Issuu on Google+

HI-DESIGN INTERNATIONAL PUBLISHING CO., LTD. is a professional publishing company specialized in publishing, planning and promoting books about architecture, interior design, landscape design, graphic design, culture and art. With extensive range of globalized resources, we plan and publish hi-quality hardcover books which are sold all over the world. Address: Room 407, Building B, i-Park, 26 Dengliang Road, Nanshan District, Shenzhen 518054, China Tel: 0755-86586558 Fax: 0755-86586558 Email: info@hi-design.hk http://issuu.com/hidesignpublish

www.hi-design.hk

定价:780.00元


PREFACE Peter Joehnk Co-managing Director, JOI-Design 彼特 • 乔恩克 JOI 设计公司,联席董事总经理

At JOI-Design, we have adopted the phrase “Shaping Atmosphere” as our mantra because this idea is at the heart of everything we do as hospitality designers. We, along with our industry colleagues, are aiming to shape just exactly the right “atmosphere” that will not only meet, but exceed, the expectations of the guests who use the spaces. To do so, it’s essential to recognise that hospitality design is a permanent compromise between functionality, housekeeping/maintenance issues, and creating a stylish environment for guests.

序言一

在 JOI 设计公司,我们都把那句“营造气氛”作为我们的口头禅,

同时,设计师必须具有高度的洞察力——我们叫它直觉——能够产

因为这是我们作为热情的设计师,为客户所做的一切事情的核心。我们

生创新的东西,但又不会过于意外,这样,客人们既会惊喜和好奇,又

愿与业界人士一同致力于打造最恰当最合适的“氛围”,不仅仅满足客

会感觉很舒服很亲切。

户的需要,更要超乎他们的期待。要做到这一点,我们必须认识到酒店 设计实际是一次永久性的让步,是在功能、家政 / 维修和为客户创造最 时尚环境之间的妥协。 在过去的十年里,一直存在着巨大的转换,到底是应该优先考虑功

Over the last 10 years there has been a massive shift from prioritising functionality and ease-of-maintenance towards placing a greater emphasis upon “design”. Hoteliers have woken up to the realisation that design is one of the most important tools in their marketing kit for attracting guests – and that functionality and maintenance are issues which can be resolved without sacrificing style. Although of course a responsible designer still avoids the use of white carpeting in a restaurant!

能和易于维修还是应该更加关注于“设计”。酒店经营者曾试图唤醒大家,

To fully satisfy these expectations, we need to understand what kinds of guests the property wishes to attract, what marketing and business angles the hotel will adopt, and what types of amenities would be anticipated from this specific product in this location. Next we must interpret how these objectives can be translated into an atmosphere, and then envision how this desired atmosphere could be transferred into the given space.

户,会采取什么样的营销手段,以及为了符合该地区的环境需要配备什

设计才是他们营销策略当中最重要的一项,才是能够吸引客人的法宝, 而功能性的实现和维修的简化并不是必须牺牲时尚感才能解决的。尽管 负责任的设计师仍然会避免在餐厅使用白色的地毯! 为了充分满足这些期望,我们需要了解酒店希望吸引什么类型的客 么样的设施。接下来,我们必须解释一下,这些目标如何能被用于氛围

酒店设计并不需要高调、华而不实的新设计思路。客人在酒店里, 酒吧里,餐厅里和水疗中心里想要的是安全感——甚至还有舒适感—— 这些地方是他们放松身心,调理身体,品尝美食,以及享受温泉的地方。 这样的氛围和外贸展会以及时尚精品零售的环境截然不同,后者需 要戏剧化,几分钟内就要抓住人们的眼球,而不是吸引他们徘徊几个小时。 当然,一个城市酒吧的室内设计理念与瑞士阿尔卑斯山脚下的苏黎世餐 厅的氛围也是不同的,就像丽兹卡尔顿酒店的风格要有别于宜必思酒店 的风格。 然而,所有上述情况中都不能遗忘了酒店的功能性和易于维修这两 点。所以,当一个设计师深入开展工作时,才会发现原来“营造气氛” 对于酒店设计来说是如此复杂的工作描述!

当中,然后再设想这样的氛围怎样能应用到指定的空间当中。

At the same time, a designer has to have the insight – let’s call it intuition – to come up with something innovative, but not too unexpected, so that guests are intrigued by delightful surprises but also feel comfortable and nurtured. Hospitality design does not need loud and flashy new design ideas. Guest in hotels, bars, restaurants and spas want to feel safe and secure – and maybe even cosy – since usually these are places where people go to relax, recover and savour a gastronomy, wine, or spa experience. These atmospheres are quite a contrast from those of a trade fair stand or a stylish retail boutique, which are designed to be particularly dramatic in order to capture people’s attention for only a few moments rather than encourage them to linger for hours. And naturally the interior design concept of an urban bar must be different from the atmosphere of a Swiss Alpine “raclette stuebli”, just as a Ritz-Carlton hotel needs a different style than an Ibis property. Yet in all these scenarios, functionality and ease-of-maintenance cannot be forgotten. So when one digs deeper, it turns out that this idea of “Shaping Atmosphere” is a rather complex job description for hospitality design!

4

5


PREFACE Peter Joehnk Co-managing Director, JOI-Design 彼特 • 乔恩克 JOI 设计公司,联席董事总经理

At JOI-Design, we have adopted the phrase “Shaping Atmosphere” as our mantra because this idea is at the heart of everything we do as hospitality designers. We, along with our industry colleagues, are aiming to shape just exactly the right “atmosphere” that will not only meet, but exceed, the expectations of the guests who use the spaces. To do so, it’s essential to recognise that hospitality design is a permanent compromise between functionality, housekeeping/maintenance issues, and creating a stylish environment for guests.

序言一

在 JOI 设计公司,我们都把那句“营造气氛”作为我们的口头禅,

同时,设计师必须具有高度的洞察力——我们叫它直觉——能够产

因为这是我们作为热情的设计师,为客户所做的一切事情的核心。我们

生创新的东西,但又不会过于意外,这样,客人们既会惊喜和好奇,又

愿与业界人士一同致力于打造最恰当最合适的“氛围”,不仅仅满足客

会感觉很舒服很亲切。

户的需要,更要超乎他们的期待。要做到这一点,我们必须认识到酒店 设计实际是一次永久性的让步,是在功能、家政 / 维修和为客户创造最 时尚环境之间的妥协。 在过去的十年里,一直存在着巨大的转换,到底是应该优先考虑功

Over the last 10 years there has been a massive shift from prioritising functionality and ease-of-maintenance towards placing a greater emphasis upon “design”. Hoteliers have woken up to the realisation that design is one of the most important tools in their marketing kit for attracting guests – and that functionality and maintenance are issues which can be resolved without sacrificing style. Although of course a responsible designer still avoids the use of white carpeting in a restaurant!

能和易于维修还是应该更加关注于“设计”。酒店经营者曾试图唤醒大家,

To fully satisfy these expectations, we need to understand what kinds of guests the property wishes to attract, what marketing and business angles the hotel will adopt, and what types of amenities would be anticipated from this specific product in this location. Next we must interpret how these objectives can be translated into an atmosphere, and then envision how this desired atmosphere could be transferred into the given space.

户,会采取什么样的营销手段,以及为了符合该地区的环境需要配备什

设计才是他们营销策略当中最重要的一项,才是能够吸引客人的法宝, 而功能性的实现和维修的简化并不是必须牺牲时尚感才能解决的。尽管 负责任的设计师仍然会避免在餐厅使用白色的地毯! 为了充分满足这些期望,我们需要了解酒店希望吸引什么类型的客 么样的设施。接下来,我们必须解释一下,这些目标如何能被用于氛围

酒店设计并不需要高调、华而不实的新设计思路。客人在酒店里, 酒吧里,餐厅里和水疗中心里想要的是安全感——甚至还有舒适感—— 这些地方是他们放松身心,调理身体,品尝美食,以及享受温泉的地方。 这样的氛围和外贸展会以及时尚精品零售的环境截然不同,后者需 要戏剧化,几分钟内就要抓住人们的眼球,而不是吸引他们徘徊几个小时。 当然,一个城市酒吧的室内设计理念与瑞士阿尔卑斯山脚下的苏黎世餐 厅的氛围也是不同的,就像丽兹卡尔顿酒店的风格要有别于宜必思酒店 的风格。 然而,所有上述情况中都不能遗忘了酒店的功能性和易于维修这两 点。所以,当一个设计师深入开展工作时,才会发现原来“营造气氛” 对于酒店设计来说是如此复杂的工作描述!

当中,然后再设想这样的氛围怎样能应用到指定的空间当中。

At the same time, a designer has to have the insight – let’s call it intuition – to come up with something innovative, but not too unexpected, so that guests are intrigued by delightful surprises but also feel comfortable and nurtured. Hospitality design does not need loud and flashy new design ideas. Guest in hotels, bars, restaurants and spas want to feel safe and secure – and maybe even cosy – since usually these are places where people go to relax, recover and savour a gastronomy, wine, or spa experience. These atmospheres are quite a contrast from those of a trade fair stand or a stylish retail boutique, which are designed to be particularly dramatic in order to capture people’s attention for only a few moments rather than encourage them to linger for hours. And naturally the interior design concept of an urban bar must be different from the atmosphere of a Swiss Alpine “raclette stuebli”, just as a Ritz-Carlton hotel needs a different style than an Ibis property. Yet in all these scenarios, functionality and ease-of-maintenance cannot be forgotten. So when one digs deeper, it turns out that this idea of “Shaping Atmosphere” is a rather complex job description for hospitality design!

4

5


PREFACE Dorothee Meilichzon Founder, Chzon Design 多罗斯 • 梅里乔佐恩 Chzon 设计公司创建人

序言二

While travelling, a hotel becomes a second home. Sometimes I even wish hotels were my only home, even in my own city! You feel protected, every one of your wishes is fulfilled. It is soft, welcoming and gentle. At least that is how I want it to be: a little break in a crowded city, a new environment, unique and soft, where travellers share a night of rest. And a hotel is not a neutral space, it is meant to be a place of experimentation, where people can get the opportunity to test new kinds of living. Either hotels feature new experiences that you probably won’t be able to have at home, such as: a movie theatre , swimming pool, art gallery, concierge services… Or, a hotel could feature new concepts, for example within its scenography or by taking aesthetic risks, by being surrealistic-historical-ultra modern… But more and more, hotels are willing to go for "environmentally friendly". Willing to melt into the landscape – by saving energy, or by a conscious architecture. Not that they want to act low profile but the focus is more about being conscientious, and innovative.

人在旅途,酒店就是第二个家。有时,我甚至希望酒店就是我真正

这与酒店自身的理念是完全相符的。在旅途中,你如同一块海绵,

的家,就在我自己的城市。在那里,你会感觉自己是被保护的,每一个

每一个细胞都是清醒的。这就意味着你所休息的地方应该反映出你周围

愿望都会实现。这里温馨又热情,至少我希望酒店是这样的:喧嚣城市

的美景。

中的一片栖息之地,全新的环境,独特而温柔,旅途中在此停下来与他 人共享这一夜的放松。 酒店并不是一处中性的空间,而是一片实验之地,人们可以有机会 体验新的生活方式。无论是那些你在家里不会享受到的新体验,比如电 影院、游泳池、艺术画廊、礼宾服务等。还是酒店独有的新理念,例如 配景设计、审美冒险、超现实主义—古典—超现代风格等。

因此,当所有事物都倾向于“世界化”时,酒店反而转向“本土化”! 它们属于自己所占的那片土地,同时也在此获取灵感。所以,人们不再 将正方形的概念强加于圆形的外观之上,设计师和装潢师的灵感应该来 自于建筑的构造、街道的色彩、周围的景致等等。 这就是我在为去年十一月开业的位于巴黎市中心的天堂酒店进行设 计时的出发点,我一直在考虑客人入住的体验。我四处徘徊,在“小马

但越来越多的酒店倾向于“环保”,  更愿意融入到原有的景观当中——

厩街道”(酒店所处街道)到处寻找灵感,最后在典型的巴黎建筑、悠

通过采取节约能源措施,或是进行有意识地架构。这不并是说它们想要

久的历史、城市的颜色,当然还有你所期望的舒适和休闲的理念中形成

低调行事,而是更加强调认真和创新。

了我的思路。一所属于周围建筑的小家,一片融于周围环境的热情之地。

It is very consistent with the idea of the hotel itself. While travelling you are a sponge, your senses are awake. The place you are resting in should reflect the landscape that surrounds you. So while everything was willing to go "worldwilde", hotels are turning "local" ! They belong to their location, and are inspired by it. So instead of fitting a square concept, into a round box, decorators & designers should be inspired by the architecture of its building, the colours of the streets, the landscape… That was my starting point when I started to think of the housing experience at the Hotel Paradis, opened last November and located in the centre of Paris. I walked around, looking for inspiration on the "rue des petites Ecuries " (where the hotel is located), by the typical architecture of Paris, the history and the colour of the city, and by of course the idea of comfort and rest you expect. A little home, that belongs to the neighbourhood, that melts into it, a friendly place in its environment !

6

7


PREFACE Dorothee Meilichzon Founder, Chzon Design 多罗斯 • 梅里乔佐恩 Chzon 设计公司创建人

序言二

While travelling, a hotel becomes a second home. Sometimes I even wish hotels were my only home, even in my own city! You feel protected, every one of your wishes is fulfilled. It is soft, welcoming and gentle. At least that is how I want it to be: a little break in a crowded city, a new environment, unique and soft, where travellers share a night of rest. And a hotel is not a neutral space, it is meant to be a place of experimentation, where people can get the opportunity to test new kinds of living. Either hotels feature new experiences that you probably won’t be able to have at home, such as: a movie theatre , swimming pool, art gallery, concierge services… Or, a hotel could feature new concepts, for example within its scenography or by taking aesthetic risks, by being surrealistic-historical-ultra modern… But more and more, hotels are willing to go for "environmentally friendly". Willing to melt into the landscape – by saving energy, or by a conscious architecture. Not that they want to act low profile but the focus is more about being conscientious, and innovative.

人在旅途,酒店就是第二个家。有时,我甚至希望酒店就是我真正

这与酒店自身的理念是完全相符的。在旅途中,你如同一块海绵,

的家,就在我自己的城市。在那里,你会感觉自己是被保护的,每一个

每一个细胞都是清醒的。这就意味着你所休息的地方应该反映出你周围

愿望都会实现。这里温馨又热情,至少我希望酒店是这样的:喧嚣城市

的美景。

中的一片栖息之地,全新的环境,独特而温柔,旅途中在此停下来与他 人共享这一夜的放松。 酒店并不是一处中性的空间,而是一片实验之地,人们可以有机会 体验新的生活方式。无论是那些你在家里不会享受到的新体验,比如电 影院、游泳池、艺术画廊、礼宾服务等。还是酒店独有的新理念,例如 配景设计、审美冒险、超现实主义—古典—超现代风格等。

因此,当所有事物都倾向于“世界化”时,酒店反而转向“本土化”! 它们属于自己所占的那片土地,同时也在此获取灵感。所以,人们不再 将正方形的概念强加于圆形的外观之上,设计师和装潢师的灵感应该来 自于建筑的构造、街道的色彩、周围的景致等等。 这就是我在为去年十一月开业的位于巴黎市中心的天堂酒店进行设 计时的出发点,我一直在考虑客人入住的体验。我四处徘徊,在“小马

但越来越多的酒店倾向于“环保”,  更愿意融入到原有的景观当中——

厩街道”(酒店所处街道)到处寻找灵感,最后在典型的巴黎建筑、悠

通过采取节约能源措施,或是进行有意识地架构。这不并是说它们想要

久的历史、城市的颜色,当然还有你所期望的舒适和休闲的理念中形成

低调行事,而是更加强调认真和创新。

了我的思路。一所属于周围建筑的小家,一片融于周围环境的热情之地。

It is very consistent with the idea of the hotel itself. While travelling you are a sponge, your senses are awake. The place you are resting in should reflect the landscape that surrounds you. So while everything was willing to go "worldwilde", hotels are turning "local" ! They belong to their location, and are inspired by it. So instead of fitting a square concept, into a round box, decorators & designers should be inspired by the architecture of its building, the colours of the streets, the landscape… That was my starting point when I started to think of the housing experience at the Hotel Paradis, opened last November and located in the centre of Paris. I walked around, looking for inspiration on the "rue des petites Ecuries " (where the hotel is located), by the typical architecture of Paris, the history and the colour of the city, and by of course the idea of comfort and rest you expect. A little home, that belongs to the neighbourhood, that melts into it, a friendly place in its environment !

