Wai Ching Cheng Design Portfolio V5

Page 1

WAI CHING CHENG DESIGN PORTFOLIO


01 06-15 //

16-19 //

20-23 //

24-29 //

30-33 //

34-41 //

MARITIME MAKERS

METAMORPHIC

STELLARIS ONE

MAC BLOCK 7

KESEY SQUARE

THE NOMADIC CLOUD

02

COMMUNITY

44-47 //

48-53 //

HAINAN ECO-ISLAND

F.A.R.M.

03

FORM + TECHNICAL

56-59 //

60-61 //

62-63 //

64-65 //

66 //

67 //

RIVAS PAVILION

OSCILLATION

CONCRETE SHELL

BUILDING ENVELOPE DETAILING

THE MAZE

FALLEN STAR

04 2

ARCHITECTURE

TECHNOLOGY

70-71 //

72-75 //

76-79 //

80-85 //

MAPPING PLACES

CYBERPHYSICAL CUBES

SOFT ROBOTIC ARM

TELEPRESENCE DRACO


2012 at San Francisco, California, USA

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01 ARCHITECTURE 4


2012 at San Francisco, California, USA

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MARITIME MAKERS ARCH 485 // 2016 WINTER - 2016 SPRING INDIVIDUAL STUDIO PROJECT–PORTLAND’S MAKERS SPACE CRITIC: PROFESSOR NANCY CHENG The Willamette River, a major tributary of the Columbia River, served as an important piece of history and development of Portland. The river was a critical transportation route in the 19th Century, it is also part of the Willamette Valley, which is one of the most fertile agricultural regions in North America. To celebrate this natural resource, the best way is to experience it firsthand - to sail on it. Maritime Makers aims to provide a portal for people to learn and get in touch with the river, either learn about it or create tools that will help them to experience it. The building will provide an indoor wooden boat makers space for the public, a museum that is dedicated to the Willamette River, a Maritime Scientific Research Laboratory, some office spaces and an observation deck.

IN PROGRESS MASSING MODEL

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MARITIME MAKERS

Fabric Forms

Surface Dividing

Surface Moving

Dimensions of each unit

Spatial Configuration

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8

isometric view (sw)


WIND DIRECTION (YEAR AVERAGE)

SHADOW COVERAGE (22nd MARCH - 0900 / 1300 / 1500)

SHADOW COVERAGE (22nd JUNE - 0900 / 1300 / 1500)

SHADOW COVERAGE (22nd DECEMBER - 0900 / 1300 / 1500)

ROOF LOCATIONS

CSEM’S WHITE PV PANELS

ROOF STRUCTURES

Natural Ventilation

Natural Light

FLOOR PLATE STRUCTURES

STAIRCASE CIRCULATION

WALL STRUCTURES

Geothermal Heating/ Cooling

ELEVATOR SHAFTS

Rainwater Storage

Fins Form

HVAC SYSTEMS

Wall Section

Floor Section

VERTICAL STRUCTURES

FACADES PANELS

LANDSCAPE PATTERNS

exploded detail view

floor lighting perp.

floor lighting section

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10

16 3

9

7 8 11

2

17 12

15 5 7 4 6

13 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

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Main Entrance Main Lobby Restaurants Gift Store Advanced Working Area Sail making area Wood Tools Beginner’s Working Area Lumber Storage Cafe Piers Outdoor Working Area Sitting Area Bioswales Central Pond Loading Dock Workshop Lobby

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1/f plan

1


42

32 31

33 33

33

42

Observation Deck

10/F Plan

33 33

41

34

33

31 32 33 34 35

Computer Room Library Laboratory Lecture Room Storage

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41

4/F Plan

Cafe

9/F Plan

40 30 28 29

27 40

Office Space

8/F Plan

39

26

26 27 28 29 30

Multimedia Area Museum Reading Area Resting Area Storage

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3/F Plan

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Office Space

7/F Plan

19 20 38 21

22

38

23

Materials Lab.

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36

24

18 19 20 21 22 23 24 25

Museum Library Lecture Room Drafting Room CAD Room Classroom Administration Meeting Room

6/F Plan

37

25

2/F Plan

36 37

Lecture Room Classroom

5/F Plan

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ELEVATION [NORTH]

0’

20’

40’

ELEVATION [SOUTH]

0’

20’

40’

0’

ELEVATION [EAST]

0’

ELEVATION [WEST]

EW SECTION

0’

20’

20’

20’

40’

40’

40’


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METAMORPHIC ARCH 484 // 2015 FALL INDIVIDUAL STUDIO PROJECT–EVOLO COMPETITION CRITIC: PROFESSOR NANCY CHENG Located at the south of China and in the middle of the Pearl River Delta area, Shenzhen is a fast growing city with a population of 12.5 million. The population is forecast to increase in the next few decades, which will in turn increase the need for new social infrastructures and facilities, pollution will be a huge issue in this fast-growing city too. In this project, the main idea is to create a temporary community that can sustain itself, so that people can move in when the severely polluted “Old Cities” are being cleaned up and healing in a futuristic time. These structures are able to grow and spread out to connect with other similar structures to adapt to an ever-growing community. The supporting areas are divided into five different sections, each have its own configuration and functions, together, they will help sustain a community.

COMMUNITY DIAGRAM

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// // // //

ENERGY HARVESTING AIR FILTERING BIOFUEL TANKS RECYCLE CENTER

// // // //

EDUCATION MEDICAL FACILITIES RESEARCH & DEVELOPMENT HIGH TECH. RESEARCH

// // // //

STADIUM MUSEUMS ART & CULTURAL EXHIBITION HALL

Skybelt Diagram // // // //

OFFICES LOGISTICS COMMERCIAL PUBLIC & PRIVATE OFFICES

// // // //

SOCIAL COMMERCIAL ENTERTAINMENT SHOPPING MALL

Structural Diagram

Circulation Diagram

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SECTIONAL PERSPECTIVE

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INTERIOR OF SKYBELT


RESIDENTAL AREA FLOORPLAN

0 ft

INTERIOR OF TOWER

TOWER CONFIGURATION PLAN

200 ft

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STELLARIS ONE ARCH 484 // 2014 FALL INDIVIDUAL STUDIO PROJECT–EVIL VILLAIN HIDEAWAY CRITIC: PROFESSOR STEPHEN DUFF Located at the Northwest coast of the Pyramid Lake, Nevada, Stellaris One is surrounded by mountains at three sides and a lake (190 sq miles) in front of it. These natural barriers and its remote location provide a safe and secure spot for the client who do not wish to be disturbed by the outer world. The nearest city, Reno, NV, is located 60 miles away, which makes this area a place free of light pollution, and thus an excellent location for astronomers and stars-observers. The lake is famous for its tufa formation, other tufa formation can be found near the area such as Mono Lake, California as well. Since the Pyramid Lake is remotely located, there are not much visitors all year around, which allows the client to enjoy the tranquility of the lake privately. Stellaris One can be reached by driving along the Pyramid Hwy (445) then a distance of off-road at the end or by air.

