Page 1

cinefan.com.hk

八月節目

基阿魯斯達米、大島渚、寇比力克

Aug Programme

Kiarostami, Oshima ﹠ Kubrick ... 主辦 Presenter

{

42

資助機構 Financially Supported by

43

}


目錄 Contents

主辦 Presenter

夏日國 際電影 節201 3

資助機構 Financially Supported by

開幕 《我 片《激戰 遞」送 要⋯17歲 》快打式 妮、般 來各大 》女角美 拳腳, 打得 艷動 奴杜蒙 影展炙 「真浪 、黑澤 手可熱 人,道出 讓人熱血 沸騰 一段 清、米 的話題 兩部日 漫,新喜 高溫達 作,名 青春性慾 ,閉幕片 瑰、崩 本出位喜 劇」特集 家 。「影 波 包 頓及珍 括 劇則 歐亞 樂及紅 甘比茵活地阿倫 展快 電影節 酒的世 抵死過癮 浪漫喜劇 、克萊 等 發 。 , 界 。 燒友 「樂與 愛 。 島渚的 雅丹 酒」的情新態度千 小輯, 八月節目 繼續給 三部紀 奇百怪 科幻經 大 錄片, 又 典《2 001太 家重溫經 會帶你千迴百轉; 空漫遊 典電影 進入石 , 》 如 玫 等。 兩位大 The Festiv 師 基阿魯 c lo s e a l o 斯達米 gorges w it h F rpens with 及大 a ous Y oung n c o is e O Dante La “Fest m z & Bea o n ’s ’s U F a nbea in v e s utiful . ves” from tab t ig a t io fe s Kuros uch cine a t u re s t h n in t le of blo o fe m od e la t e awa K ma gr ea a le s , sweat s iyosh “Love a exua i, M ts inclu t fro m m li t y, t nd tears cinem& Laughs ichael Winding Woo a jo r in t e , he st d terbo r u n n inand Wine a’s wackie” packs a ttom y Allen, Cn a t io n a l g ly ” fe and J s b ane Claire Denis s t iv a ls , w Chinabrings togt comedie ag of lov ampio , Bru s. On e sto ’s nov it h t it ether n r e le n. ies o o Du the d au ric The S The ft mont s oc to he an C in , d Fre ne Roses umentary his age a to m e F a n p nch v n , fr d o a n J aster Helsin t, “Ro apan ro g r a intag e e. ki pu c f il m Kiaro nk ba k, Punk &se stam m m a k e m e c o nd, a 2001 i and Os r s w it h s n t in u e s t nd : A Sp e le c t hima o pa io n y ace O Nagis dysse a, the s f ro m Ah o m a g e y and sci-fi c b lassic b a s more .

Summ er IFF

同期活動 Concurrent Event

We are proud to acknowledge and thank the Official Sponsors and Partners of the Summer International Film Festival 2013 節目夥伴 Festival Partner

合作夥伴 Festival Supporters

傳媒夥伴 Media Partners

鳴謝 Acknowledgements

合作手機應用程式 Mobile App Partner

開幕電影 Opening Film 激戰 Unbeatable 2

閉幕電影 Closing Film 我要…17歲 Young & Beautiful 3

影展快遞 Fest Faves 卡蜜兒的最後歲月 Camille Claudel 1915 4 仇人的情婦 Bastards 5 十三個雪莉 Shirley - Visions of Reality 5 真夢戀人 Real 6 台北工廠 Taipei Factory 6 迷湖劫 Top of the Lake 7 情迷藍茉莉 Blue Jasmine 8 性業大亨 The Look of Love 8 當舖瘋雲 Pawn Shop Chronicles 9

www.hkiff.org.hk

香港國際電影節協會鄭重鳴謝夏日國際電影節2013的贊助商和合作夥伴

2013 – Hot, Funn y, & C lassica l

真浪漫‧新喜劇 Love & Laughs 謝罪王 The Apology King 12 初中生自舔夢 Maruyama, the Middle Schooler 13 盲女愛宅男 Blindly In Love 13 對面的女孩殺過來 Apolitical Romance 14 婚姻生活21戒 21 Ways to Ruin a Marriage 14 錯在騰雞普選時 Age of Panic 15 求愛搭錯線 Under the Rainbow 15 樂與酒 Rock, Punk & Wine 石玫瑰再臨 The Stone Roses : Made of Stone 16 崩氏綜合症 The Punk Syndrome 17 紅酒瘋 Red Obsession 17 放映時間表 Screening Schedule 40 購票須知 Ticketing Information 40


影 ilm F 開幕p電 n i en g

電影 ilm 閉幕 ing F Clos

O

激戰

我要…17歲

Unbeatable (Gik Jin)

Young & Beautiful (Jeune et jolie)

導演:林超賢 香港 2013 116分鐘 中文字幕 演員:張家輝、彭于晏、安志杰、梅婷、李馨巧 過氣拳王程輝(張家輝飾),落魄避債到澳門,只 能在拳館擔任減肥助教和雜務,與精神病康復者阿 君和她的十歲女兒(李馨巧飾)共住一屋。富二代 思齊(彭于晏飾),因父親生意失敗而一無所有, 他和輝誤打誤撞成了拳擊師徒,一個為挽回尊嚴, 一個為激勵父親,踏上綜合格鬥擂台與強敵決戰。 林超賢(《線人》、《証人》)拿手的鐵漢死鬥 片,在《激戰》中走到剛柔並濟的極致,熱血與溫 情搭配得如此激動人心。張家輝雕像級的朱古力肌 肉的確震撼,但他更多是示範了,影帝之名不是靠 七情上面,而是對電影的投入、對角色的付出和犧 牲,這才叫激。

Dir: Dante Lam Hong Kong 2013 116 min Cast: Nick Cheung, Eddie Peng, Andy On, Mei Ting, Crystal Lee

Nick Cheung puts on weight and age to play Fai, a 48year-old down-out boxer, eking out a living in Macao training fat ladies to lose weight. Now Dan, a brat sharing his flat with her single mom, tortures him at home, and then Eddie Peng’s Qi, a hunk of a young man entering an MMA tournament to prove something, pesters him at the gym. Sure they make his life hell, but again, they may be angels in disguise. With exhilarating kick-boxing scenes edited at a furious pace abundant, director Dante Lam also fashions a warming drama about love, loyalty and redemption.

導演:法蘭索瓦奧桑 法國 2013 95分鐘

Dir: François Ozon France 2013 95min Cast: Marine Vacth, Géraldine Pailhas, Frédéric Pierrot

「17歲誰也不會認真」,藍波說。17歲生日, Isabelle用心計和帥哥睡了,沒有感覺,像無形的 牆堵住了。那時夏天。「我不再是你認識的小女 孩…」,Françoise Hardy滿有諷刺意味的歌,把秋 天帶進畫面,紅唇烈焰穿高跟鞋的Isabelle走在酒 店長廊,房間的老伯在等着。別想錯了,她家裏小 康,母親愛錫,也不是為買名牌,她援交,也說不 出所以然。一個始於伊力盧馬那樣的善感四季歌, 卻發展出誰也不敢面對的青春性事躁動。一段性慾 也是自我的尋找旅程,奧桑(《偷戀隔籬媽》)把 它導航至不可知的神秘領域,挑釁味十足,到尾都 會嚇你一跳的。

Director François Ozon has made his own contemporary spin on the Luis Bunuel classic Belle de Jour by returning to the provocative topic of teenage female sexuality à la 2004’s Swimming Pool . Broken into four seasonal chapters, the film chronicles a year in bourgeois 16-yearold Isabelle’s life as she loses her virginity and begins to double as a student and as a prostitute. Though Ozon keeps the girl’s motivations opaque, the resulting portrait of youth and beauty as a commodity is ultimately richer and more beguiling because of the mystery.

2013 康城影展競賽電影

2013 Cannes Film Festival, Competition

導演和演員將出席與觀眾會面 The director and actors will meet the audience.

13/8 (二) { {

219:15 2

GC

19:30

GC 21:50

GC

27/8 (二) 19:30

GC 21:45

GC

3

}


影展 快遞 Fest Faves

卡蜜兒的 最後歲月

羅丹 情人

Camille Claudel 1915

仇人的情婦 Bastards (Les Salauds)

十三個雪莉

我要 復仇

Shirley Visions of Reality

戲夢 名畫

導演:般奴杜蒙 法國 2013 97分鐘 一部導和演同樣震撼的電影。故事始於《羅丹的情 人》落幕之後,比羅丹更有天份的卡蜜兒給誤關精神 病院的後半生,就濃縮在等待弟弟解救的三天裏。鏡 頭守着茱麗葉庇樂仙,拍卡蜜兒在古老病院內晃蕩, 躲避怪住客,為自己煮吃(因害怕羅丹落毒)。是真 病院,真病者,真正照顧他們的護士。杜蒙(《魔非 魔》,36屆)沒有劇本,一直即興,對庇樂仙如同折 磨,失衡狀態,在失衡處境,不就是卡蜜兒受煎熬的 情狀麼!幾個精神病人成了主要角色,鏡頭的尊重和 紀錄,你就知道杜蒙也講他們的故事。看病者跟庇樂 仙擦身而過,已夠令人不安的。

2013 柏林影展競賽電影 Dir: Bruno Dumont France 2013 97min Cast: Juliette Binoche, Jean-Luc Vincent, Robert Leroy

4

導演:吉斯達夫多殊 奧地利 2013 92分鐘

這將是你看過最迷惑、最黑暗的克萊雅丹妮(《白 鬼》,34屆)作品。海員歸來,家庭巨變,親弟被逼 自殺,小姨遭暴力性侵,盡見社會的弱肉強食。與此 同時他入侵潛行,搭上對頭的情婦,伺機復仇,漂流 心不斷下沉,頓為死水溦爛。丹妮不諱言要在Vincent Lindon身上,對照三船敏郎的溫柔硬漢身影,尋找黑 澤明式一個人對抗世界,像《寂靜的決鬥》感染中磨 煉,像《惡漢甜夢》承受宿命成為暗黑物質,豈止復 仇,非關墮落,抵觸人間魔咒。尾段動作場面有令人 透不過氣的冷調心理追蹤,審視現代社會蠶食人心的 悲劇性。

與《林布蘭的夜巡》(32屆) 及《磨坊與十字架》(36 屆) 同一的創作精神,今次和電影crossover的,是 Edward Hopper十三幅畫。一開場主角走進神乎其技 的名畫場景,畫面頓時活過來,驚艷得無法相信自己 眼睛。多殊以現成鏡頭二次創作成名,他細細推敲 Hopper,利用燈光、顏色、佈局、鏡頭重現幾乎不可 能的三維場景和氣氛,串起故事的,是虛構的雪莉, 一個獨立思考的演員。雪莉走過歷史時刻,大戰大蕭 條冷戰越戰,藍調貓王搖滾反戰歌,她會催眠的肢體 語言演繹着反省和獨白。那可會是畫家的發聲?更勾 魂的是,雪莉一直不老,一如Hopper。

2013 康城影展某種觀點

2013 柏林影展國際新電影論壇

Dir: Claire Denis France 2013 100min Cast: Vincent Lindon, Chiara Mastroianni, Julie Bataille

Dir: Gustav Deutsch Austria 2013 92min Cast: Stephanie Cumming, Christoph Bach

With the Humanité and Flanders director at the helm, this Camille Claudel is evidently not a rehash of the earlier Isabelle Adjani-starring biopic of the famed sculptor. Centering on the troubled later period of the sculptress’ life, the film generated controversy with its casting of real disabled persons as Claudel’s fellow asylum inmates. But this almost Bressonian work is possibly Dumont’s most intellectually rigorous yet, anchored by one of Juliette Binoche’s most accomplished performances to date. The portrayal of a crisis of faith has rarely been so moving or authentic.

