white gold, French import marks, 3.2cm high (including bale) £600-800 1144. A yellow sapphire and diamond pendant, the rectangular-cut sapphire is claw-set and suspends from a diamond-set bale in white gold, 2.2cm high £6,000-8,000 Accompanied by report number 79192-92 dated 2 January 2019 from GCS, London stating that the cushioncut sapphire weighs 10.00cts approximately and is a natural yellow sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1145. A diamond line necklace, set with a line of graduated round brilliant-cut diamonds with scallopedged millegrain-set border in platinum and white gold, French import mark, 42cm long £6,500-7,500 1146. A pair of onyx and diamond drop earrings, the diamond-set platinum tassels suspend from demi-spherical links pavé-set with circular-cut diamonds and a band of onyx, the upper sections alternatelyset with circular-cut diamonds and an onyx bead, post fittings, 5cm high £1,500-2,000 1147. A pair of square diamond cluster ear studs, invisibly-set with square and baguette-shaped diamonds in white gold mounts, post fittings, with maker’s mark CAO and stamped 750, each 1.1cm wide £400-600 1148. A pair of sapphire and diamond cluster earrings, the oval cabochon sapphires are set within a surround of round brilliant-cut diamonds in white gold, post fittings, each 1.2cm high £600-800 1149. A pair of synthetic sapphire and diamond cluster ear studs, the oval-shaped synthetic sapphires are set within a surround of circular-cut diamonds, each suspending a pear-shaped diamond, in white gold, 2cm high £400-600 1150. A pair of diamond stud earrings, the circular-cut diamonds weigh approximately 0.95cts in total, within diamond-set coronet mounts in platinum £1,500-2,000 1151. A pair of ruby and diamond cluster earrings, the oval-shaped rubies are set within a surround of circular-cut diamonds in yellow and white gold, each 1.2cm high £800-1,200 1152. A pair of diamond cluster earrings, centred with a circular-cut diamond within a surround of single and rose-cut diamonds in silver on gold, clip fittings, 2cm high £800-1,200 1153. A sapphire and diamond cluster ring, the three graduated oval-shaped sapphires set within a surround of old circular-cut diamonds in platinum and white gold, size P £800-1,200 1154. A ruby and diamond cluster ring, the circular-cut ruby is set within a surround of round brilliantcut diamonds in white gold, size M £1,200-1,500 1155. A diamond cluster ring, the round brilliant-cut diamond is set within an openwork square-shaped surround set with further round brilliant-cut diamonds in white gold, size N½ £700-900 1156.

A yellow sapphire solitaire ring, set in platinum, size N½

£600-800

1157. A diamond cluster ring, the old circular-cut diamonds are claw-set with a baguette-shaped diamond to each shoulder in white gold, size Q½ £800-1,200

24


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1140

1142

1141

1143

1144

1145

1146

1149

1147

1148

1152

1150

1153

1154

1151

1155

1156

1157

25


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1158. An Edwardian aquamarine and diamond pendant, the oval-shaped aquamarine set within a surround of old circular-cut diamonds, with further diamonds to the bale in yellow gold, 3.5cm high £800-1,200 1159. A Victorian amethyst rivière necklace, set with graduated oval-shaped amethysts in gold collets, suspending a flowerhead pendant, with matching bracelet, stickpin and earrings, necklace 44cm long, bracelet 20cm long, earrings 2.5cm high, case £1,500-2,000 1160. A sapphire and diamond half-hoop ring, set with three graduated oval-shaped sapphires separated with pairs of diamonds in gold, size M £600-800 1161. A Victorian emerald and diamond cluster ring, the navette-shaped ring set with square-shaped emeralds within a surround of old circular-cut diamonds, with scroll engraved decoration to the trifurcated shoulders in yellow gold, size M £300-400 1162. A Victorian gold and enamel acorn necklace, the snake-link gold necklace suspending five stylised acorn pendants decorated with enamel, 41cm long £1,500-2,000 1163. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of old circularcut diamonds in yellow gold, size L £1,800-2,000 Accompanied by report number 79190-58 dated 6 December 2018 from GCS, London stating that the ovalcut ruby weighs 1.01cts and is a natural ruby with no indications of heat treatment. Origin: Mozambique 1164. An anchor-link gold and enamel necklace, the anchor links alternately decorated with blue enamel, French import mark, 88cm long £3,500-4,500 1165. A garnet-set gold bracelet, each link mounted with a blackamoor’s head decorated with black and white enamel in yellow gold, Austrian marks, 17cm long, with matching oval-shaped brooch, 3.5cm high £1,500-2,000 1166. A Victorian diamond scroll brooch, set overall with graduated old circular-cut diamonds in silver and gold, detachable brooch fitting, 3.5cm wide £600-800 1167. An Edwardian diamond scroll brooch, set overall with graduated old circular-cut diamonds in platinum and white gold, 4.5cm wide £1,500-2,000 1168. A Victorian ruby and diamond bar brooch, set overall with rose-cut diamonds, pearl terminals and a ruby diamond and sapphire to the centre in yellow gold, 5.5cm wide, case £600-800 1169. A Victorian open crescent brooch, set with graduated opal cabochons and diamonds in yellow gold, 6.5cm wide £600-800 1170. An agate intaglio brooch by Tiffany & Co, depicting Aurora’s procession within gold scrolling and pellet border, signed, 7.8cm wide £400-600 1171. A Victorian carved hardstone cameo brooch, depicting Eros in profile, with plain gold mount, 2.9cm high, case £300-400

26


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1158

1160

1159

1161

1162 1163

1164

1166

1165

1167

1168

1169

1170

1171

27


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1172. A pair of green garnet and diamond drop earrings, designed as two interlocking ovals, the upper sections pavé-set with round brilliant-cut diamonds and suspending tsavorite garnet-set lower sections which can be removed, in white gold, post fittings, 2.8cm high, with a matching garnet-set bombé ring, size N £800-1,200 1173. An emerald and diamond pendant, the hinged chevron-shaped upper section set with round brilliant-cut diamonds and suspending a geometric pendant set overall with old circular-cut diamonds, accented with baguette-shaped emeralds and an emerald-cut emerald drop, in white gold, 5cm high, on a fine-link white gold neckchain, 45cm long £1,500-2,000 1174. A pair of peridot and diamond drop earrings, the pear-shaped peridots set in yellow gold and suspending from articulated upper sections set with round brilliant-cut diamonds in white gold, post fittings, 5.7cm high £2,500-3,500 1175. A peridot and diamond cluster ring, the oval-shaped peridot weighs approximately 9.95cts and is set within a surround of round brilliant-cut diamonds, with diamonds to each shoulder in yellow and white gold, size O½ £2,000-3,000 1176. An emerald and diamond cluster ring, the emerald-cut emerald weighs approximately 1.70cts and is set within a surround of round brilliant-cut diamonds in white gold, size M½ £1,500-2,000 1177. A pair of peridot and diamond drop earrings, set with fancy-shaped cabochon peridots and pavé-set with circular-cut diamonds in white gold, with retractable posts and with clip fittings, 3cm high £400-600 1178. An emerald and diamond cluster ring, the oval-shaped emerald is set within a surround of round brilliant-cut diamonds in yellow gold, size N £800-1,200 1179. An emerald and diamond cluster ring, the square-shaped emerald weighs approximately 1.20cts and is set within a surround of round brilliant-cut diamonds, with further graduated circular-cut diamonds to each trifurcated scroll shoulder in yellow gold, size N½ £1,100-1,200 1180. size J½

A diamond three-stone ring, illusion-set with graduated old circular-cut diamonds in platinum, £500-700

1181. A peridot and diamond necklace, set with oval-shaped peridots separated with diamond-set crosses in yellow gold, the necklace separates into two bracelets, necklace 39cm long, bracelets 19.5cm long £2,000-3,000 1182. A diamond-set bracelet, the undulating links are pavé-set with circular-cut diamonds in white gold, 17.5cm long £600-800 1183. An emerald and diamond cluster ring, the emerald-cut emerald weighs appromimately 6.50cts and is set within a surround of round brilliant-cut diamonds in white gold, size O½ £5,000-7,000 Accompanied by report number 79233-32 from GCS, London stating that the emerald-cut emerald is a natural emerald with minor clarity enhancement. Origin: Colombia 1184. An emerald and diamond necklace, set with an emerald-cut emerald, on a fine-link white gold neck chain set with round brilliant-cut diamonds in white gold spectacle mounts, 43.5cm long £1,000-1,500 Accompanied by report number 79230-77 dated 28 August 2019 from GCS, London stating that the octagonal-cut emerald weighs approximately 1.70cts and is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia 1185. An emerald and diamond suite of jewellery, the circular-shaped pendant pavé-set with circularcut diamonds and quartered with circular-cut emeralds, with further diamonds to the suspension loop in white gold, 2.5cm high, on a fine-link white gold neck chain, 42cm long, with a pair of matching earrings, 2.7cm high £1,500-2,000

28


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1176

1175

1177 1174

1180

1173 1179 1181 1178

1182

1172

1184

1183 1185

29


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1186. An Edwardian peridot and diamond pendant, the white enamel bow suspends an articulated hexagonal peridot within a border of rose-cut diamonds and seed pearls in platinum and gold, on ropetwist gold chain, 42cm long £400-600 1187. A Victorian seed pearl-set gold lyre brooch, realistically formed in closed back setting, 2.8cm high, fitted case £200-300 1188. A Belle Époque tourmaline and diamond pendant, the cushion-shaped tourmaline set within diamond-set bows suspends articulated seeds pearls and a diamond and seed pearl tassel in platinum and gold, 38cm long, case £600-800 1189. An early 20th century peridot and diamond pendant, the emerald-cut peridot is set within a surround of rose-cut diamonds in platinum and gold, on fine-link silver neck chain, 50cm long £600-800 1190. A Edwardian peridot and seed pearl pendant, set with two peridots within gold scrolling mount set with seed pearls, on gold chain, 42cm long £500-700 1191. A pair of Edwardian diamond and pearl drop earrings, the diamond-set bows suspend baskets of fruiting vines set with seed pearls in platinum, 5cm long, case £400-600 1192. An early 20th century enamel and gold bracelet, each link depicting colonial flags of the British Empire in enamel on gold, engraved to the reverse with the name of the country, 18cm long £400-600 1193. An Edwardian citrine and white sapphire pendant, the graduated cushion-shaped citrines suspend a white sapphire and pear-shaped citrine in gold cut-down collets, on fine-link gold chain, 40cm long £600-800 1194. A late Victorian pearl and diamond open crescent brooch, alternately-set with pearls and pair of diamonds in yellow gold, 5.7cm wide, with detachable hair comb £400-600 1195. A diamond and garnet crossover ring, set with an old circular-cut diamond and circular-cut green garnet, in a white gold crossover mount set with small circuluar-cut diamonds to the shoulders, size N £500-700 1196. A diamond-set stick pin, of quatrefoil design, set overall with graduated old cushion-shaped diamonds in white gold, with a matching diamond-set plaque, each 2.8cm high £400-600 1197. An Edwardian turquoise and diamond suite of jewellery, comprising a bracelet, brooch and (later converted) earrings, set with turquoise cabochons and old cushion-shaped diamonds in silver on gold, brooch 5.5cm wide, bracelet 16.5cm long, earrings with shepherd’s hook fittings, each 1.7cm high £1,500-2,000 1198. An Edwardian emerald and diamond plaque ring, set with an emerald-cut emerald within border of rose-cut diamonds in platinum and gold, size L £2,500-3,500 1199. An Edwardian seed pearl and turquoise gold butterfly brooch, pavé-set with turquoise cabochons and seed pearls in 15ct yellow gold, 7.5cm wide, case £400-600

30


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1186 1187

1191 1190 1188

1189 1193 1194

1192

1195

1198 1197

1196 1199

31


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1200.

A pair of George III garnet foliate drop earrings, set in closed-back yellow gold mount, 4.5cm high £200-300

1201. A Regency amethyst brooch, set with graduated oval-shaped amethysts in gold cannetille surround, 7.5cm high £600-800 1202. A garnet rivière necklace, set with graduated octagonal-cut garnets within cannetille gold borders, the largest garnet with pendant loop, in yellow gold, 37cm long, fitted case, with conforming garnet-set cannetille gold brooch, 3.5cm wide £1,000-1,500 1203. A George III rose-cut diamond brooch, set overall with graduated rose-cut diamonds in closedback yellow gold mount, 3.2cm wide £200-300 1204. A 19th century agate cameo depicting Ceres, half veiled and wearing a wreath of wheat, mounted in gold with part seed pearl border, cameo 4.5cm high £800-1,200 1205. A Regency gold bracelet, the cannetille clasp set with pink topaz and graduated emeralds, on plaited gold bracelet, 17cm long £2,000-3,000 1206. A Victorian emerald and garnet half-hoop ring, set in yellow gold scrolling mount, engraved shank, hallmark possibly for Birmingham 1873, maker TF, size O £200-300 1207. A 19th century garnet and emerald cluster ring, set in yellow gold with engraved shank, maker H.F.L and with Birmingham hallmarks for 1869, size J £200-300 1208. A Regency seed pearl-set gold mourning ring, the glazed centre section with plaited hair within black enamel and seed pearl surround, with further seed pearls to the bifurcated shoulders, the shank with foliate engraved decoration, with mourning inscription dated 1821, size I £200-300 1209. A George III gold mourning ring, set with an oval-shaped garnet, the shank with white enamel decoration and memorial inscription for Ann Pittman dated 1770, size E½ £100-200

λ 1210. A George III miniature portrait of an officer, wearing scarlet uniform, 3.7cm high, gold frame within foliate scroll and shame border (probably later) and glazed locket compartment to the reverse, 5.2cm high £200-300 1211. A mid 19th century gold mourning ring, the black enamel quatrefoil sections with ‘In Memory Of’ within engraved gold borders, with inner memorial inscription for Thomas Nobb dated 1847, with London 18ct hallmarks for 1847, size M½ approximately. £200-300 1212. A George III diamond, enamel and gold amphora ring, the urn set with rose-cut diamonds on quatrefoil-shaped blue enamel ground, with pellet decoration and foliate engraved shank, with further engraved decoration to the reverse in silver and gold, size Q, case by Mappin & Webb £200-300 1213.