6

7


CONTENTS

目录

FITZWILLIAM HOTEL BELFAST

HILTON CHENNAI HOTEL The St. Regis Bangkok 曼谷瑞吉酒店

12

印度钦奈希尔顿酒店

HILTON FRANKFURT AIRPORT The St. Regis Abu Dhabi 阿布扎比瑞吉酒店

26

法兰克福机场希尔顿酒店

W HOTEL PARIS-OP É RA W Singapore - Sentosa Cove 新加坡圣陶沙湾 W 酒店

38

巴黎歌剧院 W 酒店

JW MARRIOTT CHICAGO HOTEL JW Marriott Cannes 戛纳 JW 万豪酒店

44

芝加哥 JW 万豪酒店

HILTON MUNICH PARK SHERATON BANGALORE HOTEL 班加罗尔喜来登酒店

52

慕尼黑希尔顿公园酒店

EAST HONG KONG 香港东隅酒店

KEMPINSKI NILE HOTEL The St. Regis Bangkok HOLIDAY INN PINGGAO 上海松江平高假日酒店

SHANGRI-LA HOTEL XI'AN 西安香格里拉酒店

YINCHUAN KEMPINSKI HOTEL 银川凯宾斯基酒店

8

尼罗河凯宾斯基酒店

64

RADISSON SUITES BANGKOK

76

FITZWILLIAM HOTEL BELFAST

88

KAMEHA GRAND BONN

曼谷丽笙套房酒店

贝尔法斯特费兹威廉酒店

波恩卡梅哈大酒店

98

JW Marriott Cannes

106 116 126 140 150 156 172 182 190

9


CONTENTS

目录

FITZWILLIAM HOTEL BELFAST

HILTON CHENNAI HOTEL The St. Regis Bangkok 曼谷瑞吉酒店

12

印度钦奈希尔顿酒店

HILTON FRANKFURT AIRPORT The St. Regis Abu Dhabi 阿布扎比瑞吉酒店

26

法兰克福机场希尔顿酒店

W HOTEL PARIS-OP É RA W Singapore - Sentosa Cove 新加坡圣陶沙湾 W 酒店

38

巴黎歌剧院 W 酒店

JW MARRIOTT CHICAGO HOTEL JW Marriott Cannes 戛纳 JW 万豪酒店

44

芝加哥 JW 万豪酒店

HILTON MUNICH PARK SHERATON BANGALORE HOTEL 班加罗尔喜来登酒店

52

慕尼黑希尔顿公园酒店

EAST HONG KONG 香港东隅酒店

KEMPINSKI NILE HOTEL The St. Regis Bangkok HOLIDAY INN PINGGAO 上海松江平高假日酒店

SHANGRI-LA HOTEL XI'AN 西安香格里拉酒店

YINCHUAN KEMPINSKI HOTEL 银川凯宾斯基酒店

8

尼罗河凯宾斯基酒店

64

RADISSON SUITES BANGKOK

76

FITZWILLIAM HOTEL BELFAST

88

KAMEHA GRAND BONN

曼谷丽笙套房酒店

贝尔法斯特费兹威廉酒店

波恩卡梅哈大酒店

98

JW Marriott Cannes

106 116 126 140 150 156 172 182 190

9


KEMPINSKI NILE HOTEL

MONDRIAN SOUTH BEACH RICA HOTEL NARVIK 纳尔维克哥斯达黎加酒店

THE OTERRA HOTEL 印度班加罗尔欧特拉酒店

ICELANDAIR HOTEL REYKJAVIK MARINA

202

ALT TORONTO

214

NEW HOTEL IN ATHENS 雅典新酒店

228

博塔格城市酒店

MONDRIAN SOUTH BEACH 蒙德里安南海滩酒店

NHOW HOTEL 恩豪酒店

冰岛雷克雅未克滨海酒店

PORTAGO URBAN HOTEL

多伦多皮尔森奥特酒店

238

ROMEO HOTEL

248

QT Sydney

罗密欧酒店

曲特悉尼酒店

QT Gold Coast 曲特黄金海岸酒店

THE CLUB HOTEL 俱乐部酒店

25 HOURS HOTEL ZÜ RICH WEST

260 266 280 288 302 312 324 334

苏黎世西区 25 小时酒店

HÔ TEL PARADIS 天堂酒店

QUALITY HOTEL EXPO 博览会品质酒店

10

350 360

INDEX 索引

380

11


KEMPINSKI NILE HOTEL

MONDRIAN SOUTH BEACH RICA HOTEL NARVIK 纳尔维克哥斯达黎加酒店

THE OTERRA HOTEL 印度班加罗尔欧特拉酒店

ICELANDAIR HOTEL REYKJAVIK MARINA

202

ALT TORONTO

214

NEW HOTEL IN ATHENS 雅典新酒店

228

博塔格城市酒店

MONDRIAN SOUTH BEACH 蒙德里安南海滩酒店

NHOW HOTEL 恩豪酒店

冰岛雷克雅未克滨海酒店

PORTAGO URBAN HOTEL

多伦多皮尔森奥特酒店

238

ROMEO HOTEL

248

QT Sydney

罗密欧酒店

曲特悉尼酒店

QT Gold Coast 曲特黄金海岸酒店

THE CLUB HOTEL 俱乐部酒店

25 HOURS HOTEL ZÜ RICH WEST

260 266 280 288 302 312 324 334

苏黎世西区 25 小时酒店

HÔ TEL PARADIS 天堂酒店

QUALITY HOTEL EXPO 博览会品质酒店

10

350 360

INDEX 索引

380

11


The St. Regis Bangkok 曼谷瑞吉酒店 Designer Studioaria

Contributor St. Regis Bangkok

Location Bangkok, Thailand

The St. Regis Bangkok occupies levels 12-24 of a 47-storey mixed-use development in the heart of Bangkok, together with 53 residential units that make up The Residences at St. Regis Bangkok. Exquisite design, commanding views, meticulous attention to detail and uncompromising St. Regis services and amenities ensure an exceptional guest experience. Appearing austere from afar, upon closer inspection the facades reveal a highly textured marriage of stainless steel, black granite, and glass. White aluminum banding at each floor illustrates the connection between the urban scale of the building and the human scale of its components. Meticulous detailing of design elements including the windows, handrails and canopies bring a gracious touch to The St. Regis Bangkok, creating an emotional connection for the guests from the moment of arrival until their departure. Entering The St. Regis Bangkok through impressive carved timber and 12

area 97,600m2

COMPLETION 2011

nickel-framed glass doors bearing the St. Regis emblem, guests will be greeted or assisted by waiting staff. To the left and right, The St. Regis Bangkok’s signature restaurants are concealed by a Thai screen during the day and revealed dramatically in the evening, when the restaurant is open. On both sides of the entry, guests will find the social lounge, where they can enjoy coffee, tea or cocktails. Guests can wait, work or relax with privacy in the lounge, outfitted with a mix of comfortable sofas and lounge chairs in cream, charcoal and dark plum; seating pods with wing-back chairs; a side console; magazines and newspapers; and decorative reading lamps. Inspired by Thai basket weaving and made with carved timber and backlit Thai silk, the rear wall of the lobby features deconstructed bronze Thai pots in bronze, illuminated from within for casting shadows on the white Thai silk behind. Additional accessories and artwork are a mix of contemporary and classic Thai. 13


The St. Regis Bangkok 曼谷瑞吉酒店 Designer Studioaria

Contributor St. Regis Bangkok

Location Bangkok, Thailand

The St. Regis Bangkok occupies levels 12-24 of a 47-storey mixed-use development in the heart of Bangkok, together with 53 residential units that make up The Residences at St. Regis Bangkok. Exquisite design, commanding views, meticulous attention to detail and uncompromising St. Regis services and amenities ensure an exceptional guest experience. Appearing austere from afar, upon closer inspection the facades reveal a highly textured marriage of stainless steel, black granite, and glass. White aluminum banding at each floor illustrates the connection between the urban scale of the building and the human scale of its components. Meticulous detailing of design elements including the windows, handrails and canopies bring a gracious touch to The St. Regis Bangkok, creating an emotional connection for the guests from the moment of arrival until their departure. Entering The St. Regis Bangkok through impressive carved timber and 12

area 97,600m2

COMPLETION 2011

nickel-framed glass doors bearing the St. Regis emblem, guests will be greeted or assisted by waiting staff. To the left and right, The St. Regis Bangkok’s signature restaurants are concealed by a Thai screen during the day and revealed dramatically in the evening, when the restaurant is open. On both sides of the entry, guests will find the social lounge, where they can enjoy coffee, tea or cocktails. Guests can wait, work or relax with privacy in the lounge, outfitted with a mix of comfortable sofas and lounge chairs in cream, charcoal and dark plum; seating pods with wing-back chairs; a side console; magazines and newspapers; and decorative reading lamps. Inspired by Thai basket weaving and made with carved timber and backlit Thai silk, the rear wall of the lobby features deconstructed bronze Thai pots in bronze, illuminated from within for casting shadows on the white Thai silk behind. Additional accessories and artwork are a mix of contemporary and classic Thai. 13


14

15


14

15


曼谷瑞吉酒店位于曼谷市中心一座 47 层商住一体大厦的 12 层至 24 层,与其他 53 个住宅楼盘一起构成了曼谷瑞吉公寓。精美的设计、壮观 的风景、对细节的一丝不苟以及优质的服务和设施为客人提供非凡的入住体验。 远远望去,酒店外观很简朴,仔细观察,就会看到不锈钢、黑色花岗岩和大块玻璃的完美融合,极具质感。每一层环绕的白色铝条既彰显了酒 店大厦的宏伟壮观,又体现了其设计元素的人文特色。设计师对细节的设计一丝不苟,从窗户、扶手到檐篷,在客人抵达瑞吉的一瞬间便建立了一 种微妙的情感联系,将客人温柔地引入酒店。 穿过雕刻实木装饰的镍框玻璃门,上面带有酒店的店徽,便来到了瑞吉酒店的大堂,工作人员会上前迎接并招待客人。左右两边是瑞吉酒店的 招牌餐厅,白天由泰国屏风遮挡,完全看不出来,夜晚营业时便会戏剧性地出现。入口的两侧会看到社交休息厅,客人可以在此享受咖啡、茶和美 酒。他们可以在这里等朋友,工作或独自放松,这里配备了舒适的沙发和躺椅,前面摆放着奶酪、炭笔和乌梅;豆荚式的安乐椅;测控台;杂志报 纸以及精致的灯具。 大堂后壁墙的设计灵感来自于泰国手工编织的花篮,以雕刻实木和背光泰国丝绸为背景,上面点缀着泰国青铜壶的碎片,灯光下映射在背后的 丝绸上。附加的饰品和艺术品将泰式经典和现代流行完美地结合在一起。

16

17


曼谷瑞吉酒店位于曼谷市中心一座 47 层商住一体大厦的 12 层至 24 层,与其他 53 个住宅楼盘一起构成了曼谷瑞吉公寓。精美的设计、壮观 的风景、对细节的一丝不苟以及优质的服务和设施为客人提供非凡的入住体验。 远远望去,酒店外观很简朴,仔细观察,就会看到不锈钢、黑色花岗岩和大块玻璃的完美融合,极具质感。每一层环绕的白色铝条既彰显了酒 店大厦的宏伟壮观,又体现了其设计元素的人文特色。设计师对细节的设计一丝不苟,从窗户、扶手到檐篷,在客人抵达瑞吉的一瞬间便建立了一 种微妙的情感联系,将客人温柔地引入酒店。 穿过雕刻实木装饰的镍框玻璃门,上面带有酒店的店徽,便来到了瑞吉酒店的大堂,工作人员会上前迎接并招待客人。左右两边是瑞吉酒店的 招牌餐厅,白天由泰国屏风遮挡,完全看不出来,夜晚营业时便会戏剧性地出现。入口的两侧会看到社交休息厅,客人可以在此享受咖啡、茶和美 酒。他们可以在这里等朋友,工作或独自放松,这里配备了舒适的沙发和躺椅,前面摆放着奶酪、炭笔和乌梅;豆荚式的安乐椅;测控台;杂志报 纸以及精致的灯具。 大堂后壁墙的设计灵感来自于泰国手工编织的花篮,以雕刻实木和背光泰国丝绸为背景,上面点缀着泰国青铜壶的碎片,灯光下映射在背后的 丝绸上。附加的饰品和艺术品将泰式经典和现代流行完美地结合在一起。

16

17


18

19


18

19


20

21


20

21


22

23


22

23


24

25


24

25


The St. Regis Abu Dhabi 阿布扎比瑞吉酒店 DESIGNER Hirsch Bedner Associates(HBA)

Location Abu Dhabi, UAE

COMPLETION 2013

Marking the brand’s second hotel in Abu Dhabi and third St. Regis hotel to open in the Middle East, the St. Regis Abu Dhabi continues to reinforce Starwood’s position as a leader in luxury hospitality. The hotel, located on the vibrant Corniche in the heart of the UAE capital, has been designed by internationally-acclaimed Hirsch Bedner Associates (HBA) to marry the majestic metropolitan manor design of the flagship St. Regis New York with rich Arabic culture and the opulent Art Deco era. The St. Regis Abu Dhabi features 283 sumptuouslyappointed guest rooms, including 55 elegant suites, all offering panoramic waterfront views of the Arabian Gulf. The luxurious interiors feature traditional Arabian elements, from the dentils on the crown molding on the bed posts to the subtle pattern in soft gold carpeting. The classical-style furniture is made with polished dark walnut with sleek curves and ornate detailing. The walls and ceilings are clad in white stone mosaic, with exquisite carved marble moldings at each doorway, corner and seam. The extravagant Abu Dhabi Suite is the world’s highest suspended hotel suite – loftily positioned 200 metres above ground between the two towers and offering magnificent panoramic views of the Arabian Gulf, the Corniche, and the city skyline.Spanning 1,120 square metres, the three-bedroom, two-storey suite occupies part of the skybridge connecting the Nation Towers.  The Grand Drawing Room takes centre stage in the Abu Dhabi Suite - an intricate glass dome with Art Deco detailing and a dramatic bronze chandelier with cascading strands of crystals. The elaborate interiors feature 24-carat gold leaf accents, leather wall tiles, jewel-toned velvet upholstered walls, and intricate glass mosaic patterns. A graceful, curved staircase leads to the master suite, which includes a private bedroom, library, lounge and dining area. The Abu Dhabi Suite also features a spa, movie theatre, kitchen and gym, and comes with private elevator access.

