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to Muntadhar al-Zaidi, a hero and inspiration

Concert Score

THE LUNATIC FRINGE Ian Dicke (2009)

for chamber orchestra and pre-recorded voices

  

 

 

 

 

Oboe/ English Horn

 

 

 

 

 

Clarinet in Bb

 

 

 

     

q = 84

Flute/ Piccolo

        5

6

p

Bassoon

Horn in F

  

 

 

  

  

 

 

  



5





 

p

pp

 

Trumpet in C

 

 

 

 

 

Trombone

  

 

 

 

 

Percussion 1

  

 

 

 

 



 

p

Chimes

  

 

 

 

 

 

 

 

 

 

  I 

              p espr.

Percussion 2

Piano

q = 84

Violin

II

 

 

p espr.

Viola

   

  

 

  

   

p espr.

Contrabass

     

mp espr.

Violoncello

                 

solo

3/12/09

Finger Cymbals, l.v.

  

 

  

    

   

    

  

 

                      

  

 

mp

p

 

Copyright © 2009 MUSIC ID All Rights Reserved

  

    

             

  

    

 

 

 

    

p

    

 

 

 

      

p

                                 p

               

     

 

          


2   Fl.   6

Ob.

Cl.

 

  

p

    



             mf

3

5

 

mp



   

pp

mp

Hn.

  



  straight metal mute

pp espr.

II

mf



mp



    mf

Vc.

   

mp

Cb.

  

    



mp

Va.

 

 

 



 

 

 

 

 

 



  

Crotales, l.v.

 

5

 

 

          

3

 

p

         

                         

  

   

   



    

 



            

               p

   

 

mp

  

  

 

     

 

p

p

 

Vibraphone, motor off

p

5

 

Pno.

Vn.

 

  

p

         

  

 espr.



 Perc. 2   

I



 

ppp

  Perc. 1  

 

ppp

   Tbn.  

  

 

solo

mp espr.

  



p

Tpt.

 

solo

mf

   Bn.  

     

        

 

   

   

     

                   

 

 

 

  

 

     

 

     

 


3 A

  Fl.   11

Ob.

Cl.

Bn.

Hn.

Tpt.

Tbn.

 

 

  

       

mp



           



 

 

3

Cb.

 

fpp

mp n.

mp n.

   

     S

mp n.

n. slowly bend pitch as much as possible

 

 

slowly bend pitch as much as possible

fpp



   

   

n.



fpp

n.

        p

 

  

straight metal mute

  

 

Large Suspended Cymbal, mallets, l.v.

pp

mf

 

   

 

 

 

            

mf

              

 



Marimba

  mp

5

pp

Brake Drums, mallets



pp



     mp

 

 



p

f

    

             

 

              

 

       

 

fpp

3

  

    



    



  

 



solo ends non vib.

 

5

 

fpp

 

 

 

    

 

    

f

f

   

mp

ppp

ppp

 

n.

ppp

 

slow gliss.

     

 

slow gliss.

G.

 

 

    mp

pp

       

slow gliss.

non vib.

fpp

      

   

non vib.



5

 

A

p

U

con P

Vc.

slowly bend pitch as much as possible

B

  

Va.



n.

      

 Perc. 2    

 

3

7

7

G.

   mf

  Perc. 1  

II

mf

 

               

Vn.

              pp 

  

  I 

 

    

pp

Pno.

 

                  Flute

B           

U

mp n.

mp n.

      S

mp n.


4

Fl.

 H 

mp

Cl.

 B     

n.

Bn.

Hn.

  

Perc. 2

  I 

 

 

Va.

mp n.

  

 

 

  

 

  

S      mp n.

 mp

mp

   mp

       

   mp

   

   

 

pp

  

   

  

 

 

 

   

    

  

 

 

 

       

 

 

mf

mf

mf

            mf 

p

5

     



 

p

  

  



mp

pp

 

mp n.

 

gliss.

5

mf

  

5

gliss.

  

U

mp n.

mf

       n.

mp n.

non dim.

  

5

B

  

bowed

mp

mf

p

  

G.

