Woolley & Wallis by Jamm Design Ltd

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery

Thursday 30th April 2015

AUCTION CALENDAR 2015 20TH CENTURY DESIGN 15th April – Clarice Cliff, Art Deco & 20th Century Design 17th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 21st April – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk SILVER 29th April 14th & 15th July 28th October Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 30th April 16th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 20th & 21st May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 3rd June – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 1st July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 17th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Amanda Lawrence

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424505 329477

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

— — — —

424506 424591 424583 424589

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price (Consultant) — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 Amanda Lawrence — 329477 FURNITURE Mark Richards Jim Gale Anna Brown JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA PAINTINGS Victor Fauvelle Jo Butler

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

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424590

—

424500

—

424500

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

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411854 339161 411854

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424504 424595

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

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424503 424592

SILVER Rupert Slingsby Lucy Chalmers

— —

424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Gemma Bush

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339752 339752

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

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JEWELLERY

Thursday 30th April 2015 at 11.00am Viewing Times Saturday 25th April Monday 27th April Tuesday 28th April Wednesday 29th April Thursday 30th April

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

This page: Lot 1346 Front cover: Lot 1408 Back cover: Lot 1409 Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 12noon Wednesday 29th April. Please note there is a 3% surcharge for using this service.

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Saturday collections by appointment. 10.00am to 1.00pm

â&#x153;Ł Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked Îť may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1000. The Art of the Jeweller. A catalogue of the Hull Grundy gift to the British Museum. Volume I: text and Volume II: plates. £80-120

1001. Becker, V., Antique and 20th Century Jewellery. Solodkoff, A., Fabergé. Bury, S., Sentimental Jewellery. Hincks, P., Victorian Jewellery. Becker, V., Art Nouveau Jewellery. Gere, C and Munn, G., Artists Jewellery Pre-Raphaelite to Arts and Crafts. Poynder, M., The Price Guide of Jewellery. With an additional twenty soft and hardbound books. £80-120

1003

1002

λ 1002. A large quantity of jewellery, costume jewellery and loose stones, being the residual stock of a retired Taunton jeweller. Including: a tortoiseshell comb with foliate decoration, a sterling silver pierced pair of buckles, various pearls (untested, all presumed as cultured or artificial), unset amethysts, citrines, and coloured stones. A gold centrepiece, a brooch formed with four chicks, a George III navette-shaped mourning ring, centred with the enamel inscription safe will I keep thy dear remains. A yellow and white paste brooch, a pair of carved shell cameo drop earrings, a gold folding button hook, a gem-set gold shamrock brooch. An early 19th century cannetille brooch centred with glazed locket compartment and a small watch key with locket fob. £300-400 1003. An 18ct two-colour gold three row bracelet, 27g. A pierced and carved oval jade plaque-mounted platinum brooch, numbered 5907. A white gold bracelet mounted with five pierced and carved jade plaques. A gold spaniel mounted bar brooch. A seed pearl mounted gold star brooch. Three Royal Engineers military brooches and various items of jewellery, costume jewellery etc. £800-1,200

1004. A Victorian piqué work faith, hope and charity brooch, a carved hardstone cameo mounted gold ring, and a carved shell cameo mounted gold brooch £200-300 1005. A Victorian gold necklace, suspending three circular gold discs set with turquoise cabochons. A gold ring mounted with a rectangular section of blue enamel centred with a star-set seed pearl and within a surround of half-pearls. An amethyst-set brooch pendant. And a Victorian turquoise-set gold floral brooch. A late 19th century gold oval locket pendant, mounted with turquoise cabochons. £200-300 1006. A late Victorian diamond brooch, designed as a horseshoe amongst foliage in silver and gold. With another oval shaped Victorian brooch set with graduated old cushion cut diamonds. The centre section vacant. £300-400

1004 1006 1005

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1007. A gold Scottish stone-set brooch, centred with an ovalshaped quartz, within a surround of alternately-set carnelians and bloodstones, Registry marks, 5.5cm wide. A carnelian and stone-set Scottish armorial circular silver brooch, and a Scottish stone-mounted bracelet. £200-300 1008. Three gold bracelets, two set with various stones, the other with textured and plain links. 31g in total. £300-400 1008 1007

1009. A gold brooch mounted with an oval enamel plaque depicting Swiss mountainous landscape. Fitted Case. A gold ring mounted with a detachable opal and diamond cluster, with a recipient stick pin. A pair of 19th century gold drop earrings. A diamond-set gold ring with black enamel bands and London marks for 1872. A fob seal, the matrix carved with arms and a garnet-set bracelet. £200-300

1010. A pair of pink and white paste drop earrings, a cultured pearl and ruby set gold necklace, a pair of cultured pearl mounted gold branch form earrings, and a seed pearl set black onyx and goldmounted initial brooch. £200-300

1011. A pair of lavender jade circular disc pendants with gold mounts, 2.1cm wide, and a pierced and carved circular jade pendant. 4.8cm wide. £200-300

1012. Eight graduated 19th century oval micro mosaic panels, depicting various ruined buildings in the classical manner. 1.8 to 3.1cm wide (maximum). £200-300

1013. A pair of fluted lapis lazuli centred square-form gold earrings, and a diamond and half-pearl set gold ring. £300-400

1014. An early 20th century lady’s diamond set wristwatch. The rectangular dial with Arabic numerals, diamond set platinum case and band. With another lady’s diamond set wristwatch on silk band. £300-400

1015. A circular pink tourmaline set gold ring, an 18ct gold cluster ring set with seed pearls with small diamonds and rubies, a ruby and diamond set gold cluster ring, and three other stone set gold rings. £300-400

1016. A blue topaz mounted white gold ring by Bulgari, the sugar-loaf topaz in bombé shaped 18ct white gold mount, signed Bulgari. With matching pendant on an associated neck chain. £600-800

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1019 1017

1018

1017. in total.

A graduated amber bead necklace, 45.5cm, 28g £300-400

1018.

An amber bead necklace, 45cm, 15g. £150-250

1019.

An amber bead necklace, 66cm, 47g. £500-700

1020. A graduated yellow amber bead necklace, 100cm, 190g. And two other amber bead necklaces. 86g (2). £1,000-1,500 1021.

An amber bead necklace, 80cm, 40g. £400-600

1022. An amber mounted necklace, the metal links suspending five larger pendants and twelve smaller. £200-300 1023.

An amber bead necklace, 68cm, 52g. £400-600

1020

1022

1021

1023

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1024.

A graduated amber bead necklace, 80cm, 80g. £500-900

1025. 29g.

An amber bead necklace, 19g and an amber bead necklace £500-700

1026.

A graduated amber bead necklace, 82cm, 65g. £300-400

1027.

A graduated round amber bead necklace, 75cm, 96g. £500-700

1028.

An amber bead necklace, 48cm, 33g.

1029. A graduated amber bead necklace, 44cm, 40g. And a smaller clear amber bead necklace. 60cm, 28g. £500-700

£300-400

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1030

1031 1032 1030. A 9ct gold square-form cigarette case. Engine-turned decoration to both sides. 8.5cm wide. 95g in total. With a square silver cigarette case mounted with two Guinea coins. £800-1,200

1033

1031. An Edwardian seed pearl set foliate gold hinged bangle, an Edwardian seed pearl set gold open crescent brooch with two birds, one holding a peridot, and an Edwardian gold foliate brooch set with small diamonds and sapphires. £300-400 1032. An antique gold ring, set with a purple stone (damaged) and with black counter enamel (damaged). A rectangular shakudo plaque brooch, a gold ring mounted with a carved jade plaque and various items of jewellery and costume jewellery. £300-400 1033. A yellow gold mesh purse, foliate engraved frame with cabochon sapphire thumbpiece and suspending from a fine mesh-link bracelet. 123g in total. £1,000-1,500 1034.

Eight sovereigns, Victoria 1890, 1891, 1898, 1900. And 1925, 1927, 1958 and 1965. £1,000-1,500

1035. An early 20th century gold bar brooch set with a gem-set fly suspending a gemset spider on a fine link gold chain. With eleven other gem-set gold brooches. £200-300 1036. A gold bar brooch centred with a female head set with rose cut diamonds, 6.5cm wide. And a gold brooch engraved with scrolling motifs, and a pendant with a silver dwarf miner hacking at a large piece of gold mounted pyrite. £200-300 1034

1037. A citrine, sapphire and diamond ring, the citrine is set with a calibré-cut sapphire surround and a further surround of rose-cut diamonds in platinum and gold. The plaque detaches to be worn as a brooch and the clasp for a six row cultured pearl necklace. £300-400

1036

1037 1035

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1038. A two row cultured pearl necklace, with a geometric design sapphire and diamond clasp C1970. A two row cultured pearl necklace with a pearl-set flower head clasp. And a single row cultured pearl necklace with a diamond-set gold clasp. £300-400

1039. A five row graduated cultured pearl choker-length necklace, the cultured pearls graduate from 5.60 to 10.30mm. With a rectangular shaped white gold clasp set with old circular cut diamonds. 51cm longest, 42cm shortest. £600-800

1040. A three-row cultured pearl necklace, with a ruby-set white gold flowerhead clasp. 50cm longest. £400-600

1041. A single row cultured pearl necklace, with a baguette shaped and circular cut diamond clasp. 55cm long. £300-400

1042. A cultured pearl necklace, the single row divided by rose-cut diamond-set spray clasps attached to a further graduated three row cultured pearl section. 40cm, longest. £500-700

λ 1043. Four coral bead necklaces, a pair of coral mounted cufflinks and a quantity of loose coral beads. £200-300

1044. A three row jade bead necklace, with a diamond and enamel gold plaque clasp. 39cm. £200-300

λ 1045. A graduated coral bead necklace, the largest cylindrical bead 2.5cm long. 64cm. 157g. With five further coral bead necklaces and two coral sections. The remaining coral weighing 334g. £200-300

1046. An opal bead necklace, the graduated beads are each separated with a faceted crystal rondel, with an opal-set white gold clasp. 42cm. Case. £300-400

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1048 1047

1049

1050

1047.

An amber bead necklalce, 73cm, 49g.

£500-700

1050.

A graduated amber bead necklace, 93cm, 68g. £500-700

1048.

An amber bead necklace, 49cm, 26g.

£250-350

1051.

A graduated amber bead necklace, 53cm, 50g. £500-700

1049.

An amber bead necklace, 48cm, 70g.

£700-900

1052.

Three graduated amber bead necklaces, 169g in total. £500-700

1051

1052

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1054 1053

1055 1056

1053.

A graduated amber bead necklace, 66cm, 51g. £500-700

1056.

An amber bead necklace, 84cm, 91g.

£900-1,200

1054.

A graduated amber bead necklace, 45cm, 38g. £200-300

1057.

An amber bead necklace, 41g, 52cm.

£400-600

1055.

An amber bead necklace, 82cm, 81g.

1058.

An amber bead necklace, 76cm, 113g.

£800-1,200

1058

1057

£1,000-1,500

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1060

1059

1059.

An amber bead necklace, 66cm, 45g.

£400-600

1060. An amber and artificial amber necklace, the necklace formed with round and cylindrical amber beads. 116cm, 102g. With a dark red artificial amber pendant. £1,200-1,500 1061

1061.

An amber bead necklace, 70cm, 30g.

£700-900

1062.

Fifteen graduated amber beads, 193g. £2,000-3,000

Believed to have been purchased from the Sandon Hall sale by Sotheby’s 6 October 1992 (Lot 320)

1062

1063

1063. A large amber specimin, 7cm wide. 136g. With a handwritten sticker stating that it was dredged up in the North Sea, June 1908. And five further amber specimens, three containing insects. The five smaller pieces weigh 16g in total. £300-400

1064. A gold figural stand, the body formed with a standing buddah-like figure supported on three mythological winged beasts with circular grotesque disc masks between. A fluted dish above with six birds and a lotus flower. 16.5cm high. 87g. £1,000-1,500

1064

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1065. A pierced white gold panel pendant, set with a circular cut blue zircon and two pearls, within a border of millegrain-set graduated circular-cut diamonds. 3.0cm wide. £400-600 1066. A ruby and diamond set white gold pendant, suspending a pear-shaped ruby and set with graduated circular-cut diamonds. 4cm high. £450-550 1067.

A gold charm bracelet, the gold oval-link bracelet is mounted with twenty two assorted charms. £400-600

1068. A pair of heart-shaped gold earrings, the lattice design set with small cultured pearls in 18ct yellow gold. 1.8cm wide. Case by Hamilton & Inches. £150-200 1069. A pair of opal and diamond cluster earrings, centred with an oval-shaped opal cabochon within a surround of circular-cut diamonds in gold. £500-700 1070.

A gold hare brooch, with textured hair and ruby eye. 3.3cm wide.

