irina.stefanovska.portfolio content cv 1.diploma project- macedonian winery as a cultural and manufacturing entity 2. multiplex cinema complex 3. manufacture facility for dehydration of fruits and vegetables 4. indoor/ outdoor market 5. cultural informative and commercial center of Republic of Slovenia in Republic of Macedonia 6. industrial design- audio system 7. easa011 European Architecture Students Assembly- easa cloud workshop
EXPERIENCE/ WORKSHOPS/ CONFERENCES collaboration Studio Snap Design Architectural Studio ERRA individual projects Interior design Interior design Readaptation
nationality STEFANOVSKA IRINA CONTACT mobile: +61 497 207 195 email: email@example.com address: 60 Jindabyne Rd Kingston Beach TAS 7050 Availability:August of 2013
Bridal shop Deasposa- Skopje Residential Entertainment Area- Skopje Private Residence in School of Music and other Forms of Art www.pijanoforte.com.mk
2012 Summer School: Landscape and the limits of Architecture mentor: Elia Zenghelis
Macedonian; born: 23.01.1986 Skopje citizenship: Australian/Macedonian languages Macedonian- mother tongue english
reading writting verbal
2011 Velofest: Bicycle Lane Design - Prilep, Macedonia SEASA European Assembly for students of Architecture “Decoastruction”- Cadiz,Spain easacloud.blogspot.com 2010 ASK Architectural Student Conference “Postindustrial Reurbanisation” Ljubljana, Slovenia “City and Tradition Krusevo”- workshop Krusevo, Macedonia Forum Skopje “ City of Solidarity- Architecture through senses” 2009 Open Competition for the City of Skopje- “Design of a city sale booth”
2004-2006 Bachelor Degree in Interior and Product Design Accademia Italiana, Florence- Italy
Archicad Basic 3D Studio Max Basic Adobe Cs Good Physical Modelmaking Excellent AutoCaad Excellent Google SketchUp Excellent CorelDRAW Good
2006- 2013 Graduated Architect- Engineer Faculty of Architecture University Ss Cyril and Methodius- Skopje
Using mathematical logical tools ADDITION AND SUBTRACTION with which the result is ANALOGY by SIMILARITY and ANALOGY by CONTRAST. SUBTRACTION/ excavation resistance of matter, form of emptiness, prime space internal-infinite space that with its natural form shows the expressionism of naturerock- cave- preservation of the valuable - WINE ADDITION volumes in golden ration (aspect of nature), designed with a straight line (man made/ unnatural). The NATURAL LANDSCAPE and ARTIFICIAL STRUCTURE by contrast compliment eachother and emphasize their difference and importance.
ex. a natural landscape on its own is something to appreciate, however when adding a little house in the middle of the natural image, it brings out the full potential and beauty of both. 2
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- vertical and horizontal tower- orthogonal in plan and section - production tract- orthogonal in plan, organic in section - barrique cellar- organic, spontaneous, natural
creating volumes that are in CONSTANT CONTACT with the GROUND DESCARTES COORDINATES volume I: sinks into - direction y- axis volume II: intersects,enters half way - direction z- axis volume III: completely descends under - direction x- axis y
3 types of VOLUMES metamorphosis from artificial to natural
2 NEEDED AREAS - large cinema hall- 1118 seating capacity - small cinema hall- 167 seating capacity - cloak rooms - restrooms - annex building: restaurant, entertainment, child care PRINCIPLE OF DESIGN - grupation of functions + independent annex - choosing a SEGMENT of the LANDSCAPE design and BLENDING and uniting it with the OBJECT. - shaping the three main volumes as part of the landscape and urban structure - tracing PATHS and DIRECTIONS of the nearby OPERA HOUSE and using them to create a unique SHELL that HOVERS over the complex.