The provocative title makes it abundantly clear that this is Claire Denis at her uncompromising best. Ace frequent partners Agnes Godard (cinematography) and the Tindersticks (music) return for the director’s first venture into genre territory since Trouble Every Day . A somber, violent revenge noir, the Paris-set film carries over the hard-hitting brutality of Denis’ last feature White Material. Aided by a superb cast and magnificent mise-en-scene, a loose plot unfolds about a family forced into bankruptcy by a wealthy businessman, and the price paid to exact vengeance.

What if these paintings spoke….moved…really were frozen instants in complex lives? Filmmaker Deutsch and masterful cinematographer Jerzy Palacz and crew lovingly reconstruct thirteen paintings from American artist Edward Hopper that apparently froze the light and lives of the United States from the 1930s to the 1960s. And then they set these tableaux into motion, following the lives of Shirley and her photojournalist partner Stephen in eras of radical social confrontations and personal challenges. An experimental exploration of art, society and levels of meaning, bathed in the lite and color of Hopper’s iconic works.

2013 Berlin Film Festival, Competition

2013 Cannes Film Festival, Un Certain Regard

2013 Berlin Film Festival, Int'l Forum of New Cinema

14/8 (三) 19:30

{

導演:克萊雅丹妮 法國 2013 100分鐘

23/8 (五) 21:45

15/8 (四) 15/8 19:45 (四)UL 19:45 18/8 (日) 朗豪坊 21:4518/8 UL (日) 21:45

朗豪坊

26/8 (一) 21:45

5

}


真夢戀人

虛實 凶間

Real (Riaru: Kanzen naru kubinagaryu no hi)

台北工廠

Taipei Factory (Taipei gongchang)

新銳 較勁

導演:陳芯宜、尹傑侯、趙德胤、普蕾絲、 沈可尚、 西伏安提斯、張榮吉、札卡塔米  台灣 2013 73分鐘 中文字幕 導演:黑澤清 日本 2013 127分鐘 中文字幕 演員:佐藤健、綾瀨遙、中谷美紀、小田切讓、 小泉今日子 重拾《人間合格》穿梭真實與夢魘的步伐,回味《惹 鬼回路》的懸疑顫慄,黑澤清迷等到了。敦美(綾瀨 遙)和浩巿(佐藤健)自小學相戀,敦美一年前無故 自殺,昏迷至今。浩巿進入她的昏迷狀態,企圖喚醒 沉睡戀人,卻發現她繼續埋首畫漫畫;浩巿回到現實 幻覺催生,漫畫中的喪屍走出夢境,神秘惡童引領解 謎……越來越詭異了,兩人闖進敦美的潛意識迷宮, 回到十五年前的小學,然後劇情逆轉,蛇頸龍來襲, 一切來自不散的陰魂。營造佈局和張力的揮灑,駕馭 跨類型片的狂氣,黑澤清仍然無人能及。

2013 羅迦諾電影節競賽電影 Dir: Kurosawa Kiyoshi Japan 2013 127min Cast: Sato Takeru, Ayase Haruka

台北市電影委員會「交叉」康城導演雙周,催生四部 由一台一非台新晉導演合導的短片,故事雖皆現實寫 照,交叉撞擊後總有出神迷離心態,輕碰神話動物圖 騰意象。陳芯宜與南韓的尹傑侯說到明是〈豬〉 , 豬祭還是人祭;沈可尚與智利的西伏安提斯出發前憧 憬〈美好的旅程〉,其實是寫未明當下身世的鴿子原 型女子:〈老張的新地址〉張榮吉與伊朗的卡塔米找 到海底,我們真的從魚進化而來;而〈沉默庇護〉趙 德胤和法國的普蕾絲則以《廣島之戀》的經典對白, 推敲緬甸近代史幾段螻蟻自白。

Dir: Jane Campion Garth Davis Australia/New Zealand/ UK 2013 175/177min Cast: Elisabeth Moss, Holly Hunter, Peter Mullan

Dir: Singing Chen, Jero Yun, Midi Zhao, Joana Preiss, Shen Ko-Shang, Luis Cifuentes, Chang Jung-Chi, Alireza Khatami Taiwan 2013 73min

珍甘比茵的女性觀點跨界衝擊,她的微電視連續劇半 點不微,一氣呵成去看,是部電影巨製了。紐西蘭湖 上薄霧氤氳着凶險,小鎮表面平靜,實情卻像洶湧湖 水,一個火爆毒梟操控全鎮生計,更到處「播種」。 毒梟的十二歲女兒神秘懷孕又失踪,回家探母的女探 員臨時抽調去查案,總遇上不能說的秘密,愈正常的 愈是危險。媽的癌在擴散,悉尼的未婚夫不停來電, 前度的邂逅、上司的求愛,再有未癒的舊傷痕,女探 員千百個兩難,內外交煎。附近「樂園」來了個婦女 庇謢組織,靈性治療師總在打謎語,似個怪巫婆,一 個戀童癖浮上水面,實在耐人尋味。甘比茵刻劃細 緻,六集故事各有驚人發展,陰性書寫湖區林深不 知處,偵探+懸疑+驚慄+心理類型交叠,真箇別有洞 天。

The stark opening, a young girl walking into a frozen lake, evokes Scandinavian mysteries, but the voices and landscape reveal Jane Campion’s New Zealand. Strong women – Holly Hunter as the enigmatic leader claiming a women’s commune in idyllic Paradise Valley; Elisabeth Moss, freed from Mad Men , as detective Robin Griffin, and Tui, the disappearing schoolgirl – struggle with sexual assault, dubious parentage and violence in the past and in its dark present. Griffin forges ahead, doubting partners, lovers and enemies; Campion slowly builds a complex battle of innocents against the increasingly perverse world of Tui’s father, the local patriarch Matt Mitcham and townspeople caught in his web of drug dealing. A world of wild, explosive men, reflective, powerful women and beautiful but treacherous nature in the first miniseries screened at Sundance.

2013 辛丹士電影節隆重首映 2013 柏林影展特備節目 2013 康城影展導演雙周

2013 Sundance Film Festival, Premieres 2013 Berlin Film Festival, Berlinale Special 2013 Cannes Film Festival, Directors’ Fortnight

上集 Part I : 24/8 (六) 19:30 科學館 SM

下集 Part II : 25/8 (日) 19:30 科學館 SM

2013 Locarno Film Festival, Competition

2013 Cannes Film Festival, Directors’ Fortnight

6

Top of the Lake (Part I/II) 導演:珍甘比茵、格夫大衛斯 澳洲/紐西蘭/英國 2013 175/177分鐘 中文字幕

A refreshing omnibus of four shorts, each pairing a young Taiwanese filmmaker and a director from abroad (namely Chile, France, Iran, and South Korea), Taipei Factory contemplates urban life with styles ranging from light comedy to pseudo-documentary. In The Pig , a destitute farmer is forced to sell his prized pig upon the demolition of his neighborhood; Silent Asylum shows refugees recounting disturbing stories of their escape from Burma; A Nice Travel follows a young woman about to move out of Taiwan and get married in Chile; finally, the Kafka-esque Mr. Chang’s New Address tackles major questions about identity as Chang’s house magically vanishes one day...

{

珍甘 比茵

2013 康城影展導演雙周

After his 2008 international success Tokyo Sonata , Kurosawa returns to the big screen with a riveting adaptation of bestselling sci-fi novel A Perfect Day for Plesiosaur. A year after his childhood friend-turned-lover Atsumi attempted suicide and lapsed into a coma, Koichi tries out an advanced neurosurgical procedure called “sensing” and connects with Atsumi’s mind to find out why she wanted to die. In this subconscious realm she asks him to find a picture of a plesiosaur she drew as a child, which would become the key to the mystery… Convincingly moving perfs from media darlings Sato and Ayase in this story about trauma, memory, and love.

23/8 (五) 19:30 科學館 SM 26/8 (一) 19:30 科學館 SM

迷湖劫 (上集 /下集)

20/8 (二) 21:45

朗豪坊 23/8 (五) 19:45

朗豪坊

7

}


主題設計

Keyart Design

芝麻羔 Dreamergo

情迷藍茉莉 Blue Jasmine

活地 阿倫

性業大亨

The Look of Love

風月 奇譚

當舖瘋雲 Pawn Shop Chronicles

公路 溝片

導演:米高溫達波頓  英國/美國 2013 101分鐘 中文字幕

導演:活地阿倫 美國 2013 98分鐘 中文字幕 活地近年遊歷倫敦、巴塞隆拿、巴黎和羅馬,拍出段 段奇情風光,看看今年的故事:曼克頓上流靚太婚姻 破裂,投靠三藩巿的妹妹Ginger。好了,活地做回紐 約客,拿出了挖苦有錢人的絕活。明星有首次合作的 冷艷皇后姬蒂白蘭芝,也有莎莉霍金斯、艾力寶雲等 老拍檔。紐約怨婦從東岸到西岸、上流到草根,仍不 失名媛應有的刻薄,先大踩Ginger的寒酸房子,再進 擊Ginger的劣質男友,兩姊妹家無寧日。只去看想看 的事物、不面對現實的人只會淪落,藍色的茉莉?活 地老傢伙縮縮膊、陰陰嘴又講了一個人生笑話! Dir: Woody Allen USA 2013 98min Cast: Cate Blanchett, Alec Baldwin, Louis C.K.

After lengthy but fruitful wandering through London, Paris, Barcelona and Rome, Woody Allen brings his vision home to the United States. With a film divided between two sisters, played by Cate Blanchett and Sally Hawkins, two coasts (Allen’s own Manhattan and San Francisco) and two choices of lifestyles, calling both into question. A film itself both comedy and drama – with a dynamic comedic cast including Louis C.K., Andrew Dice Clay and Alec Baldwin – that explores, through Allen’s own wry perspective, broad and compelling contemporary American visions of class, love, relationships and security.

25/8 (日) 21:45

{

8

靠風流成為首富,是多少男人的夢想?保羅里文 (Paul Raymond)深知還性於民的商機,包裝成一日三 餐:「性無處不在,簡單就如一個平常、健康的小伙 子想看沒穿衣服的美女。」他創辦全英首間豔舞夜總 會、出版多本成人雜誌,再買起蘇豪區。玩女無數的 他,也有三個女人令他頭痛:編艷舞的妻子、裸體模 特兒情人和濫藥的女兒。米高溫達波頓在《殺慾魔 警》、《情慾九歌》等腎上腺飆升、鹽份超標的話題 作後,轉性拍名人傳記喜劇,一樣令你目不暇給,加 上笑匠史提夫高謹演出風流盡得,實屬消暑妙品。

2013 辛丹士電影節隆重首映 2013 柏林影展特備節目 Dir: Michael Winterbottom UK/USA 2013 101min Cast: Steve Coogan, Anna Friel, Tamsin Egerton

The life of the entrepreneur that became Britain’s richest man peddling smut is the subject of Michael Winterbottom’s comedic biopic. Long before London’s Soho district was hip it was home to Paul Raymond’s Raymond Revuebar, the cornerstone of a chain of lucrative strip clubs and soft-core magazines. His “world of erotica” was initially a frisky and fun one that challenged Britain’s rigid mores that slowly morphed into a tragic one of drug abuse, loss and isolation. Steve Coogan’s droll performance, a lively soundtrack and vivid production design flawlessly recreate 40 years that rocked London’s post-war sex trade. 2013 Sundance Film Festival, Premieres 2013 Berlin Film Festival, Berlinale Special

14/8 (三) 21:45

導演: 韋恩克藍瑪  美國 2013 112分鐘 中文字幕 美國南部公路邊的一間爛當舖,招惹了三班麻煩友, 攞命仔抵押:失竊的婚戒在當舖出現,為尋找被綁架 的老婆,躁底丈夫以酷刑報復;鄉下毒男想老笠拆 家,抵押手槍換汽油,卻炸了一間屋;貌似笨實的貓 王模仿者,原來是極重口味的變態佬,率領裸女做場 show。玩出塔倫天奴《危險人物》的溝味之餘,惡 搞三人對決、賤話粗口、血肉橫飛、凌辱培慾,各門 cult位應有盡有,就是要叫你過把癮!導演克藍瑪召 來班頓費沙、麥狄倫、保羅獲加、伊利查活等多位型 男,顛喪演出一場荒誕瘋狂的公路混戰。

土生土長香港插畫師,習慣憑其一雙豆豉眼睛觀察 廣闊世界,並以畫筆記錄生活見聞、所思所感。從 三歲開始繪畫,至今畫齡已逾30年。「芝麻羔」是 他創立的自家插畫品牌,其作品都滿載了愛與夢, 盼可透過「會說話的插畫」,洗滌人心,感動心 靈,透過畫作發放正能量!他曾為多位知名作者的 書籍擔任設計師,包括:倪匡、李純恩、李敏、阿 濃、天航等。 今年夏日國際電影節的太空艙主題設計集合奇幻及 浪漫元素,同時為影展增添神秘色彩。設計概念 特意配合今年Cine Fan八月節目的重頭戲,被譽為 電影史上最經典的科幻作品-史丹利寇比力克的 《2001太空漫遊》。

Dreamergo, born and raised in Hong Kong, has been an illustrator for over 30 years. With a small but visionary pair of eyes, he has been observing the world and drawing since he was 3 years old. His vivid drawings express love with passion and vision. Incorporating fantasy and romance, the “Spaceship” design this year encourages filmgoers to embark on an "Out of this world" adventure which reminds us that film can take us out of our normal lives. The Spaceship also ties in with the climax of the Cine Fan August programme, where one must-see science fiction film from film history will be screened – 2001: A Space Odyssey by Stanley Kubrick.

