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Philip Wilson Publishers


Publisher’s Note This year heralds the publication of a number of important, extensively illustrated books on major artists, the decorative arts and social history. A re-assessment of Bloomsbury artist Vanessa Bell, which accompanies an exhibition at Dulwich Picture Gallery, reveals her to be one of the most forward-looking artists of her time, boldly interpreting new ideas about art from Europe across a broad range of media. In a comprehensive study of William Morris’s early years at Red House, Bexleyheath, the only house Morris commissioned, new research by the National Trust shows that many of his original interior schemes still exist and that this littleknown early work constitutes an important new chapter in the history of Morris’s design. Accompanying an exhibition at Holburne Museum, Bath, the sixteenthcentury Flemish painter Pieter Bruegel the Elder and his prodigy are examined in a publication which identifies the work of each family member and shows the diversity of subject matter of this legendary dynasty of artists. There are important new titles on the decorative arts: The Life and Work of Thomas Chippendale Junior is the first to fully document and illustrate the work of the son of Thomas Chippendale Senior which has never, until now, been thoroughly researched and gives the younger Chippendale the audience he deserves. In the third volume in our major

series with the National Trust, a substantial survey of Chinese wallpapers charts their stylistic development and shows why these exotic and beautiful papers have been enduringly popular in Western interiors from the eighteenth-century to the present day. And as a sequel to our volume on the Guy Ladrière collection of gems and rings published with the University of Oxford, we have a comprehensive study of one of the major gem collections of the eighteenth and nineteenth centuries, assembled by the First Earl of Beverley and his family. Our collaboration with the Fitzwilliam Museum continues, this time with a book to accompany the museum’s exhibition Madonnas and Miracles which identifies the importance of religion in the Italian Renaissance home. And with Museum of London we publish a detailed social history to commemorate the 350th anniversary of the Great Fire of London. We continue to be at the forefront of publishing high quality art and illustrated books, working with a large number of museums, galleries and private individuals across a wide range of fine and applied arts.


Contents

NEW FOR 2016/2017

4 Vanessa Bell 6 Bruegel: Defining a Dynasty 8 Chinese Wallpaper: in Britain and Ireland 10 William Morris Rediscovered: Early Years at Red House 12 The Life and Work of Thomas Chippendale Junior 14 Treasures from the Oxus: The Art and Civilization of Central Asia 16 Madonnas and Miracles: The Holy Home in Renaissance Italy 17 Central Asia in Art: From Soviet Orientalism to the New Republics 18 Silver for Entertaining: The Ickworth Collection 19 Ceramics: 400 Years of British Collecting in 100 Masterpieces 20 Tapestries in the Burrell Collection 21 The Beverley Collection of Gems at Alnwick Castle 22 Winifred Nicholson: Liberation of Colour 23 Butcher, Baker, Candlestick maker: Surviving the Great Fire of London 24 Surrealism in Egypt: Modernism and the Art and Liberty Group 25 3D Warhol: Andy Warhol and Sculpture 26 SELECTED BACKLIST 39 CONTACTS Front: Winifred Nicholson, Moth Flight over the Peloponnese, 1960s, oil on canvas, 76.2 × 50.8 cm, Private Collection, on loan to Middlesbrough Institute of Modern Art © Trustees of Winifred Nicholson (see page 22) Back: Tempera painting on plaster at Red House, The Tale of Sir Degrevaunt: The Wedding Procession by Sir Edward Coley Burne-Jones, 1860 © National Trust Images/John Hammond (see page 10) Inside: Chinese wallpaper in the State Dressing Room at Nostell Priory, West Yorkshire © National Trust Images/J. Whitaker (see page 8)


Publisher’s Note

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Vanessa Bell

Vanessa Bell Edited by Sarah Milroy and Ian A.C. Dejardin

VANESSA BELL Vanessa Bell (1879–1961) has been known primarily as the sister of Virginia Woolf, and as the still, quiet centre around which the Bloomsbury Group revolved, renowned for her beauty, her complex romantic entanglements and, later, her domestic gravitas. But Bell was also one of the most advanced artists of her time, with her own distinctive vision, boldly interpreting new ideas about art then brewing in France and beyond. This publication beautifully showcases Bell’s pioneering oil paintings, photographs, ceramics, fabrics, decorative screens and works on paper in a stunning affirmation of her vibrant and wide-ranging talent. Including more than 180 colour plates, the publication is the definitive record of Bell’s accomplishments, enhanced with photographs of Charleston, the Sussex farmhouse that Bell occupied with creative flair alongside Duncan Grant and the rest of her unconventional family. With sections devoted to portraiture, landscape, still life, design, domestic scenes and female subjects, the publication gathers together a rich chorus of voices, from renowned Bloomsbury scholars to emerging experts, delivering a fresh view of an intrepid modern artist seen clearly on her own terms at last.

182 colour illustrations 280 × 240 mm · 208 pp · Paperback ISBN: 978-1-78130-051-0 January 2017 · £25.00 / $40.00

Sarah Milroy is the former editor and publisher of Canadian Art magazine and a co-founder of the Canadian Art Foundation. From 2001 to 2010, she served as chief art critic of the Globe and Mail. Sarah co-curated From the Forest to the Sea: Emily Carr in British Columbia with Ian AC Dejardin in 2015. Ian A.C. Dejardin is the Sackler Director of Dulwich Picture Gallery. He has previously curated the Painting Canada series: Tom Thomson and the Group of Seven (2011) and From the Forest to the Sea (as above) with Sarah Milroy.

Published in association with Dulwich Picture Gallery

Philip Wilson Publishers 2017

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Bruegel

B RU E G E L def ining a dynast y

Bruegel

Defining a Dynasty Amy Orrock

Amy Orrock

This richly illustrated and original publication explores the diversity and innovation of a legendary dynasty of Flemish painters over four generations and 150 years. From the peasant festivals and proverb pictures of Pieter Bruegel the Elder and his son Pieter Brueghel the Younger to the exquisite flower paintings and paradise landscapes of Jan ‘Velvet’ Brueghel and the captivating cabinet pictures of Jan van Kessel, the Bruegel family played a fundamental role in many of the key artistic developments of the sixteenth and seventeenth centuries. Investigating themes common throughout the generations, such as an enduring interest in the natural world and the role of close observation from life, the book’s new research findings also unravel practical mysteries, exploring how Bruegel’s sons were able to emulate their father’s model despite having no access to his paintings. Nearly five hundred years have passed since the birth of Pieter Bruegel the Elder, but the energy, influence and inventiveness of his unique family remains unrivalled in the history of art. This illuminating book redefines our appreciation of its artistic legacy and is an essential read for scholars and non-specialists alike.

64 colour illustrations 257 × 197 mm · 128 pp · Paperback ISBN: 978-1-78130-052-7 February 2017 · £16.95 / $29.50

Amy Orrock is a curator and art historian. She received her PhD from the University of Edinburgh with a dissertation on Pieter Bruegel the Elder’s Children’s Games. She has published and lectured widely on Flemish art of the sixteenth and seventeenth centuries. Previous projects include work at Royal Collection Trust, Compton Verney, Warwickshire and the National Portrait Gallery, London where she contributed to Elizabeth I and Her People (2013).

Published in association with The Holburne Museum, Bath, and accompanies the exhibition Bruegel: Defining a Dynasty

Facing page: Three Butterflies, a Beetle and other Insects, with a Cutting of Ragwort (top); A Dragonfly, two Moths, a Spider and some Beetles, with wild Strawberries (bottom) by Jan van Kessel © Ashmolean Museum, University of Oxford.

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Chinese Wallpaper

Chinese Wallpaper

in Britain and ireland emile de Bruijn

Chinese Wallpaper

in Britain and Ireland Emile de Bruijn

Chinese wallpaper has been an important element of European interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Europeans developed a strong taste for Chinese art and design. The stunningly beautiful wallcoverings now known as ‘Chinese wallpaper’ were developed by Chinese painting workshops in response to western demand. A sophisticated synthesis of eastern and western art, these wallpapers were an early-modern global product and they are still popular and influential today. In spite of their spectacular beauty, Chinese wallpapers have not been studied in any depth until fairly recently. This book provides an overview of some of the most significant Chinese wallpapers surviving in the British Isles. Sumptuously illustrated, it shows how these wallpapers became a staple ingredient of high-end British and Irish interiors while always retaining a touch of the exotic. The book charts their stylistic development, allowing individual papers to be more securely dated. It also touches on the China trade, the crucial role of the paper-hangers and the social significance of Chinese-style decoration in Britain. Chinese Wallpaper in Britain and Ireland will be a ground-breaking resource for both scholars and designers, as well as for anyone interested in historic interior decoration. Published in association with the National Trust

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170 colour illustrations 280 × 230 mm · 272 pp · Hardback ISBN: 978-1-78130-054-1 September 2017 · £30.00 / $55.00

Emile de Bruijn studied Japanese and museology at the universities of Leiden and Essex. He worked in the Japanese and Chinese departments of the auctioneers Sotheby’s in London before joining the National Trust, where he is now a member of the central collections management team. Emile has lectured and published on many different aspects of chinoiserie in historic houses and gardens. He was a co-author (with Andrew Bush and Helen Clifford) of the catalogue Chinese Wallpaper in National Trust Houses (National Trust, 2014). He contributed a chapter on chinoiserie in British country houses to the volume of essays edited by Jon Stobart and Andrew Hann, The Country House: Material Culture and Consumption (English Heritage, 2016). Emile was also one of the organisers of the international conference ‘Chinese Wallpaper: Trade, Technique and Taste’ (London, April 2016).


Chinese Wallpaper

Philip Wilson Publishers 2017

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William Morris Rediscovered

William Morris Rediscovered Early Years at Red House

WILLIAM MORRIS REDISCOVERED

Tessa Wild

Early Years at Red House

Tessa Wild William Morris Rediscovered: Early Years at Red House is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live?’ Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, good humoured competition, and the jovial campaign of decorating; furnishing the house and designing the garden to meet his emergent taste for strong colour, complex pattern making and medieval inspired furniture and gardens. Recent research has revealed that the original decorative finishes have survived to a surprising degree, providing tantalising glimpses and in several instances complete schemes, of Morris’s rich, polychromatic interiors of 1860–5. Drawing on a wealth of new physical evidence, this book will argue that Red House constitutes an ambitious and critical chapter in his design history which reveals Morris’s early confidence and artistic breadth through his little-known, experimental aesthetic. It will re-consider the inspiration it provided for the founding of ‘the Firm’ of Morris, Marshall, Faulkner & Co. (later Morris & Co.), in 1861, and the vital collaboration of Webb, Burne-Jones, Rossetti and their intimate circle in realising Morris’s dream for his house. Published in association with the National Trust

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175 colour illustrations 280 × 230 mm · 272 pp · Hardback ISBN: 978-1-78130-055-8 September 2017 · £35.00 / $65.00

Tessa Wild is a curator and writer specialising in the nineteenth century. Educated at Cambridge University and the Courtauld Institute of Art, she worked as a curator with the National Trust from 1998 to 2015. She was curator of Red House from its acquisition by the National Trust in 2003 until 2015, during which time she led a major research programme on the house. She has lectured and published widely on the subject and was awarded a Paul Mellon Mid-Career Fellowship in 2016 to undertake further research on Morris and Red House.


William Morris Rediscovered

Philip Wilson Publishers 2017

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William Morris Rediscovered

‘a work of meticulous scholarship and clarity that has followed the same rigorous guidelines set by Gilbert forty years ago.’ Sir Hugh Roberts, Surveyor Emeritus of the Queen’s Works of Art

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The Life and Work of Thomas Chippendale Junior

THE LIFE AND WORK OF THOMAS CHIPPENDALE JUNIOR

The Life and Work of Thomas Chippendale Junior Judith Goodison

Judith Goodison

The Chippendale cabinet-making firm, founded by Thomas Chippendale senior in about 1750 became famous partly through the successful publication of his The Gentleman and Cabinet-Maker’s Director (1754, republished 1755 and 1762), and partly through the fine furniture supplied to a number of illustrious clients. Chippendale senior ran the workshop for just over twenty years. His eldest son Thomas Chippendale junior continued the business for over forty, the first two decades in partnership with Thomas Haig. Chippendale senior’s work has been well documented by Christopher Gilbert in his book The Life and Work of Thomas Chippendale (1978). Chippendale junior’s work has never, until now, been thoroughly researched. The Life and Work of Thomas Chippendale Junior repairs this omission and gives the younger Chippendale the audience he deserves. Judith Goodison’s research in family archives, bank records and county record offices has unearthed valuable new information. Chippendale impresses as a skilled and innovative designer, and the author suggests some possible sources for his inspiration. His patrons included members of the Royal Family, aristocrats, landed gentry and antiquarians. He was adept at satisfying their demands, whether they required lavish gilt or simpler, often mahogany, pieces. Where family archives and original settings survive, as at Harewood House, Paxton House and Stourhead, they reveal the variety and quality of Chippendale’s output. Analysis of client’s invoices, even when the furniture can no longer be traced, for the first time provides a colourful view of what customers chose and what prices they paid.

320 colour and mono illustrations 280 × 230 mm · 464 pp · Hardback ISBN: 978-1-78130-056-5 October 2017 · £65.00 / $95.00

Judith Goodison FSA is a furniture historian and has been researching the work of Thomas Chippendale junior for the last ten years. She has published articles in Furniture History and the Burlington Magazine, and was co-author with Geoffrey Beard of English Furniture 1500-1840 (1987). For fourteen years she was co-director and then director of the Attingham Study Programme run by the Attingham Trust for the study of historic houses and collections. She served as a trustee of Handel House, The Academy of Ancient Music and the Museum of London, and was a member of the Dulwich Picture Gallery Education Committee.