£200-300

λ 1071. A carved coral brooch, carved as a putti with a bird, mounted in gold. 5.3cm high. Fitted case. £200-300 1072.

An 18ct yellow gold integrated centre opening deployant clasp by Cartier, signed. 73g in total. £750-1,000

1073.

An 18ct gold flat curb-link bracelet, 19cm. 69g. And a curved curb-link gold necklace. 40.5cm. 106g. £2,000-3,000

1074. A pair of ruby and diamond cluster ear studs, each centred with an oval-shaped ruby within a surround of eight circular cut diamonds in gold. £800-1,200 1075. A pair of diamond cluster earrings, each earring set with nine circular cut diamonds in white gold and weigh approximately 2.45cts in total. £1,700-2,000 1076. A two colour gold fancy link long guard necklace by Garrard, with alternating yellow and white gold ropetwist and plain links. 90cm long. Case by Garrard. £1,000-1,500 1077. An Austro-Hungarian gold four Ducat coin, 1915. A 1918 Sovereign. A gold-mounted half sovereign pendant and a 9ct gold small rectangular vesta case pendant. £500-700

λ 1078. A three row coral bead necklace, the coral beads graduate from 5.84 to 7.98mm with a coral cabochon flower-head clasp. 44cm longest. £2,000-3,000 1079. A pair of ruby and diamond earrings, the scroll earrings set with calibré cut rubies and circular cut diamonds in platinum and gold. 2.5cm long. £450-550 1080.

A pearl and diamond set gold horseshoe brooch, fitted case by Lawrence. 3.5cm wide.

£100-150

1081. total.

A gold charm bracelet, the 9ct gold bracelet is mounted with eighteen assorted charms. 17cm. 35g in £400-600

1082. A pair of ruby and diamond drop earrings, each earring set with a pear-shaped ruby within a surround of circular cut diamonds and suspend from a further diamond in white gold. £500-700 1083. A pair of cultured pearl and diamond drop earrings. The round brilliant cut diamonds weigh approximately 0.85cts in total and are set in white gold. £500-700 1084. A pair of gold and platinum disc earrings by Tiffany & Co, each incorporating a crescent set with small round brilliant cut diamonds. Signed Tiffany & Co. 2.2cm wide. £1,500-2,000 1085. A gold coin mounted pendant, the Austro-Hungarian four ducat gold coin is mounted in a filigree gold circular mount. 8cm wide. 50g. £600-800

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1066

1068 1069 1072

1065 1067 1075 1077 1074

1070

1079

1080 1071

1082

1083 1073

1078

1073 1076 1081 1084

Items shown are not actual size

1085

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1086. A turquoise set gold bracelet, the four turquoise cabochons within gold ropetwist and plain surround. With matching ring, earrings and pendant (damaged). French export marks. Case. £200-300 1087. A 19th Century suite of jewellery, encorporating Greek coins, comprising a fringe necklace, bangle, brooch and earrings. Gun mental with gold mounts. £1,000-1,500 1088. An Edwardian seed pearl and turquoise pendant, the turquoise cabochons and seed pearls set in yellow gold, on a fine link yellow gold neck chain. 40cm long. £100-200 1089. A 19th century diamond brooch, set overall with graduated cushion and rose-cut diamonds in silver and gold. £300-400 1090. A Victorian gold brooch pendant, of foliate form with scroll engraved decoration and mounted with foil backed pink stones. Fitted case by Wilkinson. £200-300 1091. A signed silver charm bracelet by Georg Jensen, with fifteen assorted charms including a signed Georg Jensen silver mermaid charm. £200-300 1092. A Victorian cased demi-parure, the circular brooch with fine wire and pellet foliate decoration and centred with a cluster of graduated turquoise cabochons. Glazed locket compartment to the reverse. 4cm wide. With matching turquoise mounted gold earrings. Fitted case sign Alldis, London. £200-300 1093. An early 19th century heart-shaped locket pendant, with chased foliate decoration and centred with a small ruby within cluster of turquoise cabochons. Glazed locket compartment to the reverse. 2.2cm high. £100-200 1094. A small carnelian intaglio mounted gold ring, the intaglio possibly Roman and depicting a hunter with a child. Size J. £100-200 1095.

A single row graduated pearl necklace, 53cm.

£300-500

Accompanied by report number 06772 dated 20th November 2012 from The Gem and Pearl Laboratory, London stating that the 204 pearls graduate from 1.8 to 4.9mm, weigh 4.04g (total) and are natural saltwater pearls. 1096. A late 19th century brooch depicting a deer and fence, the running deer pavé set with rose-cut diamonds and a ruby eye in silver and gold. With a three bar gold gate. 5.5cm wide. And a brooch designed as a cock pheasant standing on a branch. Pavé set with rose-cut diamonds and enamel decoration to the head and neck. Realistically formed branch in silver and gold. 4.2cm wide. £300-400 1097. A three row cultured pearl bracelet, with gold spacers and the gold clasp set with three pearls and ten diamonds. 16.5cm. Case by Collingwood. £300-400 1098.

A 9ct textured gold bracelet, 15.5cm. 23g.

£200-300

1099.

A gold bangle by Tiffany & Co, of flexible twisted rope design. Marked for Tiffany. 23g.

£400-600

1100.

A large pierced gold brooch pendant set with rose-cut diamonds and cabochon emeralds. 48g in total. £600-800

1101. A tiger's eye and diamond set bangle, the triangular tiger's eye cabochons are set within a zig-zagged line of circular-cut diamonds in yellow gold. 37g. £300400 1102. A gilt metal and enamel pendant, centred with a circular disc decorated with pink and gold guilloche enamel within a scroll silver metal frame 3cm wide, on a fine link gold chain. £150-200 1103. An aquamarine and diamond pendant, the octagonal-shaped aquamarine is set within a surround of circular cut diamonds and millegrain-set in white gold. On a fine link white gold neck chain. £700-900

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1087

1086

1088

1103 1087 1086

1087

1094 1102

1093

1089 1090 1091

1096 1097

1098

1099 1086 1095 1101

1092

1100

Items shown are not actual size

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1104. A ruby and diamond three stone ring, the oval shaped ruby is rub-over set within circular cut diamonds in platinum and yellow gold. Size N 1/2. £2,500-3,500 1105. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of circular cut diamonds and flanked by calibré cut diamonds with a full circle calibré cut sapphire set shank. Size L. £600-800 1106.

A diamond full circle eternity ring, pavé-set with circular cut diamonds in white gold. Size M. £1,000-1,500

1107. A yellow sapphire and diamond set cluster ring, the oval-shaped sapphire weighs approximately 3.00cts and is millegrain-set within a surround of circular-cut diamonds in yellow and white gold. Size N. £1,000-1,500 1108. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of circular and baguetteshaped diamonds in yellow and white gold. Size N 1/2. £400-600 1109. A diamond five stone ring, the graduated old circular cut diamonds are set in yellow gold. Marks for Birmingham 1896. Size K 1/2. £600-1,800 1110. An emerald and diamond cluster ring, the oval-shaped emerald is set within a surround of circular cut diamonds with smaller diamonds set to the foliate shoulders in yellow and white gold. Size P 1/2. £700-900 1111.

A diamond solitaire ring, the round brilliant cut diamond weighs 0.93cts and is set in platinum. Size L. £2,500-3,500

Accompanied by report number 20036014211 dated 4th July 2003 from HRD, Antwerp stating that round brilliantcut diamond weighs 0.93 carats, with E colour, VS1 clarity. 1112. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circular cut diamonds and millegrain set in white gold. Size M 1/2. £500-800 1113. Y 1/2.

A four row white and blue diamond articulated full circle white gold eternity ring, 48g in total. Size £1,200-1,500

1114. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of twelve round brilliant cut diamonds in 18ct white gold. Size M. £800-1,200 1115. An Art Deco style ruby and diamond cluster ring, the round brilliant cut diamond is set within an octagonal surround of tapered baguette-shaped rubies in white gold. With small diamonds set to the split shoulders. Size O 1/2. £1,200-1,500 1116. A diamond cluster ring, set with seven graduated old circular cut diamonds in white gold and platinum. Size P 1/2. £600-800 1117. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within an octagonal surround of circular cut diamonds and two square-shaped diamonds to the shoulders. White gold mount. Size O 1/2. £600-800 1118. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of ten old circular cut diamonds in white gold and platinum. Size Q 1/2. £600-800 1119. Size L.

A diamond full circle eternity ring, the square-shaped diamonds weigh approximately 2.80cts in total. £1,500-2,000

1120. A sapphire and diamond ring, the oval shaped sapphire is set within graduated baguette shaped shoulder diamonds in white gold. Size M. £1,000-1,500

λ 1121. A gold gypsy ring, set with three pink coral cabochons. Size O. Tessier case.

£80-120

1122. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of diamonds and sapphires in white gold. Size M. £800-1,200

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1105 1104

1107

1108

1106

1110

1111

1109

1114 1112 1113

1116

1115

1117 1119 1118

1120

1122 1121

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1123. A Regimental brooch for the V Royal Inniskilling Dragoon Guards, set overall with diamonds, rubies and emeralds and with red and white enamel decoration in white gold. 2.5cm high. A pair of 18ct gold Regimental cufflinks, a Regimental gold bar brooch and a Regimental gold pendant. £400-600 1124. A pair of square-form gold cufflinks by Tiffany & Co, of fluted design in yellow gold. Inscribed J.O.N to reverse. £450-550 1125. A Russian miniature gold egg pendant, applied with the imperial arms. The bale stamped AH and 56. 1.5cm high (total). £100-150 1126. A pair of 18ct gold circular cufflinks, with engine-turned decoration. London hallmarks for 1927. Cased by Harrods. £150-200 1127.

A pair of gold cufflinks in the form of hourglasses, the ‘sand’ formed with small yellow diamonds. £600-800

1128. A Russian diamond set gold and enamel brooch, C1900 centred with a diamond set Great Imperial crown on oyster coloured guilloche enamel oval ground within a tied laurel two colour gold wreath. The shoulders millegrain set with graduated diamonds. Kokoshnick to rim. The pin with obscure mark, probably a Kokoshnik. £3,500-5,000 The Great Imperial crown indicates that the brooch was probably a presentation piece. 1129. A pair of yellow and white textured gold oval-shaped cufflinks, each link set with a cushion-shaped diamond or a circular-cut sapphire. £200-300 1130. A pair of lapis lazuli cufflinks by Cartier, each formed with a larger and smaller square-shaped bar with white gold mounts. Signed Cartier, numbered 016373. With Cartier box. £1,000-1,500 1131. A pair of emerald cabochon cufflinks, set in 18ct yellow gold with gold chain links and t-bar gold terminals. £400-600 1132. A pair of French gold and enamel cufflinks, with blue vermicelli pattern enamel on granulated oval ground. French control marks. £250-350 1133. A pair of diamond set Imperial crown cufflinks, C1900 the back sections marked 56 and BA. Some diamonds missing and some replaced. £1,000-2,000 1134. A pair of French gold cufflinks by Hermes, of stylised twisted rope design. Signed Hermes with maker’s lozenge and French control marks. £800-1,200

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1123 part

1125 1126 1124

1128 1129

1127

1132

1131 1130

1134 1133

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1135. A small rectangular 18ct gold box by Asprey, the cabochon sapphire thumbpiece releases the springloaded hinged rock crystal cover mounted with entwined sapphire and diamond-set hearts with arrow. Fluted borders. Engine turned pattern to sides and base. London import marks for Asprey. 3.8cm wide. £600-800 1136. An 18ct yellow gold box by Asprey, the cabochon ruby thumbpiece released the hinged and springloaded cover, applied with a recumbent white gold and platinum leopard with ruby eyes and on a red guilloche enamel ground. Engine turned pattern to the sides and base. Asprey import marks. 3.9cm wide. £800-1,200 1137. A gold and rock crystal rectangular frame by Asprey, the fluted yellow gold borders surmounted with an entwined heart and arrow motif pavé set with circular cut diamonds and sapphires. With engine turned 18ct yellow gold back and 18ct yellow gold hinged scroll strut. Asprey import marks. 10.3cm high. £1,000-1,500 1138. A gilt-lined silver rectangular octagonal box, the hinged cover with blue guilloche enamel decoration within seed pearl border and repeated enamel decoration to the sides. 5.5cm wide. Birmingham import marks for 1912. Numbered 15 and signed Asprey. Fitted case by Asprey. £150-200

λ 1139. A rectangular gold aide-mémoire cum compact by Van Cleef and Arpels, with engine turned decoration. The sapphire set thumbpiece releasing the sprung cover and revealing an ivory pad with bevel edged mirror to the other side. The centre section with hinged cover. Signed Van Cleef & Arpels. 36377 DÉPOSÉ and assorted French control marks. 7.2cm wide. 104g in total. £3,200-4,000