Dir: Wayne Kramer USA 2013 112min Cast: Matt Dillon, Brendan Fraser, Paul Walker

A stellar cast that includes Elijah Wood, Matt Dillon, Brendan Fraser, Vincent D’Onofrio, Norman Reedus and Paul Walker stars in three tales connected through a small town pawnshop. A man looking for his kidnapped wife, an inept Elvis impersonator and a duo of white supremacist meth heads are among the characters that become entwined in the search for a missing wedding ring. Wayne Kramer’s over the top southern fried mindbender marries the director’s multi-character canvas of Crossing Over with the grimy crime aesthetic of Running Scared in a one-of-a-kind gonzo mindbender reminiscent of early Tarantino.

17/8 (六) 21:45

朗豪坊

9

}


C

M

Y

CM

MY

CY

CMY

K

{

10

11

}


© 2013 "The Apology King" Film Partners

新喜劇 真浪漫 謝罪王

大和 國技

初中生 自舔夢

The Apology King (Shazai no ousama)

變態 狂想

Maruyama, the Middle Schooler (Chuugakusei Maruyama)

Love & Laughs

盲女愛宅男 Blindly in Love

純情 蠻愛

(Hakoiri mutsuko no koi)

導演:水田伸生 日本 2013 128分鐘 中文字幕 演員:阿部貞夫、井上真央、竹野內豐

導演:宮藤官九郎 日本 2013 119分鐘 演員:草彅剛、平岡拓真、遠藤賢司

導演:巿井昌秀 日本 2013 117分鐘 演員:星野源、夏帆、黑木瞳

謝罪王阿讓好忙碌,因為客戶得罪人多,道歉的少: 撞了黑道老大的車、被控辦公室性騷擾、名演員夫婦 的兒子打人,最大鑊是拍戲拍傷了亞洲山卡啦國的弱 小心靈,令政府陷入得啖笑的外交危機。謝罪王教 路,輕則以下跪叩頭的指定動作解決,重則要整蠱作 怪,塑造誠意效果,而究極的謝罪竟然那麼雷人!導 演水田伸生、鬼才編劇宮藤官九郎、阿部貞夫,這個 喜劇鐵三角(前作《舞妓哈哈哈》和《男兒有淚不輕 彈》)已經合作到第三部,《謝罪王》把日本人的道 歉文化二次創作,劇情捉唔到路,笑位突然殺出。

宮藤官九郎還是把最荒唐的喜劇寫給自己拍。14歲的 円山有各種幻想,家人是異形、火辣女郎從天國階梯 下來都是小兒科。青春賀爾蒙的驅使下,男生總有不 可告人的下流想法。如果手槍打得悶,自舔是否太過 重口味?他需要一副柔軟身軀,參加摔角部、沖熱水 涼、飲醋仍然鞭長莫及;遇上神秘的單親爸爸下井, 結為好友,下井更鼓勵他:「當幻想超越現實,就會 成為真實。」屋村發生殺人事件,下井失踪了,自食 其力的少年成長了,變身幪面中學生!宮藤度了一條 絕橋,把幻想與現實交錯得過癮非常。

35歲的健太郎,生活規律到像宅男標本:上班、回家 吃午飯、下班、打機,青蛙作室友。不錯,他從未拍 拖,父母以為他是衣櫃裏的男人,忍不住以「嗜好: 儲錢」的簡歷為他跑去相親。一天,愛神的箭終於射 向他,雨中偶遇失明的奈穗子。兩家相親時,奈穗子 父親狠批他不上進的生活態度,拍抬互罵收場。阿健 決心大改造,爭取升職機會,守護心中女神;盲女也 被青蛙男的溫柔和毅力打動,兩人幾經波折,搞到甩 皮甩骨繼續愛到底;導演巿井昌秀細緻打造一個純潔 的初戀物語,當遇上對的人,宅男會暴走!

Dir: Mizuta Nobuo Japan 2013 128min Cast: Abe Sadawo, Inoue Mao, Takenouchi Yutaka

Dir: Kudo Kankuro Japan 2013 119min Cast: Kusanagi Tsuyoshi, Hiraoka Takuma, Endo Kenji

Dir: Ichii Masahide Japan 2013 117min Cast: Hoshino Gen, Kaho, Kuroki Hitomi

Prone to the craziest of fantasies since he was little, 14-yearold Maruyama is intent on licking his own willie. Despite a daily stretch routine, he breaks his spine one day and plunges into a world of his wild imagination: his mom has a crush on the Korean electrician who fixed the DVD player; an eccentric single father obsessed with pushing a baby buggy moves into the housing estate; and his health-nut dad might as well be a superhero who will foil a mass murder plot. Original, heartwarming and visually entertaining, this wacky story is Japanese comedy at its best.

An unlikely romance develops between socially handicapped Kentaro and visually impaired Naoko in Blindly in Love , a touching dramedy about two lonely souls struggling to connect. After a humiliating blind date that ends with the girl’s snobbish father confronting Kentaro with his stagnant career, the two start seeing each other secretly. Dating has never been so awkward and yet pleasantly different – from hugging and hand-holding to kissing and the sex (or lack thereof), everything seems to be an exciting exploration for the pair. That is until the patriarch walks in on them and puts their love to the test…

16/8 (五) 19:30 科學館 SM 19/8 (一) 19:30 科學館 SM

17/8 (六) 19:30 科學館 SM 20/8 (二) 19:30 科學館 SM

© 2013 "The Apology King" Film Partners

Finally, a comedy about Japan’s elaborate rituals of apology, culminating in the “dogeza” – where you prostrate yourself in a display of ultimate remorse. Versatile veteran Abe Sadao stars as a professional “apology instructor” in Tokyo, whose clients include a lingerie company employee sued for sexual harassment; a self-absorbed actor holding a press conference for his son who beat a stranger up in Shibuya; and a movie producer who causes an international scandal when he accidentally casts a foreign prince as an extra. From petty rivalries to national crises, The Apology King is a hilarious creative study of the universal art of apology.

14/8 (三) 19:30 科學館 SM 18/8 (日) 19:30 科學館 SM

{

12

13

}


兩岸 冤家

對面的女孩 殺過來

Apolitical Romance (Duimian de nuhai shaguolai)

婚姻生活21戒 21 Ways to Ruin a Marriage (21 tapaa pilata avioliitto)

性愛 婚離

導演:謝駿毅 台灣 2013 90分鐘 中文字幕 演員: 張書豪、黃璐 《表姐妳好嘢》殺到台北,可以有這個「恰查某(惡 女人)妳好敢」去政治的愛情喜劇,謝駿毅左拍拍右 拍拍,兩岸政治歌又難得OK對唱。因為要交〈海峽 兩岸禮俗會刊〉,有點宅的公務員張書豪請教嗆辣 自由行的黃璐,《有一天》遇上《中國姑娘》,原本 一起出發見證上上一代純愛,為奶奶尋找初戀爺爺陳 光,卻也為自己找一絲愛情曙光。一路好風景,烏來 洗溫泉不停打嘴炮,兩度走訪眷村給老兵致青春;重 點是副修個人療傷系,他帶妳到十份遇薄倖郎消怒 氣,她也反過來鼓勵你與老父重新修好。

2013 台北電影節

錯在騰雞 普選時

驚險 幽默

Age of Panic

With effortless humour, Tisch Asia graduate Hsieh ChunYi spins a surprisingly credible cross-strait rom-com with breezy feature debut Apolitical Romance . Hoping to find her grandmother’s first love who fled to Taiwan in 1948 after the civil war, brash Beijing girl Qin Lang arrives at Taipei on her own. She runs into Yu-Cheng, a boyish local working at Civil Affairs and haunted by his assignment – drafting the TaiwanChina Cross-Cultural Etiquette Manual. Thus begins a hilarious partnership: she will write the manual, and he will take her on a search across the island (that involves the girl singing a Communist anthem at the Chiang Kai-shek Memorial Hall)… 2013 Taipei Film Festival

15/8 (四) 21:45

{

14

朗豪坊

24/8 (六) 19:30

Under the Rainbow (Au bout du conte) 玩轉 童話

(La bataille de Solférino)

導演:茱斯汀楚特 法國 2013 94分鐘 導演:約漢娜烏奧辛瑪 芬蘭 2013 93分鐘 Sanna要完成博士論文,四出走訪拍攝赫爾辛基的問 題夫妻,力証拍拖→結婚(生子)→離婚這現代社會 自然不過的兩性關係三部曲,歸納出21種局中人相處 時的經常性不當行為及觀念,不能杜絕的,惟有認命 婚姻是商業夥伴的契約而已。自己當然奉行一夜情理 論性與愛分家處理瀟瀟灑灑,然而遇上住家型男護士 Aleksi後,她千方百計只維持在打友誼波的興緻上, 最終失敗而回。烏奧辛瑪這部芬蘭瘋狂賣座的都市 愛情輕喜劇,暗中要Sanna多交另一篇論文:21種途 徑,迴避(不了)墮入愛河。

去年法國大選很熱烘,社會黨奧朗德驚險擊敗薩爾科 齊;對忙於走街採訪的新聞報導員Laetitia來說,普 選星期天更是驚心動魄。為了阻止偏執前夫Vincent接 近女兒,出動樓下大隻佬也只是阻得一時,她做了一 個「死得人」的決定,要膽小如鼠的男褓母帶兩個還 在押尿片的嬰孩到千人造勢現場,張力來自燥底和騰 雞的角色,街頭事態隨時失控。楚特過人之處是將紀 錄劇情巧妙糅合,人山人海的逼爆鏡頭,忽爾羊腸小 徑,讓局中人帶著無知小孩走出來:這是危險處境戲 劇,也是不一樣的吵鬧喜劇。

2013 康城影展獨立電影發行局節目

2013 午夜太陽電影節 Dir: Hsieh Chun-Yi Taiwan 2013 90min Cast: Bryan Chang, Huang Lu

求愛搭錯線

Dir: Johanna Vuoksenmaa Finland 2013 93min Cast: Armi Toivanen, Riku Nieminen

Dir: Justine Triet France 2013 94min Cast: Laetitia Dosch, Vincent Macaigne

導演:艾麗絲素蕙 法國 2013 112分鐘 過氣演員瑪麗安(素蕙自演)轉型教兒童班話劇,不 過她的現實生活已經夠童話連篇。譬如姪女這個公 主,夢中見到的白馬王子會現身眼前,更在零時上演 《仙履奇緣》,離開舞會遺下一隻鞋子。一匹色字當 頭的「狼」,又把公主迷得神魂顛倒。魔法靚媽遞來 的蘋果,能吃不能吃?瑪麗安借故親近白馬王子的分 居父親,這個憤中竟然給事先張揚的死期搞得寢食難 安。黑色童話嘲弄玫瑰色愛情,法國童話教母的狀態 終於回來了!素蕙(編導演)和巴奇(編演)的組合 幽默抵死,法式活地阿倫果然有料到。

Young scholar Sanna thinks she knows it all: as part of her master’s thesis, she makes documentaries about couples – young and old, married and divorced – and has concluded that there are, well, 21 ways to ruin a marriage, from cheating and being clingy to substance abuse and talking too much. Just when she thinks she is done with love and its hypocrisy, settling for a carefree life of harmless ONS, she meets a recently divorced interviewee who might just prove her theory wrong… A massive box office hit in Finland, this comedy is a cynically funny reflection on love, however long it lasts.