A George III garnet and seed pearl cluster ring, set in yellow gold closed back setting, size P £100-200

1214. A 19th century green-stone cluster ring, in yellow gold scroll mount with glazed locket compartment to reverse, size P½ £150-250 1215. A Victorian diamond-set gold mourning ring, the centre shield-shaped black enamel section applied with a rose-cut diamond, with further engraved decoration to the trifurcated shoulders in yellow gold, engraved to reverse ‘In memory of a beloved sister Jan’y 8th 67’, with 18ct hallmarks, possibly for Birmingham 1861, with maker’s mark A&S, size N £150-250 1216. A George III gold mourning ring, applied with the inscription ‘In Memory Of’ within black enamel borders, with inner mourning inscription for Henrietta Maria Goddard dated 1813, with London hallmarks for 1813, size O £200-300 1217. A 19th century gold mourning ring, with black enamel decoration reading ‘In Memory Of’ within foliate gold borders, with internal mourning inscription for H. A. Boyd dated 1833, with maker’s mark and 18ct London hallmarks 1832, size P £200-300

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1200

1201 1203

1202 part 1205

1213 1204

1212 1214

1215

1208

1210

1216

1207 1209 1206

1211

1217

33


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1218. A fancy and white diamond three-stone ring, the oval-shaped fancy brownish-pink diamond weighs1.05cts and is flanked with round brilliant-cut diamonds, with further square-shaped white diamonds to the shoulders, channel-set in platinum, size N £5,500-7,000 Accompanied by report number 2181531620 dated 14 July 2017 from GIA stating that the oval-shaped diamond weighs 1.05cts and is a natural fancy brownish-pink diamond with I1 clarity and strong blue fluorescence. 1219. A diamond bombé ring by Bulgari, half pavé-set with round brilliant-cut diamonds, accented with fancy-coloured diamonds with an arrow-struck double heart motif in white gold, Italian hallmark and signed Bulgari, size O approximately. £2,000-3,000 1220. A vari-coloured sapphire and diamond butterfly brooch, formed from graduated oval-shaped sapphires and a diamond-set stylised body in white gold, 6.5cm wide £1,000-1,500 1221. A diamond foliate brooch, the stylised flower set overall with graduated circular-cut and baguette-shaped diamonds in platinum and white gold, 8cm high £800-1,200 1222. A diamond fringe necklace, set with lines of graduated marquise-shaped, circular and baguetteshaped diamonds (mostly missing) in white gold, 41.5cm long £6,000-8,000 1223. A pair of opal and diamond drop earrings, the pear-shaped opal cabochons suspend from articulated lines of circular-cut diamonds in platinum, 5.7cm long £1,500-2,000 1224. A black opal and diamond ring, the oval-shaped opal is set within a surround of single-cut diamonds in white gold, size S £2,500-3,000 1225. A sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 1.50cts and is set within a surround of old circular-cut diamonds, with further circular-cut diamonds to the trifurcated shoulders in yellow and white gold, size O £1,400-1,600 1226. A diamond cluster ring, centred with an old circular-cut diamond weighing 2.06cts, set within a surround of round brilliant-cut, marquise and baguette-shaped diamonds in white gold, 18ct London hallmarks, size M £4,000-5,000 1227. A sapphire and diamond ballerina cluster ring, centred with an oval-shaped sapphire within an undulating surround of round brilliant-cut diamonds and further tapered baguette-shaped diamonds, the wirework mount with trifurcated shoulders in white metal, size K £1,500-2,000 1228. A ruby and diamond cluster ring, the cushion-shaped ruby is set within a surround of round brilliant-cut diamonds in white gold, size U £2,000-3,000 Accompanied by report number 79216-29 dated 7 June 2019 from GCS, London stating that the cushioncut ruby weighs 1.85cts and is a natural ruby with no indications of heat treatment. Origin: Thailand (Siam) 1229. A diamond-set gold brooch, the openwork scrolling sections set with circular-cut diamonds in pierced black gold, 4cm wide £800-1,200 1230. A pair of ruby and diamond cluster earrings, pavé-set with graduated single-cut diamonds and centred with a pear-shaped cluster of marquise-shaped rubies in white gold, clip fittings, 2.2cm high £3,000-4,000

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1218

1219

1220

1221

1222

1223 1229

1226

1230 1225

1228

1224 1227

35


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1231. A heliodor and diamond pendant, the pear-shaped heliodor suspends from a cushion-shaped diamond in yellow and white gold, on a fine-link white gold neck chain, pendant 2.5cm high, chain 44cm long £5,000-7,000 Accompanied by report number 79219-13 dated 18 June 2019 from GCS, London stating that the pear-cut heliodor weighs 8.67cts (as stated by the client) and is a natural yellow beryl. Comment: This mineral is commonly heated and/or irradiated to improve or change its colour. Whether or not this particular gemstone has been heated or irradiated cannot currently be determined.

λ 1232. A diamond-set coral and amethyst bead necklace, the two-row gold necklace set overall with graduated coral and amethyst beads, the larger beads accented with circular-cut diamonds, with further circular-cut diamonds to the chain in yellow gold rubover mounts, shortest necklace 42cm long, with a pair of matching drop earrings, clip and retractable post fittings, 5cm high £3,000-4,000 1233. A yellow sapphire and diamond ring, the cushion-shaped sapphire weighs 20.36cts, set within bifurcated diamond shoulders in yellow gold mount, the inside shank numbered 25202, size N, Cartier box £5,000-7,000 Accompanied by report number 79215-15 dated 21 May 2019 from GCS, London stating that the cushioncut sapphire weighs 20.36cts and is a natural yellow sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon). 1234. A diamond line bracelet, the round brilliant-cut diamonds weigh approximately 6.60cts, ruboverset in white gold, 17.5cm long £3,500-4,500 1235. A pair of French amethyst and diamond drop earrings, set with amethyst cabochons and old circular-cut diamonds and suspending a pear-shaped cluster section in white gold, one stone missing, French control marks and rubbed maker’s lozenge, post fittings, 3.7cm high £600-800 1236. A pair of diamond drop earrings, the pear-shaped lower sections each set with a brioletteshaped diamond within a double surround of round brilliant-cut diamonds, suspending from further round brilliant-cut diamonds in white gold, post fittings, 2.3cm high £1,200-1,500 1237. A pair of diamond cluster earrings, set with graduated round brilliant-cut diamonds in white gold, approximately 0.80cts total, each 1cm wide £600-800 1238. A rubelite and diamond ring, the cushion-shaped tourmaline flanked with triangular-shaped diamond shoulders within a border of small circular-cut diamonds in platinum and yellow gold, size O½ £1,500-2,000 1239. An ametrine and diamond-set ring, the square-shaped fancy-cut ametrine is claw set with circular-cut diamonds to the gallery in white gold, with maker’s mark MI and Sheffield hallmarks for 2014, the ametrine was cut and polished by the award winning Thomas Trozzo and weighs 12.40cts, size Q½ £150-250

λ 1240. A coral and diamond bombé ring, set with a carved fluted pink coral, with graduated round brilliant-cut diamonds to the shoulders in yellow gold, size Q½ £600-800 1241. A kunzite and diamond cluster ring, the oval-shaped kunzite is set within a surround of circularcut diamonds, with further diamonds to the bifurcated shoulders in white gold, size L approximately (with inner resizing balls) £800-1,200 1242. A sapphire and diamond crossover ring, set with a pear-shaped diamond weighing 0.60cts and a pear-shaped sapphire in 18ct yellow gold, London hallmarks for 1997 and maker’s mark for John Watling, size K½ £800-1,200

36


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1232

1231

1233

1234

1237 1239

1235

1241

1236

1238

1240

1242

37


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1243. A cultured pearl and diamond crossover ring, set with a cultured pearl and old circular-cut diamond on a plain yellow gold crossover ring, maker’s mark H. W. Ld, size P½ £300-400 1244. A cultured pearl, emerald and diamond necklace, the central plaque set with an emerald cabochon within diamond, emerald and pearl borders, suspending a spinning diamond-set emerald and cultured pearl tassel on a five-row cultured pearl necklace with diamond spacers and a diamond-set springloaded clasp, indistinctly signed Cartier, the necklace with rubbed inventory number, 39cm long £2,000-3,000 1245. An Edwardian untested pearl and diamond crossover ring, set with an untested pearl and an old circular-cut diamond, with further single-cut diamonds to the shoulders in platinum, size P £600-800 1246. A Belle Époque untested pearl and diamond pendant, the diamond-set bow suspends diamond laurels and two articulated pearls in platinum, 42cm long £600-800 1247. A two-row cultured pearl and diamond necklace, the cultured pearls measure 5 - 6 mm approximately with an oval-shaped pierced clasp set with old circular-cut diamonds, clasp 2cm wide, necklace 59cm shortest £400-600 1248. A pair of untested pearl and diamond drop earrings, the articulated diamonds suspend a diamond lozenge set with a pearl flanked with two larger diamonds in platinum, 4.6cm long £3,000-4,000 1249. An early 20th century untested pearl and diamond pendant, centred with an old circular-cut diamond and millegrain-set within a border of rose-cut diamonds, suspending a pearl in platinum, on fine link white gold neck chain set with pearls, pendant 4.8cm long, chain 45cm long £600-800 1250. A cultured pearl and diamond three-stone ring, the cultured pearl is flanked by two old circularcut diamonds platinum and yellow gold gold, size J½ £600-800 1251. A Belle Époque aquamarine and diamond necklace, set with a circular-cut aquamarine within pierced surround set with diamonds on articulated knife-edge links suspended from a smaller aquamarine in platinum, on fine-link platinum neck chain, pendant 5.7cm long, chain 42cm long £2,000-3,000 1252. A sapphire and diamond crossover ring, set with a round brilliant-cut sapphire and diamond, with diamond-set shoulders in platinum and gold, size M½ £400-600 1253. A diamond solitaire ring, the old cushion-shaped diamond weighs approximately 1.10cts, with diamond-set shoulders in platinum and gold, size O £400-600 1254. An early 20th century pearl and diamond hair slide, alternately-set with rose-cut diamonds and pearls in platinum and gold, 8cm long £400-600 1255. A diamond and gem-set long chain, the circular-cut diamonds, demantoid garnets and peridots are set in yellow gold and platinum spectacle mounts, 78cm long £3,000-4,000

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1244

1243

1245

1246

1247 1252

1248

1251 1253

1249

1254

1250

1255

39


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1256. A diamond three-stone ring, the graduated old cushion-shaped diamonds set in engraved yellow gold closed-back mount, size O½, case £3,000-5,000 1257. A 19th century ruby and diamond cluster ring, centred with an oval-shaped ruby within oldcushion-shaped diamond border and shoulders in silver and gold, size N £2,000-3,000 Accompanied by report number 79223-49 dated 22 July 2019 from GCS, London stating that the oval-shaped ruby weighs 1.51cts and is a natural ruby with no indications of heat treatment. Origin: Myanmar (Burma) 1258. A Victorian opal, emerald and diamond cluster ring, the oval opal cabochon is set within a surround of emeralds and diamonds in scroll engraved 18ct gold shoulders, London hallmarks for 1881, size M½, case £1,500-2,000 1259. An opal and diamond cluster ring by Tiffany & Co, the opal cabochon set within a surround of old circular-cut diamonds in yellow gold, size P £2,200-2,400 1260. A Victorian garnet-set gold brooch, the circular garnet cabochon set within twisted gold surround decorated with wirework, suspending a detachable garnet-set gold locket beneath, 7cm high, fitted case £300-400 1261. A Victorian gold double-headed snake bangle, each head set with a sapphire cabochon and emerald eyes on bi-colour gold twisted rope bangle, 5.2cm inner diameter £1,200-1,500 1262. A late 19th century gold locket bangle, the three graduated locket compartments with stylised shell covers, hinged opening, in yellow gold, 5.5cm inner diameter £1,500-2,000 1263. A Victorian gold and turquoise snake bangle, with engraved decoration, turquoise cabochons and garnet eyes, 5.2cm inner diameter £300-400 1264. A late 19th century scarab brooch possibly by Giacinto Melillo, in the Etruscan manner, set with a carnelian scarab with an intaglio carved to the reverse, within cloisonné enamel wings with ropetwist gold borders, 3.5cm wide, case £500-700 1265. A 19th century sapphire half-hoop ring, set with cushion-shaped sapphires with diamond pointers within carved and pierced yellow gold mount, size N½ £800-1,200 1266. A 19th century turquoise and diamond bracelet, the central horseshoe set with cabochon turquoise within borders of rose-cut diamonds, on articulated textured and smooth yellow gold bracelet, the tongue with rubbed marks including maker S.A 72 and rubbed kokoschnik, 19cm long £1,500-2,000 1267. A Victorian gem-set gold snake necklace, the stylised serpent’s head pavé-set with graduated pearls, ruby eyes and diamonds, on yellow gold graduated snake-link body, 41cm long £1,500-2,000 1268. A Victorian gold, enamel and gold bearing quartz brooch, the circular gold brooch with black enamel and engraved decoration is set with a central seed pearl and a rectangular gold bearing quartz, 3.5cm wide, with matching gold earrings, fitted case £400-600 1269. An Etruscan Revival 19th century gold brooch, the terminals formed with a rotating small Etruscan carnelian scarab, (c. 3rd century BC), and carved with a bird, with a circular filigree rosette to the other, the cross design mounted with five lozenge-shaped hardstones centred with Christ and four winged faces probably depicting the disciples, the body applied with four fine wirework circles spelling ROMA, 7cm wide £1,500-2,000 1270. A Victorian gem-set brooch, depicting two diamond-set doves within a crescent moon set with sapphires and a fancy-coloured diamond in silver and gold, 4cm wide £1,200-1,800 1271. A Victorian untested pearl and diamond bangle, the pearl set within a surround of cushionshaped diamonds in silver collets on gold bangle, 5.5cm inner diameter £600-800

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1258 1259 1257 1256

1260

1261

1262

1264

1263

1265

1267

1266

1268 1270

1271

1269

41


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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1272. An early 20th century seed pearl and diamond pendant, pierced and millegrain-set with rosecut diamonds and graduated seed pearls within scallop-edged border in platinum and gold, on fine-link platinum neck chain, 50cm long, in case by Tiffany & Co £1,000-1,500 1273. An Edwardian amethyst and goshenite necklace, the graduated oval-shaped amethysts suspend from seed pearls and are alternately-set with pairs of oval-shaped goshenites, set in gold and on a fine-link gold neck chain, 43cm long £800-1,200 1274. An Edwardian sapphire, ruby and pearl pendant, the cushion-shaped ruby suspends a cushionshaped sapphire and an untested pearl, in yellow gold, pendant 3.5cm high, on a fine-link gold neck chain, 44cm long £2,500-3,000 Accompanied by report number 79226-59 dated 21 August 2018 from GCS, London stating that the cushion-cut sapphire weighs 9.00cts approximately and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon)

λ 1275. An Edwardian pink enamel and diamond pendant, the pink enamel quatrefoil set with a central diamond, suspending an old circular-cut diamond weighing approximately 0.95cts, within knife edge articulated diamond border, terminating with a coral bead, on fine-link gold neck chain, 49cm long, fitted case £600-800 1276. An Edwardian opal and diamond brooch, centred with a circular-shaped opal in an openwork surround of single-cut diamonds and suspending a diamond-set bow, 2.7cm high £1,800-2,000 1277. A opal, diamond and ruby pendant, centred with a rectangular opal plaque, the scrolling mount set with old circular-cut diamonds, surmounted with a circular-cut ruby and suspending pear-shaped diamond drops in silver on gold, on an oval-link neck chain, pendant 5cm high, chain 38cm long £2,000-3,000 1278. A pair of Edwardian opal and diamond drop earrings, each pear-shaped lower section set with rose-cut diamonds and an opal, suspending from old circular-cut diamonds in white gold, with later silver tops, shepherd’s hook fittings, 3.9cm high, case £800-1,200 1279. An aquamarine and ruby flower head brooch, set with seven graduated aquamarine briolettes separated with rubies, with a central diamond cluster in platinum and gold, 4.7cm high £2,500-3,500 1280. An Edwardian spinel and zircon pendant, the oval-shaped spinel set within a surround of rosecut diamonds and suspending a pear-shaped pink zircon in white metal, 3.8cm high £1,000-1,500 1281. A sapphire and diamond crossover ring, set with a circular-cut sapphire and an old circular-cut diamond, with further diamonds to the shoulders in yellow gold, 18ct London hallmarks for 1978, size M £600-800 1282. A gold brooch set with three oval-shaped opals, the centre oval-shaped solid black opal displays a selection of colours and is set with a white opal to each shoulder, in yellow gold, 6.2cm wide, case £2,000-3,000 1283. A Belle Époque pearl and diamond brooch, the stylised bow millegrain-set with diamonds, suspending diamond laurels and a pearl within geometric borders and articulated diamond tassels in platinum, 3.7cm wide, fitted case £800-1,200 1284. A morganite and diamond bar brooch, the emerald-cut morganite is set within a surround of single-cut diamonds, with engraved and pierced scroll decoration to the gallery and set on a white metal bar brooch, 5.7cm long £600-800 1285. An aquamarine, sapphire and diamond brooch, the cushion-shaped aquamarine weighs approximately 43cts, set within scallop edged sapphire and diamond border in platinum and gold, 4cm wide, case £3,000-5,000 1286. An Edwardian aquamarine and diamond bracelet, set with a central aquamarine and diamond cluster on yellow gold bracelet set with smaller aquamarines, 17.5cm long £400-600

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1272 1273

1274 1275

1278 1279

1276

1280 1277

1281

1282

1283

1284

1285

1286

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1287. An early 20th century jade and diamond ring, the jadeite jade cabochon set within graduated diamond shoulders in platinum, size M½ £800-1,200 Accompanied by report number 79230-78 dated 28 August 2019 from GCS, London stating that the cabochon-cut jade weighs 15.00cts approx and is a natural green jadeite jade with no indications of impregnation. 1288. An Art Deco diamond ring, of openwork bombé design, set with an old circular-cut diamond, with further graduated circular-cut diamonds in platinum, size K £1,000-1,500 1289. A jade and diamond cluster ring, the oval-shaped jade is set within a surround of round brilliantcut diamonds in white gold, with trifurcated shoulders, size J £2,000-3,000 Accompanied by report number 16776 dated 29 January 2019 from The Gem and Pearl Laboratory, London stating that the oval-cabochon-cut green jade is natural chromium-bearing imperial jadeite jade with no indications of treatment. 1290. An emerald and diamond three-stone ring, the emerald-cut emerald is set with a round brilliantcut diamond to each shoulder in platinum, maker’s mark RSMJ, London hallmarks for 1992, size O £1,500-2,000 1291.