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1135

1138

1137

1136

1139

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1140. A continental late 19th century, realistically formed model of a squatting woman. The silver body with traces of enamel decoration and mounted with a suitably formed natural pearl, on a stepped agate stand with conforming silver border decorated with blue and red enamel. 9cm high. With a domed leather and velvet lined box. ÂŁ3,500-4,500 1141. A cased 18th century English gem-set chattelaine, comprising four graduated sections, each set with rubies and diamonds to the open gold and silver foliate mounts. With a gold and silver pendant with larger cabochon ruby bead and set with emeralds and a sapphire. And a carved carnelian seal depicting the head of a classical character set with a sapphire, diamonds, rubies and green stones. Both pendants suspended from diamond-set chains. The main body 10cm high. Fitted case. ÂŁ3,000-5,000 1142. A George III gold stirrup style spinning fob seal, mounted with an oval chalcedony engraved to one side with ducal arms and crest for the Lloyd family and the other side with initials beneath a ducal coronet and crest. And a desk seal, the frosted rock crystal body carved with the Lloyd crest, the crystal matrix carved with arms and a crest with metal mounts and chased with the motto HWY PERI CLOD NA GOLVD 7.5cm high. ÂŁ200-300

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1140

1142 part

1141

WW102-317 Listing_Layout 1 20/03/2015 14:52 Page 26

1143. A ruby and diamond cluster ring, centred with a circular cut diamond within a square surround of calibré cut rubies and further border of millegrain-set diamonds. White gold. Size N. £800-1,200 1144. An aquamarine and diamond cluster ring, the octagonal-cut aquamarine is set within a surround of circular cut diamonds with two larger circular-cut shoulder stones. Set in white gold. Size Q. £1,200-1,500 1145. A green tourmaline and diamond set cluster ring, the oval-shaped tourmaline is set within a surround of circular cut diamonds and two baguette-shaped shoulder diamonds in 18ct gold. Case by Dibdin. Size P. £400-600 1146. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of circular cut diamonds with a further pear-shaped diamond to each shoulder. Size M 1/2. £1,000-1,500 1147. A diamond cluster ring, the principal circular cut diamond weighs approximately 1.10cts and is set within a surround of eight circular cut diamonds in platinum and yellow gold. Size N. £1,500-2,000 1148. A spinel and diamond ring, the oval-shaped red spinel weighs approximately 1.25cts and is set within a line of baguette-shaped diamonds in white gold. Size J. £800-1,200 1149.

A sapphire ring, the oval-shaped sapphire is set in yellow gold. Size M 1/2.

£1,200-1,500

1150.

A diamond full circle eternity ring, the baguette-shaped diamonds are channel-set in white gold. Size O 1/2. £300-400

1151. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of ten circular-cut diamonds in yellow and white gold. With two smaller shoulder diamonds. Size P. £1,200-1,500 1152. A sapphire and diamond navette-shaped cluster ring, the central oval-shaped sapphire is millegrain set within a surround of circular cut diamonds and further shoulder diamonds in white gold. Size N. £800-1,200 1153. An unusual ruby and diamond ring, the three graduated fancy coloured diamonds are set within scrolling rose gold granulated ground set with circular cut rubies, diamonds, coloured diamonds and a sapphire. With stylised tree trunk design shank. Size I 1/2. £400-600 1154. A tanzanite and diamond cluster ring, the oval-shaped tanzanite is set within a surround of circular-cut diamonds in white gold. Size P. £1,500-2,000 1155. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of eight circular cut diamonds in platinum and gold. Size K 1/2. £600-800 1156.

A diamond five stone ring, set with five circular cut diamonds in yellow gold. Size R.

£400-600

1157. A pink sapphire and diamond cluster ring, the emerald cut sapphire is set within an octagonal surround of circular cut diamonds and millegrain set in white gold. With six further small diamonds set to the shoulders. Size P. £700-900 1158. A sapphire and diamond half hoop ring, set with four sapphires and nine diamonds in white gold with six further shoulder diamonds. Size O. £700-900

✣ 1159. A cabochon ruby and diamond cluster ring, the oval-shaped ruby weighs approximately 16.50cts and is set within a surround of old circular cut diamonds in white gold and platinum. Size J 1/2.. £3,000-4,000 Accompanied by report number 10803 dated 6th February from The Gem and Pearl Laboratory, London stating that the cabochon-cut ruby measures 8.60 x 7.67 x 5.45mm, with no evidence of heat treatment. Origin opinion: Burma 1160. An opal and diamond ring, set with three oval-shaped cabochon opals and four circular-cut diamonds in platinum and gold. Size R 1/2. £300-400 1161. A sapphire and diamond cluster ring, the circular cut sapphire is millegrain set within a surround of ten smaller circular cut diamonds in platinum and gold. Size Q. £800-1,200 1162. A sapphire and diamond three stone ring, the cushion-shaped sapphire is set either side with a circular cut diamond and further circular cut shoulder diamonds in platinum. Size O. £600-800 1163. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of ten circular-cut diamonds in white gold. Size N. £1,300-1,500

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1143

1149 1144

1156 1148 1147 1155

1154 1146 1161 1153 1145

1160

1152

1159

1151 1158 1150

1162

1157

1163

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1164. A jadeite bangle, the graduated lavender and green jadeite set in silver-gilt gem set foliate and scrolling mount. 6.3cm inner diameter. £200-300 1165. An early 20th century jade and diamond set platinum brooch, the triangular jade section with pierced and foliate carved decoration. The mount set with small diamonds. 2.8cm wide. £500-700 Accompanied by report number 03894 dated 20th March 2011 from The Gem and Pearl Laboratory, London stating that the opaque mottled green jadeite jade measures 22 x 23 x 4.3mm, with no evidence of treatment observed. 1166. A 19th century gold bangle, applied with enamel decoration surrounding a large emerald-cut aquamarine which weighs approximately 29.00 carats in yellow gold. 6.6cm inner diameter. £3,000-4,000 1167. A pair of jade and diamond drop earrings, the oval-shaped jade cabochons suspend from three circular-cut diamonds in white gold. £1,500-2,000 Accompanied by report number 10815 dated 10th February 2015 from The Gem and Pearl Laboratory, London stating that the jadeite jade cabochons measure 15.5 x 10.7 x 4.6mm and 15.6 x 10.7 x 4.7mm with no evidence of treatment observed. 1168. A cabochon emerald and diamond cluster ring, the oval-shaped emerald is set within a surround of circular cut diamonds in platinum. Size N. £2,000-3,000 1169. An early 20th century jade and diamond ring, the circular jade cabochon is millegrain set within pierced millegrain heart shoulders set with diamonds in platinum. Size M. £1,000-1,500 Accompanied by report number 04002 dated 10th April 2011 from The Gem and Pearl Laboratory, London stating that translucent to opaque mottled green round jadeite cabochon measures 14.0 x 6.0mm, with no evidence of treatment observed. 1170. An Art Deco jade and diamond ring, the marquise-shaped jade is set within a surround of square sections of black onyx and diamonds in platinum. With small diamonds set to the foliate engraved shoulders. With inventory number B7261. Size N. £2,500-3,000 1171. A pair of jade and diamond drop earrings, the carved jade plaques suspend from an articulate line of seed pearls and diamonds in white gold. 4.2cm long. £1,200-1,500 1172. An Indian gem set and enamel foliate-form gold pendant, set with pear-shaped coloured gem stones and diamonds to one side and with red green and white counter enamel. £300-400 1173.

A white gold spray brooch set with jade cabochons and diamonds. 6.3cm high.

£500-700

1174. A pair of Indian gold bangles, the adjoining lion’s heads on red, green and white foliate design enamel set with rose cut diamonds. and cabochon emeralds. Hinge opening. 5.5cm inner diameter. £800-1,200 1175. A jade and diamond cluster brooch, the oval-shaped jade cabochon is set within a surround of sixteen old circular cut diamonds in silver and gold. £2,000-3,000 Accompanied by report number 10802 dated 6th February 2015 from The Gem and Pearl Laboratory, London stating that the oval-shaped jadeite cabochon measures 17 - 18 x 13 - 14 x 3.3mm, with no evidence of treatment observed. 1176. An Indian bombé-shaped enamel and diamond ring, the red green and white foliate enamel, set with rose-cut diamonds in gold. Size O 1/2. £500-700

✣ 1177. A ruby and diamond cluster ring, the oval-shaped cabochon ruby is set within a surround of fourteen round brilliant cut diamonds in platinum and 18ct gold. Size M. £1,000-1,500 Accompanied by report number 5775-1529 dated 5th March 2015 from GCS, London stating that the cabochon ruby weighs approximately 5.5 carats and is a natural ruby with no evidence of heating. Origin: Burma.

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1168

1169

1164

1170 1167

1171 1166

1165

1174

1172

1177

1173 1176 1175

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1178. An early 20th century amethyst and diamond-set cruciform pendant, set with six oval-shaped amethysts and small diamonds in silver and gold. Rhodium plated. 6.5cm high. Diamond-set bale with finelink platinum neck chain. Fitted and damaged case. £600-800 1179. An early 20th century diamond and natural pearl heart-shaped pendant, the pearl suspends from a kite-shaped diamond within the diamond-set surround in silver and gold. Detachable pendant loop. Fitted case. £3,500-4,000 Accompanied by report number 10901 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that the oval-shaped pearl measures 5.8 - 5.9 x 7.7mm and is a natural saltwater pearl. 1180. An Edwardian gold amethyst and seed pearl set necklace with pendant, the gold necklace mounted with five graduated oval-shaped amethysts with seed pearl set fringe. Suspending a detachable amethyst and graduated seed pearl brooch/pendant (one section missing) The necklace 38.5cm long. £400-600 1181. A pair of early 19th century diamond drop earrings, the suspended cluster centred with a pearshaped diamond set within a surround of graduated old circular cut diamonds beneath an articulated line of further graduated circular cut diamonds in white gold and platinum. £5,000-7,000 1182. An Edwardian peridot, seed pearl and diamond bracelet. The twelve graduated emerald-cut peridots are each separated with a small diamond and two seed pearls in yellow gold. £600-800 1183. A two-colour gold bracelet, formed with square textured concave links each with a yellow and white gold chequerboard pattern. The three centre links pavé set with a ruby, diamond and sapphire. 16.8cm long. £400-600 1184. An early 20th century diamond, rock crystal and black onyx brooch, centred with a cushion-shaped diamond. With frosted crystal shoulders and set overall with graduated circular cut diamonds and sections of black onyx. Set in silver and gold. 6.5cm wide. £8,000-12,000

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1178

1181

1180

1179

1182

1183

1184

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1185. A diamond set snake stick pin, the coiled textured gold serpent surrounding a small cushion-shaped diamond in yellow gold. £100-150 1186. A late Victorian diamond set bow brooch, the stylised bow set overall with graduated old circular cut diamonds with a central diamond set star in silver and gold. 6cm wide. £1,500-2,000 1187. A diamond five stone ring, the five circular-cut diamonds are set with eight smaller circular cut diamonds in gold with scroll carved shoulders. Size S. £1,000-1,500 1188. A 19th century topaz and seed pearl necklace, the circular cut topaz is set in gold cut-down collet mounts alternately set with seed pearls. 41cm long. Case by Hamilton & Inches. £1,000-1,500 Accompanied by report number 10745 dated 28th January 2015 from The Gem and Pearl Laboratory, London stating that of the twenty nine circular-cut stones, one (set in the clasp) was found the be a natural citrine, the remainder are natural topaz. 1189. A diamond three stone ring, set with three old circular-cut diamonds which weigh approximately 2.10 carats in total. The centre diamond weighs approximately 1.10 carats. Set in white gold. Size P 1/2. £2,000-3,000 1190. An early Victorian gold brooch pendant, of openwork scroll design and mounted with turquoise cabochons and with chain festoons. 6.5cm high. £200-300 1191. An early 19th century sapphire mounted gold brooch, the circular cut sapphire is in a closed back mount with vacant locket compartment to the reverse. 2.8cm wide. £300-400 1192. An early Victorian two-colour gold locket brooch pendant, with foliate scroll decoration on matted ground. Alternately mounted with turquoise cabochons and seed pearls. Glazed locket compartment (cracked) to the reverse. 4.3cm wide. £200-300 1193. A 19th century gold bracelet, by Carlo Giuliano, mounted with five graduated oval-shaped enamel plaques. Each painted with a woman or a man in the 18th century manner and all within a white and blue enamel border. With conjoined stylised fleur de lys links decorated with blue and white enamel. Shell backed. Applied with two small plaques bearing the initials CG for Carlo Giuliano. 17cm. Fitted case by C Giuliano, 115 Piccadilly, London. £2,000-3,000 1194. A topaz mounted brooch by Giuliano, the circular-cut colourless stone is set in silver and gold with white dotted black enamel decoration with traces of blue enamel. 2.1cm wide. Indistinctly signed under enamel C&AG. In fitted case by Giuliano (damaged) Missing pendant. £2,000-3,000 With a similar styled pendant by Giuliano mounted with Goshenite (colourless beryl) in silver and gold and with similar enamel decoration, supporting two diamonds and a larger pear-shaped rock crystal. Signed inside bale C&AG. 7cm high. In similar fitted Giuliano box with the silk lining for Dibdin & Co Ltd, 189 Sloane Street. 1195. A carved hardstone cameo brooch, depicting the profile of Demeter (Ceres) mounted in a gold frame with wirework decoration. The cameo 3.5cm high. £200-300 1196. A 19th century locket pendant, depicting the first bars of the national anthem set with rose-cut diamonds on blue guilloche enamel ground. Folaite decoration chased to the reverse. Vacant locket compartment. 1.9cm wide. £600-800 1197. A 19th century diamond and enamel brooch, the oval-shaped brooch centred with a cluster of graduated diamonds within white and gold enamel border and on a dark red guilloche enamel ground. Within a surround of rose-cut diamonds and set in silver and gold. Glazed locket compartment to the reverse. 2.7cm wide. £300-400