Vibraphone, motor on, medium speed

       

     

n.

   p



Wood Blocks

     S

mp n.

rit.

 mp



pizz. gliss.

mp



pizz. gliss.

mp

   

     

mp n.

mp n.

mp

sul G

 

mp

 

H

Cb.

 

 

   

Vc.

 

Vn.

II

3

  

p

Pno.

  

mp

  

 

pp

 



To Piccolo

    

  Tbn. 

mp n.

pp

Perc. 1

 



  

 

Tpt.

U   

G.

A tempo

 

 

n.

Ob.

B

rit.



16

 

pp



 

dampen

f

 

  

Bass Drum, l.v.

 

pp



 

 

 

 

 

dampen

 

B

A tempo

  

 

 

 ord., vib.               mp

  

 

 arco, vib.                mp

  

 

   

   

 

 

    mp

  

      

   

 

  

 

  

sul pont.

mp

sul pont.

mp

mp

arco, vib.

mp

         

ord.

pizz.

mp

   


5   Fl.   21

 

 solo

Ob.

Cl.

Bn.

Hn.

Tpt.

Tbn.

   

    

       

mp n.

   

p

mp n.

 

 

  

 



   





   

p

 

      

     

H S         

mp n.

  

p

          

     

Va.

 

   

    

    

     

 

mf

3

mf

 



 

 



   

  





 

  

  3

   



 

  

6

         

   

 Marimba

3           

pp

 

To English. Horn

mp

 

                            

 

 



   



     

3

3

p

 

 

mp

 

 

 

(straight metal mute)

  

5

    

Medium Suspended Cymbal, l.v. scrape

   

 

         

n.

p

 

mp



           

Piccolo

p

      

 

II

Cb.

n.

  

Vc.

U B        

  

Pno.

Vn.



   

 

I

 

G.

      

  Perc. 1  

Perc. 2

  

  

3

5

mf

 3                      5

3

3

senza P

                                  p

          

  

                           p

       

 

              p

       

       

    



  

    



p

p

          



 





  

 



   

  



 

 



   



  

 

  



  

 



 

   

 



   

    

  

 

  

  

 


6      Picc.    



25

mp

   

       

mp

Cl.

Bn.

mp

English Horn

E. Hn.



     

G.

  

B

mp

mp n.

n.

        



   

mp

  Hn.   

G.



mp

n.

Tpt.

 

p    



             



U

 

  H 

S

n.

mp





p

 



U



n.

mp

  S

    

 

  

    

H

solo

flz.

p

  







 

 

 

solo, molto vib.

mf



  

                  

 

 

  

3

 

f

 



   

 

 

      

 

 n.

 

   

 

mp

n.

 



      

mp

mp

n.

 

                        5 6

mp

f

    

to

   

ord.

ffp





 

 

             



 

  

 

mp

sul D sul pont.



n.

 

     

senza sord.

mf

   

  I    

3

p

 

 

 

 



 



mp

pp

  

 

mp

n.

mf

   

mp

          

p

 

fp

  

mp

n.

slide into notes

   Perc. 1       

Pno.

mp

n.

pp (straight metal mute)

Perc. 2

      B

 Tbn.   

                  5

  

 



    



 

 



   

 

 



 



 



gliss.

ff

Vn.

II

  



       

  

           

mp

Va.

mp

Vc.

     mp

Cb.

   

 mp

  p

p





  

  

p





 p

          

 

  

      

  



  

  

   


7

C

  Picc.  

        

28

pizz.

p

E. Hn.

   



3

Cl.

     mf

Bn.

     mf

Hn.

Tpt.

mp

    

     

 

        

mp

mp n.

      mf

  

C

Vn.

II

   

  

 

 

  

     



   

mf

Cb.

   

 

mp

   

   

mp

           

 

 

      

    

mf

H        

     

            

   

   

 

 

  



 



  

mp

mp

  



 

 

        

 

  

      

  

            

 

 

 

     





 

 

   

 

   

 

 

    

 



 

 

   

 

    

 

    



    



  

    

3         

  





   

       

 

 

 

 

    

          

 

3         

         

  

 

          

 

    

   

       

mp

   

 

mf

n.