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The TheSite Site.

Main area located along Main Area located along edgeof ofthe the lake. thethe edge lake.

Secondary Secondary Area located perpendicular area located to the Main Areas. perpendicular to the Main areas.

Secondary area moved Secondary Area moved towards North to create towards the north to two outdoor create two spaces. outdoor spaces.

Sun Moon Lake Visitors' Centre Norihiko Dan

Bedroom detailes

Havøysund Tourist Route Reiulf Ramstad Architects

Observatory Area

The Main Areas are divided

The areas intoMain different segment according their functions. are dividedtointo different segment according to their functions.

Each segment is offset in

Each segment is accordance to their naturein[e.g. importance, offset accodance sizes, needed toprivacy, their nature [e.g. spaces, sunlight, etc...]. importance, privacy, sizes, needed spaces, sunlight, etc...].

Supporting Areas added in Height of each segment is Supporting Height oftoeach segment relation to the areas Main Areas. modified meet the program’s requirement. Wall added in relation to is modified to meet the isprogram’s added to define the garden the Main areas. requirement. areas. Wall is added to define

the garden areas.

light fixtures

structures Dining Area

Bedroom detailes Exterior of Observatory

light fixtures

Physical Model

structures

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R

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plan [3/f]

1/16”=1’

O

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T

N O p Q R S T

plan [1/f]

plan [2/f]

1/16”=1’

-

Helipad Control Area 1/F Loft/ Private Library Control Area 2/F Sky Room Storage Boarding Area

plan [BOATHOUSE]

1/16”=1’

1/16”=1’

M

L G

F

E

H

D

A

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B I

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22plan [g/f]

1/16”=1’

A B C D E F G H I J K L M

- Main Entrance - Courtyard - Parking Garage - House Entrance - Meeting Area - Dining Area - Master Bedroom - Control Area - Guest/ Entertainment Area - Guest Bedrooms - Garden of Planets - Reflection Pool - Wine Cellar/ Emergency Escape Route


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MAC BLOCK 7 ARCH 484 // 2015 WINTER INDIVIDUAL STUDIO PROJECT - MIXED USE DEVELOPMENT CRITIC: PROFESSOR LANDRY SMITH MAC Block 7 is a development project aims to create a multi-use building that fits into the community, providing a cafe and a multi-function hall that will be used by the public, and around 170 residential apartments and 30 hotel rooms. It will also provide parking for both the residents and the members of the Club. This building is part of the new extension of the Multnomah Athletic Club (MAC), it connects to the MAC parking garage and the Club facilities located at the North by overhead bridges and under-ground tunnels. To accommodate the urban growth of Portland, the residential areas are designed with a touch of suburban that fits into the fabric of downtown Portland.

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1. The parking is located below grade and the rest of the program is above the parking.

2. The public areas including the courtyard that connects both streets are located at the first floor, the more private programs are located above it.

5. The parkings are shifted and converted into ramps so that each ramp will only serve a certain levels; this move also adds more variation to the orientation of the apartments.

1. Efficient configuration of rooms placement.

Site Plan

STRUCTURES LOCATION

CIRCULATIONS

RAMPS + PARKINGS LOCATIONS

3. The hotels and VIP rooms are located on the topmost two floors. The residental areas and other programs are located in between the top and ground floors.

4. The residental parkings are relocated upward so that the distance between the living areas and parking decreases, creating a sense of suburban.

6. Openings are created at all sides to allow sunlight to enter the center of the block as well as the hallways. 7. Apartments facing Mt. Hood are pushed down, so that the hotels facing east can have a wider vistas.

2. Openings are created in between each apartment to allow sunlight to enter the hallway.

3. The apartments are trimmed into hexagons to create a rhythm in the hallway. This shape also allows more sunlight to enter the hallway and at the same time, create outdoor spaces for each apartment.

GREEN OPEN SPACE [PUBLIC + PRIVATE]

4. Openings are created on the floor slabs, so that the visual lines of the residents can extend upwards and downwards, eliminating the sense of hallway enclosure. It also helps connecting different levels and programs.

GREEN OPEN SPACE [PUBLIC + PRIVATE]

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26


HOTEL ROOMS FLOORPLAN

RESIDENTAL FLOORPLAN [2 BEDROOMS]

RESIDENTAL FLOORPLAN [1 BEDROOM]

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28

PHYSICAL MASSING MODELS


VIEWS TO MT. HOOD

TYPICAL LIVING UNIT MATERIALS

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KESEY SQUARE LA 439 // 2015 SPRING INDIVIDUAL STUDIO PROJECT - PUBLIC SQUARE REDEVELOP CRITIC: PROFESSOR RONALD LOVINGER The aim of this project is to renovate the current square into a more attractive space for visitors and the citizens of Eugene, keeping aesthetic, social justice and equality in mind. Instead of designing another building over the site, I attempted to introduce another form of city fabric into this site, emphasizing the future development of Eugene, and at the same time, blending with the local context—the nature. Since the site is located on the axis that links Spencer Butte and Skinner Butte—two important landmarks of Eugene—I decided to create another “Butte” in the middle of Downtown, emphasizing its importance to the city and its people. This design focuses on the future of Eugene—10 years, or even 50 years later, with the increasing populations, vertical development might occur, and this project will create a second circulation level above ground, connecting different places in Eugene, providing a more safe and efficient way of traveling for pedestrians and cyclist. This site is the “seed” of the bridge system, as time passes, the bridge will crawl into more places, adapting to the ever changing context of Eugene.