26

27


The St. Regis Abu Dhabi 阿布扎比瑞吉酒店 DESIGNER Hirsch Bedner Associates(HBA)

Location Abu Dhabi, UAE

COMPLETION 2013

Marking the brand’s second hotel in Abu Dhabi and third St. Regis hotel to open in the Middle East, the St. Regis Abu Dhabi continues to reinforce Starwood’s position as a leader in luxury hospitality. The hotel, located on the vibrant Corniche in the heart of the UAE capital, has been designed by internationally-acclaimed Hirsch Bedner Associates (HBA) to marry the majestic metropolitan manor design of the flagship St. Regis New York with rich Arabic culture and the opulent Art Deco era. The St. Regis Abu Dhabi features 283 sumptuouslyappointed guest rooms, including 55 elegant suites, all offering panoramic waterfront views of the Arabian Gulf. The luxurious interiors feature traditional Arabian elements, from the dentils on the crown molding on the bed posts to the subtle pattern in soft gold carpeting. The classical-style furniture is made with polished dark walnut with sleek curves and ornate detailing. The walls and ceilings are clad in white stone mosaic, with exquisite carved marble moldings at each doorway, corner and seam. The extravagant Abu Dhabi Suite is the world’s highest suspended hotel suite – loftily positioned 200 metres above ground between the two towers and offering magnificent panoramic views of the Arabian Gulf, the Corniche, and the city skyline.Spanning 1,120 square metres, the three-bedroom, two-storey suite occupies part of the skybridge connecting the Nation Towers.  The Grand Drawing Room takes centre stage in the Abu Dhabi Suite - an intricate glass dome with Art Deco detailing and a dramatic bronze chandelier with cascading strands of crystals. The elaborate interiors feature 24-carat gold leaf accents, leather wall tiles, jewel-toned velvet upholstered walls, and intricate glass mosaic patterns. A graceful, curved staircase leads to the master suite, which includes a private bedroom, library, lounge and dining area. The Abu Dhabi Suite also features a spa, movie theatre, kitchen and gym, and comes with private elevator access.

26

27


作为喜达屋品牌在阿布扎比的第二家酒店及其在中东地区的第三家瑞吉酒店,阿布扎比瑞吉酒店继续捍卫着喜达屋豪华酒店领导者的地位。

奢华的阿布扎比套房是世界上最高的悬式酒店套房,高高地架在距离地面 200 米的两塔之间,置身其中,壮观的阿拉伯湾全景、滨海大道

该酒店地处阿联酋首都市中心的滨海大道上,由国际知名的赫西贝德纳设计公司 (HBA) 进行设计,巧妙地将瑞吉酒店纽约旗舰店的雄伟大都会

以及城市的天际线都尽收眼底。两层三室的套房占地 1120 平方米,占据了连接国塔的天桥的大部分区域。阿布扎比套房中心的巨型会客厅有一

式庄园设计与丰富的阿拉伯文化以及装饰艺术时代的华丽特征相结合。

个精美的玻璃圆顶,搭配了艺术时期特点的细节装饰,圆顶中心悬挂着用水晶串联着的铜质枝形吊灯。会客厅内饰精致,24K 金的叶形装饰,

阿布扎比瑞吉酒店内设 283 间豪华客房,包含 55 间典雅套房,所有房间内均可欣赏到阿拉伯湾的美丽海滨。从床柱上的皇冠嵌线上的齿状 装饰到柔软的金色地毯上的精细图案,奢华的内饰处处体现着传统的阿拉伯元素。古典风格的家具由深色抛光胡桃木所制,并搭配华丽的细节

皮革砖墙,宝石色天鹅绒软垫墙壁,以及精美的玻璃马赛克图案。优雅的曲形楼梯直通向主套房,主套房内包含一间私人卧室,图书馆,休息 室和就餐区。此外,阿布扎比套房内部还设有水疗中心、电影院、厨房以及带有私人电梯口的健身房。

装饰。墙壁和天花板上都镶嵌着白色石材马赛克,而每一个门道,每一处角落和接缝处都雕刻着精美的大理石线脚。

28

29


作为喜达屋品牌在阿布扎比的第二家酒店及其在中东地区的第三家瑞吉酒店,阿布扎比瑞吉酒店继续捍卫着喜达屋豪华酒店领导者的地位。

奢华的阿布扎比套房是世界上最高的悬式酒店套房,高高地架在距离地面 200 米的两塔之间,置身其中,壮观的阿拉伯湾全景、滨海大道

该酒店地处阿联酋首都市中心的滨海大道上,由国际知名的赫西贝德纳设计公司 (HBA) 进行设计,巧妙地将瑞吉酒店纽约旗舰店的雄伟大都会

以及城市的天际线都尽收眼底。两层三室的套房占地 1120 平方米,占据了连接国塔的天桥的大部分区域。阿布扎比套房中心的巨型会客厅有一

式庄园设计与丰富的阿拉伯文化以及装饰艺术时代的华丽特征相结合。

个精美的玻璃圆顶,搭配了艺术时期特点的细节装饰,圆顶中心悬挂着用水晶串联着的铜质枝形吊灯。会客厅内饰精致,24K 金的叶形装饰,

阿布扎比瑞吉酒店内设 283 间豪华客房,包含 55 间典雅套房,所有房间内均可欣赏到阿拉伯湾的美丽海滨。从床柱上的皇冠嵌线上的齿状 装饰到柔软的金色地毯上的精细图案,奢华的内饰处处体现着传统的阿拉伯元素。古典风格的家具由深色抛光胡桃木所制,并搭配华丽的细节

皮革砖墙,宝石色天鹅绒软垫墙壁,以及精美的玻璃马赛克图案。优雅的曲形楼梯直通向主套房,主套房内包含一间私人卧室,图书馆,休息 室和就餐区。此外,阿布扎比套房内部还设有水疗中心、电影院、厨房以及带有私人电梯口的健身房。

装饰。墙壁和天花板上都镶嵌着白色石材马赛克,而每一个门道,每一处角落和接缝处都雕刻着精美的大理石线脚。

28

29


30

31


30

31


32

33


32

33


34

35


34

35


36

37


36

37


W Singapore Sentosa Cove 新加坡圣陶沙湾 W 酒店 DESIGNER Rockwell Group

Scope 240 guest rooms, 2 restaurants, bar, living room, banquet hall, all public spaces

Services Provided Architectural Design, Interior Design, Custom Fabrics, Custom Furniture and Fixture Design

Location Singapore

Rockwell Group has teamed up with Starwood Hotels & Resorts Worldwide to design the W Singapore – Sentosa Cove, a cosmopolitan resort on Sentosa Island. Only 15 minutes from Singapore’s business and shopping districts, this lush tropical island provides the perfect setting for a hotel, spa and venue where business meets pleasure. The island’s beautiful beaches and nature create an ideal oasis easily accessible from the busy city. 38

AREA 1280m2

Client Starwood Hotels & Resorts Worldwide

Photographer Courtesy of Starwood Hotels and Resorts

completion 2012

Bringing the outside in, motifs and materials are drawn from Singapore and Sentosa Island. Orchids, rosewood and traditional floral textiles provide the inspiration and patterns to convey the warmth of the island. The environment reflects the influence of the island’s culture, sensibility and surroundings while keeping the chic fun of the W brand in the forefront.

39


W Singapore Sentosa Cove 新加坡圣陶沙湾 W 酒店 DESIGNER Rockwell Group

Scope 240 guest rooms, 2 restaurants, bar, living room, banquet hall, all public spaces

Services Provided Architectural Design, Interior Design, Custom Fabrics, Custom Furniture and Fixture Design

Location Singapore

Rockwell Group has teamed up with Starwood Hotels & Resorts Worldwide to design the W Singapore – Sentosa Cove, a cosmopolitan resort on Sentosa Island. Only 15 minutes from Singapore’s business and shopping districts, this lush tropical island provides the perfect setting for a hotel, spa and venue where business meets pleasure. The island’s beautiful beaches and nature create an ideal oasis easily accessible from the busy city. 38

AREA 1280m2

Client Starwood Hotels & Resorts Worldwide

Photographer Courtesy of Starwood Hotels and Resorts

completion 2012

Bringing the outside in, motifs and materials are drawn from Singapore and Sentosa Island. Orchids, rosewood and traditional floral textiles provide the inspiration and patterns to convey the warmth of the island. The environment reflects the influence of the island’s culture, sensibility and surroundings while keeping the chic fun of the W brand in the forefront.

39


罗克韦尔集团与喜达屋酒店及度假村集团联手设计了新加坡圣陶沙湾 W 酒店,使之成为圣

内外结合,酒店的主题设计和装修材料均取自于新加坡和圣淘沙岛本土。兰花、红木以及

淘沙岛上的一处国际化度假胜地。距离新加坡商业和购物中心只有 15 分钟的路程,这座郁郁

传统的花纹织品都向客人传递着海岛的热情温馨。虽然酒店的设施反映出海岛的文化、情感以

葱葱的热带海岛为酒店以及水疗中心的建造提供了完美的条件,客人们在此进行商务活动的同

及环境对其造成的影响,但依然在最前面位置保留了别致有趣的 W 品牌标志。

时还能享受各种乐趣。海岛美丽的海滩和自然风光营造出一片不远离繁忙都市的理想绿洲。

40

41


罗克韦尔集团与喜达屋酒店及度假村集团联手设计了新加坡圣陶沙湾 W 酒店,使之成为圣

内外结合,酒店的主题设计和装修材料均取自于新加坡和圣淘沙岛本土。兰花、红木以及

淘沙岛上的一处国际化度假胜地。距离新加坡商业和购物中心只有 15 分钟的路程,这座郁郁

传统的花纹织品都向客人传递着海岛的热情温馨。虽然酒店的设施反映出海岛的文化、情感以

葱葱的热带海岛为酒店以及水疗中心的建造提供了完美的条件,客人们在此进行商务活动的同

及环境对其造成的影响,但依然在最前面位置保留了别致有趣的 W 品牌标志。

时还能享受各种乐趣。海岛美丽的海滩和自然风光营造出一片不远离繁忙都市的理想绿洲。

40

41


42

43


42

43


JW Marriott Cannes 戛纳 JW 万豪酒店 Designer JOI-Design GmbH Interior Architects

Location Cannes, France

For the modernisation of JW Marriott Cannes public areas JOI-Design were charged with re-establishing the hotel’s reputation as the place to see and be seen in this glamorous destination, celebrated for its appeal amongst the international jet-set and Cannes International Film Festival, when the world’s glitterati descend upon the city each year. In referencing the site’s former occupant, the Palais des Festivals, the design concept recalls a sophisticated era of glamour that imbued the spirit of luxury without excess. Clean lines of the building’s 1980s architecture are carried into the interior design. Here, deluxe elegance is expressed through high quality materials, finely crafted details and a sophisticated palette of grey, chocolate, black and ivory accented with warm gold and champagne tones. Material finishes are pure and luxurious throughout. Entrance columns were transformed to emulate eye-catching “golden palms” with the port cochère suggesting a canopy of palm fronds. A “carpeted” staircase of dark marble inlaid with golden stone escorts guests into the hotel’s reception area. Inside, the lobby opens into an impressive five storeys in height where a dramatic light sculpture of delicate gold “leaves” cascades 20 metres into the centre, surrounded by striking marble-clad columns and rows of balconies reflected in a mirrored ceiling – all signifying a sanctuary to style and glamour.

44

Area 1,480m² (Renovation Area)

completion 2013

The design is more organic at ground level. An expansive polished pale marble floor is interspersed with seating areas defined by inlaid carpet of golden palm-frond patterns on a chocolate brown background; bronze “meridian lines” running through the marble and carpet connect separate materials and spaces. Seating includes graceful wingbacks and cosy club chairs with a communal sofa skilfully defining areas between the lobby and bar. A bar of sculptural curves in Macassar Ebony timber and burnished gold is the spot to enjoy a perfectly crafted martini while star spotting, while adjacent high-gloss Champagne tables with white leather seating are ideal for celebratory gatherings. JW Grill is an all-day-dining affair with a delightful outdoor terrace overlooking “La Croisette” and the dazzling seascape beyond. The ambience is warm and convivial, an inviting space appropriate for all occasions. Quality finishes of stone, leather and dark timber underline the stylish setting and smartly tailored upholstery provides comfort for a lingering repast. In keeping with the contemporary feel, detailing and accessories are discreet; the graceful ceiling constellation of crystal teardrop lighting a focal point as it elegantly snakes across the ceiling.

45


JW Marriott Cannes 戛纳 JW 万豪酒店 Designer JOI-Design GmbH Interior Architects

Location Cannes, France

For the modernisation of JW Marriott Cannes public areas JOI-Design were charged with re-establishing the hotel’s reputation as the place to see and be seen in this glamorous destination, celebrated for its appeal amongst the international jet-set and Cannes International Film Festival, when the world’s glitterati descend upon the city each year. In referencing the site’s former occupant, the Palais des Festivals, the design concept recalls a sophisticated era of glamour that imbued the spirit of luxury without excess. Clean lines of the building’s 1980s architecture are carried into the interior design. Here, deluxe elegance is expressed through high quality materials, finely crafted details and a sophisticated palette of grey, chocolate, black and ivory accented with warm gold and champagne tones. Material finishes are pure and luxurious throughout. Entrance columns were transformed to emulate eye-catching “golden palms” with the port cochère suggesting a canopy of palm fronds. A “carpeted” staircase of dark marble inlaid with golden stone escorts guests into the hotel’s reception area. Inside, the lobby opens into an impressive five storeys in height where a dramatic light sculpture of delicate gold “leaves” cascades 20 metres into the centre, surrounded by striking marble-clad columns and rows of balconies reflected in a mirrored ceiling – all signifying a sanctuary to style and glamour.

44

Area 1,480m² (Renovation Area)

completion 2013

The design is more organic at ground level. An expansive polished pale marble floor is interspersed with seating areas defined by inlaid carpet of golden palm-frond patterns on a chocolate brown background; bronze “meridian lines” running through the marble and carpet connect separate materials and spaces. Seating includes graceful wingbacks and cosy club chairs with a communal sofa skilfully defining areas between the lobby and bar. A bar of sculptural curves in Macassar Ebony timber and burnished gold is the spot to enjoy a perfectly crafted martini while star spotting, while adjacent high-gloss Champagne tables with white leather seating are ideal for celebratory gatherings. JW Grill is an all-day-dining affair with a delightful outdoor terrace overlooking “La Croisette” and the dazzling seascape beyond. The ambience is warm and convivial, an inviting space appropriate for all occasions. Quality finishes of stone, leather and dark timber underline the stylish setting and smartly tailored upholstery provides comfort for a lingering repast. In keeping with the contemporary feel, detailing and accessories are discreet; the graceful ceiling constellation of crystal teardrop lighting a focal point as it elegantly snakes across the ceiling.