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1187

1189 1186

1185

1191

1190

1192

1188

1194

1193

1195 1196 1197

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1198. An Edwardian pearl and sapphire circular brooch, alternately set with circular cut sapphires and three seed pearls in platinum. 2cm wide. Fitted case by Tessier. £100-150 1199. A Russian opal and ruby heart-shaped pendant, the white opal is set within a surround of calibré-cut rubies with hinged glazed locket compartment to the reverse. Russian marks. 1.2cm wide. Fine link platinum chain. £600-800 1200. A platinum and gold Edwardian diamond set enamel pendant, centred with a cluster of small diamonds on a blue/grey guilloche enamel ground. Rose-cut diamond border. The reverse with glazed locket compartment. 2.6cm wide. On a fine link platinum neck chain. £1,000-1,500 1201. An Edwardian emerald and diamond pendant, the pear-shaped emerald is set within a surround of small diamonds and suspends from a stylised bow set with further diamonds and a square-shaped emerald in platinum. Fine link platinum neck chain. £600-800 1202. An Edwardian heart-shaped gold pendant, centred with a circular cut diamond and seed pearls. 1.3cm wide. £450-600 1203. An early 20th century ruby and diamond pendant, of tear-drop design, the three rubies are millegrain set within circular-cut diamonds in platinum. £200-300 1204. A ruby and diamond bow brooch, the stylised bow set with lines of calibré cut rubies surrounding millegrain set graduated old circular cut diamonds in platinum and gold. 3cm wide. £800-1,200

✣ 1205. A Burmese ruby, pearl and diamond brooch, set with six oval-shaped rubies, circular and rose-cut diamonds and five untested pearls in white gold. 2.5cm wide. £2,500-3,500 Accompanied by report number 10899 from the Gem and Pearl Laboratory, London stating that the six mixed-cut rubies show no evidence of heat treatment. Origin opinion: Burma. 1206. An early 20th century circular brooch set with rubies and red stones, platinum and gold with red enamel decoration (damaged) 2.4cm wide. £200-300 1207. An early 20th century enamel and diamond brooch, of circular form, the central circular cut diamonds is millegrain set within a surround of smaller diamonds and further concentric surround of pierced white enamel with a green enamel border. 2.8cm diameter. £500-700 1208. A pair of opal and diamond drop earrings, each oval shaped solid black opal is set within a surround of old circular cut diamonds and suspending from an articulated line of graduated circular cut diamonds in gold. 3.8cm long. Fitted case. £2,600-3,000

✣ 1209. A pair of ruby and diamond cluster earrings, the circular-cut rubies are each set within a surround of circular-cut diamonds in silver and gold. £4,500-5,000 Accompanied by report number 10904 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that the circular-cut rubies measure 6mm diameter and are natural rubies with no evidence of heat treatment. Origin opinion: Burma.

✣ 1210. A pair of late 19th century Burmese ruby and diamond drop earrings, each earring mounted with circular-cut rubies (one small synthetic ruby) and graduated circular cut diamonds in silver and gold. Later fittings. Fitted case. £5,000-7,000 Accompanied by report number 10919 dated 6th March 2015 from The Gem and Pearl Laboratory, London stating that samples of the thirteen rubies (excluding one synthetic) show no evidence of treatment. Origin opinion: Burma. 1211. A diamond bar brooch, centred with a cluster of seven old circular cut diamonds and with six further diamonds millegrain set to each shoulder. 18ct white gold and platinum. 4.5cm wide. £200-300

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1202 1198

1200 1199

1201

1204 1205

1203

1207

1206

1209 1210 1208

1211

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1212.

No lot.

1213. A cased suite of French 18th century ruby and diamond set silver jewellery. Comprising a centre section with two necklace parts and two pendants. All set with flat rubies and diamonds to the openwork foliate mounts. In a fitted shaped leather box. £10,000-15,000 1214. A suite of early 19th century seed pearl jewellery comprising a three-row necklace with three oval two-colour gold cannetille and foliate openworked and pearl-set plaques, and conforming two colour gold clasp. A pair of matching earrings and a nine row seed pearl bracelet with similar yellow gold pearl set clasp. One bracelet missing. Fitted case by Wartski. £800-1,200 1215. An 18th century English gem-set parcel gilt silver pendant, of pierced foliate scroll form, suspending a cruciform pendant and set overall with rubies, and diamonds. 12cm high. £1,000-1,500

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1213

1214

1215

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1216. An 18ct yellow gold heart and bow brooch, the heart is pavé-set with circular-cut rubies and diamonds and suspends from a diamond-set bow. 2.5cm wide. £500-700 1217. A yellow gold open bangle with hinged leopard head terminals, the heads pavé set with circular cut diamonds and with marquise-shaped ruby eyes. 7.5cm wide. 100g in total. £2,000-3,000 1218. A lady’s white gold wristwatch by Piaget, the signed blue tonneau-shaped dial with batton hands. The bezel set with round brilliant-cut diamonds. Stylised integrated rope design white gold band. Numbered 9236 N 19 1 95848. 19cm. £1,500-2,000 1219. A lady’s gold wristwatch by Rolex, the plain circular dial with baton numerals. Manual movement. On a textured 9ct gold band. The case 2.5cm wide. 18.2cm long. £300-400 1220. A diamond solitaire ring, the round brilliant cut diamond weighs 2.19cts, set with baguette-shaped shoulder diamonds in platinum. Size O 1/2. £8,000-12,000 Accompanied by report number 20022136 dated 20th February 2015 from Anchorcert, UK stating that the round brilliant cut diamond weighs 2.19 carats, with G colour IF clarity.

✣ 1221. A Burmese sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of fourteen circular cut diamonds in platinum. Size M.

£1,000-1,500

Accompanied by report number 5775-1524 dated 5th March 2015 from GCS, London stating that the ovalshaped blue sapphire weighs approximately 2.80 carats and is a natural sapphire with no indication of heat treatment. Origin: Burma. 1222. A yellow sapphire and diamond cluster ring, the cushion-shaped sapphire weighs approximately 13.00 carats and is set in a surround of eighteen circular-cut diamonds in yellow and white gold. Size P. £4,000-6,000 1223. A Colombian emerald and diamond cluster ring, the square-shaped emerald is set within a surround of small circular-cut diamonds in platinum. Size N. £3,500-4,500 Accompanied by report number 10897 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that the step-cut emerald measures 7.5 x 7 x 4.3mm. With no evidence of clarity enhancement. Origin opinion: Colombia. 1224. O 1/2.

A diamond solitaire ring, the round brilliant cut diamond weighs 2.18cts and is set in platinum. Size £8,000-12,000

Accompanied by report number 5775-1521 dated 5th March 2015 from GCS, London stating that the round brilliant-cut diamond weighs 2.18 carats, with E colour and VS2 clarity. 1225.

A pair of hinged gold rings, the textured terminals each set with a cabochon blue stone. £200-300

1226. A lady’s gold wristwatch by Cartier, the signed small white dial with black Roman numerals and secret signature at X. Signed again to the reverse and numbered 1470 C90345. Cabochon sapphire set winder and four smaller sapphires to the lugs. Green leather strap with 18ct gold signed Cartier deployant clasp. £1,000-1,500 1227. A pair of sapphire and diamond scroll earrings, the central circular cut sapphire is set within pavéset diamonds scrolls in platinum. Clip fittings. 2.2cm wide. £1,800-3,000

1228.

A pair of gold fan-shaped earrings mounted with amethysts.

£200-300

1229.

A realistically formed brown trout brooch, decorated with enamel on silver and gold. 4.3cm wide. £100-150

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1216

1217

1225 1218

1224

1223 1219

1222

1221 1226

1228

1220

1227

1229

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λ 1230. A coral and diamond set sunburst brooch by Gnardi, the central coral cabochon measures 28mm diameter and is set within graduated circular cut diamond and textured gold rays. Signed Gnardi to reverse within pierced circular plaque. 7.2cm wide. £6,000-8,000 1231. A ruby and diamond spray brooch with matching ruby and diamond earrings, the brooch set with twelve oval-shaped rubies and further circular-cut, marquise and baguette-shaped diamonds in white gold. With a pair of earrings each set with two oval-shaped rubies, round brilliant and marquise, pear and baguette-shaped diamonds in white gold. Cased. £3,000-4,000 1232. A gold parrot brooch, realistically formed feathers and with enamel decoration, the eye set with a circular cut ruby and small diamonds. 5cm high. 15g. £400-600 1233. A briolette-shaped aquamarine and diamond pendant, the foliate suspension mount set with small circular cut diamonds with larger rose-cut diamond above. White gold mounts. £3,500-4,500 1234. A pair of diamond-set spherical drop earrings, each earring suspends two spheres pavé-set with rose-cut diamonds from a larger diamond in white gold. £2,000-2,500 1235. A diamond sapphire and ruby bracelet, formed as interlocking S-shaped sections and alternately set with three lines of graduated diamonds, sapphires and rubies in white gold. 19cm. £7,000-10,000 1236. A gold pendant brooch formed as three detachable articulated and graduated fish, set overall with diamonds, rubies and circular cut yellow stones. Enamel decoration and each fish with a cabochon sapphire eye. French control marks. 5cm high maximum. £600-800 1237. A white gold charm bracelet, mounted with ten assorted gem-set charms including a camera, cocktail, shoe, palm tree, dice, apple, and heart. 23g in total. £1,200-1,500 1238. A pair of gem-set drop earrings, each mounted with three graduated sapphires suspending from an oval-shaped topaz and circular-cut diamond in gold. £600-800 1239. A pink diamond set ring, the marquise-shaped pink diamond weighs 1.01 carats and is set with three smaller marquise-shaped diamonds to each shoulder in white gold. French control marks. Size M 1/2. £5,000-7,000 Accompanied by report number 1146525877 from GIA, Carlsbad, California stating that the marquise-shaped diamond weighs 1.01 carats with natural fancy light orangy pink colour. 1240. A fancy coloured diamond cluster ring, the marquise-shaped yellow diamond weighs 3.55 carats and is set within a surround of circular cut diamonds in platinum and yellow gold. Size O 1/2. £10,000-15,000 Accompanied by report number 5775-1522 dated 5th March 2015 from GCS London stating that the marquiseshaped diamond weighs 3.55 carats, with fancy deep brown yellow colour and VS2 clarity. 1241. A fancy yellow diamond and two white diamond three stone ring, the centre rectangular radiant cut diamond weighs approximately 1.00 carats and is set with two square-shaped radiant cut shoulder diamonds in white gold and platinum. Size K 1/2. £3,500-4,000 1242. wide.

A pair of starfish earrings, set with circular-cut diamonds and circular-cut sapphires in white gold. 2cm £600-800

1243. A pair of diamond and ruby set gold earrings, designed as an oval double spray and each centred with a circular cut diamond within a surround of circular cut rubies in yellow gold. £200-300 1244. A diamond ring, the central round brilliant cut diamond weighs 0.42 carats and is set in platinum with a surround of small diamonds with further diamonds to the shoulders. Size L 1/2. £1,500-2,000 Accompanied by report number 1166700875 dated 18th November 2014 from GIA, California stating that the round brilliant-cut diamond weighs 0.42 carats with natural very light blue colour. 1245. A diamond ring, the central oval-shaped diamond weighs 1.37 carats and is set in a surround of small diamonds in platinum. With further shoulder diamonds. Size K. £4,000-6,000 Accompanied by report number 1166699767 dated 18th November 2014 from GIA, California stating that the oval-shaped diamond weighs 1.37 carats, with natural fancy deep orange-yellow colour.