S

     

mf

   

mp

    

U

harmon mute, stem in

           

mp

mf

 

                            

 

 

        

p

  

     

          

mf

Vc.

     

   

          

mf

3

           

mf

mf

Va.

    



       

Oboe

        

Xylophone B G

    

 

mp

mp n.

 Perc. 2   

I

mp

 

         

 

n.

Pno.

       

  

  Perc. 1  

  

mf

mp

           

n.

Tbn.

         

 

mf

          

To Flute

mf

To Oboe

      

Flute ord.

       



  

 

 


8    Fl.   32

Cl.

mf n.

      

  

n.

mf n.

  

 Bn.   

Hn.

  

 

mf n.

  Perc. 1  

Vibraphone

Perc. 2

         mp

  



Pno.

      I 

 

     

                   mf

      

     

3

        

mf

    

  



 

          

 



        

 

 

     

 

     

   

  

Timpani

p

  



 



f

mf

  



f

mf

  



f

 

 f

     

mf

 

    



mf

        



        

 



        



         



  

f

p



p

Brake Drums

f

  

   

  

mp

f

mf

      

p

 

        

mf

mf

f

mf





f

 

          

        

 



f

    

poco rit.

        f

 



f

f

mf

 

 

        

 

p

mf

   



     

p plunger mute

  

  



mf

mf n.

       



mf

mf n.

 

mf

             

mf n.

 



    

  

 

mf n.

mf n.

  

Tbn.

  

    

      

n.

Tpt.

  

mf n.

n.

Ob.

 

 

mf

 p

       

Glockenspiel

   

mp

 

  

mp

     

f



 

  

     

 

      

poco rit.



mf

 

  

n.

f

n.

f

Vn.

II

Va.

Vc.

Cb.

            



 

       

 

     

   

   

mf

mf

    

       

  





3

pizz.

 

   

mf

  

 mf

  

 

 

 

    sffz

sffz

mf



    

  

      

  



     

  



sffz

mf

    







  



sffz

n.

 n.

mf

mf

f

n.

f

    

f

n.

f


 Fl.  36

Ob.



 

  



 

 



 

  

f

 f

 

Cl.

9

Poco più mosso, q = 88

D

f

Bn.

 

    

 mf

ff mf

open   Hn.   

ff mf

           

senza sord.

 

Tbn.

Perc. 1

mp

 

senza sord.



mp

Bass Drum

mp

            Perc. 2     

Pno.



D

         

Poco più mosso, q = 88

        I       Vn.

II

Va.

n.

f



        

n.

f

f

n.

 

arco

 Cb.  

arco

f

 

  

f

n.

           n.

Vc.

 

      

 



f

n.

  



      

f



p

mf

  

mf

  

 

mp



mp

    

p

f

p

      

 

        

     

(p )



  

 

   

     

 

 

 

 

 

 

ff mf

 

      

        ff mf

 

ffp



         

 

        ff mf

 

        ff mf

 

f

mf

ffp

  

         ff

mf

ff

mf

        

 

ff

mf

ff

mf

ffp

ffp



 

mf

 

 

      

mf

ff



          

f

      

 

   

      



ffp



  

ff

ff

ff mf

ff

dim. poco a poco

mp

 

ff mf

      ff mf 

Claves

        ff mf

mf

  

     

      

ff mf

mf

         

dim. poco a poco

        

            

        

      

     

  

dim. poco a poco

Anvil

mp

ff

           



   

f

            

mp

     



f

ffp

          

Medium Suspended Cymbal, l.v.

ff mf

            

mp

Tpt.

     

        

     


10  Fl.  40

Ob.

Cl.

Bn.

Hn.

Perc. 1



                                                                          3

        f



  

 



(p )

   

mp

mp

     f

mp

f

      ff

       

f

II

Va.

Vc.

f

      

     ff

Cb.

