Woolley & Wallis Auctioneers

BRITISH ART POTTERY & DESIGN WEDNESDAY 30TH NOVEMBER & THURSDAY 1ST DECEMBER 2022

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN

VALUATIONS FOR INSURANCE & PROBATE

Michael Jeffery Zoe Smith

424505 446955

Jeremy Lamond MRICS ASFAV FRSA Neil Grenyer Amanda Lawrence Archie Swann (Trainee Valuer)

339752 446980

GENERAL OFFICE

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly

ASIAN ART John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Michelle Yu Sophie Moore Nelson Chui

424506 424583 424589 +44 (0)7812 601098 424571 424591 424591

Clare Durham Hollie Morrison

424507 446964

BOARD OF DIRECTORS

411854 446974 339161 339161

Natalie Milsted FCCA Managing Director

JAPANESE ART Alexandra Aguilar

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Megan Corbett

MARKETING ACCOUNTS

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer Jim Gale Sarah Stone

Sally Litherland

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

424595 424504 424586 424562

424500

CASTLE GATE RECEPTION

Chloe Davie

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Michelle Yu

Ruth Pike (Office Manager) Sarah Bennie Leyanne Hind Serina Tandy­Cockram Nicola Young

424502 446974 424509

446951

Sharon Ringwood Anna Gentleman

John Axford MRICS ASFAV Chairman

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

CBP006075

SILVER Rupert Slingsby Lucy Chalmers

424501 424594 SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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BRITISH ART POTTERY & DESIGN WEDNESDAY 30TH NOVEMBER 2022 10.00AM LOTS 1-227 THURSDAY 1ST DECEMBER 2022 10.00AM. LOTS 228-568 at our Castle Street Salerooms, SP1 3SU

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

VIEWING Saturday 26th November Monday 28th November Tuesday 29th November Wednesday 30th November Thursday 1st December

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 4.00pm 9.00am – 12 noon

Zoe Smith 01722 446955 zs@woolleyandwallis.co.uk

DIRECTIONS TO THE EXHIBITION SPACE AT CASTLE GATE Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Kia Motors

Old Sarum Park

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Westover Garage Sarum Business Park

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AUCTION HERE

WOOLLEY & WALLIS Salisbury Salerooms

A345 Castle Rd

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Old Sarum

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MARLBOROUGH & SWINDON

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THE VIEWING OF THIS SALE WILL TAKE PLACE AT Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX Client Parking Available

Saturday 26th November Monday 28th November Tuesday 29th November Wednesday 30th November Thursday 1st December

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 4.00pm 9.00am ­ 12noon

THE AUCTION ON 30TH NOVEMBER & 1ST DECEMBER WILL TAKE PLACE AT CASTLE STREET 51­61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 29th November

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 29th November

CONDITION OF LOTS The condition of lots is not stated in the catalogue descriptions.

Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

Instagram: @woolleyandwallisdesign @woolleyandwallissalerooms

COLLECTION OF LOTS BY APPOINTMENT

Facebook: @woolleyandwallis

Collection by appointment from our Old Sarum Warehouse, Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX

Twitter: @woolleywallis

Please call 01722 446950 All accounts to be settled prior to collection

Pinterest: Woolley and Wallis

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a ‡ symbol which sell for more than €1000 are subject to the levy, payable by the bidder. Please refer to page 165 for full details.

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ILLUSTRATIONS Front cover: Lot 520 Back cover: Lot 173 Inside cover: Lots 162­172 Catalogue £10.00 (£15.00 by post)

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BRITISH ART POTTERY

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MARTIN WARE 1 A Martin Brothers stoneware tile, square, incised with flowers and foliage, glazed in shades of brown, and three other Martin Ware tiles, impressed marks, minor nicks 7cm. square (4) £150­200

2 A Martin Brothers stoneware jug by Robert Wallace Martin, dated 1880, shouldered, footed form, incised with simple foliage stems in green on an olive ground, with brown handle, and another jug incised 2.6.80 R W Martin & Bros London & Southall, second jug restored, 25cm. high, (2)

1

£200­300

3 An early Martin Brothers stoneware jug by Robert Wallace Martin, dated 1881, shouldered form, incised and painted with berried foliage in green and blue on a buff ground, incised mark 9.11.81 R W Martin London & Southall, 21.5cm. high £150­200

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3

4 A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1881, footed form, flaring cylindrical body with inverted rim, incised and painted with a young courting medieval couple in a terraced garden setting, in shades of blue and green on a buff ground, incised 4.9.81 R W Martin London & Southall, restored, 20/5cm. high £150­200

5 An early Martin Brothers single­handled vase

by Robert Wallace Martin, dated 1878, ovoid with cylindrical neck and angled handle, incised with a band of leaves to the body and neck, glazed in blue and brown on a buff ground, incised R W Martin, Southall, 1878, 25cm. high £150­250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

6 An early Martin Brothers stoneware wall pocket by Robert Wallace Martin, dated 1870,shield shape, modelled and incised with poppy seedheads and foliage in shades of blue and green, incised R W Martin Sc, Fulham, 3/74, A4, stress hairlines and small chip to back plate, 18cm. high £200­300

7 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing a drum, glazed brown, incised R W Martin London & Southall, restored, 10.5cm. high £500­1,000

8 An early Martin Brothers stoneware Owl jar and cover by Robert Wallace Martin, dated 1877, triangular section, modelled in relief with three owls, one asleep, two with eyes slightly open, the cover modelled with a white mouse, glazed in colours 12 77 R W Martin, London & Southall, and numbered 3 to both cover and base, old damages, 13.5cm. high Provenance Private collection. £1,000­1,500 6

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9 An early Martin Brothers stoneware vase by Robert Wallace Martin, shouldered form, incised with cranes flying past an owl perched on a bough, in colours on a buff ground, incised D8 R W Martin Fulham, neck off and missing, 15.5cm. high £120­180

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10 A Martin Brothers stoneware vase, shouldered form with flaring top rim, incised and painted with flowers in white, green and brown on a buff ground, incised marks, chip to top rim, 6.5cm. high £150­200

11 A Martin Brothers stoneware vase, dated 1894, shouldered form, incised with scrolling foliage in blue and brown on a buff ground, incised 6-1894 Martin Bros London & Southall, 16cm. high £150­200

12 A Martin Brothers stoneware vase, shouldered form, incised with scrolling foliage in buff on a brown ground, incised indistinct date Martin Bros London & Southall, 19.5cm. high £200­400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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14 13 A Martin Brothers stoneware vase, dated 1888, shouldered, square section, with cylindrical neck and pinched rim, incised with birds flying amongst foliage, in grey and brown on a buff ground, incised marks, date indistinct probably 1888, Martin Bros London & Southall, professional restoration to top rim, 20.5cm. high Provenance Private collection. £1,000­1,500

14 A pair of Martin Brothers stoneware vases by Robert Wallace Martin, dated 1879, slender bottle form, incised with panels of birds perched on tree boughs, in blue, green and brown on a speckled buff ground, incised 13.11.79 R W Martin, London & Southall, 24.5cm. high (2) £400­600

15 A pair of Martin Brothers stoneware vases by Robert Wallace Martin, baluster form, incised with white lily flower stems with butterflies and insects flying, in shades of brown, green and white on a tan ground, incised 2-1892, R W Martin & Bros, London & Southall, firing crack to base of one, 24.5cm. high, (2) £2,500­3,000 15

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16 A rare Martin Brothers stoneware sculpture of a sleeping boy by Robert Wallace Martin and Edwin Martin, the rectangular plaque modelled in relief and glazed in shades of cream, blue and brown, the edge inscribed He Rests He Sleeps Nor Dreams of Any Harm, incised Robert Wallace Martin Sc, firing crack to side, 42 x 15.5cm.

Provenance Peter Rose and Albert Gallichan collection. £2,500­3,500 10

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

17 A large Martin Brothers stoneware face jug, modelled in low relief with a smiling face, the reverse a smirking face, glazed matt brown with white and black highlights, incised R W Martin & Bros Southall, 23.5cm. high £6,000­8,000

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18 A Martin Brothers stoneware jug by Robert Wallace Martin, dated 1890, swollen form incised and painted with stylised flowers and foliage, in blue and brown on a buff ground, incised 3.10.81 R W Martin Southall, professional restoration to foot rim, 23.5cm. high £150­200 19 A Martin Brothers stoneware twin­handled vase

by Edwin and Walter Martin, dated 1895, slender form, incised and painted with flower sprays in green and white on a pale grey­blue ground, and another vase signed by W F Martin, incised Martin 1895 London, neck repaired, second vase restored, 8.5cm. high (2) £200­300 18

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20 A Martin Brothers stoneware twin­vase by Robert Wallace Martin, incised with scrolling foliage on a textured ground, in blue on a buff ground, incised R W Martin London & Southall, restored neck, 26cm. high £150­200 21 An early Martin Brothers stoneware solifleur vase by Robert Wallace Martin, dated 1879, ovoid with tall cylindrical neck with ovoid body, painted and applied with scrolling bead­work in blue, and a Martin Brothers stoneware cylindrical vase, incised 79 R W Martin London & Southall, losses to bead work, second vase restored, 17cm. high (2) £150­200 22 A Martin Brothers stoneware cruet dish, dated 1909, with loop handles, glazed ochre with blue well, and another Martin Brothers stoneware stand, incised Martin Brothers 3-1909 London & Southall, damages 12cm. wide (2)

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£150­200 23 A Martin Brothers stoneware cup and saucer, incised with scrolling foliage in brown on a brown ground, with the crest for the Henderson Clan, in white, and two modern pieces inspired by the Martin Brothers, incised marks, restored chips to saucer 8cm. diam. (4) £120­180 24 A Martin Brothers stoneware Gourd dish, dated 1895, circular with incised decoration, and a green glazed ovoid vase, incised 1895 Martin Brothers London & Southall, 10cm. diam, (2)

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£120­180

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24

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25 A Martin Brothers stoneware Gourd jardiniere by Edwin and Walter Martin, dated 1915, shouldered ribbed form, covered in a pitted black metallic glaze with blue spots, and a Martin Brothers stoneware baluster vase, incised 1-1915 Martin Bros, Southall, 11cm. high (2) £150­200 26 A large Martin Brothers stoneware Gourd vase by Robert Wallace Martin, ribbed form with collar rim, covered in a textured white glaze incised R W Martin & Bros, London & Southall, 26.5cm. high Provenance Christie’s South Kensington, 1st March 1996, lot 52 The Martin Brothers Potters, Woolley and Wallis Auctioneer’s 31st October 2005, lot 24. £300­500 27 A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, dated 1909, shouldered, square section, with horizontal modelled rim, covered in a pale blue glaze, the top rim aubergine, incised 11-1909 Martin Bros London & Southall, firing crack to top rim, 18cm. high

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Provenance The Martin Brothers Potters, Woolley and Wallis Auctioneers 31st October 2005, lot 26. £200­300 28 A large Martin Brothers stoneware gourd jardiniere, ribbed form with six aperture to the top, covered in a black glaze, incised regd mark and Southall Pottery, 20cm. high £500­1,000

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29 A Martin Brothers stoneware Gourd vase, ribbed, shouldered form, covered in a brown metallic glaze, and an early vase incised R W Martin Southall, chips to second vase, 7.5cm. high (2) £150­200 30 A Martin Brothers stoneware vase, ovoid with flaring rim, covered in a mottled tan glaze, with green/blue splashes to shoulder, a small Martin brothers dish and a miniature ovoid vase incised marks, 7.5cm. high (3)

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£150­200 31 A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, tall, twisted form, glazed blue and green incised Martin, 14.5cm. high Provenance The Martin Brothers Potters, Woolley and Wallis Auctioneers 31st October 2005, lot 30. £200­300

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32 A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, twisted form, covered in a green glaze, incised Martin London, 12cm. high Provenance The Martin Brothers Potters, Woolley and Wallis Auctioneers 31st October 2005, lot 29. £200­300 33 A Martin Brothers stoneware vase with loop handles, dated 1907, ovoid with four loop handles to the shoulder, covered in a black metallic glaze, incised 111907 Martin Bros, London & Southall, 10.5cm. high £150­200 34 A Martin Brothers stoneware bowl on four feet by Edwin and Walter Martin, dated 1911, on four spike feet, glazed metallic bronze, incised 5-1911, Martin Bros, London & Southall, 17cm. diam. £150­200

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35 A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1900, tall, ribbed square section, covered in a mustard/tan glaze, incised 2-1900 Martin Brothers London & Southall, stress hairlines, 23.5cm. high £120­180

36 A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, dated 1901, shouldered square section, painted with blue­ green spots, incised 6-1901 Martin Bros London & Southall, 8cm. high Provenance The Martin Brothers Potters, Woolley and Wallis Auctioneers 31st October 2005, lot 30. £200­300

37 A Martin Brothers stoneware Gourd vase by Edwin & Walter Martin, dated 1911, shouldered square section, painted with green spots and ribs on a brown ground, incised 101911, Martin Bros, London & Southall, glaze loss to top rim,11.5cm. high

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£200­300 35 38 A Martin Brothers stoneware Gourd vase by Edwin and Walter Martin, dated 1904, flattened shouldered form, incised with green veins, on a buff ground incised 5-1904 Martin Bros London & Southall, Harriman Judd paper label, professional restoration to top rim, 10cm. high Provenance Harriman­Judd Collection.

Woolley and Wallis Auctioneers, 31st October 2005, lot 31. £200­300

39 A Martin Brothers stoneware Gourd jardiniere

by Edwin and Walter Martin, veined and ribbed form glazed pale green and buff with blue highlights, the interior glazed pale blue incised 7-1903 Martin Bros London & Southall, fine stress hairlines, 9cm. high

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£200­300

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40

40 Three Martin Brothers miniature Gourd vases by Edwin and Walter Martin, each ovoid, one with incised decoration, two with painted design, incised marks, two dated 1904, one possibly 1907 2cm (tallest), (3) £300­400

41 A Martin Brothers stoneware miniature Gourd vase by Edwin and Walter Martin, dated 1906, ovoid form covered in a mottled green and brown glaze, and two other miniature gourd vases, incised 1906 Martin Bros London & Southall, tallest vase restored, 4.5cm. high (3) £150­200

42 A Martin Brothers stoneware Gourd vase by Edwin & Walter Moorcroft, dated 1904, shouldered, tapering cylindrical form, glazed matt black and decorated with blue spots, incised 8-1904, Martin Bros, London & Southall, firing crack to base, 26cm. high £800­1,200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

43 A large Martin Brothers stoneware Gourd jardiniere by Edwin & Walter Martin, dated 1904, incised with six vertical ribs forming feet, incised decoration, glazed matt green, the rim and interior glazed brown, incised 8-1904 Martin Brothers London & Southall, 20cm. high £1,500­2,000

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44 An early Martin Brothers stoneware Aquatic vase by Robert Wallace Martin, dated 1879, tapering form with flaring neck with fluted rim, modelled seaweed lug handles, incised and painted with scaly fish swimming in turbulent water in blue and buff, incised 25 1879, R W Martin London & Southall, minor professional restoration to top rim, 26cm. high Provenance Private collection. £1,000­1,500

45 A Martin Brothers stoneware Aquatic vase, shouldered form, painted with an eel swimming with fish, in brown on a pale blue/grey ground incised marks, indistinct date Martin Bros London & Southall, 14.5cm. high Provenance Private collection. £1,000­1,500

46 A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, dated 1897, shouldered ovoid form, with cylindrical neck, painted with fish swimming, in brown with a blue splash, on a cream ground, incised 12-1897 Martin Bros, London & Southall, 15cm. high Provenance Private collection. £1,000­1,500

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47 A Martin Brothers stoneware Aquatic jardiniere by Edwin and Walter Martin, dated 1900, shouldered form incised and painted with scaly and grotesque fish swimming amongst snails, jelly fish and a crab, in ochre on a pale blue and buff ground, incised 9 1900 Martin Bros London & Southall, professional restoration, 16.5cm. high Provenance Private collection. £2,000­3,000

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49 both sides

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DOULTON WARE 48 Andrew Hull (born 1966) The Unfortunate Offspring, 2021 a pair of bird jars and covers, glazed in colours, impressed and painted marks, dated 32cm. high (tallest bird), (4) £500­600

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49 A Doulton Lambeth stoneware tyg, cylindrical form with applied handles, the body applied with sporting figures of a runner, long jumper and a shot­putter, each in tubelined border and flowers, in shades of blue, green and white on a buff ground, with electroplated mount and cover, impressed marks, 19.5cm. high (2) £200­300

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50 ‘World’s Columbian Exposition 1893’ a Doulton Lambeth stoneware commemorative jug by Bessie Newberry, cylindrical form with swollen base, applied with portrait’s of George Washington and Christopher Columbus flanking the American Eagle, between applied bands of star decoration, in blue and brown on a buff ground, a Doulton Lambeth Queen Victoria 1837­1897 commemorative jug, a Royal Doulton Lambeth Edward VII Coronation jug a Doulton sprigged water­jug and beaker, impressed marks, incised artists marks, 18.5cm. high (Exposition jug), (5) Literature Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 282 for a comparable World’s Columbian Exposition jug illustrated. £200­300

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51 A Doulton Lambeth stoneware lemonade jug by Frank Butler, cylindrical form, incised and applied with a band of scrolling foliage and florets, on geometric slip ground, in shades of green, blue and brown on a buff ground, with electroplated cover and mount, and another Doulton Lambeth stoneware lemonade jug by Kate Davis, incised and applied with florets, impressed marks and incised artists monograms, 26.5cm. high (Frank Butler jug), (2) £200­300 52 A Royal Doulton stoneware jardiniere

by Florrie Jones, shouldered, ovoid form with applied foliate panels in blue and green on a mottled blue, green and brown ground, another similar by Jane Hurst and two other Doulton jardinieres, with two matched glass flower­bricks, impressed factory marks and incised artists monograms, 16.8cm. high (6) £150­250 53 A Doulton Lambeth stoneware Butterfly pin tray designed by Harry Simeon, modelled in relief with a butterfly resting on an oval tray, glazed in colours, another similar and three Bing & Grondahl dishes decorated with dragonflies, impressed marks, chips to Bing & Grondahl dishes, 14cm. wide (Doulton dishes), (5) Literature Desmond Eyles & Louise Irvine, The Doulton Lambeth Wares, Richard Dennis Publications, page 260 for a comparable dish illustrated. £150­200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

54 both sides

54 Gilbert Bayes FRBS, (1872­1953) Tudor Rose a Royal Doulton stoneware finial for a washing line post, glazed in colours one side red rose, the other white, with later ebonised wood stand, unsigned, 33.5cm. high Provenance Private collection Literature Louise Irvine & Paul Atterbury Gilbert Bayes Sculptor 1872-1953, Richard Dennis, page 171 and 172. £700­1,000

55 A Royal Doulton stoneware figure of a goat designed by Francis Pope, modelled seated on square plinth, impressed Doulton mark, minor losses, 50cm. high Literature Desmond Eyles & Louise Irvine, Doulton Lambeth Wares, Richard Dennis page 194 for a comparable figure illustrated, page 195 for the original Doulton catalogue for 1935 illustrating this model. £300­400

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56 A Doulton Lambeth salt­glazed stoneware Merry Musician figure

by George Tinworth, modelled seated, playing a flute, on flaring plinth, impressed mark, incised GT monogram, 10.5cm. high Literature Peter Rose George Tinworth, The Harriman Judd Collection, page 143 plate 146 for a band of Merry Musicians including a similar flute player. £300­500

57 A large Doulton Lambeth terracotta maquette for York Minster

by George Tinworth, shaped, rectangular panel, modelled with the Crucifixion of Christ, with white highlighter, incised inscription to border, in original ebonised wood frame with gilt, factory marks probably concealed under frame, 52 x 33cm.