For news reporter Laetitia, May 6th 2012 is an eventful day, what with Sarkozy toppled and Hollande and the socialists swept into power. But reporting upon these monumental events isn’t enough – she must also juggle her demanding exhusband, her frazzled babysitter and an unhinged “lawyer” in the service of her ex! Marking a sea change from usual Gallic comedy conventions, Age of Panic features documentarystyle footage that places the actors right within the midst of the actual election day chaos. The result is highly refreshing, immediate and funny, even as their bickering carry on until night-time.

2013 Midnight Sun Film Festival

2013 Cannes FilmFestival, ACID

After the popular The Taste of Others and Look at Me , the husband-wife duo of actress/screenwriter/director Agnès Jaoui and actor/screenwriter Jean-Pierre Bacri reteam for another winsome dramedy that showcases plenty of Gallic humor and charm. Under the Rainbow adopts fairy tale tropes such as the big bad wolf and the evil stepmother into real-life situations, but the goal is to ultimately demonstrate how much more complex reality is compared to romantic fantasies. Yet, we still cling onto our absurd hopes for romance…

22/8 (四) 21:45

18/8 (日) 21:30 太空館 SP 21/8 (三) 19:30 科學館 SM

21/8 (三) 21:45

朗豪坊 26/8 (一) 19:30 藝術中心 AC

朗豪坊 25/8 (日) 19:30

Dir: Agnès Jaoui France 2013 112min Cast: Agnès Jaoui, Jean-Pierre Bacri, Agathe Bonitzer, Arthur Dupont

15

}


樂 與酒 Rock, Punk & Wine

石玫瑰再臨

崩氏綜合症

The Stone Roses: Made of Stone

搖滾 不死

The Punk Syndrome (Kovasikajuttu)

煩爆 崩友

酒徒 必看

紅酒瘋

Red Obsession

導演:尤加卡凱倫、J-P 柏斯 芬蘭 2012 85分鐘

導演: 尚恩米道斯 英國 2013 96分鐘 還記得他們去年乘著十號風球,來到香港演唱,影片 紀錄的正是這次16年後的重組和 second coming,歐 洲巡迴到亞洲,最後返到家鄉曼徹斯特在Heaton Park 舉行三場光榮回歸音樂會。在九十年代的Brit-pop熱 潮中選壞孩子樂團,不是他們,就是The Verve了;或 許Ian Brown和John Squire都不想重提舊事,以為是 千帆過盡快樂歸來,然而在阿姆斯特丹也例行死火一 次。對於尋找Fool’s Gold的忠實石玫迷(米道斯也是 其一),要來高唱我就是復活,好好把握be adored的 機會吧。

2013 悉尼電影節 2013 卡羅維瓦利國際電影節

Despite releasing just two albums before disbanding in 1996, the Manchester rock group The Stone Roses remains one of the UK’s most beloved cult bands. Today, 1989’s The Stone Roses is considered a seminal record of its time, and a progenitor of the ‘90s Britpop explosion. This raucous yet touching documentary, directed by acclaimed UK director Shane Meadows (This is England , Dead Man’s Shoes ), himself a true fan, chronicles the band’s genesis, their successes, the breakup, and their eventual reunion 16 years after in 2012 (which included a concert in Hong Kong last year). 2013 Sydney Film Festival 2013 Karlory Vary International Film Festival

{

16

朗豪坊 23/8 (五) 21:45

2012 坦佩雷電影節觀眾票選獎 2013 山形國際紀錄片雙年展競賽電影 Dir: Jukka Kärkkäinen, J-P Passi Finland 2012 85min

Dir: Shane Meadows UK 2013 96min

19/8 (一) 21:45

芬蘭盛產極端金屬樂隊,然而〈帕堤的賜名日〉是 崩不是金,四隊員皆為唐氏綜合症或自閉病患者, 音樂上包涵另一種生理視程,對社會不安狀況積極批 判自我發聲;自2009年組成以來,已成為國內其中 一支最有影響力的樂隊。卡凱倫不但如實展示這芬蘭 最kick-ass的崩樂隊如何征服世界,並且要觀眾深深 愛上他們。獲得信任後,鏡頭近乎不存在的跟樂隊上 路,直率地捕捉他們的頭崩額裂,由坐車頭爭位,到 神速和好,以至個別的戀愛、失戀、再戀愛,盡皆不 同風味的不羈的醒與醉、哭與笑。

朗豪坊

Punk bands repudiate mainstream society. But what if society has already rejected the players from birth? Pertti Kurikan Nimipäivät, a Finnish punk band, formed by adults dealing with autism and Down syndrome, was brought together in 2009 by an NGO that provides housing and support. Since then, the band members have built a successful career turning their different abilities into challenges to everyday frustrations, institutional life and discrimination in liberal Finnish society. The band and its documentarians open our eyes to what it feels like to be treated as “special” and to respond with the sounds of righteous anger. 2012 Tampere Film Festival, Audience Award 2013 YAMAGATA International Documentary Film Festival, International Competition

22/8 (四) 19:30 藝術中心 AC 25/8 (日) 21:30 藝術中心 AC

導演:大衛魯殊、和域羅斯 澳洲 2013 76分鐘 鏡頭隨着一眾知名品酒專家,來到法國頂級酒莊,品 嚐佳釀,細表紅酒因緣。我們沉醉在葡萄美酒夜光杯 之際,冷不妨導演來個現實推敲。講紅酒,怎少得 了中國?中國這次的赤化非比尋常,Lafite也要寫個 「八」字來討好,數一數二的紅酒收藏家,竟是深圳 的性商店老闆。十二億人的瘋狂消費摸不到邊際,老 牌酒莊失守,波爾多和勃艮第響起警號。當法國的供 應難以滿足強國崛起的需求,酒價飆升已不能解決問 題,法國人恐懼國粹傳統質變,中國人自尋對策。法 國人的驕傲,中國人舌尖的蘇醒,將何去何從?

2013 柏林影展飲食電影 2013 翠貝卡電影節紀錄片競賽 Dir: David Roach, Warwick Ross Australia 2013 76min

After the Hong Kong government abolished taxes on wine in 2008, wine drinking and collection rapidly increased in popularity here. This enthusiasm is also evident to China, where wealthy businessmen began buying rare vintage by the crate loads. Bordeaux wines are especially prized for their quality, but as prices skyrocket, traditional connoisseurs are increasingly being forced out of the market. This lushly visual documentary visits centuries-old Bordeaux wineries as well as the burgeoning market in Shanghai to examine how wine has become the newest indicator in the East-West power shift. 2013 Berlin Film Festival, Culinary Cinema 2013 Tribeca Film Festival, World Documentary Competition

16/8 (五) 21:45

朗豪坊 19/8 (一) 19:30 藝術中心 AC

17

}


cinefan.com.hk

Abbas Kiarostami Revisited

22

基阿魯斯達米經典重溫

Seminars

25

座談會

電影節發燒友 (HKIFF Cine Fan) 節目

Oshima Nagisa: Radical Vision

HKIFF Cine Fan Programme 電影節發燒友(HKIFF Cine Fan)節目由 香港電影發展基金資助,2013年4月由 香港國際電影節協會創辦,以香港藝 術中心agnès b.電影院為放映基地。節 目旨於推廣豐富多元的電影文化,定 期為香港觀眾帶來主流電影以外的精 選佳作。 香港國際電影節協會同時推出全新 優惠計劃「電影節發燒友(HKIFF Cine Fan)」,為成功申請的影迷提供各種 節目的票價優惠。詳情請參閱38頁。

主辦 Presenter

Financially supported by the Hong Kong Film Development Fund (HKFDF) and organised by the Hong Kong International Film Festival Society (HKIFFS), the HKIFF Cine Fan Programme was launched in April 2013 and based at the agnès b. CINEMA at the Hong Kong Arts Centre. With the aim to enrich and deepen the experience of Hong Kong moviegoers, the monthly programme features a variety of curated contemporary, retrospective and thematic showcases. In conjunction with the programme, the HKIFFS has introduced Cine Fan, a special privilege scheme for cineastes to enjoy ticket discounts both for the programme, and also the annual HKIFF, the Summer IFF, and other associated programmes. Please see P.38 for more detail.

27

大島渚的顛覆美學(一)

Restored Classics

30

修復經典

Documentaries of Our Times

31

紀錄片時代

Top 10 Must-See

32

十大必看

Screening Schedule

AC 香港藝術中心 Hong Kong Arts Centre SP 太空館演講廳 Space Museum Lecture Hall GC The Grand Cinema

40

放映時間表

H K I F F C i n e F a n Sept/Oct Programmes 電 影 節 發 燒 友

九 、 十 月 節 目

資助機構 Financially Supported by

合作夥伴 Cine Fan Supporters

合作媒體 Media Partner

韓國名導 姜帝圭訪港 Meet Kang Je-gyu 波蘭怪傑 沃伊切奇哈斯 Wojciech Jerzy Has 伊朗大師 約化巴納希 Jafar Panahi 童年往事 A Time to Live, A Time to Die 八部半 81/2

8 月 1 5 日 開 始 售 票 Tickets available from 15 August onwards


17.8 2:15pm AC 29.8 7:30pm AC

Abbas Kiarostami Revisited

Where is the Friend’s Home? (Khane-ye doust kodjast?)

17.8 5:30pm AC 30.8 7:30pm AC

}

春風吹又生

踏破鐵鞋無覓處

基 阿 魯 斯 達 米 經 典 重 溫

}

And Life Goes On…

(Zendegi va digar hich)

電影裏藝術層次最 馬田史高西斯口中,他是 登峰造極的導演,高達 認 為 電 影 始 於 格 里 菲斯,終結於他。基阿魯斯達米不知道有沒有給 這些言論影響,不過他對電影的思考、創新和批 判,從開始就沒有停止過。他不斷突破劇情片和 紀錄片的固有框框,虛構和紀 實,沒有硬去分開,並認為走 近真實,只有說謊,所以在 《大寫特寫》重構新聞,在 《春風吹又生》放進導演一 角,在《櫻桃的滋味》讓影機 亮相。這並非甚麼後現代,而 是貫徹自己,勇於實驗,也

A

bbas Kiarostami was born in 1940 in Tehran, Iran. He first began making short films in 1970 and was known to be part of the early Iranian New Wave of directors. International recognition started in the 1980s with feature films that focused on the lives of children, especially his unofficial trilogy of Where Is the Friend's Home? , And Life Goes On... and Through the Olive Trees. Later, he developed an increasingly complex technique of blurring fiction and reality, with each film attempting to reveal the illusory structure of the last. This culminated in '90s masterpieces such as CloseUp and Taste of Cherry. The next decade brought the most

{

22

挑戰觀眾既定的接收。伊北三部曲之後來到21世 紀,他的創新和實驗精神更令人驚訝。同樣獨一 無二的,是基阿魯斯達米的電影滿載詩意和人文 精神,他的長鏡頭、黑畫面、省略等電影形式, 跟內容結合無間,讓戲裏的人物、戲外的觀眾同 樣有想像和感情生發的空間。 電影來到他不是終結,而是啟 發更多,影響更大。 基阿魯斯達米於五月首次來港 出席電影節發燒友「大師班」 講座,與觀眾見面。如今找來 他五部八、九十年代的代表 作,給大家重溫。 radical phase of experimentations for Kiarostami with formalist works such as Ten , Five and Shirin . Ever the intellectual, Kiarostami continues to challenge us with every new feature. Early on, he had been called the humanist heir of Satyajit Ray. But after four decades, he is the one and only, inimitable Abbas Kiarostami. Kiarostami made his first visit to Hong Kong this May to attend the Cine Fan Master Class Programme, giving audience an insight into his filmmaking practices. The five films in August revisit the director’s road to the international stage.