The numerous illustrations portray the range of fine furniture produced by the Chippendale firm during Chippendale junior’s long tenure.

Philip Wilson Publishers 2017

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Treasures from the Oxus

TREASURES FROM THE OXUS Massimo Vidale

Treasures from the Oxus

The Art and Civilization of Central Asia Massimo Vidale

THE ART AND CIVILIZATION OF CENTRAL ASIA

The great river civilization of the Oxus is one of the forgotten jewels of the ancient world. In history, this grand arterial 1500-mile waterway was always seen as the natural frontier between the northern provinces of the Iranian empires and the outer Turanian lands. It was for centuries central to Achaemenid and later Persian power. But, as the author shows, it has a prehistory which goes very much further back: and a succession of skilled yet still elusive Bronze Age cultures flourished here well before the rise of Cyrus the Great in the 6th century BCE. This richly illustrated book explores the fascinating history, art and archaeology of the region, including its primal trade in silk and foodstuffs; the mineral wealth of the Oxus basin; its exotic myths and beliefs; and the converging tribes and peoples which led to a new stability, economic growth and urbanism. The volume contains 150 full-colour photographs of notable artefacts, including silver decorated vessels, inlaid stone pots, agate beads and 25 ‘Bactrian Princesses’: remarkable statuettes made in chlorite and limestone. Most of these rare objects have never been seen, let alone published, before.

‘Dr Vidale consistently incorporates a careful balance between clever ideas and insights, on the one hand, and first rate archaeological investigation on the other. In many ways his background and approach make him the ideal person to write this interesting and innovative volume on the Oxus civilization, which I recommend with enthusiasm.’ Cameron Petrie, Senior Lecturer in South Asian and Iranian Archaeology, University of Cambridge

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150 colour illustrations 289 × 237 mm · 264 pp · Hardback ISBN: 978-1-78453-772-2 June 2017 · £30.00 / $45.00

Massimo Vidale is Professor of Near Eastern Archaeology at the University of Padua where he lectures on ancient crafts and cultures. An internationally prominent scholar of the archaeology and material culture of the Bronze Age, he has held Chairs at the universities of Bologna, Genoa and Rome. His previous books, published in English and Italian, include The Archaeology of Indus Crafts (2000), What is Ethnoarchaeology? (2004) and Ceramics and Archaeology (2007).


Madonnas and Miracles

MADONNAS AND MIRACLES The Holy Home in Renaissance Italy

Madonnas and Miracles The Holy Home in Renaissance Italy

Edited by Maya Corry, Deborah Howard and Mary Laven

Edited by Maya Corry, Deborah Howard and Mary Laven

Madonnas and Miracles exposes a hidden world of religious devotion in the Italian Renaissance home. Challenging the idea of the Renaissance as an age of increasing worldliness, it shows how religion remained a powerful force that coloured every aspect of daily life. Across the length and breadth of Italy, houses were filled with decorative objects and works of art with spiritual significance, designed to aid members of the family in their devotional lives. A wide range of religious activities, from routine prayers to extraordinary experiences such as miracles and exorcisms, took place within the home, where they were adapted to key moments in the life-cycle, including birth, marriage, sickness and death. This lavishly illustrated publication explores a variety of devotional objects and images, from luxury items to everyday household goods. Bringing together jewellery and ceramics, manuscripts and printed books, sculpture and paintings, the book offers a vivid encounter with Renaissance spirituality and domesticity. The result is a new vision of a period in which the material world was charged with sacred power. Published in association with the Fitzwilliam Museum

110 colour illustrations 280 × 230 mm · 288 pp · Paperback ISBN: 978-1-78130-053-4 February 2017 · £25.00 / $40.00

Maya Corry is a postdoctoral researcher in the History of Art at the University of Cambridge. She has published on beauty in religious art, angels, and Renaissance religiosity. Deborah Howard is Professor Emerita of Architectural History, Director of Research in the Faculty of Architecture and History of Art, and a Fellow of St John’s College, Cambridge. She has published widely on the art and architecture of Venice and the Veneto; the relationship between architecture and music; and cultural exchange in the eastern Mediterranean. Mary Laven is Reader in Early Modern History at the University of Cambridge and a Fellow of Jesus College. She has published on many different aspects of Renaissance religion and co-curated the exhibition Treasured Possessions from the Renaissance to the Enlightenment at the Fitzwilliam Museum in 2015.

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Central Asia in Art

Central Asia in Art

From Soviet Orientalism to the New Republics Aliya Abykayeva-Tiesenhausen

In the midst of the space race and nuclear age, Soviet Realist artists were producing oil figurative paintings. Why? How was art produced to control and co-opt the peripheries of the Soviet Union, particularly Central Asia? Here these questions are explored to evaluate and interrogate the formation of national identity in a Soviet and postSoviet world. Presenting the ‘untold story’ of Soviet Orientalism, Aliya Abykayeva-Tiesenhausen re-evaluates the imperial project of the Soviet state, placing the Orientalist undercurrent found within art and propaganda production in the USSR alongside the creation of new art forms in Kazakhstan, Kyrgyzstan and Uzbekistan. The book re-interprets art production in Central Asia within the context of the Soviet propaganda mission during a time of social and cultural transformations, and uncovers how Soviet and Stalinist depictions of Central Asia are still in use in modern representations of the region. Taking an inter-disciplinary approach which spans Socialist Realist art, Central Asian studies and Orientalism in the Soviet context, the book sheds new light on the discourse surrounding the changing nature of the relationship between Russia, Central Asia and the West. From the turmoil of the 1930s through to the post-Stalinist era, the author draws on meticulous new research and rich illustrations to examine the political and social structures in the Soviet Union – and particularly Soviet Central Asia – to establish vital connections between Socialist Realist visual art, the creation of Soviet identity and later nationalist sentiments.

100 colour illustrations 246 × 189 mm · 304 pp · Hardback ISBN: 978-1-78453-352-6 July 2016 · £35.00 / $50.00

Aliya Abykayeva-Tiesenhausen is an art historian specializing in twentieth-century and contemporary Central Asian art. She holds a PhD from the Courtauld Institute of Art.

‘A groundbreaking [and] impressive piece of work... full of original insights and thought-provoking observations...a delight and a mine of information to art lovers in general.’ Shirin Akiner, Senior Fellow, Central Asia Forum, University of Cambridge

Philip Wilson Publishers 2017

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Silver for Entertaining

Silver for Entertaining

The Ickworth Collection James Rothwell

One of the most important collections of eighteenth-century silver in Europe is to be found at Ickworth House in Suffolk. It extends to nearly a thousand pieces, is of the highest quality, style and exuberance of form and survives virtually intact along with extensive and previously untapped archival evidence of its commissioning and use, and of the diplomatic, political and court appointments of its principal patron, George William Hervey, 2nd Earl of Bristol (1721–75). The finest London makers of the time are represented including Paul de Lamerie, Paul Crespin and, in particular, Frederick Kandler, and it also contains a significant quantity of continental pieces, commissioned contemporaneously whilst Lord Bristol was in Turin. It was in part by maintaining a sufficient state of ‘magnificence’ there, and in Madrid, that the Earl could hold the diplomatic ground for Britain during the Seven Years War and his silver, of the latest French fashions and of opulent extent, was a critical tool in his armoury. This book, which will be lavishly illustrated, will analyse the individual objects from stylistic and technical perspectives, and use them to shed light on the patronage, fashion and social history of a vibrant and turbulent era of European history. Published in association with the National Trust

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250 colour illustrations 280 × 230 mm · 304 pp · Hardback ISBN: 978-1-78130-042-8 December 2016 · £50.00 / $90.00

James Rothwell studied art history at Warwick University and gained a Master’s Degree at the Courtauld Institute of Art. He has worked for the National Trust since 1995 and is the organisation’s adviser on silver, carrying out extensive research on the collections and guiding displays, interpretation and acquisitions. He has published numerous articles on the subject and is the co-author of Country House Silver from Dunham Massey (2006). In collaboration with the Goldsmiths’ Company he has overseen a groundbreaking series of exhibitions of works by contemporary silversmiths in National Trust houses.


Ceramics

Ceramics

400 Years of British Collecting in 100 Masterpieces Patricia F. Ferguson

With more than 80,000 items displayed in some 250 historic houses throughout England, Wales and Northern Ireland, the National Trust possesses one of the greatest and most diverse collections of ceramics in the world. Ranging in time from Ancient Greece to the Arts and Crafts movement, its highlights encompass rare treasures from imperial China and Mughal India, spectacular Italian renaissance maiolica, French royal porcelain of luxurious beauty, and the ground-breaking experiments of Meissen and Wedgwood. Acquired over four hundred years, each of these remarkable objects has a story to tell: of exploration and international commerce, technical innovation and high fashion, extravagant collectors and family pride. Patricia Ferguson has selected one hundred masterpieces that provide a comprehensive overview of this great resource. Instead of being arranged conventionally by material, place of origin or date, they are ordered by the time these objects began to appear in British households. Beginning with the Elizabethan and Jacobean passion for Chinese porcelain, the story advances through the cult of delftware in the seventeenth century, the fashion for Dresden china and the growth of ‘vase mania’ in the eighteenth century to the explosion of interest in historic ceramics in the Victorian age. The author draws on a wealth of new evidence – letters, inventories, watercolours, paintings and historic photographs – to explain how these ceramics were used and displayed over four centuries. The result is a history that encompasses furniture and interior decoration, silver and sculpture, botany and horticulture, changing fashions in food and dining – in short, every aspect of family and social life in which ceramics played a central role.

300 colour illustrations 280 × 230 mm · 256 pp · Hardback ISBN: 978-1-78130-043-5 October 2016 · £45.00 / $75.00

Patricia F. Ferguson is the National Trust’s external adviser on ceramics and has been researching their collections since 2003. She has an MA from the School of Oriental and African Studies, University of London, where she studied Chinese, Japanese and Iranian ceramics. Miss Ferguson is a curatorial researcher at the Victoria and Albert Museum, London, and has published widely on ceramic patronage and collecting in Britain.

Published in association with the National Trust

Philip Wilson Publishers 2017

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Tapestries in the Burrell Collection

GLASG OW MUSEU MS

TAPESTRIES IN THE BURRELL COLLECTION

GLASGOW MUSEUMS

Tapestries in the Burrell Collection

Elizabeth Cleland and Lorraine Karafel with contributions by Elizabeth Hancock, Sarah Foskett, Helen M. Hughes, Alison N. Hulme and Lore Troalen Elizabeth Cleland and Lorraine Karafel

The magnificent collection of some 200 European, mainly medieval, tapestries acquired by Glasgow shipping magnate Sir William Burrell (1861–1958) is one of the largest and most important tapestry collections in the world. Although attempts to catalogue them have been made in the past, most have never been published and are therefore little known. The result of a three-year research project, this highly illustrated scholarly catalogue provides full details of place and date of production, materials and technique, provenance and exhibition history. Each entry also contains a detailed description of subject matter and interpretation of the iconography, including, where relevant, discussion of linked individual tapestries or series of associated tapestries in other locations. Any past or new theories about iconography and design are cited, with references. A discussion of context, such as noteworthy details about the patron or the production and information about related tapestries reusing the same cartoon in other locations, is included together with past and new research about makers and usage. Each tapestry entry is illustrated with a full colour image plus details and comparative illustrations where appropriate. The catalogue is prefaced by an essay on Burrell as a collector of tapestries and another on the history of the maintenance and care of tapestries. Appendices provide details of the dealers from whom Burrell bought the tapestries and on other noted collectors. An illustrated conservation essay, a glossary, a full bibliography and an index complete the volume. The resulting work provides a record of a major collection which will become a benchmark for future research and interpretation of tapestries of the period. Published in association with Glasgow Museums

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475 colour illustrations 287 × 240 mm · 728 pp · Hardback ISBN: 978-1-78130-050-3 December 2016 · £125.00 / $198.00

Elizabeth Cleland is Associate Curator, European Sculpture and Decorative Arts, The Metropolitan Museum of Art, New York. Lorraine Karafel is Assistant Professor of Art & Design History, Parsons, The New School for Design, New York. Elizabeth Hancock is Lecturer, History of Art Department, School of Culture and Creative Arts, University of Glasgow Sarah Foskett is Conservation Tutor, Centre for Textile Conservation and Technical Art History, University of Glasgow Helen M. Hughes is Textile Conservator, Glasgow Museums Alison N. Hulme is Senior Lecturer in Organic Chemistry, School of Chemistry, University of Edinburgh Lore Troalen is Analytical Scientist, National Museums Scotland


The Beverley Collection of Gems

The Beverley Collection of Gems at Alnwick Castle

Diana Scarisbrick, Claudia Wagner and John Boardman The Philip Wilson Gems and Jewellery Series, 2 Published in association with The Beazley Archive, Classical Art Research Centre, University of Oxford

The Beverley gems are one of the major British gem collections of the eighteenth and nineteenth centuries. They comprise some three hundred Greek, Roman, Mediaeval, Renaissance and Neo-classical pieces, many of them acquired from major European collections. This significant compendium contains a series of cameos which belonged to Cardinal Grimani (1461–1523), who showed them to several artists including Michelangelo Buonarotti. Michelangelo copied one of these for the pose of his famous painting of Adam on the ceiling of the Sistine Chapel. Several of the pieces are signed by famous ancient and neo-classical artists. The early history of the collecting undertaken by, respectively, Lady Alexandra Percy, the First Duke of Northumberland and the First Earl of Beverley (Lord Algernon Percy, 1749–1840), as well as the latter’s journeys in Europe, are discussed in detail. Each item is illustrated, enlarged – in original and impression or cast – and includes many nineteenth-century electrotypes: a novel technique no longer practised for such works. Altogether, the collection presents a full conspectus of the arts of ‘classical’ gem engraving from antiquity to Neo-classicism in prime specimens.

