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IDA HAMMARLUND WORK  SAMPLES  2007  -­  2012


0.0 Curriculum  Vitae 1.0  Professional  Work   1.1  Busan  Opera  House  (FPMod)   1.2  Private  Villa  I  (AGAB)   1.3  Hotel  Interior  Design  Malmö  (AGAB)   1.4  Hotel  Interior  Design  Milan  (AGAB) 2.0  Academic  Work   2.1  Opaque  Transparency   2.2  Complex  Facade  Systems   2.3  The  Window


0.1

CURRICULUM VITAE PERSONAL

ƒ‡ǣ 



Ida Kristina  Hammarlund  

ʹͲͳͳȋ•—‡”Ȍ

–‡”•Š‹’FPModǡ‘•‰‡Ž‡•ǡ

ƒ–‹‘ƒŽ‹–›ǣ



™‡†‹•Šǡ

‘’‡–‹–‹‘ˆ‘”—•ƒ’‡”ƒ ‘—•‡ǣ†‡•‹‰…‘…‡’–ǡ͹†‘†‡ŽŽ‹‰ǡ”‡†‡”•ǡ†”ƒ™‹‰•ǡ 

ȋͲʹǤʹͲͳ͵ǦͳʹǤʹͲͳ͵Ȍ



’”‡•‡–ƒ–‹‘Žƒ›‘—–Ȁ •–ƒŽŽƒ–‹‘ˆ‘”ƒ‹ƒ‹ ƒŽŽ‡”›ǣ͹†‘†‡ŽŽ‹‰ǡ†”ƒ™‹‰•



‹Šƒƒ”Ž—†̷‰ƒ‹ŽǤ…‘



ƒ†…‘‘”‹ƒ–‹‘‘ˆ’”‘†—…–‹‘Ȁ ‡™Ž‡”›ǣ†‡•‹‰…‘…‡’–ǡ͹†‘†‡ŽŽ‹‰

Š‘‡ǣ



Ϊͳʹͳ͵ǤʹͳͲǤͶͶʹͳ

ʹͲͳͳȋ•—‡”Ȍ

ONRAMP, Southern  California  Institute  of  Architectureǡ‘•‰‡Ž‡•ǡ

‡„•‹–‡ǣ



™™™Ǥ‹†ƒŠƒƒ”Ž—†Ǥ…‘

••‹•–ƒ–†‹–‘” ˆ‘”–Š‡•…Š‘‘Žǯ•ƒ—ƒŽ’—„Ž‹…ƒ–‹‘Ǥ

ʹͲͳͲȋˆƒŽŽȌ



Peter Cook  &  Lund  School  of  Architecture

ASAE10ǡ—ƒŽ›’‘•‹—ˆ‘””…Š‹–‡…–—”‡ƒ††—…ƒ–‹‘ǡ—†

‘‘”†‹ƒ–‘”ƒ†’”‘†—…‡”‘ˆ˜‹†‡‘‹–‡”˜‹‡™™‹–Š ”ƒ ‡Š”›ƒ†‹”‡–‡”‘‘













˜‹•ƒ•–ƒ–—•ǣ 





ƒ‹Žǣ 









LANGUAGES

WORK EXPERIENCE

™‡†‹•Šȋƒ–‹˜‡Ȍǡ‰Ž‹•ŠȋϐŽ—‡–Ȍǡ ‡”ƒȋ…‘˜‡”•ƒ–‹‘ƒŽȌǡ’ƒ‹•Šȋ…‘˜‡”•ƒ–‹‘ƒŽȌ

ʹͲͳͲȋ•’”‹‰Ȍ    

EDUCATION ʹͲͳͲǦʹͲͳʹ

ʹͲͲ͸ȂʹͲͲͻ ʹͲͲͷȂʹͲͲ͸ ʹͲͲͳǦʹͲͲͶ



Lund University,  Department  of  Architecure,—†ǡ™‡†‡



””ƒ‰‡†ƒ†’”‘†—…‡†–™‘‡šŠ‹„‹–‹‘•™‹–Š•–—†‡–’”‘Œ‡…–•ƒ––Š‡



—•‡—‘ˆ‡–…Š‡•ǡ—†ǡƒ†ƒ– ‘”Ȁ‡•‹‰‡–‡”ǡƒŽ‘Ǥ







Master of  ArchitectureȋǤ”…ŠȌ

ʹͲͲͻǦʹͲͳͲ



Abelardo Gonzalez  Arkitektbyrå  ABǡƒŽÚ



‘—–Š‡”ƒŽ‹ˆ‘”‹ƒ •–‹–—–‡‘ˆ”…Š‹–‡…–—”‡ǡ‘•‰‡Ž‡•ǡ

‡•‹‰…‘…‡’–ǡ…‘•–”—…–‹‘†”ƒ™‹‰•ǡ‹–‡”‹‘”‡Ž‡˜ƒ–‹‘•ǡ…‘•–”—…–‹‘†”ƒ™‹‰•ˆ‘” 