Literature Peter Rose George Tinworth, The Harriman Judd Collection, page 29 figure 9 for an illustration annotated by George Tinworth for his autobiography. In 1878 George Tinworth produced The Crucifixion for the rererdos of York Minster. £1,000­1,500

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58 Lost and Serves them Right for Betting (Returning from the Derby) a Doulton stoneware mouse and frog group by George Tinworth, modelled as a large mouse pulling a carriage with four frogs in, a large frog riding the mouse, incised to the base rim ‘Lost and serves them right for betting’, glazed green, buff and brown, incised GT monogram, signpost off and missing, 15.3cm. wide Literature George Tinworth Harriman-Judd Collection, private press, page 131 plate 121 for a comparable figure illustrated. £600­1,000

59 Play Goers a Doulton Lambeth stoneware mouse group by George Tinworth, modelled as mice performing a Punch & Judy play, with three young mice watching, glazed in colours, incised Play Goers, impressed Doulton Lambeth mark, incised GT monogram, 14cm. high £1,500­2,000

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60 A pair of Royal Doulton Chang vases by Charles Noke and Harry Nixon, ovoid, shouldered form, covered to the shoulder with a running white volcanic glaze, with red metallic blue and petrol glazes, painted factory marks 18.5cm. high (2) £2,000­3,000

61 A tall Royal Doulton Chang vase by Charles Noke and Harry NIxon, footed, cylindrical form with inverted rim, covered in a running volcanic glaze, green, yellow and flambe, under a thick white cracked glaze, painted marks and monograms to base, stress hairlines to neck, 43.5cm. high £1,500­2,000

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62 Gilbert Bayes FRBS, (1872­1953) Water Lily Pad a Royal Doulton stoneware plaque, cast in low relief, glazed in colours incised Gilbert Bayes 36cm. diam.

Provenance Art Nouveau, Continental Design & Sculpture, The John Scott Collection, Fine Art Society Volume 7 catalogue number 82.

Private collection. £1,500­2,000

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64 63 A large Doulton Flambe Veined vase, model no.1624, ovoid with cylindrical neck, covered in a flambe vase, the base with smoked, blue and lavender smoked glaze, printed factory mark, 44cm. high

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£200­400 64 A large Royal Doulton Sung vase by Charles Noke, ovoid with cylindrical neck, painted with prunus blossom, in ruby flambe under streaked blue and lavender, impressed Doulton mark, painted Sung and Noke signature, original paper label, 33cm. high

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Catalogue notes Schorr was a recognised animal sculptor and was employed by Royal Doulton to produce a range of animal figurines. Doulton produced an advertising catalogue for the figures in 1937, which listed the three finishes available ­ matt white, green bronze and coloured. It is thought the range was withdrawn from production in 1939. £150­200

65 ‘Seated Fox’ HN.147 a rare Royal Doulton figure, covered in a matt black glaze, printed factory mark, 14.5cm. high

67 ‘Standing Bulldog’ HN.1043 a Royal Doulton porcelain figure designed by Frederick Daws, painted in colours, and a Rosenthal model of a standing bulldog printed and painted marks, stress crack to Doulton figure, 17.5cm. wide (2)

£120­180

£150­200

£1,500­2,000

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66 ‘Sleeping Calf’ a rare Royal Doulton animal figure designed by Raoh Schorr, model no.

946, covered in a green bronze glaze printed factory mark, impressed marks, 14cm. wide.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

68 Walter Crane (1845­1915) Divers (Mermaids) A Maw & Co Pottery vase, compressed body painted with spiralling sea maidens and alternating columns of scrolling foliage in shades of ruby lustre on a cream ground, unsigned, painted flower motif to base 22cm. high Literature P.G Konody The Art of Walter Crane, George Bell & Sons, 1902 for the complete range of seven vases designed by Walter Crane illustrated. £4,000­6,000

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WILLIAM DE MORGAN

69 A William De Morgan Pottery vase, shouldered form with swollen neck, painted with Tudor Rose flowers in aubergine and green on a turquoise ground, the rim a blue band with turquoise interior, impressed factory mark, minor professional restoration to top rim, 20.5cm. high £4,000­6,000

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70 A William De Morgan charger by Fred Passenger, painted with three comical scaly fish, swimming amidst scrolling water­weed, in ruby lustre on a white ground, painted FP, monogram, 36cm. diam. £8,000­12,000

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71 An early William De Morgan Chelsea Period Galleon tile, painted with a ship at sail with three sailors rowing, painted in green on a white ground, impressed factory mark, 15.2cm. square £1,200­1,800 71

72 A large William De Morgan Sands End Pottery Persian tile, painted with stylised flowers and palmette foliage, in shades of blue, turquoise, green and black on a white ground, impressed factory mark, glaze loss top left corner, 23cm. square £600­800 72

73 A William De Morgan Persian tile, part of a panel, painted with the rear section of a blue bird, on scrolling vine ground, in shades of blue, turquoise, aubergine and green on a white ground, impressed factory mark, 20.5cm. square £250­350 73 30

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74

76

75

74 An American Encaustic Tiling Co tile plaque, rectangular, cast in low relief with a classical maiden, covered in a bronze glaze, framed, cast factory marks, 45.5 x 15cm. (plaque) £150­200 75 A set of four Minton Hollins & Co Times of the Day tiles, printed in red, black and yellow, comprising Morning, Noon, Evening and Night impressed marks to back 20.5cm. square, (4) Provenance Arts and Crafts, Woolley and Wallis 19th June 2013 lot 27.

Private collection. £120­180 76 A set of six Minton Hollins tiles after Francois Boucher, dated 1879 and 1881, painted by AJH, painted in sepia with children in countryside pursuits, impressed marks, painted marks to front, two tiles repaired 20.5cm. square, (6)

77

£150­250 77 A pair of Minton Pottery moonflasks, flat disc form on flaring rectangular foot, with flaring conical neck and loop handles, painted to one side with a child in medieval dress climbing a tree, the girl to pick an apple the boy to study a bird’s nest, in colours painted artist monogram, impressed Minton mark, model no.1498, professional restoration to small chips on foot rim of one, 34.5cm. high, (2) £200­300 78 William Stephen Coleman (1829­1904) Girl with a Hound, and Girl with a Deer two watercolours on paper, each depicting a young girl in medieval dress, framed signed W S Coleman, 32.5 x 19.5cm, (2) £2,500­3,500 78 31

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79

79 A set of Four Watcombe Pottery terracotta roundels, each cast in low relief with cherubs working and playing, comprising; cherubs forging arrows, flying on the back of a bird, riding a dolphin, working in a field, unsigned, 45cm. diam. £200­300

80

80 An Aesthetic Movement Mintons wall charger, painted with a bird flying past a bough of blossom, impressed factory mark, date mark and printed Mintons Thomas Goode mark, 38cm. diam. £150­200

81 A Doulton Lambeth Faience charger, painted with a maiden in profile, before fruiting boughs, in colours impressed Pinder Borne mark, printed Doulton mark and artist monogram, 39.5cm. diam. £200­300

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82 82 A Mintons charger in the manner of John Moyr Smith, with pierced rim, decorated to the well with a medieval portrait, inside bands of facing mythical lion and birds, in cream on a terracotta ground, impressed factory mark, date mark, repaired section to rim, 44cm. diam. £500­600

83 A pair of Minton Pottery moonflasks designed by John Moyr Smith, disc form on four feet, printed with scenes from Macbeth and Henry IV by William Shakespeare, in blue on a white ground, faint impressed Minton mark, chip to top rim of one, 16.6cm. high, (2) £200­300 84 84 A large Davenport Pottery vase and cover, ovoid with flaring cylindrical neck, printed with stylised scrolling band in gilt on terracotta and blue bands, printed Davenport mark, two small chips to inside of top rim, 43.5cm. high £150­200

85 A pair of Minton moonflasks painted by William Mussill, flattened dish form with applied loop handles, painted with a salmon swimming amongst water­ weed, the reverse with a shell amongst water­weed, in colours on a green ground, highlighted in gilt, impressed marks, painted signature to base, chip to base rim of one, 35.5cm. high (2) £500­1,000

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86 A pair of Mintons Cloisonne vases in the manner of Dr Christopher Dresser, footed form with swollen body and flaring neck, painted with cranes flying in colours on a turquoise blue ground, highlighted in gilt printed Minton mark, restored, 22cm. high (2) £200­300

87 A pair of Mintons Cloisonne vases, cylindrical on pierced tripod feet, painted with birds perched in tree boughs, in colours on a turquoise blue ground, highlighted in gilt, and a Mintons Cloisonne vase painted with blossom, printed factory marks, hairline crack to one,11.8cm. high (3) £200­300

86

88 A pair of Minton Secessionist vases designed by John Wadsworth and Leon Solon, tapering cylindrical form with flaring rim, applied handles, tubeline decorated with garland and stylised flower motif in green and ochre on a red ground, impressed and printed factory marks, re-stuck chip to underside of foot on one vase, 30cm. high (2) £300­500

89 A near pair of Rye Pottery jugs, ovoid with cylindrical neck and flaring rim,applied with cob nut garland to body, the neck with flowerheads and leaf motif, glazed cream and green on a streaked green and chestnut ground, unsigned, professional restoration, 24cm. high (tallest), (2) £150­200

87

90 A Rye Pottery snake vase, tapering cylindrical form, applied with a scrolling snake, glazed green with red eyes, incised Rye mark, professional restoration 20cm. high £120­180

88 34

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91 An Ault Pottery jug designed by Dr Christopher Dresser, ovoid with pulled vertical spout, covered in a streaked green and brown glaze, impressed factory mark, 23.5cm. high £150­200

92 A pottery vase designed by Dr Christopher Dresser probably made by Ault, tapering, solifleur form with flaring rim, cast in low relief with simple flowerhead motif, glazed olive green, and another solifleur vase, main vase impressed facsimile signature, 23.5cm. high (2) £150­200 92

91

93 A Linthorpe Pottery vase designed by Dr Christopher Dresser, shouldered, dimple form with cylindrical neck, covered in a streaked green glaze, and another glazed blue and green, impressed marks, drilled for electric cable, 24cm. high (2) £150­250

94 A Linthorpe Pottery jug designed by Dr Christopher Dresser, model no.611, tapering cylindrical form with vertical spout, covered in a streaked brown glaze over sand yellow, and another Linthorpe Pottery jug designed by Dr Christopher Dresser, impressed factory marks, facsimile signature, restored rim, 20.5cm. high (2)

93

94

£120­180

95 A rare Linthorpe Pottery Peacock dish designed by Dr Christopher Dresser, oval section, modelled in relief, glazed in shades of blue, green and ochre, impressed factory mark, facsimile signature and HT monogram, beak restuck minor chips, 24.5cm. wide £150­250 95 35

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96

97 96 An Ault Pottery brush pot designed by Dr Christopher Dresser, model no.263, domed form with collar rim, covered in a yellow and green glaze, and a Linthorpe Pottery pot with electroplated cover by Hukin and Heath, designed by Dr Christopher Dresser, main pot impressed number and facsimile signature, second pot impressed factory marks and a facsimile signature, 11.5cm. diam. (2) £150­250 97 A large Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.377, ovoid with applied handle, covered in a streaked green and brown glaze and a Bretby twin­ handled vase in the manner of Dr Christopher Dresser, impressed marks, facsimile signature, 27.5cm. high (2)

99

101 A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no. 537, flattened disc form with twin­ handles, modelled in low relief with geometric roundel, olive and brown streaked glaze, and six other vases, impressed factory mark and facsimile signature, restored, 20.5cm. high (7) £150­200 102 An Ault Pottery vase in the manner of Dr Christopher Dresser, model no.464, slender, twin­handled form, cast in low relief with stylised flowers, glazed blue, a Linthorpe Pottery jug designed by Dr Christopher Dresser and four other vases impressed factory mark, restoration to jug handle, 28cm. high (6) £150­200

98 A Watcombe Pottery jardiniere designed by Dr Christopher Dresser, with pulled twin­handles, cast in low relief with bands of geometric design, glazed light blue, impressed Watcombe mark, 22cm.high

103 A Ruskin Pottery crystalline vase designed by William Howson Taylor, square section with flaring foot cream graduating to pale yellow glaze, a Brownfield Pottery vase, a Burmantoft’s Faience vase and another vase, incised Ruskin marks, Brownfield vase restored feet, 22cm. high (4)

£120­180

£150­250

£200­300

100

98

99 A Linthorpe Pottery double gourd vase designed by Dr Christopher Dresser, covered in a blue­green glaze, a dimpled pottery vase probably Ault Pottery and a Linthorpe Pottery jardiniere, impressed factory marks and facsimile signature, kintsugu repair, jardiniere restored, 28.5cm. high (3)

101

£150­250

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105

ELTON POTTERY 104 A Sunflower Pottery vase by Sir Edmund Elton, ovoid with four looped handles and cylindrical stem, slip decorated with a foliate bough, on streaked blue ground, and two other Sunflower Pottery vases, painted Elton, 18.5cm. high (3) £150­250 105 A Sunflower Pottery ewer by Sir Edmund Elton, compressed form with cylindrical neck with flaring ribbed rim, applied with stylised flowers in red and chestnut, on streaked blue and green ground, painted Elton mark, applied collection label, 26.5cm. high Catalogue notes The paper label to the base of this vase is dated July 17th 1920 and states the vase was made by Sir Edmund Elton, and left as remembrance to Mrs Challicom.

106 108 A Sunflower Pottery pot and cover by Sir Edmund Elton, ovoid with twin­spouts each modelled with a mask terminal, and loop handle, modelled in low relief with a roundel, the reverse slip decorated with flowers and foliage in green and ochre on a streaked blue ground, painted Elton+ and H marks, minor glaze loss to top of one spout, 18.5cm. high (2) £150­250 109 A rare Sunflower Pottery vase by Sir Edmund Elton, tapering cylindrical form with three looped handles and everted top rim, applied foliage sprays in red and green highlighted in copper lustre, on a streaked blue and green ground, painted Elton mark, 28.5cm. high £250­350 107

£180­220 106 A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with tall angled neck and double looped handle, applied with flowers and berries, in shades of brown and blue on a blue and green streaked ground, painted Elton mark, professional restoration, 31cm. high £150­250 107 A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with angled handle and tube neck, applied with slip flowers and foliage, in green and terracotta on a streaked blue ground, painted Elton to base, minor glaze flakes, 28cm. high £150­200

108

109

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110 A Burmantoft’s Faience lustre vase probably designed by Joseph Walmsley, shouldered form, painted with scrolling bands in gold on a deep red lustre ground painted TL monogram, to base, minor professional restoration to rims, 20.5cm. high Provenance A Private Collection of Burmantoft’s Faience Pottery, Woolley and Wallis, 22nd June 2017, lot 655 (part). £150­200

110

111

111 A Pilkington’s Lancastrian vase, ovoid with swollen knopped neck, covered in a streaked aventurine glaze, another smaller square section vase covered in an aventurine glaze and a ruby lustre vase in the manner of Carter’s Poole, main vase stamped Pilkington’s mark, 13.5cm. high (3) £150­200

112 A Pilkington’s Royal Lancastrian vase designed

by Lewis F Day, model no.2786, tapering cylindrical form with swollen neck, covered in a matt, curdled glaze, impressed marks, 27cm. high £120­180

113 A Pilkington’s Lancastrian tazza, dated 1907, the cylindrical stem modelled with four masks to the shoulder, supporting bowl with stylised butterfly panels, covered in a matt olive green glaze, impressed factory mark, VII datemark, 15.5cm. high Provenance Private collection. £150­200 112

113

114 A Pilkington’s Lancastrian pot and cover by Jessie Jones, circular, the cover painted with a simple flower head inside a border of foliage in ochre and red on an orange ground, the base with chevron gold lustre border, impressed mark, painted artist cipher, impressed date mark probably 1907, 5cm. diam, (2) £150­200

115 A Pilkington’s Lancastrian Pottery vase by William S Mycock, dated 1912, shouldered ovoid form, painted with hounds chasing deer, in shades of blue, red and golden lustre impressed factory mark, painted artist cipher and date mark, 12.5cm. high £300­500 114 115 38

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117

116 A Pilkington’s Lancastrian solifleur vase by Gordon Forsyth, ovoid body with tapering cylindrical neck, painted with a band of entwined trellis and dots to the body in bronze lustre and lime green, the neck glazed bronze impressed factory mark, painted artist cipher and date code, 21.5cm. high Provenance Pilkington’s Lancastrian Pottery, Richard Dennis Gallery, 1980.

Literature A J Cross, Pilkington’s Royal Lancastrian Pottery & Tiles, Richard Dennis, page 35 plate XXII this vase illustrated. £1,000­1,500 117 A Pilkington’s Lancastrian Pottery twin­handled coupe by Gordon Forsyth, dated 1908­09, painted with bands of stylised carnation flowers, scrolling grape vine and laurel, inscribed Qui Nono Laborat Non Manducet, (The One who does no work shall not eat), in ruby and golden lustre on a blue ground, impressed mark and date mark, painted artist cipher and two date marks for 1908 and 1909, professional restoration to small chip on top rim, 23.5cm. high Provenance Richard Dennis Gallery Private collection. £1,000­2,000 118 A Pilkington’s Lancastrian vase by Richard Joyce, slender, shouldered form with flaring neck, painted with panels of Medieval soldiers, between bands of geometric floral motif, in shades of blue, sand and ruby lustre, impressed factory marks, painted artist cipher, 24.5cm. high £1,500­2,000

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119 119 ‘Sea Sprites’ a large Della Robbia Pottery plaque designed by Ellen Mary Rope, dated 1902, worked on by Liz Wilkins and Marion de Caluwe, modelled in relief with two sea figures swimming in turbulent waters, glazed in blue, yellow and cream, in wooden frame, incised Rope signature and date bottom left, incised Della Robbia, 184 and artist monograms to reverse, cracked, 55 x 28cm (panel) Literature P Hyland Della Robbia Pottery, Birkenhead 18941906, ACC Books, page 208 figure 23 for a comparable example.

Catalogue notes This panel was originally known as Water Babes but also known as Water Sprites and Sea Sprites, a similar panel is held in the Victoria & Albert Museum collection. (C.145­2018).

120

£800­1,200

120 A Ruskin Pottery stoneware souffle glaze vase designed by William Howson­Taylor, dated 1927, shouldered form, mottled midnight blue over light blue, impressed marks, 16cm. high £150­200 121 A large Ruskin Pottery baluster vase designed by William Howson­Taylor, dated 1913, covered in an orange lustre glaze, and a pair of Ruskin Pottery vases similar, impressed marks, one restored, 36.5cm. high (3) £200­300 122 A Ruskin Pottery vase designed by William Howson­Taylpor, dated 1922, ovoid with tall flaring neck, covered in a golden yellow lustre glaze, a Ruskin Pottery crystalline glaze vase, two yellow lustre vases and an orange lustre candlestick, impressed factory marks, 22.5cm. high (5) £150­250

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123 A Ruskin Pottery high­fired stoneware vase designed by William Howson­Taylor, dated 1906, slender, baluster form, covered in a speckled apple green glaze with speckled lavender and turquoise green neck, with white running patches, impressed factory mark and date, 20cm. high £400­600

123

124 A Ruskin Pottery high­fired stoneware vase designed by William Howson­Taylor, dated 1907, tall, slender form with collar rim, mottled pale blue with purple and lavender, impressed marks, 23.5cm. high £300­500

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MOORCROFT POTTERY 125 ‘Aurelian Ware’ a James Macintyre & Co vase designed by William Moorcroft, baluster form, printed in gilt with Art Nouveau flower panels on a deep blue ground, and a small Moorcroft Pottery pot printed factory marks, 21cm. high, (2) £120­180 126 ‘Bluebell’ a rare Moorcroft Pottery lustre plate designed by William Moorcroft, made for retail by Liberty & Co, tubeline decorated to the rim with flower stems in blue and green on a pale lemon lustre ground, printed Liberty mark, painted green signature, impressed marks, 22.5cm. diam.

Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 60 figure 2 for comparable plates illustrated. £400­500 125

127 ‘Eighteenth Century’ a James Macintyre & Co tyg designed by William Moorcroft, tubeline decorated in colours, highlighted in gilt on a white ground, printed factory mark, painted green signature, old restoration, 13cm. high £120­180 128 ‘Violets’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, slender, waisted form with flaring fluted rim, tubelined in shades of blue on a pale blue ground, printed factory mark, painted green signature, old restoration, 29.5cm. high £150­250

126

127 42

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129 A James Macintyre & Co Green and Gold Florian Ware solifleur vase designed by William Moorcroft, slender form, tubeline decorated with Art Nouveau flowers and foliage in blue and gold on a green ground, printed factory mark, painted green signature, 30.5cm. high £200­300

130 A James Macintyre & Co Green and Gold Florian Ware twin­handled chalice designed by William Moorcroft, tubeline decorated with Art Nouveau flowers and foliage in blue and gold on a green ground, printed factory mark, painted green signature, professional restoration to interior, 19.5cm. high £150­200

131 A James Macintyre & Co Green and Gold Florian Ware twin­handled coupe and cover designed by William Moorcroft, tubeline decorated with Art Nouveau flowers and foliage in blue and gilt on a green ground, printed factory mark and painted green signature, 22cm. high (2) Literature John Bartlett British Ceramic Art 1870-1940, Schiffer, page 161 this actual piece illustrated. £200­300

129

130

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132 ‘Landscape’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, tubeline decorated with tall tress in a landscape, painted in blue on a pale blue ground, printed factory mark, painted green signature, old restoration, 18.5cm. high £500­800

133 ‘Dawn’ a Moorcroft Pottery footed bowl designed by William Moorcroft, tubeline decorated with trees in a landscape, inside scallop border, in shades of blue impressed marks, painted blue signature, 20.5cm. diam.

132

£150­250

133 side view

133

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134 A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, made for retail at Liberty & Co, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, and another Moorcroft Pottery Flamminian Ware vase, incised signature, printed factory mark, 19.5cm. high (2) Literature John Bartlett British Ceramic Art 1870-1940, Schiffer, page 161 these actual vases illustrated £200­300 134

135

135 A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, made for retail at Liberty & Co, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, incised signature, printed Liberty mark, 20.5cm. high £150­200

136 A Moorcroft Pottery Flamminian Ware baluster vase designed by William Moorcroft, made for retail at Liberty & Co, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, incised signature, 23cm. high £150­200

137 A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, made for retail at Liberty & Co, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, incised signature, 22.5cm. high £150­200

136

137

138 A Moorcroft Pottery Flamminian Ware biscuit box and cover, made for retail at Liberty & Co, square section with applied handles, tubeline decorated with an Art Nouveau roundel in blue on a flambe red ground, incised signature, small nick to cover, 16cm. high (2) £150­250

138

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139 ‘Alhambra’ a James Macintyre & Co jardiniere designed by William Moorcroft, tubeline decorated with panels of Art Nouveau flowers in pink, red and blue, highlighted in gilt on a salmon pink ground, printed factory mark, professional restoration to top rim, 13cm. high £200­300

140 ‘Alhambra’ a James Macintyre and Co vase designed by William Moorcroft, slender, baluster form on foot, tubeline decorated with Art Nouveau flower and foliage panels in blue and gold on a salmon pink ground, printed factory mark, painted numbers, 31cm. high £300­500

139

141 ‘Alhambra’ a James Macintyre & Co twin­handled coupe designed by William Moorcroft, tubeline decorated with an Art Nouveau floral cartouche in red and blue highlighted in gilt on a salmon pink ground, printed factory mark, 17cm. high £300­500

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142

142 ‘Moonlit Blue’ a Moorcroft Pottery plate designed by William Moorcroft, painted in shades of blue and green on a blue ground, impressed factory marks, painted blue signature, 22cm. diam. £300­500

143 ‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of blue and green on a deep blue ground, impressed factory marks, painted green signature, 12cm. high £200­300

144 ‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft, baluster form, painted in shades of blue and green on a deep blue ground, impressed factory marks, painted green signature, restored top rim, 22.5cm. high £250­350

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145 ‘Pansy’ a Moorcroft Pottery solifleur vase designed by William Moorcroft, painted in shades of purple, yellow, green and blue on a celadon ground, a Moorcroft Pottery Wisteria tazza with Tudric Pewter foot made for Liberty & Co, a Moorcroft Pottery Leaf and Berry vase and an Aquilegia vase impressed marks, painted green signature, small repaired chip to top rim of Pansy vase, 21cm. high (4) £200­400 146 ‘Pomegranate’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered cylindrical form, painted in colours on a deep blue ground, impressed marks, painted green signature, fine hairline to top rim, 27.5cm. high

145

Literature John Bartlett British Ceramic Art 1870-1940, Schiffer, page 161 this vase illustrated £150­250 147 ‘Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, compressed ovoid form, painted in colours, a modern Moorcroft Pottery ‘Peacock Feather’ pierced pot pourri and cover retailed by Liberty & Co and a Moorcroft Pottery Anemone’ pattern pot and cover, impressed marks, painted blue signature, 13cm. high (5)

147

£150­250 146

148 ‘Frilled and Slipper Orchids’ a Moorcroft Pottery vase designed by William Moorcroft, baluster form, painted in colours, on a graduated green ground, and another smaller, impressed factory marks, painted blue signature, original paper label, 16cm. high, (2) Provenance: From the collection of Henry Myles­Tarlton (d.1946), Chief Engineer for Bird & Co Mining in India between 1912 and 1932. £300­500 149 ‘Clematis’ a Moorcroft Pottery vase designed

by Walter Moorcroft, tubeline decorated in pink, yellow and brown on a white ground, a Moorcroft Pottery Clematis jardiniere, an Aquilegia vase and four other Moorcroft pieces impressed factory marks, painted green monogram, 19cm. high (7)

148

£120­180 150 ‘Oberon’ a modern Moorcroft Pottery baluster vase, painted in colours impressed and painted marks, 31cm. high £120­180 150 149

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151 ‘Flambe Leaf and Berry’ a Moorcroft Pottery footed bowl, painted in colours under a flambe glaze, impressed factory mark, painted blue signature, applied paper label, 20cm. diam, 9cm. high £120­180

151 152 ‘Flambe Frilled Orchids’ a Moorcroft Pottery jardiniere designed by William Moorcroft, flaring cylindrical form, painted in colours on a red flambe ground, impressed factory marks, tubelined RML mark, repaired, 19.5cm. high £120­180

153 ‘Big Poppy’ a Moorcroft Pottery vase designed

by William Moorcroft, waisted form, painted in shades red and blue on a blue ground, and a Moorcroft Pottery Orchid vase impressed marks, painted blue signature, 11cm. high, (2) £200­400 152

153

154 ‘Flambe Big Poppy’ a Moorcroft Pottery vase designed by William Moorcroft, pear shaped, painted in colours under a flambe glaze impressed factory marks, painted blue signature, 23.5cm. high £400­600

154

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155 ‘Eventide’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, tubeline decorated in colours impressed factory marks, painted blue signature, 23.5cm. high £700­1,000

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156 ‘Flambe Dawn’ a fine large Moorcroft Pottery vase designed by William Moorcroft, dated 1926, probably exhibited at the British Industries Fair, White City, shouldered form with collar rim, tubeline decorated with tall trees glazed amber under a red flambe glaze, painted signature and date 1926 to base, impressed marks, 46cm. high Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 19 figure 16 for a display from the 1926 British Industries Fair, White City, 1926.

Provenance Private collection. £5,000­7,000 51

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DENNIS CHINA WORKS

157 ‘Datura Lily’ a Dennis China Works Etruscan vase designed by Sally Tuffin, dated 2003, tubeline decorated in colours on a graduated green to yellow ground, impressed and painted marks, 41cm. high £250­350

157

158 ‘Tiger’ a large Dennis China Works vase designed by Sally Tuffin, dated 2000, incised with a frieze of prowling tigers, in rust, red and black, impressed and painted marks, Nevile Pundole retail label, 45cm. high £400­600

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160

159 ‘Lustred Deer’ a unique Dennis China Works Conical vase designed

by Sally Tuffin, thrown by Rory McLeod and decorated by Vanessa Thompson, tapering cylindrical form, incised with deer in a woodland, in shades of blue and green, highlighted in copper lustre, impressed marks, painted monograms and WW19, 24cm. high Catalogue notes This vase was made specifically for this auction with the unique WW19 number. £600­900

160 ‘Butterfly Fish’ a unique Dennis China Works Bulb vase designed by Sally Tuffin, dated 2022, thrown by Rory McLeod and decorated by Theresa Blackmore, tapering cylindrical form, tubeline decorated with exotic fish, painted in colours on a blue ground, impressed marks, painted monograms and WW20, 23.5cm. high Catalogue notes This vase was made specifically for this auction with the unique WW20 number. £700­900

161 ‘Grace’ a Dennis China Works Tulip vase designed and painted by Buchan Dennis, dated 2022, thrown and sculpted by Rory McLeod, ovoid with tapering neck and four solifleur necks, painted with thin bands in pink, blue, green and lime green, and scrolling Burges foliage in gilt, impressed and painted marks, 39cm. high Catalogue notes This vase was made specifically for this auction with the unique WW21 number. £800­1,200

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162

163

164

165

166

CHARLES VYSE 164 Charles Vyse (1882­1971) The Lavender Girl, earthenware figure, painted in colours applied paper label inscribed Lavender Woman Charles Vyse, 20.5cm. high

166 Charles Vyse (1882­1971) The Windmill Woman, 1925 earthenware figure, painted in colours painted CV 1925 Chelsea, collection label 22.5cm. high

Provenance The collection of Mrs A Smith.

Provenance Mellors & Kirk, 23rd April 2004, lot 65.

The collection of Mrs A Smith.

Provenance Julie Asbridge Collection, 2003.

The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974,page 18 catalogue number 14 for a comparable figure illustrated.

This figure was introduced in 1925.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 10 catalogue number 1 for a comparable figure illustrated.

This figure was introduced in 1920.

Catalogue notes This figure is usually marked with a painted signature CV Chelsea to the underside of the base.

£400­600

162 Charles Vyse (1882­1971) The Shawl, earthenware figure, painted in colours, on ebonised wooden base marks presumably concealed by wooden base, minor frits to bouquet 29.3cm. high

167

£400­600 163 Charles Vyse (1882­1971) The Pedlar, 1926 earthenware figure, painted in colours painted CV 1926 Chelsea to base, small chip to brim of hat, 27cm. high Provenance The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 18 catalogue number 16 for a comparable figure illustrated. This figure was introduced in 1925. £600­900 168 54

165 Charles Vyse (1882­1971) Chrysanthemums, 1927 earthenware figure, painted in colours painted CV 1927 Chelsea, 28cm. high Provenance Clarice Cliff & Art Deco, Woolley and Wallis, 13th April 2010 lot 796.

The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 20 catalogue number 20 for a comparable figure illustrated. This figure was introduced in 1926. £600­1,000

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 15 catalogue number 11 for a comparable figure illustrated. This figure was introduced in 1924. £800­1,200 167 Charles Vyse (1882­1971) The Tulip Woman, 1922 earthenware figure, painted in colours painted CV 1922 Chelsea, professional restoration to flowers, 26cm. high Provenance Julie Asbridge Collection, 2002.

The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 11 catalogue number 4 for a comparable figure illustrated.

This figure was introduced in 1921. £600­1,000

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168 Charles Vyse (1882­1971) Kettle Holders, 1926 earthenware figure, painted in colours painted CV 1926 Chelsea to base (small chip to kettle holders and minor frits to glaze) 22cm. high

171 Charles Vyse (1882­1971) Piccadilly Rose Woman, 1922 earthenware figure, painted in colours painted CV 1922 Chelsea to base, star crack to base, 20.5cm. high

Provenance The collection of Mrs A Smith.

Provenance Julie Asbridge Collection, 2003.

The collection of Mrs A Smith.

Literature Reginald Blunt Chelsea China & Pottery, EP Publishing, plate 41 for a comparable figure illustrated.

Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 15 catalogue number 10 for a comparable figure illustrated. This figure was introduced in 1924. £600­1,000 169 Charles Vyse (1882­1971) The Cinneraria Boy, 1923 earthenware figure, painted in colours, painted CV 1923 Chelsea to base, paper label titled The Flower Man, frit chip to leaf 26.5cm. high Provenance The collection of Mrs A Smith.

Literature Reginald Blunt Chelsea China & Pottery, EP Publishing, plate 41 figure Vh for a comparable figure illustrated.

Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 14 catalogue number 9 for a comparable figure illustrated. This figure was introduced in 1923.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 13 catalogue no.7 for a comparable figure illustrated. This figure was introduced in 1922. £600­1,000 172 Harry Parr (1882­1966) Rose Seller, 1931 earthenware figure, painted in colours, on ebonised wood base cast Hy Parr Chelsea 1931 to side of ceramic base, 24cm. high

169

Provenance Mellor’s & Kirk Auctions, 5th December 2003, lot 39 The collection of Mrs A Smith.

Literature Reginald Blunt Chelsea China & Pottery, EP Publishing, plate 42 (T) for an example of this figure illustrated. £300­500

£600­1,000 170 Charles Vyse (1882­1971) The Balloon Woman, 1921 earthenware figure, painted in colours painted CV 1921, Chelsea to base, 22.5cm. high

170

Provenance The collection of Mrs A Smith.

Literature Charles Vyse Richard Dennis/Fine Art Society catalogue 1974, page 10 catalogue number 2 for a comparable figure illustrated. This figure was introduced in 1920. £250­350

171

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A PRIVATE COLLECTION OF CERAMIC AND BRONZE ANIMALIER

173

STELLA CROFTS ‡ 173 Stella Crofts (1898­1964) The Ark, watercolour and pencil on paper, framed, and five other works by Stella Crofts, comprising, Flamingos flying, 1956, Fox portrait, 1914, Two Elephants, 1922, Woodpecker, 1914, Billy & Sam two Starlings, 1918, framed signed 22 x 17cm (Ark image), (6) Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 21 this drawing illustrated. £300­500

174

‡ 174 Stella Crofts (1898­1964) Erect Giraffe a stoneware figure group, glazed in colours incised Stella R Crofts 17.5cm. high Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 22nd March, lot 283. £500­800

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‡ 175 Stella Crofts (1898­1964) Cheetah and Cubs, 1929 stoneware figure group, glazed in colours incised Stella R Crofts, 1929 19cm. wide 15cm. high Provenance Halls Fine Art Auctions, 15th March 2006, lot 122.

Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 63 for an example illustrated. £300­500 ‡ 176 Stella Crofts (1898­1964) Tigers, 1925 stoneware figure group, glazed in colours incised Stella R Crofts, May 1925 21cm. wide, 16cm. high

175

Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 1st March 2005, lot 787 Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 98 this actual group illustrated. £400­600 ‡ 177 Stella Crofts (1898­1964) Jaguar Eating Meat, stoneware figure, glazed in colours incised Stella R Crofts, 9.5cm. wide Provenance Bonhams Edinburgh 16th February 2012, lot 4 Literature British Art Pottery Woolley and Wallis, 28th November 2012, lot 314 for a comparable example.

Paul Hughes, Stella’s Ark, Stella Crofts, page 95 for the original design and another example illustrated. £300­500 ‡ 178 Stella Crofts (1898­1964) Tiger Cubs, 1930 stoneware figure group, glazed in colours incised Stella R Crofts, 1930 18cm. wide 13cm. high

176

£300­400

177

178

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‡ 179 Stella Crofts (1898­1964) Persian Kittens pottery figure, glazed in colours incised Stella R Crofts, Persian Kittens, 1944 17cm. wide Provenance Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis, 22nd March 2007, lot 294.

Private collection £250­350 ‡ 180 Stella Crofts (1898­1964) Black Cocker Spaniel Dog pottery figure, glazed in colours incised Stella R Crofts, April 1927 20.5cm. wide £250­350 179

‡ 181 Stella Crofts (1898­1964) Podge, 1928 stoneware figure group of a Griffon terrier, painted in colours incised Stella R Crofts, 12.5cm. wide £150­200 ‡ 182 Stella Crofts (1898­1964) Blue Beveren Rabbits, 1931 stoneware figure, glazed speckled blue, incised Stella R Crofts, 1931 22cm. wide Provenance Bonham’s Literature Paul Hughes, Stella’s Ark, Stella Crofts, page112 this example illustrated. £200­400

180

181

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182

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‡ 183 Stella Crofts (1898­1964) Ring-tailed Lemurs, 1926 stoneware, glazed in colours incised Ilford England, Stella R Crofts, 1926, re-stuck ear, one ear chipped, 22cm, high 16.5cm. wide Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 56 this model illustrated.

Catalogue notes An example of this figure was exhibited at the Redfearn Gallery, in an exhibition of Stella’s work in 1926, priced at £7s7. £300­500

183

‡ 184 Stella Crofts (1898­1964) Zebras stoneware figure group, glazed in colours incised Stella R Crofts, restored ears 17.5cm. high Provenance British Art Pottery, 25th November 2009, lot 240.

Private collection. £500­1,000 184

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‡ 185 Stella Crofts (1898­1964) Penguins a small stoneware dish, glazed in colours incised Stella R Crofts, 8.5cm. wide Provenance British Art Pottery, Woolley and Wallis, 27th November 2019, lot 278. £150­200 ‡ 186 Stella Crofts (1898­1964) Blue Fronted Amazon Parrot pottery figure glazed in colours incised Stella R Crofts 13cm. high

185

Provenance Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis, 22nd March 2007, lot 290.

Private collection Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 100 this actual figure illustrated. £300­500 ‡ 187 Stella Crofts (1898­1964) Herring Gulls, 1928 stoneware figure group, glazed in colours incised Stella R Crofts, 1928, restored beak, 16.5cm. high Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 5th March 2014, lot 46.

Private collection. £150­250

186

‡ 188 Stella Crofts (1898­1964) Oystercatchers, 1927 pottery figure, glazed in colours, incised Stella R Crofts Oct 1927 18cm. high Provenance Eastbourne Auction Rooms, 2nd September 2008 lot 302. £300­500

187 60

188

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189

190

‡ 189 Stella Crofts (1898­1964) Shire Horse, 1945 stoneware figure, glazed in colours incised Stella R Crofts, 1945 9.5cm. high £120­180

‡ 190 Stella Crofts (1898­1964) Ibex Family, 1934 pottery figure, glazed in pink, lavender and cream incised Stella R Crofts 1934 14cm. high Provenance Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis, 22nd March 2007, lot 295.

Private collection £250­350

‡ 191 Stella Crofts (1898­1964) Indian Elephants, 1926 a rare stoneware figure group, glazed in colours signed Stella R Crofts, 1926 and titled Indian Elephants 30cm. high Provenance Bonhams, Edinburgh, 16th February 2012, lot 5.

Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 65 for an original exhibition display in 1930 including this figure group which was also made as a lamp base. £1,000­2,000 191 61

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192

193 192 Stella Crofts (1898­1964) Boy With Donkey, 2894 a Royal Worcester porcelain figure, painted in colours, printed and painted factory marks, 15.5cm. high 16cm. wide Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 118 for a comparable example illustrated. £120­180 193 Stella Crofts (1898­1964) Cat Eating a Royal Worcester figure, model no.2897, glazed in colours printed factory mark, painted Cat Eating modelled by Stella R Crofts 16cm.wide Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 27th February 2013, lot 460 (part lot).