PHYSICAL MODEL

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Park Block

Eugene Bus-stop

entire block areablock is about X 175’ , with alleys on two In thesite, current site, an open area of about 80’ is 50’ located The block area The is about entire 165’ Xarea 175’165’ ,iswith about alleys 165’ onX two 175’ , with alleys In the oncurrent two an In open the current area ofsite, about an open 50’ x 80’ area is50’ located of xabout x 80’ is located site isatThe located atlocated the of Broadway and AY intersection The site isThe located the intersection is of at Broadway the and of Broadway andentireThe AYsite AY intersection ADW and sides two major traffic on routes the remaining sides. at the at the North-western corner. This area isThis thearea gathering space ADWStreet. ADW sides andsides two major traffic and routes two major onroutes thetraffic remaining sides. on the remaining sides. North-western at corner. the North-western This area is the corner. gathering space is the gathering space Willamette BRO Street. Willamette Street. BRO Willamette BRO for theand citizens and stage for events. for the citizens for a stage the citizens fora public and events. apublic stage for public events. entire block areablock is about X 175’ , with alleys on two In thesite, current site, an open area of about 80’ is 50’ located The block area The is about entire 165’ Xarea 175’165’ ,iswith about alleys 165’ onX two 175’ , with alleys In the oncurrent two an In open the current area ofsite, about an open 50’ x 80’ area is50’ located of xabout x 80’ is located site isatThe located atlocated the intersection of Broadway and The site isThe located thesite intersection is of at Broadway the intersection and of Broadway andentireThe and sides two major traffic on routes the remaining sides. at the at the North-western corner. This area isThis thearea gathering space sides andsides two major traffic and routes two major onroutes thetraffic remaining sides. on the remaining sides. North-western at corner. the North-western This area is the corner. gathering space is the gathering space Willamette Street. Street. Willamette Street. Willamette for theand citizens and stage for events. for the citizens for a stage the citizens fora public and events. apublic stage for public events.

2018 WI

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Amtrak Station

Fifth Street Public Market

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2020

Y building Y ofbuilding Y isdown Thebehind building is split diagonally, so that people can The south corner pushed down to down to The side the open space isdown, pushed down, thisdown, reduces The building behind is that splitpeople diagonally, so that people canfacing The building is behind split diagonally, so can corner the building pushed The corner ofThe two isApushed to is DWAtwoof WAtwo The facing the open space is pushed this south reduces The side thefacing openside space is pushed this reduces Athe DWAsouth Athe ROof O D Banother ROof Banother BR(Green space from the blocks behind. It behind. also up opens the createset set slopes ), they allow people thecasted shadow casted into the and opens up opens the space enter space from Itthe blocks up the enter the enter spacethe from the the blocks behind. also opens upopens theIt also create set of),slopes (Green roof ), they allow people another slopes (Green roof theyroof allow people the shadow casted into the and up create the space the shadow into the plaza, andplaza, opens upplaza, the space entire space, attracting more people into theOne square. One of onto them becomes another for to people to visually. slope alsoslope provides opportunity for tohike entire space, attracting more people into square. OneThe of entire space, attracting more people into the square. of the hikeand on them andspace becomes another space for to ontothem becomes another for space people topeople visually. The alsoan provides an opportunity people tohike and visually. slopeThe also provides an opportunity for people topeoplefor theisbuilding dedicated to the Kesey Museum, the while on,the justGreek like Greek amphitheater. theisbuilding is dedicated to the Kesey Museum, the building dedicated to the Kesey Museum, while the while relax and rest. relax and relax rest. and rest. sit on,the just like the Greek amphitheater. sit on,the justsitlike amphitheater. The building is split that people can The south corner the twoof pushed down to down to The side the open space isdown, pushed down, thisdown, reduces The building behind is behind split so can The corner ofThe the south twoofbuilding isbuilding pushed to is The building behind is that split diagonally, that people canfacing corner the twoisdown building pushed will house a diagonally, bookstore, andpeople aso restaurant. The side thefacing openside space is pushed this reduces The facing the open space is pushed this south reduces other will house a diagonally, bookstore, cafe and aso restaurant. other willother house a bookstore, cafe and acafe restaurant. space from the blocks behind. It behind. also up opens the createset another set of slopes (Green ), they allow people thecasted shadow casted into the and opens up opens the space enter the enter spacethe from the the blocks behind. also opens upopens theIt also another of slopes (Green roof theyroof allow people enter space from Itthe blocks up the create another set of),slopes (Green roof ), they allow people the shadow into the plaza, andplaza, opens upplaza, the space the shadow casted into the and up create the space entire space, attracting more people into theOne square. One of onto them becomes another for to people to visually. slope alsoslope provides opportunity for tohike entire space, attracting more people into the square. of the to ontothem becomes another for space people topeople entire space, attracting more people into square. OneThe of hikeand on them andspace becomes another space for visually. slopeThe also provides an opportunity for people topeoplefor visually. The alsoan provides an opportunity people tohike and Recycled Wood Panels Creeping Bent Grass theisbuilding dedicated to the Kesey Museum, the while on,the justGreek like Greek amphitheater. Glass withwhile Aluminum the building dedicated to the Kesey Museum, while the relax and relax rest. and rest. theisbuilding is dedicated to the Kesey Museum, relax and rest. sit on,the justsitlike amphitheater. sit on,the just like the Greek amphitheater. Hand Rail other will house a bookstore, cafe and a restaurant. other will house a bookstore, cafe and a restaurant. other will house a bookstore, cafe and a restaurant. Wooden Decks White Concrete

Travertine Tile (White 2’x4’)

Current Bike Path Bridge

WOODEN DECK

EWEB Waterfront

Curtain Wall with Supports (1”)

ROOF RAILINGS Matte Glass (4”)

BRIDGE RAILINGS

2025

PLANTATION

CONCRETE ROOF CURTAIN WALL Riverfront Field East-end of Broadway

GLASS BRIDGE BRIDGE COLUMNS

Lane Events Center

2030

WJ Skatepark + Urban Plaza

Autzen Stadium

STRUCTURES

University of Oregon

2032 BRIDGE CONSTRUCTION PHASE

EXPLODED DIAGRAM

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E. Broadway

Willamette Street

Kesey Square

Cafe

Bookstore

Museum

SITE PLAN

G/F PLAN

Restaurant 2/F

Restaurant 1/F

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1/F PLAN

2/F PLAN


E. BROADWAY

KESEY SQUARE

PUBLIC STAGE

MUSEUM

SECTION NS

BOOKSTORE

CAFE

KESEY SQUARE

WILLAMETTE ST.