”ƒ†—ƒ–‹‘™‹–Š‹•–‹…–‹‘



…—•–‘ˆ—”‹–—”‡ǡŽ‹‰Š–‹‰’Žƒ•ǡ”‡†‡”•ǡ’”‡•‡ƒ–‹‘ƒ–‡”‹ƒŽˆ‘”ǣ’ƒ”–‡–





Bachelor of  Architecture  ȋƒǤ”…ŠȌ



ȋ–‘…Š‘ŽȌǡ‹ŽŽƒ ȋ ƒŽ‡„‡”‰Ȍǡ‹ŽŽƒͻǣ͹Ϳȋ”‘––ƒ„‡”‰Ȍǡ ƒŽŽ‡”›ˆ‘”—”ƒŽ•





—†‹˜‡”•‹–›ǡ™‡†‡



ȋ—†Ȍǡš—˜‹ƒ…‡’ƒȋ•ŽÚ˜ȌǡƒŽ‡•‘…‡’–ˆϔ‹…‡ȋƒŽÚȌǡ‡•ƒ‡•‹†‡–ƒŽȋ•ŽÚ˜Ȍǡ



English, liberal  arts  



—†‹˜ƒ” ‘–‡Ž•ȋƒŽÚƬ‹ŽƒȌή‘””‡•’‘†‡…‡Ƭ—„Ž‹…ƒ–‹‘ƒ–‡”‹ƒŽˆ‘”–Š‡‘ˆϔ‹…‡



—†‹˜‡”•‹–›ǡ™‡†‡

ʹͲͲͻȋˆƒŽŽȌ



Peter Cook  &  Lund  School  of  Architecture



A-­Levels

ASAE09ǡ—ƒŽ›’‘•‹—ˆ‘””…Š‹–‡…–—”‡ƒ††—…ƒ–‹‘ǡ—†



‘Šƒ‡• ‡†„‡”‰•‘Žƒǡ ‡Ž•‹‰„‘”‰ǡ™‡†‡ǡ

••‹•–ƒ–Š‘•–ƒ†…‘‘”†‹ƒ–‘”ˆ‘”ƒ–™‘†ƒ›•›’‘•‹—™‹–ŠͿ‰—‡•–•’‡ƒ‡”•ǣ†‹Ž‡ 

‘…‹ƒŽ…‹‡…‡”‘‰”ƒ‡ǣ –‡”ƒ–‹‘ƒŽƬƒ‰—ƒ‰‡•’‡…‹ƒŽ‹œƒ–‹‘



‡…“ǡ ‡”ƒ‹ƒœǦŽ‘•‘ǡŠ‘ƒ›‡ǡƒ‹‡Ž ‘ŽŽ‹‰ǡ ‡‘ˆˆƒƒ—‰Šǡ‡‰—‹



ƒ–•—„ƒ”ƒǡ Ž‘”‡…‹ƒ‹–ƒǡ”—”ƒƒ””‹•Šǡƒ˜‹† ƒ”…‹ƒ

ʹͲͲͺȋ•’”‹‰Ȍ    

MERITS

Lund University  at  Stockholm  Furniture  Fair,  –‘…Š‘Ž

ʹͲͳʹȋ•—‡”Ȍ

Thesis Scholarshipǡ‘—–Š‡”ƒŽ‹ˆ‘”‹ƒ •–‹–—–‡‘ˆ”…Š‹–‡…–—”‡ǡ‘•‰‡Ž‡•

ʹͲͳͳȋˆƒŽŽȌ



Nomination for  Jean  Roth  Driskel  Scholarshipǡ‘•‰‡Ž‡•

ʹͲͳͳȋˆƒŽŽȌ

Continuing Scholarshipǡ‘—–Š‡”ƒŽ‹ˆ‘”‹ƒ •–‹–—–‡‘ˆ”…Š‹–‡…–—”‡ǡ‘•‰‡Ž‡•

TEACHING EXPERIENCE

ʹͲͳͳȋ•’”‹‰Ȍ 

Anders Mortner’s  Stipend,  ˜‹ƒ–Š‡‘›ƒŽ™‡†‹•Š…ƒ†‡›‘ˆ ‹‡”–•ǡ–‘…Š‘Žǡ™‡†‡

ʹͲͳʹȋ•’”‹‰Ȍ 

Southern California  Institute  of  Architectureǡ‘•‰‡Ž‡•ǡ

ʹͲͳͲȋˆƒŽŽȌ

Merit Scholarhshipǡ‘—–Š‡”ƒŽ‹ˆ‘”‹ƒ •–‹–—–‡‘ˆ”…Š‹–‡…–—”‡ǡ‘•‰‡Ž‡•

Teacher’s Assistant  ˆ‘”‹•—ƒŽ–—†‹‡•™‹–Š’”‘ˆǤ Ž‘”‡…‹ƒ‹–ƒ

ʹͲͳͳȋˆƒŽŽȌ



Southern California  Institute  of  Architectureǡ‘•‰‡Ž‡•ǡ

Teacher’s Assistant  ˆ‘”–Š‡ʹ ‡•‹‰–—†‹‘ǡ





™‹–Š’”‘ˆǤƒ”…‡Ž› ‘™ǡ Ž‘”‡…‹ƒ‹–ƒǡƒ‹”‘‹ƒœǦ ”ƒƒ†‘•

SOFTWARE

†‘„‡ͷȀ͸ǡ—–‘†‡•ƒ›ƒǡŠ‹‘…‡”‘•ǡǦƒ›ǡ͵†•ƒšǡ—–‘ǡ



”…Š‹ǡ‡…–‘”™‘”•ǡ‡–Š’ǡ”—•Šǡˆϐ‹…‡

HARDWARE





‹ŽŽ‹‰ǡ͵†ƒ’‹†”‘–‘–›’‹‰ǡƒ•‡”…—––‹‰



 