A lavender jade ring, the oval jadeite jade cabochon in set in yellow gold coronet mount £3,000-4,000

Accompanied by report number 79232-59 from GCS, London stating that the purple jadeite jade is natural jadeite jade with no indications of impregnation 1292. An emerald and diamond half-hoop ring, set with graduated emerald-cut emeralds with a pearshaped diamond to each shoulder in platinum, with scratched inventory number and signed CAPRI, size K £2,000-3,000 1293. An Art Deco diamond cluster ring, the octagonal-shaped cluster centred with an old circularcut diamond weighing approximately 2.10cts, within a surround of circular-cut diamonds and a diamond to each bifurcated shoulder in platinum, size M½ £8,000-12,000 1294. An early 20th century diamond full-circle eternity ring, channel-set with baguette-shaped diamonds, with engraved decoration to the gallery in platinum, one stone missing, size N £600-800 1295. An Art Deco diamond brooch, of oval form, set with graduated circular-cut diamonds in platinum, 4cm wide £400-600 1296. A diamond-set cocktail ring, the hexagonal openwork centre section set with round brilliant-cut diamonds, with further diamonds set to the pierced shoulders in white gold, size N £1,000-1,500 1297. An Art Deco diamond brooch, of rectangular form, centred with an old circular-cut diamond, pierced with geometric design and millegrain-set overall with old circular-cut diamonds in platinum, 5.5cm wide £1,500-2,000 1298. A pair of jadeite and diamond scroll earrings, the oval jade cabochons set within scrolling surround of baguette-shaped and circular-cut diamonds in white gold, 2.8cm wide £8,000-12,000 1299.

A single-row jadeite jade bead necklace, 104cm long, 120g

£600-800

Accompanied by report number 79212-84 dated 21 May 2019 from GCS, London stating that the jade beads measure 8.8 - 9.1mm approx and are natural green jadeite jade with wax impregnation. 1300. A sapphire and diamond-set sphinx stickpin by Ghiso, the green glass body on a sapphire and diamond plinth, with a diamond headdress in platinum and white gold, signed to reverse, with a matching red glass sphinx stickpin, unsigned, each 13mm wide £600-800 1301. An Art Deco emerald and diamond bracelet, with openwork centre section and set overall with gradauted old circular-cut diamonds and baguette-shaped emeralds in platinum, 17cm long £2,000-3,000 1302. A diamond line bracelet, the square-shaped diamonds weigh approximately 11.00cts total and are channel-set in white gold, 17cm long £10,000-15,000 1303. An Art Deco French onyx and diamond jabot pin, depicting a black and white cat pavé-set with graduated diamonds and onyx, chasing a diamond-set mouse, in platinum and gold, French control marks, 7.8cm long £3,000-4,000 1304.

44

A carved jade pea pod, pierced for a pendant loop, 5.2cm high

£200-300


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1288 1289 1287

1292 1291

1290

1295

1293 1294

1297

1296

1299

1300 1298

1301

1302

1303

1304

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1305. An Art Deco diamond brooch, set overall with graduated old circular-cut and square-shaped diamonds in platinum and white gold, 4cm wide £500-700 1306. An Art Deco black enamel minaudière, with tapered linear diamond decoration and a diamond thumbpiece, with detachable gold pencil, hinged opening and a mirror to interior, 8.5cm long, 142g £2,000-3,000 1307. An Art Deco gem-set and enamel fob watch, the brooch set with pearls, diamonds and black onyx, suspending a detachable black enamel watch with turquoise and diamond foliate decoration, manual movement, turquoise winder, 6.2cm long £5,000-7,000 1308. A sapphire and diamond ring, the lozenge-shaped ring of openwork design, set with old circularcut and rose-cut diamonds and square-shaped sapphires in platinum, size L½ £800-1,200 1309. A pair of diamond drop earrings, of geometric design, each articulated earring set with a principal pear-shaped diamond with further circular-cut diamonds, each suspending three square-shaped diamonds in white gold, post fittings, 4.5cm high £1,000-1,500 1310. A lady’s Art Deco wristwatch by Cartier, the signed square dial within onyx and diamond border, on black Cartier cord band, manual movement, with a small rectangular onyx and diamond brooch where the watch was possibly worn as a fob, with inventory number 7784 and French control marks, with a Cartier box £1,500-2,000 1311. An early 20th century ruby and diamond line bracelet, alternately-set with old circular-cut diamonds and rectangular rubies in platinum and white gold, with expanding back section, 17.5cm long £1,000-1,500 1312. A diamond line bracelet, set with old circular-cut diamonds in square-shaped platinum mounts, 17cm long £1,000-1,500 1313. A diamond solitaire ring by Cartier, the round brilliant-cut diamond weighs 0.71cts and is claw set with further graduated circular-cut diamonds to the shoulders in platinum, with French control mark, maker’s lozenge, signed, size K £2,000-3,000 Accompanied by Cartier GIA diamond dossier containing report number 6117917718 stating that the round brilliant-cut diamond weighs 0.71cts and is a natural diamond with H colour, VVS1 clarity and no fluorescence. 1314. A pink sapphire and diamond ring, the oval-shaped pink sapphire set within bifurcated diamondset shoulders in platinum, size O £1,000-1,500 1315. An Art Deco sapphire and diamond cluster ring, centred with an oval-shaped sapphire within a surround of fancy-cut sapphires and single-cut diamonds in platinum, later shank, size O £2,000-3,000 1316. A sapphire and diamond target ring, the oval-shaped sapphire is set in a circular surround of old circular-cut and single-cut diamonds, quartered with baguette-shaped diamonds and with pierced scroll decoration to the gallery in white gold, size M £5,000-7,000 Accompanied by report number 79218-80 dated 13 June 2019 from GCS, London stating that the cushioncut sapphire weighs approximately 8.80cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1317. A ruby and diamond three-stone ring, the oval-shaped ruby is claw-set with a round brilliantcut diamond to each shoulder in platinum, diamonds 0.40cts total approximately, London hallmarks for 2015, size M £6,000-8,000 Accompanied by report number 9810014 dated 12 October 1998 from GRS stating that the oval-shaped ruby weighs 3.03cts and is a natural ruby. Origin: Burma (Myanmar) 1318. A diamond solitaire ring, the rectangular step-cut diamond weighs approximately 0.85cts and is set with three baguette-shaped diamonds to each shoulder in platinum, size M½ £800-1,200 1319. A ruby and diamond cluster ring, the old circular-cut diamond is set within a square-shaped surround of French-cut rubies and circular-cut diamonds in yellow and white gold, size N £800-1,200

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1307

1308 1310 1311

1312

1306

1305 1318

1309

1317

1316

1315 1319

1314

1313

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1320. A pair of cultured pearl and diamond flower earrings, the white cultured pearls set within diamond-set petals and stem in yellow gold and platinum, post and clip fittings, 2.3cm high £400-600 1321. An emerald and sapphire half-hoop gold ring by Lalaounis, of openwork design and alternatelyset with emerald and sapphire cabochons in textured yellow gold, signed Lalaounis and with maker’s mark, size L approximately (with inner resizing balls) £400-600 1322. A pair of sapphire and diamond gold earrings, the crossover bombé sections pavé-set with round brilliant-cut diamonds and invisibly-set with French-cut orange sapphires in yellow gold, retractable posts and with clip fittings, 2cm high £1,500-2,000 1323. A pair of enamel and gold earrings by David Webb, the domed earrings with green guilloche enamel decoration between cross weave lattice pattern in yellow gold, signed, clip fittings, 1.6cm long £800-1,200 1324. A yellow sapphire and diamond cluster ring, the cushion-shaped sapphire set within a surround of round brilliant-cut diamonds in yellow and white gold, size M £8,500-9,500 Accompanied by report number 12018 dated 20 November 2015 from The Gem & Pearl Laboratory stating that the cushion-shaped sapphire meaures 13.2 x 12.6 x 10.3mm and is a natural orangeish-yellow sapphire with no indications of heat treatment. 1325. A pair of gold earrings by Lalaounis, the crescent-shaped earrings with geometric and fluted decoration in yellow gold, signed Lld and with maker’s mark, London import marks for 1990, clip fittings, 3.7cm high, case by Lalaounis £1,200-1,800

λ 1326. A pair of gem-set and plique-à-jour enamel earrings, of foliate design and set with sapphires, rubies, circular-cut diamonds and a carved coral flower head, with green plique-à-jour enamel decoration in yellow and white gold, Italian hallmarks, post and clip fittings, each 5.5cm high £1,500-2,000 1327. A gold collar necklace by Lalaounis, of architectural form and set in yellow gold, signed, 11.5cm diameter £1,200-1,500 1328. A sapphire, ruby and diamond snake ring by Lalaounis, with ropetwist and pellet decoration in yellow gold, signed and with maker’s mark, size X £400-600 1329. A suite of boulder opal-set gold jewellery, comprising a pendant and earrings, the plaques of boulder opal set in gold with wirework and pellet decoration, signed Lunad, pendant 6.5cm high, earrings with post and clip fittings, 5cm high £800-1,200 1330. A diamond and gem-set gold bombé ring, pavé-set with round brilliant-cut diamonds and pearshaped emeralds and amethysts in yellow gold, size M £500-700 1331. A gem-set gold pendant, of quatrefoil design, set with oval lapis lazuli and chrysoprase cabochons in textured yellow gold, French control mark to the bale, 7.7cm high £1,000-2,000 1332. A pair of abstract gold earrings, set with yellow and white gold discs, three applied with tiger’s eyes to form three dimensional flowers, clip fittings, 2.7cm high £800-1,200

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1321 1320

1325

1323

1322

1324

1326 1327

1328

1330

1331

1329 1332

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1333.

A gold curb-link neck chain, 43cm long, 150g

£3,500-4,500

1334. A gold ‘Kiss Pin’ brooch by Elizabeth Gage, centred with a removeable Elizabeth I sixpence coin dated 1562, surrounded by four cultured pearls within fluted yellow gold mounts and quartered with mabé pearls, in 18ct yellow gold, signed GAGE and with London hallmarks for 1993, 6cm high, suede pouch by Elizabeth Gage £1,800-2,000 1335. A gold ‘Cerchi’ ring by Bulgari, the swiveling target upper section is signed Bulgari, with Italian hallmark, stamped 750 and with maker’s mark, approx size L £400-600 1336. A steel and gold ‘Tubogas’ ring by Bulgari, centred with a disc of lapis lazuli within yellow gold surround engraved Bulgari, with a grooved open-band steel shank £400-600 1337. A white gold and diamond tank track ring by Cartier, set with lines of four round brilliant-cut diamonds in white gold, signed and numbered NG3966, size L½ £650-850 1338.

A Bulgari ‘Cicladi’ white gold ring, set with seven graduated spinning white gold discs, size J £500-700

1339. A pair of ‘Happy Diamonds’ earrings and matching ring by Chopard, the earrings set with round brilliant-cut diamonds and square-shaped emeralds in yellow gold, the diamond-set glazed centre sections suspend lose diamonds within, signed Chopard, each 2.7cm high, the matching ring with bifurcated shoulders and set with further circular-cut diamonds to the gallery, ring size O½ £2,000-3,000 1340. A B.ZERO 1 white gold ring by Bulgari, of sprung spiral design and engraved Bulgari to the gallery, signed Bulgari, stamped 750 and with Italian hallmarks, size M £400-600 1341. A B.ZERO 1 white gold ring by Bulgari, of sprung spiral design and engraved Bulgari to the gallery, signed Bulgari, stamped 750 and with Italian hallmarks, size P £500-700 1342. A yellow gold ‘Parentesi’ ring by Bulgari, the openwork geometric ring with engraved decoration and signed Bulgari, with Italian hallmarks, size K½ £300-400 1343. A diamond solitaire ring by Tiffany & Co, the round brilliant-cut diamond weighs 0.57cts and is Tiffany-set® in platinum on a plain knife-edge band, signed and with maker’s mark, London hallmarks for 2001, size J½, case by Tiffany & Co £800-1,200 Accompanied by Tiffany&Co diamond certificate number 16731668/C01050068 stating that the round brilliant-cut diamond weighs 0.57cts and has D colour, VVS2 clarity and no fluorescence. 1344.