45


JOI 设计公司被委任将戛纳 JW 万豪酒店的公共区域变得现 代化,从而重拾其在戛纳这个迷人城市的美誉,���其对于国际名 流的号召力和吸引全球影视名流每年齐聚于此的戛纳国际电影节。 参照该地块的前身戛纳展览中心,设计沿承了当时无尽奢华的理 念。该建筑 20 世纪 80 年代的流线型设计也运用到了室内设计之 中。高品质的材料、精雕细琢的细节、灰色、巧克力色、黑色、 乳白色和温暖的金色、香槟色的色彩融合尽显高贵典雅。材料涂 层为纯色和奢华调。 入口圆柱改成了引人注目的仿真金色棕桐,给过道一种被棕 桐叶庇护的感觉。内嵌金色石块的黑色大理石地毯式阶梯将宾客 引入酒店前台。进入酒店后,大堂迎面展开。酒店共 5 层,大堂 中央 20 米的金黄色叶形灯雕瀑布格外引人注目。环绕于四周的 大理石圆柱和露台都反射在镜像天花板中,凸显了设计感和美感。 首层的设计更有层次。纯白色大理石地板通过座位铺展开来, 座位下铺砌了内嵌金色棕桐叶图案的巧克力棕色地毯。流动于大 理石地板和地毯间的古铜色子午线连接了不同的材料和空间。座 位包括优美的扶手椅、舒适的俱乐部座椅和将大堂和酒吧合理间 隔开的公共沙发。 抛光金色的孟加锡黑檀雕塑曲线酒吧是一个可以一边发现明 星一边品鉴精心调制的马提尼的地方。旁边的带白色真皮座椅的 两面香槟色茶几也是名人聚集的理想选择。 JW 烧烤吧是一个全日活动。怡人的室外阳台可以俯瞰克鲁 瓦塞特大道和欣赏远处的迷人海景。这里的气氛温馨而愉快,是

Ground Floor Plan

一个适合所有活动的热情场所。时尚的精致抛光表面的石头,皮

一层平面图

具和暗色木材和巧妙定制的座套带来让人流连忘返的就餐舒适感。 为符合时代感,点缀物和配饰的选择尤其谨慎。从天花板中优美 地蜿蜒而过的柔美水晶眼泪状灯饰是这个天花板的焦点。

46

47


JOI 设计公司被委任将戛纳 JW 万豪酒店的公共区域变得现 代化,从而重拾其在戛纳这个迷人城市的美誉,以其对于国际名 流的号召力和吸引全球影视名流每年齐聚于此的戛纳国际电影节。 参照该地块的前身戛纳展览中心,设计沿承了当时无尽奢华的理 念。该建筑 20 世纪 80 年代的流线型设计也运用到了室内设计之 中。高品质的材料、精雕细琢的细节、灰色、巧克力色、黑色、 乳白色和温暖的金色、香槟色的色彩融合尽显高贵典雅。材料涂 层为纯色和奢华调。 入口圆柱改成了引人注目的仿真金色棕桐,给过道一种被棕 桐叶庇护的感觉。内嵌金色石块的黑色大理石地毯式阶梯将宾客 引入酒店前台。进入酒店后,大堂迎面展开。酒店共 5 层,大堂 中央 20 米的金黄色叶形灯雕瀑布格外引人注目。环绕于四周的 大理石圆柱和露台都反射在镜像天花板中,凸显了设计感和美感。 首层的设计更有层次。纯白色大理石地板通过座位铺展开来, 座位下铺砌了内嵌金色棕桐叶图案的巧克力棕色地毯。流动于大 理石地板和地毯间的古铜色子午线连接了不同的材料和空间。座 位包括优美的扶手椅、舒适的俱乐部座椅和将大堂和酒吧合理间 隔开的公共沙发。 抛光金色的孟加锡黑檀雕塑曲线酒吧是一个可以一边发现明 星一边品鉴精心调制的马提尼的地方。旁边的带白色真皮座椅的 两面香槟色茶几也是名人聚集的理想选择。 JW 烧烤吧是一个全日活动。怡人的室外阳台可以俯瞰克鲁 瓦塞特大道和欣赏远处的迷人海景。这里的气氛温馨而愉快,是

Ground Floor Plan

一个适合所有活动的热情场所。时尚的精致抛光表面的石头,皮

一层平面图

具和暗色木材和巧妙定制的座套带来让人流连忘返的就餐舒适感。 为符合时代感,点缀物和配饰的选择尤其谨慎。从天花板中优美 地蜿蜒而过的柔美水晶眼泪状灯饰是这个天花板的焦点。

46

47


48

49


48

49


Lobby 大厅

Elevation Bar 酒吧立面图

50

51


Lobby 大厅

Elevation Bar 酒吧立面图

50

51


SHERATON BANGALORE HOTEL 班加罗尔喜来登酒店 DESIGNER DiLeonardo International, Inc.

LOCATION Bangalore, India

area 1,950m2

PHOTOGRAPHER Warren Jagger, Ian Gibb

COMPLETION 2011

As guests arrive, they enter a very contemporary space, a high atrium, featuring decorative high wall panels with elaborate Indian motifs. A large, focal water feature greets guests, which was designed around the architecture of the interior that activates the centre of the Lobby. A custom-made lighting crystal shines down leading guests to the reception area. The guestroom experience proposes a beautiful contrast to the fastpaced, never stopping, city of Bangalore. The guestroom can be described as tranquil, modern, and sophisticated while continuing to evoke a sense of luxury. The guest enters a very spacious interior which is enriched by a clear glass window with enclosed closure system dividing the bath and guestroom allowing daylight into the bathroom. DiLeonardo’s vision is woven throughout various parts of the property

52

including the grand ballroom which features this unique ceiling design, inspired by women’s jewelry. Rings of custom lights and soffits in various sizes redefine grandeur. Reflecting the setting of this modern and trendsetting city, additional public spaces designed by DiLeonardo include the FEAST Restaurant, inspired by a botanica all day bistro, where nature is invited into the space like a modern architectural masterpiece. Sunlight washes over most of the dining area throughout the day. The Durbar lounge is a mix of old and new, paying homage to the royalties of Indian past while spearheading the trend for the next generation. Bene Trattoria & Bar is an authentic Italian gastronomic experience with a small town Italian feel. Lastly, the Persian Terrace located at the pool level, creates a relaxing atmosphere for enjoying unique cuisine and exotic cocktails. 53


SHERATON BANGALORE HOTEL 班加罗尔喜来登酒店 DESIGNER DiLeonardo International, Inc.

LOCATION Bangalore, India

area 1,950m2

PHOTOGRAPHER Warren Jagger, Ian Gibb

COMPLETION 2011

As guests arrive, they enter a very contemporary space, a high atrium, featuring decorative high wall panels with elaborate Indian motifs. A large, focal water feature greets guests, which was designed around the architecture of the interior that activates the centre of the Lobby. A custom-made lighting crystal shines down leading guests to the reception area. The guestroom experience proposes a beautiful contrast to the fastpaced, never stopping, city of Bangalore. The guestroom can be described as tranquil, modern, and sophisticated while continuing to evoke a sense of luxury. The guest enters a very spacious interior which is enriched by a clear glass window with enclosed closure system dividing the bath and guestroom allowing daylight into the bathroom. DiLeonardo’s vision is woven throughout various parts of the property

52

including the grand ballroom which features this unique ceiling design, inspired by women’s jewelry. Rings of custom lights and soffits in various sizes redefine grandeur. Reflecting the setting of this modern and trendsetting city, additional public spaces designed by DiLeonardo include the FEAST Restaurant, inspired by a botanica all day bistro, where nature is invited into the space like a modern architectural masterpiece. Sunlight washes over most of the dining area throughout the day. The Durbar lounge is a mix of old and new, paying homage to the royalties of Indian past while spearheading the trend for the next generation. Bene Trattoria & Bar is an authentic Italian gastronomic experience with a small town Italian feel. Lastly, the Persian Terrace located at the pool level, creates a relaxing atmosphere for enjoying unique cuisine and exotic cocktails. 53


SAFE DEPOSIT

HOSTESS RECEPTION

LOBBY LOUNGE LIFT LOBBY

WATER FEATURE

WATER FEATURE

POND



FEMALE RESTROOM

ENTRY

MALE RESTROOM

SHERATON HOTEL BANGALORE INDIA

HOUSE PHONES

ATM MACHINE

SHOP BY OTHERS

X SHOP BY OTHERS

DROP OFF

LEVEL 1 MAIN ENTRANCE, LOBBY & LOBBY LOUNGE FF&A

Level 1 Main Entrance, Lobby & Lobby Lounge FF&A 一楼主人口,大堂和大堂酒吧平面图 54

55


SAFE DEPOSIT

HOSTESS RECEPTION

LOBBY LOUNGE LIFT LOBBY

WATER FEATURE

WATER FEATURE

POND



FEMALE RESTROOM

ENTRY

MALE RESTROOM

SHERATON HOTEL BANGALORE INDIA

HOUSE PHONES

ATM MACHINE

SHOP BY OTHERS

X SHOP BY OTHERS

DROP OFF

LEVEL 1 MAIN ENTRANCE, LOBBY & LOBBY LOUNGE FF&A

Level 1 Main Entrance, Lobby & Lobby Lounge FF&A 一楼主人口,大堂和大堂酒吧平面图 54

55


G

F

E

D

1 S/S

1'

S/S

S/S

2

2'

INDIAN FOOD STATION

CHINESE FOOD STATION

S/S WESTERN FOOD STATION

3 SALAD BAR ALL DAY DINING SEATING CAPACITY: 160 PAX

3'

DESSERT STATION

ENTRY

4 S/S SEMI PRIVATE PARTY ROOM

4'

HOSTESS STATION

ICE CREAM STATION

SERVICE BAR

GRAB & GO

LOUNGE BAR

Level 1 Allday Dining FF&A Plan 一楼全日餐厅平面图 56

LEVEL 1 ALLDAY DINING FF&A PLAN

57


G

F

E

D

1 S/S

1'

S/S

S/S

2

2'

INDIAN FOOD STATION

CHINESE FOOD STATION

S/S WESTERN FOOD STATION

3 SALAD BAR ALL DAY DINING SEATING CAPACITY: 160 PAX

3'

DESSERT STATION

ENTRY

4 S/S SEMI PRIVATE PARTY ROOM

4'

HOSTESS STATION

ICE CREAM STATION

SERVICE BAR

GRAB & GO

LOUNGE BAR

Level 1 Allday Dining FF&A Plan 一楼全日餐厅平面图 56

LEVEL 1 ALLDAY DINING FF&A PLAN

57


B

B'

C

C'

D

S/S

B'

B'

B

B

A

A

B'

B'

B

B

A

S/S S/S PDR#1

9

PDR#2

A 8'

W/C

W/C

7

7'

7

7'

SECONDARY SECONDARY

E

7'

W/C

BAR /SERVICE STATION

8

BENE SPECIALTY RESTAURANT

7'

7'

VIP ROOM VIP ROOM

7'

7'

SHOW KITCHEN ENTRY KITCHEN

7 E/M PIZZA BAR

ENTRY

8

ENTRY

8

S/S

S/S

DJ DJ BOOTH BOOTH

8

8

S/S

S/S

6' SERVICE LOBBY

BALCONY BALCONY

6

8'

8' MAIN ENTRY

MAIN ENTRY

8'

SERVICE STATION

8'



5' LIFT LOBBY

SECONDARY ENTRANCE

SHERATON HOTEL BANGALORE INDIA

9

9

9

5

9

X

4'

  LEVEL 4 BENE SPECIALTY RESTAURANT FF&A PLAN

Level 4 Bene Specialty Restaurant FF&A Plan

4

Level 1 Durbar Plan LEVEL 1FF&A DURBAR FF&A PLAN LEVEL 1 DURBAR FF&A PLAN 一楼接待室平面图

58

Mezzanine Durbar FF&A Plan MEZZANINE DURBAR FF&A PLAN MEZZANINE DURBAR FF&A PLAN 包厢接待室平面图

四楼班尼特色餐厅平面图 SHERATON HOTEL SHERATON HOTEL BANGALORE INDIA BANGALORE INDIA

X

X

59


B

B'

C

C'

D

S/S

B'

B'

B

B

A

A

B'

B'

B

B

A

S/S S/S PDR#1

9

PDR#2

A 8'

W/C

W/C

7

7'

7

7'

SECONDARY SECONDARY

E

7'

W/C

BAR /SERVICE STATION

8

BENE SPECIALTY RESTAURANT

7'

7'

VIP ROOM VIP ROOM

7'

7'

SHOW KITCHEN ENTRY KITCHEN

7 E/M PIZZA BAR

ENTRY

8

ENTRY

8

S/S

S/S

DJ DJ BOOTH BOOTH

8

8

S/S

S/S

6' SERVICE LOBBY

BALCONY BALCONY

6

8'

8' MAIN ENTRY

MAIN ENTRY

8'

SERVICE STATION

8'



5' LIFT LOBBY

SECONDARY ENTRANCE

SHERATON HOTEL BANGALORE INDIA

9

9

9

5

9

X

4'

  LEVEL 4 BENE SPECIALTY RESTAURANT FF&A PLAN

Level 4 Bene Specialty Restaurant FF&A Plan

4

Level 1 Durbar Plan LEVEL 1FF&A DURBAR FF&A PLAN LEVEL 1 DURBAR FF&A PLAN 一楼接待室平面图

58

Mezzanine Durbar FF&A Plan MEZZANINE DURBAR FF&A PLAN MEZZANINE DURBAR FF&A PLAN 包厢接待室平面图

四楼班尼特色餐厅平面图 SHERATON HOTEL SHERATON HOTEL BANGALORE INDIA BANGALORE INDIA

X

X

59


客人一抵达酒店,就会感受到空间的现代气息、高高的中庭,典型印度图案装饰的高墙板是其中一大特色。迎接客人的是大型的水景,设置在 酒店室内的周围,使大堂更显活力。特制的水晶灯光芒闪烁,引领客人来到前台。 客房为客人们提供了与快节奏、从不停息的班加罗尔城市截然相反的体验。这里是宁静而现代,精致而奢华的空间。客房宽敞明亮,干净的玻 璃窗,封闭式系统将客房与浴室隔离,同时又能保证白天的阳光照进浴室。 迪利安达设计事务所的设计理念贯穿于酒店的所有区域,包括豪华宴会厅,其独特的天花板设计灵感来自于女士的珠宝,顶面一环环的灯光对 富丽堂皇进行了重新定义。 为了体现这座城市的现代时尚,迪利安达设计事务所还额外设计了一些公共区,比如盛宴西餐厅,其灵感来自于一家全天营业的小酒馆,设计 吸取了大量的大自然元素,这被看成是一件大师级的作品。一整天,阳光都可以照进就餐区的大部分角落。杜尔巴休息厅是新旧元素的混合体,在 向过去的印度皇室致敬的同时又领衔新一代时尚趋势。班妮餐厅和酒吧提供地道的意大利美食体验,带有意大利小镇的感觉。最后,与泳池同层的 波斯露台为客人提供休闲场所,可以享受独特的美食和异国情调的鸡尾酒。