  

         

  

          

 

   

          ff

 



   

          ff mf

 

          ff mf

mf

 

7

6

                 5

p

 

5

p

 

 



 

 



 



 



 



f

p

 

f

 f

 f

p

p

p

 f

5

 f

Vibraphone, secco

   

  

  

  

 

  

3

3

 

    

     

  

 

3

 

  

     

 

6

 

  

ffp

ffp

     

p

f

     

p

 

 

 

 

 

 

 

 

p

p

p

f

p

p

f

  

    

3

 

   

  

    

         

3

3

3

 

        

   

 

      3

7



  

         

                                        5

f

 

f

 

f

f

f

 

pp

3

3

p

 

 

    

  

3

7

Medium Suspended Cymbal, mallets

                       fff

6

  

f

mf

   

f

f

f

3

 

mf

3

ff

Vn.

       

 I 

  

(p )

 

ff

  



 

6

3

ffp



6

                                                         

ff mf

5

              

     

3

            Perc. 2        

Pno.

 

5

      

mf

 

3

3

ff



       

       

Tpt.

Tbn.

 

  

3

 

 

 

 

 

     

 

3

     3

 

 

 

 

           

3

 

                                             3

 ff

 ff

3

p

p

3

   

5

 f

 f

 

 

 

 

p

p

 f

 f

   

p

f

   

p

f

6

 

 

 

 

p

p



f

f

 


11

E

       Fl.  



      



solo   

44

fff

Ob.

fff

Cl.

     

fffp

Bn.

       

ff

5

       

    

6



3

5          

f

5



n.

fff

  Hn.  

Tpt.

 

alternate fingering trill

 

p

f

   



p

f

harmon mute, solo  

n.

Tbn.

  

plunger mute

    p

    f

   

p

   

f

   dampen   Perc. 1  



 dampen          







f

Perc. 2

        

    p

ff

Pno.

        

E

    I  fff

Vn.

    

sul A

II

fff

   

sul D

Va.

fff

Vc.

     fff

Cb.

  

 

 

 

 

 







 

 

 

 

 









 

 

 

 

 











 

 

 

 

 









   





   





mf

mf

mf

mf

pizz.

sffz

slow gliss.

slow gliss.

slow gliss.

 slow gliss.



sffz


12  Fl. 

48

Ob.

 

 

 

 

    

  

   

sffz

 

sffz

Cl.

Bn.

Hn.

Tbn.

Perc. 1

 

 

   

 

 

 

     

      

 

 

   f

  p

mp



 



 



 

Suspended Triangle, l.v.

 

pp

 

mp

p



  

 



 

p



 

mp

  

p

 



 



 



 

   

 

  I   p



snares on

 

    

 

 

     

   

  

  

  

 

sffz



 

 

  

   



 

 

  

  



 

 

  

   



 

 

p

Cb.

dampen

p

Vc.

sfz

    p

Va.

sffz

II

 

      

mp

Pno.

Vn.

sfz

    

 

sffz

 

  

sffz

  

   

mp

 

Piccolo Snare Drum, snares off, sticks

p

Perc. 2

 

  

 

Tpt.

 

sffz

  

sffz

sffz

sffz

sffz


13 lunga

 Fl. 

 

  

 

 

  

 

 

  

 

 

 

 

 

 

52 Snare drum solo

Ob.

Cl.

Bn.

Hn.

 

Tpt.

Tbn.



 

Place large cymbal upside down on 23" drum

 

 Pno.

 

I

 

p

Snare drum solo

 

Va.

Vc.

Cb.

 

  p

 

    

  

  

 

  

  

  



Timpani, mallets 23" drum gliss. p

p

 

 A tempo

  

arco

  

senza sord.

p

senza sord.

 

gliss.

  

    

    lunga

   

       

    p

  

  

 

   

  

   

 

 

 

 

 

arco

p

rest bow, pick up drumstick

   

 

fp

   

p

Vn.

II

mf

 

  accel.

p



                                                                      6 6

 

p

f

 

p

p

 

p

 

rubato

 

p

 

   Perc. 1    Perc. 2

A tempo

arco

arco

p


14

F   55

Fl.

Ob.

Cl.

Bn.

q = 126

 

 

          

3

ffp

 

3

 

3

  

 

   

3

3

f

  

3

                  

          

                      Tbn.      

fp

3

  

Tpt.