伊朗 1987 83分鐘 中文字幕 簡單過簡單的故事,也可令觀眾一直緊盯銀幕一個半 小時,基氏成名作,令全球影人影痴都上了切實的一 課。老師恐嚇同學仔再不把功課寫在簿上,便要趕出 校,鏡頭這時也停在鄰座阿默憐憫的臉上,當阿默回 家發現拿錯同學仔的家課簿,可以想像他多驚惶。影 機其後幾乎以真實時間,跟阿默跑到鄰村還簿,儘 管媽媽反對,儘管地址他茫無頭緒。旅程的戲似無還 有,背着禾草的村民、回家的山羊、領路的木匠,觀 察入微的鏡頭通過孩子無塵的眼睛,竟看出一個世界 來。 Iran 1987 83min Cast: Babek Ahmadpoor, Ahmed Ahmadpoor

After school one day, Ahmed realizes that he’s taken his classmate Mohammad’s notebook by mistake. Planning to give it back, he undertakes the difficult journey to get to Mohammad’s village, only to find that he doesn’t know his friend’s address. He solves this problem as only a child could: by returning home and completing Mohammad’s homework for him. With an almost effortless simplicity, Kiarostami again reveals the world of children as one of texture, dignity, and beauty – at once the same and completely different from our own.

伊朗/敘利亞 1991 95分鐘 中文字幕 1990年伊北大地震死傷無數,《踏破鐵鞋無覓處》取 景的哥卡也是災區,基阿魯斯達米曾兩次跟兒子上路, 尋找片中兩小演員,都沒有找到。像圓滿心靈之旅,他 請來兩個當地人、另一次地震的倖存者重演旅程,路上 的故事、所見的災場都是真的,基氏再模糊紀實與虛構 之別,呈現滿目瘡痍裏煥發的勃勃生機,花還繼續澆, 婚仍是要結。最絕倒是父子碰到《踏破》的演員,他竟 說穿自己的屋子是假的,是這部電影的安排。最後的長 鏡頭跑出父子的視野,以上帝之眼寫下驚奇的句號。 Iran/Syria 1991 95min Cast: Farhad Kheradmand, Buba Bayour

Here Kiarostami pushes his methods of documentary fiction hybrid to the next level. In this fauxdocumentary, the “director” and his “son” search for the two child actors of Where is the Friend’s Home? in the aftermath of the devastating 1990 Iran earthquake. As the pair make their way along damaged highways through a ravaged landscape, they meet several earthquake survivors who have lost almost everything. A portrait of life amidst destruction that cleverly reveals its own picture frame.

23

}


18.8 6:10pm AC 31.8 7:30pm AC

}

20.8 7:30pm AC

}

21.8 7:30pm AC

}

橄欖樹下的情人

Seminars 座談會

風再起時

(Zire darakhatan zeyton)

櫻桃的滋味

Through the Olive Trees

17.8 Sat六

The Wind Will Carry Us (Bad ma ra khahad bord)

Abbas Kiarostami

Taste of Cherry (Ta’m-e gilass)

基阿魯斯達米 經典重溫 3:40-5:00pm 時間 Time 《踏破鐵鞋無覓處》放映後 地點 Venue 香港藝術中心agnès. b電影院 HK Arts Centre agnès. b CINEMA! 講者 Speakers 黃愛玲 Wong Ain-ling 李焯桃 Li Cheuk-to

伊朗 1994 103分鐘 中文字幕

伊朗/法國 1999 118分鐘 中文字幕

和《踏破鐵鞋無覓處》、《春風吹又生》合成伊北 三部曲,好玩的延續前作,寫成是《春風》的making of。一開場電影即與現實難分難解:一個演員跑出 來,說扮演導演,是全片唯一的職業演員,接着他選 了地震孤女德蘭當女角。男角太結巴,由《春風》做 幕後的荷辛頂上,荷辛剖白曾向德蘭求婚被拒,導演 便將他們寫成新婚,但德蘭弄不懂真假,戲裏戲外都 不跟荷辛說話,劇本又得修改。末了一個基氏的簽名 鏡頭,美麗的橄欖樹下,神奇地捕獲一個動人的生命 處境。

基阿魯斯達米的千禧故事特別發人深省,被譽為他的 最佳傑作。德黑蘭男子領着三人攝製隊來到庫爾德山 城,鬼祟等待病重老婦離世,企圖把葬禮的奇風異俗 拍攝下來,但代價是缺席自己親人的喪禮。等待的漫 長日子,他天天向小孩收風,跟茶座的老闆娘閒扯, 當手機響起,跑上山頭接收來電,跟附近掘地道的工 人閒聊幾句。他由不耐煩的局外人,漸變山城生活的 參與者。影片一半人物有聲沒影,蜿蜒垂直錯落的房 子,都像尋寶,每個鏡頭,也確在提醒我們遺忘或失 落了的寶藏。

Iran 1994 103min Cast: Hossein Rezai, Farhad Kheradmand, Mohamad Ali Keshavarz

The final chapter of Kiarostami’s self-reflexive trilogy (after Where is the Friend’s Home? and And Life Goes On… ) concentrates on a young couple, Hossein and Farkhonde. The young man and woman are shown as actors “playing” a scene – but their fictional characters and real selves begin to blur. As the Hossein has been courting Farkhonde in “real” life, the director begins advising him behind the scenes. The outcome remains a mystery, as the tension of life, nature, and cinema continues to pull in every direction.

{

24

伊朗 1997 99分鐘 中文字幕 巴迪先生駕着車在山路兜轉,一路物色對象,「你需 要錢,我可以幫忙」是他的開場白,他找性伴?第一 個男人誤會了,揮拳相向。一個兵哥上車,才知道巴 迪要尋死,找個人幫忙埋葬,兵哥連跑帶跳逃了。一 個博物館標本師最後答應了,他缺錢替女兒治病,離 開前跟巴迪講了個櫻桃的故事。巴迪躺在預先掘好的 墓洞,看落日餘暉,想起櫻桃的故事。基阿魯斯達米 做了個實驗,戲都在沒對手下單獨拍,最後才剪在一 起。戲講的不是死亡,是孤獨。康城最佳電影金棕櫚 獎是個肯定。 Iran 1997 99min Cast: Homayoun Ershadi, Abdolrahman Bagheri

Perhaps the film that made Kiarostami a household name in international arthouse cinema, Taste of Cherry is also his bleakest – at least at first glance. The middle-aged Mr. Badii goes on a road trip to commit suicide and tries to convince the people he meets along the way to help him. Eventually an old Turkish taxidermist agrees, but guides him on a scenic detour instead. The final twist proves Kiarostami’s masterful skill at evoking truth, beauty, and the shock of reality, even when we least expect it. Winner of the 1997 Cannes Palme d’Or.

Iran/France 1999 118 min Cast: Behzad Dorani, Noghre Asadi

Kiarostami takes us on the road again – this time to a remote Kurdish village where a group of outsiders from the city have just arrived with mysterious intentions. Everyone is waiting for something , and in the meantime, the cityfolk adjust themselves to a slower, more traditional pace of life, tethered to the outside world by only a cellphone. Kiarostami offers a poignant glimpse into the close yet distant relationship between local and global, urban and rural, and the human and its environment.

24.8 Sat六 Oshima Nagisa 大島渚的顛覆美學

3:40-5:00pm 時間 Time 《白晝的色魔》放映後 地點 Venue 香港藝術中心agnès. b電影院 HK Arts Centre agnès. b CINEMA! 講者 Speakers 鄭傳鍏 Cheng Chuen-wai 李焯桃 Li Cheuk-to

免費入場 Free admission 粵語主講 Conducted in Cantonese

25

}


年的日本導演之一,他那「驚世駭俗」的《感官

初逝世的大島渚應該是香港以至世界觀眾最熟悉

世界》讓不少不是影迷的社會大眾都聽過他的大名。 大島渚生於1932年,京都大學法學部畢業。他因為學 生時代太過投入學生運動,畢業後求職困難,最終進 入了松竹片廠。在1959年初執導筒,拍攝《愛與希 望之街》。當時日本的片廠順應時代,讓年輕的副導 演升任導演,而在這個順流下,大島和篠田正浩、吉 田喜重等新銳導演掀起松竹新浪潮,最後離開片廠獨 立拍片。因為學運的經驗,大島不時通過電影創作反 省日本戰後的社會運動,其中最著名的作品是《日本 之夜與霧》,這部作品成就了他大師之名。而《感官 世界》則讓他走進國際,開始拍攝國際合作的電影。

不過他的創作高峰還是在離開松竹之後。他拍了如 《白晝的色魔》、《飼育》、《忍者武藝帳》、《少 年》、《絞死刑》、《日本春歌考》、《儀式》等一 系列作品,同時亦參與電視製作,拍了一系列的劇情 片及紀錄片。其作品主題多涉及社會運動、情慾的探 討,以及在日韓國人的境況等。期間不少作品,大島 渚皆與日本藝術影院聯盟(ATG)合作,以一千萬日圓 的名義,拍攝了一系列的低成本作品,但當中的手法 各異,風格多變,充分顯示了導演在資源不足的情況 下靈活變通,一點也不減損作品想要表達的主題,以 及觀賞的價值。這段時期的作品,可以說是他創作生 涯的精華所在。

大 島 渚 的 顛 覆 美 學( 一 ) Oshima Nagisa: Radical Vision Own a piece of HK magazine history with one of these fabulous framed limited edition vintage covers

HK$888 EACH

order yours at www.asia-city.com/vintagecovers/

{

26

A

master of Japanese cinema who proclaimed “My hatred for Japanese cinema includes absolutely all of it.” A politicized critic of the 1960s, famous for issues of sex and censorship surrounding his In the Realm of the Senses (1976). Oshima died at age 80 this year after years of ill health, yet, his works continue to interrogate his nation and filmgoers worldwide. Born in a Kyoto family of samurai heritage but reduced means, Oshima studied at Kyoto University before sliding into film production with Shochiku. He released his first feature, A Town of Love and Hope , in 1959. Many of his early films dealt with students and their critiques of Japanese postwar society. Violence at High Noon (1966), like Senses , a film based on real life violence, explored the intense psychodynamics of a murderer and the women around him while underscoring the death of illusions in Japan. Oshima proved himself a critical observer of Japanese classes and issues. Boy (1969), for example, transformed a

news story into a social parable: we see Japan through a child whose parents live by throwing him into traffic and extorting motorists with his suffering. Turning from the have-nots to the haves, in The Ceremon (1971), Oshima eviscerated traditional bourgeois narratives of matrimony and inheritance in a critique of Japanese ritualization and hollowness. Oshima also explored Japan’s past, especially the samurai era, which he viewed through a sexual lens in his final Gohatto (1999). Those familiar with this work –and other audiences – will appreciate his earlier venture into samurai stories, the unique 1969 Band of Ninja (Ninja Bugeicho ). Here, Oshima recreated an anime story by Sampei Shirato, enriching each page with sounds, voices, music and narration. Oshima was a filmmaker who worked constantly to reinvent himself, and to challenge and irritate Japan. These selections show his power as both creator and critic, interpreter and visionary, in Japan but not always of it.