60

61


客人一抵达酒店,就会感受到空间的现代气息、高高的中庭,典型印度图案装饰的高墙板是其中一大特色。迎接客人的是大型的水景,设置在 酒店室内的周围,使大堂更显活力。特制的水晶灯光芒闪烁,引领客人来到前台。 客房为客人们提供了与快节奏、从不停息的班加罗尔城市截然相反的体验。这里是宁静而现代,精致而奢华的空间。客房宽敞明亮,干净的玻 璃窗,封闭式系统将客房与浴室隔离,同时又能保证白天的阳光照进浴室。 迪利安达设计事务所的设计理念贯穿于酒店的所有区域,包括豪华宴会厅,其独特的天花板设计灵感来自于女士的珠宝,顶面一环环的灯光对 富丽堂皇进行了重新定义。 为了体现这座城市的现代时尚,迪利安达设计事务所还额外设计了一些公共区,比如盛宴西餐厅,其灵感来自于一家全天营业的小酒馆,设计 吸取了大量的大自然元素,这被看成是一件大师级的作品。一整天,阳光都可以照进就餐区的大部分角落。杜尔巴休息厅是新旧元素的混合体,在 向过去的印度皇室致敬的同时又领衔新一代时尚趋势。班妮餐厅和酒吧提供地道的意大利美食体验,带有意大利小镇的感觉。最后,与泳池同层的 波斯露台为客人提供休闲场所,可以享受独特的美食和异国情调的鸡尾酒。

60

61


62

63


62

63


HOLIDAY INN PINGGAO 上海松江平高假日酒店 DESIGNER dwp | design worldwide partnership

LOCATION Shanghai, China

area 22,800m2

The Holiday Inn Pinggao in Shanghai, makes a stunning statement of style. The contemporary interiors were designed by world-class architecture and interior design firm dwp | design worldwide partnership. In a modern Chinese-inspired design, for the interiors of the 178 guestrooms, dwp applied chic modern furnishings and part open-style bathrooms, complete with high-tech IT and entertainment facilities. The 10 elegantly-styled suites offer soothing décor, an essence of style and 64

COMPLETION 2011

expansive bathrooms with separate deep soaking tubs. The meeting and banqueting facilities are set to suit every occasion with the utmost adaptability, with an 880m2 grand ballroom, 135m2 rooftop garden and three other multi-function rooms, featuring the latest in technology. Additionally, the hotel features an array of uniquely inspired restaurants and bars, a health club with modern gym equipment and an indoor heated swimming pool. 65


HOLIDAY INN PINGGAO 上海松江平高假日酒店 DESIGNER dwp | design worldwide partnership

LOCATION Shanghai, China

area 22,800m2

The Holiday Inn Pinggao in Shanghai, makes a stunning statement of style. The contemporary interiors were designed by world-class architecture and interior design firm dwp | design worldwide partnership. In a modern Chinese-inspired design, for the interiors of the 178 guestrooms, dwp applied chic modern furnishings and part open-style bathrooms, complete with high-tech IT and entertainment facilities. The 10 elegantly-styled suites offer soothing décor, an essence of style and 64

COMPLETION 2011

expansive bathrooms with separate deep soaking tubs. The meeting and banqueting facilities are set to suit every occasion with the utmost adaptability, with an 880m2 grand ballroom, 135m2 rooftop garden and three other multi-function rooms, featuring the latest in technology. Additionally, the hotel features an array of uniquely inspired restaurants and bars, a health club with modern gym equipment and an indoor heated swimming pool. 65


位于上海的平高假日酒店,展现了令人惊叹 的风格。世界一流的建筑和室内设计公司 DWP 为该酒店进行了当代风格的设计。 这 178 间客房的室内设计灵感来源于现代 中国风,为此 DWP 运用了别致的现代装饰,选 择了部分开放式浴室,搭配了高科技 IT 产品和 娱乐设施。10 间套房采用典雅风格,其内部装 饰使客人感到舒适,奢华的浴室内配有独立的浴 缸。 针对不同的场合和活动,酒店可以灵活地调 整会议或宴会设施,这里拥有 880 平方米的宴 会厅,135 平方米的屋顶花园,以及 3 间其他的 多功能厅,均配有最先进的高科技设备。此外, 酒店还设有一系列特色鲜明的餐厅和酒吧、一间 配有现代健身设施的健康俱乐部以及室内保温游 泳池。

L1 Hotel Reception Lobby Furniture Layout

一楼酒店接待大堂家具布局

66

67


位于上海的平高假日酒店,展现了令人惊叹 的风格。世界一流的建筑和室内设计公司 DWP 为该酒店进行了当代风格的设计。 这 178 间客房的室内设计灵感来源于现代 中国风,为此 DWP 运用了别致的现代装饰,选 择了部分开放式浴室,搭配了高科技 IT 产品和 娱乐设施。10 间套房采用典雅风格,其内部装 饰使客人感到舒适,奢华的浴室内配有独立的浴 缸。 针对不同的场合和活动,酒店可以灵活地调 整会议或宴会设施,这里拥有 880 平方米的宴 会厅,135 平方米的屋顶花园,以及 3 间其他的 多功能厅,均配有最先进的高科技设备。此外, 酒店还设有一系列特色鲜明的餐厅和酒吧、一间 配有现代健身设施的健康俱乐部以及室内保温游 泳池。

L1 Hotel Reception Lobby Furniture Layout

一楼酒店接待大堂家具布局

66

67


2F All Day Dining Furniture Layout 二楼全日餐厅家具布局

68

69


2F All Day Dining Furniture Layout 二楼全日餐厅家具布局

68

69


6F Ballroom ∕ A la Carte Furniture Layout 六楼舞厅 / 点菜区家具布局

70

71


6F Ballroom ∕ A la Carte Furniture Layout 六楼舞厅 / 点菜区家具布局

70

71


6F A la Carte Restaurant Furniture Layout Plan 六楼逐道点菜餐厅家具布局平面图

6F Ballroom Furniture Layout Plan 六楼舞厅家具布局平面图

72

73


6F A la Carte Restaurant Furniture Layout Plan 六楼逐道点菜餐厅家具布局平面图

6F Ballroom Furniture Layout Plan 六楼舞厅家具布局平面图

72

73


74

7F Japanese Restaurant Furniture Layout

7F Japanese Restaurant (Updated) Furniture Layout

七楼日式餐厅家具布局

七楼日式餐厅家具布局

75


74

7F Japanese Restaurant Furniture Layout

7F Japanese Restaurant (Updated) Furniture Layout

七楼日式餐厅家具布局

七楼日式餐厅家具布局

75


SHANGRI - LA HOTEL XI ’ AN 西安香格里拉酒店 DESIGNER DiLeonardo International, Inc.

LOCATION Xi’an, Shanxi Province, China

Thirteen Dynasties have formed and risen from the historic area of Xi’an. This region is considered the centre of civilizsation on mainland China, and the resources to draw upon are immense. Architectural design features were based upon a wide variety of historic structures, un-earthed objects, stone carvings, silk screens, paintings and beautiful glazed ceramic figures. Others were inspired by the local geography of the land, water bodies, and regional colours and graphics derived from the street scenes of Xi’an. Added to those phenomenons are the atoms of the design DNA, which are the “square” shape, smooth neutral stone, rough neutral stone, the Dragon theme and application of colourful glazed ceramics through artworks and accessories. Upon arrival at the main entry beneath the porte-cochere, the hotel guest is exposed to the first element of Xi’an’s history. The main entrance is 76

area 62,000m2

COMPLETION 2007

flanked by 2 large stone sculptures of winged horses as seen guarding mausoleums in the historic region. Inside the lobby, one is exposed to an expansive granite floor featuring sections of background colour of the historic Terra Cotta Soldiers. Most interior walls and free standing columns in the lobby are clad in neutral polished stone, adorned by a large scaled rough stone “collar” capital. Immediately over head upon entry are 4 sections of suspended faux glass connecting the six main lobby columns and featuring three dimensional castings of the historic Six Horses of Shaoling. With respect to Xi’an being referred to as the “Dragon City”, one will see 2 magnificent suspended subtle structures featuring gold and silver leaf artistic illustrations of the Chinese Dragon on antique mirror. 77


SHANGRI - LA HOTEL XI ’ AN 西安香格里拉酒店 DESIGNER DiLeonardo International, Inc.

LOCATION Xi’an, Shanxi Province, China

Thirteen Dynasties have formed and risen from the historic area of Xi’an. This region is considered the centre of civilizsation on mainland China, and the resources to draw upon are immense. Architectural design features were based upon a wide variety of historic structures, un-earthed objects, stone carvings, silk screens, paintings and beautiful glazed ceramic figures. Others were inspired by the local geography of the land, water bodies, and regional colours and graphics derived from the street scenes of Xi’an. Added to those phenomenons are the atoms of the design DNA, which are the “square” shape, smooth neutral stone, rough neutral stone, the Dragon theme and application of colourful glazed ceramics through artworks and accessories. Upon arrival at the main entry beneath the porte-cochere, the hotel guest is exposed to the first element of Xi’an’s history. The main entrance is 76

area 62,000m2

COMPLETION 2007

flanked by 2 large stone sculptures of winged horses as seen guarding mausoleums in the historic region. Inside the lobby, one is exposed to an expansive granite floor featuring sections of background colour of the historic Terra Cotta Soldiers. Most interior walls and free standing columns in the lobby are clad in neutral polished stone, adorned by a large scaled rough stone “collar” capital. Immediately over head upon entry are 4 sections of suspended faux glass connecting the six main lobby columns and featuring three dimensional castings of the historic Six Horses of Shaoling. With respect to Xi’an being referred to as the “Dragon City”, one will see 2 magnificent suspended subtle structures featuring gold and silver leaf artistic illustrations of the Chinese Dragon on antique mirror. 77


十三个朝代曾经在西安这座历史名城内建立并发展。这里被认 为是中国大陆文明的中心,拥有大量可借鉴的资源。建筑设计的特 色取自于各式历史结构,挖掘出的各式文物、石雕、丝绸屏风、画 作和漂亮的釉面陶瓷花纹。其他方面的灵感来自于当地的地理特点、 水体结构、地域色彩和取自西安街头的图案。在此之上添加 DNA 设计元素,比如正方形、光滑的中性石、粗糙的中性石、龙的主题 以及彩色釉面陶瓷艺术品和饰品。 一抵达门廊下方的主入口,客人们就会看到暴露在外的西安历 史元素。主入口两侧的两个石质飞马雕塑就像我们在历史景点看到 的陵墓守卫一样守卫在酒店门口。 走进大堂,脚下是宽阔的花岗岩地板,背景色是兵马俑的颜色。 大部分墙壁和高耸的柱子都选用的是中性抛光石材,同时使用大面 积的粗糙石作为上方装饰。头上悬挂着四块人造玻璃连接大堂内主 要的六根廊柱,分别铸有三维的少陵六马。为了向西安的“龙城” 称号致敬,设计师在复古镜子上浮雕了金叶和银叶,分别构成了两 条巨龙的形象,很是壮观。

Lobby 大堂

78

79


十三个朝代曾经在西安这座历史名城内建立并发展。这里被认 为是中国大陆文明的中心,拥有大量可借鉴的资源。建筑设计的特 色取自于各式历史结构,挖掘出的各式文物、石雕、丝绸屏风、画 作和漂亮的釉面陶瓷花纹。其他方面的灵感来自于当地的地理特点、 水体结构、地域色彩和取自西安街头的图案。在此之上添加 DNA 设计元素,比如正方形、光滑的中性石、粗糙的中性石、龙的主题 以及彩色釉面陶瓷艺术品和饰品。 一抵达门廊下方的主入口,客人们就会看到暴露在外的西安历 史元素。主入口两侧的两个石质飞马雕塑就像我们在历史景点看到 的陵墓守卫一样守卫在酒店门口。 走进大堂,脚下是宽阔的花岗岩地板,背景色是兵马俑的颜色。 大部分墙壁和高耸的柱子都选用的是中性抛光石材,同时使用大面 积的粗糙石作为上方装饰。头上悬挂着四块人造玻璃连接大堂内主 要的六根廊柱,分别铸有三维的少陵六马。为了向西安的“龙城” 称号致敬,设计师在复古镜子上浮雕了金叶和银叶,分别构成了两 条巨龙的形象,很是壮观。

Lobby 大堂

78

79


Lobby Lounge 大堂休闲区

80

81


Lobby Lounge 大堂休闲区

80

81


L2-Prefunction 二楼前厅

82

83


L2-Prefunction 二楼前厅

82

83


Junior Ballroom

Ballroom Prefunction

初级舞厅

舞厅前厅

Auditorium

礼堂 84

Ballroom 舞厅

85


Junior Ballroom

Ballroom Prefunction

初级舞厅

舞厅前厅

Auditorium

礼堂 84

Ballroom 舞厅

85


2 Bay Suite 双人海景套房 86

Twin Rooms 双人间 87


2 Bay Suite 双人海景套房 86

Twin Rooms 双人间 87


YINCHUAN KEMPINSKI HOTEL 银川凯宾斯基酒店 DESIGNER DiLeonardo International, Inc.

LOCATION Yinchuan, China

AREA 33,444m2

The lobby was conceived as the arrival to this Modern Oasis. The sand coloured stone flooring is randomly inlaid floral patterns extracted from traditional Xi Xia pottery. They hint at more of the Oasis to come. As guests step in, cascading crystals on two giant walls inspired by waterfalls bring their eyes up toward the ceiling where they’ll see custom designed crystal chandeliers resembling rain showering down from clouds above. The all-day dining restaurant continues the design from the lobby lounge with its vibrant colours and dark wood but is paired with light stone flooring to translate into a slightly more casual dining environment for the day and sophisticated place to be at night. Guests entering this outlet will immediately immerse into a modern European environment as they walk past the wine tasting bar and pizza station. Upon arrival to the main dining area, geometric screens paired with bold and colourful, vertical 88

PHOTOGRAPHER Dennis Fung, Kerun Ip

completion 2010

stripes create an memorable design. The designers created a bathroom which instead of having doors, it just had two large sliding partitions that met on a corner when closed to fully enclose (see the floor plan) the bathroom. When the partitions are open the whole bathroom, except the toilet compartment, is open to the rest of the room and looks huge. The bedroom was designed to feel very rich yet modern. In addition to the colours and finishes such as the bold use of zebra wood, we also achieved richness through creating layers in architectural and mill work design. Subject matter of trees was introduced into the art and fabric selection of the guestroom to continue the Oasis concept as well as create softness and relief to all of the modern lines. 89


YINCHUAN KEMPINSKI HOTEL 银川凯宾斯基酒店 DESIGNER DiLeonardo International, Inc.