A fancy-link gold neck chain, signed Bulgari, 46.5cm long, 69.5g

£3,000-4,000

1345. A yellow gold ‘Bead Bracelet’ by Tiffany & Co., the yellow gold beads measure 4mm approximately, with a toggle clasp engraved ‘Tiffany & Co. New York’, signed and stamped 750, 16.5cm long £300-400 1346. A diamond-set gold pendant by Cartier, the marquise-shaped diamond is rubover-set in yellow gold, signed Cartier Paris and with inventory number 153370, on a fine-link yellow gold neck chain, with French control marks and London import marks, 38cm long £200-300 1347. A steel ‘Tubogas’ bangle by Bulgari, the terminals pavé-set with circular-cut diamonds and engraved Bulgari, with a flexible grooved steel band, 6cm inner diameter £1,000-1,500 1348. An ‘Elongated Teardrop’ bangle by Elsa Peretti for Tiffany & Co., the plain bangle with teardrop design terminals in 18ct yellow gold, signed ‘Tiffany & Co. © Elsa Peretti, 750, Spain’, 6.8cm internal diameter £400-500

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1333

1335

1336

1337

1334 1338

1339

1344

1346 1343

1342 1347 1341

1340 1345

1348

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1349. A mid 17th century gold locket pendant, probably French, sumptuously painted in polychrome enamel with flowers including tulips with gold decoration to the handles of the urn on a plinth, white enamel ground, tightly scrolled border, bifurcated suspension loop, counter enamelled in blue within fine filigree surround, 9cm high £4,000-6,000 For a similar example, see The Art of the Jeweller, A Catalogue of the Hull Grundy Gift to the British Museum, Vol. II, (London: British Museum Publications Limited: 1984), item 266, pl 14, & 15. The item has a similar pendant loop but has additional scroll frame and filigree surround. 1350. An early George III gold etui, c. 1765, of shaped quiver form, all sides with foliate enamel decoration with two putti above naked mabels holding cornucopia, the hinged cover with enamel bird to each side above a shell, rotating and hinged suspension loop, rose-cut diamond thumbpiece which releases a hinged lid and contains a glass scent bottle with gold rim and conforming enamel decoration, with an enamel duck terminal to the gold stopper, the scent bottle 4.4cm high, 11.5cm high max £4,000-6,000 1351. Three Regency gold fob seals, two with foliate engraved decoration and engraved with a coat of arms, the carved fox seal with plain chalcedony matrix £900-1,200 1352. A George III octagonal gold box, with engine-turned decoration to the exterior, maker’s mark MC incuse to interior, 7.3cm wide, 46g £800-1,200 1353. A George III rectangular 18ct gold toothpick box, with engine-turned decoration to the exterior, decorated with plaited hair to the inside lid, maker’s mark for John Ray and James Montague, London hallmarks for 1803, 6.5cm wide, 36g £600-800 1354. An early 19th century gold scent bottle, the red glass vessel decorated with scrolling repoussé gold decoration with blue and green enamel forget-me-nots, hinged cover with glass stopper, 6.5cm high £600-800 1355. A Regency citrine-set gold vinaigrette, set with a circular-cut citrine above a grille of giardinetto design, the mount with foliate engraved decoration and with engine-turned decoration to the reverse, 3.8cm high £800-1,500 1356. An early 19th century micromosaic plaque, possibly depicting the attributes of the Greek god Apollo including a quiver of arrows, a lyre, a lute, an urn, a laurel chaplet and a flaming cornucopia surrounded by vine leaves, in lozenge-shaped metal mount, 9cm wide, fitted case £2,000-3,000

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1350 1351

1349

1355

1354

1352

1353

1356

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1357. Fabergé - A sapphire and diamond brooch, set with a circular cabochon sapphire within twisted borders of diamonds in silver and gold, maker’s mark for August Hollming, 56 zolotnik and kokoschnik, 4cm wide £5,000-7,000 The sapphire contains an unusual negative crystal inclusion containing a gas bubble within liquid which changes appearance depending on the temperature. At 18 degrees the bubble within the cavity will not move. At 23 degrees the bubble will move freely. At 28 degrees the bubble is not visible at all. Accompanied by report number 79223-50 dated 22 July 2019 from GCS, London stating that the cabochon-cut sapphire weighs approximately 14.20cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon). This sapphire presents large biphasic inclusions with free moving gas bubbles. 1358. A George IV 22ct gold Staff of Office handle, the pommel with crowned initials GR above a rose, thistle and shamrock in coloured golds, the sides chased with shells and rosettes within strapwork, the shaft fitted with a later faceted citrine seal later engraved with coat-of-arms, coronet and motto, maker’s mark IN for John Northam, London, 1820, marks include the Sun in Splendour devise for 22ct gold, in use 1816-1842, scratch weight to base 6.3.0 ozs, 10.7cm high, 268g total £4,000-6,000

1357

The arms are those of de Burgh accolé with de Burgh impaling Canning quartering others for Ulick, 14th Earl of Clanricarde (1802-1874), late 1st Marquess of Clanricarde, and his wife Harriet (1804-1876), daughter of George Canning (1770-1827), Prime Minister, whom he married in 1825. Provenance: Ulick de Burgh, 1st Marquess of Clanricarde (1802-1874) and his wife The Hon. Harriett Marchioness of Clanricarde (1804-1876) and by descent to their son, Hubert George de Burgh-Canniong, 2nd Marquess of Clanricarde (1832 - 1916), by whom bequeathed to hid great-newphew, Henry Lascelles, 6th Earl of Harewood (1882-1947, and by descent at Harewood House, Yorkshire. Christie’s, ‘Harewood: Collecting in The Royal Tradition’, 5 December 2012, ex lot 560. 1359. Fabergé - A two-colour gold and silver gilt enamel cigarette case, rectangular oval section, light blue guilloché enamel decoration overall, laurel bands to the base and cover with further seed pearl band, yellow stone thumb piece releases spring hinged cover, body rim marked ФАБЕРЖЕ and ФА for Feodor Afanassiev, 56 zolotnik with kokoshnik, 88 inside base, inside cover with 88 and zolotnik and workmaster's initials £4,000-5,000 1360. Fabergé - A two-colour gold, silver gilt and enamel cigarette case, rectangular oval section, oyster guilloche enamel decoration overall, laurel bands to base and cover with further band of seed pearls, ruby thumb piece releases sprung hinged cover, body marked ФАБЕРЖЕ, HW for Henrik Wigström, 56 zolotnik and kokoshnik and 88 inside base, HW repeated to inside cover with 88 zolotnik, damage to base and cover, 8.5cm high £2,000-3,000 1361. A gold sapphire and bakelite cigarette holder by Cartier, waisted with calibré-cut sapphires on fluted gold, with a sapphire-set gold terminal, signed and with French control marks and maker’s lozenge, 11cm long, Cartier case £800-1,200 1362. A Russian nephrite and enamel pendant, designed as an acorn, the nephrite set in a gold cap with green guilloche enamel decoration and diamond-set border, the bale marked 56 zolotnik and with maker’s mark HW, 3.2cm high £800-1,200

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1359

1360

1361

1362

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1363. An Egyptian style gem-set gold ring by Graham Stewart, rubover-set with an oval-shaped citrine, the openwork shoulders of stylised lotus design with further engraved decoration to the gallery, with a pear-shaped green stone to each shoulder in yellow gold, signed GLS and with London hallmarks (obscured date letter), size L, case by Graham Stewart £400-600 1364. A French sapphire, ruby and diamond cluster ring, set with a cushion-shaped ruby and sapphire, graduated old circular-cut and cushion-shaped diamonds, set in yellow and white gold with trifurcated scroll shoulders, French control marks, size R £1,500-2,000

λ 1365. A coral and diamond ring, set with two coral cabochons separated by a waisted pavé-set diamond centre-section in yellow gold, size N £500-700 λ 1366. A pair of coral and diamond flower head ear clips, set with coral cabochons and leaves alternately-set with diamonds in yellow gold, clip fittings, 2.5cm wide £800-1,200 1367. A yellow gold bombé ring, resembling rouched fabric, set with eight diamonds in platinum and yellow gold, size R £200-300 1368. A citrine and diamond-set yellow gold ring, c. 1960, set with three circular-cut diamonds to each shoulder and the graduated shank with twisted rope decoration, size L £500-700 1369. A ruby and diamond cluster ring, of stylised flowerhead design, the cushion-shaped ruby is set within a surround of graduated round brilliant-cut diamonds in yellow gold, size K½ £2,500-3,500 Accompanied by report number 79226-61 dated 21 August 2019 from GCS, London stating that the cushion-shaped ruby weighs 0.80cts approximately and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 1370. A sapphire and diamond dress wristwatch by Longines, c. 1940, the signed dial within diamond-set bezel and scrolling lugs set with calibré-cut sapphires on double gold snake-link bracelet, 17cm long, case 1.5cm wide £1,500-2,000 1371. A gold tank track bracelet, the links with faceted white gold centre sections within fluted yellow gold borders, 20.5cm long, 96g £2,500-3,500 1372. A pair of diamond double clips, converted to a diamond scroll brooch, pavé-set with graduated circular-cut diamonds in platinum, 6.5cm wide £2,000-3,000

λ 1373. A mid 20th century coral and diamond clip by Friedrich Binder GmbH & Co, of fluted design, set with two coral sections set with diamonds in yellow and white gold, signed, 3.2cm long £300-400 1374.

A yellow gold rolo-link bracelet, c. 1960, 23cm long, 35.9g

£1,200-1,500

1375. A set of three graduated gold fish brooches, with ruby cabochon eyes, one pavé-set with diamond fins in yellow gold, largest 3cm high £1,500-2,000 1376. A diamond three-stone ring, the three graduated old circular-cut diamonds set in yellow and white gold, maker’s mark EMF and Sheffield hallmark for 18ct, size K £1,000-1,500

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1363

1364

1369

1368

1370

1365

1367

1371

1366

1372

1375

1374 1373

1376

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1377. An early 19th century emerald and diamond stick pin, the emerald-cut emerald is set within diamond surround in silver and gold closed-back setting, 12mm wide, case £400-600 1378. A Victorian garnet and gold parure, comprising a necklace, the lozenge-shaped gold links each set with a garnet cabochon and conjoined with a gold flowerhead and scrolling decoration, with three detachable articulated pendants and a detachable centrepiece which can be worn as a brooch, with matching earrings and two brooches (converted from earrings) and a necklace extension, necklace 42cm, long, earrings 4cm long, brooches 4cm long, extension 6.5cm long, fitted case £4,000-6,000 Provenance: previously owned by Lady Caroline Mary Noel Lytton (1947 - 2017) 1379. An early 19th century boxwood pendant attributed to Giuseppe Bonzanigo (1745 - 1820), depicting two putti in boxwood on ebonised wood ground, glazed and in gold surround, 4.2cm high £600-800 1380. An early 19th century boxwood pendant attributed to Giuseppe Bonzanigo (1745 - 1820), depicting cupid in boxwood on ebonised wood ground, glazed and in gold laurel surround, 3.9cm high £600-800 1381. A late Victorian gold mourning ring, with black enamel decoration reading ‘In memoriam’, engraved with initials E.M. to the interior and with internal glazed locket compartment, with maker’s mark GM and 18ct London hallmarks for 1880, size I½ £200-300 1382. A George III rose-cut diamond brooch, set with two principal pear-shaped rose-cut diamonds weighing approximately 2.50cts in total, with further graduated rose-cut diamonds in closed-back silver mount, 3cm high £400-600 1383. A George III diamond target brooch, set with graduated old cushion-shaped diamonds in closedback silver and gold mount, 18mm wide £1,000-1,500 1384. A George III diamond cluster ring, set with a central old cushion-shaped diamond within a border of smaller diamonds in silver and gold, size O½ £1,000-1,500 1385. A 19th century double garnet ring, set with two pear-shaped garnets and seed pearls in yellow gold mount with pellet-decoration to the shank, size O £200-300

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1377

1378

1385

1379

1384

1382

1380

1381

1383

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1386. A pair of gold and diamond earrings, of fluted chevron design, one section pavé-set with diamonds in yellow gold, white gold post and clip fittings, 2.7cm high £800-1,200 1387. A diamond-set cluster clasp, set with round brilliant-cut, marquise and tapered baguette-shaped diamonds in white gold, total diamond weight approximately 6.50cts, on a three-row artificial pearl necklace £1,000-1,500 1388. A citrine and ruby-set gold ring, c.1940, the emerald-cut citrine is claw-set with ruby cabochons to the shoulders in yellow gold, size O £150-250 1389. A colour-change sapphire and diamond scroll ring, the oval-shaped sapphire weighs 3.90cts, set within diamond scroll mount (one missing) in platinum and gold, size L £1,000-1,500 Accompanied by report number 79234-29 from GCS, London stating that the sapphire is a natural colourchange sapphire with no indications of heat treatment. Origin: Madagascar 1390. A ruby and diamond cluster ring by Valerie Pickford, the openwork gold ring with foliate scroll decoration and centred with a heart-shaped ruby within a surround of circular-cut diamonds, with maker’s mark V.E.P and with 18ct hallmarks for London 1987, size K½ £400-600 1391. A ruby solitaire ring by Margaret Turner, set in yellow and white textured gold mount, maker’s mark and London hallmarks for 2002, size N £200-300 1392. A stylised gold bird brooch, decorated with blue enamel with a diamond eye and wing in yellow gold, rubbed French marks, 2.6cm wide £500-700 1393. A yellow gold long chain, set with spherical tiger’s eye beads between textured fancy-link sections in yellow gold, stamped 750 and with Austrian control marks, 99cm long, 148g £3,000-4,000 1394. A cultured pearl and diamond ring, the cultured pearl is set in a diamond-set platinum mount with openwork geometric design and with scallop motif to the shoulders, size K½ £1,500-2,000 1395. A pair of diamond scroll earrings, set with graduated circular-cut diamonds in white gold and platinum, 4cm high £1,500-2,000 1396. A pair of gem-set gold disc earrings, set with cabochon tourmalines and citrines in yellow gold, 2.7cm wide £800-1,200 1397. A pair of cultured mabé pearl and diamond bombé earrings, set within twisted rope borders in yellow gold, 2.4cm wide, post fittings £400-600 1398. A bombé diamond dress ring, set with graduated baguette-shaped and circular-cut diamonds with a central white stone, in platinum, size N £800-1,200 1399.

A yellow gold scroll brooch, of tapered fluted design, set with diamonds, 7cm wide, 39g £600-800

1400. A pair of gold bombé earrings, each set with a white diamond and four fancy yellow diamonds in yellow and white gold collets, 2cm wide £2,000-3,000 1401. A citrine and diamond bombé ring, set with oval-shaped citrines and baguette-shaped diamond shoulders in yellow gold, size N £300-400 1402.