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1231

1231 1230

1233

1232 1235

1234

1242

1237

1241

1240

1239

1243

1236 1244

1245

1238

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1246. A ruby and diamond cross-over ring, the old circular-cut diamond weighs 1.69 carats, the circular cut ruby weighs 1.77 carats, set in platinum with smaller circular-cut shoulder diamonds. Indistinct inventory number. Size M £8,000-12,000 Accompanied by report number 5775-1484 dated 25th February 2015 from GCS, London stating that the circular cut ruby weighs 1.77 carats, with indications of heating with moderate residues in healed fissures. Origin: Burma. 1247. A kunzite, diamond, sapphire and pearl bar brooch, the shield-shaped kunzite is set with two untested pearls and two cabochon sapphires in gold. Surmounted with a diamond-set heart. 3.8cm wide. £500-700 1248. A sapphire and diamond ring, the emerald-cut sapphire weighs approximately 7.00 carats and is set with four baguette shaped diamonds to each shoulder in platinum. Size M. £3,000-4,000 1249. An alexandrite ring, the oval-shaped alexandrite weighs 7.64 carats and is set in a plain yellow gold mount. Engraved to the interior: 'Presented to R. Hancock Esq by The European Employees of the Mysore Co. March 1896. £4,000-6,000 Accompanied by report number 10864 dated 25th February 2015 from The Gem and Pearl Laboratory, London stating that the natural rectangular cushion-cut alexandrite weighs 7.64 carats and appears green in daylight, pinkish green in incandescent light. Provenance: The ring was presented to The Honorary Colonel Richard Hancock Esq, overseer of the Mysore gold mine and was subsequently owned by the family. 1250. A diamond solitaire ring, the old brilliant cut diamond weighs 2.23 carats and is set in platinum and yellow gold. Size P. £3,000-4,000 Accompanied by report number 20022137 dated 20th February 2015 from Anchorcert, UK stating that the Old English Brilliant cut diamond weighs 2.23 carats, with G colour, SI1 clarity. 1251. An early 20th century ruby and diamond brooch, of rectangular form. Set with a central line of old circular cut diamonds within two lines of calibré cut rubies and diamond terminals in platinum and gold. 2.8cm wide. Fitted case by Collingwood. £800-1,200 1252. An Edwardian diamond set target brooch, centred with an old circular cut diamond within foliate and scroll borders and two circles of smaller diamonds in platinum and gold. 2.8cm wide. £1,000-1,500 1253. A pink topaz and diamond ring, the oval shaped pink topaz weighs approximately 13.00 carats and is millegrain set within a surround of old circular cut diamonds in platinum and gold. Size O. £10,000-12,000 1254. An Art Nouveau diamond pendant, the scrolling foliate design millegrain set with old circular cut diamonds in platinum and gold. 5.2cm high. Fitted case. £1,500-2,000 1255. A pair of sapphire and diamond drop earrings, the principal old circular-cut diamonds weigh approximately 0.80cts each and suspend from a line of French-cut sapphires and diamonds in white gold. 3.8cm long. £3,000-4,000 1256. An Art Nouveau diamond set brooch pendant, set overall with graduated old circular cut diamonds in a pierced platinum mount. Folding pendant loop. 5cm high. £4,500-5,500 1257. An early 20th century diamond set heart-shaped brooch, foliate pierced decoration and set overall with graduated circular cut diamonds in platinum and gold. With glazed locket compartment to the reverse and engraved with description dated 1911. 2.7cm wide. £2,000-2,500 1258. A late Victorian diamond set stylised fan brooch, terminating in a loosely tied bow and set with rose-cut diamonds. 4.5cm long. £100-150

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1248 1246

1253

1250 1249

1251

1247

1252

1254 1255

1256

1257

1258

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1259. An 19th century gem-set silver and gold pendant, set with a small cushion-shaped yellow diamond between two square-shaped diamonds, opals, purple stones and rose-cut diamonds. £400-600 1260. An aquamarine and diamond set ring, the emerald-cut aquamarine is set with eight baguette-shaped and eight small circular cut shoulder diamonds in platinum. Size L 1/2. £2,500-3,000 1261. A diamond cross-over ring, the two circular-cut diamonds are set in platinum and gold with ten smaller circular cut diamonds. Size O 1/2. £800-1,200 1262. wide.

An Edwardian star brooch, set with graduated seed pearls and turquoise cabochons in gold. 3.5cm £400-600

1263. An early 20th century diamond cluster ring, the carved and pierced bombé-shaped ring is set with old circular cut diamonds in platinum. Size Q. £1,000-1,500 1264. An early 20th century diamond and sapphire ring, centred with an oval-shaped rose-cut diamond within a surround of graduated circular-cut diamonds and a border of graduated calibré cut sapphires. French control marks. Size M. £5,000-7,000 1265. box.

A natural pearl and diamond set stick pin, the pearl sits on a cap set with small diamonds. With £2,000-3,000

Accompanied by report number 09848 dated 9th May 2014 from The Gem and Pearl Laboratory, London stating that the loose part-drilled oval shaped pearl weighs 8.52 carats and is a natural saltwater pearl. 1266. L 1/2.

A diamond full circle eternity ring, the baguette shaped diamonds are channel set in platinum. Size £800-1,200

1267.

A ruby full circle eternity ring, the baguette-shaped rubies are channel set in platinum. Size L 1/2. £400-600

1268. L 1/2.

An emerald full circle eternity ring, the baguette-shaped emeralds are channel set in platinum, size £200-300

1269. A diamond cross-over ring, the two old cushion-shaped diamonds weigh approximately 0.90cts each, set with two smaller cushion-shaped diamonds and further shoulder diamonds in platinum and yellow gold. Size N. £3,000-4,000 1270. An opal and diamond heart-shaped locket pendant, the solid white opal is set in gold within a surround of old circular cut diamonds in silver and gold. Glazed locket compartment to the reverse. The detachable silver and gold pendant loop set with three graduated diamonds. 2.1cm wide. £300-400 1271. A pair of early 20th century diamond and chalcedony drop earrings, the rose-cut diamonds are millegrain set around elongated S-shaped and fluted chalcedony cabochons in platinum and gold. 5cm long. £1,800-2,000

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1259

1260

1261

1263 1262

1264

1266 1267 1268

1269

1271

1265 1270

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1272. An early 19th century gold bracelet, the circular links with granulated decoration. The heart-shaped clasp (damaged) with foliate decoration on matted ground. Centred with an oval-shaped garnet cabochon and glazed locket compartment to the reverse. The bracelet 21.5cm long. £300-400 1273. A Victorian snake necklace, the realistically formed scale links terminate with the scroll engraved snakes head set with a cabochon garnet and green stone eyes. Suspending a heart-shaped pendant set with a further cabochon garnet. 40cm. £400-600 1274. A Victorian diamond set closed crescent brooch, formed with three rows of graduated circular cut diamonds in silver and gold. Detachable brooch fitting. 3.5cm wide. £800-1,200 1275. A diamond set owl brooch, realistically formed and set overall with rose-cut diamonds and cabochon ruby eyes in silver and gold. £800-1,000 1276. A 19th century gold snake necklace, the head with three colour gold foliate decoration mounted with a pear-shaped cabochon garnet and with garnet eyes. Realistically formed graduated body. 36cm. £200-300 1277. An early 20th century closed crescent brooch, set with graduated old circular cut diamonds and pearls in silver and gold. 3.5cm wide. £1,200-1,800 1278. A Victorian sapphire and diamond star brooch, the graduated old circular and cushion shaped diamonds are set with a central sapphire and diamond cluster. The sapphire weighs approximately 1.50cts, in silver and gold. 4.2cm wide. Fitted case by Hennell. £1,000-1,500 1279. A late 19th century diamond set sunburst brooch pendant, centred with an old circular cut diamond set within a surround of ten smaller diamonds in silver and gold. Within a surround of wavy rays all set with graduated rose-cut diamonds. Detachable brooch fitting. 5cm diameter. £2,000-3,000 1280. An early 19th century gold bracelet, the textured circular links with a cannetille gold clasp set with turquoise cabochons and amethysts. 21cm. £200-300 1281. A 19th century blue paste rivière necklace, the oval-shaped stones are each mounted in a gold cutdown collets with hinged folding pendant loop from the largest stone. £200-300 1282. A Victorian gold snake-form hinged bangle, the double-hinged bangle engraved with foliate scroll decoration, the head mounted with three pink paste stones. Rose-cut diamonds and with ruby eyes on blue enamel ground. £200-300

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1272

1274

1277

1275

1273

1278

1276

1279

1282 1281

1280

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1289 detail 1283. A cased suite of 19th century citrine-set gold jewellery comprising a necklace. A pair of earrings and pendant, all in scroll decorated pierced gold mounts. The necklace set with graduated oval-shaped citrines, repeated to the earrings and brooch which suspend further drop-shaped citrines. The necklace 42cm. The earrings 7.5cm high. Red leather fitted case. £5,000-7,000 1284. form.

A Roman gold ring, mounted with a small oval-shaped engraved agate possibly depicting a torch. Oval£100-150

1285.

A gold posy ring, possibly 17th century, engraved to the interior +NO CVTTE TO VNKYNDNES. Size R. £200-300

1286.

A gold posy ring, probably 18th century. Engraved to the interior Not the value but my love. Size H. £200-300

1287.

An early 19th century gold foliate engraved posy ring, the interior engraved For you alone Size O. £150-200

1288.

A gold engraved ring, probably 18th century. Remains of black enamel to interior and exterior. Size L. £100-150

1289. A Queen Anne gold Memento Mori ring, engraved with a skull, the interior engraved FY obt 25 Apr 1702. Maker’s mark GT. Size Q. £200-300 1290.

A 19th century hardstone cabochon set gold cruciform pendant. 7cm long.

£400-600

1291.

A George III flat garnet mounted gold brooch, closed back mount. 4.5cm high.

£300-400

1292. A George III garnet and seed pearl set cruciform gold locket brooch pendant, formed as four flower heads with flat garnet petals and each centred with a pearl. With cannetille decoration. With small glazed locket compartment to the reverse. 4.2cm high. Fitted box by Watherston & Brogden. Henrietta Street, Covent Garden. £800-1,200 1293. A George III diamond set foliate brooch, set overall with rose-cut diamonds in silver and gold. Closed back mount. 3.5cm wide. Case by Reed of Jermyn Street. £600-800 1294. A George IV gold foliate carved memorial ring, with traces of black enamel. The interior engraved J.C.T. Feby.8.1825, maker’s mark RI and London 1825. Size N. £100-150 1295. A George III ruby and diamond cluster ring, centred with a cushion-shaped ruby within a surround of six cushion-shaped diamonds in silver and gold. Foliate bifurcated shoulders. Size H. And a damaged green stone and diamond set gold ring. £300-400 1296.

A George III flat garnet mounted gold brooch, closed back mounts. 4.5cm wide.

£200-300

1297. An 18th century oval-shaped glazed miniature portrait ring, the glazed painting believed to be the Baroque composer George Frideric Handel, 1685 - 1759. Wearing a long wig, red coat and white cravat. Foliate engraved decoration to the shoulders. Size M 1/2. £300-400 1298. A 19th century pearl and diamond cluster ring, set in gold with figure of eight shoulders to the triple band. Size L 1/2. Box by Lavender. £500-700 1299. An early 19th century ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of twelve small cushion-shaped diamonds in silver and gold. Bifurcated shoulders. Size M 1/2. Box by S.J.Phillips. £1,000-1,500 1300.

An early 19th century topaz and seed pearl cluster brooch. 1.7cm wide.