ALSO AVAILABLE

The Guy Ladrière Collection of Gems and Rings The Philip Wilson Gems and Jewellery Series, 1 Diana Scarisbrick, Claudia Wagner and John Boardman 480 colour illustrations 248 × 197 mm · 320 pp · Hardback 978-1-78130-039-8 · £40.00 / $65.00

532 colour illustrations 248 × 197 mm · 352 pp · Hardback ISBN: 978-1-78130-044-2 November 2016 · £40.00 / $65.00

Diana Scarisbrick, a noted authority on engraved gems and jewellery of all periods, is a Research Associate of the Beazley Archive in the University of Oxford. Her many publications include Finger Rings: Ancient and Modern (2006) and Rings: Miniature Monuments to Love, Power and Devotion (2014). Claudia Wagner is a Senior Researcher at the Beazley Archive, where she directs the gems databases and research programme, and Senior Research Lecturer at Lady Margaret Hall, Oxford. She is co-author (with John Boardman) of The Marlborough Gems (2009). Sir John Boardman, FBA, is Emeritus Lincoln Professor of Classical Archaeology and Art in the University of Oxford. His many books include Greek Gems and Finger Rings (2001), The Greeks Overseas (1999), Greek Art (2012), The History of Greek Vases (2006), and The World of Ancient Art (2006).

Philip Wilson Publishers 2017

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Winifred Nicholson

Winifred Nicholson

Liberation of Colour Jovan Nicholson

This new publication explores the whole career of Winifred Nicholson with a special emphasis on her theories of colour. Using specific paintings to examine her ideas and writings about colour the book includes her late ‘prismatic’ pictures which have never been properly explained. Throughout her life Winifred Nicholson was interested in prisms and rainbows, but when she was given some prisms by a physicist friend in the mid 1970s her painting took on a new direction. Looking through a prism she saw objects with a rim of prismatic colour, and explored and developed these ideas, often painting pictures that verged on the abstract. Nicholson’s ‘prismatic’ pictures were a culmination of her life’s search to find ‘form’s secret and rhythmic law’. She painted them in Greece in 1979, at her home in Cumbria, and during her last painting trip to the Island of Eigg in the Hebrides in 1980, where she had an inspired period of painting and made some of her best loved pictures. Published on the occasion of the exhibition ‘Liberation of Colour’ at mima, Middlesbrough Institute of Modern art, the book illustrates many previously unseen paintings from private collections, as well as some of Nicholson’s best known works, and draws on new research, including previously unseen archival material.

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110 colour illustrations 280 × 235 mm · 144 pp · Paperback ISBN: 978-1-78130-046-6 October 2016 · £17.99 / $29.50

Jovan Nicholson is an independent art historian with a particular interest in modern British art. He has worked on various projects with the Henry Moore Foundation, the Barbican Art Gallery, the Russian Museum, St Petersburg, the Tretyakov Gallery, Moscow and the British Council, organising exhibitions between Russia and Britain. He has been an adviser on a number of exhibitions, including ‘Art & Life’ for which he wrote the accompanying catalogue. Jovan has written extensively on Winifred Nicholson, and is an acknowledged expert on her work. He is a grandson of Ben and Winifred Nicholson.


Butcher, Baker, Candlestick maker

Butcher, Baker, Candlestick maker Surviving the Great Fire of London Hazel Forsyth

The Great Fire which raged from 2 to 5 September 1666 caused more damage to the City of London than the Blitz in the Second World War. Buildings were destroyed and a new City rose from the ashes. But what impact did the fire have on individual lives and businesses? How did Londoners survive the fire? What did they have in their homes and shops? What did they lose or stand to lose as the flames swept towards them? These questions lie at the heart of this book; the first study of the material culture of the fire and its impact on the crafts and trades of the City. It is an enthralling and surprising story of tragedy and despair, courage and resilience. It is also a story about ordinary, sometimes extraordinary, men and women who struggled to re-build their lives and the civic institutions which came to their aid. The evidence is entirely drawn from primary sources, much of it published here for the first time. Beautifully illustrated with all kinds of goods from exquisite fabrics to the humble pot, we are treated to a visual feast; an evocative reminder of life in one of the most dynamic periods of English history. Published in association with the Museum of London

155 colour illustrations 274 × 216 mm · 248 pp · Paperback ISBN: 978-1-78453-748-7 September 2016 · £20.00 / $29.50

Hazel Forsyth is the Senior Curator of the Medieval and Post-Medieval Collections at the Museum of London. She is a Fellow of the Society of Antiquaries; a Fellow of the Royal Society of Arts; a Freeman of the City of London; a Liveryman of the Worshipful Company of Goldsmiths and a Liveryman of the Worshipful Company of Pewterers. She has worked on numerous exhibitions in this country and abroad and has published widely on a range of subjects. Her most recent book is: London’s Lost Jewels: The Cheapside Hoard (2013).

Philip Wilson Publishers 2017

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Surrealism in Egypt

Surrealism in Egypt

Modernism and the Art and Liberty Group Sam Bardaouil

Art and Liberty, the Surrealist group based in Cairo that pioneered new forms of creative expression and broke with local tradition, was born with the publication of its manifesto Long Live Degenerate Art on 22 December 1938. Rejecting the convergence of art and nationalism, and the academic style endorsed by the Egyptian state and bourgeois moral conventions, its members aligned themselves with a complex, international and evolving Surrealist movement spanning cities such as Paris, London, Mexico City, New York, Beirut and Tokyo. The group created a distinct reworking of Surrealism, which provided a generation of disillusioned Egyptian and non-Egyptian artists and writers, men and women alike, with a platform for cultural reform and anti-Fascist protest. Surrealism in Egypt is the first comprehensive analysis of Art and Liberty’s artworks, literature and critical writings on Surrealism. By addressing the group’s long-lost and often misconstrued legacy, and drawing on a substantial body of previously unpublished primary documents, the author charts Art and Liberty’s significant contribution towards a new definition of Surrealism. Moving beyond the polarizing dichotomies of Saïdian Orientalism, this book rewrites the history of Surrealism itself – advocating for a new definition of the movement that reflects an inclusive vision of art history. .

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www.philip-wilson.co.uk

104 mono and colour illustrations 246 × 189 mm · 320 pp · Hardback ISBN: 978-1-78453-651-0 October 2016 · £25.00 / $38.00

Sam Bardaouil (Ph.D.) is an art historian and curator whose research focuses on the international expression of modernism. He has taught at universities such as the American University of Beirut and the Tisch School of the Arts, New York University, and published in academic journals such as Dada/Surrealism, Qantara, and the International Journal of Humanities. He is also a co-founder of Art Reoriented, a multidisciplinary curatorial platform based in Munich and New York. Among their many exhibitions, Art Reoriented curated the critically-acclaimed Lebanese Pavilion at the 55th Venice Biennale (2013) and Art and Liberty: Rupture, War and Surrealism in Egypt at the Centre Pompidou in Paris, the Reina Sofia in Madrid, the Kunstsammlung 21 in Düsseldorf and the Tate Liverpool (2016–18).


3D Warhol

3D Warhol

Andy Warhol and Sculpture Thomas Morgan Evans

Rain machines; alarmed kosher pickle jars filled with gemstones; replica corn flakes boxes; ‘disco décor’; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that are also films; museum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast, varied array of sculptural work made by Andy Warhol between 1954 and 1987 – a period that begins long before the first Pop paintings and ends in the year of his death. In 3D Warhol, Thomas Morgan Evans argues that Warhol’s engagement with sculpture, and traditional notions of sculpture, produced ‘trespasses’; his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social, sites of investiture (or territories). This groundbreaking, original book brings to the forefront a major, but overlooked aspect of Warhol’s oeuvre, providing an essential new perspective on the artist’s legacy.

26 mono, 30 colour illustrations 216 × 138 mm · 224 pp · Paperback ISBN: 978-1-78453-428-8 August 2016 · £16.99 / $24.95

Thomas Morgan Evans is a Henry Moore post-doctoral fellow. He has a PhD in art history from University College London and has taught there and at the Courtauld Institute of Art. He has written criticism for Art History and The Burlington Magazine, and has worked for the Tate, the ICA and for LUX.

‘3D Warhol is a fascinating exploration of a facet of Warhol’s work that is often ignored …. This book is indispensable for anyone interested in the work of Andy Warhol … highly recommended.’ Gary Comenas, founder of warholstars.org

‘3D Warhol fills a crucial gap in Warhol scholarship … with aplomb, delving confidently into a wide range of familiar and unfamiliar objects, illuminating ways in which they exploit and undermine traditional sculptural aesthetics.’ Anthony Grudin, Associate Professor of Art History, University of Vermont

Philip Wilson Publishers 2017

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Selected Backlist

Abstraction and Reality:

The Sculpture of Ivor Roberts-Jones

Ivor Roberts-Jones (1913–1996) was one of the finest sculptors working in Britain during the twentieth century. This book is the first in-depth study of this compelling artist who was responsible for the magisterial statue of Sir Winston Churchill, unveiled in November 1973, which stands in Parliament Square in London. It incorporates a wealth of new research and never before published imagery of the artist’s fascinating and wide-ranging output, including his numerous major public works such as a haunting figure of controversial painter Augustus John in Fordingbridge, Hampshire (1967), doomed World War I poet Rupert Brooke (Rugby, 1988) and memorials to two British military titans of the Second World War situated in Whitehall: Field Marshal Sir William ‘Bill’ Slim (unveiled in 1990) – architect of victory in the gruelling Burma campaign – and Field Marshal Sir Alan Brooke (unveiled in 1993), the master strategist who prevented many of Churchill’s more unrealistic schemes from being implemented.

Ivor Roberts-Jones Jonathan Black

The Sculpture of Ivor Roberts-Jones

Jonathan Black and Sara Ayres

The book provides the first detailed examination of Roberts-Jones’s standing as one of Britain’s greatest portrait sculptors to whom an array of impressive personalities sat ranging from musicians such as Yehudi Menuhin, actors (Hugh Griffiths), writers (Saunders Lewis), politicians (Speaker of the House of Commons, George Thomas) and opera singers (Sir Geraint Evans).

The book also provides the first detailed examination of Roberts-Jones’s standing as one of Britain’s greatest portrait sculptors for whom an array of impressive personalities sat ranging from musicians such as Yehudi Menuhin, actors (Hugh Griffiths), writers (Saunders Lewis), politicians (Speaker of the House of Commons, George Thomas) and opera singers (Sir Geraint Evans). Finally it explores his significant achievement as a sculptor of wild animals and his lifelong fascination with the depiction of the blind and visually impaired.

Jonathan Black and Sara Ayres

Alexej von Jawlenksy Catalogue Raisonné vol. 2: Oil Paintings 1914–33

Maria Jawlensky, Lucia Pieroni-Jawlensky and Angelica Jawlensky

Volume two of this spectacular catalogue features the extensive middle period from 1914 to 1933. 298 × 272 mm · 560 pp · Hardback 978-0-85667-406-8 · £205.00 / $360.00

Philip Wilson Publishers an imprint of I.B.Tauris & Co Ltd 6 Salem Road London W2 4BU www.philip-wilson.co.uk

250 colour and mono 275 × 235 mm · 320 pp · Hardback 978-1-78130-010-7 · £25.00 / $40.00

All in Good Time

Reflections of a Watchmaker George Daniels

This is the remarkable story of George Daniels, the master mechanic, who was born into poverty but raised himself out of it to become the greatest watchmaker of the twentieth century. This revised edition of the autobiography also contains a new section that illustrates and discusses over thirty of the pocket and wrist watches Daniels has made over the years. 60 colour plates, 20 mono · 225 × 155 mm 240 pp · Hardback · 978-0-85667-680-2 £25.00 / $45.00

www.philip-wilson.co.uk

Sacha Craddock with James Cahill and a foreword by Sir Nicholas Serota

Angus Fairhurst (1966–2008) was one of the key players in the contemporary British art scene of the last three decades. This monograph, planned together with the artist, includes sections on his bronze sculptures, collages, paintings, computer-generated paintings, and prints. 125 colour and 15 mono · 265 × 210 mm 128 pp · Hardback ·978-0-85667-659-8 £31.00 / $56.00

Architecture and Panelling

The Art of Ancient Greece

Bruno Pons

The definitive account of the architectural origins of Waddesdon Manor and its celebrated panelling carved in the eighteenth century for great houses in Paris and now reassembled at Waddesdon.

A major collection of Greek art housed in the Walters Art Museum in Baltimore is here presented in chronological order with an introductory essay on each period from which the art is drawn and individual discussions of each piece designed to bring out its distinct features.