Private collection. £120­180

194

194 Stella Crofts (1898­1964) Calf, 2896 Royal Worcester figure, glazed in colours, ‘Young Spotted Deer’ designed by Doris Lindner, ‘Sheep’ by Bargass, two Royal Worcester figures, a pair of Royal Worcester toothpick holders modelled as hares and a Royal Worcester model of a cherub with a goat, printed and painted marks, Crofts restored, 8cm. wide. (Calf), (6) Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 118 for a comparable example illustrated. £150­250 195 Stella Crofts (1898­1964) Greyhounds and Hare two Royal Worcester greyhound figure groups, model no.2891/1 and 2891/2, and a hare no. 2892, glazed in colours printed factory mark, painted modelled by Stella R Crofts and titles 15.5cm.wide (greyhounds) Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 27th February 2013, lot 460 (part lot).

Private collection.

Literature Paul Hughes, Stella’s Ark, Stella Crofts, page 118 for a comparable example illustrated. £200­300 196 Doris Lindner (1896­1979) Hound and Fox five Royal Worcester dishes, comprising three fox and two hound dishes, glazed in colours printed and painted marks, 11cm. wide

195

£120­180

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196

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197

198

197 A Royal Worcester jug, cylindrical form the spout cast as a lion head, the cylindrical body printed with a robin perched in berried holly, in colours, and a pair of Locke & Co, Worcester vases printed with pheasants, printed factory mark, 17cm. high, (3) £120­180

198 Nine Royal Worcester porcelain busts of race horses, comprising: Bronte, Pyroeis, Phaethon, Astrope, Aethon, Lampon, Chronos, Eous, and Phlegon, printed factory marks, 12cm. high, (9) £120­180

199

199 An Aesthetic Movement Royal Worcester pedestal dish in the manner of Charles Baldwin, rectangular lily pad bowl with inverted rim on a water­lily flower­bud foot, painted with a starling perched on a bough, whilst another flies away, in colours, highlighted in gilt, printed factory mark, 25cm. wide £120­180

200 ‘In the Ring’ no.3180 a Royal Worcester figure group designed by Doris Lindner, glazed in colours printed factory mark, 27cm. high Catalogue notes This figures depicts the Bertram Mills Circus which performed in 1935 at Olympia. Milly Yelding performed the Courier of St Petersburg act with nine stallions in the 1934­35 Olympia act. £400­600

200

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201 A large Italian pottery turkey platter by R Blanche, oval form modelled in relief with wing and tail feathers, its head rising to one end, glazed in colours printed factory marks and facsimile signature, 49cm. wide £120­180

202 A large free­standing model of a Fox in hunting uniform by Anna Fraser, painted in colours, with hinged back support, signed 104cm. high

201

£80­100

203 Thomas Ivester Lloyd (1873­1942) Leaping Hounds, ink on paper, framed, and a coloured lithograph Westminster Pit, framed painted signature 25.5 x 16cm (image), (2) £120­180

204 Three large cold­painted bronze models of hounds, each modelled standing, unsigned, 15cm. high (tallest) (3) £150­250

205 A cold painted bronze model of a red setter, modelled standing with a rabbit in its mouth, and four other cold painted bronze dogs unsigned, 15cm. long (5)

203

£150­200 202

204

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207

206 Two large cold­painted bronze models of pheasants, each modelled standing, in colours unsigned 22cm. wide. (2) £150­250 207 A cold painted bronze model of a chicken, modelled raising its wings, another modelled standing, a cold painted bronze model of an otter with a fish in its mouth, a cold painted bronze model of family of pigs, two red squirrels, a stag, a crow with a gold spoon in its beak, a crab and a snail, unsigned, 11.5cm. high (chicken), (10) £150­200 208 A cold painted bronze model of an owl, modelled standing, two cold painted bronze models of Grey parrots, a Kingfisher, a woodcock, a grouse and two swans, and a modern model of a parrot perched on a tree stump, unsigned, 9cm. high (owl), (9) £150­200 209 Nine Austrian cold painted bronze cat figures, comprising, two swimming in a pool, a cat sitting in a chair being shaved, two cats on a bench, a cat receiving punishment by cane, a cat playing golf, two musicians, a cat spanking a kitten and a cat holding a rifle, unsigned, 6.5cm. high (tallest), (9) £150­200 210 A cold painted bronze model of a seated fox and cubs, modelled holding a mallard duck, in colours, a cold painted bronze model of a fox family by a tree stump, three other cold painted bronze foxes, two hares and a model of a dead pheasant, unsigned, one seated fox stamped Austria, 13cm. wide (main group), (8)

208

£150­200

209

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211 212

‡ 211 Stella Crofts (1898­1964) Pigeon, 1950 a stoneware figure, painted in colours, with over glaze painted black detail to tail, incised Stella R Crofts (twice) and dated 1950 17.5cm. wide, 13cm. high £200­400 212 A Wemyss Pottery model of a pig, glazed red, a Wemyss Pottery Violets box and cover and a Wemyss Pottery heart­shaped inkwell, impressed marks, 17cm. long (pig), (6) £300­500

214

213

213 A Carter Stabler & Adams Poole Pottery jardiniere by Ann Hatchard, pattern CO, painted with a band of stylised Art Deco flowers in colours, impressed factory mark, painted artist cipher and CO pattern, 21.5cm. high £120­180 214 ‘Eastern Lady’ M.37 an Ashtead Pottery figure designed by Phoebe Stabler, modelled as a kneeling woman, glazed in colours printed and painted marks, 14.5cm. high £120­180 215 A Poole Pottery Atlantis vase by Guy Sydenham, modelled as a hedgehog, glazed white and pale blue impressed mark, incised monogram 7cm. wide. £120­180

215

66

216

216 ‘George VI May 12 1937’ a flaring Conical cup

by RR, painted in shades of blue, turquoise and aubergine on a white ground, painted RR 1937 to base, 11cm. high £120­180

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217 both sides

217 A Wedgwood Pottery Coronation of His Majesty King Edward VIII commemorative mug designed by Eric Ravilious, printed with royal crest and 1937 below a band of fireworks, in black and yellow on a blue band, printed factory mark, 10cm. high £500­600

218 A Wedgwood Pottery Coronation of His Majesty King George VI commemorative mug designed by Eric Ravilious, printed with royal and 1937 under a band of fireworks in black and rust on a green band, printed factory mark, 10.5cm. high £600­1,000

218 both sides 67

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WEDGWOOD LUSTRE POTTERY 219 A Wedgwood Pottery Dragon lustre vase designed by Daisy Makeig­Jones, footed form, printed in gilt on a mottled red ground, the interior with butterflies on a pearl lustre ground printed factory mark, painted Z11827, professional restoration to foot, 13.8cm. high £150­250

220

219

220 A Wedgwood Pottery Butterfly lustre vase designed by Daisy Makeig­Jones, shape H.16, fluted form with knopped neck, printed and enamels and gilt on a pearl lustre ground the interior orange lustre, printed factory mark, painted Z4832, 20.5cm. high £300­500 221 A Wedgwood Pottery lustre bowl designed by Daisy Makeig­Jones, pattern Z4831, octagonal form, printed with Chinese characters to the exterior, the interior a dragon to the well, in gilt on a mottled green lustre ground, the interior pearl lustre, and a small Wedgwood Pottery dish printed with a hummingbird design, printed and painted marks, 8.8cm. diam, (2) £150­250

221

222 A Wedgwood Pottery bowl designed by Daisy Makeig­Jones, pattern Z4827, octagonal form, printed to the exterior with Chinese symbols and animals on a red lustre ground, the interior with butterflies and characters on a pearl lustre ground, printed and painted marks, 12cm. diam. £150­250 223 ‘Dana’ a Wedgwood Fairyland lustre octagonal bowl, Z5125, printed and painted in colours and gilt, the interior on a mottled pearl ground, printed and painted marks, 10.3cm. diam. £300­500

222

224 ‘Leapfrogging Elves’ a Wedgwood Fairyland Lustre bowl designed by Daisy Makeig­Jones, footed form, printed in gilt on a midnight lustre ground, the interior pearl lustre printed factory marks, 9.8cm. diam. £200­400

223 68

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225

225 ‘Lahore’ a Wedgwood Pottery Lustre bowl designed by Daisy Makeig­Jones, pattern Z5260, printed and painted in enamels and gilt to the exterior, the interior printed in gilt with elephants and camels on a lemon lustre ground, printed and painted factory marks, professional restoration to interior, 27.5cm. diam.

226

£1,000­2,000

226 ‘Lahore’ a Wedgwood Pottery Lustre vase designed by Daisy Makeig­Jones, pattern Z5266, printed and painted in colours and gilt, printed and painted marks, 26cm. high £1,500­2,500

227 ‘Pillar’ a Wedgwood Fairyland Lustre vase designed by Daisy Makeig­Jones, pattern Z4968, slender, shouldered cylindrical form, printed and painted in colours and gilt on a pale blue lustre ground, printed and painted factory marks, paper collection label, 36cm. high Provenance Spak Collection Literature Una des Fontaines, Wedgwood Fairyland Lustre, Sotheby Parke Bernet, page 140 plate 28 for a vase in this pattern illustrated. £2,500­3,500

END OF DAY ONE 227

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DAY TWO - THURSDAY 1ST DECEMBER AT 10AM STUDIO POTTERY ‡ 228 Charles Vyse (1882­1971) a twisted cylindrical vase, dated 1937, covered to the foot with crackled grey celadon glaze, incised Vyse 1937 25cm. high £300­500

228

229

‡ 229 William Staite Murray (1881­1962) a stoneware vase, shouldered form with tapering cylindrical neck, covered in a pale blue pitted glaze running to the foot, the top rim with iron band, impressed pentagon mark, chip to exterior of top rim, 25.5cm. high £200­300

230

231

‡ 230 Katharine Pleydell­Bouverie (1895­1985) a stoneware cut­sided bowl, swollen, shouldered form, covered to the foot with an ash glaze impressed seal mark, 7.5cm. high 12cm diam.

Provenance Cassons Gallery, London, purchased by the vendor’s family in 1976. £100­150

232

‡ 231 Katharine Pleydell­Bouverie (1895­1985) a large stoneware vase, swollen form covered to the foot with a speckled ash glaze, impressed seal mark, painted marks, 14cm. high £200­300

‡ 232 Katharine Pleydell­Bouverie (1895­1985) six stoneware miniature vases, glazed in shades of cobalt blue, ash and green, impressed seal marks, 5.5cm. high (tallest), (6) £200­300

233 70

‡ 233 William Newland (1919­1998) a large earthenware square platter, dated 1990, slip decorated with a cockerel, painted WN and date to reverse, chip to hanging loop 53.5 x 44.5cm. £300­500

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FROM THE ESTATE OF RICHARD BATTERHAM

Image courtesy of Stefan Morris

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234 Richard Batterham (1936­2021) a stoneware caddy and cover, covered with an ash glaze over black iron, and another caddy and cover with chattering band, unsigned, labelled Manganese Carbonate, cover fused to second caddy 24cm. high (3) Provenance From the estate of Richard Batterham.

Catalogue notes This jar was used by Richard Batterham to store Manganese Carbonate powder.

234

Literature Tanya Harrod & Sarah Griffin, Richard Batterham Studio Potter, V&A page 51 figure 48, this pot is visible on the shelf behind Richard. This image is reproduced on page 71 in this catalogue. £300­400 235 Richard Batterham (1936­2021) a stoneware beer jar and cover, covered in a tenmoku glaze unsigned, incised TD to base, crack to cover, small bloats to rim of jar, 52cm. high, (2) Provenance The Estate of Richard Batterham. This jar and cover was found in the Blower room when the kiln was dismantled in October 2022. £150­250 236 Richard Batterham (1936­2021) a large cut­sided stoneware bowl, covered in an ash glaze, the exterior black iron, unsigned, exhibition paper label no.36, repaired section to top rim, 36cm. diam.

22.5cm. high Provenance From the estate of Richard Batterham £150­200 237 Three natural ash Gimson ladderback (no.1A) chairs by Neville Neal, and two other Gimson ladderback chairs by Neville Neal, with rush seats, stamped Neville Neal, 106cm. high (5) Provenance Richard Batterham, purchased directly from Neville Neal directly March 1971. £150­200

235

236 72

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238 Richard Batterham (1936­2021) a stoneware jug, covered with a running ash glaze over black iron, unsigned 28cm. high Provenance From the estate of Richard Batterham. £150­250 239 Richard Batterham (1936­2021) a tall stoneware jug, ash glaze above band of black iron unsigned, remains of paper label 35.5cm. high Provenance From the estate of Richard Batterham. £200­400 240 Richard Batterham (1936­2021) an early stoneware jug, ash glaze over black iron band unsigned 17cm. high

238 both sides

Provenance From the estate of Richard Batterham.

Catalogue notes This jug dates to the 1960s. £120­180 241 Richard Batterham (1936­2021) a stoneware jug, covered in an ash glaze, the rim iron, and another smaller, unsigned 13cm. high (tallest) 11cm high (smallest) (2) Provenance From the estate of Richard Batterham. £150­200

239 both sides

240

241 73

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242

243

242 Richard Batterham (1936­2021) two small stoneware mixing bowls, glazed to the interior black iron unsigned 16cm. diam. (2) Provenance From the estate of Richard Batterham. £80­120 245

£150­200 246 244 Richard Batterham (1936­2021) a stoneware mixing bowl, glazed to the interior with ash, another smaller glazed black iron to the interior and a lugged dish, unsigned 26.5cm. diam (largest bowl), (3) Provenance From the estate of Richard Batterham. £150­200

245 Richard Batterham (1936­2021) an early oblong bowl swollen rectangular form, ash glaze to interior, a salt­glaze stoneware bowl and another smaller bowl by Richard Batterham impressed seal mark to oblong bowl, small chip to rim of oblong bowl, 19.5cm. wide (3) Provenance From the estate of Richard Batterham. £150­200

248 74

246 Richard Batterham (1936­2021) a stoneware mixing bowl with chattering band, glazed ash to the interior, and another smaller, unsigned 27cm. diam.

12cm. high (2) Provenance From the estate of Richard Batterham. £120­180

243 Richard Batterham (1936­2021) a stoneware footed bowl, covered with an ash glaze with iron spots, the rim iron, and a small oblong dish, unsigned 16cm. diam. (2) Provenance From the estate of Richard Batterham.

247

244

247 Richard Batterham (1936­2021) a stoneware pedestal bowl with chattering band, covered in an ash glaze, and another stoneware pedestal bowl by Richard Batterham with a pale celadon ash glaze, unsigned, pale celadon bowl repaired, 16.5cm. diam, 12.5cm high (2) Provenance From the estate of Richard Batterham. £150­200

248 Richard Batterham (1936­2021) a cut­sided stoneware pedestal bowl, covered to the foot with elm ash glaze, unsigned, 12.5cm. diam.

9.5cm. high Provenance From the estate of Richard Batterham. £150­200

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249

250

249 Richard Batterham (1936­2021) a cut­sided stoneware lily vase, glazed ash to the shoulder and rim, the body a band of black iron, unsigned, firing splits to outside of body, 33cm. high Provenance From the estate of Richard Batterham. £300­500 250 Richard Batterham (1936­2021) a stoneware cut­sided lily vase, covered to the shoulder and neck with ash, the body a band of manganese, unsigned, firing splits to outside of body 33cm. high Provenance From the estate of Richard Batterham. £300­500 251 Richard Batterham (1936­2021) a stoneware two piece bottle with chattering band to the shoulder, covered to the foot in tenmoku over river slip, unsigned 61cm. high Provenance From the estate of Richard Batterham.

Catalogue notes This vase was made in the early 1980s. £1,500­2,000

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252 both sides

253

252 Richard Batterham (1936­2021) teapot and cover, with vertical incised decoration, covered to the foot in an ash glaze unsigned 13cm. high (2)

254 Richard Batterham (1936­2021) a salt­glaze stoneware mug, and another mug covered in an ash glaze unsigned 10.5cm. high (salt­glaze), (2)

Provenance From the estate of Richard Batterham.

Provenance From the estate of Richard Batterham.

£150­200

£120­180

253 Richard Batterham (1936­2021) an early stoneware teapot, ovoid with vertical cut design, covered to the foot with a black iron glaze, unsigned, painted 16, chips to underside of cover 11.5cm. high (2)

255 Richard Batterham (1936­2021) an early oblong dish made for export to Australia, and two stoneware covered casserole dishes oblong dish impressed England, small chip to rim, 16.5cm. wide (5)

Provenance From the estate of Richard Batterham.

Catalogue notes This teapot dates from the 1960s. £150­200

254

255 76

Provenance From the estate of Richard Batterham. £150­200

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256 256 Richard Batterham (1936­2021) a stoneware sugar jar, covered in a celadon ash glaze to the foot unsigned painted cobalt 879 18cm. high (2) Provenance From the estate of Richard Batterham. £150­200 257 Richard Batterham (1936­2021) a cut­sided stoneware vase, covered to the foot with an ash glaze unsigned, painted cobalt number 9.5cm. high Provenance From the estate of Richard Batterham. £150­200 258 Richard Batterham (1936­2021) a small cut­sided stoneware vase, covered to the foot with an ash glaze unsigned, painted cobalt number incised 28 7.5cm. high

259 Richard Batterham (1936­2021) a stoneware pedestal bowl with cut flutes, covered in an ash glaze with black iron, unsigned 13cm. diam.

9cm. high

257

Provenance From the estate of Richard Batterham. £150­200 260 Richard Batterham (1936­2021) a stoneware footed bowl with chattering band, covered to the foot in an ash glaze with iron spots unsigned 34.5cm. diam.

14.5cm. high Provenance From the estate of Richard Batterham.

Catalogue notes This footed bowl dates from the early 1980s.

258

£150­200

Provenance From the estate of Richard Batterham. £120­180

259

260 77

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262

261 Richard Batterham (1936­2021) a stoneware tea plate, covered with an ash glaze, and two others unsigned 18.5cm. diam. (3) Provenance From the estate of Richard Batterham.

261

£120­180 262 Richard Batterham (1936­2021) a stoneware box and cover, circular with sun motif, covered in an ash glaze, and a stoneware egg dish by Richard Batterham unsigned 9.5cm. diam. (3) Provenance From the estate of Richard Batterham. £150­200 263 Richard Batterham (1936­2021) a small salt­glaze stoneware colander, unsigned 19.5cm. diam.

263

Provenance From the estate of Richard Batterham. £120­180 264 Richard Batterham (1936­2021) a large stoneware footed bowl, internally decorated with chattering band, covered to the foot in an ash glaze unsigned 36cm. diam.

18.5cm. high

264

Provenance From the estate of Richard Batterham. £150­200 265 Richard Batterham (1936­2021) a rare salt­glaze stoneware table lamp, based on a design by Atsuya Hamada, unsigned 20cm. high Provenance From the estate of Richard Batterham. £150­200

78

265

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266 Richard Batterham (1936­2021) a small porcelain beaten caddy and cover, covered in a pale celadon glaze, and a porcelain avocado dish with chattering band by Richard Batterham, unsigned 7cm. high (3) Provenance From the estate of Richard Batterham. £150­200

266

267 Richard Batterham (1936­2021) a porcelain avocado dish covered with a pale celadon glaze, and two other porcelain avocado dishes by Richard Batterham, unsigned, one incised B, one with stress hairlines to rim, 13cm. diam. (3)

267

Provenance From the estate of Richard Batterham. £150­250

268 Richard Batterham (1936­2021) a porcelain avocado dish, covered in a pale celadon glaze, and another avocado dish by Richard Batterham unsigned 12.5cm. diam (2)

268

Provenance From the estate of Richard Batterham. £150­250

269 Richard Batterham (1936­2021) a large porcelain avocado dish with chattering band to interior, covered with a pale celadon glaze, and another similar by Richard Batterham, unsigned 16cm. diam. (2)

269

Provenance From the estate of Richard Batterham. £150­250

270 Richard Batterham (1936­2021) a large porcelain bowl with chattering band to well, covered in a pale celadon glaze unsigned 25.5cm. diam.