SECTION EW

VIEW FORM THE CORNER OF WILLAMETTE STREET AND E. BROADWAY

TERRACES ABOVE THE MUSEUM

MAIN ENTRANCE OF MUSEUM

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THE NOMADIC CLOUD AUD 401 // 2017 SPRING - IDEAS GROUP PROJECT - MARS HABITAT CRITIC: PROFESSOR GÜVENÇ ÖZEL This studio seeks to develope the fundamental designs and technological ideas necessary to manufacture an offworld habitat using mission recycled materials and local indigenous materials. Our habitat will accommodate a NASA crew of four, who will be the first humans ever to step foot on Mars in 2035. The Nomadic cloud is a movable lightweight structure that can be used as an exploration equipment as well as a living space. The structures and the skin of the habitat will be made with either 3D-Printed aerographite or graphene membrane, which can be produced from Mars directly using tools brought from Earth. We will use water as the fundamental material to change the stiffness of our structure depending on its state - from ice to gas.

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DESIGN CONCEPT

CONCEPTS

Weather Balloon

Portable

Nomadic Lifestyle

Explorer / Pioneer

Sand Storm

Migration

RAW MATERIALS DESIGN

Methane

Carbon

Hydrogen

Oxygen

Water Structure

EXTRACTED MATERIALS

Aerographite

Graphene

STRUCTURE

Stress Lines

Membrane

Air Chambers

Drones

Surface Growth

FABRICATION PROCESS

3D Robots

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CONSTRUCTION PROCESS

36

Descending

Landing and releasing robot arms

Detach reacting furnace part from rocket, insert probe into ground to extract methane

Create graphene and aerographite in reacting furnace

Replace the supporting leg with the printed aerographite structures

Whole structure completed; Vehicle can be attached underneath


3 MODES

DEFLATED MEMBRANE (LIVING MODE) SOLAR RADIATION

INFLATED MEMBRANE (BALLOON MODE) HYDROGEN

3 Heat is added to the chamber to turn ice back into water vapor.

ICE

CARBON DIOXIDE

SAND STORM HEAT PRESERVING

4 Water is collected and pumped back into the vehicle.

6 Hydrogen is pumped back into the chamber to increase buoyancy.

7

Hydrogen is used as fuel after they are released from the air chamber.

5 Water vapor will be broken down into oxygen and hydrogen by electrolysis.

under 0 oC, under 610 Pascal

2 Water is pumped into the air chambers

and eventually turned into ice to provide rigidity.

1 Water is harvested from the

Martian soil by microwaving.

over 610 Pascal

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STRUCTURE/ MEMBRANE SECTION

Ag electrode

n+ shell

INNER GRAPHENE MEMBRANE Clear graphene membrane that is part of the chamber

SPHELAR SOLAR CELLS

AEROGRAPHITE SUPPLY PIPE Pipeline structure that regulates the distribution of hydrogen gas and water

OUTER GRAPHENE MEMBRANE Graphene membrane produced on mars with solar cells embedded within

Spherical solar cells that can supply energy for the heating of the membrane

ICE / HYDROGEN CHAMBER

AEROGRAPHITE FILM

A thin layer that separates inner living area and the iced structure

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AEROGRAPHITE STRUCTURE

3D printed aerographite structure with pores that could freeze or melt H2O to alter the weight and stability of whole structural system

Chamber that houses either hydrogen or ice depending on the location of the Habitat; this area will fill with hydrogen when the Habitat needs to float and ice when it is anchored to the ground

p core

Al electrode


FLOOR PLAN

CENTER CORE

FARMING AREA

COMMUNICATION AREA RESTING AREA

WORKING AREA

HYGIENE AREA

COMMON AREA

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SECTION

CENTER CORE

HYGIENE AREA

FARMING AREA

MECHANICS COMPARTMENT AIR LOCK SPACE EXPLORATION VEHICLES

CENTER CORE VIEW

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HABITAT MOVING MODE


CENTER CORE DETAIL

Weather Sensors

Reinforced Cable Farming Area Unit

Working Area Unit

Center Core Structure

Cable Dispatcher

Communication Area Unit

Sensor Cabinet ECLSS Common Area Unit

Hygiene Area Unit Resting Area Unit

Gas/ Liquid Distribution

Airlock Gate

Floor Extension Structures

Small Robot Arm

Airlock Structure

Robot/ Machine Gate

Scientific Equipment Sensors

Connection Gate to SEV

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02 COMMUNITY 42


2014 at Taipei, Taiwan 43


HAINAN ECO-ISLAND

+

AUD 401 // 2016 SUMMER - IDEAS GROUP PROJECT - URBAN DESIGN CRITIC: PROFESSOR JULIA KOERNER

Under Wate

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Tidal Mill

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In this studio, we speculated about the possibility of an

Design Strategy absolute self-sustainable urbanism that can balance and

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integrate the aims of culture, nature and business to re-claim Tidal

the importance of intelligent ecology as the advancement of 21st century urbanism.

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Total Househo 16 tons/ day ld Garbage: Total Sewage: 8,500 m3/ day

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140,000 Household Waste Reduced (by Volumn): 95%-96%

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clear spatial solutions. multiple agencies of tourism and ecological development.

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nput - W aste

Household

Sewage (Per): 210,000 gallons/ week Solid Waste (Per): 8 tons/ week Graywater (Per): 3,800 m3/ week Hazardous wastes (Per): 130 gallons/ week

I

Total Household Garbage: 16 tons/ day Total Sewage: 8,500 m3/ day

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previously proposed development strategies.