22 colour, 650 mono, 20 diagrams 303 × 223 mm · 704 pp · Hardback 978-0-85667-437-2 · £163.00 / $310.00

128 colour, 34 mono 270 × 203 mm · 208 pp · Hardback 978-0-85667-643-7 · £31.00 / $49.00

The James A. de Rothschild Bequest at Waddesdon Manor

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Angus Fairhurst

Sabine Albersmeier (Editor)


Selected Backlist

The Art of India

Virginia Museum of Fine Arts Joseph M. Dye II

A comprehensive catalogue of the important collection of Indian art in the Virginia Museum of Fine Arts and a celebration of the diverse cultures that coexist in India. The objects are presented in four sections: sculpture, painting, decorative arts, and textiles. Available in the USA from Art Media Resources 320 colour, 160 mono 303 × 230 mm · 752 pp · Hardback 978-0-85667-539-3 · £58.00 / $75.00

An Artist’s Village

G.F. Watts and Mary Watts at Compton Edited by Mark Bills

The book tells the story of the impact of G.F.Watts, a major nineteenth-century artist, and his wife Mary Watts on Compton, a small village in Surrey which became their artists’ retreat and where they built the Watts Gallery, the Compton Pottery, and the extraordinary Cemetery Chapel. 70 colour, 80 mono 250 × 215 mm · 176 pp · Paperback 978-0-85667-696-3 · £22.50 / $37.00

Carl Laubin Paintings

John Russell Taylor and David Watkin

Known by some for the brilliance of his architectural paintings, and by others as a landscape painter or an artist with a profound interest in the human figure, Carl Laubin is an artist of diverse qualities. This book aims to show the scope of his work. 353 colour, 18 mono · 275 x 245 mm 240 pp · Hardback · 978-0-85667-633-8 £41.50 / $75.00

Contemporary British Crafts

The Goodison Gift to the Fitzwilliam Museum Amanda Game

This lavishly illustrated catalogue provides a record of Nicholas and Judith Goodison’s remarkable gift to the Fitzwilliam Museum. The collection includes over 100 pieces of contemporary ceramics, glass, furniture, woodwork and metalwork created by British designers and craftspeople today. 200 colour illustrations 260 × 200 mm · 256 pp ·Paperback 978-1-78130-047-3 · £17.99 / $30.00

Art of the Renaissance Bronze The Robert H. Smith Collection

Anthony Radcliffe and Nicholas Penny

In no other form are the ideals of the Renaissance better exemplified than in small bronze sculpture. This book examines one of the finest collections in the world, and provides a lucid account of the ways in which the sculptures were modelled, cast, assembled, tooled and coloured. 34 colour 274 × 214 mm · 320 pp · Hardback 978-0-85667-590-4 · £31.00 / $49.00

British Watercolours

In the Whitworth Art Gallery, University of Manchester, A Summary Catalogue Charles Nugent

The Whitworth Art Gallery holds one of the most prestigious collections of British watercolours and drawings. The first book to publish this outstanding group of works in its entirety, it provides a fascinating insight into the collection. All 2,500 works are included. 32 colour, 2000 mono 275 × 245 mm · 304 pp · Hardback 978-0-85667-547-8 · £89.50 / $160.00

Cast-Iron Furniture

And All Other Forms of Iron Furniture Georg Himmelheber

This book documents the story and diversity of furniture made of iron, from Roman examples to Art Nouveau, concentrating on the nineteenth century, at which time iron furniture was at the forefront of industrial production. Presents over 460 examples. 470 mono · 300 x 225 mm 240 pp · Hardback · 978-0-85667-462-4 £89.50 / $110.00

Court on Canvas Tennis in Art

Ann Sumner (ed.), with Kenneth McConkey, Robert Holland, Susan Elks

This book celebrates the origins of the game and explores the ways tennis has inspired artists from the mid-nineteenth century onwards. Featured paintings include The Tennis Party by John Lavery, as well as less well known works by artists including Eric Gill, Paul Nash and Stanley Spencer. 180 colour · 240 x 254 mm 168 pp · Paperback · 978-0-85667-706-9 £22.50 / $37.00

Philip Wilson Publishers 2017

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Selected Backlist

Croatia in the Early Middle Ages

Croatia from the Middle Ages to the Renaissance

Ivan Supicic (Editor)

Ivan Supicic (Editor)

The first in the series, this volume charts the period from the seventh to the twelth century. Richly illustrated with colour plates, maps, plans, and diagrams, it provides a vivid portrayal of the medieval world in central Europe and the Adriatic region before the Ottoman invasions.

This volume presents forty essays charting the period from the thirteenth to the beginning of the sixteenth century, and is written by the most eminent specialists on this period of Croatian history under the auspices of the Croatian Academy of Sciences and Arts.

219 colour, 85 mono 303 × 230 mm · 624 pp · Hardback 978-0-85667-499-0 · £73.00 / $100.00

500 colour and mono 303 × 230 mm · 800 pp  · Hardback 978-0-85667-624-6 · £100.00 / $115.00

David Harrison

Delacroix and his Forgotten World

A Cultural Survey

Alistair Robinson with a foreword by Lucinda Lambton

Over the course of the last twenty-five years David Harrison has created a body of work unique in contemporary British art, characterised by wit, a playful love of contradiction, and quiet erudition. The book includes an interview with the artist conducted by Peter Doig, and a study of his motifs and methods by Alistair Robinson. 80 colour 265 × 210 mm · 192 pp · Hardback 978-0-85667-671-0 · £31.00 / $53.00

A Cultural Survey

The Origins of Romantic Painting Margaret MacNamidhe

Eugene Delacroix was one of the finest yet least understood painters of the nineteenth century, the golden age of the French Romantic movement. This book combines study of art theory, theatre and philosophy to help illuminate Delacroix’s great project and to rethink his reputation as a Romantic. It is one of the first to look carefully at individual paintings. 63 colour 280 × 235 mm · 208 pp · Hardback 978-1-78076-937-0 · £29.50 / $49.00

Delftware in the Fitzwilliam Museum Michael Archer

This book is an essential addition to the library of all scholars, collectors, auction rooms and dealers in the field and invaluable to those members of the public with an interest in the history of English pottery generally and delftware in particular.

Cathy Ross and Oliver Bennett

‘indispensable not just for collectors but also for political and social historians’ The Art Newspaper 1,000 colour 280 × 230 mm · 464 pp · Hardback 978-1-78130-002-2 · £55.00 / $95.00 

295 colour 280 × 230 mm · 192 pp · Paperback 978-1-78130-040-4 · £25.00 / $40.00

Diego Rivera

Dora Gordine

Sylvia Navarrete, Dr Serge Fauchereau, and Dr Anna Indych-López

Jonathan Black

Focused on the crucial stage of Rivera’s career during the second decade of the 20th century, which he spent in Paris and travelling Europe with other avant-garde intellectuals and artists, this book examines the way in which the Cubist style he encountered came to inform his artistic expression. 103 colour 305 × 240 mm · 168 pp · Hardback 978-0-85667-664-2 · £31.00 / $50.00

www.philip-wilson.co.uk

John Hargrave and the Kibbo Kift Published in association with the Museum of London, this is the first detailed account of the remarkable British writer and artist John Hargrave (1894–1982) and his creation: the Kindred of the Kibbo Kift. Combining art, politics and design to visually stunning effect, Hargrave and his followers created a maverick but uniquely English form of modernism.

The Cubist Portraits 1913–1917

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Designing Utopia

Sculptor, Artist, Designer Dora Gordine has been widely admired as a creator of psychologically acute portrait heads, idiosyncratic public memorials, and sensuous figure sculptures. This book reveals the reality of the artist’s colourful life and provides a comprehensive assessment of her achievements as a talented and versatile sculptor and artist. 80 colour, 200 mono 275 × 235 mm · 272 pp · Hardback 978-0-85667-644-4 · £37.00 / $75.00


Selected Backlist

The Drawings of G. F. Watts Chloe Ward

George Frederick Watts (1817–1904) was one of the nineteenth century’s most celebrated British painters. Published in association with Watts Gallery this book is the first in depth study of the thousands of drawings produced during Watts’s career, either as studies for paintings or as independent works of art. 110 colour 280 × 240 mm · 128 pp · Paperback 978-1-78130-035-0 · £19.95 / $35.00

Edvard Munch P R I N T S

Senior Curator of the Munch Museum until 2010 and Curator of prints and drawings between 1973–2001. Woll has published countless essays and catalogues that deal with Munch’s prints. In 2001 she completed a catalogue raisonné of the prints, Edvard Munch. The Complete Graphic Works (Philip Wilson Publishers, London). The topic of her Masters thesis at the University of Oslo – Munch’s Workers Frieze – was later explored in several catalogue essays and exhibitions, the most comprehensive of which was Edvard Munch – Monumental Projects 1909–1930 (Lillehammer Art Museum 1993). From 2003 onwards she was responsible for the Catalogue Raisonné project at the Munch-museet, which in 2008/2009 resulted in the four volume tome Edvard Munch. Complete Paintings (Thames & Hudson, London). Since 2009 until the present day she has been working on this new edition of the complete catalogue of Munch’s prints, which is published in Norwegian by Orfeus Publishing (Oslo) and in English by Orfeus/Philip Wilson Publishers in London. Woll became Knight First Class of the Royal Norwegian Order of St. Olav in 2010.

PRINTS

Peter B;ack and Magne Bruteig

Peter Black and Magne Bruteig Philip Wilson Publishers 6 Salem Road London W2 4BU www.philip-wilson.co.uk

This selection of seventeenth century paintings by the Dutch Italianates celebrates the startling beauty of their vision of Italy, their virtuosity, observation, and humour, as well as telling the story of Dulwich Picture Gallery itself, and the remarkable men (and woman) who founded it. 72 colour 210 × 240 mm · 112 pp · Paperback 978-0-85667-657-4 · £18.99 / $30.00

Early Netherlandish Painting

Miklós Boskovits

Colin Eisler

This collection, which includes some of the most exceptional Italian paintings of the fourteenth and early fifteenth centuries, provides a fascinating overview of the period. It presents thirty-two works by major artists such as Duccio, Fra Angelico, Taddeo Gaddi, and Giovanni da Bologna, with artists’ biographies.

The world’s greatest private collection of early Netherlandish painting is the subject of this extensive monograph. It includes forty-three paintings by masters including Robert Campin, Petrus Christus, Jacques Daret, Jan van Eyck, and Hans Memling.

51 colour, 128 mono 293 × 241 mm · 226 pp · Hardback 978-0-85667-381-8 · £95.00 / $155.00

Gerd Woll b. 1939

Ian A.C. Dejardin

Early Italian Painting 1290–1470 The Thyssen-Bornemisza Collection

Edvard Munch

The Dutch Italianates

Edvard Munch Prints Peter Black and Magne Bruteig

Edvard Munch’s prints are among the finest and most powerful graphic images of the twentieth century. This richly illustrated book provides a general introduction to Munch as printmaker and reproduces masterpieces in all the major techniques employed by him. 58 colour, 14 mono 275 × 215 mm · 128 pp · Paperback 978-0-85667-677-2 · £18.95 / $32.00

The Thyssen-Bornemisza Collection

63 colour, 103 mono · 293 x 241 mm 280 pp · Hardback · 978-0-85667-353-5 £95.00 / $155.00

Edvard Munch

Munch’s striking and emotive graphic works have fascinated people all over the world for more than a century. He arranged a number of exhibitions of his prints in his lifetime, and was represented in many print rooms and important private collections in Europe before World War II. Since then his fame and influence on subsequent image-making have grown and grown. When he died in 1944 Munch bequeathed his own vast collection of some 17,000 print impressions, from a total output that amounted to between 20,000 and 25,000, to the City of Oslo. In 1963, the Munch Museum opened its doors to the public, and since then Munch’s prints have been shown in numerous exhibitions worldwide.

The Complete Graphic Works Revised Edition Gerd Woll

This catalogue raisonné gives complete details about technique, editions, states, versions, reprints, and where to find the many surviving lithographic stones, wood blocks and metal plates in the Munch Museum. There are photographs of all the 748 registered prints (many in colour), making it an indispensable tool for professionals, but also a splendid art book for anyone fascinated by Edvard Munch’s pioneering contribution to the art of printmaking. There are also some images which have never been published before, plus an extremely useful thumbnail gallery of all the works. Gerd Woll’s extensive research and the enormous attention to detail in the individual entries will ensure that this beautifully illustrated volume remains the standard work on the subject for many years to come.

The revised edition of this standard work remains the essential reference for print experts, collectors and Munch enthusiasts alike. The catalogue raisonné provides detailed information about the printing techniques, editions, states and versions and illustrates all of Munch’s 748 registered prints.

Cover image: Vampire II, 1895/1902 (cat. no. 41)

218 colour, 861 mono 320 × 265 mm · 512 pp · Hardback 978-0-85667-699-4 · £120.00 / $175.00

101936 GROMS Edvard Munch - Samlede grafiske verk Smussbind 120101.indd 1-7

29.06.12 10:31

English Ceramics

Eric Ravilious

Julie Mckeown

Alan Powers

Rode Hall, a fine Georgian country house in Cheshire, is home to an important collection of English porcelain and pottery amassed by successive generations of the Wilbraham family since the mid-eighteenth century. The book is the first comprehensive study of this historic collection.

Eric Ravilious (1903–42) was a painter, book illustrator, and designer of pottery and porcelain. From 1939 till his death he was an Official War Artist. This book presents a full retrospective of all aspects of his work. The book was awarded third prize in the The Art Newspaper & AXA Art Exhibition Catalogue Competition.

