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1 ABOUT

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04:RESUME

GRAPHIC DESIGN

1 0 : MAIN VISUAL POSTER 1 2 : INVITATION DESIGN 1 4 : 平成28年 1 6 : CALENDAR DESIGN 1 8 : POINT LINE PLAIN 2 0 : EAT + 2 2 : EMBRACE 2 4 : STICKER DESIGN


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PAINTING

PRODUCT DESIGN

2 8 : REMEDY

3 8 : IKEBANA

3 0 : DREAMLAND

4 0 : 小楷の食事

3 2 : ENCHANTMENT

42:逸

3 4: K A L E I D O S C O P E

4 4 : CHESS DESIGN 46:冀 4 8 : CHILDREN’S NB 5 0 : LIGHTREE


1 ABOUT

ME


04 RESUME

H S I A O

H S U A N

C H E N


INTRO

Name : Daphne Chen Birthday : 4 . 5 .1995 Hobby : Painting . Taking photo

EDUCATIONAL BACKGROUND

: TaTung University : Industrial Design : 9 . 2014 - 6 . 2017

PROFESSIONAL SKILLS

Ai Ps Dw ProE

Rhino

EXPERIENCE

6 . 2017 | 9 . 2016

: Graduation Exhibition Media Group Member

7-9 . 2015

: Compal Intern

2~ . 2015

: Cram School Scoring Staff

7 . 2014 | 2 . 2015

: Information Engineering Department Artistic Design Group

7-9 . 2013

: Hotel Restaurant Waitress

3-5 . 2013

: Cram School Teacher Assistant

REWARD

2017 Pixostyle Egg Cup Sticker Design : BEST

CERTIFICATION

: TOEIC 755 (Blue)

CONTACT

Phone: +886 9 86642627 RESUME

E-mail : daphany12345@gmail.com

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2 GRAPHIC

DESIGN


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GRAPHIC DESIGN


MAIN VISUAL POSTER Four-year university is as an experimental process, after layers of trying and analysis, then finally find ourselves in the chaos. Make “層析” two words blurred and visualize them. The outer noting lines use different angles, different aspects to analyze “層析” layer by layer, and eventually emerge out the outline of these two words. It means that we could finally find our own position, and no longer fear of facing the unknown in the future. GRAPHIC DESIGN

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12 GRAPHIC DESIGN designers : Hsiao Hsuan Chen : Kuan Wen Lu


INVITATION

DESIGN

Strokes of the dismantling of the separation, into the background of the network, create a visual looming. The entirety with tangerine tones, orange has red passion also has yellow vigor, though it isn’t that strong to red, but it is as well as eye-catching and symbolizes of determination and creativity.

GRAPHIC DESIGN

The Expression of looming in the image conveys that a lot of things need to be observed carefully in the design process, good ideas may be hidden in the details.

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GRAPHIC DESIGN


平成28年 To show the fresh and simple Japanese style, the shape of entire logo was selected to be simple geometric circle, and the texts were also used in thinner lines. Then tuned up those two words, simplified them and integrated them.

LOGO (pink part) C: 0% M: 100% Y: 0% K: 0% R: 228 G: 0 B: 126 Opacity 18% Text part C: 40% M: 45% Y: 50% K: 5% R: 163 G: 139 B: 119 Opacity 80% .

GRAPHIC DESIGN

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CALENDAR DESIGN This calendar is written in Japanese. I used hazy and simple expression to take on the fresh Japanese style.The colors are interpreted by the features of each month. For instance, in March やよい , i t m e a n s “ n e w l i f e ” , t h u s , I u s e d the grass-green to show the meaning of r e b i r t h . I n M a yさつ き, i t h a s t h e m e a n i n g of farming, so I chose the warm and energetic sun orange to present it.


GRAPHIC DESIGN

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GRAPHIC DESIGN


POINT | LINE | PLAIN By using points, lines, plain, three elements to create images of sense of space, rhythm, symmetry, contrast etc. some form principles of beauty.

GRAPHIC DESIGN

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EAT + LOGO DESIGN Eat+, a semi-light food restaurant. It adds many elements in the cooking and uses different cooking methods to make customers create their own unique favors.Because of the price parity, so I wanted to present the feeling of simple and affinity.The half- opened shapes are as the image of toasts or breads, and the inside is e, a, t three letters, showing the meaning of free combination of food.


e a t + 0912345678

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eatplus@mail.com eatplus

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GRAPHIC DESIGN

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EMBRACE Use white, black and yellow three kinds of color of the hands to show the meaning of opening minds to embrace and accept each other. And then through these three hands to cast the shadow of “LOVE & PEACE”.