£200-300

1301. A Regency pearl-set gold memorial ring, centred with a glazed locket within a black enamel border and containing hair. The reverse engraved with an inscription dated 1814. Size M. £100-150

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1283

1283 1283

1284

1285 1293 1286

1291

1287

1288 1289

1290 1292

1294

1295 1298 1296 1297

1299

1300

1301

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1302. A late 19th century gold enamel and diamond beetle form key wind pendant watch, unsigned, numbered 8524 and scratched with inventory number 1453. The case in the form of a beetle with hinged wings set with rose-cut diamonds on red guilloche enamel ground. Opening to reveal the plain white enamel circular dial, with cylinder movement. The insects head set with further rose-cut diamonds and black enamel decoration. Realistically chased body. 5cm long (not including bale) £4,000-5,000 1303. A pair of novelty brooches in the form of a bat and an owl, both realistically formed, the bat with outstretched wings, the owl with pearl body and cabochon red stone eyes perched upon a branch, joined with a fine link gold chain set with two seed pearls. Fitted case. £1,500-2,000 1304. A 19th century gold winged scarab brooch, the centre carved carnelian scarab set in a gold rotating mount. Realistically formed and the reverse carved with two figures in the classical style. Supported with two snake form figures with beaks. The wings with fine pellet and wirework and decorated with green, blue, white and red cloissonne enamel. With two lotus buds beneath. The brooch 5.5cm wide. In fitted case with sticker for C Civilotti, Piazza Di Spagna 94 Roma. £600-800 1305. A silver and enamel photograph frame with Royal interest, of rectangular form and decorated with pink guilloche enamel. Folding strut support. Applied with a diamond and gem-set bee to the top left corner. By Louis Willmott, London 1907. Containing a photograph of Queen Alexandra. Glass chipped in one corner. £600-800 Provenance: Given By Queen Alexandra to her Maid of Honour the Hon. Violet Vivian; Lady Irene Astor, Baroness Astor of Hever (1919-2001) and thence by family descent. 1306. An Edwardian pearl and diamond set gold brooch pendant, of foliate form with detachable brooch fitting, fitted case by Hunt & Roskell. £800-1,200 1307. A late 19th century feather brooch, depicting a peacock in full display and surrounded with various flowers. All constructed from feather sections. Glazed and in gold oval mount. 6.5cm wide. £800-1,200 1308. A continental gold fob watch in the form of a pansy, C1840. The white enamel dial with black Arabic numerals, gold hands and winding at 1 o clock. Verge movement (damaged and incomplete) The cover realistically decorated with polychrome enamel (damaged). Within graduated seed pearl border. Similar decoration to the reverse (damaged) and centred with three seed pearls. Black and green enamel bar decoration to the sides. Suspending from a fine link double chain. 2.8cm wide. £200-300

1308 1302

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1302

1304

1303

1305

1306

1308

1307

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1309. An Arts and Crafts silver necklace mounted with citrines, the centre section mounted with an oval-shaped and pear-shaped citrine pendant in textured foliate mounts. With two further circular-cut citrines mounted in flowerheads. Fancy-link neck chain. 42cm long. £800-1,200 1311. An early 20th century circular blue and white pâte de vèrre pendant, with well detailed cupids making garlands. After Bertrand Andrieu, Paris (1761 - 1822). 3.8cm wide. Foliate gold mount. Signed Andrieu. With Liberty foliate printed fabric box. £80-120 1312. An Art Deco silver and gold pendant by Jean Desprès, C1930. Of geometric design, the silver semi-sphere set within pierced and textured rectangular gold border. Signed J. Desprès with maker's lozenge and French control marks. 5.5cm long. £2,000-3,000 1313. A carved moonstone Pharoah brooch, the realistically formed textured yellow and white gold wings, with a polychrome enamel pellet border. Mounted with two gold cobras. 5.4cm wide. £100-150 1314. A carved labradorite Pharoah brooch, the realistically formed gold wings mounted with two cobras. 5.8cm wide. £100-150 1315. An Arts and Crafts Aquamarine and yellow gold ring, C1932. Centred with a lozenge-shaped aquamarine supported by a male and female angel with outstretched arms and wings with their legs forming the remainder of the shank. Engraved to the interior H.B to E.M.V.B., and signed OMAR RAMSDEN ME FECIT. Size L. With a badly water damaged box for Omar Ramsden. £5,000-8,000 Sold Woolley & Wallis, lot 1430. 1st February 2007. 1316. An Art Nouveau pendant by Murrle Bennett & Co, the gold mount centred with an oval shaped turquoise cabochon and suspending a pearl. Signed to the reverse with monogram. £400-600 1317.

A gold Art Nouveau brooch, set with an oval-shaped opal and pearl drop. 4cm wide.

1315

£250-350

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1311 1309

1310

1314 1313

1312

1316

1315

1317

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1318. An early 20th century French silver and gold hinged bangle, pierced with realistically formed flowers, possibly daisies and with strapwork engraved with the words JE T’AIME UN PEU, BEAUCOUP, PASSIONNEMENT. 6.4cm wide. £2,000-3,000 1319. An Arts and Crafts necklace by Kate Eadie, set overall with graduated oval-shaped citrines to the foliate silver mounts on an ornate chain decorated with foliate links. The pendant and centre-section 8cm high the necklace 38cm long. Unsigned. Fitted case by Tadema Gallery. £2,500-3,500 Illustrated: Jewellery and Metalwork in the Arts and Crafts Tradition by Elyse Zorn Karlin, P56. Kate Eadie was a pupil of Arthur Gaskin’s in the Vittoria Street School of Jewellery. She married Sidney Metyard, a prominent member of the Birmingham school of Artists. She modelled for some of his paintings including St Cecilia. 1320. An Arts and Crafts gem-set floral brooch probably by Dorrie Nossiter, C1930. Designed as three flower heads and foliage and set overall with sapphires, emeralds, zircons and pink stones. Set in silver. Unsigned. 6.8cm high. £1,500-2,000

λ 1321. An Art Nouveau religious pendant, centred with a carved ivory figure of the Virgin Mary on pliqueà-jour ground. The gold frame in the classical manner with architectural columns forming the frame. With foliate decoration and set with small diamonds. Acanthus border to the base. 6.5cm high. £600-800

1318 detail

For a similar design see Katherine Purcell, Falize, A Dynasty of Jewelers, P251, watercolour design by Lucien Falize for a bracelet featuring the ‘Chanson de la Marguerite, illustration 360’.

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1318

1321

1319

1320

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1322. A gem-set gold cockatoo brooch by Cartier, the body set with an oval-shaped moonstone cabochon and with three marquise-shaped emerald leaves (one missing). Signed Cartier and numbered F2714 and with further French control marks. 3.8cm high. £2,000-2,500 1323. A ruby and diamond flower-head brooch, the stylised textured gold flowers are each centred with a ruby cabochon and a circular cut diamond amongst larger circular cut diamonds in platinum and gold. Signed Cartier Paris, with scratched out inventory number and French control marks. 5cm diameter. £4,500-5,000 1324. A diamond and ruby set yellow gold 1940s floral brooch, the flower head centred with a circularshaped yellow diamond within a surround of circular rubies and set with further rubies with circular-cut and pear-shaped and baguette-shaped diamonds. 9cm. £1,000-1,500 1325. A ruby and diamond set gold clip brooch, C1940, of geometric design, set with two lines of calibrécut rubies and a raised cylinder with ruby cabochon terminals and pavé-set diamond centre. 4.7cm long. £600-800 1326. A diamond-set gold fir cone brooch by Cartier, realistically formed with ten small round brilliant cut diamonds set to the branch section and fir cone. Signed Cartier and indistinctly numbered. 5.5cm high. With case by S.J. Phillips. £3,000-4,000 1327. A stylised gold brooch by Cartier, the central bombé section pavé set with circular cut citrines above a pleated chevron design yellow gold surround. Signed Cartier to reverse. 4.4cm wide. £3,000-4,000 1328. An emerald and diamond ring, the emerald cut emerald is pavé set in yellow gold within scrolls of graduated round brilliant-cut and baguette-shaped diamonds in platinum. French control marks to the shank exterior. Size J. With a Boucheron box. £35,000-45,000 Accompanied by report number 60672 dated 5th May 2014 from AGL, New York stating that the emerald-cut emerald measures 10.7 x 9.9 x 7.05mm, with minor clarity enhancement. Origin: Colombia. 1329. A ruby and diamond set gold bracelet, the graduated and articulate yellow gold bracelet is set with six graduated diamond centred ruby clusters. 19cm, 69g. £1,000-1,500 1330. A French fancy link gold bracelet C1940, of alternating triangular and cylindrical form. 128g. 17cm long. French control marks. £3,000-4,000 1331. A yellow gold articulated stylised chevron link bracelet by Boucheron, C1940. Signed Boucheron Paris. French control mark. 19cm. 68g. £2,000-3,000

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1323

1322

1324

1325 1328

1327

1326 1329

1330

1331

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1332. A diamond set bow brooch, the stylised bow set with graduated circular cut diamonds with a central section of baguette shaped diamonds suspending a single briolette cut diamond in white gold. 4.8cm wide. Case. £1,500-2,000 1333. A flexible diamond set gold floral brooch, the flowerhead set with lines of graduated round brilliant cut diamonds and smaller diamonds to the leaves. The diamonds weigh approximately 10.00cts in total. 7.5cm long. £3,500-4,000

✣ 1334. A Burmese ruby and diamond half hoop ring, the oval-shaped ruby is set with four baguetteshaped diamonds in 18ct gold size M.

£800-1,200

Accompanied by report number 5775-1523 dated 5th March 2015 from GCS, London stating that the oval-shaped ruby weighs approximately 0.90 carats and is a natural ruby with no evidence of heating. Origin: Burma. 1335. A diamond solitaire ring, the hexagonal-shaped diamond is set with three graduated baguette-shaped diamonds to each shoulder. French control mark to shank exterior. Size H. £6,000-8,000 1336. A sapphire and diamond three stone ring, the oval-shaped sapphire is set with two round brilliant cut diamonds in platinum. French control marks. Size I. £6,000-8,000 1337. A diamond three stone ring, the centre modern brilliant cut diamond weighs approximately 1.50 carats. Set in platinum. Size S. £5,000-7,000 1338. An emerald and diamond circular brooch, alternately set with eight round brilliant-cut diamonds and treffoils of small circular-cut emeralds in white gold. 2.5cm wide. £200-300 1339. A ruby and diamond bracelet, the flexible yellow gold bracelet is alternately set with quarterfoils of circular cut rubies and circular cut diamonds. 18.5cm long. £800-1,200 1340. A pair of diamond spray earrings, set with marquise-shaped, baguette and tapered baguette-shaped diamonds in white gold. £7,000-9,000 1341. A pair of diamond-set scroll earrings, each set with fourteen graduated baguette-shaped diamonds in white gold. £1,500-2,000 1342. A pair of sapphire and diamond flower-head earrings, the circular cut diamond is set within six circular cut sapphires in platinum. £800-1,200 1343. A diamond pendant, the round brilliant-cut diamond weighs 2.18 carats and is set in gold with six smaller diamonds. £10,000-15,000 Accompanied by report number 20022135 dated 20th February 2015 from Anchorcert, UK stating that the round brilliant cut diamond weighs 2.18 carats, with F colour, SI1 clarity.

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1332

1334

1335 1333

1336

1337

1338

1339

1340

1342

1341

1343

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1351 detail

✣ 1344. A late Victorian gem-set butterfly brooch, the wings set overall with graduated old cushion-shaped diamonds and four Burmese rubies. The body set with an emerald cut Colombian emerald, in silver and gold. 4.8cm wide. £10,000-15,000 Accompanied by report number 10801 dated 6th February 2015 from The Gem and Pearl Laboratory, London stating that the natural emerald measures 10 - 11 x 8 - 9 x 3.6mm and shows evidence of significant clarity enhancement. Origin opinion: Colombia. The four natural rubies show no evidence of heat treatment. Origin opinion: Burma. 1345. A 19th century diamond brooch, set overall with cushion and pear-shaped diamonds in silver on gold. 8cm wide. Possibly converted from two drop-earrings sections. Case. £3,000-4,000 1346. A late Victorian diamond-set swallow brooch, realistically formed and pavé set with graduated old circular cut diamonds in silver and gold. Detachable brooch fitting. 5.4cm wide. £600-800 1347. A 19th century opal and diamond butterfly brooch, the wings mounted with solid opal sections in a gold closed back mount. The body set with four cushion-shaped diamonds and cabochon ruby eyes. 3.5cm wide. £300-400

✣ 1348. A late Victorian ruby five stone ring, the five graduated oval-shaped rubies are set with eight rosecut diamonds in yellow gold. With carved shell-form shoulders. Size N. £3,500-4,500 Accompanied by report number 10898 dated 4th March from The Gem and Pearl Laboratory, London, stating that the five rubies show no evidence of heat treatment. Origin: Burma. 1349. A 19th century diamond set five stone ring, the five graduated cushion-shaped diamonds are set in silver and gold with pierced and scroll engraved shoulders. Size P 1/2. £5,000-7,000 1350. An early 20th century emerald and diamond three stone ring, the oval shaped emerald is set between two old circular cut diamonds in gold with six small rose cut diamonds and scroll carved shoulders. Size S. £1,000-1,500 1351. A 19th century gold hinged bangle containing hair of the Duke of Wellington, profusely engraved overall with scrolling decoration and the hinged cover centred with a Ducal coronet. On the reverse of the cover engraved in Italics: 'The Hair of the Duke of Wellington 1841' and with an internal glazed locket compartment containing hair. Internal width 5.8cm. Fitted case by E & W Smith, Goldsmiths and Jewellers to the Queen and Royal Family. 30 Maddox St, Regent Strt. £5,000-10,000 It was a custom of The Duke of Wellington to present locks of his hair to special friends and acquaintances. See P399, Wellington: A Personal History, Christopher Hibbert. Provenance: Believed to have been a gift from The Duke of Wellington to Mrs Little Gilmour, whose brother-in-law General Sir Dugald Little Gilmour served under Wellington at the battles of Bussaco and Fuentes de Oñoro (1810 - 1811). The bracelet passed from Mrs Little Gilmour to her daughter Jane on her death in 1847, then to Jane's grandson Sir Robert Gordon Gilmour and thence by family descent to the current owner. 1352.