˜‡”ƒŽŽ…‘‘”†‹ƒ–‘”ƒ†‘–‡”†‡•‹‰‡”ˆ‘”—†‹˜‡”‹•–›

ʹͲͳͲȋ•’”‹‰Ȍ  

Lund University,  Department  of  Architecure—†ǡ™‡†‡  

Coordinator and  guideˆ‘”ƒ•–—†›–”‹’™‹–Š͵Ͳƒ”…Š‹–‡…–—”‡•–—†‡–•–‘ƒ”‹•ǡ ”ƒ…‡

ʹͲͲͻǦʹͲͳͲ



Lund University,  Department  of  Architecure—†ǡ™‡†‡  

Teacher’s Assistant  for’”‘ˆǤŠ‡‘ƒ”ƒ–‘‰Ž‘—ƒŽ‹•ǡ’”‘ˆǤ Ž‘”‡…‹ƒ‹–ƒǡ



’”‘ˆǤ”—”ƒƒ””‹•Šǡ’”‘ˆǤ‘ŽƒŽƒ‘‰Ž—ƒ†’”‘ˆǤ”‹…ƒ”…ƒ‘

ʹͲͲ͹ȋˆƒŽŽȌ



Lund University,  Department  of  Architecture,—†ǡ™‡†‡

Mentor ˆ‘”ϐ‹”•–›‡ƒ”•–—†‡–•ƒ––Š‡ •–‹–—–‡‘ˆ”…Š‹–‡…–—”‡


1.0

1.0 Professional  Work


1.1

Competition entry  for  BUSAN  OPERA  HOUSE Internship  at  FPMod Summer  2011

The proposal   for   Busan’s   new   opera   ‹˜‡•–‹‰ƒ–‡• ‘–‹‘• ‘ˆ ‘—‡–ƒŽ‹–› ƒ†•…ƒŽ‡ǦŽ‡••‘”ƒ‡–ƒ–‹‘Ǥ   Š‡ —•ƒ ’‡”ƒ ‘—•‡ ‹• †‡ϐ‹‡† „› ‹–•–™‘•…—Ž’–—”ƒŽ—•‹…ŠƒŽŽ•Š‘—•‡†‹ •‡’ƒ”ƒ–‡ „—‹Ž†‹‰•ǡ „—– …‘‡…–‡† „› ƒ ’Ž‹–Š „—‹Ž†‹‰ ™Š‹…Š –Š‡› „‘–Š ‡•–Ž‡ ‘–‘Ǥ ‡†‡•–”‹ƒ•ƒ’’”‘ƒ…Š–Š‡—•ƒ’‡”ƒ ‘—•‡„›ƒ‰”ƒ†•‡–‘ˆ•–‡’•–‘–Š‡–‘’ ‘ˆ–Š‡’Ž‹–Š‘”‡–‡”–Š‡’Ž‹–Š„—‹Ž†‹‰ ƒ––Š‡Ž‡˜‡Ž‘ˆ–Š‡’‡†‡•–”‹ƒ„”‹†‰‡Ǥ– –Š‡–‘’‘ˆ–Š‡’Ž‹–Š‹•–Š‡ƒ‹‘—–†‘‘” ’ŽƒœƒŽ‡˜‡Ž™‹–Š–Š‡‡–”ƒ…‡•–‘–Š‡–™‘ —•‹…ŠƒŽŽ„—‹Ž†‹‰•ǡ•…—Ž’–—”ƒŽ„‡…Š‡• ƒ†•›Ž‹‰Š–•–‘•‡”˜‡–Š‡ƒ‡šŠ‹„‹–‹‘ •’ƒ…‡„‡Ž‘™Ǥ Š‡•’ƒ…‡„‡–™‡‡–Š‡–™‘ŠƒŽŽ•…”‡ƒ–‡• ƒ —’™ƒ”† ˜ƒ–ƒ‰‡ ’‘‹– ˆ”‘ –Š‡ ’‡†‡•–”‹ƒ„”‹†‰‡–‘–Š‡‘…‡ƒƒ†ƒ…–• ƒ• ƒ ˜‹•—ƒŽ ‰ƒ–‡™ƒ› ˆ”‘ –Š‡ ‘…‡ƒ –‘ –Š‡…‹–›‘ˆ—•ƒǤ‘–Š—•‹…ŠƒŽŽ•ƒ”‡ ˆ”‘–‡† „› –ƒŽŽ ˜‡”–‹…ƒŽ Ž‘„„› •’ƒ…‡• that  lead  directly  into  the  theatres  and   …ƒˆ±• ‘ –Š‡ ‘…‡ƒ •‹†‡ ™‹–Š ˜‹‡™• ‘ˆ –Š‡ ™ƒ–‡” ƒ† ‘—–†‘‘” •‡ƒ–‹‰Ǥ Š‡ ’”‘Œ‡…– –”ƒ•ˆ‘”• –Š‡ •‹–‡ ˆ”‘ ƒ ‹†—•–”‹ƒŽ•‡ƒ’‘”–‹–‘ƒ†›ƒ‹…Ž‘…ƒŽ and  ‹–‡”ƒ–‹‘ƒŽ˜‡—‡Ǥ

–Š‹•’”‘Œ‡…– ™ƒ•‹˜‘Ž˜‡†‹…‘…‡’– †‡•‹‰ǡ†‹‰‹–ƒŽ‘†‡ŽŽ‹‰ǡƒ‹‰–Š‡͸† †”ƒ™‹‰•ƒ†˜‹•—ƒŽ‹œƒ–‹‘ǡ‹ƒ–‡ƒ‘ˆ ͹’‡‘’Ž‡Ǥ


Žƒ ”‘—†‡˜‡Ž

Section I

ŽƒŽ‹–Š–‘’‡˜‡Ž

Section II


–‡”‹‘”‡†‡”Ǧ’‡”ƒ ƒŽŽ‘„„›

–‡”‹‘”‡†‡”Ǧ’‡”ƒ ƒŽŽ

”‘‰”ƒ‹•–”‹„—–‹‘


1.2

PRIVATE VILLA  I Work  done  for  Abelardo  Gonzalez  Arkitektbyrå  AB 2009-­2010

Š‡ ˜‹ŽŽƒ ‘ –Š‡ ™‡•– …‘ƒ•– ‘ˆ ™‡†‡ ‹• •—””‘—†‡† „› ˆ‘”‡•– ƒ† ‰”ƒ‹–‡ ”‘…•Ǥ Š‡ Žƒ”‰‡ ”‘‘ˆ •–”—…–—”‡ …‘•–‹–—–‡• –Š‡ ƒŒ‘” ƒ”‡ƒ ‘ˆ –Š‡ „—‹Ž†‹‰ ƒ„‘˜‡ ‰”‘—†Ǥ

–‹•…Žƒ†‹’”‡Ǧ˜‡”†‡‰”‹•‡†…‘’’‡” ƒ†…‘–”ƒ•–•–Š‡”‡ƒ‹‹‰‰”ƒ‹–‡ …Žƒ† ˆƒ…ƒ†‡Ǥ  Žƒ”‰‡ …‘…”‡–‡ ’ƒ–‹‘ •–”‡–…Š‡•‘—–ˆ”‘–Š‡™‡•–ˆƒ…ƒ†‡ǡ ‡š–‡†‹‰ –Š‡ Ž‹˜‹‰ ƒ† †‹‹‰ ”‘‘–‘–Š‡•—””‘—†‹‰Žƒ†•…ƒ’‡Ǥ