Crui se Sew 210 age (Per Soli ,000 gall ): 8 tonsd Was ons Gray / weete (Per / wee k ): 3,80 wat k Haz 0 m3/er (Per 130 ardo wee ): gall us was k ons / weetes (Per k ):

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1

1

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drainage canel

Warning System

pump

3

levee

t - E n e rg y

Natural Resilience System

wall

Flood

stem

Draina

3

Sy levee

4

3

green belt park

3

sensor of sea level change

4

4

cha level

4

3

3

ee

4

4

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4

Design Strategy

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4

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lev System Natural Resilience

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drainage canel pump

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4 levee

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Drainage System

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comcrete floodwall

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all floodw crete for storm monitor comsatellite levee revetment

2

Floodwall levee System

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coral reefs/marshes

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m

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nput - Waste sensor of sea level change I

2

ld Garbage Total Househo day 16 tons/ (Per): week Sewage gallons/ Total Sewage: 210,000 day (Per): 8,500 m3/ Solid Waste week 8 tons/ er (Per): Graywat week 3,800 m3/us wastes (Per): Hazardo week 130 gallons/

1

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on

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coral reefs/marshes green ent revetm levee arshes

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belt

park

4

We used infrastructure as device, as action, as operation to analyze, define, intensify, 4 clear spatial solutions. diversify, organize, adjust what is needed and to generate

d wetlan levee revetment

green belt park

wetland

t

tE)

Cruise

Solar Energy

Nigh

r Wa 95%-96% ter Tu rbine Tidal Mill

-Energy (W

Tidal Energy

opportunities that emerge from challenging traditional

OVERALL PLANNING 44

Ener gy

Output: 4 hrs eletricity + 5hrs heating/ 6 tons of waste

key precedents. Simultaneously, we examined the

regulations, economics and social impact, and the

+

ting panel

+

Wind Energy

The studio began with research and the analysis of several

natural ecologies, tourism programming, planning policy

Nig

Tidal Energ y

ut -

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e rg

y


Bio-dynamic Island nsive

Expe

ic icn

h wit

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FUNCTIONS

Section B-B Section B-B

Section A-A

Mar

Mar

ina

ina

The

Volca

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Te

no

use

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use Tram

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Tall Tall Pow Apa Apa rtmen er Hou rtmen ouse se t t

er H

A

A

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stu Home

B

SECTION A-A

B

SECTION B-B

45


Program + Zoning

Program+ +Zoning Zoning Program

Energetic

Energetic Energetic

Commercial

Relaxing

Commercial Commercial

Relaxing Relaxing

Residential

Residential Residential

Hotel

Hotel Hotel

Cultural

Cultural Cultural

Commercial

Commercial Commercial

Residential Hotel Cultural Residential Commercial Residential Hotel Entertainment Hotel Cultural Transportation Cultural Commercial Commercial Entertainment Entertainment Transportation Transportation

PROGRAM + ZONING

46

Transportation

Transportation Transportation

Entertainment

Entertainment Entertainment


INFRASTRUCTURE SECTION

INFRASTRUCTURE ELEVATION

47


F.A.R.M. AUD 401 // 2017 WINTER - IDEAS GROUP PROJECT - PLUGIN MICRO HABITAT CRITIC: PROFESSOR GÜVENÇ ÖZEL In this quarter, we focused on the system of autonomous transportation on earth. We regard Autonomous vehicles, or “moving rooms”, as extensions of architecture. The networks and logistics of autonomous vehicles and their impact on built environment is a major theme in this studio. “At the beginning of the 21st century, multiple studies show that climate change will threaten wine production. Global warming will make it difficult to raise grapes in traditional wine country. Researchers predict a two-thirds fall in production in the world’s premier wine regions because of climate change in the year of 2050.” F.A.R.M. (Future Agriculture Revolution Masterplan) is a proposal and our answer to the future of wine production and agriculture industry. F.A.R.M. consists of a network of farming towers scattered around the edge of megacities, each tower will house a few hundreds of minimal living units with some form of autonomous vehicles, or “moving rooms”, integrated within. These autonomous vehicles help the farmers perform daily routines such as sowing, harvesting, irrigation and other activities related to agriculture.

48


THE TOWER

FLOOR PLATES

STRUCTURAL FRAMEWORK

TRANSPORTATION CORE

Open floor plates through the tower are the active, autonomous vertical farmlands of the future, housing a vast agricultural community. Facilities include living units, farming industry, amenities and public facilities.

Tower framework provides structure to the tower, and might be used for irrigation/ water supply to the farmlands.

Central circulation core for vertical transportation of vehicle modules.

AMENITIES

FARMING INDUSTRY

LIVING UNITS

- Non-specific placement along the floor plate - Distributed through the higher levels of the tower

- Concentrated around the central core - Even distribution throughout the tower

- Concentrated on tower periphery - Even distribution throughout the tower

49


THE LIVING UNIT

VIEW FROM LEVEL 85 - FISHPOND

50

VIEW FROM LEVEL 60 - FOREST


LOOKING ACROSS THE “MOVING ROOM”

THE WORKING SURFACE

EXTERIOR VIEW

51


THE VEHICLE

Drone Storage Cover Drone Storage Cover

Replaceable Compartment Replacable Compartment

ReplacableCompartment Compartment Replaceable

TopTop ViewView

Base Base

Replacable Wheels Replaceable Wheels

Back BackView View

VEHICLE ON FIELD WITH OTHER TYPES OF WHEEL

52

Side View Side View

VEHICLE INSIDE THE WINE PROCESSING FACILITY

FrontView View Front

VEHICLE AT THE FARM


VR + AR Application

AR Application with Microsoft Hololens - Living Unit

VR Application with Oculus + Leap Motion - Vehicle

AR Application with Microsoft Hololens - Vehicle

VR Application with Oculus + Leap Motion - Living Unit

VR Application with Oculus + Leap Motion - Living Unit

VR Application with Oculus + Leap Motion - Living Unit

53


03 FORM + TECHNICAL 54


2014 at Central, Hong Kong 55


RIVAS PAVILION AUD 401 // 2016 SUMMER - IDEAS GROUP PROJECT - PATTERN MORPHOLOGY CRITIC: PROFESSOR JULIA KOERNER This studio focuses on tooling, geometrical analysis, and fabrication - as means of literal translation. While, the studio will focus on the architectural and urban translation of the system. The studio is divided into two phases and starts with an initial study of one morphological design-research topic. There are 20 topics available for selection, which are related to geometrical intricacy found in natural phenomenons. We select each one topic and research formal, systematic, structural and metabolic characteristics of the morphology. ​ This phase is to investigate and analyze a river rock in great detail. We also focused on fabrication and building a morphology of models representing the investigated topic and develop a design for a transforming pavilion.