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A tank track gold bracelet, terminating in a diamond-set gold scroll clasp, 18.8cm long £2,500-3,500


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1386 1389

1390

1391

1392

1393

1394

1395

1396 1398

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1403. A pair of diamond cluster drop earrings, each flowerhead cluster of round brilliant-cut diamonds suspends below a single round brilliant-cut diamond in white gold, post fittings, 1.8cm high £1,300-1,500 1404. A pair of diamond drop earrings, the marquise-shaped trefoils suspend diamond drops in white gold, 4.8cm high £2,000-3,000 1405. A fancy coloured diamond necklace, set with graduated fancy and white round brilliant-cut diamonds suspending a detachable pendant set with an oval-shaped brown diamond within a border of circular-cut yellow and brown diamonds and marquise-shaped diamonds in platinum, 43.5cm long, approximately 27.00cts total £10,000-15,000 1406. A pair of diamond hoop earrings, set with circular-cut diamonds in black gold, 3.3cm inner diameter, post fittings £400-600 1407. A diamond bombé eternity ring, centred with a circular-cut diamond and pavé-set overall with circular-cut diamonds in platinum, obscured London hallmarks, size P½ approximately. £600-800 1408. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.32cts, clawset with further circular-cut diamonds to the shoulders in platinum, London hallmarks for 2019, size K £300-400 1409. A diamond-set gold necklace, the yellow and white gold ovoid links are pavé-set with circularcut diamonds (one missing) and alternately-set on a fine-link gold neck chain, 48cm long £2,000-3,000 1410. A diamond-set curb-link bracelet, alternately pavé-set with black and white diamonds in yellow gold, 18cm long £3,000-4,000 1411. A pink sapphire and diamond bracelet, the two rows of pink sapphire clusters set with diamonds and divided by diamond quatrefoils and cultured pearls in white gold, 18cm long, 3.5cm wide £8,000-12,000 1411A. A diamond-set orchid brooch, realistically designed and pavé-set with graduated circular-cut diamonds and two ruby cabochons in white gold, 6cm high £800-1,200

1411A

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1403

1404

1405

1406 1407

1408

1409

1410

1411

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1412. A pair of Art Deco gem-set cufflinks, designed as stylised pharaoh heads, their headdresses set with old circular and single-cut diamonds, square-shaped emeralds and rubies in platinum and gold, each link 1.1cm high, case £1,000-1,500 1413. An Art Nouveau Egyptian Revival gold pendant, decorated with stylised lotus flowers, wings set with green scarab beetles, terminated with an emerald-cut emerald, the lower section detaches to be worn as a brooch with a detachable brooch pin, on ropetwist gold neck chain, pendant 8cm high, chain 40.5cm long and with additional extension chain, with matching earrings set with scarabs within stylised gold wings suspending from emeralds in yellow gold, 3.5cm high, shepherd’s hook fittings, fitted case £1,500-2,000

λ 1414. An Art Nouveau diamond and enamel gold bracelet, set with three panels of carved ivory and three gold panels set with diamonds within green enamel laurels, French marks, 18cm long £1,250-2,000 1415. An Art Nouveau emerald and diamond ring by René Lalique, set with a sugarloaf emerald within borders of eight old cushion-shaped diamonds, within carved and pierced wheatsheaf-designed yellow gold shank, signed and with Polish marks for Warsaw, size P £5,000-7,000 1416. An Art Nouveau Egyptian Revival gold scarf ring, set with a cabochon emerald flanked with diamonds within plique-a-jour enamel stylised lotus flowers, set in textured yellow gold, 2.7cm wide £800-1,200 1417. An early 20th century bee brooch, the green enamel laurels set with diamonds, suspending two enamel, ruby and diamond bees on gold chains, 4.5cm wide £800-1,200 1418. An Art Nouveau gold brooch by Tiffany & Co, depicting a stylised eagle amongst gold scrolls, with a later pendant loop to reverse which obscures some of the signature, 3.8cm wide £300-400 1419. An emerald and diamond cluster ring, the oval-shaped emerald is rubover-set in yellow gold with a trefoil of pear-shaped diamonds to each shoulder, obscured maker’s mark and 18ct London hallmarks for 1986, size M ( approximately with inner resizing balls) £1,200-1,500 1420. A late 19th century sapphire and diamond three-stone ring, set with a circular-cut sapphire and two old circular-cut diamonds, with engraved scroll decoration to the gallery in yellow gold, size N £400-600 Accompanied by report number 79230-57 dated 21 August 2019 from GCS, London stating that the circularcut sapphire weighs 0.70cts approximately and is a natural sapphire with no indications of heat treatment. Origin: Burma (Myanmar) 1421. A plique-à-jour and gold pendant by Cartier, depicting a stylised castle on mother-of-pearl ground within plique-à-jour enamel foliate surround and a border of seed pearls in yellow gold, French control marks, signed and numbered 64005, 2.5cm wide £1,200-1,500 1422.

A carved emerald bead, depicting flowers, 13.75cts

£4,000-6,000

1423. An Art Nouveau diamond ring, set with three graduated old-cut diamonds within scrolling rosecut diamond surround in platinum and yellow gold, size R½ £1,500-2,000 1424. A diamond solitaire ring by Tiffany & Co., the round brilliant-cut diamond weighs 1.04cts and is Tiffany-set® in yellow gold on a plain knife-edge band, signed and with maker’s mark, 18ct London hallmarks for 2000, size M½, case by Tiffany & Co £4,000-6,000 Accompanied by insurance valuation dated 18 November 2002 from Tiffany & Co.

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1413 1414

1412

1418

1423 1417 1424

1416

1415 1419 1421 1422 1420

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1425. An abstract diamond brooch attributed to Andrew Grima, the textured 18ct yellow gold brooch decorated with graduated circular-cut diamonds in yellow gold, with London hallmarks for 1965 and maker’s mark HJCo for Haller Jewellery Company Limited, 4.7cm wide £2,000-3,000 1426. A tanzanite necklace with a gold clasp by Andrew Grima, of abstract design with a cluster of round brilliant-cut diamonds, on a three-row graduated tanzanite bead necklace, clasp 1.8cm wide, necklace 45cm shortest £1,000-1,500 1427. An 18ct white gold ring by Ingborg Bratman, with textured decoration to the shoulders and polished sides, pavé-set with an oval-shaped light green jade cabochon, with London marks for 1975 and with maker’s initials, size N £800-1,200 1428. A gem-set bi-colour gold necklace by John Donald, of alternating textured and hollow square white and yellow gold links, set with emeralds rubies and diamonds to the front, with maker’s mark and London hallmarks for 1977, 42cm long, 85g, with a matching wristwatch by John Donald, with conforming decoration and London hallmarks, manual movement, 17.5cm long, 48g £3,000-4,000 1429. An amethyst and diamond-set pendant by Andrew Grima, the oval-shaped amethyst surmounted by an openwork textured yellow gold chevron, set with a single round brilliant-cut diamond, signed AG Ltd and with 18ct London hallmarks for 1984, 5.5cm high £3,000-4,000 1430. A gold fancy-link bracelet by Garrard & Co, 1960s, the textured fancy links in a zig-zag design, with London import marks for 18ct 1960 and maker’s mark G E Co, 19.5cm long, 83.8g £1,200-1,500 1431. A cultured pearl and diamond-set gold ring by Kutchinsky, the cultured pearl is set in a textured bi-colour 18ct gold mount of abstract foliate design and set with graduated round brilliant-cut diamond sections, with maker’s mark and London hallmarks for 1970, size Q £1,000-1,500 1432. An abstract sapphire and diamond ring, set with two interlocking sections of calibré-cut sapphires and circular-cut diamonds with a sapphire-set gallery (three missing) in white gold, size N½ £1,500-2,000 1433. An abstract ruby and diamond ring by Ben Rosenfeld Ltd, set with circular rubies and diamonds in textured 18ct yellow gold, signed to interior and with import marks for 1971, size O½ £200-300

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1426

1425

1429

1428

1427 1430

1432

1431

1433

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1434. A pair of diamond cluster earrings, of flowerhead design, each centred with a round brilliantcut diamond within a surround of marquise-shaped diamonds in yellow gold, centre diamonds approximately 1.30cts total, post and clip fittings, 2.2cm high £7,500-8,000 1435. A ruby and diamond cluster ring, of flowerhead design, centred with an oval-shaped ruby, the petals pavé-set with round brilliant-cut diamonds in yellow gold, size N £2,000-3,000 1436. A pair of gold hoop earrings by Boucheron, of fluted design, signed Boucheron and numbered D083, 5cm high £2,000-3,000

λ 1437. A French coral and diamond gold necklace, the festoon-shaped yellow gold links alternatelyset with coral spacers, the largest centre link set with graduated round brilliant-cut diamonds, with French control mark, London import marks for 1977, maker’s mark Ste R W and maker’s mark for Mappin & Webb, 42cm long £3,000-4,000 1438. A diamond-set scroll brooch, the oval-shaped brooch set with round brilliant-cut and baguetteshaped diamonds, with a diamond-set spray to the centre in white gold, 4.6cm wide £600-800 1439. A gem-set gold bracelet by Boucheron, the fluted gold links separated with pair of rubies, sapphire and diamonds in yellow gold, signed, 20cm long £3,000-4,000 1440. A diamond-set flowerhead brooch by Asprey, the stylised flower set with clusters of graduated circular-cut diamonds in 18ct yellow gold, London hallmarks for 1961, signed, 4.8cm high £1,800-2,500 1441. A pair of cultured pearl and diamond foliate earrings, the central white cultured pearls within pavé-set diamond petals and baguette-shaped diamond scrolls in white gold, 2.6cm high £2,200-2,500 1442. A pair of ruby, sapphire and diamond earrings, c.1950, of scrolling form, set with graduated circular-cut rubies, sapphires and diamonds in yellow gold and platinum, clip fittings, 3cm wide £2,000-3,000 1443. A pair of diamond butterfly earrings, of geometric openwork design and set with old Europeancut and baguette-shaped diamonds in white gold, post and clip fittings, 3.4cm wide £2,000-3,000

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1434 1435

1436

1437

1438

1440 1439

1443 1441 1442

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1444. size Q

A diamond five-stone ring, set with graduated old circular-cut diamonds in platinum and gold, £200-300

1445. A Victorian sapphire and diamond quatrefoil brooch, the cushion-shaped sapphire set within a scrolling diamond surround in silver and gold, 2.8cm wide £1,200-1,500 1446. An Edwardian opal and diamond circular brooch pendant, centred with a circular-cut diamond within a heart-shaped opal surround and further opals and diamonds to the openwork silver and gold mount, with retractable pendant loop and detachable brooch fitting, 3cm high £600-800 1447. A 19th century diamond half-hoop ring, set with two rows of old circular-cut diamonds with rose-cut diamond pointers, in yellow gold carved and pierced scroll mount, inventory number 2354, size L £200-300 1448. A Victorian diamond-set flower brooch pendant, set overall with graduated old circular-cut and rose-cut diamonds in silver on gold, retractable pendant loop, 2.4cm high £500-700 1449. A Victorian opal and diamond pendant, set with oval opal cabochons within diamond-set foliate surround in silver and gold, detachable pendant loop and brooch fitting, 4.5cm long £200-300 1450. A ruby and diamond lavalier, the diamond-set upper section suspends two asymmetrical drops set with oval-shaped rubies and round brilliant-cut diamonds in yellow gold and platinum, on a fine-link platinum neck chain, pendant 3.3cm long, neck chain 47cm £2,000-3,000 Accompanied by report number 17762 dated 4 September 2019 from The Gem & Pearl Laboratory stating that the oval-shaped rubies weigh 1.42, 1.28 and 0.68cts and are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar) 1451. A Victorian amethyst and diamond pendant, the circular-cut amethyst is set within a surround of diamonds in fleur-de-lys settings, in silver and gold, pendant fitting to reverse, 3cm wide £400-600 1452. A late Victorian diamond star brooch, set overall with graduated old cushion-shaped diamonds in silver and gold, pendant fitting to reverse, 3cm wide £500-700 1453. A Victorian diamond, natural pearl and ruby feather brooch, set with old circular-cut and rosecut diamonds, circular-cut rubies and pearls in silver on gold, 5cm long, case £500-600 Accompanied by report number 79233-34 from GCS, London stating that the three pearls are natural saltwater with no indications of treatment. 1454. A Victorian diamond open crescent brooch, set with graduated old circular-cut diamonds in silver and gold, 6cm wide £200-300 1455. A Victorian emerald and diamond five-stone ring, alternately-set with emerald-cut emeralds and old circular-cut diamonds in carved and pierced yellow gold mount, size Q½ £2,000-3,000 1456. A Victorian diamond-set aigrette, set with old circular-cut and rose-cut diamonds in silver on gold, 5cm high £1,000-1,500 1457. A late 19th century diamond foliate brooch, set overall with graduated old cushion-shaped diamonds (one missing) in silver and gold, suspending three detachable articulated diamond-set swags, 6.5cm wide, case £1,000-1,500 1458. A Victorian diamond-set insect and foliate bar brooch, set with graduated old cushion-shaped diamonds in silver and gold, 6.5cm wide £200-300 1459. A pair of sapphire and diamond cluster earrings, the sugarloaf sapphires are set within a surround of old cushion-shaped diamonds in silver and gold, post and clip fittings, 1.3cm wide £800-1,200 1460. A Victorian diamond foliate brooch, set overall with graduated old cushion-shaped diamonds in silver and gold, the flowerhead mounted en tremblant, 5cm long £600-800 1461. A Victorian sapphire and diamond bangle, set with graduated circular-cut sapphires and diamond in yellow gold, 5.8cm inner diameter £3,500-4,500 1462. A Victorian gem-set bee brooch, the bee set with circular-cut demantoid garnets, rose-cut diamonds and with opal eyes in silver on gold, on a yellow gold stock pin, brooch 3.6cm wide £600-800 1463. A Victorian diamond-set bracelet, centred with a cluster of old circular-cut diamonds, with further diamond-set foliate links in silver on gold, set on an expanding gold bracelet, minimum length 15.5cm £1,500-2,000

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1447

1444

1446

1445

1448

1452

1450 1449 1451

1454

1453

1455

1456 1459

1457

1458

1462

1460 1461

1463

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1464. A single-row natural pearl necklace, the pearls measure 3 - 10mm approximately and suspend a natural pearl pendant with a diamond-set cap, the circular cluster clasp set with old circular-cut diamonds and an untested pearl, 56cm long £5,000-7,000 Accompanied by report number 79228-12 dated 28 August 2019 from GCS, London stating that the 85 cream pearls measure 3.0 - 10.0mm approximately and are natural saltwater, with the exception of one pearl which presents characteristics consistent with pearls formed in a freshwater environment, its origin (natural or cultured) has not been determined. 1465. A seven-row natural pearl necklace, the pearls graduate from 1.5 - 6.0mm approximately with a diamondset white gold scroll clasp, necklace 51cm longest £10,000-20,000 Accompanied by report number 79215-95 dated 5 June 2019 from GCS, London stating that the cream pearls measure 1.5 - 6.0mm approximately and are natural saltwater with no indications of treatment. Comment: The necklace includes pearls under 3mm in size. These ‘seed pearls’ may be wither natural or cultured. 1466. A single-row natural pearl necklace, the pearls measure 1.9 - 4.7mm approximately, the clasp set with old cushion-shaped diamonds and an untested pearl, 63cm long £200-300 Accompanied by report number 79226-60 dated 28 August 2019 from GCS, London stating that the 267 cream pearls measure 1.9 - 4.7mm approximately and are natural saltwater with no indications of treatment. Comment: contains pearls under 3mm. These ‘seed pearls’ may be either natural or cultured. 1467. A pair of natural pearl and diamond earrings, the pearls set with diamond-set scrolling leaves in white gold, 2.2cm long £5,000-7,000 Accompanied by report number 79218-38 dated 13 June 2019 from GCS, London stating that the light grey pearls weigh 7.99 and 8.44cts and are natural saltwater with no indications of treatment. 1468. A single-row natural pearl necklace, the pearls graduate from 5.4 - 10.8mm approximately and are alternately-strung with small seed pearls, 49cm long, no clasp £4,000-6,000 Accompanied by report number 79204-56 dated 4 April 2019 from GCS, London stating that the cream pearls measure 5.4 - 10.8mm diameter approximately and are natural saltwater with the exception of 2 freshwater natural pearls. 1469. A late Victorian sapphire and diamond bangle, set with a line of graduated circular-cut sapphires, within scalloped border of old circular-cut diamonds in silver and gold, 5.6cm internal diameter, case £3,000-4,000 1470. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of round brilliant-cut diamonds, with a pear-shaped diamond to each shoulder in platinum, size M½ £12,000-15,000 Accompanied by report number 13100294 dated 30 October 2013 from Gübelin stating that the cushion-shaped sapphire weighs 11.31cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1471. A large tanzanite and diamond cluster ring, the oval-shaped tanzanite weighs approximately 19cts, set within diamond surround in white gold, size P £10,000-15,000 1472. A 19th century pearl and diamond cluster ring, the central pearl set within a surround of cushion-shaped diamonds in gold, size N½ £1,200-1,500 Accompanied by report number 79181-27 dated 22 October 2018 from GCS, London stating that the cream halfpearl measures 9.6 - 9.7 x 5.5mm approximately and is natural saltwater with no indications of treatment. 1473. A pair of natural pearl and diamond drop earrings, the natural pearls suspend from an articulated line of graduated old circular-cut diamonds in platinum, post fittings, 3.7cm high £3,000-4,000 Accompanied by report number 78168-09 dated 5 July 2019 from GCS, London stating that the cream pearls measure 10.5 x 8.5 x 7.5mm and 10.7 x 8.4 x 7.7mm and are natural saltwater with no indications of treatment. 1474. A 19th century natural pearl and diamond cluster ring, set with a central pearl within a surround of old cushion-shaped diamonds in silver and gold, French control marks, size P½ £3,000-4,000 Accompanied by report number 79220-12 dated 20 June 2019 from GCS, London stating that the cream pearl weighs 6.04cts and is natural saltwater with no indications of heat treatment. 1475. An early 20th century natural pearl and diamond cluster ring, the central pearl set within a surround of diamonds in yellow gold, size K½ £1,200-1,500 Accompanied by report number 5775-1940 dated 5 May 2015 from GCS, London stating that the cream pearl measures 7.4 0 8.10 x 7.8mm and is natural saltwater with no indications of treatment. 1476. A natural pearl and diamond three-stone ring, the natural pearl is flanked by old cushion-shaped diamonds in yellow gold, size M £3,000-4,000 Accompanied by report number 5774-689 dated 22 September 2014 from GCS, London stating that the cream pearl weighs 5.15cts and is natural saltwater with no indications of treatment.