‘—–ŠŽ‡˜ƒ–‹‘n

 ™ƒ• ”‡•’‘•‹„Ž‡ ˆ‘” ͹† ‘†‡ŽŽ‹‰ǡ ͸††”ƒ™‹‰•‡–•ƒ†˜‹•—ƒŽ‹œƒ–‹‘Ǥ

‘”–ŠŽ‡˜ƒ–‹‘ Ǧƒ•–‡”ƒ–Š”‘‘

‡•–Ž‡˜ƒ–‹‘

ƒ•–Ž‡˜ƒ–‹‘

Ǧ ‡”Ž‘•‡–


1.3

HOTEL INTERIOR  DESIGN  MALMÖ  /  MILAN Work  done  for  Abelardo  Gonzalez  Arkitektbyrå 2009-­2010 Š‡ ƒŽÚ Š‘–‡Ž …‘…‡’– ‹• „ƒ•‡† ‘ ƒ ‡š…Ž—•‹˜‡ ƒ–‘•’Š‡”‡ ‹ ƒ –”ƒ†‹–‹‘ƒŽ •‡––‹‰ǡ™Š‡”‡–Š‡Ž‘„„›†‡•‹‰ ƒ…–• ƒ• –Š‡ ’‘”–ƒŽ „‡–™‡‡ –Š‡ —”„ƒƒ†–Š‡–ƒ“—‹Ž‡Ǥ

Š‡”‘‘…‘…‡’–•ƒ”‡„ƒ•‡†‘ ’”‡ˆƒ„”‹…ƒ–‡†‘†—Ž‡•ǡƒ†‡–‘ ϐ‹– ‹ –‘ •’ƒ…‡• ™‹–Š ƒ ˜ƒ”‹‡–› ‘ˆ ˆ‘” ƒ† …‘†‹–‹‘•Ǥ ƒ…Š ‘†—Ž‡ Šƒ• ‹–ǯ• ‘™ •’ƒ–‹ƒŽ •’‡…‹ϐ‹…ƒ–‹‘ ƒ† ’—”’‘•‡ „—– ƒ”‡ …‘„‹‡† ‹ –Š‡ ‘•– ‘’–‹ƒŽ ™ƒ› –‘ ƒ……‘‘†ƒ–‡ –Š‡ •’‡…‹ϐ‹… •’ƒ–‹ƒŽ “—ƒŽ‹–‹‡• ‘ˆ ‡ƒ…Š”‘‘Ǥ

 –Š‹• ’”‘Œ‡…–  ™ƒ• ƒ••‹•–‹‰ –Š‡’”‘Œ‡…–ƒƒ‰‡”™‹–Š‹‹–‹ƒŽ †‡•‹‰ǡ ͸† †”ƒ™‹‰ •‡–• ƒ† ”‡†‡”•Ǥ

–‡”‹‘”‡†‡”Ǧ ‘–‡Ž‘„„›‹ƒŽÚ

–‡”‹‘”‡†‡”Ǧ ‘–‡Ž‘‘ƒŽÚ


1.4

HOTEL INTERIOR  DESIGN  MALMÖ  /  MILAN Work  done  for  Abelardo  Gonzalez  Arkitektbyrå 2009-­2010 Š‡‹ƒ‰‡ƒ†…Šƒ”ƒ…–‡”‘ˆ–Š‡ Š‘–‡Ž•”‡ˆ‡”•–‘–Š‡…ƒ†‹ƒ˜‹ƒ …—Ž–—”‡–Š”‘—‰Šƒ–‡”‹ƒŽ‹–›ƒ† …‘Ž‘—”•ƒ––Š‡•ƒ‡–‹‡ƒ•–Š‡ ’”‘†—…–• ƒ† ˆ‘”• ‰‡‡”ƒ–‡• an   interfusion   of   Italian   and   …ƒ†‹ƒ˜‹ƒ†‡•‹‰Ǥ

Š‡”‘‘…‘…‡’–•ƒ”‡„ƒ•‡†‘ ’”‡ˆƒ„”‹…ƒ–‡†‘†—Ž‡•ǡƒ†‡–‘ ϐ‹– ‹ –‘ •’ƒ…‡• ™‹–Š ƒ ˜ƒ”‹‡–› ‘ˆ ˆ‘” ƒ† …‘†‹–‹‘•Ǥ ƒ…Š ‘†—Ž‡ Šƒ• ‹–ǯ• ‘™ •’ƒ–‹ƒŽ •’‡…‹ϐ‹…ƒ–‹‘ ƒ† ’—”’‘•‡ „—– ƒ”‡ …‘„‹‡† ‹ –Š‡ ‘•– ‘’–‹ƒŽ ™ƒ› –‘ ƒ……‘‘†ƒ–‡ –Š‡ •’‡…‹ϐ‹… •’ƒ–‹ƒŽ “—ƒŽ‹–‹‡• ‘ˆ ‡ƒ…Š”‘‘Ǥ