250 years of collecting at Rode

146 colour 270 × 215 mm · 144 pp · Hardback 978-0-85667-631-4 · £31.00 / $53.00

Imagined Realities

100 colour, 25 mono 275 × 235 mm · 144 pp · Paperback 978-1-78130-001-5 · £19.95 / $30.00

Philip Wilson Publishers 2017

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Selected Backlist

The European Avant-gardes

Dr. Jonathan Black was educated at the Universities of Cambridge and London. His PhD was awarded for his study of the First World War art of: Eric Kennington; C.R.W. Nevinson and Charles Sargeant Jagger c. 1915–1925. He has published widely about various aspects of early twentieth century Western European art history as well as on the careers of: Kennington; Nevinson; Jagger; Henri Gaudier-Brzeska; Dora Gordine and Hans Schleger. Publications include: Form, Feeling and Calculation: The Complete Paintings and Drawings of Edward Wadsworth (London, 2006); Dora Gordine: Sculptor, Artist, Designer (London, 2008) and essay exploring Kennington’s friendship with T.E. Lawrence in Lawrence of Arabia: Genesis of a Myth (Mainz, 2010). He is the curator of the exhibition The Face of Courage: Eric Kennington, Portraiture and the Second World War, Royal Air Force Museum, Hendon (April 2010–April 2011). He is currently Senior Research Fellow in History of Art at Kingston University and is researching a study of sculptor Ivor Roberts-Jones (1913–1996).

Art in France and Western Europe 1904–c.1945 The Thyssen-Bornemisza Collection Christopher Green

Philip Wilson Publishers Ltd. 109 Drysdale Street The Timber Yard London N1 6ND www.philip-wilson.co.uk

Distributed in North America by: Palgrave Macmillan, a division of St Martin’s Press 175 Fifth Avenue, New York NY 10010

Jonathan Black

Presents some of the most innovative art works of the first half of the twentieth century. Over forty artists are represented such as Georges Braque, Salvador Dalí, Juan Gris, Piet Mondrian, and Picasso. Includes a valuable overview of this complex period.

Distributed throughout the world (exlcuding North America) by: I.B. Tauris & Co. Ltd. 6 Salem Road, London W2 4BU

The Face of Courage Eric Kennington, Portraiture and The Second World War

About the Author

The Face of Courage

Eric Kennington (1888–1960) was one of the most talented British portraitists of the twentieth century. His penetrating charcoal and pastel portraits were greatly admired by many of his leading artistic contemporaries including Wyndham Lewis, Stanley Spencer, Paul Nash, Edward Wadsworth, Henry Moore, Augustus John, William Orpen and John Singer Sargent. His draughtsmanship was also held in high regard by famous contemporaries in many fields and he could count as friends such as: T.E. Lawrence; Robert Graves; Siegfried Sassoon; George Bernard Shaw; J.B. Priestley; Kenneth Clark; John Rothenstein; Basil Liddell Hart; Julian Huxley and H.E. Bates.

Eric Kennington, Portraiture and the Second World War Jonathan Black

The Face of Courage Eric Kennington, Portraiture and The Second World War

Jonathan Black

This is the first book to focus on some of the nearly 230 works he produced during the Second World War, firstly as an official war artist working for Kenneth Clark’s War Artist Advisory Committee at the Ministry of Information and then in a semi-official capacity for the Ministry of Labour, the War Office and London Transport. The majority of his drawings were portraits but also included are examples of his attractive landscapes as well as haunting symbolic works – inspired by powerful feelings evoked in wartime and the individuals in uniform he met as a war artist. The book draws upon a rich vein of unpublished archival material and documentation while including imagery that has not been reproduced in over half a century as well as works which have never hitherto appeared in colour. Different chapters discuss the fascinating portraits he produced; of sailors who had survived the Battles of the River Plate and of Narvik, of fighter pilots who flew day and night during the Battle of Britain and the Blitz, of tank crews, munitions workers, men of the Home Guard who had already experienced the hell of the trenches and of employees of London Transport who had displayed ‘grace under pressure’ during the worst of the bombing in 1940–41. The portraits are accompanied by an array of enthralling stories of supposedly ordinary men and women who displayed the most extraordinary physical, mental and moral courage when confronted by the test of Total War. Kennington’s frequently hazardous experiences as a war artist are explored along with his often fractious relations with his employers at the Ministry of Information who were uneasy with his determination to celebrate individual servicemen who had killed for their country rather than promote non-combatants and civilian sitters more compatible with an official narrative that emphasised the ‘People’s War’ and the value of collective endeavour.

Eric Kennington (1888–1960) was one of the most talented British portraitists of the twentieth century. This book, which has received excellent reviews, focuses on some of the nearly 230 works he produced during the Second World War. 70 colour, 55 mono 270 × 215 mm · 168 pp · Paperback 978-0-85667-705-2 · £19.99 / $ 37.00

97 colour, 200 mono 293 × 241 mm · 496 pp · Hardback 978-0-30200-651-1 · £115.50 / $190.00

Fans in Spain

Fernando Gallego and his Workshop

Nancy Armstrong

The Altarpiece from Ciudad Rodrigo

This richly illustrated book examines the long history of fans in Spain and their place within the country’s decorative arts. The work is presented in seven chapters that place the fan in its historical and social context.

Barbara C. Anderson, Amanda W. Dotseth, and Mark A. Roglan (Editors)

The twenty-six panels from the altarpiece of the cathedral of Ciudad Rodrigo, Castile is one of the most important art works produced in late fifteenth century Spain. This major new publication sheds light on its creation and its history.

100 colour 270 × 215 mm · 224 pp · Hardback 978-0-85667-594-2 · £49.50 / $80.00

103 colour, 67 mono 280 × 248 mm · 336 pp · Hardback 978-0-85667-651-2 · £52.00 / $85.00

The Fitzwilliam Museum

Ford Madox Brown

Lucilla Burn

Julian Treuherz

‘a beautifully produced history of the Fitzwilliam....just a cursory flick through the book will set your imagination alight.’ Cambridge Edition

Ford Madox Brown had already pioneered a style of painting which came to be known as Pre-Raphaelite before the Pre-Raphaelite Brotherhood was founded in 1848. This major monograph provides a general introduction to Brown’s art based on new research; all of his important paintings are included, each one is illustrated and described.

Pre-Raphaelite Pioneer

A History

‘Well illustrated, admirably thorough, but thoroughly readable’, History Today ‘Enjoyable... an excellent introduction to a world-class collection.’ World of Interiors

224 colour 274 × 216 mm · 336 pp · Hardback 978-0-85667-700-7 · £29.50 / $58.00

112 colour and mono 248 × 197 mm · 256 pp · Hardback 978-1-78130-034-3 · £25.00 / $45.00

United States of America and United Kingdom Andreas Lambrou

Peter Funnell is Curator of Nineteenth-Century Portraits and Head of Research Programmes at the National Portrait Gallery, London. Since joining the NPG in 1990 he has curated many exhibitions and led major projects ranging from the redevelopment of the Gallery’s first-floor displays to directing the research of 10,000 portrait illustrations for the Oxford Dictionary of National Biography of which he is a Consultant Editor.

Jane Sellars is Curator of Art at the Mercer Art Gallery, Harrogate. Formerly she was Education Officer at National Museums Liverpool and Director of the Brontë Parsonage Museum. She has written widely about women and art, including several books on the Brontës. Sellars was the main contributor and editor for Atkinson Grimshaw: Painter of Moonlight (2011), published by Harrogate Borough Council to accompany the award winning exhibition of the same name.

500 colour, 50 mono 253 × 184 mm · 256 pp · Hardback 978-0-85667-532-4 · £52.00 / $69.95

Front cover: Frank Holl, Self-Portrait, 1863, oil on canvas. © National Portrait Gallery, London Back cover: Frank Holl, Gone, c.1877, oil on canvas. © Geffrye Museum, London Cover design: www.ianrossdesigner.com

Philip Wilson Publishers an imprint of I.B.Tauris & Co Ltd 6 Salem Road London W2 4BU www.philip-wilson.co.uk

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www.philip-wilson.co.uk

Bills, Funnell and Sellars

A lavishly illustrated book that covers the most important vintage and modern pens from the UK and the USA. Each pen is reproduced to actual size, making this the ideal reference book for the collector and enthusiast.

Frank Holl

Frank Holl

Frank Holl Emerging from the Shadows

Fountain Pens

Mark Bills is Director of Gainsborough House, and was Curator of Watts Gallery between 2005– 2012. Prior to that he was Senior Curator of Paintings, Print and Drawings, Museum of London and Visual Arts Officer at the RussellCotes Art Gallery and Museum. He has written widely including An Artists’ Village: G.F. Watts and Mary Watts at Compton (PWP, 2011), G.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection (2008), The Art of Satire: London in Caricature (PWP, 2006) and William Powell Frith (co-editor and author, 2006).

Emerging from the Shadows

Emerging from the Shadows

Francis ‘Frank’ Montague Holl (1845–1888) was one of the great painters of the Victorian era, notable for his tragic social realism as well as his penetrating portraits. Although highly respected in his lifetime, his early death meant that he never fully received the acclaim that his work merited. This book represents the first retrospective of this significant artist. Exploring in parallel the subject paintings and the portraits, it considers the importance of Holl’s output and his continued relevance today. Leading scholars in the field look at different aspects of Holl’s painting, while full catalogue entries examine certain works in detail.

Edited by Mark Bills

Francis ‘Frank’ Montague Holl (1845–1888) was one of the great painters of the Victorian era, notable for his tragic social realism as well as his penetrating portraits. This book represents the first retrospective of this significant artist whose influence was felt in his lifetime and later through the work of Van Gogh who greatly admired Holl.

Holl was a prodigiously talented artist who entered the Royal Academy Schools at the age of fifteen, where he won a gold medal for religious painting in 1863. A year later two of his paintings were accepted for exhibition at the Royal Academy, where he showed work regularly until his death. He was commissioned by Queen Victoria to paint No Tidings from the Sea (1871; Royal Collection). Holl became part of an informal school of socialrealist painting that flourished during the 1870s; its aim was to draw attention to the everyday conditions of the working classes and the poor, and implicitly to criticize the social structures that maintained such conditions. His great subject pictures, often on bleak themes, were frequently criticized for their darkness but found great favour with the public, who empathized with his depictions. Funeral processions, child mortality and grief were very much part of life and his emotive images struck a chord with his audience.

Frank Holl

Emerging from the Shadows

In 1879, when Holl exhibited a portrait of the engraver Samuel Cousins at the Royal Academy it created a sensation. In the nine years of life that remained he painted over 150 portraits, some of the greatest of his age – achievements which can be seen on a par with those of Watts and Millais. His influence was felt in his lifetime and later through the work of Van Gogh who greatly admired Holl.

60 colour 270 × 215 mm · 168 pp · Hardback 978-1-78130-016-9 · £19.95 / $35.00 13/05/2013 11:59


Franz Marc

The Complete Works Volume 1: The Oil Paintings Annegret Hoberg and Isabelle Jansen

Franz Marc (1880–1916) was one of the most important members of the Blue Rider group of painters, which marked the high point of German Expressionism. This volume, the first of a three-part catalogue raisonné of the artist’s work, is devoted to the oil paintings. 170 colour, 93 mono 292 × 265 mm · 340 pp · Hardback 978-0-85667-583-6 · £205.00 / $375.00

Franz Marc

Franz Marc The Complete Works

Franz Marc

Franz Marc

The Complete Works Volume III: Sketchbooks and Prints

The Complete Works Volume III Sketchbooks and Prints

Sketchbooks and Prints

The definitive work on this major German Expressionist painter

Annegret Hoberg and Isabelle Jansen

Volume III Sketchbooks and Prints

Franz Marc (1880–1916) was one of the most important members of the Blue Rider group, together with other outstanding artists such as Vassily Kandinsky, Gabriele Münter, August Macke, Paul Klee and Alfred Kubin. The group marked the high point in German Expressionism and had a profound influence on international art during the brief period from its formation to the beginning of the First World War.

The third and final volume of the catalogue raisonné contains thirty-two sketchbooks and hundreds of drawings. Over one thousand sketchbook pages are catalogued and reproduced for the first time, with details of provenance and present location.

The Complete Works

This third and final volume of the full-colour catalogue raisonné of Franz Marc covers all the artist’s sketchbooks and prints. The thirty-three sketchbooks have been reconstructed and the leaves presented in their original sequence, including more than 750 new entries taken from the individual folios. The new catalogue on Marc’s prints provides an exhaustive documentation of the various editions of the well-known woodcuts in particular. As in the first two volumes, the chronology of works has been fundamentally revised and brought up to date in line with the most recent research. Together with those two other volumes, the paintings (vol. I), and the watercolours, gouaches, drawings and postcards (vol. II), this book now makes Franz Marc’s complete œuvre accessible to the general public in a form that has never been available before. In doing so it represents the standard work for lovers of art, scholars and collectors alike, giving many fresh insights into this remarkable figure.