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1464

1465

1467

1469

1466

1468 1472

1470

1474 1476 1471

1473

1475

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1477. A ‘Panthere’ tri-colour gold bangle by Cartier, of torc design, the flexible hoop with tri-colour gold wirework decoration, with polished panther head terminals, signed Cartier, inventory number 762897, internal diameter 6.5cm, 50.1g £2,000-3,000 1478. A Bulgari ‘Doppio Bacellato’ gem-set gold ring, set with cabochon tourmalines, citrine and aquamarine in yellow gold setting, on white enamel and yellow gold band, signed, size M £800-1,200 1479. A diamond solitaire ring by Tiffany & Co, the round brilliant-cut diamond weighs 0.81cts and is Tiffany-set® in platinum on a plain knife-edge band, signed and with maker’s mark, London hallmarks for 2009, size L, case by Tiffany & Co £2,000-3,000 Accompanied by report number 25157915/k02021007 from Tiffany & Co. stating that the round brilliant-cut diamond weighs 0.81cts, has F colour and VS1 clarity. 1480. A diamond-set gold brooch by Boucheron, c1960, of openwork foliate design and set with round brilliant-cut diamonds in textured yellow gold, with hinged double pin, signed Boucheron and Made in France, French control mark (rubbed), inventory number (obscured) with London import mark for 1964 and with sponsor’s mark BMCco, 6cm high £1,500-2,000 1481. A diamond-set gold leaf brooch by Cartier, the stylised leaf decorated with five circular-cut diamonds and an enamel ladybird in yellow gold, signed and numbered with London hallmarks for 1959, 4.8cm wide £1,800-2,500 1482. A carnelian and gold Alhambra suite of jewellery by Van Cleef & Arpels, comprising a necklace, earrings and a ring, the quatrefoil carnelian sections set in beaded yellow gold borders, the ring applied with a circular-cut diamond, each signed and with inventory number, necklace 43.5cm long, earrings with post and clip fittings, ring size N £8,000-10,000 1482A. A pair of half-hoop rings by Van Cleef & Arpels, one set with a baguette-shaped ruby, the other with baguette-shaped sapphire and both with twenty-four graduated round brilliant-cut shoulder diamonds in yellow gold, signed VCA and numbered C5307G1, the other C5307F1 French control marks, both size L, fitted case by Ogden £2,000-3,000 1483. A pair of cultured pearl and onyx drop earrings by Marina B., of abstract design set with black onyx and mother-of-pearl, each articulated centre section terminated with a removable cultured pearl, in yellow gold, French control mark, signed Marina B., no. C832, with maker’s mark for Marina B and maker’s lozenge for Pierre Brun, hinged clip fittings to enable the earring to move over 45º when worn, 5.7cm high, case by Marina B. £2,000-3,000 1484. A pair of black onyx and cultured pearl shell earrings by Verdura, set in 18ct yellow gold, signed, clip fittings, 2.8cm high £2,000-3,000

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1478 1477 1479

1480 1481

1483

1482

1484 1482A

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1485. A Victorian gold bracelet, mounted with six rhomboid-shaped glazed panels, the two terminals each with two eye miniatures and the other four panels each with two portrait miniatures depicting members of the Nottidge family, the reverse of each panel is engraved with various names, each panel measures 1.9 x 3.9cm and connected with a pair of lobed quatrefoil links, total width 18cm, fitted case with paper trade sticker for Hamlet of Princes Street, Leicester Square, Royal Warrant to the Duke of Clarence and Royal Family ÂŁ8,000-12,000 In the mid 19th century the Nottidge family were involved in a scandal that inadvertently led to another. The joining of a religious cult in Somerset by some of the daughters of Josias Nottidge (1767 - 1844) resulted in the incarceration of Louisa Nottidge (1802 - 1858) in a 'lunatic asylum' whilst she was totally sane and against her will in 1846. Louisa grew up with her large family in Wixoe, Suffolk. They first met the Reverend Henry Prince, when he preached at a nearby village and quietly ingratiated himself within the family. He persuaded Louisa and her three other unmarried sisters to make substantial contributions from their recent inheritance from their departed father, to the founding of a religious 'community' in Somerset. This was to be called the Agapemone, or 'abode of love'. Events escalated rapidly in 1845 when three of the Nottidge girls travelled to Somerset to live in the Agapemone. En route, Harriet, Agnes and Clara were persuaded by Prince to marry three Agapemone clergymen in Swansea. Louisa was then persuaded by Prince to join her sisters in Somerset despite the attempts of Agnes to warn her off. Understandably, the girls' mother was becoming anxious as to her four daughters well being. By this time, the Agapemone was becoming scandalous and was reported in the national press as a den of iniquity. Their mother instructed her son Edmund, nephew Edward and son-in-law Frederick to rescue the unmarried Louisa which they did, against her will. Following her persistent claims that Prince was devout and good, Louisa was certified insane and incarcerated in to Moorcroft House lunatic asylum in Hillingdon under the mother's instructions. Louisa's condition and treatment were recorded in the lancet. There were a number of cases of women being placed into 'lunatic asylums' against their will and for the convenience of their family or guardians. Several sensational incidents were exposed by the national press and were covered vigorously. The public outcry surrounding these appalling stories inspired the author Wilkie Collins who wrote the novel 'The Woman in White' in 1860. Louisa escaped from the asylum on 6th January 1848, was caught and returned two days later then released after the intervention of her brother-inlaw the Rev William Cobbe. In 1849 Louisa successfully sued part of her family for abduction and false imprisonment and was awarded damages and costs. She returned to the Agapemone, transferred her wealth to Prince and remained there to her death in 1858. Her brother Ralph then successfully sued Prince in 1860 for the return of Louisa's fortune.

Moorcroft House Asylum, Hillingdon admission record for Louisa Nottidge dated 12 Nov. 1846

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Josias & Harriet

Edmund

Louisa

Cornelia

Alicia

Josias Nottidge

Maria & Frederich

Ralph

Harriet

Agnes

Clara

Emily & Robert

Eye Miniatures

Eye Miniatures

Emily

Josias

Maria

(1794-1876)

(1796-1832)

(1797-1866)

EDMUND Margaretta (1798-1854)

(1800-1808)

RALPH

LOUISA

Charlotte

HARRIET

ALICIA

CLARA

William

CORNELIA

AGNES

(1801-1879)

(1802-1858)

(1803-1805)

(1804-1886)

(1807-1831)

(1809-1898)

(1810-1813)

(1812-1889)

(1817-1907)

The names engraved on the reverse of each portrait appear in capital letters on the selected family tree. Margaretta, Charlotte and William died in infancy and are not painted. The remaining names engraved on the reverse of the eye miniatures refer to the father, Josias Nottidge and Emily, Maria and Harriet. The three daughters also appear with gentleman’s names, which probably refer to their spouses.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1486. A Victorian gold and enamel posy ring, engraved to the exterior with the posy 'May GOD Unite Our hearts Aright', with white, blue and red enamel decoration, maker’s mark IB and with 18ct London hallmarks for 1867, size J½ £200-300 1487.

A Roman gold lion’s mask, c. 2nd century AD, 9mm diameter, on later gold ring, size H £400-600

1488.

A Roman sardonyx mounted gold ring, c. 2nd - 3rd century AD, ring approximately size J £400-600

1489. A late Medieval cabochon ruby-set gold ring, with engraved decoration to each shoulder (rubbed), size M £800-1,200 1490. A set of four late Roman intaglios, c. 2nd-3rd century AD, three carved in carnelian and one in chalcedony, depicting an eagle, a tree, Justice and Fortuna, set in a pair of later gold cufflinks, intaglios approximately 1.0cm high £800-1,200 1491. A Medieval iconographic gold pendant, c.1400, depicting Jesus walking on water next to his disciple St Peter in a fishing boat, within a twisted rope and pellet border, engraved to the reverse MODICE FIDEI QVARE DVBIT ASTI meaning ‘O ye of little faith, why did you doubt', in modern yellow gold mount and rubber necklace, 2.7cm high £800-1,200 The image and quotation references the test of faith in Matthew, chapter 14: Jesus walks across stormy waters and tells his apostles not to be afraid. Peter starts to walk on the water but, becoming afraid, sinks and calls for help, Jesus reaches out to him and asks why Peter did not have faith in him to keep him safe. 1492. A green jasper Egyptian scarab intaglio, c. 500-600 BC, mounted in a later gold swivel ring, scarab 1.5cm wide, ring size M½ approximately. £200-300 1493. A Viking gold ring, c. 6th - 7th century, with twisted gold wirework decoration and plain gold band, approximately size V½ £2,000-3,000 1494. A 19th century gold bracelet mounted with eight intaglios, depicting: a 19th century winged figure playing with a dog, a 17th century profile of a veiled lady, an 18th century profile of a lady with headdress, a 17th century profile of a bearded man with laurels, a 19th century profile of a lady wearing her hair up, a 17th century profile of Hercules with club and Greek pseudo signature, a 17th century seated Hermes and a 19th century profile of a man wearing a hat, 20.5cm long £4,000-6,000 1495. A gold necklace mounted with five assorted carved gems of various dates, including a scarab carved with an ankh, a lapis lazuli carved scaraboid with falcon head (probably Ptolomaic), a carved hardstone scarab with a quadriga and a further scarab carved with hieroglyphs, 43cm long £800-1,200 1496.

A carnelian intaglio depicting Pan, in later gold ring mount, intaglio 1.5cm high, ring size U½ £600-800

1497.

A bloodstone intaglio depicting Hercules, in a gold ring mount, intaglio 1.8cm high, ring size U½ £600-800

1498. A Cypriot green jasper intaglio depicting Apollo, possibly 1st - 2nd century AD, the figure leaning on a pillar with lyre to the base, possibly Phoenician subject, in a later gold ring, unidentified mark to the outer shank, intaglio 1.7cm high, ring size R £2,000-3,000 1499. A Roman jasper intaglio ring depicting a Dioscuri, 3rd - 4th century AD, the figure with arm resting on a pillar and with forequarters of a horse, in contemporary silver mount, intaglio 1.7cm high, ring approximately size O £600-800 1500. Three late Roman rings, c. 4th - 5th century AD, including a bronze ring set with a late Roman carnelian intaglio depicting a fish, intaglio 0.9cm wide, ring size E. A late Roman bronze intaglio ring, depicting a standing figure, intaglio 1.9cm high, ring size K. A late Roman lozenge-shaped bronze intaglio ring, depicting a standing figure with large phallus, intaglio 2.3cm high, ring size M £400-600

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1489 1488

1487

1493

1486 1492

1491

1490

1499

1494

1498

1495 1497

1496 1500 (3)

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1501. A late Renaissance agate cameo depicting Alessandro de' Medici, known as ‘Il Moro’ or ‘The Moor’, c. 16th - 17th century, in later gold ring mount, cameo 2.0cm high, ring size M £1,000-1,500 1502. A Renaissance agate cameo depicting Aristotle, 16th century, in later gold ring mount, cameo 3cm high, approximately ring size P £2000-3,000 1503. A Renaissance agate cameo depicting a recumbent baccanti, 16th century, in later gold ring mount, cameo 2.8cm high, ring size S £800-1,200 1504. A late 17th century cameo depicting a man in profile, in later gold ring mount, cameo 2.3cm high, ring size W £800-1,200 1505. A late 18th century double-sided micromosaic ring, probably by Giacoma Raffaelli, depicting a butterfly to one side and a goldfinch to the other, in later gold collectors mount, the plaque 2.9cm high £2,000-3,000 As the butterfly is allegorical to Psyche, the goldfinch is an allegory of Christianity. The red tip on the bird's head is said to have originated from Christ's blood. 1506. A 17th century hardstone cameo depicting Cupid enticing a dog, in later gold ring mount, cameo 1.7cm wide , ring size V £700-900 1507. A 19th century carnelian intaglio depicting a partly dressed maiden, carrying a pitcher and staff, in a later gold ring mount, intaglio 2.7cm high, ring size P £2,000-3,000 1508. A chalcedony intaglio depicting a seated Zeus, c. 2nd - 3rd century AD, holding his sceptre and eagle at his feet, in later gold ring mount, intaglio 1.6cm high, ring size L £800-1,200 1509. A Roman carnelian intaglio depicting a seated Apollo, c. 2nd-3rd century AD, in later gold ring mount, intaglio 1.5cm high, ring size T £800-1,200 1510. An intaglio depicting a centaur holding a branch, c. 2nd century AD, in a gold ring mount, 1.1cm high, ring size L £400-600