 

3



ff

          

3

3

fp

Perc. 1

  

rim shot

f

       



 

f

  

mf

Perc. 2

 

remove cymbal from 23" drum

                                           6

6

6

Pno.

6

Vibraphone

f

  

mf

                                 

   

ffp

ff

gliss.

6

    

6

6

q = 126

 

ffp

Vn.

   

II

ffp

   

Va.

  

Vc.

ffp

Cb.

       

gliss.

    ff

   

ff



   

   

 

   

    

    

f

gliss.

   

gliss.



     f

(as high as possible)

   f

(as high as possible) gliss.

 

                                                pizz., drumstick

6

(as high as possible)

ff

  

6

(as high as possible)

ff

 

6

f

ff

ffp

   

   

6

( ff )

    I 

6

                                              

F

brushes

mp

25" drum

  

mf

3

f

   

f

f

f

  

f

3

 

 5

fp

ff

  

          

Hn.

ff



3

ffp

3

3

fp

ff

         

3

ffp

         

3

ffp

3

  

  



 

f

       

    


15   

  

Ob.

 

  

Cl.

60

Fl.

Bn.



   



   Hn.   

   







  

      

G

          





     



   

  gliss.  

Perc. 1

Perc. 2

     

6

6

  I 

   



  

Vn.

II

Va.

Vc.

Cb.

 

  

 

  

 

  



   

3

  

pizz.

 

pizz.





             

          

     

Su

Su

3

-

3

sie

3

-

      

3

3

  wake

              

3

3

3

3

3

     

      

         

wake

solo, "Wake Up Little Susie"

3

 

3

sie

arco

     3

G

              

  

3

 

       

mf

         

                       

      

                      

arco

arco

mf

mf

 

    

 

lit - tle

mp

         

pizz.

pizz.

3    

  

   

lit - tle

  

f

Pno.

solo, "Wake Up Little Susie"

mf

Wake up mf

                       6

3    

3

mf

  Tbn. 

solo, "Wake Up Little Susie"

Wake up mf

     

Tpt.

              

arco

          

   

       

mf

 

     

 

   

  

throw drumstick down

solo, "Wake Up Little Susie" pizz.

f


16 

 Fl.   65

Bn.

Hn.

 

Perc. 1

     

 

f

fp

   f

    

3

     

f

solo, "Wake Up Little Susie"

f

     

   

  

     

mf

3

solo, "The House is a Rockin'"

  

5

    5

Well, the house is f

a rock - in'

 

5

don't

both

solo, "The House is a Rockin'"

5

   

   

  

   

5

Well, the house is f

a rock - in'

solo, "The House is a Rockin'"

5

5

5

don't

both

 

5

a rock - in'

don't

both

  

  

   

    

     

    I 

        



���   

a rock - in'

don't both

            

Va.

Vc.

mp

er knock - in'

-

    5

f

               

    

5

 

   

Well,the house is

5

  

 

 

  

a rock - in'

5

   

     

     



mp



3



5

 

 

3

5        

-

er knock - in'

  



5

    

  3    

solo, "Wake Up Little Susie"

3

Wake up ff

 

      

 

      

        

  

               

 

              

 

            

  

  

 

(f)

lit-tle

solo, "Wake Up Little Susie"

3

  

3    

Wake up ff

( pizz.)

 

      

  

  

 

5

don't both 5

3



5

5

lit-tle

er knock - in'

solo, "The House is a Rockin'"

 

solo, "Wake Up Little Susie"

 

  5

-

                 

f

Cb.





Vn.

II

er knock - in'

       

-



f

f

Pno.

er knock - in'





5

   

5

     

-

            mp

mp



lit-tle

3           

5

Cow Bell solo, "The House is a Rockin'" Perc. 2

    3

solo, "Wake Up Little Susie"

5

Well,the house is mf

  

5        

5

solo, "The House is a Rockin'"

mf

up

Well, the house is f

  

Wake up ff

mf

3

  

   

up

3

        

f

f

fp

  

Tpt.

Tbn.

 

Cl.





  

f

 

Ob.