 –Š‹• ’”‘Œ‡…–  ™ƒ• ƒ••‹•–‹‰ –Š‡’”‘Œ‡…–ƒƒ‰‡”™‹–Š‹‹–‹ƒŽ †‡•‹‰ǡ ͸† †”ƒ™‹‰ •‡–• ƒ† ”‡†‡”•Ǥ

–‡”‹‘”‡†‡”Ǧ ‘–‡Ž‘„„›‹Žƒ

–‡”‹‘”‡†‡”Ǧ ‘–‡Ž‘‘‹Žƒ


2.0

2.0 Academic  Work  


2.1

Thesis Project:  OPAQUE  TRANSPARENCY Southern  California  Institute  of  Architecture Summer  2012 Advisor:  Florencia  Pita ‡’ƒ”–‡– –‘”‡ ‹ ‘™–‘™ ‘• Angeles ’ƒ“—‡ ”ƒ•’ƒ”‡…› ‡š‹•–• ™Š‡ –”ƒ•’ƒ”‡…› ‹• ƒ…Š‹‡˜‡†ǡ „—– ‹– ‹• ‘– ˆ—ŽŽ› –”—–Šˆ—ŽǤ – ’”‡•‡–• •’ƒ…‡• –Šƒ– ƒ”‡‘–ƒ……‡••‹„Ž‡„—–›‡–˜‡”›–ƒ‰‹„Ž‡Ǥ Š‡˜‡Š‹…Ž‡–‘ƒ…Š‹‡˜‡–Šƒ–‹•–Š‡†‹•’Žƒ› ™‹†‘™ǡ •‹…‡ ‹– ’”ƒ…–‹…‡• †‡’–Š „—– ‘–˜‹•‹„‹Ž‹–›Ǥ ‘””‹• ƒ’‹†—• ‘ˆˆ•‡– –Š‡ •–‘”‡ˆ”‘– †‡‡’‹–‘–Š‡‘•–ƒ–‘”‡‹‹ƒ‹ǡ Ǧ ‡ ‘‘ŽŠƒƒ• Ž‹–‡”ƒŽŽ› ϐŽ‹’’‡† Š‹• †‹•’Žƒ› ™‹†‘™• Š‘”‹œ‘–ƒŽŽ› ‹ –Š‡ ‘•‰‡Ž‡••–‘”‡ǣ‹–Š‡•ƒ‡ ™ƒ› –Š‹• ’”‘Œ‡…– …”‡ƒ–‹‰ ‘’ƒ“—‡ –”ƒ•’ƒ”‡…› –Š”‘—‰Š †‡’–Š ƒ† ’‡”•’‡…–‹˜‡ǡ ˆ‘”…‹‰ •’‡…‹ϐ‹… ’‘‹– ‘ˆ ˜‹‡™•–‘„‡•‡‡„›–Š‡•’‡…–ƒ–‘”Ǥ—–ǡ ‹ –Š‹• ’”‘Œ‡…–ǡ –Š‡ †‹•’Žƒ› ™‹†‘™• …‘•–‹–—–‡• –Š‡ ˆ—ŽŽ „—‹Ž†‹‰ ƒ••Ǥ Here,   the   display   window   is   treated   ƒ• †‡…‘”ƒ–‹‘ ˆ‘” –Š‡ ‡–‹”‡ „—‹Ž†‹‰Ǥ —– –Š‡ †‡…‘”ƒ–‹‘ ‹• ‘ Ž‘‰‡” Œ—•– ƒ’’Ž‹‡†‘”ƒ‡–ǣ‹–Š‹•’”‘’‘•ƒŽ–Š‡ †‹•’Žƒ›™‹†‘™‰‘‡•†‡‡’‡”Ǧ…”‘••‹‰ –Š‡ •‡…–‹‘ ƒ† ‹–‡”•‡…–‹‰ –Š‡ ‹–‡”‹‘”•’ƒ…‡•ǡ…”‡ƒ–‹‰ƒˆ—ŽŽ›–Š”‡‡Ǧ †‹‡•‹‘ƒŽˆƒ…ƒ†‡ǤŠ‡ƒ…–—ƒŽ‹ˆƒ˜‘” ‘˜‡”–Š‡˜‹”–—ƒŽǤ Š‡‡š’‡”‹‡…‡‘ˆ’ƒ“—‡”ƒ•’ƒ”‡…› Šƒ’’‡•‹–Š‡†‡’–Š‘ˆˆ–Š‡ƒ’‡”–—”‡•Ǥ Š‡”‡ƒ”‡ʹͺƒ’‡”–—”‡•‹–Š‹•’”‘’‘•ƒŽǡ ƒŽŽ†‹ˆˆ‡”‡–†‡’‡†‹‰‘–Š‡•…ƒŽ‡‘ˆ –Š‡‘”‹‰‹ƒŽϐ‹‰—”‡‘–‹ˆǤŠ‡ƒ’‡”–—”‡• Šƒ˜‡„‡‡•‡™‡†ǡ™ƒ”’‡†ƒ†–‘”…Š‡† –‘ƒ…Š‹‡˜‡ƒˆ‘…—•†‡’–ŠǤ –Š‡„—‹Ž†‹‰ǡ •‘‡ ‘ˆ –Š‡ †‹•’Žƒ›• ƒ”‡ –”—‡ –‘ –Š‡ ‡š–‡– „› ™Š‹…Š –Š‡› †‹•’Žƒ› ‘„Œ‡…–• ‹•‹†‡–Š‡„—‹Ž†‹‰ǦŠ‘™‡˜‡”‡˜‡”–Š‡ ‹–‡”‹‘” •’ƒ…‡ǣ –Š‡ ‘–Š‡” †‹•’Žƒ›• ƒ”‡ –”—Ž› DzˆƒŽ•‡dz ‡ƒ‹‰ –Šƒ– –Š‡› †‘ ‘– ‡† ™‹–Š‹ –Š‡ „—‹Ž†‹‰ǡ „—– …‘–‹—‡ –Š”‘—‰Š –Š‡ ™Š‘Ž‡ ƒ•• Ǧ ”‡˜‡ƒŽ‹‰ –Š‡ ‘—–•‹†‡ •’ƒ…‡Ǥ Š‡› ƒŽŽ ‡š‹•–• ƒ• ƒ• •’ƒ–‹ƒŽ ‘„Œ‡…–• ™Š‹…Š …ƒ ‡˜‡” „‡ ƒ……‡••‡†ǡ ‘” ‹Šƒ„‹–‡†ǡ „—– ‡”‡Ž› ‰ƒœ‡†–Š”‘—‰Š„›–Š‡•’‡…–ƒ–‘”Ǥ