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1501

1503

1502

1506 1505 1504

1508

1507

1510

1509

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1511. A Hellenistic carnelian intaglio depicting Nike, driving a bigar (a two-horse chariot), in later gold ring mount, intaglio 1.6cm wide, ring size R½ £1,000-1,500 1512. A late Roman agate intaglio depicting Mars, with spear and shield, c. 3rd - 4th century AD, mounted in an early 19th century three-colour gold fob seal, adapted to be worn as a ring, chased with heavy foliate decoration, intaglio 2.1cm high, seal 2.8cm high, approximately ring size N £3,000-5,000 1513. A late 18th century agate cameo depicting Julius Caesar, within a white and green enamel yellow gold pendant mount, cameo 2.5cm high, pendant 4.2cm high £1,500-2,000 1514. A Hellenistic carnelian intaglio depicting a lion chasing a gazelle, c. 1st - 2nd century BC, within a later collectors gold ring mount, intaglio 1.5cm wide, ring approximately size Q £1,000-1,500 1515. A late 17th century carnelian intaglio depicting a seated Buddah, possibly Mughal, with assorted figures including a border of twelve horsemen, later gold dolphin and scroll mount suspending a small pearl, 1.7cm wide £800-1,200 1516. A Babylonian faceted chalcedony seal depicting Darius slaying the lion, c.500 BC, with later gold mounts, seal 2.5cm high £1,000-1,500 1517. A mid 18th century citrine intaglio depicting Socrates, in a later gold ring, 2.1cm high, ring size K½ (approximately) £800-1,200 1518. A yellow jasper intaglio depicting Artemis of Ephesus, c. 2nd century AD, Artemis in static pose with outstretched arms and deer to her sides, with star and crescent moon, in later gold ring mount, intaglio 1.5cm high, ring size L £800-1,200 1519. A Roman red jasper intaglio depicting a shepherd tending to a goat, c. 2nd - 3rd century AD, possibly depicting one of the shepherd's involved in the upbringing of Romulus and Remus, in George III gold mount, intaglio 1.6cm wide, ring size N £600-800 1520. A Roman nicolo intaglio, depicting a Roman Emperor, possibly Commodus, in a modern gold ring mount, 1.2cm high, ring size O £400-600 1521. A Roman nicolo intaglio depicting Romulus or Remus with their surrogate wolf mother, c. 2nd - 3rd century AD, with later Sasanian inscription, intaglio 1.5cm high, ring size O £800-1,200 Sold Woolley & Wallis, 23rd October 2014, ex lot 1320. From the collection of the late Gertrud Seidmann.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1522. A 19th century three-colour glass intaglio depicting Hercules carrying the Erymanthian boar, inscribed with pseudo-signature for Likos, in gold ring mount, intaglio 2.4cm high, ring size S £600-800 A similar example was in the collection of Prince Stanislas Poniatowski, carved in sardonyx, with a drawing by Callandrelli. It is likely that lot 1522 is a copy of the original. References: The collection of Prince Stanislas Poniatowski (1754 - 1833); offered at auction by Christie's London 29 April - 21st May 1839, lot 321. Beazley Archive reference number: 1839-321 Reference Literature: Calandrelli drawing, Antikensammlung Berlin: A.II.32/ A.II.33 Callandrelli, G.: Catalogo Dell'Impressioni (1817-1826): 1 Catalogue des pierres graves antiques de S.A. le Prince Stanislas Poniatowski ([1830?]-1833): II.234 1523. A late Hellenistic agate intaglio depicting a recumbent griffin, in later gold ring mount, intaglio 1.8cm wide, ring size S £1,500-2,000 1524. An 18th century agate cameo depicting Jupiter laureate, in later gold ring, cameo 2.4cm high, ring size O £2,000-3,000 1525. An Ancient Roman carnelian intaglio depicting the Dioscuri, c.1st - 2nd century AD, in later gold ring mount, intaglio 1.7cm high, approximately ring size S £1,500-2,000 1526. A Renaissance agate cameo depicting a satyr, in later gold ring mount, cameo 1.8mm high, ring size R½ £1,500-2,000 1527. An 18th century two-sided carnelian intaglio, depicting Hercules slaying the Nemean lion with his club standing vertical behind to one side, the other with gnostic carved inscription, one set within a coiled snake border, mounted in an 18th century gold collector's mount, intaglio 2.7cm high, ring size S £3,000-4,000 Provenance: Christie's, 29th October 2003, An English Private Collection of Antiquities, ex lot 324, described as ‘possibly Graeco-Egyptian, 2nd-4th century A.D.’ 1528. An ancient Roman agate cameo depicting Hadrian, in later gold mount, cameo 2.6cm high, ring size W £1,000-1,500 1529. A Renaissance cornelian cameo depicting a Bacchanalian scene of a satyr and fawn, c.1580, in a later gold ring mount, cameo 1.9cm high, ring size T £2,000-3,000 1530. A Roman domed garnet intaglio depicting Cupid, c. 2nd century AD, in Roman gold ring, intaglio 1.2cm high, ring approximately size J £1,500-2,000 1531. A late 18th - early 19th century chalcedony domed intaglio depicting Juno, seated on her throne and with the peacock, in a later gold ring mount, 1.9cm wide, ring size R £800-1,200 1532. A late 18th century agate cameo depicting Jupiter, in gold ring mount, cameo 2.6cm high, approximately ring size O £1,500-2,000 1533. A carnelian intaglio depicting a young Claudius Caesar laureate, possibly provincial Ancient Roman, in later gold ring mount, intaglio 1.7cm high, ring size K½ £800-1,200

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1531 1530 1533

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1534. A late Roman gold marriage ring, c.4th - 5th century AD, depicting a couple beneath Byzantine cross, probably in niello, ring size P approximately. £3,000-4,000 1535. A Hellenistic jasper intaglio depicting Pegasus, c. 2nd – 3rd century BC, in a Hellenistic gold ring, intaglio 1.5cm wide, ring size Q approximately. £6,000-8,000 1536. A Hellenistic amethyst intaglio probably depicting an Egyptian queen, mounted in a gold ring, intaglio 1.7cm high, ring size J £4,000-6,000 Provenance: Christie’s, 29th October 2003, An English Private Collection of Antiquities, ex lot 308 1537. A Roman chrome chalcedony domed intaglio depicting a satyr praying to a Herm, c. 1st 2nd century BC, the satyr seated on a rock under a tree, offering a pedum and plate of fruit to a Herm of Priapus on a garlanded columnar altar, in a later gold ring, intaglio 1.4cm high, ring size R £3,000-4,000 Provenance: Christie’s, 29th October 2003, An English Private Collection of Antiquities, ex lot 97 1538. An early 19th century agate cameo by Antonio Berini (1770 - 1861), depicting Gaius Maecenas, signed, in yellow gold ring mount, cameo 1.7cm high, ring size K½ £2,000-3,000 Antonio Berini (1770 - 1861) was a pupil of Giovanni Pichler. Among Berini's patrons were the politician Giovanni Battista Sommariva (1762 - 1826) and Count Giovanni Battista Caprara, Archbishop of Milan (1733 - 1810), who was instrumental in Napoleon's ascension to the Italian throne. Berini was commissioned by Caprara to engrave a portrait cameo of Napoleon, which would later lead to his imprisonment. A known Republican, Berini used a piece of sardonyx that contained a reddish vein at the height of his neck and this was considered to be a bad omen. 1539. An amethyst intaglio depicting a bull with an urn, c.1st-2nd century BC, in a gold ring mount, intaglio 1.7cm wide, ring size L £2,000-3,000

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1536 1535

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1538

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1540. A late Renaissance sardonyx cameo depicting Emperor Commodus as Hercules, laureate, with the Nemean lion skin to his shoulders, in later gold ring mount, cameo 2.2cm high, ring size R £1,000-1,500 1541. A Northern Empire banded agate intaglio mounted gold ring, c. 1st century BC - 1st century AD, possibly depicting a Sythian scene, intaglio 1.8cm wide, ring size J approximately. £1,500-2,000 1542. A late Medieval agate cameo depicting the nativity scene, c. 13th - 14th century, beneath the star of Bethlehem (damaged) in early 19th century gold ring, cameo 2.5cm high, ring size T, in fitted shagreen case £800-1,200 1543. A late 18th century micromosaic ring by Giacoma Raffaelli, depicting a dove on a branch, the copper-back plate signed to the reverse 'Raffaelli fece 1793', mounted in a gold ring, the plaque 2.6cm high, ring size M½ £3,000-4,000 1544. A late 17th century well detailed hardstone cameo, depicting the seated Achilles mourning his friend Patroclus, who was killed in battle by the Trojan Hector, to the left of Achilles is his slave and concubine Briseis and the Greek warrior Antilochus leaning on a column, in later gold brooch mount set with yellow stones, 2.8cm high £3,000-5,000 1545. A late 18th - early 19th century deeply carved agate cameo depicting a Dioscuri, engraved D.I.D.O, in later gold ring, cameo 2.5cm high, ring size P½ £1,500-2,000 1545A. A Roman carnelian intaglio depicting Mercury with a caduceus, probably c. 1st - 2nd century AD, in a late 16th - early 17th century black enamel gold signet ring, intaglio 1.7cm high, ring size T approximately. £8,000-12,000 For a similar ring see V&A museum number M.553-1910, from the collections of the Dukes of Mantua, Thomas Howard, Earl of Arundel and Charles Spencer, 3rd Duke of Marlborough. The enamel decoration to the shank possibly inspired by the prints of Hans van Ghemert (See V&A museum number 16969 and Boardman, J., The Marlborough Gems (Oxford University Press: 2009), p. 105, no. 181

Design by Hans van Ghemert, Netherlands, 1585. V&A Museum number 16969. © Victoria and Albert Museum, London

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1546. A pair of emerald and diamond drop earrings, the pear-shaped emeralds weigh approximately 4.00cts total and are set within diamond surround suspend from articulated lines of old cushion-shaped diamonds in yellow gold, 5.5cm high £4,000-6,000 Accompanied by report number 79217-02 dated 7 June 2019 from GCS, London stating that the pear-cut emeralds weigh 4.00cts total approximately and are natural emeralds with indications of moderate clarity enhancement. Origin: Colombia 1547. An early 20th century bow pendant, the central pear-shaped diamond weighs approximately 1.20cts, within a border of rose-cut diamonds (one missing) set beneath a diamond-set bow in platinum, on fine-link platinum neck chain, 40cm long £4,000-6,000 1548. An Edwardian natural pearl and diamond pendant, set overall with old circular-cut diamonds, the Greek key-pattern upper section set with a larger old circular-cut diamond and suspending an old marquise-shaped diamond, within articulated diamonds and a natural pearl, all millegrain-set in platinum and gold, on a later white gold fine-link neck chain, pendant 6cm high, neckchain 44cm long, fitted case £10,000-15,000 Accompanied by report number 79229-22 dated 28 August 2019 from GCS, London stating that the white pearl measures 11.3 x 8.9 x 7.7mm and is natural saltwater with no indications of treatment. 1549. An Edwardian diamond lavalier, the scrolling upper section set with old circular-cut diamonds, suspending articulated knife-edge links with diamond accents, terminating with pear-shaped diamonds in silver on gold, on a fine-link neck chain, pendant 4.5cm high, chain 35cm long £1,500-2,000 1550. A pair of diamond cluster earrings, set with graduated old cushion-shaped diamonds in platinum and gold, 2.8cm high £6,000-8,000 1551. A diamond two-stone ring, set with two old circular-cut diamonds weighing approximately 1.60cts in total, in platinum, size O, case £1,000-1,500 1552. An Edwardian opal and diamond brooch pendant, centred with a double heart-shaped opal within a foliate and bow surround, set with single and rose-cut diamonds in yellow and white gold, retractable pendant loop and detachable brooch fitting, 3.5cm high £1,500-2,000 1553. An early 20th century foliate diamond brooch, set with graduated old circular-cut diamonds in platinum and gold, 4cm wide £2,000-3,000 1554. An early 20th century diamond bracelet, set with graduated old circular-cut diamonds in platinum, with safety chain, 16cm long approximately. £5,000-7,000

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1547

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1555. A fancy-coloured diamond and ruby cocktail ring, centred with a marquise-shaped fancy brown-coloured diamond, weighing 2.70cts approximately, the pierced surround set with calibré-cut rubies and old circular-cut diamonds in platinum, size L½ £6,000-8,000 Accompanied by report number 79229-28 dated 28 August 2019 from GCS, London stating that the marquise-cut diamond weighs 2.70cts approximately and is a natural diamond with fancy brown colour, SI2 / I1 clarity and strong fluorescence. 1556. A pair of ruby and diamond pendeloque earrings, the articulated lines of graduated circular-cut diamonds suspend a teardrop cluster of diamonds with an articulated ruby centre, in white gold, 4.5cm high £5,000-7,000 1557. A diamond solitaire ring, the round brilliant-cut diamond weighs 2.29cts and is claw-set in a white gold coronet mount, size I½ £5,000-7,000 Accompanied by report number 79219-29 dated 17 June 2019 from GCS, London stating that the round brilliant-cut diamond weighs 2.29cts and is a natural diamond with J colour, VVS2 clarity and faint fluorescence. Type: 1aAB. 1558. A ruby and diamond cluster ring, the oval-shaped ruby weighs approximately 2.10cts and is set within a surround of round brilliant-cut diamonds in yellow gold, size M £8,000-12,000 Accompanied by report number 79202-39 dated 21 February 2019 from GCS, London stating that the cushion-cut ruby weighs weighs approximately 2.10cts and is a natural ruby with no indications of heat treatment. Origin: Myanmar (Burma) 1559. A ruby and diamond three-stone ring, the cushion-shaped ruby weighs approximately 1.20cts and is set between old cushion-shaped diamonds in platinum coronet mount, size P £4,000-6,000 Accompanied by report number 79233-33 from GCS, London stating that the cushion-shaped ruby is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 1560. An Edwardian sapphire and diamond crossover ring, the cushion-shaped sapphire weighs 1.54cts (known weight), with a cushion-shaped diamond and diamond-set shoulders in platinum and gold, size P £12,000-15,000 Accompanied by report number 79220-71 dated 8 July 2019 from GCS, London stating that the cushioncut sapphire weighs 1.50cts approximately and is a natural sapphire with no indications of heat treatment. Origin: Kashmir 1561. A diamond negligée necklace, the Greek key bar section surmounted with an old circular-cut diamond suspends three diamond-set drops of varying lengths, the centre with foliate links and terminated with a pear-shaped diamond, the two longer links of openwork giardinetto design and suspending marquise-shaped diamond drops, each terminated with an old circular-cut diamond, the neckchain with scroll and quatrefoil diamond-set links, three stones missing, pendant 10cm longest, necklace 50cm long £11,000-12,000 1562. A diamond bracelet, the pierced circular and oval links set overall with graduated old circularcut diamonds, 19cm long £5,000-7,000

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1557

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1562

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1563. A 19th century dragonfly brooch, set with ‘Mississippi’ freshwater pearl wings and a ruby and diamond-set body in silver and gold, 5cm long £2,000-3,000 1564. A pair of late 19th century diamond drop earrings, set overall with graduated old cushionshaped diamonds in silver on gold, with a central articulated diamond in diamond surround, the upper sections detach to be worn separately, 8.3cm high £8,000-10,000 1565. A Victorian diamond heart pendant, pavé-set with graduated cushion-shaped diamonds and suspended from a diamond-set bow in silver and gold, glazed locket compartment to reverse, on fine-link white gold neck chain, pendant 3.8cm high, chain 50cm long £2,000-3,000 1566. A 19th century diamond five-stone ring, set with five graduated old cushion-shaped diamonds weighing approximately 4.50cts, set in silver and gold, size Q, Asprey case £3,000-4,000 1567. A 19th century diamond half-hoop ring, set with graduated round brilliant-cut diamonds and diamond pointers in carved and pierced yellow gold mount, size O £1,000-1,500 1568. A diamond cluster ring, the old cushion-shaped diamond is set within rose-cut diamond surround in yellow gold, size N½ £3,000-4,000 1569. A 19th century ruby and diamond half-hoop ring, centred with five old cushion-shaped rubies between old cushion-shaped diamonds, in a yellow gold mount with scroll decoration to the shoulders, size N½ £2,500-3,500 Accompanied by report number 79229-24 dated 28 August 2019 from GCS, London stating that the cushioncut rubies weigh 3.50cts approximately total and are natural rubies with no indications of heat treatment. Origin: Myanmar (Burma) 1570. A late 19th century French diamond closed crescent brooch, set with graduated old cushionshaped diamonds and rose-cut diamonds in carved and pierced silver and gold mount, French marks and maker’s lozenge to pin, 4cm wide £1,800-2,000 1571. A late 19th century ruby and diamond brooch, the trefoil of scrolling diamond leaves set with three cabochon rubies in silver and gold, 5.2cm widest £2,000-3,000 1572. A Victorian double lyre brooch, converted from a pair of earrings, set overall with graduated old cushion-shaped diamonds in silver and gold, with later yellow gold brooch fitting, 7.5cm wide £600-800 1573. A Victorian diamond curb link bracelet, set with graduated old cushion-shaped diamonds in silver and gold, with a functioning heart-shaped diamond-set padlock clasp and key, 18cm long £6,000-8,000