11cm. diam.

Provenance From the estate of Richard Batterham. £300­500

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271

272

273

271 Richard Batterham (1936­2021) an early stoneware sugar jar and cover, speckled blue­grey ash glaze unsigned 17cm. high (2) Provenance From the estate of Richard Batterham.

Catalogue notes This jar dates from the 1960s. £150­200 272 Richard Batterham (1936­2021) a cut­sided stoneware sugar canister and cover, covered to the foot in an ash glaze unsigned 18cm. high (2) Provenance From the estate of Richard Batterham. £150­200 274

273 Richard Batterham (1936­2021) a stoneware sugar jar and cover, covered to the foot with pale ash glaze unsigned, painted cobalt 7 15cm. high (2) Provenance From the estate of Richard Batterham. £150­200 274 Richard Batterham (1936­2021) a stoneware jar and cover with cut herringbone design, covered to the foot in ash glaze, unsigned, painted cobalt 23, 15cm. high (2) Provenance From the estate of Richard Batterham. £150­200

275

80

275 Richard Batterham (1936­2021) a stoneware beaten caddy and cover, covered to the foot with an ash glaze unsigned 14.5cm. high (2) Provenance From the estate of Richard Batterham. £150­200

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277 276 276 Richard Batterham (1936­2021) a cut sided stoneware tea caddy and cover, covered to the foot in ash glaze unsigned, painted cobalt mark, 16cm. high (2) Provenance From the estate of Richard Batterham. £150­200 277 Richard Batterham (1936­2021) a salt­glaze stoneware beaten jar and cover unsigned 10.5cm. high (2) Provenance From the estate of Richard Batterham. £120­180 278 Richard Batterham (1936­2021) a stoneware beaten caddy and cover, with chattering band to shoulder, covered with a red salt­glaze to the foot, inside ash glaze, unsigned,kiln fault to side, 22cm. high (2)

278

Provenance From the estate of Richard Batterham. £200­300 279 Richard Batterham (1936­2021) salt­glaze stoneware tea canister, with red salt glaze unsigned incised 28 22.5cm. high Provenance From the estate of Richard Batterham. £150­200

279 81

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280 Richard Batterham (1936­2021) a salt­glaze stoneware cut­sided bowl, covered in a pale celadon glaze unsigned 21.5cm. diam.

11.5cm. high Provenance From the estate of Richard Batterham.

Catalogue notes This bowl dates from the 1970s or 1980s £120­180 280

281 Reuben Batterham (born 1967) a large stoneware planter, tapering cylindrical form with cut flutes, glazed to the foot in pale ash, with three drainage holes impressed seal mark 49.5cm. diam Provenance Made at the Durweston Pottery circa 1990.

Provenance From the estate of Richard Batterham £150­250

281

END OF COLLECTION

‡ 282 Reuben Batterham (born 1967) a large cut­sided stoneware batter bowl made at the Durweston Pottery, covered in an ash glaze, impressed seal mark, 39.5cm. diam, 17.5cm. high £150­250 282

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‡ 283 Richard Batterham (1936­2021) a stoneware flower bottle, swollen square section with flaring rim, covered with a partial ash glaze unsigned, paper exhibition label no.9 20cm. high Provenance Hambledon Gallery, Blandford Forum, purchased by the vendor’s family in 1998. £200­300

‡ 284 Richard Batterham (1936­2021) a stoneware Sugar jar and cover, with incised border, covered to the foot with an ash glaze, and another smaller, unsigned, 18cm. high (4)

283

284

Provenance Crafts Council shop Private collection. £200­300

‡ 285 Richard Batterham (1936­2021) a salt­glaze stoneware cut­sided bottle, the neck and shoulder with running ash glaze unsigned 15.5cm. high Provenance Purchased from Richard Batterham at the Durweston Pottery in 1979. £150­250

‡ 286 Richard Batterham (1936­2021) a stoneware cut­sided flower bottle, unsigned 15.5cm. high

286

285

Provenance Richard Batterham, Durweston Pottery purchased by the vendor’s family from the potter in 1979. £150­250

‡ 287 Richard Batterham (1936­2021) a large stoneware teapot and cover, with chattering band, covered in an ash glaze unsigned, painted cobalt mark 17.5cm. high, (2) Provenance Purchased from Wells Cathedral exhibition (paper label). £200­300

287 83

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‡ 288 Richard Batterham (1936­2021) a stoneware beaten jar and cover, with incised line decoration, covered in an ash glaze unsigned, painted cobalt mark, 22cm. high (2) Provenance Purchased directly from the potter £150­250

288

‡ 289 Richard Batterham (1936­2021) a large fluted stoneware caddy and cover, covered with an ash glaze, unsigned 29.5cm. high (2) £500­1,000 ‡ 290 Richard Batterham (1936­2021) a ribbed stoneware beer jar and cover with lug handles, covered in an ash glaze unsigned, cover repaired 40cm. high (2) £500­1,000 ‡ 291 Richard Batterham (1936­2021) a stoneware bottle, covered with a running ash glaze to the foot unsigned 42cm. high £300­500

289

290 84

291

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293 292

‡ 292 Jim Malone (born 1946) an Ainstable Pottery stoneware bowl, on shallow foot, painted with simple grass motif to outside and well in tenmoku on a brushed hakeme impressed seal marks, 26cm. diam, 12.5cm. high Provenance Auction Atrium, lot 15305. £150­250 ‡ 293 Henry Hammond (1914­1989) a stoneware footed tea bowl, glazed to the foot with a speckled ash glaze, painted simple grass motif in tenmoku, impressed seal mark to foot, 8cm. high

294

Provenance Oxford Gallery, purchased by the vendor’s family in 1983. £150­200 ‡ 294 Henry Hammond (1914­1989) a stoneware bowl, footed, flaring conical form, painted to the exterior with grasses, in iron on a mottled tan glaze, the interior well with circle motif in iron and cobalt, impressed seal mark, 21cm. diam.

10cm. high £200­300 ‡ 295 Henry Hammond (1914­1989) a stoneware slab vase, rectangular section with collar rim, painted with simple tenmoku brushed lines on an olive, ash glaze, impressed seal mark, 17cm. high Provenance Contemporary Ceramics, Bonhams, 25th March 1992 lot 94. £150­250 295 85

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296

297

‡ 296 Bernard Leach CBE, (1887­1979), attributed a Leach Pottery stoneware bowl, footed, flaring conical form, painted with a simple brush motif in tenmoku on a celadon ground, and a stoneware jar and cover by Mike Dodd, impressed Leach Pottery mark 23.5cm. diam. (3) £100­200

298

‡ 297 Leach Pottery a stoneware pourer and cover, covered in a textured tenmoku glaze, and a Leach Pottery footed bowl covered in a celadon glaze, impressed seal mark 13cm high (pourer), (3) £120­180 ‡ 298 Shinsaku Hamada (born 1929) attributed a stoneware vase, ovoid with collar rim, covered in a cobalt blue glaze over grey slip unsigned 15cm. high Provenance Given to the vendor by the Hamada Studio in 1995. £200­400 ‡ 299 Shoji Hamada, (1894­1978) attributed a stoneware bottle vase, rectangular with curved sides, painted with simple green brushed cross on tenmoku, unsigned 24.5cm. high Literature Susan Peterson Shoji Hamada A Potters Way & Work, A & CB, page 230 for a photograph of Hamada examining pots including a similar curved vase (foreground).

Provenance From the collection of Dr Jonathan Mirsky (1932­2021). Dr Mirsky was an America journalist and historian of China.

299

86

£300­500

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‡ 300 Bernard Leach CBE (1887­1979) a Leach Pottery stoneware vase, waisted cylindrical form, painted with a simple ash glaze, painted with a simple orchid stem in tenmoku impressed seal marks, 15cm,. high £300­500

‡ 301 Bernard Leach CBE (1887­1979) a Leach Pottery stoneware cut­sided vase, hexagonal section with inverted rim, incised lightly to alternate panels with simple wavy line motif, covered in a tenmoku glaze, impressed seal marks, 20.5cm. high Provenance Purchased from the Leach Gallery, 1974.

Literature Bernard Leach, Hamada & Their Circle, Phaidon, page 78, catalogue number 75 for a shorter example, glazed white, kept by Bernard Leach in his room in St Ives. £1,000­2,000

‡ 302 Bernard Leach, CBE (1887­1979), attributed two Leach Pottery four tile panels, one painted with a snake attacking a turtle opposite a snail tile, the other panel with a bird feeding its young in a nest opposite a snail tile, in cobalt and brown on a a buff ground, each tile panel with two plain tiles, framed in oak, painted Leach pottery seal mark to two of the tiles, impressed marks to reverse (concealed) 9.5 x 9cm (tiles), 29 x 28.5cm (frame size), (2)

300

Literature Bernard Leach Potter and Artist, Crafts Council, page 44 catalogue number 27 for a pen and wash drawing of the bird feeding its young by Bernard Leach, dated 1935.

Exhibition of the Art of Bernard Leach, page 60 catalogue number 31 for a comparable snail tile. £400­600

302 301

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‡ 303 Shoji Hamada (1894­1978) a stoneware jug, bellied form, covered with a speckled sage green glaze to the foot, painted khaki green diagonal motif, unsigned 23.5cm. high Literature Shoji Hamada, Master Potter Lund Humphries/Ditchling Museum, page 63, catalogue number 34, this actual jug illustrated. £800­1,200

88

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‡ 304 Shoji Hamada (1894­1978) stoneware square dish, resist decorated with kaki over an ash celadon ground, unsigned, repaired rim, 32 x 31cm. £1,000­2,000 304

‡ 305 Shoji Hamada (1894­1978) a stoneware plate, decorated to the well with kaki resist grass motif, unsigned 27.5cm. diam. £800­1,200

305 89

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307

306

‡ 306 Janet Leach (1918­1997) a Leach Pottery stoneware vase, shouldered form with flaring neck and loop handles, painted with simple brush stroke in brown and off­white, the interior glazed, impressed seal marks, 20.5cm. high

‡ 309 David Leach OBE (1911­2005) a Lowerdown Pottery teapot and cover, stoneware, painted with a foxglove motif in tenmoku, and a Lowerdown Pottery cut­sided porcelain bowl covered in a celadon glaze impressed seal mark 15.5cm. high (3)

Provenance Purchased from Janet Leach directly by the vendor’s family in 1977.

Provenance David Leach, purchased by the vendor directly.

£300­500

Literature David Leach A Potter’s Life, page 18 (teapot) and page 2 (cut­sided bowl) illustrated.

‡ 307 Janet Leach (1918­1997) a Leach Pottery stoneware vase with lug handles, shouldered form with waisted cylindrical neck, painted brush stroke design in brown and off­white, the interior glazed impressed seal marks, 20.5cm. high Provenance Purchased from Janet Leach directly by the vendor’s family in 1977. £300­500 ‡ 308 Janet Leach (1918­1997) a Leach Pottery squashed stoneware pot, the body incised with irregular bands, glazed brown with ash glaze to the top rim and interior, impressed seal marks, 16.5cm. high £200­300

308

£200­400 ‡ 310 David Leach OBE (1911­2005) a Lowerdown Pottery red earthenware vase, waisted cylindrical form, covered in a speckled tin­glaze mushroom ground, impressed seal mark, 19cm. high Literature Emmanuel Cooper & Kathy Niblett David Leach, Richard Dennis Publications, page 84 catalogue number 29 for a comparable form illustrated. £150­250 ‡ 311 David Leach OBE (1911­2005) a Lowerdown Pottery cut­sided footed vase, covered to the foot in a yellow celadon glaze, impressed seal mark 13cm. high Provenance David Leach, purchased by the vendor’s family directly in 1980. £150­200 ‡ 312 David Leach OBE (1911­2005) a Lowerdown Pottery cut­sided footed vase, covered to the foot in a yellow celadon glaze, impressed seal mark 12.5cm. high

309

311

Literature Emmanuel Cooper and Kathy Niblett, David Leach, Richard Dennis Publications, page 95 catalogue number 73 for a comparable piece with a yellow celadon glaze.

Provenance David Leach, purchased by the vendor’s family directly in 1980. £150­250

90

310

312

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313

314

‡ 313 David Leach OBE (1911­2005) a Lowerdown Pottery vase, square section, painted with a willow tree design in tenmoku and blue, with iron red spots, on a speckled ash glaze impressed seal mark, 16.5cm. high £120­180 ‡ 314 David Leach OBE (1911­2005) a Lowerdown Pottery stoneware tea caddy and cover, painted with simple flowerhead motif in tenmoku and cobalt blue on a speckled ash glaze impressed Lowerdown mark, 14cm. high, (2)

315

£120­180 ‡ 315 David Leach OBE (1911­2005) a tall stoneware bottle vase, with flaring rim, decorated with simple brush stroke in ilmenite over rich tenmoku glaze, impressed seal mark 45.5cm. high Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis Publications, page 107 plate 106 for a comparable vase. £350­450 ‡ 316 David Leach OBE (1911­2005) a porcelain bottle, shouldered, with a flaring rim, incised comb decoration, covered in ilmenite over tenmoku glaze impressed seal mark, 25.5cm. high Provenance Contemporary Ceramics, Christie’s King Street, 21st November 1988 lot 6.

Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis, page 107 catalogue number 106 for a comparable example illustrated. £250­300

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‡ 317 Svend Bayer (born 1946) a stoneware vase with four loop handles, covered in a running translucent white glaze over terracotta and sand ground, incised SV and III 28cm. high £150­250 ‡ 318 Svend Bayer (born 1946) a wood­fired stoneware jar and cover, with applied twin­ handles, simple incised motif, glazed matt mushroom and pale grey unsigned, 30.5cm. high (2) 317

318

£200­300 ‡ 318A Mick Casson OBE (1925­2003) a salt­glaze stoneware jug, cylindrical with applied handle, the glaze with green brushstroke design impressed seal mark, 20.5cm. high £120­180 ‡ 319 Michael Casson OBE (1925­2003) a large salt­glazed stoneware jug, ovoid with applied handle, covered in a splashed glaze, impressed seal mark to handle base 40.5cm. high £200­300

318A

319

‡ 320 Michael Casson OBE (1925­2003) Swimmer Bowl a stoneware bowl, decorated with paper resist and slip areas painted and partially wiped, painted mark to base 15cm. high Provenance Michael Casson, December 4th 1989­January 3rd 1990, Oxford Gallery, catalogue number 59, where purchased by the vendor.

Literature Emmanuel Cooper and Amanda Fielding, Michael Casson, Ruthin Craft Centre, page 70 for a comparable example and page 71 showing the technique. £150­250

320

321

‡ 321 Michael Cardew CBE (1901­1983) an Abuja Pottery plate, decorated to the well with a trailed river motif, the rim a band of radiating lines, in tenmoku on an ash glaze, impressed seal marks, 26.5cm. diam. £120­180 ‡ 322 Michael Cardew CBE (1901­1983) a rare Abuja Pottery fan vase, elliptical section, carved with curved ribs, glazed lavender, turquoise and cream, incise Abuja to base 32cm. wide Provenance Sothebys London July 1983, purchased by the vendor and stated to be one of only two vases in this shape.

92

322

£150­200

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‡ 323 Clive Bowen (born 1943) a tall slipware jug, earthenware bellied body with applied handle, covered with a speckled yellow glaze and zig­zag band to foot, and a bowl by Clive Bowen, decorated with a geometric design to the well, glazed pale yellow unsigned 42cm. high, (2) £150­200 ‡ 324 Clive Bowen (born 1943) a wood­fired earthenware jar and cover, decorated with a simple brushed and slip design in brown on a yellow ground, unsigned 34.5cm. high (2)

323

£150­250 ‡ 325 Clive Bowen (born 1943) a tall bellied earthenware jug, slip decorated with simple grass motif, in rust and green on a chestnut brown ground, and a pot and cover, unsigned, 30cm. high (3)

324

£150­200 ‡ 326 Clive Bowen (born 1943) a large slipware jug, shouldered form, slip decorated with simple brush motif in yellow on a chestnut brown ground, unsigned 33cm. high Provenance Purchased from Clive Bowen directly by the vendor.

325

326

£120­180 ‡ 327 Clive Bowen (born 1943) a wood­fired earthenware jug, bellied form, brushed design in green on a graduated yellow to ochre ground, and a jar and cover by Clive Bowen decorated with leaping fish, unsigned, 29cm. high, (3)

327

£150­250 ‡ 328 Dylan Bowen (born 1967) a large earthenware wall plaque, with raised rim, slip decorated with a simple loop design in yellow on a matt ground, painted signature 46cm. diam. £150­200

328

‡ 329 Dylan Bowen (born 1967) a large earthenware wall plaque, circular with raised rim, slip decorated in green on a chestnut brown ground, painted signature 45cm. diam. £150­200

329

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‡ 330 Mike Dodd (born 1943) a single­handled flattened vase, covered in a broken ash glaze, resist decorated and incised with a simple grass motif, and another decorated with berry and branch motif, impressed seal mark to both 18cm. high (2) £150­200

330

331

‡ 331 Mike Dodd (born 1943) a stoneware vase with loop handles, covered in a broken ash glaze, resist decorated with panels, and another single­handled vase by Mike Dodd, impressed seal marks to both vases 18cm. high, (2) £150­200 ‡ 332 Mike Dodd (born 1943) a stoneware one handled bottle vase, flattened, shouldered form, covered in a thick, broken slip peat clay glaze to the foot, incised with a simple grass motif, impressed seal mark, 22cm. high £120­180

332

333

‡ 333 Mike Dodd (born 1943) a stoneware vase, ovoid with collar rim, covered to the foot with a broken celadon ash glaze resist decorated and trailed with columns, and another cut­sided stoneware vase by Mike Dodd, impressed seal mark to both vases 17.5cm. high, (2) £150­200 ‡ 334 Jim Malone (born 1946) a stoneware vase, shouldered form with flattened sides, incised with simple grass motif, glazed in nuka and green ash, impressed seal mark, 20.5cm. high

335

£200­400 ‡ 335 Mike Dodd (born 1943) stoneware butter dish and cover, domed octagonal cover on circular dish, incised with foliate motif, covered in an ash glaze, impressed seal mark to base 13cm. high (2) £120­180

334

‡ 336 Mike Dodd (born 1943) a fluted stoneware vase, shouldered form covered to the foot with a kaki glaze, the shoulder with nuka, impressed seal flooded 20cm. high £120­180

94

336

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‡ 337 Mike Dodd (Born 1943) a fluted stoneware vase, covered with a running ash glaze to the foot, impressed seal mark 48cm. high £150­250 ‡ 338 Mike Dodd (born 1943) a tall stoneware bottle vase with collar rim, covered to the foot with Peat clay and ash with river iron, finger swipes to foot, impressed seal mark 48.5cm. high £200­300 ‡ 339 Mike Dodd (born 1943) a stoneware vase, shouldered form with collar rim, impressed chevron panel design, glazed to the foot in speckled ash impressed seal mark, 35cm. high £150­200 ‡ 340 Mike Dodd (born 1943) a cut­sided stoneware vase, shouldered form, covered to the foot with ash glaze, the shoulder translucent lavender glaze, impressed seal mark 30.5cm. high

337

£150­200

338

339

340 95

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‡ 341 William ‘Bill’ Marshall (1923­2007) a slab built stoneware bottle vase, flaring rectangular form, pale celadon glaze with green brushed design, to the foot, the reverse with tenmoku brush, impressed seal mark, 28.5cm. high £200­300 341 both sides

342 both sides

‡ 342 William ‘Bill’ Marshall (1923­2007) a stoneware bottle vase, flattened, bottle form, painted with grass motif over brushed translucent glaze, impressed seal mark 31.5cm. high £400­600

‡ 343 William ‘Bill’ Marshall (1923­2007) a tall stoneware vase, cylindrical form with inverted rim, impressed decoration, covered in a tenmoku glaze to the foot impressed seal mark, 37.5cm. high £400­600 96

343

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‡ 344 Jim Malone (born 1946) a large Ainstable Pottery stoneware bowl, covered in a thick brushed hakeme glaze with blue and iron painted foliage sprays, impressed seal marks, 32cm. diam.