3 The general shape of the production hall is very clean and ORTHOGONAL, executed in reinforced concrete and the facade in light transmitting, prefabricated concrete panels-Litraconâ„˘. The main character definer of this production building is given by the the two RAMPS that connect the GREEN ROOF TERRACE with the bottom of the production. These ramps connect the technical and natural atmosphere by letting the green surface penetrate into the object and turn into a plantation on the roof. The idea of the ramps is not only to CONNECT but also ILLUMINATE the interior as well as play a role of a SHOWROOM through which an outside visitor could view the production process and never interrupt it. All the functions are managed in individual volumes which curve and sink into the ground to give a character of flow, of which the administration and restaurant are isolated on the roof. The comfortable and calm ambiance of the roof is purposely interrupted and enriched with the perforating chimneys which remind of the primal function of this object.
5 MAIN IDEA Depiction of the image of Slovenia - imitation of nature. Symbolically portraying the natural treasures with the used materials, design and structure. PILLAR- TREE dispersed throughout the empty space- symbolizing a dense FOREST FURNITURE - FLORA/ FAUNA vitra conceptual furniture 3 1
4 Three identical CUBICAL MASSES, each containing a different produce, come together to form a so called "SUPERMAKET". Each cube is conceptualized with a model BOX WITHIN A BOX which means that the space inside is defined with the selling strip, the communication or buying strip and the core. The selling ring defines the premises of the volume. It is formed by numerous selling booths which connected give an inclosed area, but divided into separate structures, function as singular objects which together with the outside space define a open market. The core of each volume is defined with an open restaurant- degustation area for the products sold in its space. The administration offices are conceptualized as a gallery space,bridge running through all three volumes, connecting them into one. This is a hanging construction secured onto a SHELL which covers and again unites the whole complex. The roof structure is covered in different coloured solar panels (reference: Santa Caterina Market, Barcelona by arch. Enric Miralles), and is defined with a flowing, natural form, which is supposed to symbolize a field of flowers. In a sense this marks what this location once was- a flower market.
FUNCTIONS primary: informing yourself individually- tv + headphones, comfortable, isolated spaces to take as much time as you need seating area on two levels, two atmospheres staring up at the sky- bottom/ sitting in the tree crowns - top 2
secondary: info desk- quick information restroom cafe bar
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about cloud We make clouds. The aim is to explore possibilities of ambivalent conditions by producing ephemeral structures. The methodology of work will emerge through discussions, perceiving of natural phenomena of sunlight / shadow and its reflections within the city. In broader sense, this process should deal with concept of borders – their elusiveness and their distortion in shifted condition that we create and perpetually distort. The workshop is structured through three topics which refer to different types of surfaces / the city, the sea and the beach. The shadow is seen as literal (a shape), phenomenal (blur) and pragmatic (a sun shade). Working method is producing ephemeral floating structures which will create specific conditions. We expect the participants to be involved in the whole process - from developing the concept to building structures and documenting and exploring the effects. The expected OUTCOME should be achieved on three levels: PHYSICAL (objects / ephemeral structures as a tool which we will conceptualize, create and produce); PERCEPTIVE (shape and its projections – shadows – through which we question the notion of borders) and THEORETICAL (making a shift in understanding of spatial relations in architecture)
6 ELEMENTS 2 speakers- two independent audio channels through a configuration of two speakers CD player CD raft The main focus of the design is to incorporate 3 ELEMENTS into one compact object. It is meant to hang vertically = space saver/ wall decor. DIRECTION IN DESIGN The SHAPE derives from the HUMAN SENSES. After an analysis on their physical form, it was more then evident that the sense of hearing is most adequate, for it converts sound into memory, as is this concept of audio system which is designed to reproduce sound with great directionality and audible perspective, creating an impression of natural sound. The shape is made of three attached volumes, 2 ellipses and a ribbon joint between the two. Organic, simple, modern.
Man's ambitions to create natural elements is a never-ending dream, to create nature that is not fake but rather real in an artificial way. Can we clone the natural phenomenon?