27

}


16.8 7:30pm SP 24.8 2:00pm AC

}

17.8 9:40pm SP 25.8 2:30pm AC

}

Boy

(Shonen)

Band of Ninja

Beginning another film from the brutality of real events – a serial killer of the 1950s who murdered women in daytime – Oshima adds layers of complexity that explore the dreams and failures of Japanese society as a whole. The killer becomes human, shaped by attempts at collective farming and followed by a former coworker and his wife, who struggle to understand his horrific violence against them and others. The film also explores a new formal complexity as montages and hundreds of rapid shots refract the questions of meaning, destruction and comprehension. Considered the first masterpiece of Oshima’s mature production.

{

28

(Gishiki)

日本 1969 彩色 97分鐘 演員:渡邊文雄、小山明子、阿部哲夫

日本 1966 黑白 99分鐘 演員:川口小枝、小山明子、佐藤慶

Japan 1966 B&W 99 min Cast: Kawaguchi Saeda, Koyama Akiko, Sato Kei

}

The Ceremony

(Ninja Bugeicho)

一切都那麼反常規。色魔沒有動機,即使沒有第一次 強姦後的沮喪,他說:都會殺人。色魔的受害女子恩 怨難分,沒有告發他;色魔的妻子明明知悉一切,還 在等待丈夫歸來歡好。而且,這不是色魔的故事,是 兩個女性愛慾生死的複雜交纏。大島緒玩完長鏡頭的 表現主義美學(《愛與希望的街》),竟然以二千個 短鏡頭切割出多重視點和複雜的心理牽纏,更同時步 步進迫,營造出幾使人窒息的幽閉感。閃回的農場公 社理想幻滅,跟當下的追兇和舉報同等重量,也同時 牽扯劇力。大島渚實驗的敘事結構前後縱橫,形式幾 近完美。

18.8 7:00pm SP 25.8 5:00pm AC

儀式

少年

(Hakuchu no Torima)

}

忍者武藝帳

白晝的色魔

Violence at High Noon

17.8 7:30pm SP 24.8 5:30pm AC

日本 1967 黑白 100分鐘 一部很少曝光的大島渚,不肯休止的創新精神,把 六十年代漫畫名家白土三平作品搬上銀幕,沒有CG 的年代創意更經得起時間考驗。不是改編,而是把漫 畫逐格拍,抽取十七集宏大篇幅的精髓,鏡頭遊走畫 面增強懸念,經典漫畫原就有分鏡、角度和動作設 計,大島渚放上節奏、配音和畫外音,成就的不只電 影,更是藝術。沒有比這樣子更尊重原作的了!原作 的暴力美學、推翻不義建制的題旨,和大島渚同聲同 氣;農民起義迫上梁山、八忍者飛天遁地的傳奇皆妙 趣橫生,猶如《水滸傳》X《西遊記》。大島渚不愧 crossover祖師爺! Japan 1967 B&W 100 min

A unique excursion into anime within Oshima’s evercreative career. Playing with the samurai stories that fascinated him like so many other Japanese filmmakers, the story follows a young boy finding his place with ninja during a peasant rebellion. Yet, Oshima takes the popular manga Ninja Bugei-cho by Sampei Shirato at face value, lovingly shooting each drawn page and interlayering the succession of still photographs with a complex story told through voices, sounds, narration and music. An important film capturing both the thematics of Japanese culture and the experimentation that characterized Oshima’s long career in films.

他沒有名字,全片,一直沒有,爸和繼母都喚他 Boy。返璞歸真的《少年》,苑如大島渚的《四百 擊》,他從男童院找來的單眼皮少年阿部哲夫,奇蹟 一樣令真實與虛幻力透銀幕。不少影評人最愛的一部 大島渚,許鞍華甚至在《北斗星》改編致敬。少年遭 遇比青春殘酷,在爸的騙局下,一次又一次假撞車遍 體鱗傷,他有物質補償,卻不知愛是何物。四口之家 在沿岸城市浪蕩行騙,日本戰後經濟復蘇,卻把少年 沉甸甸棄在一個人的世界,只能和弟弟說着太空語。 靜止的鏡頭如同實錄,幻覺的配樂卻在顛覆。說是真 人真事,但這樣的人間,未免太不真實。 Japan 1969 Colour 97min Cast: Watanabe Fumio, Koyama Akiko, Abe Tetsuo

A poignant, beautifully-photographed story of those left behind by the economic miracle of modern Japan. Based, like various Oshima films, on true news stories of Japanese parents who lived by abusing their child, forcing him into traffic so as to extort drivers by his faked injuries. When caught by the police, however, the child refuses to turn on either his lazy father or complacent step-mother, portraying his world in even sharper relief by his loyalty and normal dreams amidst pain and neglect. Chosen by The Guardian as one of critic Derek Malcolm’s 100 greatest world movies (2000).

日本 1971 彩色 123分鐘 中文字幕 演員:河原崎建三、賀來敦子、佐藤慶 大島渚最具野心的代表作,把閉鎖國族命運濃縮在三 代的家庭裏,蒼涼和諷刺的一幕幕放在今天,國人縱 使沒念念不忘,回響仍舊驚天動地。年紀小小的滿洲 男隨媽媽從滿洲逃回日本,卻發現自己是顯赫櫻田家 族的嫡孫,一言九鼎的祖父強橫撐起家族軀殼,滿洲 男漸長,眼神益發憂鬱無助,而驚人情節,在葬禮 和婚禮相間中連環爆發。家族表面風光,背後卻是強 暴、自殺和亂倫,愛恨糾纏,兒孫難分。儀式外強中 已乾,卻如同暴力加在家人身上不斷上演,荒謬之最 是一場沒有新娘的婚禮。借來滿洲男的眼神,大島渚 這個國族寓言,悲涼徹骨。 Japan 1971 Colour 123min Cast: Kawarasaki Kenzô, Kaku Atsuko, Satô Kei

Oshima’s probing study of the crises of the Japanese bourgeoisie, artfully portrayed through the weddings and funerals that swirl around the protagonist, Masuo, his cousin Ritsuko and their mutual love and competition for another cousin, Terumichi. As this merchant clan struggles to maintain appearances of prosperity and guarantee an heir through inbreeding, recurrent absences and deaths reveal the hollowness of their sacrifices: a wedding without a bride, households haunted by lost members rather than growing and flourishing. Oshima, moreover, uses this complex genealogy to criticize his own country, trapped in formalities and excluding outsiders and changes.

29

}


修復

red Resto sic Clas

經典

Restored Classics

24.8 9:45pm GC

25.8 7:30pm AC 31.8 2:30pm AC

Documentaries of Our Times

修復經典

紀錄片時代

The Sandwich Man 兒子的大玩偶

導演: 侯孝賢、曾壯祥、萬仁  台灣 1983 106分鐘 中文字幕 三十年前,如果當年「削蘋果事件」不被揭發,新 電影之路會走得更迂迴嗎?三十 年後,觀眾可以脫離黃春明的小 說,對照今日台灣如何從那些歲 月踉蹌走過來。〈兒子的大玩 偶〉(侯孝賢導)是看《蚵女》 的日子,小家庭如風中鳥巢,當 年未有新電影,如今新電影撤出 舞台,新一代的玩偶可能是「大 尾鱸鰻」了;〈小琪的那頂帽 子〉(曾壯祥導)要城市人收 斂傲慢,小心高速爆煲,〈蘋果 的滋味〉(萬仁導)則是超級 諷語:多謝老外照顧。從本土關 注,到反思日本、美國的影響和 離棄,那些年電影開始撕走「健康」標籤,追求純粹 寫實,貧窮或生活意外頻生也勇敢面對;那些年新電 影語境初發,此刻數碼珍重寄意。

(Erzi de Dawanou)

Dir: Hou Hsiao-Hsien, Tseng Chuang-Hsiang, Wan Jen Taiwan 1983 106min Widely regarded as the film that ushered in the New Taiwanese Cinema, The Sandwich Man , adapted from novelist Huang Chun-Ming’s stories, is an omnibus that features three separate, socially critical short films. The first 30-minute segment is directed by master director Hou Hsiao-Hsien, and its opening shot of a man in clown makeup walking down a small-town street still resonates to this day. Though the scenario reflects Taiwan’s economic and social struggles during the ’60s, the story remains just as relevant today in the age of Occupy Wall Street and wage inequalities. The other two shorts are just as harsh in its political observations, revealing Taiwan at a time when it struggled to define its identity under the influence of Japan’s emerging economic clout and America’s Cold War doctrine.

Chronicle of a Summer (Chronique d’un Été)

導演: 艾德格莫連、尚盧治 法國 1961 90分鐘 1961年,阿爾及利亞獨立戰爭進入尾聲,巴黎的青 年人躁動待發,抑或矛盾自困,街頭有人問你:你 覺得自己快樂嗎?Marceline(日 後是伊文思夫人,對紀錄片不離 不棄)是被選中的問者,她的經 典長鏡頭是走在協和廣場路上 自白集中營經驗懷念父親;而 Marylou(日後投身新浪潮)從 自殺念頭到自信一一剖白。瀟灑 結構比英國Free Cinema更多一 份詩意,箇中卻「古惑」辯證, 暗藏互動、表演、自我反射這等 現代紀錄片視角,道出真實不會 無條件展示。尚盧治與艾德格莫 連最後漫步Musee de L'Homme 討論拍攝成績,人類學遇上社會 學遇上手搖鏡,豈止前68見證,豈止cinéma vérité宣 言:這是一部地位超然,紀錄片中的紀錄片。

夏日紀事

Dir: Edgar Morin, Jean Rouch France 1961 90min

Dangling conversations of lazy summer days, more than half a century ago. A film that takes us back to the birth of cinéma vérité, when anthropologist Rouch, sociologist Morin and cinematographer Michel Brault shattered the distances and conventions of documentary with questions like “What is happiness?” addressed to everyday people on the streets of Paris. Where questions of the not-so-distant past – the Holocaust and its victims – and of presents and futures incompletely understood –the meaning of Algeria, the transformations of race and globalization –came together. A film capturing social time with diverse peoples and dialogic voices, real conversations in cafes or during an afternoon by the sea. A critical foundation for modern cinema, fiction and non-fiction as well as a window into a special, ordinary past.

設映後談,講者朗天 Post-screening talk with Long Tin

{

30

31

}


Top 10 Must-See 十

2001: A Space Odyssey 2001太空漫遊

第三十八屆香港國際電影節 The 38th Hong Kong International Film Festival

15.8 9:30pm GC 18.8 2:00pm AC

24.3 ~ 7.4.2014

節期確定!

Dates Confirmed!!