18cm. high Provenance Purchased directly from the potter.

344

£300­500

‡ 345 Mike Dodd (born 1943) a stoneware vase, waisted, shouldered form with collar rim, covered in a thick ash glaze, painted with simple grass stem in cobalt blue, impressed seal mark, 26.5cm. high £150­200 345

‡ 346 William ‘Bill’ Marshall (1923­2007) a slab built stoneware bottle vase, painted with grasses in tenmoku on a hakeme glaze, impressed seal mark, paper number 18 exhibition label 29cm. high £300­400

346

97

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‡ 347 Phil Rogers (1951­2020) a salt­glaze stoneware jug, waisted form, with impressed repeat design, covered in a rich salt­glaze, impressed seal mark to side, 20.5cm. high Provenance Purchased from the potter directly by the vendor. £120­180 ‡ 348 Phil Rogers (1951­2020) salt­glaze stoneware vase shouldered form with tapering neck, impressed hatch design, covered in an ash glaze, impressed seal marks, 28.5cm. high

347 both sides

£200­300 ‡ 349 Jim Malone (born 1946) a cut­sided stoneware vase, shouldered form, the body glazed tenmoku over ash, impressed seal mark 23cm. high £150­250 ‡ 350 Mike Dodd (born 1943) a pilgrim bottle, covered to the foot in a broken ash glaze, with incised cross motif, impressed seal mark, 25cm. high £120­180 ‡ 351 Phil Rogers (1951­2020) a stoneware dish, circular with textured well, covered with a speckled ash glaze and simple brushed green cross impressed seal mark, 30cm. diam.

348

349

£120­180 ‡ 352 Phil Rogers (1951­2020) a porcelain unomi, dated 2005, waisted, footed form, covered in a running ash glaze, another smaller and a cut­sided stoneware bowl by Phil Rogers, impressed seal marks to all, paper label to main unomi stating made May 2005 9cm. high, 11.5cm. diam. (3) Provenance Purchased from the potter directly by the vendor. £150­200

350 98

351

352

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353 ‡ 353 Jim Malone (born 1946) an Ainstable Pottery stoneware unomi, cut­sided on shallow foot, resist decorated in tenmoku over ash glaze, and another stoneware unomi by Jim Malone, impressed seal marks, 10.5cm. high, (2) £150­250 ‡ 354 Phil Rogers (1951­2020) a cut­sided vase, shouldered form, covered in an ash glaze to the foot, impressed seal mark 28cm. high

354

355

356

357

358

359

£150­200 ‡ 355 Phil Rogers (1951­2020) a salt­glaze stoneware bottle with impressed holes, impressed seal mark, 18cm. high £150­250 ‡ 356 Phil Rogers (1951­2020) a stoneware bottle vase, swollen, shouldered form, covered with a tenmoku glaze, with simple painted pale blue stripes, the neck highlighted in pale blue impressed seal mark 20.5cm. high £150­200 ‡ 357 Phil Rogers (1951­2020) a squared bottle vase, each side with cut panels, covered to the foot in a speckled ash glaze impressed seal mark, 24.5cm. high £150­200 ‡ 358 Shoji Hamada (1894­1978) manner of a slab built vase, rectangular section with rectangular neck, covered in a tenmoku glaze with green brushed design, the neck with green band unsigned 24cm. high Provenance Design, Woolley and Wallis, 25th May 2021, lot 336. £200­300 ‡ 359 Phil Rogers (1951­2020) a stoneware bottle, square section, covered with an ash glaze with finger wiped decoration to each side, impressed seal mark 23cm. high Provenance Purchased from the potter directly by the vendor. £200­400

99

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‡ 360 Lowerdown Pottery a tall stoneware jug, tapering banded form, covered in a tenmoku glaze to the foot, under a translucent dolomite glaze, impressed Lowerdown seal 28cm. high £150­200 ‡ 361 Phil Rogers (1951­2020) a stoneware jug, shouldered form with bands and incised mofit, covered in an ash glaze impressed seal mark 28cm. high Provenance Purchased from the potter directly by the vendor.

360

£150­250

361

‡ 362 Phil Rogers (1951­2020) a stoneware cylindrical vase, covered in an ash glaze, and a waisted jug by Phil Rogers impressed seal marks, 18.3cm. high (2) £200­300 ‡ 363 Phil Rogers (1951­2020) a stoneware vase with applied handles, shouldered form, with incised combed decoration, covered in an ash glaze, impressed seal mark, 26cm. high Provenance Purchased from the potter directly by the vendor. £150­250

362

363

‡ 364 Clive Bowen (born 1943) an earthenware charger, decorated to the rim with a trellis design with green splashes, under honeyglaze, unsigned 39cm. diam. £150­250 ‡ 365 Steve Harrison (born 1967) a salt­glaze stoneware bowl with knobs, dated 1997, circular with impressed rim, covered in a blue salt­glaze impressed seal mark to interior, dated 1997 19cm. wide £120­180

364

‡ 366 Nic Collins (born 1958) a salt­glaze stoneware dish, square section on four feet, with pooled green glaze to one corner, incised Nic Collins 21.5cm. square £120­180

365 100

366

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367

368

‡ 367 Derek Davis (1926­2008) a stoneware ovoid vase with small aperture, covered in a running green glaze over lavender spots painted signature 21.5cm. high £120­180 ‡ 368 Robin Welch (1936­2019) ovoid pot, stoneware, with white crackled glaze band to the shoulder, with irregular aperture and pierced holes, and matt black band to base, textured surface impressed Robin Welch, 12cm. high

369

Provenance Private collection. £150­200 ‡ 369 Robin Welch (1936­2019) a tall cylindrical vase, glazed to the lower half with a celadon glaze with iron spots, impressed Robin Welch Pottery, cracked 47cm. high £80­120 ‡ 370 Robin Welch (1936­2019) sack form vase with flaring rim, 1987 stoneware slabs with applied yellow and white glaze panels and slip, the base with cobalt blue spots impressed Robin Welch 1987 48cm. high Provenance Private collection. £300­500 370 101

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372 ‡ 371 Alan Wallwork (1931­2019) a large stoneware segment, incised and glazed in colours incised AW monogram 30cm wide 21cm high

371

£200­300 ‡ 372 Alan Wallwork (1931­2019) a small stoneware segment, incised and glazed in colours incised AW monogram 15.5cm. wide 9cm. high £120­180 ‡ 373 Alan Wallwork (1931­2019) a stoneware poppy­head vase, carved aperture and decoration, covered to the foot in a speckled off­white glaze, incised AW mark, applied paper label 11.5cm. high

373

£200­300 375

‡ 374 Alan Wallwork (1931­2019) a stoneware pebble, with pierced aperture, covered in a burnished cream and ochre glaze, incised AW mark 10cm. wide £150­200

374

‡ 375 Alan Wallwork (1931­2019) a stoneware ovoid vase, flattened form with irregular pierced aperture, covered in a banded white and grey glaze incised AW mark 14cm. high £250­300 ‡ 376 Alan Wallwork (1931­2019) Split Form a stoneware vase, glazed in silver­grey with light purple patches, incised AW 21cm. high £200­300 376 102

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‡ 377 Mai Yeong coiled vessel, ovoid with swollen, solifleur neck, textured glaze impressed seal mark, 28.5cm. high Provenance Anatol Orient Limited, 1985, by repute £120­180 ‡ 378 Mai Yeong coiled vessel ovoid with angled neck, textured glaze, impressed seal mark, 31cm. high Provenance Anatol Orient Limited, 1985, by repute £120­180

377

378

‡ 379 Mai Yeong coiled vessel, ovoid with angled aperture, textured finish paper label to base 21.5cm. high Provenance Anatol Orient Limited, 1985, by repute £120­180 ‡ 380 Ian Godfrey (1942­1992) a stoneware Antelope pilgrim flask, sack form with modelled handle, glazed celadon to base, and another glazed white with speckles by Ian Godfrey. unsigned 8.5cm. high (2)

379

£150­200 ‡ 381 Ian Godfrey (1942­1992) a stoneware gourd teapot and cover, covered in a bronze glaze to the foot, the shoulder with blue and white, unsigned, 10cm. wide (2)

380 381

£120­180 ‡ 382 Ian Godfrey (1942­1992) a stoneware dish with pierced rim, geometric cut out shapes, glazed matt black over brown, unsigned 23.5cm. diam.

Literature Contemporary Ceramics, Christie’s London, 23rd November 1987 lot 109, for a comparable piece. £250­350

382 two views 103

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‡ 383 Alan Caiger­Smith MBE (1930­2020) an Aldermaston Pottery large bowl, painted to the well with a flower head motif, the exterior an abstract band in yellow and brown on a tin­glaze, and an Aldermaston Pottery jug painted monogram and date mark, bruise to top rim of bowl, 39cm. diam. (2) £150­200 ‡ 384 Alan Caiger­Smith MBE (1930­2020) an Aldermaston Pottery tin glaze earthenware ovoid vase, with solifleur neck, resist decorated with geometric panels in silver­grey, the rim a band of sgraffito lines in a brown band painted artist monogram, date mark 16.5cm. high

383

£200­300

384

385

‡ 385 Edgar Campden (born 1930) an Aldermaston Pottery bowl, painted to the interior with stylised floral band and central radiating leaf motif, in ruby and copper lustre on a tin­glaze, painted monogram, incised E 21cm. diam.

7.5cm. high Provenance Barclaycraft Gallery Brighton, purchased by the vendor’s family in 1981. £120­180 ‡ 386 Alan Caiger­Smith MBE (1930­2020) An Aldermaston Pottery tin­glazed earthenware bowl, slightly elliptical form, glazed to the interior with geometric brushed design in red lustre painted artist monogram, date mark, fine hairline to rim, 28cm. diam.

10.5cm. high £150­200

387

386

‡ 387 Alan Caiger­Smith MBE (1930­2020) Celia, an Aldermaston Pottery low tureen and cover, circular twin­handled form, the cover painted with a hen, the circular finial painted inscription Celia, in brown and blue on a tin glaze, painted ACS monogram, 33cm. wide (2) £150­200

388

‡ 388 Lawrence McGowan (Born 1942) a tin­glaze earthenware jug, painted with a band of birds in blue, brown and green on a grey ground, an Aldermaston Pottery jar and cover, an Aldermaston dish and a large jug, painted marks,11.5cm. high (5) £150­200 ‡ 389 Edgar Campden (born 1930) an Aldermaston Pottery bowl, painted to the interior with a central flowerhead roundel, inside arched border in copper lustre on a red grey ground, painted marks, 21.8cm. diam, 8.5cm. high £120­150

104

389

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‡ 390 Alan Caiger Smith MBE (1930­2020) an Aldermaston Pottery Albarello vase, painted with panels in shades of red and purple lustre, painted artist monogram, 26cm. high Provenance Oxford Gallery, purchased by the vendor’s family in 1980. £300­500

‡ 391 Alan Caiger­Smith MBE (1930­2020) an Aldermaston Pottery Albarello vase from the final exhibition, 1993, waisted cylindrical form with cylindrical neck, painted in golden lustre with stylised flowers, highlighted in ruby lustre on a deep blue ground, painted ACS monogram, applied paper label 27.5cm. high £200­300

‡ 392 Mary Wondrausch OBE (1923­2016) a pottery charger, painted and incised with Adam and Eve in the Garden of Eden, in colours, two smaller and a model of a man riding a cockerel, incised MW signature 42cm. diam. (4)

390

391

£200­300

392

105

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PETER BEARD ‡ 393 Peter Beard (born 1951) a stoneware vase on three feet, tapering cylindrical body with irregular rim, green with inlaid white and blue wavy stripes, impressed seal mark to base 15.5cm. diam.

14cm. high £150­200

394 Peter Beard (born 1951) blue wax resist thrown vessel, decorated with geometric patterning impressed seal marks, 32cm. high 393

£400­600

395 Peter Beard (born 1951) blue wax resist thrown vessel, decorated with geometric pattern impressed seal marks, 22cm. high £800­1,200

394 106

395

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396

397 396 Peter Beard (born 1951) blue wax resist slab vase, impressed seal marks 25cm. high 38cm wide £700­1,000

397 Peter Beard (born 1951) faceted red, white, black and yellow ground vessel, impressed marks 26cm. high £700­1,000

398 Peter Beard (born 1951) black and white ground vessel, impressed seal marks 26.5cm. high £600­1,000

398

107

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DAME LUCIE RIE ‡ 399 Dame Lucie Rie (1902­1995) rare wall pocket vase stoneware, covered in a bronze glaze with sgraffio lines, impressed seal mark, 10.5cm. high £700­900

399

‡ 400 Dame Lucie Rie (1902­1995) a stoneware pot, covered with a pitted bronze manganese glaze, the foot blue with sgraffito radiating lines, and a saucer by Lucie Rie, impressed seal mark, chips to saucer, 7cm. high 12.8cm. diam. (saucer), (2) £120­180

‡ 401 Dame Lucie Rie (1902­1995) a tureen and cover, stoneware, flaring circular form with flat, domed cover with open finial, covered in a bronze glaze with sgraffitio lines to base and radiating lines to cover, the interior pitted grey, impressed seal mark 23.7cm. diam, 15cm. high Literature Lucie Rie & Hans Coper, Potters in Parallel, Barbican Art Gallery, page 60 cat. no. 3.14 for a comparable bowl and cover, circa 1964. £1,000­1,500

400 part

108

401

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‡ 402 Dame Lucie Rie (1902­1995) a footed beaker vase, slender tapering foot with wide bowl, covered in a yellow glaze and running bronze rim, impressed seal mark, chips to base and top rim, 10cm. high £800­1,200

402

‡ 403 Dame Lucie Rie (1902­1995) a large stoneware dish with pulled handle and pierced aperture, covered in a pale grey glaze and manganese rim, impressed seal mark, 25.5cm. wide £600­800

403 109

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‡ 404 Dame Lucie Rie (1902­1995) a porcelain bowl, flaring form on narrow foot, matt terracotta well and foot, covered in a golden glaze impressed seal mark, 15cm. diam, 5cm high Provenance Hambledon Gallery, purchased by the vendor’s family in 1977. £3,000­5,000

110

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‡ 405 Dame Lucie Rie (1902­1995) porcelain footed bowl with bronze rim, covered to the foot in a green glaze, the rim with running bronze glaze, impressed seal mark, 15.5cm. diam.

10cm. high Provenance Beaux Arts Bath, purchased by the vendor’s family in 1983. £15,000­25,000 111

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‡ 406 Dame Lucie Rie (1902­1995) a stoneware shallow bowl or dish, covered in a bright yellow glaze impressed seal mark, 14cm. diam.

3.5cm. high Provenance Hambledon Gallery, Blandford Forum purchased by the vendor’s family in 1977.

406

£1,500­2,000

‡ 407 Dame Lucie Rie (1902­1995) a stoneware shallow bowl or dish, covered in a bright yellow glaze impressed seal mark, 14cm. diam.

3cm. high Provenance Hambledon Gallery, Blandford Forum purchased by the vendor’s family in 1977.

407 112

£1,500­2,000

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‡ 408 Dame Lucie Rie (1902­1995) flaring conical bowl, covered in a pitted lemon yellow matt glaze, the rim with controlled bronze band, impressed seal mark 17.5cm. diam.

6.5cm. high Provenance Contemporary Ceramics, Bonhams, London, 21st March 1991, lot 161.

Private collection. £10,000­15,000

113

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‡ 409 Dame Lucie Rie (1902­1995) a small stoneware conical bowl, covered in a pale translucent blue glaze to the foot, pitted to the exterior, the rim with thin band of manganese, impressed seal mark, 9.3cm. diam.

6cm. high Provenance Sothebys London 13th April 1984, purchased by the vendor’s family. £1,500­2,000

114

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‡ 410 Dame Lucie Rie (1902­1995) a porcelain bowl, flaring conical form, covered in a pitted mint blue and fawn glaze, with running manganese band to rim, impressed seal mark, 23.7cm. diam.

10cm. high Provenance Hambledon Gallery, Blandford Forum, purchased by the vendor’s family in 1976. £3,000­5,000

115

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JOHN MALTBY ‡ 411 John Maltby (1936­2020) a stoneware bowl, painted to the interior with geometric panels in blue and white highlighted with silver, on a speckled grey ground, painted Maltby to base 15.5cm. diam. £200­250

411

‡ 412 John Maltby (1936­2020) a stoneware basket with bamboo handle, enamelled with cobalt flower motif, highlighted in gilt, on a grey chequered ground, impressed seal mark, 15cm. wide £200­300

‡ 413 John Maltby (1936­2020) a stoneware unomi, footed form, painted with red flowers on chequered ash and tenmoku ground, impressed seal mark, 10.5cm. high £150­200

‡ 414 John Maltby (1936­2020) a stoneware footed bowl, painted with panels of stylised flowers in red and black on a blue ground, the interior glazed tenmoku impressed seal mark, 11cm. high, 14cm wide Provenance Purchased from the potter directly.

412

413 116

£200­400

414

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‡ 415 John Maltby (1936­2020) a stoneware kidney shaped dish, painted to the well with cobalt and red flower motif, on a speckled brown ground, the exterior tenmoku, painted Maltby to base 28cm. wide £250­350 415

‡ 416 John Maltby (1936­2020) a large stoneware square plate with raised rim, painted to the well with houses and crosses, in blue, white and black on a speckled oatmeal ground, the rim glazed tenmoku, impressed seal mark, 30cm. square £300­500 416

‡ 417 John Maltby (1936­2020) a large stoneware dish on four feet, rounded rectangular form with textured surface, painted with a large bird flying past houses, in blue, black, white and tan on a black ground, painted Maltby, applied paper exhibition label no.3 44cm wide 31cm deep £500­1,000 417 117

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WALTER KEELER

‡ 418 Walter Keeler (born 1942) a cylindrical jug with pulled rim, applied handle, running green­blue glaze with brown spots, cream interior, impressed seal mark to side 20cm. high £150­200 418 both sides

‡ 419 Walter Keeler (born 1942) a Whieldon Ware jug, glazed ochre, tan and green impressed seal mark, 12.5cm. high £120­180 419 both sides

‡ 420 Walter Keeler (born 1942) a Whieldon Ware jug, glazed ochre, yellow and bottle green impressed seal mark 13cm. high £120­180 420 both sides

118

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‡ 421 Walter Keeler (born 1942) a salt­glaze stoneware articulated jug, covered in a blue glaze impressed seal mark, 28cm. high Literature Emmanuel Cooper & Amanda Fielding Walter Keeler, page 39 for a comparable jug illustrated. £150­200 ‡ 422 Walter Keeler (born 1942) a salt­glazed stoneware teapot and cover, ovoid with swollen neck and over­slung tube handle, covered in a blue­grey glaze impressed seal mark 20.5cm. high (2)

421

Provenance Contemporary Ceramics, Bonhams, 25th March 1992 lot 107. £300­500 ‡ 423 Walter Keeler (born 1942) a salt­glaze stoneware leaning jug, tapering form with applied strap handle, covered in a blue glaze, impressed seal mark to side 22cm. high Provenance Alresford Gallery.