    

                       



lit-tle

  

3    

solo, "Wake Up Little Susie" 3

Wake up lit-tle ff solo, "Wake Up Little Susie" 3

3

  

   

Wake up ff

lit-tle

solo, "Wake Up Little Susie"

(f)

3

 


17         Fl. 

      

70

3

3

Su

-

Bn.

3   3 Hn.      

Su

Tpt.

-

 

Perc. 1

wake

     

3

3





      

 

   





 

  





         

  

         

  



  

   





        

 

        

 

   

p

f

f

  

 

       

  

 

 

 



solo, "My Sharona"

3

3

 

                              

3          

3

f

3

  3  3 3           3

mp

3

     3

mp

3

f solo, "My Sharona"

Medium Suspended Cymbal, brushes, l.v. solo, "My Sharona"

3

3

           

p

p

       I   Su

3

3

-

                       

 3 3 3            3

3 3 3                 3

3

3

        3

sie

3

wake

solo, "My Sharona"

       Su

3

3

-

      

sie

3

wake

      

      

Su

Su

 Cb.  

3

-

3

-

sie

3

3

sie

3

wake

3

wake

3 3 3      3                       3 3 3

ff

up

      

3

3

solo, "My Sharona"

3

       3

3 3 3      3                       3 3 3

ff

up

Vn.

Vc.

 

ff

Va.

 

up

Pno.

II

 

   

Bongos, hands solo, "My Sharona" Perc. 2

         

f

                 3

      

3

      

 Tbn.   

 

         3

sie

 

            

p

p



  

f

     

   

    

p

up

Cl.

3

wake

Ob.

3

sie

 

3

solo, "My Sharona"

3 3 3     3                        3

3

ff

up

3 3 3  3     3                      3

3

3

3 3 3  3 3                           

arco, solo, "My Sharona"

pick up bow

3

solo, "My Sharona"

ff

up

3

3

ff

3

3


18   75

Fl.

     

      

  

    

   

    

    

Ob.

    



   

   

    

   

    

    

Cl.

    



    

   

   

  

     

    

  

      

H

My ff

 Hn.   

My

  

Tpt.

My

Tbn.

Perc. 1

Perc. 2

 

solo, "The House is a Rockin'"

       3

Sha - ro - na

      

Sha - ro - na

3

gliss.

gliss.

p

5

Well, the house

5

is

a rock - in'

  

mf

is

5

Well, the house

5

II

5

Va.

is

Vc.



3

mp

   

    

 5

 

   

          Sha - ro - na 3

f

             

   

f

f

   

Anvil



sfz



5



p

   

p

5

       

         

          

H

                    

    

3

 

 

 

      

solo, "My Sharona"

3

My Sha - ro - na ff f solo, "My Sharona"

  

My f

3      

Sha - ro - na ff

solo, "My Sharona"           3

My Sha - ro - na ff f solo, "My Sharona"

   

My f

pizz.

sffz

    

        

 

sffz

       

sfz

mp

sffz

     

  

    

 

f

Bongos solo, "My Sharona"

            

          Sha - ro - na

 

   

both - er knock in'

    

    

3



f

  

     

    

Sha - ro - na

         

   

f

      

         3

3

fp

  

 



f



f

fp

 

3

Sha - ro - na

5

5

       

f

      

don't

  

f

fp

                      

    

         

My

                       

f

         

 



   



 

                   

     



My

 

fp

         Sha - ro - na

 

both - er knock in'

a rock - in'

 

My

don't

5

Well, the house

My

 

5       

solo, "The House is a Rockin'"           

f

Vn.

both - er knock in'

5

a rock - in'

Cow Bell solo, "The House is a Rockin'"

Pno.

My

don't

solo, "The House is a Rockin'"

Sha - ro - na

  I  

 

5       

5

   

      

mf

      

Cb.

       

mf

p

      

Sha - ro - na

gliss.

p

3

My

fp

  

Sha - ro - na

solo, "My Sharona"

My f

3

 

fp

solo, "My Sharona"

Bn.

   

sffz

       3

Sha - ro - na ff



 


19     80

Fl.