導演: 史丹利寇比力克  美國 1968 141分鐘 中文字幕

Dir: Stanley Kubrick USA 1968 141min Cast: Keir Dullea, Gary Lockwood, William Sylwester

長年累月在世界十大經典電影中佔 一席位,上映四十五年來,這部 科幻片每次重映,不單絲毫沒有老 舊過時的感覺,更令人心生敬意。 在無邊無際的太空旅程中,沉思無 垠的宇宙、人類進化與科技發展的 關係,主題視野恢宏,敘事形式開 放,超越類型的框框而漫遊於哲學 與想像天地,古今上下而求索。影 片拍攝時,正值電腦方興未艾的年 代,卻藉著操縱太空船的電腦密謀 叛變,指出人類終有一日會淪為科 技的奴隸,今時今日看來,實在極 有遠見。在沒有電腦特技的年代,影片創造的視覺 風格不但前無古人,至今依然令人信服,更成為無 數後來者的靈感與參照。

With a single toss of a bone, director Stanley Kubrick not only visually depicts the great leap in human evolution but also ushers in a gigantic cinematic evolution. 2001: A Space Odyssey is, to this day, still the most scientifically accurate depiction of space ever portrayed in a fiction film. (Granted, in reality neither Johann or Richard Strauss can be heard in a vacuum. ) And before Terminator made us fear the machines, Kubrick designed the most chilling artificial intelligence that ever graced the silver screen: Al. From the black monolith’s mystery to the enigmatic StarChild, the film eschews narrative progression in favor of bold visuals and bolder ideas that is without equal to this day. #6 in Sight & Sound’s 2012 Greatest Films of All Time Poll

2012《視與聲》史上最偉大電影第六位

現正接受報名參展! Call for Entries now open! 香港國際電影節一向以包羅萬有又 精挑細選的優質節目在國際備受讚 賞。第三十八屆香港國際電影節現 已公開接受報名。 電影節設有新秀電影競賽、紀錄片 競賽及國際短片競賽等三項火鳥大 獎,獎項包括現金獎及出席電影節 的旅費和住宿。詳情請瀏覽:

The Hong Kong International Film Festival, recognized throughout the world for its eclectic, intelligent programmes, is accepting submissions to 38th HKIFF. FIREBIRD Aw ard s in Young Cinema Comp et it ion , Documentary Competition, Short Film Competition will be presented. Awards include cash awards and paid visit to the 38th HKIFF. For details, please visit:

http://society.hkiff.org.hk/en/press_38hkiff_entry_regulation.html

電影節電子訊息 Festival E-news 設映後談,講者藍天雲 Post-screening talk with Grace Ng

{

32

想接收香港國際電影節的最新資訊和節目內容,請登入以下網頁提交資料:

Receive up-to-the-minute email alerts, festival news, important event dates and deadlines throughout the year. Be the first to know by filling in your details below: http://society.hkiff.org/en/joinus_enews.php


C

M

Y

CM

MY

CY

CMY

K


Named as one of Hong Kong’s most stylish bars by the South China Morning Post’s Style magazine, mamoz is raising the bar in Causeway Bay. On the top two floors of CUBUS (across from Lee Gardens) is mamoz. Beautifully designed by global award-winning interior designers, mamoz offers spectacular views across the city and a selection of classic and unique modern cocktails in a sophisticated setting. Features include 8 meters long wooden bar, two floors separated by a glass stairway, a spacious rooftop, and floor to ceiling windows.

Happy Hour (Every day, 5pm - 9pm) HALF PRICE for all beers, house red/white wine by glass, standard house spirits

Events at mamoz mamoz suits all your event needs whether you want to hold a creative or corporate event. You can choose to hold your party or event on one of or both floors of mamoz. Each floor is 2,500 sq. ft and can cater up to 60 guests each.

Mon to Thu 5pm-1am

{

36

Fri to Sat 5pm-3am

Sun & Daytime, events only

28/F, CUBUS,1 Hoi Ping Road, Causeway Bay, Hong Kong Tel: 2890 3182 info@mamoz.hk www.mamoz.hk

37

}


成為電影節發燒友(HKIFF Cine Fan 2013)

HKIFF Cine Fan 2013

電影節發燒友 (HKIFF Cine Fan) 2013年度入會申請表格

HKIFF Cine Fan 2013 Privilege Application Form

立即登記 Sign up now!

申請成為電影節發燒友 (HKIFF Cine Fan) ,將獲贈特選場次門票4張 (每場最多2張)。當門票及電影節發燒友 (HKIFF Cine Fan) 會員卡備妥後, 申請人將收到協會發出的電郵通知,內附門票及會員卡之領取詳情,屆時請帶同電郵通知書到指定地點領取。 Successful applicants will receive a welcome gift of 4 complimentary tickets for selected screenings (max. 2 tickets per screening). Please indicate your choice of films below. Each successful applicant will receive a confirmation email with details on collection of tickets and HKIFF Cine Fan Privilege card. Please bring your confirmation email to the designated location for collection.

I wish to apply for HKIFF Cine Fan’s 我欲申請成為電影節發燒友(HKIFF Cine Fan)之 □ Classic Privilege □ Student Privilege □ Patron Privilege 會員 (HK$120) 學生會員 (HK$80) 贊助會員 (HK$15,000) Name 姓名:

Annual Fee / 年費 # HK$15,000 Patron Privilege / 贊助會員 HK$120 Classic Privilege / 會員 HK$80 Student Privilege / 學生會員

學生會員 (只限本地全日制學生申請) Student Privilege (For Hong Kong Full Time Students only)

門票優惠 Ticket Promotion

折扣 Discount

夏日國際電影節2013各場正價門票 Regular-priced Summer International Film Festival (SIFF) 2013 tickets 電影節發燒友(HKIFF Cine Fan)節目各場 正價門票 Regular-priced HKIFF Cine Fan Programme tickets

八五折 15% off

門票優惠 Ticket Promotion

折扣 Discount

電影節發燒友(HKIFF Cine Fan)節目門票 (1八月節目除外;2只限學生會員優惠,不設其 他學生優惠票) Regular-priced HKIFF Cine Fan Programme tickets (1Except Cine Fan – August Programme; 2Only with the presentation of Student Privilege card)

七折 30% off

其他由香港國際電影節協會及其合作夥伴合辦 之電影節目門票* Tickets of other programmes co-organised by HKIFFS and its partners*

其他由香港國際電影節協會及其合作夥 伴合辦之電影節目門票* Tickets of other programmes co-organised by HKIFFS and its partners* 九折10% off

八五折 15% off

香港國際電影節各場正價門票 Regular-priced Hong Kong International Film Festival (HKIFF) tickets

九折10% off

辦理入會手續

How to join the HKIFF Cine Fan

有意成為贊助會員者,請於辦公時間內致電2970 3300。

For application for Patron Privilege, please call 2970 3300 during office hours.

. 於 網上遞交申請時,可經網上申請系統上載個人照片(以 500KB 為限)。而親身遞交申請表的申請人,須帶同近照 一幀(護照相片)於以下地點及期間辦理:

香港國際電影節協會辦事處 地址:九龍觀塘道370號創紀之城3期21樓(近牛頭角港鐵站) 時間:星期一至五早上10時至下午12時,下午2時至下午5時 (公眾假期除外)

E-mail 電郵:

各場門票數量有限,先到先得。Tickets are available on a first-come, first-served basis.

夏日國際電影節2013各場正價門票 Regular-priced Summer International Film Festival (SIFF) 2013 tickets 電影節發燒友(HKIFF Cine Fan) 八月節目各場正 價門票 Regular-priced HKIFF Cine Fan – August Programme tickets

• 獲贈第38屆香港國際電影節VIP通行證兩張 • 免費優先入座電影節發燒友(HKIFF Cine Fan)節目所有場次 (八月節目除外) • 有機會獲邀出席電影節協會所舉辦之電影人聚餐會、酒會及其他聯誼活動 • Two (2) 38th HKIFF VIP passes • Free priority admission to all Cine Fan Programme screenings (except August Programme) • Invitations to luncheons, parties and other networking events with filmmakers

入會可以網上申請 (cinefan.com.hk) 或親身遞交。

Tel 電話:

Welcoming Gift Choice 迎新禮品選擇

贊助會員獨享額外優惠 Extra privileges for Patron Privilege

Application can be made on-line (cinefan.com.hk) or in person. A recent passport photo (max. 500KB) is required. For in-person application, applicants can hand in their completed application forms together with a passport sized photo to the following office:

The HKIFF Society Ltd. Address: 21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong (Opposite to Ngau Tau Kwok MTR Station) Hours: Mon-Fri: 10:00-12:00, 14:00-17:00 (Except Public Holiday)

立即申請 Apply now at cinefan.com.hk 注意 NOTES :

日期 Date

時間 Time

地點 Venue

片名 Film

16/8

7:30 PM

SP

Violence at High Noon 白晝的色魔

17/8

5:30 PM

AC

And Life Goes On... 春風吹又生

17/8

7:30 PM

SM

Blindly in Love 盲女愛宅男

17/8

7:30 PM

SP

Band of Ninja 忍者武藝帳

17/8

9:40 PM

SP

Boy 少年

18/8

7:00 PM

SP

The Ceremony 儀式

21/8

7:30 PM

SM

Under the Rainbow 求愛搭錯線

23/8

7:30 PM

SM

Real 真夢戀人

24/8

7:30 PM

SM

Top of the Lake (Part I) 迷湖劫 (上集)

25/8

7:30 PM

SM

Top of the Lake (Part II) 迷湖劫 (下集)

25/8

7:30 PM

AC

Chronicle of a Summer 夏日紀事

3. 所有門票優惠只限於親臨城市電腦售票處售票櫃檯使用,並不適用於網上訂票/ 電話購票/ 郵購訂票。

本人同意接受上述電影節發燒友(HKIFF Cine Fan)入會條款。 I have read and agreed to the above terms and conditions.

Ticket Discount Offers are applicable to URBTIX Outlets only. NOT applicable to Online Ticketing / Phone Ticketing / Postal Booking.

# 電影節發燒友(HKIFF Cine Fan) 2013 年會籍有效期為發卡日至2014年2月28日。

HKIFF Cine Fan 2013 privilege is valid from the privilege card issue date to 28 February 2014.

* 香港國際電影節協會及其合作夥伴保留最終決定權暫停或取消所有會員優惠。

Subject to final agreement from HKIFFS & its partners. HKIFFS reserves all rights and final decision to cancel or vary the discount offer.

數量 No. of Tickets

8. 為向會員提供或推廣由香港國際電影節協會及其他相關機構之服務及其他產品,協會將根據會員的資料及記錄,經電郵或郵件向會員發送相關資訊及優惠推廣。 會員可隨時要求停止接收有關通訊。HKIFFS may use holder’s information and records for the purpose of providing or promoting services or other products made available by HKIFFS and associated organisations. Privilege holder can request HKIFFS to stop mailing/ sending information on that product and service at any time and at no cost. 9. 持有香港國際電影節會員計劃之會員身份,並不等同其持有香港法例《會社( 房產安全) 條例》或《社團條例》項下「俱樂部」或「社團」成員之身份。The holder of HKIFF Privilege Status does not constitute membership of a “Club” or “Society” for the purposes of the Clubs (Safety of Premises) Ordinance, or the Societies Ordinance under the laws of Hong Kong. 10. 香港國際電影節協會保留提供會員計劃內一切折扣及其他優惠之最終決定權。HKIFF Privilege Scheme exists to offer preferred structure of benefits such as discounted payment and other benefits that may be offered from time to time at the sole discretion of HKIFFS. 11. 香港國際電影節協會保留隨時終止會員計劃之一切權利。HKIFFS reserves all rights and final decision to terminate the scheme without prior notice. 12. 遇有任何爭議,香港國際電影節協會保留最終決定權。In case of dispute, the decision of HKIFFS shall be final. 13. 本條款及細則之中英文文本如有任何歧義,概以英文版為準。The English version of these terms and conditions shall prevail whenever there is any discrepancy between the English and the Chinese versions.

The holder of HKIFF Privilege Status does not constitute membership of a “Club” or “Society” for the purposes of the Clubs (Safety of Premises) Ordinance, or the Societies Ordinance under the laws of Hong Kong. HKIFF Privilege Scheme exists to offer preferred structure of benefits such as discounted payment and other benefits that may be offered from time to time at the sole discretion of HKIFFS.