GRAPHIC DESIGN

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GRAPHIC DESIGN


STICKER DESIGN This series of stickers were designed for “Pixostyle Egg Cup Sticker Design Contest�. I chose egg and chick as the main characters, and I used low saturation and pastel color, In order to be different from others.Before the other, and what kind of picture as a response, but also observed the expressions of highest utility rate from others, finally through the statistics and filtering to create these stickers, and fortunately got the Best in this contest.

GRAPHIC DESIGN

creation, I firstly recorded the most common words when I chatting with

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3 PAINTING


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REMEDY Sweets are the source of my happiness and remedy. By using simple circular shape to compose the image of desserts paradise in my mind.

Media: Pastel & Pencil


Media: Marker & Watercolor

SPLASH There’s still joy and fun in annoying rainy day.

PAINTING

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30 PAINTING

DREAMLAND

Media: Crayons & Pastels


Media: Watercolor & Charcoal

YAYOI PAINTING

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ENCHANTMENT Use chanel No.5 perfume as the theme. The figure with a female hand, a male hand and implicated red ribbon represent that the woman deeply grasps the man's heart by this chanel No.5 perfume.


FETTER

PAINTING

Blooming roses are garish and beautiful but it could bring harm at the same time, and so is love, like thorny vines lingering and fettering us.

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PAINTING


MECHANICAL PLANT The imagination of mechanical plant in my mind.

I used points, lines, plains as the main elements, and made them repeat to form a k a l e i d o s c o p e - l i k e a n d magnificent image.

PAINTING

KALEIDOSCOPE

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4 PRODUCT

DESIGN


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PRODUCT DESIGN


IKEBANA Material Vessel - Pottery : Forks - Pottery & Metal :

Ikebana is so called “flower arrangement”, a kind of artistic technique. Eastern ikebana uses a few of bouquet and simplicity to emphasize the beautiful ecology of flower, branch and leaf. We put this concept into our tableware(fork) design, making it act like “ikebana” while taking these tablewares.

PRODUCT DESIGN

What’s more, every fork has different appearance, boosting its recognition to prevent users misusing other’s tableware. These are not only functional tablewares but also an “installation art” on the dining table, making users blend in graceful imagery of ikebana while using our design.

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PRODUCT DESIGN


小楷の食事 Chopsticks are important tablewares in eastern food culture, so we combine it with writing brush frame of Chinese calligraphy and design a set of tableware that fulls of eastern feature. The cap we designed could put in user’s own chopsticks, and the cloud pattern on it is the auspicious pattern in ancient Han nationality, symbolizing that “everything goes well”, we hope it could bring good luck to the users.

PRODUCT DESIGN

The material below the wooden frame is pottery, we use pottery to strengthen the structure, and the chopsticks hanging on the frame are airy and sanitary, it’s easier to make it get dry after washing them.

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PRODUCT DESIGN


逸 The upper part is like a petal, a wave or a graceful dancing skirt, while the lower part uses neat outline to set off, and makes it look more stereoscopic.

PRODUCT DESIGN

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PRODUCT DESIGN


CHESS DESIGN The two teams are composed of sweet and savoury. I used afternoon tea picnic as the theme, hoping through these exquisite food could bring players pleasant mood and fun, and enjoy the visual feast at the same time.

PRODUCT DESIGN

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PRODUCT DESIGN


冀

PRODUCT DESIGN

With repeated braids and twining way to make this paper light, making it present the a kind of beauty in ordered chaos, but also has the meaning of knitting the hopeful light.

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PRODUCT DESIGN


CHILDREN’S NB

This is the final presentation when I interning in Compal – design a notebook for elementary school students. In recent years, the environmental issues are getting more and more important, so I wanted to replace the previous papers and textbooks with notebooks, eliminating the unnecessary wastes. The appearance of it is designed to be round, and the color is vigorous and warm orange. In order to reduce the damage rate from child, the hinge part was designed 360 all-round.

PRODUCT DESIGN

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PRODUCT DESIGN


LIGHTREE In Taiwan, whether the fire, light or socket access are easy to get, while it is not that easy to use in a remote war or a backward country. Therefore, we hope that through the lightree could use solar energy to charge the its bulb, so that people could take it back home at dark night, then recharge it in daytime and use it in recyclable way.

designers : : : :

Hsiao Hsuan Chen Meng Wen Chen Yin sheng Tsai Yun lee

PRODUCT DESIGN

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PORTFOLIO  
PORTFOLIO  
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