LOCATION Yinchuan, China

AREA 33,444m2

The lobby was conceived as the arrival to this Modern Oasis. The sand coloured stone flooring is randomly inlaid floral patterns extracted from traditional Xi Xia pottery. They hint at more of the Oasis to come. As guests step in, cascading crystals on two giant walls inspired by waterfalls bring their eyes up toward the ceiling where they’ll see custom designed crystal chandeliers resembling rain showering down from clouds above. The all-day dining restaurant continues the design from the lobby lounge with its vibrant colours and dark wood but is paired with light stone flooring to translate into a slightly more casual dining environment for the day and sophisticated place to be at night. Guests entering this outlet will immediately immerse into a modern European environment as they walk past the wine tasting bar and pizza station. Upon arrival to the main dining area, geometric screens paired with bold and colourful, vertical 88

PHOTOGRAPHER Dennis Fung, Kerun Ip

completion 2010

stripes create an memorable design. The designers created a bathroom which instead of having doors, it just had two large sliding partitions that met on a corner when closed to fully enclose (see the floor plan) the bathroom. When the partitions are open the whole bathroom, except the toilet compartment, is open to the rest of the room and looks huge. The bedroom was designed to feel very rich yet modern. In addition to the colours and finishes such as the bold use of zebra wood, we also achieved richness through creating layers in architectural and mill work design. Subject matter of trees was introduced into the art and fabric selection of the guestroom to continue the Oasis concept as well as create softness and relief to all of the modern lines. 89


一层:大堂,前台及候梯厅家具布局图 Level 1: Lobby, Reception ﹠ Lift Lobby FF﹠E Plan Scale: 1:50

酒店大堂的设计旨在让客人感觉如抵现代绿洲。沙色石质地面上随机镶嵌着从传统西夏陶瓷

在浴室的设计上,设计师摒弃了传统的“门”,取而代之的是两面高大的滑道隔板,它们可

上提取的花卉图案,它们暗示着绿洲即将来临。客人再向前走,便会看到两面高墙上倾泻而下的

以在一个角落里闭合,将浴室完全包围。当隔板打开时,除了厕所间,浴室的其他部分都是开放

水晶帘,其灵感源于壮观的瀑布,再向上看,天花板上是定制的水晶吊灯,犹如从云彩上面淋下

式的,这样增加了空间感。

的雨点。 全天可以就餐的餐厅延续了大堂的设计风格,其鲜明的色调和深色木材与光亮的石质地面相 搭配,在白天可以打造出休闲的氛围,在夜晚却可以彰显精致。当进入餐厅的客人走过红酒品尝 吧台以及披萨供应区,便会立刻沉浸在现代欧洲氛围当中。主用餐区的几何屏风上搭配着色彩丰

卧室的设计丰富而不失现代感。除了使用斑马纹木材,我们还使用了建筑设计和木工设计当 中常用的层叠设计来实现丰富感。 树木主题的设计元素也被应用到客房的艺术品和针织饰物当中,以延续沙漠绿洲的理念,同 时又能柔化现代线条的硬朗感觉。

富的竖条纹,让人过目难忘。 90

91


一层:大堂,前台及候梯厅家具布局图 Level 1: Lobby, Reception ﹠ Lift Lobby FF﹠E Plan Scale: 1:50

酒店大堂的设计旨在让客人感觉如抵现代绿洲。沙色石质地面上随机镶嵌着从传统西夏陶瓷

在浴室的设计上,设计师摒弃了传统的“门”,取而代之的是两面高大的滑道隔板,它们可

上提取的花卉图案,它们暗示着绿洲即将来临。客人再向前走,便会看到两面高墙上倾���而下的

以在一个角落里闭合,将浴室完全包围。当隔板打开时,除了厕所间,浴室的其他部分都是开放

水晶帘,其灵感源于壮观的瀑布,再向上看,天花板上是定制的水晶吊灯,犹如从云彩上面淋下

式的,这样增加了空间感。

的雨点。 全天可以就餐的餐厅延续了大堂的设计风格,其鲜明的色调和深色木材与光亮的石质地面相 搭配,在白天可以打造出休闲的氛围,在夜晚却可以彰显精致。当进入餐厅的客人走过红酒品尝 吧台以及披萨供应区,便会立刻沉浸在现代欧洲氛围当中。主用餐区的几何屏风上搭配着色彩丰

卧室的设计丰富而不失现代感。除了使用斑马纹木材,我们还使用了建筑设计和木工设计当 中常用的层叠设计来实现丰富感。 树木主题的设计元素也被应用到客房的艺术品和针织饰物当中,以延续沙漠绿洲的理念,同 时又能柔化现代线条的硬朗感觉。

富的竖条纹,让人过目难忘。 90

91


三层:中餐厅家具布局图 Level 3: Chinese Restaurant FF﹠E Plan Scale: 1:50

92

93


三层:中餐厅家具布局图 Level 3: Chinese Restaurant FF﹠E Plan Scale: 1:50

92

93


总统套房:家具布局图 Presidential Suite: Floor Plan Scale: 1:50

94

总统套房:家具布局图 Presidential Suite: FF﹠E Plan Scale: 1:50

95


总统套房:家具布局图 Presidential Suite: Floor Plan Scale: 1:50

94

总统套房:家具布局图 Presidential Suite: FF﹠E Plan Scale: 1:50

95


96

97


96

97


HILTON CHENNAI HOTEL 印度钦奈希尔顿酒店 DESIGNER DiLeonardo International, Inc. LOCATION Chennai, India area 445m2 PHOTOGRAPHER VRX Photography, Warren Jagger Photography COMPLETION 2011

98

A sense of place is created as DiLeonardo combines elements of the traditional Tamil culture with European contemporary design. Each area designed by DiLeonardo from stone and carpet patterns, to chandeliers, carries this element of cultural convergence that is seen throughout the hotel. Upon entering the property, traditional Tamil carving inspired stone inlay pattern on the floor leads guests from the entrance through the circular lobby formed by beautifully contemporised Jali screen suspended from above. Guests arrive to a set of very stylised registration desks done in exotic stone. Adjacent to semi-circular black marble features located at the lobby entrance, resides the lounge/café. Purposely designed to evoke a sense of luxury and elegance that was the European Mid-Century, all the while provide a fresh new attitude. A distinct sense of place and timelessness is conveyed in the space, activating the ground floor as a place to linger.

The finest of marbles are used throughout the property, from the lobby to the guest bathroom. Fine textiles, warm woods, and contemporary lighting helped DiLeonardo create spaces that are tranquil, modern, and sophisticated. A Mid-Century European revival approach is evident in the typical guestroom design as DiLeonardo’s vision includes custom-designed furniture and furnishings to strike the perfect balance between the past and present to create the most sophisticated and luxurious room. The artwork over the bed integrates a mirror with a panel upholstered by a variety of randomly selected local Sari material stitched together so that it would appear differently in every room. Modern India is a study of contrast and cultural convergence; DiLeonardo used this theme to create a dynamic experience of discovery throughout the hotel, offering a welcome refuge from the hectic energy of India’s fourth-largest city. 99


HILTON CHENNAI HOTEL 印度钦奈希尔顿酒店 DESIGNER DiLeonardo International, Inc. LOCATION Chennai, India area 445m2 PHOTOGRAPHER VRX Photography, Warren Jagger Photography COMPLETION 2011

98

A sense of place is created as DiLeonardo combines elements of the traditional Tamil culture with European contemporary design. Each area designed by DiLeonardo from stone and carpet patterns, to chandeliers, carries this element of cultural convergence that is seen throughout the hotel. Upon entering the property, traditional Tamil carving inspired stone inlay pattern on the floor leads guests from the entrance through the circular lobby formed by beautifully contemporised Jali screen suspended from above. Guests arrive to a set of very stylised registration desks done in exotic stone. Adjacent to semi-circular black marble features located at the lobby entrance, resides the lounge/café. Purposely designed to evoke a sense of luxury and elegance that was the European Mid-Century, all the while provide a fresh new attitude. A distinct sense of place and timelessness is conveyed in the space, activating the ground floor as a place to linger.

The finest of marbles are used throughout the property, from the lobby to the guest bathroom. Fine textiles, warm woods, and contemporary lighting helped DiLeonardo create spaces that are tranquil, modern, and sophisticated. A Mid-Century European revival approach is evident in the typical guestroom design as DiLeonardo’s vision includes custom-designed furniture and furnishings to strike the perfect balance between the past and present to create the most sophisticated and luxurious room. The artwork over the bed integrates a mirror with a panel upholstered by a variety of randomly selected local Sari material stitched together so that it would appear differently in every room. Modern India is a study of contrast and cultural convergence; DiLeonardo used this theme to create a dynamic experience of discovery throughout the hotel, offering a welcome refuge from the hectic energy of India’s fourth-largest city. 99


这家酒店将传统的泰米尔文化元素和欧洲现代设计风格完美地结合在一起。每一片区域都由 迪利安达公司设计,从石块和地毯图案,到吊灯,酒店的每一个角落都展示出这种文化融合的元素。

酒店内部使用的大理石都是最上乘的大理石,从大堂到客房。迪利安达使用了精美的纺织品、 暖色的木材和现代的照明设备,打造出安静、现代、精致的空间。

G:\0525_cad files\05 CD\ID-200.dwg, DI-Full, 4/26/2011 9:50:11 AM, DWG To PDF.pc3, 1:1

一走进酒店,就会看到脚下地板上传统的泰米尔雕刻风格石质镶嵌图案,引领客人从门口走

中世纪欧洲复兴主义方法在典型的客房设计中显而易见,迪利安达公司为此设计并定制了家

进圆形的大堂,该大堂是由上方悬挂下来的当代风格雕刻屏风围成的。穿过大堂客人便会来到具

具和装饰,在古典与现代之间取得了完美的平衡,打造出最先进最豪华的客房。床上方的艺术品

有异域情调的石质登记台。

将一面镜子和软垫墙板结合在一起,该墙板的软垫由随机选择的当地纱丽材料缝合而成,这样每

毗邻大堂入口处的半圆形黑色大理石装饰的是休息室 / 咖啡厅。这里的设计风格特意选择了 豪华和优雅的感觉,这也是欧洲中世纪的典型风格,但又在此基础上进行了全新的诠释。整个空 间传达着独特的空间感和永恒感,把一楼打造成让人流连忘返的地方。

100

个房间里的图案都不一样。 现代印度是一个彰显对比和文化融合的国家,迪利安达正是利用这一主题在酒店内创造出一 种动态的体验,替这座热情的印度第四大城市欢迎客人们来此休息。

101


这家酒店将传统的泰米尔文化元素和欧洲现代设计风格完美地结合在一起。每一片区域都由 迪利安达公司设计,从石块和地毯图案,到吊灯,酒店的每一个角落都展示出这种文化融合的元素。

酒店内部使用的大理石都是最上乘的大理石,从大堂到客房。迪利安达使用了精美的纺织品、 暖色的木材和现代的照明设备,打造出安静、现代、精致的空间。

G:\0525_cad files\05 CD\ID-200.dwg, DI-Full, 4/26/2011 9:50:11 AM, DWG To PDF.pc3, 1:1

一走进酒店,就会看到脚下地板上传统的泰米尔雕刻风格石质镶嵌图案,引领客人从门口走

中世纪欧洲复兴主义方法在典型的客房设计中显而易见,迪利安达公司为此设计并定制了家

进圆形的大堂,该大堂是由上方悬挂下来的当代风格雕刻屏风围成的。穿过大堂客人便会来到具

具和装饰,在古典与现代之间取得了完美的平衡,打造出最先进最豪华的客房。床上方的艺术品

有异域情调的石质登记台。

将一面镜子和软垫墙板结合在一起,该墙板的软垫由随机选择的当地纱丽材料缝合而成,这样每

毗邻大堂入口处的半圆形黑色大理石装饰的是休息室 / 咖啡厅。这里的设计风格特意选择了 豪华和优雅的感觉,这也是欧洲中世纪的典型风格,但又在此基础上进行了全新的诠释。整个空 间传达着独特的空间感和永恒感,把一楼打造成让人流连忘返的地方。

100

个房间里的图案都不一样。 现代印度是一个彰显对比和文化融合的国家,迪利安达正是利用这一主题在酒店内创造出一 种动态的体验,替这座热情的印度第四大城市欢迎客人们来此休息。

101


Carpet Feature Wall 地毯装饰墙

Mock Up Room Elevation

样板间立面图

Executive Lounge 贵宾室 102

103


Carpet Feature Wall 地毯装饰墙

Mock Up Room Elevation

样板间立面图

Executive Lounge 贵宾室 102

103


LEVEL 1 PLAN 104

一楼平面图 105


LEVEL 1 PLAN 104

一楼平面图 105


HILTON FRANKFURT AIRPORT 法兰克福机场希尔顿酒店 DESIGNER JOI-Design

LOCATION Frankfurt, Germany

AREA 34,000m2

For the design team, the envelope’s 34,000m 2 size and threedimensionally rounded shape were both a huge challenge and a great opportunity to balance hi-tech vibrancy with low-tech organic forms. Entering at fifth floor level, hotel guests are immediately introduced to the main narrative of the design, the contemplation of apparently juxtaposed ideas: motion vs. rest, speed vs. deceleration, streamlined technology vs. raw nature, airport vs. forest, engulfing traffic vs. an island of calm, stress vs. relaxation, business formality vs. casual comfort, etc.. Two innovative solutions in the public areas celebrate the building’s form and translate the interior spaces into a human scale. The first is a pair of large, sculpturally impressive “golden wings” which extend protectively over the lobby’s reception, lounge and bar, reducing the volume while allowing natural light to filter through from the seven-storey atrium. The second innovation is the “Globe”, a glimmering, organically curved 470m2 and 21ft high “building-within-the-building” that accommodates 106

completion 2011

the ballroom and function spaces. Its construction is a highlight both within and outside the voluminous envelope. In The Fifth, Lounge & Bar, this fusion of apparently incongruous concepts comes alive, with calming symbols of nature from the adjacent forest playing against the fast-paced, machinery-filled bustle of THE SQUAIRE. The curved shape of the structure’s façade means that each hotel floor has a different footprint, resulting in an immense variety of room types amongst the 249 guestrooms and suites. In a building with so many hard surfaces, the designers placed particular emphasis on bringing a tactile and comfortable experience into the bedrooms through such means as leather-clad wardrobes and stylised wingback chairs which curve gently around the guest. The artwork in both the guestrooms and the public areas explores the contrast between motion and stillness. For example, the pictures in the corridor depict elements of nature captured with a dynamic motion blur.

Section Bar 酒吧剖面图

Section Cafe / Bar

咖啡厅和酒吧剖面图 107


HILTON FRANKFURT AIRPORT 法兰克福机场希尔顿酒店 DESIGNER JOI-Design

LOCATION Frankfurt, Germany

AREA 34,000m2

For the design team, the envelope’s 34,000m 2 size and threedimensionally rounded shape were both a huge challenge and a great opportunity to balance hi-tech vibrancy with low-tech organic forms. Entering at fifth floor level, hotel guests are immediately introduced to the main narrative of the design, the contemplation of apparently juxtaposed ideas: motion vs. rest, speed vs. deceleration, streamlined technology vs. raw nature, airport vs. forest, engulfing traffic vs. an island of calm, stress vs. relaxation, business formality vs. casual comfort, etc.. Two innovative solutions in the public areas celebrate the building’s form and translate the interior spaces into a human scale. The first is a pair of large, sculpturally impressive “golden wings” which extend protectively over the lobby’s reception, lounge and bar, reducing the volume while allowing natural light to filter through from the seven-storey atrium. The second innovation is the “Globe”, a glimmering, organically curved 470m2 and 21ft high “building-within-the-building” that accommodates 106

completion 2011

the ballroom and function spaces. Its construction is a highlight both within and outside the voluminous envelope. In The Fifth, Lounge & Bar, this fusion of apparently incongruous concepts comes alive, with calming symbols of nature from the adjacent forest playing against the fast-paced, machinery-filled bustle of THE SQUAIRE. The curved shape of the structure’s façade means that each hotel floor has a different footprint, resulting in an immense variety of room types amongst the 249 guestrooms and suites. In a building with so many hard surfaces, the designers placed particular emphasis on bringing a tactile and comfortable experience into the bedrooms through such means as leather-clad wardrobes and stylised wingback chairs which curve gently around the guest. The artwork in both the guestrooms and the public areas explores the contrast between motion and stillness. For example, the pictures in the corridor depict elements of nature captured with a dynamic motion blur.