次選 2nd Choice

數量 No. of Tickets

電影節發燒友(HKIFF Cine Fan)入會條款及細則 HKIFF Cine Fan Scheme Terms and Conditions 1. 電影節發燒友(HKIFF Cine Fan) 2013 年會籍有效期為發卡日至2014 年2 月28 日。HKIFF Cine Fan 2013 privilege is valid from the privilege card issue date to 28 February 2014. 2. 會員於城市電腦售票處售票櫃檯購票時必須出示有效之電影節發燒友(HKIFF Cine Fan)會員卡,方能享有包括門票折扣等各項優惠。門票折扣優惠並不適用於網 上訂票╱電話購票╱郵購訂票。Privilege holders must present their valid privilege card at the sales counter of URBTIX outlets to enjoy privileges including Discount Offers. Please note that Ticket Discount Offers are NOT applicable to Online Ticketing / Phone Ticketing / Postal Booking. 3. 換領門票╱禮品╱紀念品時,會員必須出示有效之電影節發燒友(HKIFF Cine Fan)會員卡作核對。For the redemption and collection of tickets /gifts / souvenirs , privilege holders must present their valid privilege card for verification. 4. 電影節發燒友(HKIFF Cine Fan)會員卡不得轉讓予他人使用。如發現任何違規使用情況,有關場地負責人或香港國際電影節協會將有權即時終止會員資格。已繳交 之會費一律不獲退還。Privilege is non-transferable. If evidence of misuse and abuse of privileges are found, the venue management or HKIFFS have the right to confiscate the card at any time without prior warning. The privilege fee will not be refunded. 5. 電影節發燒友(HKIFF Cine Fan)會員卡一經塗改或嚴重損毀,均屬無效。會員可向香港國際電影節協會申請辦理補領手續。補領電影節發燒友(HKIFF Cine Fan)會 員卡之費用為港幣$50。Privilege card will be voided if damaged. Replacement cards are available at a re-issue fee of HK$50. 6. 如遺失電影節發燒友(HKIFF Cine Fan)會員卡,請即向香港國際電影節協會報失。補領電影節發燒友(HKIFF Cine Fan)會員卡之費用為港幣$50。Loss of privilege card must be reported at once. Replacement cards are available at a re-issue fee of HK$50. 7. 不論閣下因任何原因在會籍有效期內放棄會籍,亦不會獲發任何已繳交之入會費用。 Privilege fee will not be refunded if privilege is cancelled for whatever reason before expiry.

2. 香港國際電影節協會保留提供會員計劃內一切折扣及其他優惠之最終決定權。

首選 1st Choice

只准年滿十八歲或以上人士觀看 Persons Aged 18 and Above Only

1. 持有香港國際電影節會員計劃之會員身份,並不等同其持有香港法例《會社 (房產安全) 條例》或《社團條例》項下「俱樂部」或「社團」成員之身份。

Gender 性別:

Address 地址:

贊助會員及會員 Patron Privilege and Classic Privilege

香港國際電影節各場正價門票 Regular-priced Hong Kong International Film Festival (HKIFF) tickets

(Please use the Name on HKID / 請使用身分證上之姓名)

申請人簽署 Applicant's Signature :

日期 Date :


Screening Schedule

除特別註明外,所有非英語對白電影皆設有英文字幕,但不另設中文字幕 Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

放映時間表

Aug

八月

日期 Date

13/8

p 中文字幕 Chinese Subtitles 3 設映後談 Post-screening talk E 導演和演員將出席與觀眾會面 The director and actors will meet the audience

時間 Time

座談會:免費入場,粵語主講 Seminar: Free admission / Conducted in Cantonese

片名 Film

19:15 19:30 21:50

GC GC GC

Unbeatable 激戰 Unbeatable 激戰 Unbeatable 激戰

14/8 三

19:30 19:30 21:45

SM GC GC

The Apology King 謝罪王 Camille Claudel 1915 卡蜜兒的最後歲月 The Look of Love 性業大亨

19:45 21:45 21:30

UL UL GC

Bastards 仇人的情婦 Apolitical Romance 對面的女孩殺過來 2001: A Space Odyssey 2001太空漫遊

19:30 19:30 21:45

SM SP UL

Maruyama, the Middle Schooler 初中生自舔夢 Violence at High Noon 白晝的色魔 Red Obsession 紅酒瘋

14:15 15:40 17:30 19:30 19:30 21:40 21:45

AC AC AC SM SP SP UL

Where is the Friend's Home? 踏破鐵鞋無覓處 Seminar on Abbas Kiarostami 「基阿魯斯達米 經典重溫」座談會 And Life Goes On... 春風吹又生 Blindly in Love 盲女愛宅男 Band of Ninja 忍者武藝帳 Boy 少年 Pawn Shop Chronicles 當舖瘋雲

14:00 18:10 19:00 21:30 19:30 21:45

AC AC SP SP SM UL

2001: A Space Odyssey 2001太空漫遊 Through the Olive Trees 橄欖樹下的情人 The Ceremony 儀式 Under the Rainbow 求愛搭錯線 The Apology King 謝罪王 Bastards 仇人的情婦

15/8

16/8

17/8

18/8

19/8

19:30 19:30 21:45

SM AC UL

Maruyama, the Middle Schooler 初中生自舔夢 Red Obsession 紅酒瘋 The Stone Roses: Made of Stone 石玫瑰再臨

20/8

19:30 19:30 21:45

SM AC UL

Blindly in Love 盲女愛宅男 Taste of Cherry 櫻桃的滋味 Taipei Factory 台北工廠

19:30 19:30 21:45

SM AC UL

Under the Rainbow 求愛搭錯線 The Wind Will Carry Us 風再起時 21 Ways to Ruin a Marriage 婚姻生活21戒

19:30 21:45

AC UL

The Punk Syndrome 崩氏綜合症 Age of Panic 錯在騰雞普選時

21/8

22/8

E p E p p

19:30 19:45 21:45 21:45

SM UL UL GC

Real 真夢戀人 Taipei Factory 台北工廠 The Stone Roses: Made of Stone 石玫瑰再臨 Camille Claudel 1915 卡蜜兒的最後歲月

24/8

14:00 15:40 17:30 19:30 19:30 21:45

AC AC AC SM GC GC

Violence at High Noon 白晝的色魔 Seminar on Oshima Nagisa「大島渚的顛覆美學」 座談會 Band of Ninja 忍者武藝帳 Top of the Lake (Part I) 迷湖劫 (上集) Apolitical Romance 對面的女孩殺過來 The Sandwich Man 兒子的大玩偶

14:30 17:00 19:30 21:30 19:30 19:30 21:45

AC AC AC AC SM GC GC

Boy 少年 The Ceremony 儀式 Chronicle of a Summer 夏日紀事 The Punk Syndrome 崩氏綜合症 Top of the Lake (Part II) 迷湖劫 (下集) Age of Panic 錯在騰雞普選時 Blue Jasmine 情迷藍茉莉

19:30 19:30 21:45

AC SM GC

21 Ways to Ruin a Marriage 婚姻生活21戒 Real 真夢戀人 Shirley - Visions of Reality 十三個雪莉

p p p p

25/8

p p

p 3 p p p p

p p p

26/8

p p

p p p p

p p p

27/8

19:30 21:45

GC GC

Young & Beautiful 我要…17歲 Young & Beautiful 我要…17歲

29/8

19:30

AC

Where is the Friend's Home? 踏破鐵鞋無覓處

p

30/8

19:30

AC

And Life Goes On... 春風吹又生

p

31/8

14:30 19:30

AC AC

Chronicle of a Summer 夏日紀事 Through the Olive Trees 橄欖樹下的情人

3 p

GC UL

朗豪坊 Langham Place

SM 香港科學館演講廳 HK Science Museum Lecture Hall SP 香港太空館演講廳 HK Space Museum Lecture Hall AC 香港藝術中心 Hong Kong Arts Crentre

自助取票服務 Ticketing Collection Service 透過城市電腦售票網網上或電話購票服務訂票的觀眾,請帶同購票用的信用卡在購票通自助取票機(康文署演出場地、通利琴行、UA 朗豪坊及香港太空館)或親臨任何一間城市電腦售票處的售票櫃檯領取門票 。 Customers using URBTIX Internet or Telephone booking services can collect the tickets from Cityline Ticket Dispensing Machines (LCSD Performing Venues, Tom Lee Music, UA Langham Place and Hong Kong Space Museum) or at the sales counter of the URBTIX Outlets upon presentation of the credit card used for booking. 香港科學館及The Grand Cinema不設領票服務。已訂購門票之觀眾,請在抵達放映場地之前,先行到各自助取票點領取門票,以免延 誤入場。

Ticketing Information 購 票 須 知

Ticket Collection Service is not available at Hong Kong Science Museum and the Grand Cinema. Customers are advised to collect the tickets at any of the ticket collection points before going to these screening venues to avoid delay in admission. * 於UA朗豪坊及The Grand Cinema 舉行的電影節目,城市電腦售票網將於放映前一天之下午5時停止發售門票。觀眾請於翌日起到放映場地 票房購票,售完即止。 * For screenings at the UA Langham Place and the Grand Cinema, tickets are available at URBTIX till 5:00pm one day before respective screenings, after which tickets will be available only at the box office of these two venues respectively on the next day, subject to availability.

門票2013年7月22日起於城市電腦售票網公開發售 Tickets available from 22 July 2013 onwards at URBTIX 票價 Ticket Price 於UA 朗豪坊、The Grand Cinema放映之場次 Screenings at UA Langham Place / The Grand Cinema

23/8

$75

退票及節目更改 Refund Arrangement and Programme Change

電影節發燒友(HKIFF Cine Fan) 贊助會員、會員及學生會員八五折優惠 15% Discount to HKIFF Cine Fan Patron Privilege, Classic Privilege and Student Privilege

節目如有更改或取消,觀眾可按原定時間入場觀看替代影片,或可由通知當日起至2013年9月16日申請退票。退票表格可於夏日國際電影節網頁 下載。請將填妥之表格及電影門票,於截止日前寄交香港國際電影節辦事處(香港九龍觀塘道370號創紀之城3期21樓)。本會將以劃線支票寄 回退款給持票人(購票手續費恕不退回)。 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息,請參閱香港國際電影節協會網頁及各放映場地的 通告。 For alteration or cancellation of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund. Application forms for refund can be downloaded from the Summer IFF website. Completed forms with ticket(s) should be returned by post to the Hong Kong International Film Festival Society Limited (21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong) on or before 16 September 2013. Refund cheques will be sent to ticket holders by post. (All services fees will not be refunded). The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Society website and at the screening venues.

每張門票最多只可享用其中一種購票優惠。 All the above discounts cannot be used in conjunction with any other discounts or offers.

惡劣天氣之放映安排 Arrangements under Inclement Weather Conditions

於香港科學館、香港太空館、香港藝術中心放映之場次 Screenings at HK Science Museum, HK Space Museum and HK Arts Centre

門票優惠 Ticket Discounts

$65

全日制學生、60歲或以上高齡人士、殘疾人士及綜援受惠人士六折優惠 40% Discount to Full-time Students, Senior Citizens Aged 60 or above, Persons with Disabilities (or “the Disabled”) and CSSA Recipients

優惠票持有人於入場時必須出示可以證明身份或年齡的有效證件。 Concessionary ticket holders must provide acceptable proof of identity upon admission. 綜援受惠人士優惠不適用於UA 朗豪坊及The Grand Cinema。 CSSA recipient concessionary tickets are not applicable to screenings at UA Langham Place and The Grand Cinema.

票房購票 Counter Booking:城市電腦售票處/URBTIX Outlets* 網上訂票 Internet Booking:www.urbtix.hk 信用卡電話訂票 Credit Card Telephone Booking:2111 5999 票務查詢Ticketing Enquiries:2734 9009 { {

40 40

當香港天文台發出八號或以上熱帶氣旋警告信號或黑色暴雨警告時,電影節目可能會受影響而取消,或未能提供投映字幕。詳情請留 意本會網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when Typhoon Signal No. 8 or above is hoisted or Black Rainstorm Warning is issued. Please refer to the Society’s website for the latest notice.

節目查詢 Programme Enquires:

www.hkiff.org.hk / 2970 3300 / info@hkiff.org.hk

41 41

} }


cinefan.com.hk

八月節目

基阿魯斯達米、大島渚、寇比力克

Aug Programme

Kiarostami, Oshima ﹠ Kubrick ... 主辦 Presenter

{

42

資助機構 Financially Supported by

43

}


Summer iff2013 programme booklet  

The Hong Kong International Film Festival Society Presents Summer International Film Festival 2013

Advertisement
Read more
Read more
Similar to
Popular now
Just for you