Annegret Hoberg and Isabelle Jansen

Front cover: Getötetes Reh (Slaughtered deer), 1913, Sketchbook XXVIII Back cover: Zwei Pferd (Two Horses), 1912, Prints Cat. No. 54

Annegret Hoberg and Isabelle Jansen

1,242 colour 292 × 265 mm · 432 pp · Hardback 978-0-85667-598-0 · £310.00 / $495.00

Gainsborough’s Landscapes

Rural Themes and Variations Susan Sloman

Brings together some of Gainsborough’s finest landscape oils and works on paper and examines them by looking at ‘themes and variations’ within his landscape oeuvre. The oil paintings chosen represent six principal landscape types which are explored through drawings and prints that show how the artist developed the finished works. 60 colour 210 × 240 mm · 120 pp · Paperback 978-0-85667-697-0 · £15.99 / $24.00

Garth Evans Sculpture

Garth Evans is a sculptor as capable of evoking

Garth Evans Sculpture Beneath the Skin

intimacy and simplicity as he is of dealing with

Beneath the Skin

the monumental and the timeless. This complete

survey of his unique career is long overdue, and

reveals a wealth of innovative and powerful work,

Ann Compton (Ed.)

much of it previously unseen in print. As narratives

Garth Evans Sculpture

of British sculpture are reconsidered, Evans is

Beneath the Skin

and Philip King with that of Tony Cragg, Richard

emerging as one of the most creative and influential

Franz Marc

The Complete Works Volume II: Works on Paper, Postcards, Decorative Arts and Sculpture Annegret Hoberg and Isabelle Jansen

Volume two is devoted to the watercolours, works on paper, sculpture, and decorative arts. All the pieces have been newly researched and documented by the Städtische Galerie at the Lenbachhaus in Munich. All the works are illustrated, many of them in colour. 270 colour, 93 mono 292 × 265 mm · 440 pp · Hardback 978-0-85667-591-1 · £205.00 / $420.00

Fred A. Farrell

Glasgow’s War Artist Joanna Meacock, Fiona Hayes, Alan Greenlees, Mark Roberts

In late 1917, Farrell went to the Front as a war artist. Published in association with Glasgow Museums, this book showcases the extraordinary commission Farrell received from the Corporation of Glasgow to produce 50 drawings of the Front Line and munitions factories to record the war for posterity. 55 colour 220 × 215 mm · 80pp · Paperback 978-1-78130-027-5 · £14.99 / $25.00

Gauguin

The Origins of Symbolism Richard Shiff, Richard Brettel, Guy Cogeval, Mary Anne Stevens, and Lola Jiménez Blanco

Impressionist and symbolist painter Paul Gauguin became one of the major influences on the non-naturalist trends of the twentieth century. The book examines the artist’s primitive quest, as exemplified in his pastoral themes. 240 colour, 30 mono 280 × 240 mm · 336 pp · Hardback 978-0-85667-595-9 · £41.50 / $85.00

George Lance

Victorian Master of Still Life John Radcliffe and Mark Lance

artists to bridge the generation of Antony Caro Deacon, Antony Gormley, Alison Wilding and

Garth Evans is a sculptor as capable of evoking intimacy and simplicity as he is of dealing with the monumental and the timeless. This investigation into Evans’s hugely varied, visually eventful and challenging practice explores connections across geographies and timeframes as well as contextualizing major changes and new departures in his work.

Bill Woodrow. This investigation into Evans’s hugely varied, visually eventful and challenging

practice explores connections across geographies and timeframes as well as contextualizing major changes and new departures in his work.

Garth Evans was born in Manchester in 1934 and settled in the USA at the midpoint of his career. He has exhibited widely in Europe and America since the early 1960s, and his work is represented

in major public and private collections in Australia,

‘Generously illustrated...their extensive research is fascinating...and will doubtless do much to resurrect Lance’s reputation.’ Country Life

Brazil, Portugal, the USA and the UK (including the Arts Council Collection, Leeds City Art

Galleries,The British Museum, the V&A and Tate).

Edited by Ann Compton

-6

Selected Backlist

Evans has been the recipient of numerous awards

as well as holding a number of distinguished teaching positions. Since 1988, he has taught at the Studio School in New York City where he is Head of Sculpture.

Front cover: Untitled No. 1, 1974. Photograph by Anna Arca, courtesy Arts Council Collection Back cover: Little Dancer No. 84, 2003–8 Inside covers: Four Bodies, installed at Lori Bookstein Gallery, New York, 2006. Photograph by Jerry L. Thompson

270 colour 275 × 235 mm · 224 pp · Hardback 978-1-78130-004-6 · £25.00 / $40.00 28/05/2013 17:16

‘a welcome addition to studies on nineteenth-century British art...beautifully illustrated...this is an enjoyable and handsome book that successfully reintroduces George Lance into the story of British art and taste.’ Times Literary Supplement 130 colour 248 × 197 mm · 192 pp · Hardback 978-1-78130-031-2 · £25.00 / $45.00

Philip Wilson Publishers 2017

31


Selected Backlist

George Stubbs

Gilbert and George

The Complete Engraved Works

Robin Dutt

Christopher Lennox-Boyd, Rob Dixon, and Tim Clayton

This monograph presents a critical appraisal of some of the most innovative and controversial contemporary artists in the world. Contains an art historical appreciation of their work and a substantial interview.

The first substantial review of the work of a major eighteenth century British painter. The book concentrates on the important but neglected medium of reproductive prints, with 662 entries.

120 colour, 40 mono 280 × 230 mm · 144 pp · Hardback 978-0-85667-570-6 · ��31.00 / $58.00

12 colour, 466 mono 322 × 236 mm · 432 pp · Hardback 978-0-85667-375-7 · £163.00 / $250.00

David OldreyMWEJSVQIV(ITYX]7IRMSV7XI[EVHSJXLI .SGOI]'PYFERHELMWXSVMERSJLSVWIVEGMRKERHMXWEVX ,IMWXLIEYXLSVSJThe Jockey Club RoomsA Catalogue and History of the Collection and The Halifax Collection of Sporting Art. 0MOI(EZMHTimothy CoxMWE8VYWXIISJXLI2EXMSREP ,SVWIVEGMRK1YWIYQ,IS[RWERHSTIVEXIW8LI'S\ 0MFVEV]EJVIISRPMRIFMFPMSKVETL]SJ[SVOWSRXLI thoroughbred horse.

%PPXLVIIEYXLSVWLEZIS[RIHVEGILSVWIWJSVQER]]IEVW ERH(EZMHLEHLMWLYRHVIHXL[MRRIVVIGIRXP]

Front: Flying ChildersF].EQIW7I]QSYVG Back: FrankelF]+EPMPISSYXSJ/MRHF] 'LEVPIW'LYVGL 8LIWIX[SKVIEXGLEQTMSRW[IVIXLI½VWXERHQSWX VIGIRXSRIWXVEMRIHSRXLI,IEXL&]GLERGIXLI]WLEVIH [LMXIWSGOWEPPVSYRHEW[IPPEWFIMRKWXVSRKFE]W[MXL black points.

Collection of Gems and Rings Diana Scarisbrick, Claudia Wagner and John Boardman

A record of one of the world’s finest assemblages of rings and gemstones. The Guy Ladriere Collection in Paris comprises some 300 items from the Bronze Age to the nineteenth century. 480 colour 248 × 197 mm · 320 pp · Hardback 978-1-78130-039-8 · £40.00 / $65.00

Jacket_Options_3.indd 1

Theodore Robinson at Giverny Sona Johnson

T H E PA I N T I N G S

Andrew Lambirth

The book explores the paintings that Robinson produced whilst he was at Giverny, France, in the late 1880s and early 1890s. It also shows how Robinson, who came into contact with Monet during his visits to Giverney, absorbed and translated the French master’s working method, style, and subject matter.

JOHN ARMSTRONG

A H I S TO RY O F R AC I N G A N D A RT O N N E W M A R K E T H E ATH

The Heath and the Horse

Newmarket has a unique historic position as the acknowledged home of horseracing. Yet until now no FSSOLEWTVSZMHIHEHI½RMXMZILMWXSV]SJXLI,IEXL MXWIPJPMROIHXSXLIOI]½KYVIW[LSGSRXVMFYXIHXSMXW transformation from untamed heath land to the world’s ½RIWXVEGMRKKVSYRHERHXLISVMKMRWERHHIZIPSTQIRXSJ XLI.SGOI]'PYF8LMWGSQTVILIRWMZIERHEYXLSVMXEXMZI FSSOXVEGIWXLMWLMWXSV]JVSQMXWIEVP]FIKMRRMRKWXS XLITVIWIRXHE]ERHWLS[WLS[ERH[L]XLIWTSVXSJ LSVWIVEGMRKHIZIPSTIHSRXLI,IEXLERHWTVIEHKPSFEPP] from that base. All of the turf’s greatest racehorses and XLIPEVKIVXLERPMJIGLEVEGXIVWMRXIKVEPXSXLI,IEXL´W LMWXSV]EVIMRGPYHIH

A History of Racing and Art on Newmarket Heath

8LI½VWXTEVXTVSZMHIWEFVSEHGLVSRSPSKMGEPLMWXSV]SJ XLI,IEXL¯JVSQMXWHMWGSZIV]F].EQIW-MRXSXLI TVIWIRXHE]¯ERHI\EQMRIWMXWVIPEXMSRWLMT[MXLERH MR¾YIRGISRVEGMRKREXMSREPP]8LIMQTSVXERGISJXLI 6S]EP'SYVXMRXLIHIZIPSTQIRXSJXLI,IEXLXLIZEVMSYW W[MRKWSJJSVXYRIMXI\TIVMIRGIHSRGIXLIQSREVGL] PSWXMRXIVIWXERHXLIJSVQEXMSRSJXLI.SGOI]'PYFXS GSRXVSPFSXLXLI,IEXLERHXLIWTSVXEVIXVEGIH%PWS HMWGYWWIHEVI2I[QEVOIX´WMR¾YIRGIMRXLIFVIIHMRKSJ a superior thoroughbred horse from native and eastern WXSGOXSFIXIWXIHSRMXWYRMUYILIEXLPERHXLIQIXLSHW SJXVEMRMRKHS[RXLIGIRXYVMIWERHXLIQER]XVEMRIVW ERHNSGOI]WMRZSPZIH

David Oldrey, Timothy Cox and Richard Nash

‘There is no better place to see the history of the turf...almost every illustration is accompanied with fascinating historical information and impressive scholarly detail.’ Country Life

8LIWIGSRHTEVXGSRGIRXVEXIWSRXLI,IEXLERHXLI .SGOI]'PYF8LIXSTSKVETL]ERHFYMPHMRKWEVIMPPYWXVEXIH [MXLQETWTEMRXMRKWERHTVMRXW8LIHIZIPSTQIRXSJ XLIVEGIGSYVWIWERHVEGIWEVIXVEGIHMRHIXEMP8LIVIMW EJYPPEGGSYRXSJXLI.SGOI]'PYFMXWS[RIVWLMTSJXLI ,IEXLERHMQTSVXERXRI[VIWIEVGLMRXSXLITVIW I\MWXIRGISJXLIGPYF

&IJSVIXLIHE]WSJTLSXSKVETL]TEMRXMRKWERHTVMRXW TVSZMHIHXLISRP]ZMWYEPIZMHIRGISJLS[VEGMRK[EW GSRHYGXIHERH[LEX2I[QEVOIXPSSOIHPMOI1ER]SJXLI pictures reproduced here show a general racing scene SVXLITSVXVEMXSJERYRREQIHLSVWI-REWTIGMEPJIEXYVI XLIEYXLSVWLEZIEREP]WIHXIRTMGXYVIWMRJSVIRWMGHIXEMP to provide a richer understanding of the historic record.

196 colour 280 × 235 mm · 352 pp · Hardback 978-1-78130-023-7 · £35.00 / $55.00 13/08/2015 07:06

In Monet’s Light

www.philip-wilson.co.uk

THE HEATH & THE HORSE

DAV I D O LD R E Y, TI M OTH Y COX & R I C H A R D N A S H

(IWMKRIHF]4MTTE/EXI&VMHPI

32

OLDREY, COX & NASH

THE HEATH & THE HORSE

Richard Nash MW E 4VSJIWWSV SJ )RKPMWL EX -RHMERE 9RMZIVWMX],IMWXLIEYXLSVSJETVM^I[MRRMRKFSSO Wild Enlightenment: The Borders of Human Identity in the Eighteenth Century 9RMZIVWMX]4VIWWSJ:MVKMRME  ERHQER]IWWE]WSRIMKLXIIRXLGIRXYV]&VMXMWLPMXIVEXYVI ERHGYPXYVI,IMWGYVVIRXP]EX[SVOSREFSSOSRXLI origins of thoroughbred horse racing.

The Guy Ladrière

In the Realm of Gods and Kings Arts of India

Edited By Andrew Topsfield

New in paperback, this volume celebrates the wealth and diversity of the arts of India created for the life of courts and temples from 1000 BC to the twentieth century. Paintings, objects, and photographs reflect the variety and continuity of India’s aesthetic traditions.

145 colour 292 × 229 mm · 224 pp · Hardback 978-0-85667-566-9 · £37.00 / $70.00

250 colour 280 × 240 mm · 440 pp · Paperback 978-1-78130-014-5 · £25.00 / $40.00

John Armstrong

John Piper

Andrew Lambirth

David Fraser Jenkins

A superb classical painter and draughtsman, Armstrong (1893–1973) also undertook much work in film, theatre, and ballet, as well as being a successful designer of murals and ceramics. The first major study of his work, the book draws on new and unpublished research to illuminate Armstrong’s highly original vision.

This text re-examines the work John Piper was officially commissioned to make during the Second World War and puts it in context with work from pre-war and post-war years. Examples of Piper’s oeuvre included are his theatre designs, architectural paintings, the Recording Britain project neo-Romanticism and Welsh landscape paintings.