ʹ–—†‹‡•

ˆ‘Ž†‡† ƒ…ƒ†‡”ƒ™‹‰

‘…‡’–‡…–‹‘

ƒ••‹‰˜• ”ƒ‡–—†‹‡•


Interior  Render

‘†‡ŽŠ‘–‘ÇŚ ”‘—Â?†‡˜‡Ž

Section  Study


2.2

Class Project:  COMPLEX  FACADE  SYSTEMS Southern  California  Institute  of  Architecture Fall    2011 Instructor:  Tom  Wiscombe,  Herwig  Baumgartner —‹Ž†‹‰›•–‡•ƒ† ƒ„”‹…ƒ–‹‘

Š‡…‘ϐ‹‰—”ƒ–‹‘ƒ†—†‡”•–ƒ†‹‰ ‹˜‡•–‹‰ƒ–‹‘• ‹ ˆƒ„”‹…ƒ–‹‘ ‘ˆƒ…‘’Ž‡šˆƒ…ƒ†‡•›•–‡ˆ‘”Žƒ”‰‡Ǧ –‡…Š‹“—‡•ƒ†ƒ••‡„Ž›Ǥ •…ƒŽ‡ „—‹Ž†‹‰ ™ƒ• –Š‡ †”‹˜‡” ˆ‘” –Š‹• ’”‘Œ‡…–Ǥ ’‡…‹ƒŽ ˆ‘…—• ™ƒ• ’ƒ‹† –‘ †‡–ƒ‹Ž‹‰ ‘ˆ …”‹–‹…ƒŽƒ–‡”‹ƒŽ‡‡–‹‰•ƒ†•›•–‡ ‘’—–‡” †”‹˜‡ ƒƒŽ›•‹• –Š‘—‰Š intercations …Š‘Ǧ‡…– ƒ† Š‹‘ ƒ†‡ ˆ‘”

…Ž‘•—”‡›•–‡

–”—…–—”ƒŽ›•–‡

Ž‡˜ƒ–‹‘‘—–Š


ƒ‡Žƒ••‡„Ž›

‡‡Ž‡†…‘•–”—…–‹‘

‡‡Ž‡†…‘•–”—…–‹‘

…Ž‘•—”‡•›•–‡•‡‡–‹‰†‡–ƒ‹Ž


”ƒ™‹‰•


2.3

Studio Project:  THE  WINDOW Southern  California  Institute  of  Architecture Fall  2010 Instructor:  Florencia  Pita ‹„”ƒ”›‘ˆ ŽŽ—‹ƒ–‡†ƒ—•…”‹’–•

