eICB 2004-1

Page 50

50

a re rap idl y beg innin g co die o ur , who is ac

Creating the desire to make

Everyone's voice is of equal

fau le When incerest in whac we ca ll ser ious

music

value

mor e d ifficu lc co recruit qu alified mu sic

Thi s is entir ely d ependenr o n leadership -

Th e vo ice is as mu ch a part of rh e indi vid-

teac hers for seco nd ary schoo ls? W hen "com -

mu sical leadership .

ual's idenciry as his o r her appearance . I have

m ercial mu sic" is given more and mor e

M y mi ssion in life ac seco ndar y schoo l is co

th e righr co my app ea rance and th e sa m e

"space " in rh e diff erenc secco rs of th e m ass

pro vide a co unc er bal ance co commerc ial

self-ev idenr r ighr co my vo ice. Fo r rhis rea-

m edi a? When rhe encire nation flop s clow n

mu sic. To provide an altern ative ro rhe "here

so n rh ere is norhin g char builds up th e se lf-

o n the sofa in front of the celevision on

coday go ne comorrow " mu sica l crash. Whe n

co nfid ence of an indi vidu al bercer chan

Sacurday ni ghr co wa cch th e lacesr eve ncs in

my srnd encs sin g th e mu sic of, for exa mpl e

singin g and chor al singing. Co nseque nrl y,

mu sic?

J. S. Bach , the

singi ng in choirs is of grear specia l signifi -

ln my op ini o n , the m ass medi a work aga inst

never leaves .

ser io us yo un g peopl e's music by alm os r

As a pedagogue I a m definicely an d urcerly

chan eve r coday .

neve r dr awi ng any atte nti o n co it (chat was a

co nvin ced of chis.

Too m any peop le in o ur sociery lack sclfco nfid ence.

mu sic d eclin es a nd ir becomes mor e a nd

mu sic en cers cheir bodie s and

ca nce. And cho ir sin ging is needed mo re

goo d po int , a nd I shall rep ea c ic: rhe m ass

We so -ca lled adule s frequ encly fail in our

m edi a work aga insc. .. )

at titud es cowa rd s the coming ge nerarion .

Sing mor e!

We have good music

We lisren wirh a sup er ior smil e w hen 10year o ld s play C h op in in cheir childi sh fash-

(Ench person in the choir sings Uti vtĂ?r hnge at th eir own tempo}

ion. "Ju st wai c unril yo u are as o ld as I am

You ca n hea r th e gi rls sin g in diff e renr tim -

Our li~rn"ng

fund s a re being us ed co creac e

a placform for th e kind of mu sic chat wi ll

and you w ill undersrand

not o uclasc rhe d ay, enab lin g an und ese rvin g

po sed co be pl ayed ". And rh e chi Id chink s:

few to earn mor e mo ney chan a ny of our

OK, 1 will play like rhi s so my reacher is sar-

timbr e and a sound char is ryp ical of rh e

hi ghly edu ca red and skilful mu sician s wi ll

isfied, a nd chen w hen I ger hom e I can pl ay

Ado lf Fredri k Gi rls Cho ir.

how C hop in is sup -

br es - char is rheir iden riry. Iri s because rhe y sing in differing timbr es char I can creare a

ever ea rn . . . .

ir m y ow n way. Th e way co go! Afcer ail,

If ever yone sang in th e sa m e timbr e ir wo uld

Wh y do we becom e up ser and di sillu sion ed ?

who has rhe righr to dec ide how a piece

nor so un d as inceres ring. And rhi s crea res

We are pow erless co sto p rh ese fo rces - let

should so und ?

co nfid ence wirh in each o ne of us. I am

chem go ahead , but we do have co co nce n-

1n m y view, eac h age in rh e up coming gener -

uniqu e - ther e is o nly o ne perso n who sin gs

crare o ur str engt h a nd energy o n an altern a-

acio n is co mpl ece in icself. As seve n-yea r olds

like me in the w ho le wo rld . Thi s inesca pab le

ti ve.

we do chin gs because we are 7 . Noe 6 o r 8.

facr brings w ich ir an in creased raiso n d 'ĂŞ tr e.

W hac hav e we gor co counc er it w ich? Noe

le should nor be an end in irself co become

1 a m som ebody 1 1 am necd ed! Bosse is

mon ey - bue we do have good mu sic.

an adu le.

co unnn g on me .

Do we ha ve faich in rhe fo und acion of rhi s

We mu st lisren and lea rn co make use of the

Using rhi s attit ud e I libera re an enormou s

powe r? Afcer ail we do litt le mor e chan fee l

dy nami sm pr ese nc in rh e wo rld of chi ldr en

mu sica l forc e. ln whi ch eve ryon e und er-

sorr y for ou rselves about not bein g prop erly appr ec iared .

and youn g peo ple. Befo re our yo un g mu sic ians have di sco vered char "m usic is d iffi-

srand s chey a re im po rra n r. Ir is nor o nly

Do our pr esenc mu sic ceachers give cred ence

cu lr". An attitud e char we ped agogues mu st

domin ant natur e char counr.

co good mu sic ( 1 wo uld nor pr esum e co

pr ese rve che m from as lon g as poss ible. Iri s

qu alify w har good mu sic is in uch augusr

a qu estion of crea ring enjo ymcnr in makin g

/The girls' choir pe1for111 s an i111provisatio11 exercise}

Comp any) o r o nly ro compur ers, sy nrh esiz-

mu sic. To lea rn ro look up ro ch ildr en - nor

" Eve ryo ne sang jusr righr "

e rs, sam plin g effecrs a nd po pular m usic

clown. To pur ours elves in a po sition ro cake

W har a wo nd erful ching co be ab le ro rd l my

bcca use chey are afraid char orh erwi se rhey

th e worm 's-eyc view.

en.sembl e.

mi glu bcco me unp o pular )

chose wirh loud voi ces a nd who a re of a

!IrisJ an

cxc rc ise char srrcn grh ens

sclr-esrce m . 1 ca n ma nage my job ail hy mysel f wirho ur any hclp fro m th ose sca rcd


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