ca. 3:27 Guitar - Piano - Trumpet @ ca. 3:27-
Trill (to maj 2nd) any note, changing trill every 1"-4". Every 4"-5" rest for 2"-5". Minimal dynamic changes. Vary!
Guitar @ ca. 2:10Play any extended jazz chords using R.H. thumb or index finger to bang on strings lightly & obtain a thumping attack, yet clearly audible sustaining chord. Change chord every 1"-4" and always let ring & fade until next attack. Vary! On top of the above, insert written chord with each piano L.H. C#. - short & immediate - using ord. finger plucking. Do not necessarily let ring- Insert & go on!
chords - mf
tr - mp
Trumpet @ ca. 2:25-
Voice @ ca. 2:15Loop these notes consecutively applying any vocal technique and using any combination of the pattern 3xshort & 2xlong. Short = 1"-2" - Long = 3"-6".
Gtr/Pno: start separately singing voice part - adhering to its rules in a comfortable register whilst continuing playing your instrument (no amplification, or added drama - just make sure the audience sees you singing - they should hear you only at the very end). Trp: wait for others to start, and play and/or slightly improvise voice theme.
Flute @ ca. 2:20-
Let tape end, and linger on last note (ca. 1"-2") No added drama!
Improvise in correspondingsolo: erratic style to tape. More noise/techniques - less melody. Leave room for silence.
Voice/Gtr/Pno: Make sure to end piece on D#.
When trp. starts playing @ ca. 2:25 resume the above written, but add short and erratic inserts in the style of trp. - not very frequent (ca. every 7").
Vary - Enjoy.
Berlin, June 2010