422 both sides

Literature Emmanuel Cooper & Amanda Fielding, Walter Keeler, page 43 for a comparable jug illustrated. £150­200 ‡ 424 Walter Keeler (born 1942) an extruded pourer, covered in a grey glaze, and two mugs by Walter Keeler, glazed grey, one with yellow interior, impressed seal mark to side, 16cm. high, (3) £120­180

423 both sides

‡ 425 Walter Keeler (born 1942) a slender extruded jug and pourer with thorns, covered in a streaked Whieldon glaze splashed blue and brown, impressed seal mark to side, 19.5cm. high, (2) £150­200

424

425

119

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‡ 426 Walter Keeler (born 1942) a Whieldon Ware jug, leaning form, glazed green, tan and black, impressed seal mark 12.5cm. high £120­180 426 both sides

427 both sides ‡ 427 Walter Keeler (born 1942) a salt­glaze stoneware jug, cylindrical form with tall spout and applied handle, mottled blue glaze, impressed seal mark 17cm. high £150­200

‡ 428 Walter Keeler (born 1942) a teapot and cover with thorns, cylindrical form with tube spout and handle applied with thorns, glazed grey impressed seal mark to side, 25cm. wide, 16cm. high, (2) 428 120

£200­300

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‡ 429 James Tower (1919­1988) small bowl, 1979 earthenware on shallow cylindrical foot, resist decorated in green on a grey tin glaze, incised Tower, 79, paper label no.70. fine stress crack to well, 27.5cm. diam.

9cm. high Literature Timothy Wilcox The Ceramic Art of James Tower, Lund Humphries, page 145 catalogue number 70 (whereabouts unknown). £2,000­4,000

121

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430

431

432 ‡ 430 Chris Carter (born 1945) a porcelain tea bowl, on shallow foot, covered in a matt white glaze, the top rim with running bronze band to rim, and another covered in an iron glaze, impressed seal mark to iron tea bowl 11cm. wide (2) £120­180 ‡ 431 Chris Carter (born 1945) a stoneware footed tea bowl, covered with a textured matt blue glaze, the top rim and inside glazed tenmoku, and two other unomi by Chris Carter covered in a textured bronze glaze impressed seal mark, 10cm. high, (3) £150­200

433

434

‡ 432 Chris Carter (born 1945) a pedestal vase, square section with circular aperture, covered in a streaked green, ochre and grey glaze, and a shouldered ovoid vase by Chris Carter, impressed seal mark to both 11cm. high (2) £150­200 ‡ 433 Chris Carter (born 1945) large stoneware vase, ovoid with pulled and shaped top rim, covered in a textured pink, green and silver matt glaze 34cm. high £300­500 ‡ 434 Tanya Gomez (born 1974) a porcelain vase, tapering cylindrical form with pinched rim, covered in a rich dark blue glaze, impressed seal mark, 26.5cm. high Provenance Purchased from Tanya Gomez directly by the vendor. £150­200

435

‡ 435 Antonia Salmon (born 1959) large raku vase, ovoid with carved decoration, white with burnished finish incised monogram 27cm. high £300­500

122

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436

437

‡ 436 Peter Lane (born 1932) a porcelain footed bowl, the flaring body with irregular rim and pierced panels, matt white the rim glazed olive green, incised signature 18.5cm. wide 10.5cm. high

‡ 439 Mary Rogers (born 1929) a footed pinched porcelain bowl, the folded body with irregular rim, matt white with small brown and turquoise spots, incised MER signature 10cm. high 12cm. wide.

Provenance Barclaycraft Gallery, Brighton, purchased by the vendor’s family in 1980.

Literature Jan Axel & Karen McCready Porcelain Traditions and New Visions, Watson Guptill, page 44 for a comparable pinched bowl illustrated.

Literature Peter Lane, Studio Ceramics, Collins, page 161 for a comparable pierced bowl titled ‘Trees’ illustrated. £80­120

‡ 437 Deidre Burnett (born 1939) ovoid porcelain vase with pinched irregular rim, glazed matt white with turquoise and bronze rim, impressed DB seal mark, paper label no.11, 10cm. high Provenance Hambledon Gallery, Blandford Forum purchased by the vendor’s family in 1977. £150­250

‡ 438 Mary Rogers (born 1929) a porcelain ovoid vase, on three small feet, irregular, split top rim, glazed with brown and turquoise spots on a matt white ground, incised MER signature 7.5cm. high Provenance Barclaycraft Gallery, purchased by the vendor’s family in 1979.

438

£200­400

‡ 440 Mary Rogers (born 1929) a porcelain vase on narrow foot, with irregular split top rim, matt white, the rim picked out with manganese, incised MER signature 9cm. high 12.5cm. wide

439

Provenance Oxford Gallery, purchased by the vendor’s family in 1980. £200­300

‡ 441 Sheila Fournier (1930­2000) a porcelain footed bowl with pierced rim, inlaid bronze linear design and back rim, incised SF monogram 12cm. diam.

5cm. high

440

Provenance Barclaycraft Gallery, Brighton, purchased by the vendor’s family in 1979. £100­200

£150­250

441

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PETER HAYES

442 Peter Hayes (born 1946) Bow Form, textured black raku set with copper roundel, on black slate base incised Peter Hayes to base 27cm. high £300­500 442

443 Peter Hayes (born 1946) Jomon vessel hand­built porcelain on raku base incised Peter Hayes to base 21cm. high £250­350

443

‡ 444 Peter Hayes (born 1946) porcelain blade form,2013, with canal clay, on polished slate base, signed Peter Hayes, 2013 to base 20cm. high 21cm. wide £150­200 444 124

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445 Peter Hayes (born 1946) Bone form, resin with porcelain slips, on textured black base incised Peter Hayes to base 23cm. high £150­250

‡ 446 Peter Hayes (born 1946) Hanging form, porcelain and canal clay on polished slate base, incised Peter Hayes to base, 27cm. high (2) £200­300 445

‡ 447 Peter Hayes (born 1946) a stoneware head, dated 2000, weathered finish, on white stone plinth, signed Peter Hayes, 2000 21cm. high £100­200

446

447 125

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‡ 448 Ivo Mosley (born 1951) a large stoneware plate, painted with brush strokes and splashes in blue on a pale blue ground, and another plate by Ivo Mosley painted with yellow brush strokes on a black ground, painted signature to main plate, incised signature to second 36cm. diam. (2) Provenance Crafts Centre, Earlham Street, London, purchased by the vendor’s family in 1984. £100­150 ‡ 449 Janice Tchalenko (1942­2018) a Dartington Pottery tall stoneware jug with applied handle, flaring conical form painted with tulips flowers in red, yellow and green on a speckled grey ground, unsigned 22.5cm. high

448

449

£60­100 ‡ 450 Ken Spooner (born 1942) a pottery unomi with volcanic glaze, in colours, a shallow bowl and an footed unomi by Tony Shields and a Carn Pottery vase incised KS monogram 8.5cm. high, 13cm diam. (Ken Spooner unomi), (4) £120­180 ‡ 451 Ruth Duckworth (1919­2009) a stoneware footed vase, the cylindrical red body with inlaid blue stripes and green panels, irregular rim, painted R, dated 1981, 15cm. high

450

Provenance Oxford Gallery, purchased by the vendor’s family in 1982. £250­350 ‡ 452 Sutton Taylor a porcelain footed bowl, speckled brown on tan to interior, the exterior a burnished metallic glaze, painted St monogram 9cm. high 11.5cm. diam.

451

452

Provenance Oxford Gallery, purchased by the vendor’s family in 1982. £80­120 ‡ 453 Sutton Taylor (born 1943) large footed bowl, lustre decorated with bands of chevron motif in ruby and golden lustre, impressed seal mark, 37.5cm. diam.

20.5cm. high Provenance Contemporary Ceramics, Bonhams, 28th February 1990 lot 14. £400­600

126

453

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455 454 ‡ 454 Kenneth Rowntree (1915­1997) a pottery platter, dated 1983, oval, painted with a simple band of circle and dash motif in white and black, printed factory mark, painted Kenneth Rowntree and dated 1983 40cm. wide. £200­300 ‡ 455 Dylan Bowen (born 1967) an earthenware vase with applied handles, cylindrical form with irregular incised decoration, glazed yellow, cream and brown, painted D Bowen, 21.5cm. high £80­120 ‡ 456 John Hoyland (1934­2011) ceramic platter, 1984 made in Todi, Italy, painted with abstract design in colours, signed JH Todi, 84, 1269, paper label Exch 7, hairline crack to rim 42.5cm. diam.

456

Provenance Oxford Gallery, 1987, purchased by the vendor. £500­800 ‡ 457 Paul Soldner (1921­2011) a stoneware vase, slightly leaning and with flaring rim, painted with brushed black abstract design over pink burnished ground with white, impressed seal mark, 44cm. high £200­400 ‡ 458 Paul Soldner (1921­2011) a stoneware vase, slightly leaning and with flaring rim, painted with brushed black abstract design over white burnished ground with pink, impressed seal mark, paper label PS16 45cm. high £200­400 457

458 127

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‡ 459 Colin Gorry (born 1952) tall stoneware vessel, slender with ovoid body and tall cylindrical neck and flaring split rim, covered in a white volcanic glaze, impressed seal mark, painted A94, 89cm. high Provenance Private collection. £300­500

‡ 460 Angus Suttie (1946­1993) storage jar AS7, 1985 earthenware abstracted jar and cover form, painted signed Angus Suttie dated 1985 to base 33.5cm. high Provenance Craft Shop, Victoria & Albert Museum, purchased by the vendor December 1985. £400­600

‡ 461 Fiona Salazar (born 1949) earthenware vase with burnished decoration with applied slip decoration, signed Fiona Salazar, 25cm. high Provenance Contemporary Ceramics, Bonhams 27th February 1989, lot 218.

Private collection.

Literature Victoria & Albert Museum, C.44­1985, for a comparable example bought from British Crafts Council.

459

460 128

£300­500

461

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462 464

463 ‡ 462 Suzanne Bergne (born 1939) flaring conical bowl, porcelain with painted and poured decoration, in pink and mushroom on a white ground to interior and exterior, impressed seal mark, 21cm. high Provenance Amalgam Gallery Private collection. £150­200 ‡ 463 Mo Jupp (1938­2012) porcelain plaque, framed signed and numbered 2/20 9 x 5cm.

Provenance Hot Off The Press, 1996 £100­200 ‡ 464 Mo Jupp (1938­2012) Helmet form, stoneware on metal and stoneware base incised marks, paper no.2 label 15.5cm. high Provenance Purchased from the Ashmolean Museum when Mo Jupp held a masterclass. £150­200 ‡ 465 Mo Jupp (1938­2012) standing figure a hand built figure glazed white, on wooden base, 51cm. high Provenance Maltby Gallery, Winchester. £1,000­1,500 465

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‡ 466 Colin Pearson (1923­2007) an early stoneware vase, shouldered form, covered in a dark chestnut brown and blue glaze, and two other early vases

by Colin Pearson, impressed seal marks, 31cm. high (3) £200­300

466

‡ 467 Glyn Hugo (born 1934) a stoneware vase, tapering form with wide flaring rim, glazed matt black with bronze bands, and five other studio pots incised signature, 18cm. high (6)

467

£120­180 ‡ 468 Sandy Brown (born 1946) a large teapot and cover, ovoid with incised and painted decoration, incised Sandy Brown signature 23cm. high (2) £150­200

469

468

‡ 469 Paul Jackson (born 1954) a jug and mug dated 1999, each painted with a naked woman, in colours painted signature and date to mug 23.5cm. high (jug), (2) £120­180 ‡ 470 Gordon Cooke (born 1949) twin­handled vase porcelain, slender form with scrolling handles, glazed with textured blue bands, and another porcelain solifleur vase by Gordon Cooke impressed seal mark to twin-handled vase, 33cm. high, (2) £150­200

470

471

‡ 471 John Kershaw (born 1940) a stoneware vase with twin­handles, applied decorative band, glazed with volcanic cream glazed with green and pink splashes, and two other vases by John Kershaw, applied label, 29.5cm. high, (3) £120­180 ‡ 472 Roger Cockram (born 1947) Salmon Run stoneware vase and cover, modelled and incised with a fish swimming in a stream, the cover with a fish finial incised signature, impressed seal marks, 38cm. high (2) £150­200

130

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‡ 473 Jack Doherty (born 1948) a flaring conical porcelain bowl, with impressed comb design, covered in a soda vapour glaze, impressed seal mark, 23.5cm. diam.

13cm. high £150­250 ‡ 474 Jack Doherty (born 1948) a swollen jug, trailed incised design covered in a soda vapour glaze impressed seal mark 27cm. high

473

£150­250 474

‡ 475 Jack Doherty (born 1948) a tall soda­fired porcelain vase, 2017 cylindrical form on flaring foot, covered in a burnished blue glaze impressed seal mark, applied paper label no.3 70cm. high Catalogue notes This vase was made as part of an installation group for an exhibition at Newlyn Art Gallery in 2017. £200­300 ‡ 476 Mary Rich (1940­2022) solifleur vase a tall porcelain solifleur vase, shouldered form, decorated with gilt bands over blue, impressed seal mark 20cm. high £120­180 ‡ 477 Mary Rich (1940­2022) a porcelain bottle vase, shouldered form with flaring neck, covered with black, tan and pale turquoise bands, a teapot and cover, a box and cover and eleven other miniature vases all by Mary Rich impressed seal mark, re-stuck rim to one vase 14.5cm. high (16)

476

475

Provenance Salcombe Gallery Private collection. £300­500 ‡ 478 Mary Rich (1940­2022) a porcelain vase, swollen, shouldered form with flaring rim, painted with blue and brown bands, two teapots and covers, two boxes and covers, a small vase and eight miniature vases all by Mary Rich impressed seal mark, 9.2cm. high (18)

477

Provenance Salcombe Gallery Private collection. £300­500

478

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479 part

‡ 479 Lisa Hammond MBE (born 1956) a stoneware unomi, footed, irregular form, covered to the foot with a tan and ash soda glaze, a teapot by Marek Liska, with three interchangeable covers, a vase with two arms

by Marek Liska, a vase by Barry Steadman, and a vase by Vera Tollow and four other pieces, impressed seal mark 8.5cm. high, (12) Provenance Rising Stars 2019, New Ashgate Gallery, purchased by the vendor (Marek Liska). £150­200 480

481

‡ 480 Joanna Constantinidis (1927­2000) cylindrical vase, elliptical form with burnished surface and fine brushed line design, impressed seal mark, 13.5cm. high £300­400 ‡ 481 Joanna Constantinidis (1927­2000) stoneware box and cover, domed chest­like form, covered in an ash glaze, impressed seal mark, 10cm. wide (2) £150­200 ‡ 482 Dan Kelly (born 1953) a large squeezed vessel with cut sides, elliptical form, painted with blue and white panels dissected with yellow lines, over grey slip unsigned 50cm. high £300­500 ‡ 483 Angelika & Gerd Panten a tall crystalline glaze porcelain vase, tapering cylindrical form, covered in a purple crystalline glaze, signed with monogram 49.5cm. high Provenance The Maltings, Farnham.

Private collection.

482 132

483

£120­180

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484

‡ 484 Kate Malone MBE (born 1959) Baby Bud Alice Topiary Vase, (KM1854), 2016 crystalline glazed stoneware and porcelain, incised signature and date 9.5cm. high

485

Provenance Adrian Sassoon.

Private collection. £500­1,000

‡ 485 James Campbell (1942­2019) a large earthenware footed bowl, painted and incised with a fish to the well, in shades of blue and pink on a translucent white ground, incised Campbell 94-93 42cm diam, 13cm. high Provenance Private collection, £300­500

‡ 486 James Campbell (1942­2019) an earthenware Slim Jim jug, angled form, painted and incised with a Scottish coastal scene of a castle in the distance, a large black bird in the foreground, in colours on a cream ground, incised Campbell 98-81 32cm. high Provenance Alphahouse Gallery, Sherborne 2000. £200­300 486 133

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‡ 487 Ewen Henderson (1934­2000) stoneware sculpture with applied slips, unsigned, losses and repairs, 34cm wide 27cm. high Provenance Purchased from the artist directly £200­300

‡ 488 Ewen Henderson (1934­2000) standing, twisted form, a stoneware vase with applied laminate clay slip, unsigned 15.5cm. high £300­500

487

‡ 489 Ewen Henderson (1934­2000) a stoneware bowl, with brushed and applied pink and white slips, unsigned, 25cm. wide Provenance Beaux Arts, Bath, purchased in 1981 by the vendor’s family. £300­500

489 488

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‡ 490 Gordon Baldwin (born 1932) Bowl with apples, the footed bowl with one apple attached, glazed white, with a loose apple glazed green unsigned 23.5cm. diam.

Provenance Purchased from the artist directly £300­500 ‡ 491 Gordon Baldwin (born 1932) Vessel, 1978 blue and purple metallic glaze over white incised GB and 78 30cm. high

490

Provenance Purchased from the artist directly £400­600 ‡ 492 Gordon Baldwin (born 1932) Vessel, 1975 covered in a white glaze incised GB and 75, small flat nick to rim, 24cm. high £300­500 ‡ 493 Gordon Baldwin (born 1932) Vessel angled tube and flanges, painted unsigned, repair to one flange 36.5cm. high Provenance Purchased from the artist directly

491

£300­500

492

493 135

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‡ 494 Gordon Baldwin (born 1932) Leaning Vessel, 2001 earthenware glazed black, incised GB, 2001, paper label 10/8 63cm. high Provenance Purchased from the artist directly Private collection. £1,000­2,000 136

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‡ 495 John Ward (born 1938) Tulip vase hand­built stoneware vase with black and white panels, impressed seal mark, 27cm. high Provenance Amalgam Gallery, 1995 Private collection £5,000­8,000 137

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‡ 496 John Ward (born 1938) ovoid vase with angled rim, hand built stoneware, off­white with blue/green stripes, impressed seal mark, 17.5cm. high Provenance Private collection Literature Emma Crichton­Miller, The Pottery of John Ward, Lund Humphries, page 54­55 for comparable examples. £3,000­5,000

496

‡ 497 John Ward (born 1938) a hand­built stoneware vase, ovoid with cut rim, matt white with fawn, impressed seal mark, 19.5cm. high Provenance Beaux Arts, Bath, purchased by the vendor’s family in 1981. £1,500­2,000 497

138

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‡ 498 Edmund de Waal (born 1964) a porcelain cannister and cover, impressed design with flambe highlights on a pale celadon ground, impressed seal mark, 13cm. high (2) £3,000­5,000

139

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‡ 499 Edmund de Waal (born 1964) a coffee can and saucer, cylindrical with impressed decoration, covered in a pale blue celadon, impressed seal mark to can 7cm. high (2) £200­300

499

‡ 500 Edmund de Waal (born 1964) a porcelain teapot and cover, cylindrical with torn rim, covered in a pale blue celadon glaze, with twisted wire handle, impressed seal mark, 10.5cm. high (teapot), (2) Provenance Art in Action, purchased by the vendor from Edmund de Waal directly.

Private collection. £1,500­2,000

500 140

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‡ 501 Emmanuel Cooper OBE (1938­2012) stoneware jug form pitted lavender on tan impressed seal mark 20cm. high £1,500­2,000

141

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‡ 502 Emmanuel Cooper OBE (1938­2012) a flaring conical bowl, covered in a yellow glaze with golden splashes, impressed seal mark, 12cm. high Provenance The Fine Art Society, 2003.

Private collection. £400­600 502

‡ 503 Emmanuel Cooper OBE (1938­2012) a porcelain footed vase, covered in a matt duck­egg blue glaze, the rim with band of running manganese, impressed seal marks to foot rim, 12cm. high 14cm diam.