No Lot.

✣ 1353. A Burmese ruby and diamond-set cruciform gold pendant, set with eleven oval-shaped rubies and rose-cut diamonds, and a further ruby and four small diamonds to the bale. £3,000-4,000 Accompanied by report number 10902 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that the twelve mixed-cut natural rubies show no evidence of heat-treatment. Origin opinion: Burma. 1354. A late Victorian ruby and diamond set gold ring, set with a line of five graduated cushion-shaped diamonds and five graduated cushion-shaped rubies with scroll carved shoulders. Size L. £400-600

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1344

1345 1348

1349 1346 1347

1350

1351

1354

1353

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1355. A natural pearl and diamond flower head ring, the pink pearl set within a surround of cushion shaped diamond petals in platinum and gold. Size N. £400-600 Accompanied by report number 06034 dated 20th July 2012 from The Gem and Pearl Laboratory, London stating that part-drilled rounded light brown pearl measures 7.6 - 8.2mm, weighs 3.43ct and is a natural saltwater pearl. 1356. A natural freshwater pearl and diamond ring, the button-shaped pearl measured 10.80 diameter and is set within a surround of old circular cut diamonds in silver and gold. Size Q. £600-800 1357.

A single row natural pearl necklace, 110cm. With a pierced gold clasp.

£400-600

Accompanied by report number 10408 dated 2nd November 2014 from The Gem and Pearl Laboratory, London stating that the 226 pearls graduate from 3.7 to 4.5mm and are natural saltwater pearls. 1358. A pair of natural pearl and diamond drop earrings. Each button-shaped pearl suspends a dropshaped natural pearl below an old circular cut diamond in silver and gold. £4,000-6,000 Accompanied by report number 10291 dated 8th August 2014 from The Gem and Pearl Laboratory, London stating that the four pearls are natural saltwater, including one natural saltwater blister pearl. 1a) part-drilled, flatted drop, measures 7.9 - 9.8 x 11 - 12mm 1b) part drilled button with a worked base 5.8 - 5.9 x 4 - 5mm (blister pearl) 2a) drilled flatten drop, plugged at one end measures 7.3 - 9.9 x 12 - 13mm 2b) part-drilled button with a worked base measures 5.4 - 5.7 x 3.5 - 4mm. 1359.

A single row graduated natural pearl necklace, 49cm long.

£600-800

Accompanied by report number 09879 dated 16th May 2014 from The Gem and Pearl Laboratory, London stating that the 156 pearls graduate from 2.2 to 5.9mm, weigh 9.7g in total and are natural saltwater pearls. 1360. A two row graduated untested pearl necklace suspending a Victorian gold circular locket pendant centred with a cluster of cushion-shaped diamonds within a surround of half pearls on a star-shaped blue enamel ground with further surround of half-pearls. Glazed locket compartment (cracked) to reverse. The necklace 49cm. £400-600 1361. A single row natural pearl necklace, with an emerald and diamond pierced lozenge clasp set in silver and gold. 41cm long. £3,000-4,000 Accompanied by report number 06085 dated 7th August 2012 from The Gem and Pearl Laboratory, London stating that the 73 pearls graduate from 3.7 to 6.5mm, weigh 55.98 carats (total) and are natural saltwater pearls, with the exception of two bead-nucleated cultured pearls (31st and 33rd from one end).

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1355

1356

1357 1359

1361 1360 1358

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✣ 1362. A ruby and diamond ring by Cartier (monture), the oval-shaped ruby weighs 5.49 carats and is set with three marquise-shaped diamonds to each shoulder in platinum. Signed Cartier Monture, with French control marks. Size M 1/2. With Cartier box. £60,000-80,000 Accompanied by report number 54731 dated 19th October 2009 from SSEF Switzerland stating that the antique cushion shaped ruby weighs 5.498 carats with red of rather strong saturation, no indication of heating. Origin: Burma. 1363. A 1950s diamond bracelet, centred with a marquise-shaped diamond within scrolls of baguetteshaped and circular-cut diamonds. The panel terminals are each set with six graduated marquise-shaped diamonds within borders of baguette-shaped diamonds. Stamped with inventory number 5012. 17.5cm. £12,000-15,000 Accompanied by report number 20019389 dated 22nd September 2014 from Anchorcert, UK stating that the marquise-shaped diamond weighs 2.25 carats, with I colour and VS2 clarity. 1364. An early 20th century pearl and diamond brooch, the baroque pearl is set within a surround of diamond and seed pearl swags and laurels in platinum and gold. 4.5cm wide. £2,500-3,500 Accompanied by report number 10293 dated 8th August 2014 from The Gem and Pearl laboratory, London stating that the irregular-shaped undrilled pearl with worked areas on its surface measures 27 x 14 x 15-16mm and is a natural hollow saltwater pearl.

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1362

1363

1364

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1365. A sapphire and diamond set Art Deco style white gold panel bracelet, formed with three octagonal open work panels each centred with an oval shaped sapphire and millegrain set with graduated circular cut diamonds. With further rectangular diamond set panels joined with square sections set with a central line of baguette shaped diamonds and square shaped sapphire borders. 19.5cm. £7,000-9,000 1366. A Belle Époque sapphire and diamond pendant, the centre oval-shaped sapphire is set within a surround of circular cut diamonds with further diamonds set to the foliate scroll mount and swags in silver and gold. 8cm high. £12,000-15,000 Accompanied by report number 10900 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that the rectangular cushion-shaped sapphire measures 14-15 x 13 x 8.9mm and is a natural sapphire with no evidence of heat treatment. Origin opinion: Sri Lanka. 1367. A Victorian opal and diamond heart pendant, the solid heart-shaped opal is set within a surround of graduated circular cut diamonds. Suspending two detatchable articulated opal and diamond sections, in silver and gold. 7.2cm long. Fitted case by The Goldsmith’s and Silversmith’s Company Ltd. £4,500-5,500 1368. A diamond solitaire ring, the old circular cut diamond weighs approximately 4.05cts and is set in platinum with pierced scroll shoulders set with small diamonds and graduated tapered baguette shaped sapphires. Size N (with two resizing balls). £14,000-18,000 1369. A zircon and diamond cluster ring, the large circular cut blue zircon is set within a surround of circular cut diamonds in carved and pierced platinum and white gold mount. Size U 1/2. £600-800 1370. A diamond set three stone ring, the three cushion-shaped diamonds weigh approximately 1.75, 2.59, and 1.68 carats and are set in platinum with pierced heart collets and scroll engraved stylised fleur-de-lys shoulders. Size O. With original late Victorian damaged mount. £10,000-15,000

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1366

1365

1367

1369 1368

1370

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✣ 1371. A Burmese sapphire and diamond cluster ring, the sapphire weighs approximately 5.36 carats, set with eight graduated round brilliant-cut shoulder diamonds and twenty two graduated marquise-shaped diamonds in yellow gold. Size H 1/2. £15,000-18,000 Accompanied by report number 11070101 dated 20th July 2011 from Gubelin, Switzerland stating that the cushion-shaped sapphire weighs 5.36 carats and is a natural sapphire with no evidence of heating. Origin: Burma.

✣ 1372. An early 20th century Burmese ruby and diamond ring, the oval-shaped ruby weighs 1.96 carats and is set with small diamonds to the foliate scroll pierced platinum mount. Size N 1/2.

£12,000-15,000

Accompanied by report number 78558 dated 2nd March 2015 from SSEF, Switzerland stating that the cushion-shaped ruby weighs 1.968 carats, is red of medium strong saturation and shows no indication of heating. Origin: Burma. 1373. An emerald and diamond cluster pendant, the emerald-cut emerald is set within a surround of old circular-cut diamonds in silver and gold and suspends and untested pearl. £16,000-20,000 Accompanied by report number 5775-1485 dated 25th February 2015 from GCS, London stating that the emerald weighs approximately 7.30 carats, with indications of moderate clarity enhancement. Origin: Colombia. 1374. A French Art Deco diamond and platinum bracelet, mounted with thirteen square panels, each pavé set with a circular cut diamond and separated with pairs of baguette-shaped diamonds. The tongue with two French control marks. 17.3cm long. £30,000-40,000 1375. A Victorian natural pearl and diamond foliate brooch, the leaves set with graduated old cushionshaped diamonds amongst natural pearls. Suspending a further natural pearl drop. £20,000-30,000 Accompanied by report number 10485 dated 21st November from The Gem and Pearl Laboratory, London stating that the flattened drop-shaped pearl with a worked area to the back measures 10.0 -12.9 x 17 - 19mm and is a natural saltwater pearl. The curved and tapered part-drilled pearl measures 21 - 22 x 10 -11 x 10mm and is a natural hollow saltwater pearl.

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1371

1372

1373

1374

1375

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1376. A French natural pearl and diamond necklace, the pierced lozenges millegrain set with diamonds and alternately set with pearls. Suspending a further diamond section suspending a line of articulated diamonds and another pearl in platinum. French control marks. 47cm long. The necklace separates to be worn as a bracelet. 21.5cm long. £15,000-20,000 Accompanied by report number 022653 dated 27th February 2014 stating that the 20 roundish button-shaped pearls graduate from 4.92 to 8.27mm and are natural saltwater pearls. 1377. A diamond-set gold flower brooch by Van Cleef & Arpels, centred with a round brilliant cut diamond within a surround of further diamonds and with articulated realistically engraved petals. The detachable terminal set with three small diamonds.Signed Van Cleef & Arpels. Brev SGDG. With indistinct maker’s lozenge. 8cm high. Van Cleef & Arpels box. £6,000-8,000 1378. An Art Deco diamond set panel bracelet, the nine rectangular panels set overall with graduated old circular-cut diamonds and joined with baguette-shaped diamond links. Diamond links in platinum. 17.5cm. £12,000-15,000

✣ 1379. A Burmese pink sapphire and diamond ring, the slightly oval-shaped sapphire weighs 4.04 carats and is set with four baguette-shaped shoulder diamonds in platinum. Size M 1/2. £8,000-12,000 Accompanied by report number 2006-040674 dated 12th April 2006 from GRS, Switzerland stating that the ovalshaped pink sapphire weighs 4.04 carats and is natural with no indications of heat treatment. Origin: Burma. 1380. An emerald and diamond cluster ring, the square-shaped emerald is set within a surround of small cushion-shaped diamonds in platinum. Size O. £8,000-12,000 Accompanied by report number 10903 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that emerald-cut emerald measures 9.0 x 8.2 x 3.9mm and is a natural emerald with evidence of minor clarity enhancement. Origin opinion: Colombia.

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1377

1376

1378 1380

1379

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1381. A diamond set Belle Ă&#x2030;poque necklace by Dreicer & Co, the centre circular foliate section surmounted with a bow and suspending a larger circular cut diamond within a surround of twelve smaller circular cut diamonds. The two shoulder sections of similar design and joined to the centre with foliate swags and two stylised tassels. The back section formed with diamond set links with foliate terminals and each joined with a circular cut diamond. Signed Dreicer & Co to the clasp. 21.7cm wide. 53cm long. ÂŁ80,000-120,000 Dreicer & Co 1904 - 1923. The firm of Dreicer & Co. was one of the top jewellery retailers in America in the early 20th century. The shop was liquidated in 1923 following the death of Michael Dreicer, the founder's son. In 1924 Cartier bought Dreicer's stock of jewels for $2.5 million.