238 colour, 114 mono 275 × 235 mm · 240 pp · Hardback 978-0-85667-668-0 · £41.50 / $75.00

100 colour, 20 mono 282 × 240 mm · 144 pp · Paperback 978-0-85667-534-8 · £19.95 / $30.00

The Paintings

The Forties


Selected Backlist

John Rogers

American Stories Edited by Kimberly Orcutt

John Rogers (1829–1904) is arguably America’s most popular narrative sculptor, his subjects being drawn from all aspects of the American experience. This major catalogue accompanies a travelling exhibition organized by the New-York Historical Society, which holds the nation’s premiere collection of Rogers’s work. 100 colour, 100 mono 290 × 235 mm · 244 pp · Hardback 978-0-85667-689-5 · £31.50 / $53.00

Joseph Wright of Derby JO S E P H W R I GH T O F DE R BY BATH AND B EYOND

JOSEPH WRIGHT OF DERBY BATH AND BEYOND

Amina Wright

Bath and Beyond Amina Wright

Amina Wrig ht

Joseph Wright (1734–1797) arrived in Bath from his native Derby in November 1775. Recently returned from a tour of Italy, he came to the fashionable spa town to re-establish his business as a portrait painter, hoping to fill the vacancy left by Thomas Gainsborough the previous year. This beautifully illustrated book sheds new light on a key moment in this important English artist’s career. 62 colour 275 × 215 mm · 112 pp Paperback 978-1-78130-021-3 · £15.99 / $29.50

John Salt

The Complete Works 1969–2006 Linda Chase

John Salt’s exquisite and intriguing evocations of abandoned cars and dilapidated trailers, often depicted in a rural setting, expand our definition of landscape and place him among the foremost realist painters of his generation. 130 colour 275 × 245 mm · 192 pp · Hardback 978-0-85667-634-5 · £37.00 / $70.00

Journey through Asia

Masterpieces in the Brooklyn Museum of Art Amy G. Poster And Frances Z. Yuan

This is the first book to survey the full range of Asian art in theBrooklyn Museum of Art, which houses one of America’s foremost collections. Each of the works is featured in full-page colour. Available in the USA from Art Media Resources 100 colour, 30 mono, 9 maps 305 × 229 mm · 256 pp · Hardback 978-0-85667-564-5 · £41.50

Kandinsky Drawings

Kandinsky Drawings

Vivian Endicott Barnett

Vivian Endicott Barnett

The first volume of the catalogue raisonné comprises 1,236 works from all periods of Vasily Kandinsky’s career. There is complete provenance, exhibition history, and bibliography for each catalogue entry, as well as numerous commentaries discussing date, iconography, and related works.

Volume two is devoted to Kandinsky’s thirty-eight sketchbooks that have remained intact. Intended as a companion to volume one, it illustrates and documents all the sketchbook pages with drawings. Vivian Barnett contributes a text on Kandinsky’s sketchbooks, an aspect of his work that has not been studied previously.

Catalogue Raisonné Volume One: Individual drawings

1,370 mono, 75 colour 292 × 265 mm · 600 pp · Hardback 978-0-85667-622-2 · £205.00 / $430.00

Joseph de Levis & Company

Renaissance Bronze-founders in Verona Charles Avery

This is a compelling story about an Italian family of sixteenth century Jewish bronze artists whose works are now dispersed in Old Masters collections and among museums in Europe, the USA and Israel. Includes a comprehensive catalogue.

Catalogue Raisonné Volume Two: Sketchbooks

1,000 mono, 75 colour 292 × 265 mm · 376 pp · Hardback 978-0-85667-636-9 · £142.00 / $275.00

Kitaj

Andrew Lambirth

Contains a wideranging interview with the artist, a selection of sixty of Kitaj’s finest paintings, drawings, and prints, and previously unpublished documentary images from his personal archive. 74 colour 280 × 230 mm · 144 pp · Hardback 978-0-85667-571-3 · £29.50 / $58.00

204 mono, 45 colour 274 × 212 mm · 224 pp · Hardback 978-1-78130-048-0 · £40.00 / $65.00

Philip Wilson Publishers 2017

33


Selected Backlist

London’s Lost Jewels The Cheapside Hoard Hazel Forsyth

The Cheapside Hoard, a great trove of gemstones and jewels unearthed on a building site in the City of London in 1912, remains the single most important source of our knowledge of the Elizabethan and early Stuart jewellers’ trade. A wealth of fascinating stories and lavish illustrations bring these exquisite treasures to life.

Muhammad Juki’s Shahnamah of Firdausi

32 colour, 20 mono 260 × 220 mm · 80 pp · Hardback 978-0-85667-620-8 · £27.00 / $44.00

This study focuses on a particular manuscript of Firdausi’s epic poem the Shahnamah made in the late 1440s for the Timurid Muhammad Juki, regarded by some as the finest surviving Persian illustrated manuscript. It includes a detailed analysis of the illustrations and a commentary on the manuscript notes. 80 colour 335 × 225 mm · 224 pp · Hardback 978-0-85667-672-7 · £41.50 / $75.00

Newlyn Flowers

Xavier Bray

Averil King

Dr Xavier Bray here couples sumptuous illustrations of the artworks with examinations of attribution and technique, at the same time providing reproductions of other Murillo paintings to put the master’s enduring art into an historical and social context.

Dod Procter, RA (1892–1972) was the creator of a series of wonderfully evocative flower paintings, developing a technique that was highly expressive. Her flower paintings are compared with those of her contemporaries, including Bloomsbury artist Vanessa Bell and Dora Carrington.

40 colour 240 × 210 mm · 64 pp · Paperback 978-1-78130-008-4 · £11.99 / $18.99 14

Nineteenth-century American Painting The Thyssen-Bornemisza Collection Barbara Novak

All the nineteenth-century works are described and lavishly illustrated in colour and together provide an impressive overview of this period of American art. Includes 111 works by fifty-five artists such as Thomas Cole and Winslow Homer. 115 colour, 49 mono 293 × 241 mm · 330 pages · Hardback 978-0-85667-316-0 · £95.00 / $155.00

www.philip-wilson.co.uk

Dr Barbara Brend And A..H. Morton

Murillo

at Dulwich Picture Gallery

34

The book reproduces all the important surviving designs for the exterior and interior of the Royal Pavilion, first built in 1787 for the Prince of Wales as a neoclassical marine villa. The 300 illustrations capture all the magnificence and exotic luxury of this extraordinary building.

Morandi’s Legacy

An exploration of the influence of Morandi’s work on generations of British artists, this fascinating book juxtaposes paintings and drawings by Morandi with signature works by artists such as David Hockney, Tony Cragg, Patrick Caulfield, Euan Uglow, and Ben Nicholson.

at Dulwich Picture Gallery

John Morley

109 colour, 200 mono 330 × 240 mm · 280 pp · Paperback 978-0-85667-557-7 · £31.50 / $59.00

Paul Coldwell

Murillo

Designs and Drawings

280 colour 248 × 197 mm · 256pp Paperback 978-1-78130-020-6 £19.95 / $35.00

Influences on British Art

The Flower Girl

The Making of the Royal Pavilion, Brighton

The Floral Art of Dod Procter

47 colour 228 × 210 mm · 112 pages · Paperback 978-0-85667-604-8 · £24.50 / $36.00

Nothing Wasted

The Paintings of Richard Harrison Brian Sewell

This affectionate but dispassionate and critical book is the most comprehensive record of Harrison’s intellectual and aesthetic development to date. Generously illustrated with numerous reproductions of his work, the book represents the most comprehensive collection of his work in any one place. 200 colour 275 × 235 mm · 240 pp · Hardback 978-0-85667-683-3 · £37.00 / $53.00


Selected Backlist

watkin jacket

13/8/08

9:27 am

Page 1

Distributed in North America by Palgrave Macmillan A division of St. Martin’s Press 175 Fifth Avenue, New York, NY 10010 Cover image: Charles Robert Cockerell, ‘The Professor’s Dream’, 1848, Courtesy of the Royal Academy of Arts, London.

John Train

Oriental Rugs contain few designs that are just designs and this survey aims to elucidate the meaning of the symbols incorporated into them. The book is divided into two parts on Middle Eastern and Turkoman symbols, and Chinese symbols. I S B N 978-0-85667-661-1

Available in the USA from Art Media Resources 9

780856 676611

37 colour, 300 line drawings 254 × 185 mm · 128 pp · Hardback 978-0-85667-464-8 · £31.00

The Picker House and Collection A Late 1960s Home for Art and Design

ISBN 978-1-78130-005-3

The Picker House and Collection A Late 1960s Home for Art and Design

The Picker House and Collection

The Picker House and Collection A Late 1960s Home for Art and Design

A Late 1960s Home for Art and Design

The Picker House is a remarkable late 1960s modernist home specifically designed to accommodate a superb collection of modern and contemporary painting and sculpture. Situated on the outskirts of London, in Kingston upon Thames, it is a rare surviving example of a spacious and progressive late modern house and garden that remains largely unaltered. Designed by the British modernist architect Kenneth Wood in 1965, it still retains its period interior décor, contemporary furnishings acquired through Terence Conran’s two design firms, Conran Design Group and Conran Contracts, and the distinctive art collection of its owner – including works by Chagall, Frink, Hepworth, Lowry, Rodin and many more – which was an integral part of its conception. Based on previously unpublished material and photographs, this heavily illustrated publication brings together leading researchers in their respective fields who chart the history of the house and its collections.

Jonathan Black, David Falkner, Fiona Fisher, Fran Lloyd, Rebecca Preston, Penny Sparke

Picker House, situated on the outskirts of London, is a remarkable late 1960s modernist home specifically designed to accommodate a significant international collection of modern and contemporary painting and sculpture.

Picker was a New York-born cosmetic manufacturer who settled in London in 1936. He made his wealth in the 1960s through Gala Cosmetics, launching the new make-up brands Miners, Outdoor Girl and Mary Quant. This book offers a complete investigation into the architecture and design of the Picker House, its interior furnishings and décor, its Japaneseinspired landscaped garden and Picker’s significant modern and contemporary art collection of paintings, drawings and prints and sculpture. It concludes with a glimpse of the ongoing life of the collection and of Picker’s Fellowship legacy through the recent work of artist Elizabeth Price and designer Ab Rogers, amongst others.

Front Cover: The Picker House living area, 2012 © Ezzidin Alwan 9 781781 300053

200 colour, 75 mono 275 × 235 mm · 232 pp ·Hardback 978-1-78130-005-3 · £35.00 / $60.00

Back Cover: The Picker House at night, 2009 © Mike Upstone

DAV I D WAT K I N

Distributed throughout the world (excluding North America) by I.B. Tauris & Co. Ltd 6 Salem Road London w2 4bu

SALMON

Their Origins and Meanings from the Middle East to China

E S S AY S O N A RC H I T E C T U R E P R E S E N T E D T O

Philip Wilson Publishers Ltd 109 Drysdale Street The Timber Yard London n1 6nd www.philip-wilson.co.uk

Oriental Rug Symbols

T H E P E R S I S T E N C E O F T H E C LA S S I CA L

f r a n k s a l m o n is a Lecturer in the History of Art at the University of Cambridge and a Fellow of St John’s College, Cambridge. He studied with David Watkin in the 1980s and works primarily on the classical tradition in European architecture of the eighteenth and nineteenth centuries and its archaeological sources. His book Building on Ruins: The Rediscovery of Rome and English Architecture (Ashgate, 2000) won the Whitfield Prize of the Royal Historical Society and the Kostof Prize of the American Society of Architectural Historians.

THE

PERSISTENCE OF THE

C LA S S I CA L E S S AY S O N A RC H I T E C T U R E PRESENTED TO

DAV I D WAT K I N EDITED BY FRANK SALMON

The Persistence of the Classical

THE PERSISTENCE O F T H E C LA S S I CA L E S S AY S O N A RC H I T E C T U R E PRESENTED TO

Essays on Architecture NPresented to David Watkin DAV I D WAT K I N

EDITED BY FRANK SALMON

o tradition in architecture has been more constant or more continually open to creative reinterpretation than the classicism that originated in the ancient Greek and Roman worlds. This beautifully designed book explores these ideas through essays on architecture, architectural thought and landscape design from the Renaissance to the present day by fifteen distinguished writers. They have been brought together to mark the retirement from the University of Cambridge of one of the world’s most renowned architectural historians and greatest authorities on classicism, Professor David Watkin. Amongst the figures about whom new research is presented are well-known architects Marie-Joseph Peyre, Thomas Hope, William Wilkins, C.R. Cockerell, Charles Barry and Albert Richardson, while less familiar twentieth-century architects introduced here include E.L. Warre, Donald McMorran and George Whitby. There are essays on the architectural writers John Summerson and Hope Bagenal, while others take themes, spanning from interpretations of Vitruvius, through Roman Catholic chapel building in London and the role played by the Museum of Modern Art in New York in stimulating Post-Modernism in the 1970s, to the persistence of Picturesque ideas in contemporary landscape design. In addition, there is a valuable bibliography of David Watkin’s own very extensive publications.

Frank Salmon (Ed.)

In this volume fifteen distinguished writers on architecture offer essays to mark the retirement of Professor David Watkin from the University of Cambridge. The book is divided into three sections all linked by the common theme of classicism in architecture.

authors: Barry Bergdoll, Anthony Geraghty, Manolo Guerci, John Harris, Richard John, Robin Middleton, Roderick O’Donnell, Alan Powers, John Martin Robinson, Frank Salmon, Charles Saumarez Smith, Roger Scruton, Gavin Stamp, John Wilton-Ely and Christopher Woodward.