Provenance Beaux Arts Bath, purchased by the vendor’s family in 1981. £500­1,000 503

142

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504

505

ANTHONY THEAKSTON ‡ 504 Anthony Theakston (born 1965) Kingfishers salt­glazed stoneware cruet set incised AT 12cm. high, (2) £150­200 ‡ 505 Anthony Theakston (born 1965) Puffins salt­glazed stoneware cruet set incised AT 11cm. high, (2)

506

£150­200 ‡ 506 Anthony Theakston (born 1965) Swan, salt­glaze stoneware limited edition, in presentation box, incised signature, 40/100 15.5cm. wide £200­300 ‡ 507 Anthony Theakston (born 1965) Sideways Owl salt­glazed stoneware owl sculpture on drum base, incised signature to base 20cm. high £800­1,200

507

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508 two views

‡ 508 Takeshi Yasuda (born 1943) a dish on five feet, covered in a Sancai glaze unsigned 32.5cm. diam.

6.5cm. high £300­500

509

‡ 509 Takeshi Yasuda (born 1943) a stoneware pedestal on three feet, covered in a Sansai glaze, signed to paper label, 18cm. high, 23cm diam. £300­500

‡ 510 Takeshi Yasuda (born 1943) a small stoneware dish with applied handle, covered in an ash glaze with hakeme splashes impressed seal mark to handle, small chip to handle edge 20cm. wide £120­180

510 144

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511

512

‡ 511 Aki Moriuchi (born 1947) a stoneware vase, shouldered form with flaring rim, covered in a volcanic white and grey glaze running to the foot, impressed seal mark, 16cm. high £150­200 ‡ 512 Kyra Cane (born 1962) stoneware vase with handle, incised and impressed decoration, covered in a soda glaze incised Kyra 22.5cm. high £120­180 513 Ian Morrison (born 1985) a very large Knighton Mill Pottery stoneware jar, thrown in three parts, covered in a silver­grey ash glaze, signed to the base and impressed seal mark, 72cm. high Catalogue notes One off signed piece fired in 2019 £600­1,000

513 145

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‡ 514 Akiko Hirai (born 1970) a large stoneware charger, covered in a splitting celadon glaze with spots and pink blush painted monogram 40cm. diam. £500­800 ‡ 515 Akiko Hirai (born 1970) a stoneware blue drop vase, slender, footed form with flaring neck, covered in a pale grey glaze with ash running motif, painted monogram 24.5cm. high £300­400 ‡ 516 Akiko Hirai (born 1970) a large stoneware Crackle plate, with brushed band and translucent speckled glaze, incised monogram 32.5cm. diam.

514

£200­300 515

‡ 517 Akiko Hirai (born 1970) a stoneware dry Kohiki flower mug, cylindrical with textured surface, glazed blue/grey, painted monogram 9cm. high £120­180 ‡ 518 Akiko Hirai (born 1970) a stoneware bowl, covered in a pitted off white glaze indistinct incised monogram 18.5cm. diam.

Provenance New Ashgate Gallery, Farnham £150­200

517 516

‡ 519 Akiko Hirai (born 1970) a stoneware bowl with yellow splash, covered in a matt pale grey glaze, brushed with yellow, the interior glazed grey, painted monogram 12cm. diam.

Provenance New Ashgate Gallery, Farnham. £200­300

518 146

519

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‡ 520 Akiko Hirai (born 1970) Extra Large Moon Jar, 2019 encrusted stoneware with cherry ash glaze, painted monogram 65cm. high Provenance Beaux Arts, Bath, 2019 Private collection.

Literature Victoria & Albert Museum collection catalogue number C33­2019 for a comparable form. £15,000­20,000 147

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‡ 521 Tsubusa Kato (born 1962) a porcelain bowl, elliptical, irregular section, covered to the foot in a pale blue celadon glaze, applied TK3 paper label concealing signature 15cm. wide 6.8cm. high £150­250 521

‡ 522 Tsubusa Kato (born 1962) a porcelain bowl, circular, irregular section, covered to the foot in a pale blue celadon glaze, applied TK46 paper label concealing signature 20cm. diam.

5.5cm. high £200­300

‡ 523 Ryoji Koie (1938­2020) thirteen vases, porcelain with pale celadon glaze, impressed seal mark, painted cobalt mark, 7.5cm. high (tallest), (13)

522

£1,500­2,500

523 148

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DESIGN

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524

GLASS 524 An Italian glass miniature hen, internally set with three glass beads, three other glass animals, six glass vases in the manner of Paolo Martinuzzi and ten glass miniature corked bottles each set with mineral sample, unsigned, 5.5cm. high (20) £200­400

525 An Italian glass vase in the manner of Venini or Paolo Martinuzzi, shouldered square section with textured surface, another similar and seven other miniature glass vases unsigned, 11.5cm. high (9)

525

£200­400

526 A Venini miniature glass vase in the manner of Carlo Scarpa, bottle green glass with applied orange glass rim, and another similar etched Venini Italia to base of both, 8.2cm. high (2) £120­180

527 A Venini glass bottle and stopper designed by Fulvio Bianconi, emerald green glass with three lemon green bands, the stopper a lemon yellow glass sphere, faint circular Venini mark, 41cm. high, (2) Literature Venini Catalogue Raisonne 1921-1986, Skira, page 296 plate 37 for a page from the Catalogue Verde (1969), this design illustrated. £200­300

526 150

527

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528 An etched glass vase by Paolo Martinuzzi, shouldered, rectangular clear glass, etched with stylised figures, etched Martinuzzi Paolo to side, 17cm. wide £500­800

529 An etched glass cylindrical vase by Paolo Martinuzzi, shouldered form, etched with faces, etched Martinuzzi Paolo to base, 22cm. high £300­500 528 530 An etched glass vase by Paolo Martinuzzi, shouldered cylindrical form, etched with circles and line geometric band, another taller cylindrical vase etched with Greek key column by Martinuzzi and a bowl etched Martinuzzi Paolo, 14cm. high (tallest vase), (3) £200­400

531 An etched glass vase by Paolo Martinuzzi, rectangular section, etched with simple geometric design, and a bowl etched with figures by Paolo Martinuzzi, etched Martinuzzi Paolo to base, 11.2cm. high (2) Literature Gian Paolo Martinuzzi­ Venedig, 1975, for a comparable vase. £300­500

529

530

531 151

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532

532 A set of four Tiffany Studios Favrile glass shades, each flaring, fluted form with moulded trellis decoration in low relief, covered in golden lustre, a similar Tiffany Favrile glass shade covered in a green lustre shade, and two candle lights, acid etched LCT mark, minor rim frits, 9cm. high, 17.8cm. wide (7) £800­1,200

533 An Art Deco Delatte metal mounted glass vase by Andre Delatte, mottled orange glass with silver aventurine inclusions, acid etched Delatte mark to shoulder, 14cm. high £150­200

CERAMICS 533

534 An Art Nouveau stoneware ewer by Alexis Boissonnet, cylindrical form, cast in relief with a mask below the handle, covered in a yellow graduated to green crystalline glaze, incised AB to base, 23cm. high Provenance Arts Decoratifs, Styles 1900 et 1925, Sotheby’s Monaco 18th November 1978, lot 132.

Private collection. £300­500

535 A miniature stoneware vase by Auguste Delaherche, shouldered form, covered in a brown glaze, and three other miniature vases, incised DALH 74, 3cm. high (4) £300­400

534 152

535

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536 536 An Art Nouveau Haviland & Co stoneware bowl probably designed by Ernest Chaplet, model no.202, shouldered form, modelled in low relief and incised with a bird perched amongst scrolling, fruiting vine, enamelled in colours on a brown ground, highlighted in gilt impressed factory mark, incised BGR, 28cm. diam.

537

£300­500

537 A Taxile Doat pate de verre plaque, oval, painted with a maiden with diaphanous scarf, signed TD monogram, impressed $ to reverse, 22cm. long £500­1,000

538 An Art Nouveau pottery Peacock dish, cast in relief, glazed in matt colours, and a cylindrical pottery vase enamelled with fleur de lys panels, an Art Nouveau Limoges Elite works plate by Lise, and a Dresden plate factory marks, chips, 27.5cm. wide. (4)

538

£150­200

539 Two Baccarat clear glass frog paperweights, each modelled seated, another similar glass frog by Wedgwood, a clear and frosted glass frog by AP, a Japanese pottery frog creature, and eight other frogs, acid-etched mark,11cm wide (Baccarat), (13) £200­400

540 An Art Nouveau Amphora Pottery jug, model no.8860, moulded in relief with water lily flowers and pad leaves, one curled leaf forming the handle and rim, glazed gold on a mottled green­blue ground, impressed factory mark, 32cm. high

539

£150­250

540 153

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541 A pair of Fornasetti Oggetti Caccia plates designed by Piero Fornasetti, printed in colours with a still life of hunting items, printed factory marks, 26cm. diam. (2) £150­200 541

FURNITURE & METALWARE

543

542

542 A small archive of Memphis Milano design catalogue­posters and ephemera, comprising; two Memphis 1981 Furniture Milano posters, another undated poster, 1982 catalogue and poster, Memphis Furniture Milano, 1983 catalogue, Memphis Furniture Milano 1983 poster, Memphis Furniture Milano 1984 large poster, Memphis Milano in London catalogue, Memphis Design 1986 flyer, Whatever Happened to Good Design leaflet, flyer, six postcards, (a lot) Provenance Private collection. £200­300 543 A Magis Tam Tam stool designed by Matteo Thun, grey moulded polyethylene, cast marks to base, 34cm. high, 54cm wide Provenance Tom Watkins Collection £80­120 544 A John Makepeace Furniture occasional table, white painted wood frame with square glass top, 35cm. high 63.5cm square (2)

544

£150­250 545 A large contemporary burr walnut and beech table, oval base with twelve birch cylindrical legs, supporting large oval top with burr walnut veneer bands, unsigned 124 X 300cm (top), 72cm. high, (2) £200­400 545 154

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546 A large Morton Sundour woven wool gauze textile panel designed by Gavin Morton, woven with flag iris in purple, inter­spaced with yellow and pink wild flowers with Art Nouveau linear foliage, repeat design, in pastel colours, framed and mounted 153 x 120cm (panel) 168.5 x 136cm (frame) Provenance Kerry Taylor Auctions,4th December 2012 lot 54 Private collection Catalogue notes This semi­transparent curtain fabric was woven by the firm of Morton Sundour, an off­ shoot of Alexander Morton & Co. The parent company was established in Scotland in 1867 under the direction of James Morton (1867­1943) ­ the firm that supplied Liberty’s and other leading stores with gauzes, textiles and carpets. It included amongst its designers Charles Francis Annesley Voysey, the Silver Studio and Mackay Hugh Baillie Scott. Gavin Morton (1867­1954) was the nephew of Alexander Morton and cousin of James who became chief designer for the firm. This panel was woven for the drawing room of his own house in Carlisle £400­600 547 An Aesthetic Movement bedside cabinet, rectangular section, the hinged, panelled door with carved bird diamond shaped panel, brass furniture 86cm. high, 50cm wide.

Provenance Paul Reeves Private collection.

546

£200­300 548 An Arts and Crafts wooden bookshelf, set with patinated metal plaques of Art Nouveau figures, with thirty­eight volumes by William Shakespeare, published by J M Dent, dated 1895, (39) £150­250 549 A mahogany hall chair probably William Birch, swollen turned back supports with carved bun finial, the central splat with carved heart aperture, tapering square back legs, the front tapering with chamfered edges, upholstered seat, unsigned, 109.5cm. high £120­180

547

548

549 155

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550 550 Olive Charbutt The Winged Steeds of Time, 1914 plaster with sepia highlights, framed incised signature, cast title, 91 x 41cm.

Provenance Paul Reeves Private collection £300­500 551 Giovanni Schoeman (1940­1980) Ethne painted bronze bust of an Art Nouveau maiden signed and titled to the bronze base 11.5cm. high £120­180

551

552 Andre Vincent Becquerel (1893­1981) Stallion rearing, silvered bronze sculpture on green bakelite drum base signed in the cast Becquerel 23.5cm. high

552

£200­400 553 An articulated bronze model of a cobra, probably Italian, unsigned 51cm. wide £150­200 554 A large Art Deco silvered metal compact by CH, circular, the cover cast in low relief with a pair of deer running through stylised flowers and foliage, signed in the cast CH, 15cm. diam.

553

156

£200­300 554

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555 A large patinated copper hall lantern, tapering square section with lover light, overhanging mantle and tapering top, with bands of heart aperture and inverted hearts to the top, frosted glass panels, unsigned, 49cm. high, 34cm square (top) £120­180

556 A Keswick School of Industrial Arts brass charger, the well stamped and hammered with a longboat sailing on a rough sea, the rim with a frieze of stylised flower stems, unsigned, 57cm. diam.

556

Provenance Private collection. £300­500 555 557 A Handel patinated metal lamp base, the flaring square section base cast in low relief with scrolling ribbon panels, cylindrical stem with three light fittings, cast marks to base, 56cm. high £150­200

558 A Riviere Studios New York patinated metal and glass letter rack, rectangular with three panels, each pierced and cast with stylised foliage, green and white marbled glass panels, on ball feet, an S&F silver mounted horn cigar cutter, an Ildfast patinated bronze plate and two silver card cases, stamped marks, damages 18.5cm. wide (5)

558

£150­200

559 A Limoges enamel vase by Charles Peltant, slender, shouldered form enamelled with Art Nouveau flower stems in shades of purple and green on a mottled yellow ground, highlighted in gilt, painted signature ch. Peltant Limoges, 20.5cm. high Provenance Arts Decoratifs, Styles 1900 et 1925, Sotheby’s Monaco 18th November 1978, lot 165.

Private collection. £500­1,000

557

559

157

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560

561

560 An Elkintgton & Co electroplated cruet designed by Dr Christopher Dresser, with central T bar handle, comprising tray, glass salt liner, pepper pot and mustard pot and cover, another Walker & Hall cruet and an Aesthetic Movement pot and cover, stamped marks, 12.5cm. high (3) £150­200

562

561 A Hukin and Heath electroplated sugar basin and shovel designed by Dr Christopher Dresser, model no.2299, with ebonised wood bar handle, engraved aesthetic bamboo design, and an Elkington & Co cruet stand, stamped marks, 16.5cm, wide (3) £120­180

562 A Liberty & Co silver footed bowl designed

by Archibald Knox, model 2250, circular section, with band of cast Art Nouveau roundels, stamped Marks, Birmingham 1907, no.2250-703, some enamel remains, 13.8cm. diam, 10.8cm. high £300­500

563 A pair of silver and enamel photograph frames, on wooden easel backs, each stamped in low relief with flowers on scrolling Art Nouveau stems, enamelled in blue and green stamped marks, D&D Birmingham 1903, 20cm. high, 15cm wide (2) £300­500 563

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

564 564 A silver and enamel brooch the design attributed to the Guild of Handicraft, rectangular form with scrolling foliate panels to each end, set with rectangular green and blue panel, unmarked, 3.5cm. wide.

Provenance A private collection of Guild of Handicraft silver and jewellery.

565

£300­500

566

565 A Guild of Handicraft silver and amethyst pendant necklace, pierced and chased with a briar rose inside scroll border, set with central amethyst above amethyst drop, unsigned, 6.5cm. long Literature Elyse Zorn Karlin Jewellery & Metalwork in the Arts and Crafts Tradition, Schiffer, page 40 this exact piece illustrated.

Provenance Tadema Gallery.

A private collection of Guild of Handicraft silver and jewellery. £400­600 566 A Liberty & Co Cymric silver belt buckle designed by Oliver Baker, cast scrolling foliate form with hammered finish, set with three turquoise matrix stones, stamped marks, L & Co, Cymric Birmingham 1900, 9cm. wide.

Literature Victor Arwas Art Nouveau in Britain From Mackintosh to Liberty, Papadakis, page 96 this example illustrated.

Alan Crawford By Hammer and Hand The Arts and Crafts Movement in Birmingham, Birmingham Museums, 1984, page 111 plate 90 for a comparable example.

Provenance Victor Arwas The Art Nouveau Buckle with Arts and Crafts Christie’s South Kensington, 27th November 2007 lot 109 (part).

A private collection of Guild of Handicraft silver and jewellery. £250­350

567 567 A Liberty & Co Cymric silver belt buckle designed by Oliver Baker, cast scrolling foliate form with hammered finish, set with four turquoise matrix cabochon, stamped marks, L & Co, Birmingham 1906, 10.5cm. wide.

568 A rare Liberty & Co silver and enamel pendant locket designed by Archibald Knox, shield shape, cast in low relief with Celtic knot motif, enamelled in shades of green and blue, unsigned, 5cm. tall

Literature Victor Arwas Art Nouveau in Britain From Mackintosh to Liberty, Papadakis, page 96 for a comparable example illustrated.

Alan Crawford By Hammer and Hand The Arts and Crafts Movement in Birmingham, Birmingham Museums, 1984, page 111 plate 90 for a comparable example.

Literature Jewellery Woolley and Wallis, 19th July 2012, lot for a comparable example made by John Baker Bennett, illustrated in a Liberty Sketch book. £300­500

Provenance Victor Arwas The Art Nouveau Buckle with Arts and Crafts Christie’s South Kensington, 27th November 2007 lot 109 (part).

A private collection of Guild of Handicrafts silver and jewellery. £250­350

END OF SALE

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CLARICE CLIFF, ART DECO & DESIGN WEDNESDAY 22ND MARCH 2023

‘Orange and Blue Squares’ a rare Clarice Cliff vase Estimate £300 ­ 500*

ENQUIRIES Michael Jeffery | +44 (0)1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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EXHIBITION Robert Wallace Martin Potter, Sculptor, Artist 12th ­ 23rd June To celebrate the centenary of Robert Wallace’s death in 1923, we are pleased to hold an exhibition of Robert Wallace’s work, from private collections.

ARTS & CRAFTS AUCTION INCLUDING MARTIN BROTHERS POTTERY WEDNESDAY 21ST JUNE 2023

For more information about the exhibition please contact Michael Jeffery.

ENQUIRIES Michael Jeffery | +44 (0) 1722 424505 mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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MODERN BRITISH & 20TH CENTURY ART WEDNESDAY 14TH DECEMBER 2022

Dan Pearce (b.1973) Fame (detail) Signed with metal monogram (lower right to perspex glazing) and numbered 118/195 (in pen, lower left to perspex glazing) Giclée print with electric illumination 90.8 x 60.2cm Estimate £1,000 ­ 1,500* ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 18TH AND THURSDAY 19TH JANUARY 2023

A large 19th century treen swan snuff mull Estimate £800 ­ 1,200* ENQUIRIES Mark Yuan­Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa, Mastercard or Amex Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0) 20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

BRITISH ART POTTERY & DESIGN

Lot Number

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

30TH NOVEMBER & 1ST DECEMBER 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

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AUCTION CALENDAR 2022 2023 NOVEMBER 15th & 16th 23rd 30th

Asian Art, Chinese Paintings & Japanese Works of Art Medals & Coins, Arms & Armour British Art Pottery ­ Day One

DECEMBER 1st 4th 14th

British Art Pottery ­ Day Two The Christmas Sale Modern British & 20th Century Art

JANUARY 18th & 19th 24th & 25th 17th

Furniture Works of Art & Clocks Silver & Objects of Vertu Adornment: The Romy Rey Collection

FEBRUARY 2nd 21st 22nd

Fine Jewellery Fine Pottery & Porcelain Arts of Africa, Oceania and the Americas

Dates may be subject to change

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2023 AUCTIONS

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

Roger Godchaux (1878­1958) Panthers SOLD FOR £15,000*

www.woolleyandwallis.co.uk