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1563

1569

1568

1567 1564 1566 1571

1565

1573 1572

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1574. A late 19th century sapphire and diamond bracelet, set with a cushion-shaped pink sapphire within surrounds of cushion-shaped diamonds in silver and gold, with a sapphire and diamond cluster to each shoulder on a diamond bracelet, the centre section detaches entirely to be worn separately either horizontally or vertically, 17.5cm long £8,000-12,000 Accompanied by report number 79228-17 dated 21 August 2019 from GCS, London stating that the cushion-cut sapphires weigh 6.50cts total approximately and are natural pink sapphires with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1575. A ruby and diamond tiara/necklace, centred with three graduated oval-shaped rubies within scrolling foliate surround set with graduated circular-cut diamonds in silver and gold, the tiara detaches from its mount to be worn as a necklace £12,000-18,000 Accompanied by report number 79229-21 dated 28 August 2019 from GCS, London stating that the cushion-cut rubies weigh 3.30cts total approximately and are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar) 1576. An orange topaz and diamond ring, the oval-shaped topaz weighs approximately 34.90cts, the gallery with openwork decoration, set with circular and baguette-shaped diamonds and square-shaped rubies in yellow and white gold, size O½ £10,000-15,000 1577. A marquise-shaped fancy-coloured diamond ring, the diamond weighs 6.14cts and is set in white gold, quartered with diamond trefoils and a border of small diamonds, size M½ £15,000-18,000 Accompanied by report number 78172-61 dated 8 August 2018 stating that the marquise-cut diamond weighs appproximately 5.40cts (estimated from measurements, not the known weight) and is a natural diamond with fancy-intense yellow-brown colour and I1-I2 clarity 1578. A diamond solitaire ring, the pear-shaped diamond weighs 4.01cts and is claw-set in platinum, with London hallmarks for 2018, size M £10,000-15,000

1577 not lifesize

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1575

1576

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1578

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1579. A ruby and diamond three-stone ring, the cushion-shaped ruby set with round brilliant-cut shoulder diamonds in yellow gold, London hallmarks for 1989, size I £3,000-4,000 1580. An Art Deco sapphire and diamond bow brooch by Cartier, of Islamic inspiration, the stylised bow pavé-set with circular-cut diamonds, calibré-cut sapphires and black enamel decoration, pierced with four chevrons in platinum, signed, with inventory number 3260, 3.6cm wide £6,000-8,000 1581. A pink spinel and diamond ring, the cushion-shaped spinel weighs approximately 5.50cts, flanked with brilliant-cut diamonds in white gold, size N½, case £2,000-3,000 Accompanied by report number 79223-97 dated 9 July 2019 from GCS, London stating that the cushioncut spinel weighs approximately 5.50cts and is a natural pink spinel with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1582. An Art Deco diamond bracelet, c. 1930, of geometric design, set with graduated round brilliantcut and baguette-shaped diamonds in platinum, with inventory number 872, 2.5cm wide, 18cm long £25,000-30,000 1583. A pair of ruby and diamond cornucopia earrings by Drayson, the stylised horns pavé-set with diamonds and a bombé-set ruby section with diamond pointers in platinum, signed Drayson, London, clip fittings, 2.2cm high £5,000-10,000 Accompanied by report number 79211-69 dated 15 May 2019 from GCS, London stating that the roundcut rubies are natural rubies with no indications of heat treatment. Origin: Myanmar (Burma). With the exception of two rubies which present gemmological characteristics consistent with rubies originating from Thailand (Siam), one with indications of heating. 1584. A sapphire and diamond ring, the oval-shaped sapphire weighs 9.19cts and is claw-set with single-cut diamonds to the shoulders in platinum, size J½ (approximatey with inner resizing balls) £12,000-15,000 Accompanied by report number 79205-22 dated 13 March 2019 from GCS, London stating that the ovalcut sapphire weighs 9.19cts and is a natural sapphire with no indications of heat treatment. Origin: Myanmar (Burma) 1585. An Art Deco sapphire and diamond brooch, of rectangular design with chamfer edges and set with lines of diamonds and a central emerald-cut sapphire in platinum and white gold, 4cm long £4,000-6,000 Accompanied by report number 5776-6529 dated 8th August 2016 from GCS, London stating that the octagonal-cut sapphire weighs approximately 4.80cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka 1586. A cabochon star ruby stick pin by Tiffany & Co, the sugarloaf ruby weighs approximately 15.70cts, within yellow gold mount, signed, 7.5cm high £4,000-5,000 Accompanied by report number 79201-91 dated 20 February 2019 from GCS, London stating that the cabochon-cut star ruby weighs approximately 15.70cts and is a natural star ruby with no indications of heat treatment. Origin: Sri Lanka (Ceylon)

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1580

1581

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1584

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1585

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1587. An emerald and diamond bombé-ring, the emerald-cut emerald is claw-set on a white gold bombé ring pavé-set with graduated round brilliant-cut diamonds in an openwork scroll design, size P approximately. £8,000-10,000 Accompanied by report number 79228-15 dated 21 August 2019 from GCS, London stating that the octagonal-cut emerald weighs 5.70cts approximately and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 1588. A pair of emerald and diamond earrings, the emerald-cut emeralds weigh 5.03 and 4.60cts claw-set beneath diamond trefoils in yellow gold, 1.6cm high £30,000-40,000 Accompanied by report number 18050150 dated 28 May 2018 from Gübelin Gem Lab stating that the stepcut emerald weighs 5.03cts and is a natural emerald with indications of insignificant clarity enhancement. Origin: Colombia. Accompanied by report number 18050149 dated 28 May 2018 from Gübelin Gem Lab stating that the step-cut emerald weighs 4.60cts and is a natural emerald with no indications of clarity enhancement. Origin: Colombia. Accompanied by an information sheet from Gübelin Gem Lab about untreated emeralds. 1589. A diamond lavalier, the three old circular-cut diamonds weigh approximately 10.50cts in total, set in platinum and joined with platinum knife-edge links, on fine-link platinum neck chain, 42cm long £15,000-25,000 1590. A pair of diamond drop earrings, the articulated graduated old circular-cut diamonds suspending the principal diamonds which weigh approximately 1.70 and 1.65cts, 5.4cm long £10,000-15,000 1591. A diamond three-stone ring, set with graduated old circular-cut diamonds weighing 2.07, 4.03 and 2.49cts, with pierced and carved scroll decoration to the gallery and fluted shoulders in yellow gold, rhodium plated, size N½ £15,000-20,000 1592. A diamond dress ring, set with a central round brilliant-cut diamond which weighs 5.71cts within tapered baguette-shaped diamond shoulders, in platinum, Birmingham hallmarks for 1999, size N½ £20,000-25,000 Accompanied by report number F2E91165 dated 22 October 1997 from IGI, Antwerp stating that the round brilliant-cut diamond weighs 5.71cts and is a natural diamond with K colour, SI2 clarity and no fluorescence.

1588

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1587

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1593 1594

1593. A diamond solitaire ring, the Asscher-cut diamond weighs 4.04cts, flanked with tapered baguette-shaped diamond shoulders in platinum, size L½, £28,000-35,000 Accompanied by report number 15037795001 dated 7 December 2015 from HRD, Antwerp stating that the emerald (variation)-cut diamond weighs 4.04cts and is a natural diamond with G colour, VS1 clarity and no fluorescence. 1594. A pair of Edwardian diamond drop earrings, the old cushion-shaped diamonds suspend from diamond-set surrounds, surmounted by an old circular-cut diamond and stylised bow upper sections, screw-back fittings, 3.5cm high £4,000-6,000 1595. A pair of Edwardian natural pearl and diamond drop earrings, the diamond-set lozenges with articulated natural pearls surrounded by graduated diamonds in platinum, 4cm high, case £3,000-4,000 Accompanied by report number 79229-61 dated 28 August 2019 from GCS, London stating that the cream pearls 3.9 - 4.3 x 5.5mm approximately (average) and are natural saltwater with no indications of treatment. 1596. A yellow sapphire-set gold foliate ring, the cushion-shaped sapphire weighs 29.82cts, within a textured yellow gold laurel border, the vines forming the shank, size O £15,000-20,000 Accompanied by report number 17225 dated 3 May 2019 from The Gem & Pearl Laboratory stating that the rectangular cushion-shaped sapphire weighs 29.82cts and is a natural yellow sapphire with no indications of heat treatment. Origin: Sri Lanka.

1596 1595

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1597. A late George III diamond-set foliate and crescent brooch, the upper leaf section suspending a flower head set with a square-shaped diamond and two-row crescent beneath, set overall with cushionshaped diamonds in silver on gold, 4.5cm wide £1,000-1,500 1598. A late George III diamond-set foliate and crescent brooch, the upper leaf section suspending a flower head set with a pear-shaped diamond and two-row crescent beneath, set overall with cushionshaped diamonds in silver on gold, 5cm wide £2,000-3,000 1599. A diamond-set double clip brooch, each detachable clip is set with a pear-shaped diamond within a graduated cushion-shaped diamond surround and further larger cushion-shaped diamonds to the centre section in silver, gold and platinum, 6.5cm wide £4,000-6,000 1600. A Victorian diamond-set scroll brooch, the centre flowerhead section is set with a large rosecut diamond within a border of cushion-shaped diamonds, the scroll surround set with further graduated cushion-shaped diamonds in silver and gold £1,500-2,000

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1597

1598

1599

1600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1601. A diamond festoon necklace, c.1950, designed as a scrolling necklace of tapered baguetteshaped diamonds, suspending a scalloped fringe of tapered baguette-shaped diamonds and articulated single or clusters of marquise diamonds, with rubover-set round brilliant-cut diamond back section, set in white gold, approximately 22.00cts in total, 38cm long, case ÂŁ10,000-20,000

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1602. A cultured pearl and diamond brooch and earrings by Boucheron, of foliate design, set with two cultured pearls with pierced diamond-set petals in yellow gold, signed, 6cm high, with a matching pair of diamond-set foliate earrings, signed and numbered L94521, French control marks, 4cm high ÂŁ18,000-20,000

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

1603

1603. A pair of diamond drop earrings, weighing 4.77 and 4.61cts, each round brilliant-cut diamond is suspended from a line of graduated circular-cut diamonds millegrain-set in platinum and gold, 2.6cm long ÂŁ80,000-100,000 Accompanied by report number 180000175180 dated 5 December 2018 from HRD, Antwerp stating that the round brilliant-cut diamond weighs 4.61cts and is a natural diamond with H colour, VS2 clarity and medium fluorescence. Accompanied by report number 180000175181 dated 5 December 2018 from HRD, Antwerp stating that the round brilliant-cut diamond weighs 4.77cts and is a natural diamond with H colour, SI2 clarity and no fluorescence.

1604. A late Victorian diamond fringe necklace, the graduated cushion and old circular-cut diamonds each suspend from a foliate trefoil with smaller diamond above, with articulated necklace, the diamonds graduate to approximately 1.40cts, set in silver on gold, the back section detaches to form bracelets of two sizes, 18.5 and 14.0cm, the necklace 38cm long, fitted case, (The main section of the necklace has the capability of being converted into a tiara). ÂŁ15,000-20,000

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1604

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

lifesize

1605. A fine yellow sapphire and diamond cluster ring, the oval-shaped sapphire weighs 22.139cts and is set within a surround of eighteen circular-cut diamonds in yellow gold, size N, Boucheron box ÂŁ15,000-20,000 Accompanied by report number 108758 dated 9 August 2019 from SSEF stating that the sapphire weighs 22.139cts and is a natural yellow sapphire with no indications of heating. Origin: Sri Lanka (Ceylon)

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FINE SILVER & OBJECTS OF VERTU Tuesday 29th October 2019

By David Wynne, a limited edition silver sculpture 'The Leaping Salmon', London 1980 Estimate £3,000 - 4,000* ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price


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FINE CHINESE PAINTINGS & WORKS OF ART Tuesday 12th & Wednesday 13th November 2019

One of twelve rare Chinese Imperial paintings on silk from the Huang Chao Li Qi Tu Shi, Qianlong 1736-95 Estimate £30,000 - 50,000*

ENQUIRIES Amber Lees Tel: +44 (0)1722 424571 aml@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price


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BRITISH ART POTTERY INCLUDING TWO PRIVATE COLLECTIONS OF MARTIN BROTHERS POTTERY

Wednesday 27th November 2019

A fine Martin Brothers stoneware bird by Robert Wallace Martin Estimate £30,000 - 50,000*

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price


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MODERN BRITISH & 20TH CENTURY ART Wednesday 11th December 2019 Entries are being accepted until 16th October

Dorothea Sharp, RBA, ROI, VPSWA (1874-1955) Summer in Cornwall Signed Oil on canvas 77 x 92 cm Estimate £15,000 - 20,000*

ENQUIRIES Victor Fauvelle | Tel: +44 (0) 1722 424503 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price


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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.


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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.


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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is


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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.


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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000


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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;


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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available


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Woolley & Wallis Salisbury Salerooms Ltd 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd 020 7424 7830 jammdesign.co.uk


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ABSENTEE BID FORM

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

FINE JEWELLERY

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 30th October 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed Billing Name (please print) Address

Postcode Daytime telephone Email All accounts must be settled within 21 days ID is required for all first time bidders

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

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AUCtion CAlendAr oCtober 15th 16th 29th 30th

english & european Ceramics & Glass design Fine Silver & objects of Vertu Fine Jewellery

FREE VALUATION MORNINGS First Friday of the month 10am-1pm. No appointment necessary.

noVember 12th & 13th 20th 27th

Asian Art, Chinese Paintings & Japanese Works of Art medals & Coins, Arms & Armour british Art Pottery

NEXT VALUATION DATES 1st November, 6th December & 7th February (No valuation day in January)

deCember 11th

modern british & 20th Century Art

JAnUArY 8th 21st & 22nd 23rd

Furniture, Works of Art & Clocks Silver & objects of Vertu Jewellery

FebrUArY 4th & 5th 19th

the Judith Howard Collection of Sèvres Porcelain tribal Art & Antiquities

mArCH 4th 18th

old masters, british & european Paintings Clarice Cliff, Art deco & design

dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A Renaissance carved sapphire intaglio, depicting Julius Caesar. From The Marlborough & Arundel Collections SOLD FOR £77,500*


www.woolleyandwallis.co.uk

Profile for Jamm Design Ltd

Woolley & Wallis Fine Art Auctioneers  

Fine Jewellery | 30 October 2019

Woolley & Wallis Fine Art Auctioneers  

Fine Jewellery | 30 October 2019