INVESTIGATED OBJECT

56

INTERIOR VIEWS


+ Combine

Rotate

Creating Fins

Applying sin functions to alternating fins and interlace them with each other to create rigidity

Twist to create space and volumn

MESH LOGIC

SURFACE PATTERN EXTRACTION

Pavilion Floorplan

57


FORM FINDING

[unit module] [ Unit Module ]

+ [pavilion form] [ Pavilion Form ]

Developed Form (Volumn) developed form (volume)

Original Form (Surface) original form (surface)

+ [ Surface ] [surface]

58

[ Structure ] [structure]

[ ] [[pavilion Pavilionvolume] Volumn ]


EXTERIOR RENDERING

59


OSCILLATION ARCH 462 // 2015 WINTER GROUP STRUCTURAL PROJECT - ROOF OF AN OFFICE CRITIC: PROFESSOR MARK DONOFRIO The idea of the design is to create a meeting space that is not only acoustically ideal but also visually pleasant. To create such beautiful and structurally focusing visually effect, we would like to create a structure that can induce the viewer’s visual lines through the entire space with a soft and curvy touch. The effect is achieved by creating different sets of unique trusses with different vertex locations and height, and align them on a curvy path. The roof of the meeting room will be made with transparent acrylic panels, providing an opportunity to cast shadows of the trusses all over the space. A system of lights will be hanging all over the structure to provide lighting in darker days and during nights.

60


Axial Force Distribution

Aluminum Panel Frame

Acrylic Panels

Moment Force Distribution

Wooden Trusses

Ceiling Light System

Meeting Room

Deflection

61


CONCRETE SHELL ARCH 407 // 2015 FALL GROUP PROJECT–PRECAST CONCRETE PROTOTYPE CRITIC: PROFESSOR MARK DONOFRIO

Cast Configuration:

Materials: top + bottom mold + wooden dowels

gap

This is a research group project done with other two

pour hole

classmates that aims to analysis how forces and loads are transmitted through a concrete structure, and to design and fabricate a scaled model that proves our

3x low-density foam 4’x8’

findings. We used Millipede, a grasshopper plug-ins that can calculate and visualize the load path within our digital model, to create a first draft of our proposed Several CMUs

model. Our design aims to create a concrete shell that is as efficient as possible, using minimum materials. In the later part of the research, we solidified our

contact cement (30 oz)

mortar (60 lb)

vegetable oil (200 L)

wooden dowels

metal mesh

metal nails

final design by using CNC to create a mold cast for our concrete shell, and used other materials such as concrete, wood sticks and metal mesh to complete our scaled physical model.

gap bridges

Top Layer Creates ribs at the bottom of the roof.

Bridges at the perimeter of the mold to assist the leveling of the foam.

Bottom Layer It will receive the mortar mix and creates a smooth curve for the top of the roof.

Different sizes of wood dowels are used to create a variation of openings on the roof. Nails are used to assist the alignment of the openings on the top layer and the dowels.

Middle Layer The mesh will provide strength to the entire roof structure.

62

Holes are cut on the mesh to make way for the wooden dowels.


1. Rhino Model.

2. Creating a physical form from CNC machine.

3. Laying of metal mesh as reinforcement structures.

4. Adding wooden dowels and nails to their assigned spaces. Prepare for concrete pouring.

5. Waiting concrete to cure.

6. Final Results (After a few trials and errors).

63


BUILDING ENVELOPE DETAILING ARCH 471 // 2015 FALL INDIVIDUAL TECHNOLOGY PROJECT CRITIC: PROFESSOR JOHN ROWELL

Roofing Membrane WRB Roof Soffit 20 Gauge Metal studs Drip Edge 10”x1.5”x5’ Cedar Siding Plywood Sheathing W4 Steel Beam W8 Steel Beam W8 Steel Column Metal Decking

ROOF CANOPY DETAILS VetraFin P-Series Curtain Wall System Glass Fins HSS 4X4 Furrings WRB 10”x1.5”x5’ Cedar Siding USG Densglas Ext. Sheathing 3” Mineral Wood Insulation 20 Gauge Metal stud wall Fiberglass Insulation Plywood Sheathing Concrete Floor Slab W24 Steel Beam W21 Steel Beam W12 Steel Column Trifab 451UT Windows McNICHOLS Aluminum Grating 5052-H32

2/F WALL DETAILS

64


Trifab 451UT Windows VetraFin P-Series Curtain Wall System Glass Fins HSS 4X4

Concrete Floor Slab W12 Steel Column W24 Steel Beam W21 Steel Beam Plywood Sheathing Fiberglass Insulation 20 Gauge Metal stud wall WRB 3” Mineral Wood Insulation Furrings USG Densglas Ext. Sheathing 10”x1.5”x5’ Cedar Siding (Recycled) McNICHOLS Aluminum Grating 5052-H32

2/F EXPLODED DETAIL VIEW

65


THE MAZE ARCH 110 // 2012 FALL INDIVIDUAL DESIGN PROJECT CRITIC: PROFESSOR GEORGIA J. GOLDBERG This is a project that explores the relationship between myths, stories and themes with architecture. In this project, the story of Daedalus & Icarus

Controlled

Prisoned

Chaotic

Freedom

is incorporated and transformed into a courtyard as well as a hearth. The design of the courtyard reflects the sequence of the story, paying attention to hierarchy, procession and perspective sequence.

Anticipated Route through the maze

“Icarus was the young son of Daedalus and Nafsicrate, one of King Minos’ servants.

was warned, Icarus was too young and too enthusiastic about flying. He got excited by

Daedalus was way too smart and inventive, thus, he started thinking how he and

the thrill of flying and carried away by the amazing feeling of freedom and started flying

Icarus would escape the Labyrinth. Knowing that his architectural creation was too

high to salute the sun, diving low to the sea, and then up high again.

complicated, he figured out that they could not come out on foot. He also knew that the shores of Crete were perfectly guarded, thus, they would not be able to escape by sea either. The only way left was the air.