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actual size

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1382. A Victorian diamond set floral necklace, designed as three graduated wild rose heads, all set with cushion-shaped and rose-cut diamonds separated with cushion-shaped diamond-set leaves. The detachable back section set with matched rose-cut diamonds and all in silver and gold. With an additional brooch mount to accommodate a flower head en tremblant, a small brooch fitting and a separate leaf section. Some small stones missing. The centre flower head 3.8cm wide. £6,000-8,000 1383. A 19th century diamond set brooch/pendant, centred with an old circular cut diamond within a diamond-set flower head. Silver on gold surround within pierced border set with diamond set stylised petals. The detachable pendant centred with a pear-shaped diamond within cushion-shaped and rose-cut diamonds in silver and gold. With detachable brooch mount. £1,500-2,000 1384. A 19th century seed pearl and sapphire gold brooch, the oval shaped sapphire weighs approximately 3.40cts and is set within a surround of seed pearls in gold. 1.8cm wide. £400-600 1385. A 19th century diamond ring, set with two pear-shaped diamonds within a surround of old circular cut diamonds and surmounted with a diamond-set bow in silver and gold. Pierced scroll decoration to the gold shoulders, size M. Case. £1,500-2,000 1386. A demantoid garnet and pearl bar brooch, the three oval shaped demantoid garnets alternately set with pearls, the central stone flanked either side with a diamond in gold. 3.8cm wide. Case. £1,200-1,500 1387. A pink topaz ring, the cushion-shaped topaz weighs approximately 6.00 carats and is set in silver and gold with rose-cut shoulder diamonds. Size M. £5,000-7,000 1388. A late 19th century three stone diamond ring, the central cushion-shaped faint pink diamond weighs 1.32 carats and is set either side with an old pear shaped diamond in carved and pierced yellow gold mount. Size N 1/2. £13,000-15,000 Accompanied by report number 1152333768 from GIA, California stating that the old mine-cut diamond weighs 1.32 carats with natural faint pink colour. 1389. A late 19th century ruby five stone ring, the five oval-shaped rubies are set with eight rose-cut diamonds in yellow gold with scroll-carved shoulders. With an indistinct inventory number, possibly 19315. Size M 1/2. With a Cartier box. £800-1,200 1390. A pair of diamond earrings, the principal old circular cut diamonds weigh approximately 4.10 in total and are set beneath a smaller old circular cut diamond in platinum and gold. £7,000-9,000

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1383

1382

1386

1384

1385

1388

1389

1387

1390

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1391. A 1950s diamond three row necklace, with articulated rows of graduated round brilliant-cut and baguette-shaped diamonds in platinum. The shoulders each set with baguette-shaped and round brilliant-cut diamonds, the back section of the necklace with further circular-cut and baguette-shaped diamonds in platinum. 35cm. ÂŁ20,000-30,000

actual size

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1392. A graduated natural pearl necklace, the pearls graduate from 2.7 to 7.8mm. 44cm. With a ruby and diamond set gold clasp. 44.5cm long. Fitted case. £5,000-7,000 Accompanied by report number 10895 dated 4th March 2015 from The Gem and Pearl Laboratory, London stating that the 115 pearls weigh 13.38g (total) and are natural saltwater. 1393. An Art Deco platinum diamond bracelet, the three hinged panels are each set with a central line of graduated baguette-shaped and emerald cut diamonds and millegrain set within surrounds of circular cut diamonds. Joined with two diamond-set shaped rectangular links and repeated to the clasp. 18cm long. £15,500-17,000

✣ 1394. An early 20th century Burmese ruby and diamond brooch, centred with an oval-shaped ruby which weighs 2.60 carats and is set with graduated circular-cut diamonds and small rubies in platinum and white gold. 7cm wide. £30,000-40,000 Accompanied by report number 78431 dated 20th February 2015 from SSEF, Switzerland, stating that the ovalshaped ruby weighs approximately 2.60 carats, is red of medium strong saturation. With no indications of heating. Origin: Burma. 1395. A sapphire and diamond ring, the octagonal-shaped sapphire is set in white gold with six graduated baguette-shaped shoulder diamonds. Size M. £8,000-10,000

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1392

1393

1394

1395

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1396. A pair of 19th century natural pearl and diamond drop earrings, the drop-shaped fully drilled pearls are set with cushion-shaped and rose-cut diamonds in silver and gold foliate mounts. Suspending from conforming and detachable upper sections and untested half-pearls. Indistinct marks. 7cm high. Case. ÂŁ80,000-120,000 Accompanied by report number 78650 dated 12th March 2015 from SSEF, Switzerland stating that the dropshaped drilled (and one worked) pearls measure 11.60 - 11.75 x 17.00mm and 10.75 - 11.60 x 17.70mm, weigh approximately 15 and 14 carats, with light brown and light cream colour and are both natural saltwater pearls with no indications of colour modification.

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1397. A graduated natural pearl necklace, the pearls graduate from 4.9 to 9.3mm and are each divided with smaller seed pearls (untested), with sapphire-set gold clasp. 57cm. £30,000-40,000 Accompanied by report number 5775-1540 dated 27th February 2015 from GCS, London stating that the pearls weigh 25.80g in total, of cream colour and are natural saltwater pearls. 1398. An early 20th century natural pearl and diamond pendant, suspending a large drop-shaped pearl which weighs 14.51 carats. The mount is set with smaller pearls and diamonds to the foliate bow in silver and gold. On a fine link platinum neck chain set with seed pearls. £22,000-25,000 Accompanied by report number 76093 dated 29th August 2014 from SSEF, Switzerland stating that the slightly baroque-shaped half-drilled pearl weighs 14.514 carats, is slightly cream and is a natural saltwater pearl. 1399. A pair of natural pearl and diamond earrings, each button shaped pearl suspends from an old circular cut diamond, the pearls measure approximately 9.5mm. £3,500-4,500 Accompanied by report number 10577 dated 10th December 2014 from The Gem and Pearl Laboratory, London, stating that the button-shaped part-drilled pearls measure 9.4 - 9.6 and 9.5mm x 7 - 8mm, and are natural saltwater pearls.

✣ 1400. A 1950s ruby and diamond bracelet, set with a central line of thirty graduated circular-cut Burma rubies (one not of Burmese origin), borders of baguette-shaped diamonds and tied at both ends with circularcut and marquise-shaped diamond clasps. 19.5cm. £20,000-30,000 Accompanied by report number 10896 dated 4th March from The Gem and Pearl Laboratory, London stating that the thirty-one natural rubies show no evidence of heat-treatment and with the exception of the ruby next to the tongue end, samples of the remaining rubies are Burmese. 1401. An emerald and diamond three stone ring, the square-shaped emerald is set with two old brilliant cut diamonds in platinum. The diamonds weigh approximately 3.10 carats in total. Size N. £15,000-20,000 Accompanied by report number 5775-1526 dated 5th March 2015 from GCS, London stating that the emerald cut emerald weighs approximately 2.80 carats and is a natural emerald with evidence of moderate clarity enhancement. Origin: Colombia. 1402. A late Victorian sapphire and diamond cluster ring, the ovalshaped sapphire weighs approximately 7.90 carats and is set within a surround of fourteen old circular cut diamonds in silver and gold. Size O. £8,000-12,000 Accompanied by report number 10804 dated 6th February 2015 from The Gem and Pearl Laboratory, London stating that the oval-shaped natural sapphire measures 13.1 x 8.1 x 8.1mm and shows no evidence of heat treatment. Origin opinion: Sri Lanka. Provenance: To be sold on behalf of the great great grandson of Lady Maud PettyFitzmaurice, Marchioness of Lansdowne, from whom the ring was inherited. Lady Maud was the eleventh child of James Hamilton, The 1st Duke of Abercorn. Her husband, Henry, 5th Marquess of Lansdowne was Viceroy of India (1888 – 1894) and she was later Lady of the Bedchamber to Queen Alexandra (1905 – 1909) 1403. An emerald and diamond three stone ring, the emerald cut emerald is set with two triangular-shaped shoulder diamonds in yellow gold. French control marks. Size N 1/2. £15,000-20,000 Accompanied by report number 10906 from The Gem and Pearl Laboratory, London stating that the emerald-cut emerald measures 9.5 x 7.2 x 5.1mm and is a natural emerald with evidence of minor clarity enhancement. Origin opinion: Colombian.

Maud Petty-Fitzmaurice, Marchioness of Lansdowne, Vicereine of India (1888 - 1894)

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1398

1399

1397

1400

1401

1402 1403

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1404.

A single row natural pearl necklace, the seventy pearls graduate from 3.8 to 9.2mm with emerald and diamond set clasp. 50cm long. ÂŁ10,000-15,000

Accompanied by report number 10951 dated 13th March 2015 from The Gem and Pearl Laboratory, London stating that the 70 pearls graduate from 3.8 to 9.2mm, weighs 27.63g (total) and are natural saltwater pearls.

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1405.

A single row natural pearl necklace, the fifty pearls graduate from 6.05 to 9.05mm with diamond set gold clasp. 41cm long. ÂŁ60,000-80,000

Accompanied by report number 78464 dated 23rd February 2015 from SSEF Switzerland stating that the 50 pearls graduate from 6.05 to 9.05mm, weigh 28.1g in total, with slightly cream to light cream, partly with rosĂŠ and green overtones. All are natural saltwater pearls.

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1408

1406. A diamond set floral brooch by Cartier, formed as three flower heads, set overall with graduated circular cut diamonds in platinum. With spring-loaded double clip to the reverse. Signed Cartier London. 4.5cm high. £10,000-12,000

✣ 1407. An Art Deco Burmese ruby and diamond brooch by Cartier, of stylised palm form and set with six emerald-cut rubies within a surround of graduated circular-cut and baguette-shaped diamonds in platinum. 4.2cm high. Signed Cartier London. Fitted case by Cartier. £25,000-35,000 Accompanied by report number 78432 dated 20th February 2015 from SSEF, Switzerland stating that the rubies weigh approximately 6.00 carats in total, with purplish red of medium, strong saturation and no indications of heating. Origin: Burma.

✣ 1408. An Art Deco ruby and diamond ring, the cushion-shaped ruby weighs 6.17 carats and is set in platinum and white gold with ten baguette-shaped diamonds and eight small circular cut diamonds. £20,000-30,000 Accompanied by report number 10100 dated 27th June 2014 from The Gem and Pearl Laboratory, London stating that the rectangular cushion-shaped ruby has transparent pinkish red colour, with no evidence of heat treatment. Origin opinion: Burma. A verbal report was given by S.S.E.F., Switzerland in October 2014, stating that in their opinion the ruby is of Sri Lankan origin.

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1406

1407

1408

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actual size

1409. A pair of natural pearl and diamond drop earrings, the drop-shaped pearls suspend from two graduated circular cut diamonds and with rose-cut diamond caps in silver and gold. £80,000-120,000 Accompanied by report number 76867 dated 3rd October 2014 from SSEF, Switzerland stating that the natural saltwater drop-shaped half-drilled pearl weighs 15.563 carats, measures 11.51 - 11.57 x 17.37mm, with slightly cream colour. Accompanied by report number 76868 dated 3rd October 2014 from SSEF, Switzerland stating that the natural saltwater drop-shaped half-drilled pearl weighs 15.205 carats, measures 11.15 - 11.39 x 17.02mm, with slightly cream colour. Provenance: To be sold on behalf of a descendant of Thomas Pitt (1653 – 1726), who represented a Salisbury constituency in The House of Commons, in 1689 and 1690 and was President of Madras (1698 – 1709). Thomas Pitt bought the famous 410 carat ‘Regent’ diamond in 1701. He was grandfather and great–grandfather to William Pitt The Elder and William Pitt The Younger. The pearls are the property of Thomas Pitt’s descendants through the Fortescue and Grenville families.

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Fine Silver & Objects of Vertu Wednesday 29th April 2015

A pair of German silver models of a parrot and parakeet, with import marks for Chester 1905. Estimate: £4,000 - £6,000

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

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Asian Art Wednesday 20th & Thursday 21st May 2015

ENQUIRIES John Axford Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

A fine and rare pair of Chinese Imperial pale celadon jade models of jardiniĂ¨res, Qianlong 1736-96, 37.5cm overall. Provenance: a distinguished private collection in the UK, purchased from John Sparks Ltd. Estimate: ÂŁ40,000-60,000

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Asian Art Wednesday 20th & Thursday 21st May 2015

ENQUIRIES John Axford Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

A collection of Chinese kingfisher feather hair ornaments, Qing dynasty, decorated with insects, flowers, bats, shou characters and other designs, 17.7cm max. Provenance: a private collection, London. Estimate: ÂŁ1,500-2,500

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Clocks, Watches & Scientific Instruments Friday 17th July 2015 Entries are now being accepted for this sale

ENQUIRIES Richard Price (Consultant) Tel: +44 (0)7741 242421 richardprice@woolleyandwallis.co.uk

Part of a collection of fifty carriage clocks, including fine enamel examples. Varying estimates.

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

N SCOTS L SALISBURY ST WE

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CHIPPER

T WIN S BED

WOOLLEY & WALLIS

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WINCH ESTER ST

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Salisbury Salerooms ark eP hiv

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A36 Ch

WILTON & WARMINSTER

Sarum Business Park

A36(T) CH URC HIL L

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Westover Garage

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Old Sarum Park

A 3 6(

MR HA ND WY

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

urchill W ay

LW AY W ES T IL

D SR SE VI DE WILTO NR DA

C UR

EET STR TLE CAS

A3 60

Old Sarum Kia Motors

D OA

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

AMESBURY & MARLBOROUGH

E LS

H AS

YR LE

CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

r Po

A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D A30

94 NEW H

D PAY AN Y DISPLA RK CAR PA

NT O

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

SALT LANE

LANE

SALT

RO A

( T)

EET

UT SO

Y A36

A36(T) SO UTHA MPT ON R

STR

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

WIN

SOUTHAMPTON CATHEDRAL

BED

ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 30th April 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

100

www.woolleyandwallis.co.uk

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