Section Bar 酒吧剖面图

Section Cafe / Bar

咖啡厅和酒吧剖面图 107


Groundplan_E05_Coloured

Groundplan_Lobby

108

一楼大堂平面图

109


Groundplan_E05_Coloured

Groundplan_Lobby

108

一楼大堂平面图

109


酒店 34,000 平方米的占地面积以及三维的球 形外观,对于设计团队来说,既是一个机会也是一 次挑战,如何在高科技活力和低技术含量造型中获 取平衡。客人一旦抵达五楼入口,便会立刻感受到 该设计的理念,可以看到刻意体现的成对概念:运 动 VS 休息,加速 VS 减速,新型科技 VS 原材料, 机场 VS 森林,拥挤的交通 VS 平静的小岛,压力 VS 放松,商务 VS 休闲,等等。 公共区的两处创新凸显了建筑的格局并且赋予 了室内空间人性化。 第一处便是一对巨大的类似雕塑的“金翅膀”, 镶在前台、大堂以及吧台上,缩小了空间感的同时 又允许自然光透过 7 楼的中庭大堂照射进来。 第二处创新是“地球仪”,占地 470 平方米,高 6.4 米的“楼中楼”是宴会厅和多功能厅,无论从内部看, 还是从外形上看,这都是这座辉煌的酒店的一大亮 点。 五 楼 是 大 堂 和 酒 吧, 这 两 个 很 显 然 不 协 调 的 空间概念融合在一起,快节奏的机械喧嚣的 THE SQUAIRE 与附近森林的宁静的自然元素相碰撞。 酒店弯曲的外墙结构意味着内部每一个楼层都 不同,自然这 249 间客房和套房也是各具特色。由

Groundplan_E06

于该建筑里有过多的硬质表面,设计师着重体现卧 室的温馨舒适感,比如采用了皮革包裹的衣柜,以 及精美的靠背扶手椅,客人坐在上面正好可以完全 被椅子环抱。

110

Groundplan_E05_Ballroom_Globe

首层舞厅平面图

111


酒店 34,000 平方米的占地面积以及三维的球 形外观,对于设计团队来说,既是一个机会也是一 次挑战,如何在高科技活力和低技术含量造型中获 取平衡。客人一旦抵达五楼入口,便会立刻感受到 该设计的理念,可以看到刻意体现的成对概念:运 动 VS 休息,加速 VS 减速,新型科技 VS 原材料, 机场 VS 森林,拥挤的交通 VS 平静的小岛,压力 VS 放松,商务 VS 休闲,等等。 公共区的两处创新凸显了建筑的格局并且赋予 了室内空间人性化。 第一处便是一对巨大的类似雕塑的“金翅膀”, 镶在前台、大堂以及吧台上,缩小了空间感的同时 又允许自然光透过 7 楼的中庭大堂照射进来。 第二处创新是“地球仪”,占地 470 平方米,高 6.4 米的“楼中楼”是宴会厅和多功能厅,无论从内部看, 还是从外形上看,这都是这座辉煌的酒店的一大亮 点。 五 楼 是 大 堂 和 酒 吧, 这 两 个 很 显 然 不 协 调 的 空间概念融合在一起,快节奏的机械喧嚣的 THE SQUAIRE 与附近森林的宁静的自然元素相碰撞。 酒店弯曲的外墙结构意味着内部每一个楼层都 不同,自然这 249 间客房和套房也是各具特色。由

Groundplan_E06

于该建筑里有过多的硬质表面,设计师着重体现卧 室的温馨舒适感,比如采用了皮革包裹的衣柜,以 及精美的靠背扶手椅,客人坐在上面正好可以完全 被椅子环抱。

110

Groundplan_E05_Ballroom_Globe

首层舞厅平面图

111


Groundplan_E07

112

Groundplan_E11

113


Groundplan_E07

112

Groundplan_E11

113


114

115


114

115


W HOTEL PARIS-OPÉRA 巴黎歌剧院 W 酒店 DESIGNER Diego Gronda

CLIENT Starwood Hotels & Resorts Worldwide

AREA 7,998.95m2

DESIGN COMPANY Rockwell Group Europe Firm

LOCATION Paris, France

PHOTOGRAPHER Courtesy of Starwood Hotels and Resorts

The 19th century building with a striking original neo-classical interior will be re-invented by a contemporary cool sparkle of luminosity and brilliant energy in the quintessential Parisian neighbourhood, infusing light and mutating colour. Historic elements throughout the building such as ornamented columns, vaulted ceilings, mosaic floors, stained glass windows and decorated doors have been preserved and restored to create a dialogue and contrast between the old world and the contemporary elements. An oversized undulating wall of light, “The Spark” is the central design feature that defines the building from the inside and from the street as it defines the central core of the building and weaves through the public spaces, secret corners of DJ booths and martini bars. The illuminated digital design on “The Spark” is a pattern of dots that form abstract pulsing clouds of light.

completion 2012

Opéra and provide the perfect setting for a signature W Living Room where guests and locals are invited to mix, mingle and relax in a stylish social atmosphere. This mezzanine restaurant is led by Michelin star chef Sergi Arola. Two artworks by Spanish artist Xavier Mascaró, a friend of the chef, welcome guests at the maitre d’ station. The restaurant boasts one of the 11 historic fireplaces in the hotel, for a fireside dining section. A serpentine black resin bar counter anchors the room. Its shape resembles a molten sculpture, as if in reaction to the energy emanated from “The Spark”, which continues through this space. Guest rooms and suites feature three-metre ceiling height and breathtaking views of the Opéra. All W suites will boast an existing fireplace, white marble bathrooms and oversized dressing rooms, the perfect place for guests to prepare for a night out in Europe’s fashion capital.

The ground level and mezzanine floors have spectacular views of the 116

117


W HOTEL PARIS-OPÉRA 巴黎歌剧院 W 酒店 DESIGNER Diego Gronda

CLIENT Starwood Hotels & Resorts Worldwide

AREA 7,998.95m2

DESIGN COMPANY Rockwell Group Europe Firm

LOCATION Paris, France

PHOTOGRAPHER Courtesy of Starwood Hotels and Resorts

The 19th century building with a striking original neo-classical interior will be re-invented by a contemporary cool sparkle of luminosity and brilliant energy in the quintessential Parisian neighbourhood, infusing light and mutating colour. Historic elements throughout the building such as ornamented columns, vaulted ceilings, mosaic floors, stained glass windows and decorated doors have been preserved and restored to create a dialogue and contrast between the old world and the contemporary elements. An oversized undulating wall of light, “The Spark” is the central design feature that defines the building from the inside and from the street as it defines the central core of the building and weaves through the public spaces, secret corners of DJ booths and martini bars. The illuminated digital design on “The Spark” is a pattern of dots that form abstract pulsing clouds of light.

completion 2012

Opéra and provide the perfect setting for a signature W Living Room where guests and locals are invited to mix, mingle and relax in a stylish social atmosphere. This mezzanine restaurant is led by Michelin star chef Sergi Arola. Two artworks by Spanish artist Xavier Mascaró, a friend of the chef, welcome guests at the maitre d’ station. The restaurant boasts one of the 11 historic fireplaces in the hotel, for a fireside dining section. A serpentine black resin bar counter anchors the room. Its shape resembles a molten sculpture, as if in reaction to the energy emanated from “The Spark”, which continues through this space. Guest rooms and suites feature three-metre ceiling height and breathtaking views of the Opéra. All W suites will boast an existing fireplace, white marble bathrooms and oversized dressing rooms, the perfect place for guests to prepare for a night out in Europe’s fashion capital.

The ground level and mezzanine floors have spectacular views of the 116

117


1 Hotel Entrance 2 Arrival 3 Welcome 4 Lift Lobby 5 Living Room 6 DJ Booth 7 Spark Feature Wall 8 Bar Connection 9 Small Bar 10 Large Bar 11 Cocktail Bar 12 Bar Entrance 13 Service Bar 14 Access to Restaurant

1 Entrance Spark 2 Living Room 3 Closet 4 Hearth 5 Powder Room 6 Entertainment Wall 7 Martini Bar 8 Hearth 9 E Wow Bed 10 Bathroom 11 Closet 12 Wet Area

118

1、酒店入口 2、到达 3、欢迎 4、电梯大堂 5、客厅 6、音控室 7、火花特色墙 8、酒吧接口 9、小酒吧 10、大酒吧 11、鸡尾酒吧 12、酒吧入口 13、服务台 14、餐厅入口

1、入口火花 2、客厅 3、壁橱 4、壁炉 5、盥洗室 6、娱乐墙 7、马提尼酒吧 8、壁炉 9、E- 哇床 10、浴室 11、壁橱 12、主卫湿区

119


1 Hotel Entrance 2 Arrival 3 Welcome 4 Lift Lobby 5 Living Room 6 DJ Booth 7 Spark Feature Wall 8 Bar Connection 9 Small Bar 10 Large Bar 11 Cocktail Bar 12 Bar Entrance 13 Service Bar 14 Access to Restaurant

1 Entrance Spark 2 Living Room 3 Closet 4 Hearth 5 Powder Room 6 Entertainment Wall 7 Martini Bar 8 Hearth 9 E Wow Bed 10 Bathroom 11 Closet 12 Wet Area

118

1、酒店入口 2、到达 3、欢迎 4、电梯大堂 5、客厅 6、音控室 7、火花特色墙 8、酒吧接口 9、小酒吧 10、大酒吧 11、鸡尾酒吧 12、酒吧入口 13、服务台 14、餐厅入口

1、入口火花 2、客厅 3、壁橱 4、壁炉 5、盥洗室 6、娱乐墙 7、马提尼酒吧 8、壁炉 9、E- 哇床 10、浴室 11、壁橱 12、主卫湿区

119


120

121


120

121


1 2 3 4 5 6 7 8

122

Entrance Spark Bathroom Wet Area Closet Entertainment Wall Desk Reading Nook Spectacular Bed

1、入口火花 2、浴室 3、主卫湿区 4、壁橱 5、娱乐墙 6、桌子 7、阅读角落 8、特色床

123


1 2 3 4 5 6 7 8

122

Entrance Spark Bathroom Wet Area Closet Entertainment Wall Desk Reading Nook Spectacular Bed

1、入口火花 2、浴室 3、主卫湿区 4、壁橱 5、娱乐墙 6、桌子 7、阅读角落 8、特色床

123


这座带有醒目的新古典主义室内设计的 19 世纪建筑即将被翻新,典型的巴黎街区中光线和能量将擦出火花,同时注入灯光和颜色的变化。整座建筑中的历史 元素比如装饰柱、拱形天花板、镶嵌地板、彩色玻璃窗和装饰门都被保留并修复,在旧世界和当代元素中开启对话,形成对比。 一面巨大的起伏光墙“星火”是设计的中心,由内而外定义了这座酒店,因为它是建筑的核心同时绵延至公共区、DJ 间的秘密角落甚至到马提尼酒吧。“星火” 上的数字化照明设计其实就是一系列的小点图案,形成抽象的光线脉冲云团。 一楼和夹层里可以看到歌剧院,同时提供 W 形的起居室,客人们和当地人可以来这里做客,在这样一个时尚的社会氛围下相互交流,放松身心。 这家夹层餐厅的主厨是米其林星级主厨塞吉 • 阿罗拉。他的朋友,西班牙艺术家泽维尔 • 马什卡洛设计的两件作品摆设在地板上,欢迎客人的到来。餐厅拥有 酒店 11 个历史悠久的壁炉之一,放置在炉边就餐区。 房间的中心是一个蛇纹黑色树脂吧台。外形酷似一座熔融雕塑,仿佛在对来自“星火”的能量作出回应。客房和套房内都可以欣赏到壮观的歌剧院,同时都设 有 3 米高的天花板。所有的套房内都保留了原有的壁炉,白色的大理石浴室和超大的更衣室,以供客人们准备出门享受这座欧洲时尚之都的夜景。 124

125


这座带有醒目的新古典主义室内设计的 19 世纪建筑即将被翻新,典型的巴黎街区中光线和能量将擦出火花,同时注入灯光和颜色的变化。整座建筑中的历史 元素比如装饰柱、拱形天花板、镶嵌地板、彩色玻璃窗和装饰门都被保留并修复,在旧世界和当代元素中开启对话,形成对比。 一面巨大的起伏光墙“星火”是设计的中心,由内而外定义了这座酒店,因为它是建筑的核心同时绵延至公共区、DJ 间的秘密角落甚至到马提尼酒吧。“星火” 上的数字化照明设计其实就是一系列的小点图案,形成抽象的光线脉冲云团。 一楼和夹层里可以看到歌剧院,同时提供 W 形的起居室,客人们和当地人可以来这里做客,在这样一个时尚的社会氛围下相互交流,放松身心。 这家夹层餐厅的主厨是米其林星级主厨塞吉 • 阿罗拉。他的朋友,西班牙艺术家泽维尔 • 马什卡洛设计的两件作品摆设在地板上,欢迎客人的到来。餐厅拥有 酒店 11 个历史悠久的壁炉之一,放置在炉边就餐区。 房间的中心是一个蛇纹黑色树脂吧台。外形酷似一座熔融雕塑,仿佛在对来自“星火”的能量作出回应。客房和套房内都可以欣赏到壮观的歌剧院,同时都设 有 3 米高的天花板。所有的套房内都保留了原有的壁炉,白色的大理石浴室和超大的更衣室,以供客人们准备出门享受这座欧洲时尚之都的夜景。 124

125


INDEX

索引

MINISTRY OF DESIGN

Ministry of Design was created by Colin Seah to Question, Disturb & Redefine the spaces, forms & experiences that surround them and give meaning to their world. An integrated spatial-design practice, MOD’s explorations are created amidst a democratic “studio-like” atmosphere and progress seamlessly between form, site, object and space. They love to question where the inherent potential in contemporary design lies, and then to disturb the ways they are created or perceived – redefining the world around us in relevant and innovative ways, project by project! This, they declare, is real change, not change for the sake of novelty.

LEMAYMICHAUD ARCHITECTURE DESIGN

ROCKWELL GROUP EUROPE FIRM

The Madrid office of Rockwell Group, Rockwell Group Europe [RGe], is led by Diego Gronda, its Managing and Creative Director. Unique design narratives shape the look, feel and bold concepts of all RGe’s projects. RGe explores new territories with an extraordinary team of artists, architects, and interior, graphic and industrial designers who help create connections between varied disciplines, ideas and cultural landscapes. Building upon the energy and eclecticism of the Rockwell Group’s main office in New York, and Diego Gronda’s extensive work on all five continents, Rockwell Group Europe focuses on designing hotels, restaurants, retail centers, residential and office buildings and spas with a unique and refined aesthetic. RGe’s foremost asset is their capability to design guest experiences in a holistic way. The design strategy begins with landscaping, and is then followed by architecture, interior, graphic and industrial design. This combination of skills enables seamless, synergistic designs that consider the guest experience as well as the operational needs in a well-balanced, harmonious way.

CREATION, INNOVATION, REVITALISATION, FINANCIAL RETURN... These are some aspects of the architectural and design scene that have characterized LEMAYMICHAUD’s work since the firm’s birth in 1979. Its reputation, which transcends national boundaries, is founded on the talent and skills of a team of experienced architects, designers, technologists and consultants working together in close synergy. The architects of complex, innovative projects, LEMAYMICHAUD is known as much for the high quality of its projects as for its interior design. The firm has a strong reputation for meeting challenges, respecting constraints (quality control, cost and time management) and finding the right solution. Its extensive experience also gives the firm the flexibility it requires to successfully mesh its expertise with those of other consultants to optimize the project process. Thanks to its excellent reputation, LEMAYMICHAUD participates in consortiums with other Canadian and foreign firms whenever the opportunity arises.