His father Daedalus was trying in vain to make young Icarus to understand that his behavior was dangerous, and Icarus soon saw his wings melting. Icarus fell into the sea and drowned. The Icarian Sea, where he fell, was named after him and there is also a

Daedalus managed to create gigantic wings, using branches of osier and connected

nearby small island called Icaria.”

them with wax. He taught Icarus how to fly, but told him to keep away from the sun

Excerpt from: http://www.greekmyths-greekmythology.com

because the heat would make the wax melt, destroying the wings. They managed to escape the Labyrinth and flew to the sky, free. The flight of Daedalus and Icarus was the first time that man managed to fight the laws of nature and beat gravity. Although he 66


FALLEN STAR ARCHI 120 // 2012 FALL INDIVIDUAL DESIGN PROJECT CRITIC: PROFESSOR JOE VALDEZ FALLEN STAR is a table lamp that is inspired by the bouncing motion of a shooting star. Triangular planes are used to represent the crisp and sharp path of a star traveling across the night sky. These triangle planes are in different sizes and are tilted in different angles, this can display the gradients of light on its surface; since each plane has its own size and angle, a variety of light conditions can be shown throughout the surface of the lamp. The lamp is being designed as a decoration rather than a source of light, as its main purpose is to express the beauty of light gradients—as beautiful as shooting stars. This lamp was voted best design by the entire class including 50 students and professors.

SIDE VIEW

TOP VIEW

67


04 TECHNOLOGY 68


2014 at Seattle, Washington, USA 69


MAPPING PLACES ARCH 423 // 2016 WINTER GROUP PROJECT - PARAMETRIC PLACES CRITIC: PROFESSOR PHILIP SPERANZA In many urban environments, spaces do not encourage cohesion amongst users. Many of the spaces that are traversed by a variety of users do not have public Wi-Fi access. If taken into account, the manipulation of these factors can greatly increase the success of a space. For example, a study to determine areas with the highest variety of users can be used for placement of a successful public Wi-Fi system. The Park Blocks in downtown Eugene, Oregon can be the context for a study of this sort. The area consists of businesses, shops, and facilities that cater to a vast array of the population making it an ideal place of study. A new public Wi-Fi system will be installed on a particularly poor part of the site. Throughout a city, the systems will be placed in areas with the most user group variety with poor Wi-Fi connection and new public spaces will be developed around them based on the user groups present. The systems will attract people to an area and make them more likely to stay as Wi-Fi is in high demand in modern society.

70

PARTIAL RESULTS


METHODOLOGY OUTPUT HEATMAP

BASE MAP Eugene Downtown (elk) EXTERNAL DATA Groups of users in the order of level of

INDICATORS Tourists attraction

free Public Wi-Fi demand: Shopping

Z LINES

(1) Tourists Culture Spots (2) Business People Entertainment Spots (3) Families Office Density

DOMAIN [1] / [-1]

SPHERES

(4) Seniors Internet accessibility: (1) Wi-Fi accessibility (2) Mobile Data accessibility

Fast Lunch Coffee Shop Detractors Culture facilities

REFERENCE Yelp

[1-5]

DATA Google My Map -> CSV

HATCH PATTERN OVERLAP

Dessert places

Google Map /Street View On site data

Location of Residence Cheap & Free shops ANALYSIS Seat & Watch spots

1. Overlap all User Groups Layers 2. Overlap Internet accessibility data

Wi-Fi accessibility (cost)

3. Compare the two layers 4. Identify areas that have maximum

Mobile Data Signal Strength

User Groups density and minium Internet accessibility

Location of Cell Towers

5. Add public Wi-Fi to these locations


CYBERPHYSICAL CUBES AUD 401 // 2016 FALL - IDEAS GROUP PROJECT - AUTONOMOUS REACTIVE SYSTEMS CRITIC: PROFESSOR GÜVENÇ ÖZEL The intent of this studio is to explore the logics and formal outputs of organizational behaviors, through researching specific terminologies and finding precedents in the fields of digital and interactive art, architecture, and industrial design, we have developed a formal language of interactive motion Folding, Pleating, and Origami. In the first three weeks of the studio, we have animated our physical model with the help of KUKA robot arms in our studio. The main goal of this session is to create a coherent architectural prototype that will act as a formal vessel to fulfill a number of idealized conditions related to hierarchy, structure etc... For example in our project is to transform a surface into a volume. The latter half of the studio is to turn our physical models into autonomously reactive systems of mixed realities based on the formal and kinematic logics that we have established earlier. We used EMOTIV Epoc+ headset and Electroencephalography to bridge the realities between the physical and digital world, and to allow our physical model to respond to their context through physical transformation and digital interface “intelligently”.

USING EMOTIV EPOC TO CONTROL THE MOVEMENT OF THE CUBES VIA GRASSHOPPER AND ARDUINO

72


THE THREE PHASES

Division

Volume

Mass

MOTION SEQUENCE

MOTION

Expand Upwards

Open both sides

RESULTS

PHASE 1

PHASE 2

VIEWS

Side View

Plan View

Fold back

Descend towards center PHASE 3

Plan View

Side View 73


INPUT

PROCESS

Thinks about a trained action (e.g. Pushing Motion)

EEG (Electroencephalography) EMOTIV Epoc+

OUTPUT

Converts action into a letter (e.g. numbers, alphabets)

Letter will be “pressed� once in grasshopper, triggers True/ False actions

Triggers number counter to start counting from 0-90 or 0-180

Visual Programming Firefly

These numbers control the rotation degree of servo motors

6 Servo motors are placed inside different cubes to rotate them at different times and degree

Physical Application Power HD Servo Motors

ANTICIPATED RESULTS

These motors are divided into three sets, with each set controls a motion phase. For instance, two servo motors work together to lift up a number of cubes to create rotational effect. These 6 servo must constantly work on track in relationship to each other to create harmonic movements.

12V Power Source

Training Loop

Letters Think of a command

Emotiv Systems

True/ False Computers

Arduino UNO

Servo Motors

Rotation Degrees Electroencephalography Technology

74

Bluetooth Receivers

Grasshopper / Firefly

Cubes Configurations


Standard Servo Motor PowerHD LF-20 MG

Servo Motor Gear

3D Printed 18-tooth plastic gears

Rotation Axis Holder

Attached to the cube to make sure the rotation axis is on the right place

Metal Hinge Increase stability of cubes

Gear of supporting cube

Attached to the neighbor cubes to provide movement

Motor Holders

Attached to the inner wall of the cube to provide motor location accuracy

DETAILED EXPLODED DIAGRAM OF A SINGLE MOVING CUBE

Phase 1 of the cube clusters

Augmented Reality Cubes overlaying the physical model as seen from Gear VR. AR model produced in Unity and installed to Gear VR through Vuforia

Phase 2 of the Cube Clusters

75


SOFT ROBOTIC ARM AUD 403A // 2016 FALL - IDEAS GROUP PROJECT - ROBOTIC ENDTOOL CRITIC: BENJAMIN ENNEMOSER, MERTCAN BUYUKSANDALYACI In this seminar we designed a robotic couture for the small robots in the IDEAS Lab in the form of a functional prosthetic. The focus is a scenario where soft- robotics are combined with hard or rigid robotics and how they interact with a geometrical object. In this case, the small robotic arms serve as site for our design and the task is to equip or extend them like a tool or gripper. The soft extensions, which we designed, have to incorporate the possible movement of the rigid robots and combine the properties of soft and rigid. The prosthetic extension we design, has to interact with a distinct object with a particular geometry and topology. We focus on how the final design and object of our robotic extensions are articulated due to the interaction with the distinct geometrical object. This interaction can be based on lifting, rotating, wrapping, deforming or gripping.

