REFRESH a group exhibition
REFRESH a group exhibition
BRENT DEDAS
MARTHA CLIPPINGER
EVERETT HOFFMAN
KEVIN KENNEDY
MARY KIM
RACHEL MEGINNES
JAYDAN MOORE
LYDIA J MUSCO
PETER GLENN OAKLEY
ELLIE RICHARDS
LYNN SAVILLE
KATIE WALKER
FLETCHER WILLIAMS
ON VIEW THROUGH SUMMER 2023
COVER: Detail of work by RACHEL MEGINNES. RIGHT: Installation view of work by MARTHA CLIPPINGER, KEVIN KENNEDY, and MARY KIM.
Installation photos by Lydia Bittner-Baird. For inquiries, email: info@hodgestaylor.com.
WORKS ON VIEW
FLETCHER WILLIAMS
Moonglade 1, 2022
Acrylic on paper
50 x 38 inches unframed
5800 framed
LYDIA MUSCO
Daily Drawing Project, 2022
Concrete pigments on Yupo paper
5 x 5 inches each 250 each unframed
“While this piece is obviously referential, I do not think of it (or any of my work) as representational, and certainly not allegorical. I enjoy thinking of my work as being in conversation with history, either real or imagined. I see this particular work in dialogue with the Venus of Willendorf. They have much in common: both are done in stone by hand using simple tools, and they are nearly the exact same size.
I imagine the Venus of Willendorf as talismanic: calling down fertility or companionship, or erotic, maybe a fetish object, or a vehicle of worship of some deity. Our power to simply make a telephone call and get what we want or need parallels this, and our needs or desires are increasingly embodied in these objects (our phones) that are now fetishized themselves and held in places of great importance in our lives.
I intend this object to be read however it may be read. I believe the surface of it, the form, is beautiful and interesting, and that most readings of it will begin there or end there, in the simple visual experience. However deep one wishes to go or not go beneath the surface is fine with me, because I have no way of knowing what another person may bring to their reading of this sculpture. I hope that people will find it amusing or moving or beautiful or absurd, because I find it to be all of these things. It is very gratifying for me to imagine that I am in communication with unknown persons, either in the past or in the future.”
PETER GLENN OAKLEY:
PETER GLENN OAKLEY Telephone 4 (after Venus of Willendort), 2023 Hand-carved Belgian black marble 6.5 x 2.5 x 1.5 inches
6000
MARTHA CLIPPINGER
Untitled, 2022
Hand dyed wool
82.5 x 49 inches
3500
Woven by Licha González Ruiz and Agustín Contreras López
Installation view of work by KEVIN KENNEDY, LEIGH SUGGS, EVERETT HOFFMAN, and KATIE WALKER
KEVIN KENNEDY
Measured Time, 2022
Painted wood, lead, string 41 x 50 x 1.5 inches
3600
LEIGH
Better Luck Next Time, 2020
Hand cut, acrylic on Yupo paper
20.25 x 18 inches framed 2750 framed
SUGGS
Tenderly, 2021
Smile, 2023
Bronze, vintage rhinestones, light fittings
Dimensions variable
1800 to 2900
EVERETT HOFFMAN
KEVIN KENNEDY
Opportune,
60 x 6 x 8 inches
3600
KATIE WALKER
Acrylic
38 x 36 inches
4500 framed
2022
Wood, graphite
Complimentary color diagram of the division of space in my bedroom, 2021
on canvas
Detail of work by KATIE WALKER
Installation view of work by KATIE WALKER
Acrylic on panel
12 x 12 inches each 900 each framed
Installation view of work by JAYDAN MOORE, BRENT DEDAS, and RACHEL MEGINNES
BRENT DEDAS
All Together Under the Cosmic Sky Cyanotype / organic components and the presence of living honeybees
33.5 x 53 inches overall framed
3200 framed (pair)
JAYDAN MOORE
Banner #3, 2020
Found silver-plated platters
18 x 24 x 2 inches
4000
32 x 178 inches
8600
RACHEL MEGINNES
Can't We Build A Bridge, 2017
Deconstructed quilt, cotton batting, hand stitching, acrylic
Installation view of work by MARY KIM and LYNN SAVILLE
LYNN SAVILLE
Girl on the High Line, 2009
Chromogenic print
30 x 40 inches (paper)
6100 framed
MARY KIM
From the series Folds, 2021
Acrylic on polypropylene
Dimensions variable
800 to 1500 each
Installation
of
view
REFRESH
ELLIE RICHARDS
Sculptural Forms: Collection in Shades of White, 2022
Mixed wood, layered milk paint
Dimensions variable
1200 for the group of 11
BRENT DEDAS
Ghosts No. 05
Cyanotype / organic components and the presence of living honeybees
21 x 17 inches framed
800 framed
For inquiries, contact: info@hodgestaylor.com HODGES TAYLOR 1414 S Tryon St, Ste 130 Charlotte, NC 28213