       



  

5

3

My f

Sha - ro - na ff



                   3  Sha - ro - na

5

Well,the house ff

solo, "My Sharona"

Ob.

  

My f

  

                  Sha - ro - na f



solo, "My Sharona" 3

Cl.

My f

        



solo, "My Sharona" Bn.

Hn.

      

   

3

My f

p

Sha - ro - na ff

   

          f

5

is

 

5

a rock - in' don't

both

ff 3

  

   

solo, "The House is a Rockin'"

5

5

Well, the house ff

    

 

ff

5

is

a rock - in'

both

3

       3 3

5

don't

3

solo, "My Sharona"

       

ff

- er knock - in'

   

solo, "My Sharona"

 

         f

3

- er knock - in'

solo, "My Sharona"

fp

ff

    

solo, "My Sharona"

       

f

fp

ff

   

solo, "The House is a Rockin'"

solo, "My Sharona"

ff

3

3

fp

Tpt.

              

          f fp

          Tbn.   fp

f

     Perc. 1   



sfz

 Perc. 2    

 

        

sfz

                  My f

Vn.

II

 



  

My f

Va.

 

  



My f

Vc.

 

  

  Cb.   

sffz



p

   

sfz

   3

sffz

  

         

   

mf

     

3

sffz

  I 

     

       

Pno.

   

f

fp

   

   

sffz

 My f

 

     

       



3

Sha - ro - na ff

      3

    

5

mp

Sha - ro - na ff

5

  

  

   

   

is

     

5

don't





  

- er knock -in'

      

 5

a rock - in'

both

both

- er knock -in'

                            3

          

f

f

sffz f

3

               

5

a rock - in' don't

    

mp

      

 5

5

Well, the house ff



3

Sha - ro - na ff



mp Bongos solo, "My Sharona"

                   3

Sha - ro - na ff



 3      

 

5

         

5

5



f

solo, "The House is a Rockin'"



Well, the house is ff



solo, "The House is a Rockin'" 5

 

3

sffz

    



Medium Suspended Cymbal, brushes, l.v. solo, "My Sharona"

Cow Bell solo, "The House is a Rockin'"










20   85

Fl.

Ob.

Cl.

Bn.

 3

 3



  

  

3





  

3

  

3

3



3

  

3

Tbn.

3

     

   3

My





3

My



3



  



  

3

3



  

  3

3

  

My





3

My

       

3

Sha - ro - na

      

3

Sha - ro - na

       

3

         f

7

ff

              

   

 

My f

f

7

ff

             

ff

Sha - ro - na

      

3

            

ff

Sha - ro - na

3       

solo, "Wake Up Little Susie"

              mf

3

3 3       3

       

         3

3

   

    

    

3

 My

      

 

        

3  

             

                      

 

      

   

            

                           

 

       

3   

                      

 

       

3   

mf

mf

mf

ff

ff

      

   

       

             

  Cb.   

      

            f

ff

Vc.

ff

arco

ff

 

           

3

                      

      

    

Va.

3

   

                   

ff

3

      

        

   

3

  

        

     

ff

f

Vn.

3  

Piccolo Snare Drum, brushes solo, "Wake Up Little Susie"

 

lit - tle

3               

                   

   I  

3    

3

             

    

 

3

      

Sha - ro - na

   

loco

II

3     

3

ff

3

Wake up lit - tle ff solo, "Wake Up Little Susie"

mf

Pno.

   

Wake up ff

3   3               Perc. 1 

 Perc. 2  

 

3

Sha - ro - na

               3

         

                

solo, "My Sharona"

 

 

3

mf

Tpt.

 

3 3 3  3                    3

3

 Hn. 

  



mf

mf

ff

ff

  

           

    

       

          

    

      

mf

mf

mf

    

ff

mf

ff

mf

ff

mf

ff

       

mf

   

   

ff

3

f

ff

f

ff

3

f

ff

    

  

f

       f

3 

 


21

molto rit.

              Fl. 

                                                                 

90

Ob.

          

   Bn.   

        

Hn.

  

3

Su

Tpt.