INFLATED SOFT ROBOTIC GRIPPER ON PASSIVE OBJECT

76


STAGE 1 : ROBOT A GRIPS THE PASSIVE OBJECT

STAGE 2 : OBJECT IS ROTATED TO AN ANGLE TO ALLOW ROBOT B TO GRIP IT

STAGE 3 : THE OBJECT IS MOVED AND ROTATED BY TWO ROBOTS SIMULTANEOUSLY

Designed robotic shell

Control panel (Air pump, Power source, B Board)

Sub-structure (wire organizer)

Arduino board

Designed shell holding the substructure of the robotic arm

Connection to the soft robotics designed to mimic the curvature of the object

Designed soft robotic

77


Mold A

Mold B

Soft robotics arm attachment

Thick silicone surface designed to bend the shape downwards

Thin silicone surface designed to give texture to inflated chambers

Connection to the soft robotics designed to mimic the curvature of the object Incorporated chambers Air circulation

Wire Connection Air pump tube connection Filled with silicone to be incorporated as the thick skin Airway providing air to the chambers

78

Connection from the robotic arm to the soft robotic

Hall sensor placed under the connector


Designed shell holding the substructure of the robotic arm

Arduino board holder

Air tubes

Sub-structure (wire organizer)

LED lights activating after the air pump actuation

Designed soft robotic

OBJECT GRABBED WITH BOTH SOFT ROBOTIC ARMS

COMPONENT OF THE ARM

Designed soft robotics arm B

Designed soft robotics arm A

Passive object - metaballs

WHOLE SET-UP

79


TELEPRESENCE - DRACO AUD 289 // 2017 WINTER - IDEAS GROUP PROJECT - VR/AR + ROBOTIC ENDTOOL CRITIC: BENJAMIN ENNEMOSER, MERTCAN BUYUKSANDALYACI This objective of this technology seminar is to develop an endFinal Product

effector for the KUKA robots that can be controlled real-time by users during the fabrication process. We monitored this fabrication process with a virtual reality headset and designed a feedback system as an augmented reality application. The augmented reality application serves as a responsive platform that indicates the status, parameters, and guidelines for the

Robotic End Tool

whole process. We focused on wax melting as our strategy to create an object that will be created partly by human decision and partly by sensors feedbacks. We have designed an end-effector tool using servo motors and 3D printing technique that is capable

Dispenser

of spraying cool mist and hot flames, which can be controlled and trigger by the Vive Headset and Controller.

Turntable

80


CONCEPT

Loose aggregated wax shred as initial form, minimum structural quality

Torch starts to burn parts of the shape and merge smaller shred into larger pieces

90%-100% Modified - The shred along the torch path will merge together to create a structural object that can stand alone

PARAMETERS

A. Heat Duration

B. Water (Mist) Amount

C. End Tool Path

81


TELEPRESENCE FEEDBACK LOOP G. Data Driven Decisions

A. Shredded Wax Deployment

Heat Data informs necessity and duration for misting

Shredded Wax is deployed via an autonomous dispenser based on a binary trigger after each loop is completed.

Heat Grid Analysis

DATA DRIVEN DECISIONS F. Remote Action Control

B. Digital Model Generation

A. Melt

B. Mist

Digital Input Model

Photogrammetric Analysis

C. Computational Analysis

D. Augmented Reality Representation

E. Telepresence Control

Physically deployed wax is scanned and divided into 6 poses which are interpolated as the model rotates.

ACTION A

82

ACTION D

ACTION E


COMPUTATIONAL ANALYSIS Initial Scanning of input model yields an abstracted digital model. Incidentally, the model is analyzed according to a desired computational method and data is extracted used to inform ‘targets’ that the Augmented Reality tracking program then utilizes to guide the

Digital Input Model

High Region of Interest

Photogrammetric Analysis

A. Red Depth Data informs optimal target for intervening with our end effector’s butane action. The Desired Output of a coral and cavernous structure is the result of a careful interpretation of the digital model’s returned depth data. The higher depth values are desired in order to maintain rigidity while offering formal affect.

Chaotic Input

ACTION F

B. Yellow Depth Data informs optimal target for intervening with our end effector’s butane action; yes, with less importance. C. Blue Depth Data informs optimal target for intervening with our end effector’s butane action with the least importance.

NOTE: These values are interchangeable based on the desired data the user wishes to receive in order to make a plethora of decisions.

Solidified and Coral Like Output

ACTION A-G

FINAL RESULT

83


Rail Shield 20 Kg Standard Servo Motor

3-Axis 3D Printed Robotic Arm Linear Actuator

Torch Main Structure

Butane Torch

Torch Clipper

Mist Pipe

Rotational Base

The horizontal rail is connected to the handle which will be activated to produce spark and flame. 20 Kg Standard Servo starts to rotate counter clockwise to produce torque.

END TOOL COMPONENT

The rotational force is transformed into horizontal force by linear actuator.

84

TRIGGER MECHANISM

To turn off the torch, rotate the gear clockwise in order to return the rail to its initial position.


RANGE OF END EFFECTOR

90 Degree Rotation Range

Maximum Length: 460 mm

180 Degree Rotation Range

Maximum Height: 280 mm

FINAL RESULTS

85


86


THANK YOU FOR VIEWING!

CONTACT INFO. E-mail // chengwaiching@gmail.com Tel. // +1 408.762.8798 LinkedIn

// Wai Ching Cheng

Skype // innesscheng

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