Š‹• ’”‘Œ‡…– ‹• ƒ ‹˜‡•–‹‰ƒ–‹‘ ‘ˆ ‘”’Š‘Ž‘‰‹…ƒŽ ‹••—‡• ‹ ”‡Žƒ–‹‘ –‘ –Š‡ ƒ”…Š‹–‡…–—”ƒŽ ‡˜‡Ž‘’‡ǡ ’ƒ”–‹–‹‘‡† ‹–‘ ˆ‘—” ƒ––”‹„—–‡•ǣ ƒ••ǡ ˆƒ…‡ǡ –Š‡ …‘”‡” ƒ†ƒˆˆ‡…–ǤŠ‹•‹•‡š’Ž‘”‡†™‹–Šƒ†‡•‹”‡ –‘  …ƒ’–—”‡ •‘‡ ‘ˆ  –Š‡ ‡š…Ž—•‹˜‡ ƒ† ’”‡…‹‘—• “—ƒŽ‹–‹‡• ‘ˆ –Š‡ ŽŽ—‹ƒ–‡† ƒ—•…”‹’–Ǥ ‡”‹˜‹‰ ˆ”‘ –Š‡ –”ƒ†‹–‹‘ƒŽ —•‡ ‘ˆ –Š‡ ™‹†‘™ ƒ• „‘–Š ˆ—…–‹‘ƒŽ ƒ† ‘”ƒ‡–ƒŽǡ –Š‡ ‹„”ƒ”› ‡š’Ž‘”‡• –Š‡ ™‹†‘™ ˆ—”–Š‡” ƒ• ƒ ’”‘‰”ƒƒ–‹… •’ƒ…‡…”‡ƒ–‘”Ǥ Š‡ ƒ•• •–”ƒ–‡‰› ‹• –‘ †‹ˆˆ—•‡ –Š‡ ‘„˜‹‘—• …‘”‡” ‘ˆ –Š‡ •“—ƒ”‡ ‰‹˜‡ •‹–‡ǡ „—– ƒ– –Š‡ •ƒ‡ –‹‡ ’”‡•‡”˜‡ –Š‡ ƒ‹„‘”†‡”•ǤŠ‡‡š–‡–‹‘‘ˆ–Š‡–™‘ ƒ‹™‹†‘™•…”‡ƒ–‡–Š‡•’ƒ…‡•ˆ‘”–Š‡ –™‘ ƒ‹ ˆ—…–‹‘ ‘ˆ –Š‡ „—‹Ž†‹‰ǣ –Š‡ Ž‹„”ƒ”› ƒ† –Š‡ ‡šŠ‹„‹–‹‘ ŠƒŽŽǤ ‹‹Žƒ” –‘ƒ”‘•‡™‹†‘™ǡ–Š‡ƒ’‡”–—”‡•„‡…‘‡ –Š‡ •—”ˆƒ…‡ ‘”ƒ‡–ƒ–‹‘ǡ …”‡ƒ–‹‰ ƒ Dz™‹†‘™•‹dz–‘–Š‡…‹–›Ǥ•‡…‘†Žƒ›‡” ‘ˆ™‹†‘™ˆ”ƒ‡•ˆƒ…‡•–Š‡‹–‡”‹‘”ƒ† „‡…‘‡• ’”‘‰”ƒƒ–‹…ƒŽŽ›ǡ ƒ––ƒ…Š‹‰ ƒ††‡–ƒ…Š‹‰ˆ”‘–Š‡‘—–‡”ˆ”ƒ‡Ǥ The two   layers   of   windows   create   a   –›’‘Ž‘‰› ™Š‹…Š •Š‹ˆ–• „‡–™‡‡ –Š‡ –™‘ †‹‡•‹‘ƒŽƒ†–Š‡–Š”‡‡†‹‡•‹‘ƒŽ –‘ †‡ƒŽ ™‹–Š –Š‡ •’‡…‹ϐ‹… ƒ•’‡…–• ‘ˆ –Š‡ ‰‹˜‡’”‘‰”ƒǤ


‘”ƒŽ’‡”ƒ–‹‘•

–‡”‹‘”‡†‡”Ǧ‘„„›ƒˆ‡

”‘—†‡˜‡ŽŽƒ

Section

Ž‡˜ƒ–‹‘ƒ•–


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www.idahammarlund.com

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Curriculum Vitae and work samples for Ida Hammarlund.