 

3

Su

Perc. 1

Perc. 2

 

3

-

3

3

sie

  

    Tbn.  

3

-

     

sie

3

 

wake

 

       

  

3

 3

      3

3

 

     3

3

   

   I    

3

3

        3       

3      

II

Va.

Vc.

          

3

         3      

             mf

 

     

 3

3      

3

3 

           

   

   

    

          

  

   

   

       

  

    

   

           

   

         

       

   

    

f

f

p

     p

f

f

f

           

Brake Drums, sticks

    

3

gliss.

                                                       



mp

mf

       3

  3         3

3

gliss.

mf

                

                           

                  

                           

f

gliss.

mf

3            

                  f

mf

3

                       

molto rit.

  3      

 

    

ff

         

mp

 

                         

f

3

     Cb. 

                        

Marimba

rim shot

mp

   

up

mp 3

p

Vn. 3

f

          3

7

mf

up

Pno.

                     

     

gliss.

                           

f

                                 f

 

3

                       

mf

wake

3      



 

f

7

f

  

7

mf

               

Cl.

f

gliss.

                   

                        

                   

                         

f

mf

f


22

I

Fl.

 

 

 

   

 

   

 

Ob.

Cl.

Bn.

Hn.

q = 112, in strict time

   

96

ff

ff

ff

 

ff

 

 

n.

    

    

ff

Tpt.

Tbn.

 

 

ff

     ff

 Sampler Perc. 1  

   

Slapstick

ff

"I decided to act, and act boldly."

Perc. 2



 

 

 

        

        

         

        

mp sempre

1/2 P sempre

 

 

q = 112, in strict time

    ff

Vn.

Va.

Chimes

 

I

 

II

ff

 Pno.

I

 

     ff

    ff

Vc.

 

 

 

ff

Cb.

 

ff

 n.

 n.


23  Fl. 



101

Ob.

Cl.

Bn.

Hn.

Perc. 1

  

    

  p

f

 

   

harmon mute

   

p

f

  p

f

 

   

p



   

 

f

 ff

p

   

ff

  p

f

 

  

p

  



p

f

f

senza sord. secco

     

mf

Perc. 2



    

Xylophone

       mf

           

        

f

dampen

mf

  

Glockenspiel

ff

p



ff

p

sffz

p

p

sffz

sffz

  

Tpt.

Tbn.

   

   f

         

         

        

          

 

 

Pno.

    I 

 ff

n.

  

 ff

n.

Vn.

  

II

 ff

n.

Va.

  

n.

ff

Vc.

  

n.

ff

 

  p

 

sul pont. gliss.

 

sim.

  p

ff

sim.

 

p ff p sul pont. sim. gliss.

  

ff

  p

ff

n.

 

sul pont. gliss.

  p

  

ff

ff

 

pizz., ord.

ff

ff

  

pizz., ord.

ff

ff

 

 

 

 



 

pizz.

ff

Cb.

 

pizz., ord.

pizz.

ff


24

J  

 

Ob.

Cl.

107

Fl.

Bn.

Hn.

 

 

 

 

 

 

 

Tpt.

Tbn.

Perc. 1

Perc. 2

A tempo

 

Sampler



"Acting together to meet the fundamental challenge of our time we can lead toward a world that is more secure..."

"...and more prosperous..."

pp

 

 

( mp )

                  

1/2 P

J

 I 

 

A tempo

arco





arco

 

 

mp

 

arco

mp

 

mp

 

arco

mp

Cb.

 

                          

Vn.

Vc.

 

Pno.

Va.

 



II

Large Mark Tree, l.v. slow tremolo


25  Fl. 

Ob.

Cl.

113



mp

Bn.

Hn.

  

mp

 



Tbn.

Perc. 1

 

 



Cb.

 

 

Sampler

mp

Vn.

Vc.

mp

 

           

Va.

 

II



  

mp

p

I



  

  

Pno.

Chimes

Perc. 2

  

mp





p

Tpt.



"We must see the terrorists for what they are..."



   

f

( mp )









          



         

3

                  



( mp )

        

                 















mf

 mf

mf

mf


the_lunatic_fringe_preview