130 mono · 250 x 202 mm 256 pp · Hardback · 978-0-85667-661-1 £37.00 / $70.00

Porcelain for Palaces The Fashion for Japan in Europe 1650–1750

John Ayers, Oliver Impey, and John Mallet

This catalogue of over 350 pieces demonstrates the range of imported Japanese wares and shows both the spread of the fashion for collecting porcelain and the styles that had the greatest affect on production in Europe. Available in the USA from Art Media Resources

06/09/2012 17:24

Portrait Miniatures in Enamel The Gilbert Collection

Sara Coffin and Bodo Hofstetter

A scholarly study of the art of enamel in Europe and England, looking at examples from the seventeenth to the late-nineteenth century, as well as examining the techniques and tools of enamelling. 162 colour, 4 mono 275 × 210 mm · 168 pp · Hardback 978-0-85667-513-3 · £37.00 / $65.00

328 colour, 54 mono 285 × 217 mm · 328 pp · Hardback 978-0-90342-124-9 · £37.00

The Practical Watch Escapement George Daniels

One of George Daniels’s central contributions to horology was his co-axial escapement which was adopted and launched by Swiss watchmakers Omega in 1999. Reissued in a new edition with colour images and an up-to-date time line of the co-axial escapement and its use today, this book explains the action of the escapement in terms accessible to both expert and layperson, and is accompanied by a series of detailed line drawings. 129 colour 260 × 190 mm · 82 pp · Paperback 978-0-85667-687-1 · £35.00 / $45.00

Ragamala

Paintings from India Anna L. Dallapiccola, Catherine Glynn and Robert Skelton

Ragamala is a unique form of miniature painting executed in India between c.1400 and 1770. The book highlights the importance of ragamala and celebrates its literary content, its association with music and regional styles, and provides an interpretation of its symbolism accessible to a contemporary audience. 49 colour 225 × 225 mm · 96 pp ·Paperback 978-0-85667-698-7 · £12.99 / $22.00

Ravilious James Russell

This beautifully illustrated book is the first full-length critical study to focus on the watercolours of multi-talented British artist and designer Eric Ravilious (1903–1942). ‘a handsome publication with excellent illustrations. Russell’s commentaries on the individual exhibits are engaging, entertaining and enlightening’ Burlington Magazine 110 colour 280 × 240 mm · 184 pp · Paperback 978-1-78130-032-9 · £25.00 / $45.00

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Selected Backlist

Reading Vasari

Edited By Anne B. Barriault, Andrew Ladis, Norman E. Land, and Jeryldene M.Wood

The book explores the rich literary character and rhetorical strategies of Giorgio Vasari’s Lives of the Most Eminent Painters, Sculptors, and Architects, which tells the story of Italian art as it unfolded from its beginnings in the Trecento to its pinnacle with Michelangelo and the art of the Academy in the mid-sixteenth century.

Ana Somers Cocks, and Charles Truman

Although concerned with one particularly fine collection, this book provides a comprehensive account of the objets de luxe made during the Renaissance, throughout the eighteenth century and at the Russian court around 1900. 150 colour, 200 mono 293 × 241 mm · 384 pp · Hardback 978-0-85667-172-2 · £125.00 / $195.00

Renaissance and Later Sculpture

Roman Splendour, English Arcadia

Anthony Radcliffe, Malcolm Baker, and Michael Maek-Gérard

The Pope’s Cabinet at Stourhead Simon Swynfen Jervis and Dudley Dodd

This detailed volume completes the survey of European sculpture and works of art in the collection. Eighty-seven pieces are illustrated and the authors offer fascinating insights into the period.

A lavishly illustrated account of the glittering Roman Cabinet at Stourhead and of other examples of pietre dure inlaid furniture in English collections. A descriptive and stylistic analysis of the Cabinet precedes a trail of detection which takes it back to Pope Sixtus V’s Roman villa.

166 colour, 222 mono 293 × 241 mm · 438 pp · Hardback 978-0-85667-401-3 · £63.00 / $110.00

192 colour 295 × 235 mm · 256 pp · Hardback 978-1-78130-024-4 · £45.00 / $75.00

Sanctity Pictured

Seventeenth-century Dutch and Flemish Painting

The Art of the Dominican and Franciscan Orders in Renaissance Italy Trinita Kennedy (Ed)

Published in association with the Frist Center for the Visual Arts this book features works from the collections of major American museums, libraries and of the Vatican. It is the first major study to examine the art of the Dominican and Franciscan religious orders and provides new insights into their significant contributions to the artistic Renaissance in Italy. 195 colour 275 × 210 mm · 256 pp · Hardback 978-1-78130-026-8 · £35.00 / $55.00

Seventeenth and Eighteenth-century Italian Painting

The Thyssen-Bornemisza Collection Roberto Contini

Offers a broad panoramic view of painting in Italy during the seventeenth and eighteenth centuries, including works by masters such as Tiepolo and Caravaggio. The volume also includes full biographies of every artist. 222 mono, 110 colour 293 × 241 mm · 480 pp · Hardback 978-0-85667-508-9 · £125.00 / $195.00

www.philip-wilson.co.uk

The Thyssen-Bornemisza Collection.

60 mono 253 × 184 mm · 296 pp · Hardback 978-0-85667-582-9 · £62.50 / $80.00

The Thyssen-Bornemisza Collection

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Renaissance Jewels, Gold Boxes, and Objets de Vertu

The Thyssen-Bornemisza Collection Ivan Gaskell

A catalogue of 128 paintings produced in the seventeenth century, during which time the art of portraiture was transformed, religious imagery revitalised, and new genres, particularly landscape, flower, and genre painting, were established. 128 colour, 223 mono 293 × 241 mm · 552 pp · Hardback 978-0-85667-352-8 · £100.00 / $190.00

Shark Infested Waters The Saatchi Collection of British Art in the 90s Sarah Kent

Charles Saatchi’s collection of young British artists is one of the most celebrated collections of contemporary art in the world. This publication is an essential record of thirty-five artists that were collected by Charles Saatchi during the 1990s. 200 colour, 40 mono 250 × 210 mm · 272 pp · Paperback 978-0-85667-584-3 · £27.00 / $38.00


Selected Backlist

A Slap in the Face! Futurists in Russia John Milner

John Milner’s book is a long overdue examination of the complex relationship between Russian and Italian Futurism and provides an extensive survey of the Russian Futurist movement as manifested in art, design, literature, theatre, film, and music. 71 colour, 30 mono 260 × 220 mm · 112 pp · Hardback 978-0-85667-638-3 · £37.00 / $65.00

Soldiers and Suffragettes The Photography of Christina Broom Anna Sparham

In 1903 a self-taught novice photographer, Christina Broom, was to emerge as Britain’s acknowledged pioneer woman press photographer. Published in association with the Museum of London this is the first publication to showcase her stunning and historically important images of Suffragettes, sporting events, royal occasions and WWI Soldiers. 243 illustrations 230 × 275 mm · 240 pp · Paperback 978-1-78130-038-1 · £20.00 / $35.00

The Stylemakers

Subtlety and Strength

Mo Amelia Teitelbaum

Jonathan Black and Fran Lloyd

In Paris in the 1920s Chilean patron Eugenia Errázuriz and designer Jean-Michel Frank developed the classic-modernist style, fusing the achievements of Louis XIV furniture with the most recent innovations of avant-garde art. This is the first extensive study of one of the most important design movements of the twentieth century.

This richly illustrated study is the first on the subject and complements the wide-ranging monograph Dora Gordine: Artist, Sculptor, Designer, also published by PWP. The book includes some fifty of Gordine’s finest drawings, the majority of which have never before been reproduced.

Classic Modernist Design 1915–1945

112 colour and mono 300 × 250 mm · 164 pp · Paperback 978-1-78130-013-8 · £18.95 / $30.00

Drawings by Dora Gordine (1895–1991)

41 mono, 4 colour 282 × 240 mm · 96 pp · Paperback 978-0-85667-675-8 · £24.50 / $32.00

Sundials

Treasured Possessions

Hester Higton

Victoria Avery, Melissa Calaresu and Mary Laven (eds)

An Illustrated History of Portable Dials A chronological illustrated guide to portable sundials, demonstrating the vital role they have played in the world for many centuries. The narrative is set against a social, political, and economic background. 127 colour, 6 mono 270 × 205 mm · 138 pp · Hardback 978-0-85667-523-2 · £37.00 / $70.00

From the Renaissance to the Enlightenment

Published in association with the Fitzwilliam Museum this richly illustrated book explores the significance of beautiful and engaging objects to the people who once owned them. Over 300 works are discussed alongside superb photographs of gems of the Fitzwilliam Museum’s Applied Arts collection. 300 colour 280 × 230 mm · 304 pp · Hardback 978-1-78130-033-6 · £39.95 / $65.00

Twentieth-century Russian and East European Painting

The Thyssen-Bornemisza Collection John E. Bowlt and Nicoletta Misle

A catalogue of fifty-nine works, written by two of the most eminent scholars in the field. Provides a detailed description of each work in the context of the artist’s career and the broader artistic development of the period. 100 mono · 293 x 241 mm 280 pp · Hardback · 978-0-30200-619-1 £95.00 / $155.00

Venetian Glass in the 1890s

Salviati at Stanford University Carol M. Osborne

Illustrates and describes the 245 pieces of Salviati glass that were presented to the Leland Stanford Junior Museum at the end of the nineteenth century. An introductory essay explores the art of Venetian glass blowing, a tradition that goes back more than a thousand years. 245 colour, 11 mono 280 × 210 mm · 200 pp · Hardback 978-0-85667-545-4 · £52.00 / $80.00

Philip Wilson Publishers 2017

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Selected Backlist

The Victorian Watercolours and Drawings

In the Collection of Her Majesty the Queen A catalogue raisonné in two volumes of Queen Victoria’s vast collection of watercolours and drawings, presenting through the work of over 1,000 artists a kaleidoscope of Victorian England. Cover painting: The Red Vineyard, Montmajour (F495) November 1888. Pushkin Museum, Moscow This painting was the first Van Gogh sold outside Holland, to a collector in Brussels (Anna Boch). Cover design: ianrossdesigner.com

The Years In France_UK Cover_AW.indd 1

33 colour, 1,100 mono 299 × 225 mm · 1052 pp · Hardback 978-0-85667-436-5 · £205.00 / $325.00

Watchmaking George Daniels

This standard work on the art of watchmaking explains the requisite techniques and tools. The making of the precision timekeeper is described step by step, and is accompanied by line drawings and explanatory captions. Essential. 16 colour, 777 line drawings 260 × 190 mm · 462 pp · Hardback 978-0-85667-704-5 · £52.50 / $85.00

The Years in France: Complete Paintings 1886–1890

Presented here is a comprehensive illustrated catalogue of Van Gogh’s paintings executed between 1886 and 1890 in Paris, Arles, Saint-Rémy and Auvers-sur-Oise. Each of some 580 works from that time is reproduced in full colour and appears in related scale to its original size. All known provenance is given. For the first time the paintings recorded in early documents like the ‘Andries Bonger Inventory List’ of 1890 and the 1905 Amsterdam Exhibition are fully identified. This book includes a wealth of new information of crucial importance to collectors, dealers, art historians and public institutions, while providing an extraordinary visual record of the most creative and productive period of Van Gogh’s career. It promises to be one of the most significant and enduring contributions to the understanding of this artist.

Walter Feilchenfeldt

Vincent van Gogh THE YEARS IN FRANCE COMPLETE PAINTINGS 1886–1890

WALTER FEILCHENFELDT

Vincent van Gogh’s tumultuous final years were the climax of his career as a colourist. In France he reached a sustained height of expression and created a prodigious quantity of work. Presented here is a comprehensive list of Van Gogh’s paintings executed between 1886 and 1890 in Paris, Arles, Saint-Rémy and Auvers-sur-Oise.

Philip Wilson Publishers an imprint of I.B.Tauris & Co Ltd 6 Salem Road London W2 4BU www.philip-wilson.co.uk

580 colour 308 × 245 mm · 348 pp · Hardback 978-1-78130-019-0 · £65.00 / $100.00 16/09/2013 12:49

Watts Chapel

A Guide to the Symbols of Mary Watts’s Arts & Crafts Masterpiece Mark Bills

Compton Cemetery Chapel is a grade I listed building created by Mary Watts between 1894 and 1904; this book is a guide to the symbolism of the glorious Arts & Crafts patterns that decorate its interior and exterior. 205 colour 275 × 215 mm · 80 pp · Paperback 978-0-85667-692-5 · £19.99 / $32.00

William Orpen

Edited by Sarah Burnage, Mark Hallett and Laura Turner

Robert Upstone, Roy Foster, and David Fraser Jenkins

One of the most successful British artists of the early nineteenth century, Etty’s work has recently been neglected. The only major study of Etty’s work in over fifty years reassesses his use of the nude, his training at the Royal Academy and his large scale historical canvases and proposes a new framework within which his art can be understood.

This monograph reappraises an artist who, at the time of his death in 1931 was probably the best-known painter in Britain. The book reveals the full variety of his work, from his revitalization of the nude to his extraordinary allegories and war paintings, and analyses the self-portraits that are a particular feature of his work.

200 colour 280 × 240 mm · 256 pp · Hardback 978-0-85667-701-4 · £37.00 / $58.00

A World Observed 1940–2010

Photographs by Dorothy Bohm Colin Ford, Ian Jeffrey and Monica Bohm-Duchen

Dorothy Bohm is widely recognized as one of the doyennes of British photography, her career spanning six decades. This book is the first illustrated record of all aspects of her work. 150 colour, 100 mono 275 × 215 mm · 176 pp · Paperback 978-0-85667-688-8 · £19.99 / $29.00

www.philip-wilson.co.uk

Vincent van Gogh’s tumultuous final years were the climax of his career as a colourist. In France he reached a sustained height of expression and created a prodigious quantity of work, the importance of which is incontestable. In the landscapes, portraits and still lifes from this period the intensity and singularity of vision finds its apotheosis.

William Etty

Art and Controversy

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THE YEARS IN FRANCE COMPLETE PAINTINGS 1886–1890 . WALTER FEILCHENFELDT

Delia Millar

Vincent van Gogh

Vincent van Gogh

Walter Feilchenfeldt is a world authority on Cézanne and Van Gogh and has written extensively on these painters including being co-author with John Rewald of The Paintings of Paul Cézanne: A Catalogue Raisonné. He is based in Zurich.

Politics, Sex and Death

100 colour, 25 mono 275 × 235 mm · 160 pp · Hardback 978-0-85667-596-2 · £35.00 / $65.00


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