ILMIODESIGN

ILMIODESIGN is a new creative concept oriented to the design world in all its aspects. Into ILMIODESIGN we face, through a specific methodology, different processes of creation of a project: from architecture to interior design, through industrial and graphic design. Thanks to a great ability to adapt to the project and client needs, ILMIODESIGN aims at obtaining results able to satisfy all phases of the project. From the beginning to the end, ILMIODESIGN puts together the client requirements, with his tastes and desires, and the social and historical context of the project they are realizing. In this way hotel, commercial spaces and private houses originate.

380

CL3 ARCHITECTS LTD. (CL3 )

CL3 Architects Ltd. (CL3) is an innovative architecture and interior design studio in Asia, creating Architectural and Interior projects for Hotel, Hospitality, Restaurants, Retail, Corporate, and art installation design. They are Hong Kong based with a direct staff of 70 with regional offices in Beijing and Shanghai.

PROJECT ORANGE

Project Orange is an award-winning architectural and design studio, based in London, set up by Christopher Ash and James Soane. They have produced a broad and original portfolio of work that spans residential, hotel, retail, school and restaurant design. Ideas are generated on a case-by-case basis, resulting in a different “narrative” for each project. The practice seeks to create places that are easily inhabited be they a small café or a public building. Project Orange’s professional and ambitious approach is collaborative and they like to engage with their partners to ensure a lasting and sustainable outcome to all their projects.

From small, voracious, entrepreneurial beginnings, since 1994, dwp has flourished into an award-winning, one-stop integrated design service, with global reach. Even in the most challenging of locations, over 450 multi-cultural professionals work together to deliver architecture, interior design, planning consultancy and project management, across borders, to the highest international standards. dwp is as passionate about delivering innovative, visionary design solutions, as they are about working in close collaboration with their clients. Their multi-disciplinary, multi-cultural teams unite to provide a wealth of expertise, experience and know-how, in today’s ever-changing, fast-paced and challenging environments. Their solid reputation and definitive successes are continually enhanced by an innate ability to mobilise international resources and guarantee the highest levels of quality and service. dwp integrated design services are divided into three distinct dwp portfolios, namely lifestyle, community and work, encompassing, managed and driven by the different dwp studios across the globe. dwp portfolios and studios ensure dwp delivers each project with the qualities of a highly focused and specialised service, while offering diversity, flexibility and creativity over a broad spectrum.

HASSELL is an international design practice with 14 studios in Australia, China, South East Asia and the United Kingdom. With more than 900 people and a track record spanning almost 75 years, they work globally across a diverse range of markets. An interdisciplinary practice, they combine expertise in architecture, interior design, landscape architecture and planning with integrated sustainability and urban design capabilities. As a single, privately owned partnership, each of their studios has the flexibility and autonomy to service both local and global clients, and the advantage of access to their combined resources and collective experience.

YES ! HOTELS GROUP

YES! Respond their guests when asked whether they have had a fabulous stay in one of our hotels. This makes sense, as they place their guests at the centre of their service philosophy, creating an international environment of luxury and indulgence, all the time accentuating local traditions and authentic culture. As their staff work around the clock to ensure that they exceed rather than meet expectations, “agreeable”, “pleasant” or “enjoyable” services will simply not do. YES! Hotels is a first-rate hospitality company dedicated to providing their discerning guests with “Y”oung “E”xciting “S”eductive options and experiences.

HAPTIC DWP | DESIGN WORLDWIDE PARTNERSHIP

HASSELL

Haptic is a London and Oslo based architectural studio, established in 2009. Their designs are conceptually driven, inspired by nature and formed through a critical, iterative design process. A strong emphasis is given to user experience; how one interacts with the buildings and spaces. The term “Haptic” refers to the sense of touch. They believe a shift from the optical to the haptical is a move that benefits the users of our buildings. Haptic are currently working on a wide range of building typologies. These include airports, hotel and conferencing facilities, urban design and mixed-use residential, exhibition spaces and private dwellings.

DILEONARDO INTERNATIONAL, INC.

DiLeonardo is one of the premier and most well respected full-service interior architectural design firms working globally today. Family-owned for more than 40 years, their personalized approach colors everything they do. Headquartered in Providence, Rhode Island, and with offices in Dubai, Shanghai, Hong Kong, and Manila, they have access to the best and brightest new talent from around the world. In every space they design, they impart a distinct sense of place taking every opportunity to celebrate local materials, art forms, landscapes, and cultural history.

PAUL NORITAKA TANGE

Paul Noritaka Tange began his architectural career upon receiving his Master in Architecture from Harvard University, Graduate School of Design in 1985. That same year he joined Kenzo Tange Associates, the architectural firm headed by his father, well known international architect, Kenzo Tange. Paul became President of Kenzo Tange Associates in 1997 and founded Tange Associates in 2003. Tange Associates, headquartered in Tokyo, Japan, has worked worldwide and offers a full range of architectural and urban design and planning services. At this time, Tange Associates has close to 40 on-going projects in ten countries. The firm’s extensive international experience enables it to work effectively in all cultures. Its long standing associations with local architectural firms and its familiarity with local building practices is invaluable to Tange Associates’ ability to efficiently undertake small to large scale projects in urban as well as rural areas in all parts of the world. Paul himself exemplifies the international element of his practice. Born in Tokyo, Japan, and educated in Japan, Switzerland and the US, he is a registered architect of both Japan and Singapore.

DOROTHÉ E MEILICHZON

Graduated in industrial design, she studied both in France and in the US. She worked for 5 years for design agencies in Paris, and has launched in 2009, her own company : CHZON. Her work consists on the interior design, but also on designing the furniture and concept of the space. Also to insure a coherent global experience, she is happy to work on the graphic design. She is very much inspired by well known mentors, such as Madeleine Castaing/Givenchy/Chanel/Yves Saint Laurent/Dorothy Draper ... Also she likes to work as much as possible with the craft : upholsterer/ carpenter/handmade wallpaper… in order to create something unique with a timeless feel, that everyone can appropriate.

381


INDEX

索引

MINISTRY OF DESIGN

Ministry of Design was created by Colin Seah to Question, Disturb & Redefine the spaces, forms & experiences that surround them and give meaning to their world. An integrated spatial-design practice, MOD’s explorations are created amidst a democratic “studio-like” atmosphere and progress seamlessly between form, site, object and space. They love to question where the inherent potential in contemporary design lies, and then to disturb the ways they are created or perceived – redefining the world around us in relevant and innovative ways, project by project! This, they declare, is real change, not change for the sake of novelty.

LEMAYMICHAUD ARCHITECTURE DESIGN

ROCKWELL GROUP EUROPE FIRM

The Madrid office of Rockwell Group, Rockwell Group Europe [RGe], is led by Diego Gronda, its Managing and Creative Director. Unique design narratives shape the look, feel and bold concepts of all RGe’s projects. RGe explores new territories with an extraordinary team of artists, architects, and interior, graphic and industrial designers who help create connections between varied disciplines, ideas and cultural landscapes. Building upon the energy and eclecticism of the Rockwell Group’s main office in New York, and Diego Gronda’s extensive work on all five continents, Rockwell Group Europe focuses on designing hotels, restaurants, retail centers, residential and office buildings and spas with a unique and refined aesthetic. RGe’s foremost asset is their capability to design guest experiences in a holistic way. The design strategy begins with landscaping, and is then followed by architecture, interior, graphic and industrial design. This combination of skills enables seamless, synergistic designs that consider the guest experience as well as the operational needs in a well-balanced, harmonious way.

CREATION, INNOVATION, REVITALISATION, FINANCIAL RETURN... These are some aspects of the architectural and design scene that have characterized LEMAYMICHAUD’s work since the firm’s birth in 1979. Its reputation, which transcends national boundaries, is founded on the talent and skills of a team of experienced architects, designers, technologists and consultants working together in close synergy. The architects of complex, innovative projects, LEMAYMICHAUD is known as much for the high quality of its projects as for its interior design. The firm has a strong reputation for meeting challenges, respecting constraints (quality control, cost and time management) and finding the right solution. Its extensive experience also gives the firm the flexibility it requires to successfully mesh its expertise with those of other consultants to optimize the project process. Thanks to its excellent reputation, LEMAYMICHAUD participates in consortiums with other Canadian and foreign firms whenever the opportunity arises.

ILMIODESIGN

ILMIODESIGN is a new creative concept oriented to the design world in all its aspects. Into ILMIODESIGN we face, through a specific methodology, different processes of creation of a project: from architecture to interior design, through industrial and graphic design. Thanks to a great ability to adapt to the project and client needs, ILMIODESIGN aims at obtaining results able to satisfy all phases of the project. From the beginning to the end, ILMIODESIGN puts together the client requirements, with his tastes and desires, and the social and historical context of the project they are realizing. In this way hotel, commercial spaces and private houses originate.

380

CL3 ARCHITECTS LTD. (CL3 )

CL3 Architects Ltd. (CL3) is an innovative architecture and interior design studio in Asia, creating Architectural and Interior projects for Hotel, Hospitality, Restaurants, Retail, Corporate, and art installation design. They are Hong Kong based with a direct staff of 70 with regional offices in Beijing and Shanghai.

PROJECT ORANGE

Project Orange is an award-winning architectural and design studio, based in London, set up by Christopher Ash and James Soane. They have produced a broad and original portfolio of work that spans residential, hotel, retail, school and restaurant design. Ideas are generated on a case-by-case basis, resulting in a different “narrative” for each project. The practice seeks to create places that are easily inhabited be they a small café or a public building. Project Orange’s professional and ambitious approach is collaborative and they like to engage with their partners to ensure a lasting and sustainable outcome to all their projects.

From small, voracious, entrepreneurial beginnings, since 1994, dwp has flourished into an award-winning, one-stop integrated design service, with global reach. Even in the most challenging of locations, over 450 multi-cultural professionals work together to deliver architecture, interior design, planning consultancy and project management, across borders, to the highest international standards. dwp is as passionate about delivering innovative, visionary design solutions, as they are about working in close collaboration with their clients. Their multi-disciplinary, multi-cultural teams unite to provide a wealth of expertise, experience and know-how, in today’s ever-changing, fast-paced and challenging environments. Their solid reputation and definitive successes are continually enhanced by an innate ability to mobilise international resources and guarantee the highest levels of quality and service. dwp integrated design services are divided into three distinct dwp portfolios, namely lifestyle, community and work, encompassing, managed and driven by the different dwp studios across the globe. dwp portfolios and studios ensure dwp delivers each project with the qualities of a highly focused and specialised service, while offering diversity, flexibility and creativity over a broad spectrum.

HASSELL is an international design practice with 14 studios in Australia, China, South East Asia and the United Kingdom. With more than 900 people and a track record spanning almost 75 years, they work globally across a diverse range of markets. An interdisciplinary practice, they combine expertise in architecture, interior design, landscape architecture and planning with integrated sustainability and urban design capabilities. As a single, privately owned partnership, each of their studios has the flexibility and autonomy to service both local and global clients, and the advantage of access to their combined resources and collective experience.

YES ! HOTELS GROUP

YES! Respond their guests when asked whether they have had a fabulous stay in one of our hotels. This makes sense, as they place their guests at the centre of their service philosophy, creating an international environment of luxury and indulgence, all the time accentuating local traditions and authentic culture. As their staff work around the clock to ensure that they exceed rather than meet expectations, “agreeable”, “pleasant” or “enjoyable” services will simply not do. YES! Hotels is a first-rate hospitality company dedicated to providing their discerning guests with “Y”oung “E”xciting “S”eductive options and experiences.

HAPTIC DWP | DESIGN WORLDWIDE PARTNERSHIP

HASSELL

Haptic is a London and Oslo based architectural studio, established in 2009. Their designs are conceptually driven, inspired by nature and formed through a critical, iterative design process. A strong emphasis is given to user experience; how one interacts with the buildings and spaces. The term “Haptic” refers to the sense of touch. They believe a shift from the optical to the haptical is a move that benefits the users of our buildings. Haptic are currently working on a wide range of building typologies. These include airports, hotel and conferencing facilities, urban design and mixed-use residential, exhibition spaces and private dwellings.

DILEONARDO INTERNATIONAL, INC.

DiLeonardo is one of the premier and most well respected full-service interior architectural design firms working globally today. Family-owned for more than 40 years, their personalized approach colors everything they do. Headquartered in Providence, Rhode Island, and with offices in Dubai, Shanghai, Hong Kong, and Manila, they have access to the best and brightest new talent from around the world. In every space they design, they impart a distinct sense of place taking every opportunity to celebrate local materials, art forms, landscapes, and cultural history.

PAUL NORITAKA TANGE

Paul Noritaka Tange began his architectural career upon receiving his Master in Architecture from Harvard University, Graduate School of Design in 1985. That same year he joined Kenzo Tange Associates, the architectural firm headed by his father, well known international architect, Kenzo Tange. Paul became President of Kenzo Tange Associates in 1997 and founded Tange Associates in 2003. Tange Associates, headquartered in Tokyo, Japan, has worked worldwide and offers a full range of architectural and urban design and planning services. At this time, Tange Associates has close to 40 on-going projects in ten countries. The firm’s extensive international experience enables it to work effectively in all cultures. Its long standing associations with local architectural firms and its familiarity with local building practices is invaluable to Tange Associates’ ability to efficiently undertake small to large scale projects in urban as well as rural areas in all parts of the world. Paul himself exemplifies the international element of his practice. Born in Tokyo, Japan, and educated in Japan, Switzerland and the US, he is a registered architect of both Japan and Singapore.

DOROTHÉ E MEILICHZON

Graduated in industrial design, she studied both in France and in the US. She worked for 5 years for design agencies in Paris, and has launched in 2009, her own company : CHZON. Her work consists on the interior design, but also on designing the furniture and concept of the space. Also to insure a coherent global experience, she is happy to work on the graphic design. She is very much inspired by well known mentors, such as Madeleine Castaing/Givenchy/Chanel/Yves Saint Laurent/Dorothy Draper ... Also she likes to work as much as possible with the craft : upholsterer/ carpenter/handmade wallpaper… in order to create something unique with a timeless feel, that everyone can appropriate.

381


THG ARCHITECTS

THG Architects is a progressive, international design and consulting company with experience of every diverse field of architecture, project management and construction. THG architects was founded in 1994 and ever since then the offices’ main ambition is to fulfill and meet the client’s needs in the most professional and economical manner. From day one the office has been among leading architecture offices in city planning, building design and construction services in Iceland and has expanded the services internationally with offices in Copenhagen, Denmark and associated office in NY City, USA. The staff has years of experience collaborating with foreign design offices and consulting companies in coordinating large scale as well as small scale planning and architectural projects. Their project list includes every aspect of urban design and development such as, retail, housing, commercial, cultural, office, industrial, city planning, plot planning, interior design, etc.

MARCEL WANDERS

Marcel Wanders is a product and interior designer who drew international recognition for his Knotted Chair produced by Droog Design in 1996. His work is ubiquitous; designing for leading international companies such as Flos, Alessi, Puma, KLM Royal Dutch Airlines, MAC Cosmetics, Cappellini, B&B Italia, Moroso and Target. Wanders also designs for architectural projects, such as the Kameha Grand hotel in Bonn, the Mondrian South Beach hotel in Miami and the Villa Moda store in Bahrain. In addition to running his studio, Wanders is co-founder and Artistic Director of the successful design label Moooi (2001). He exhibits widely and his work is included in such significant museum collections as MoMA New York, The Stedelijk Museum, Amsterdam, and the V&A Museum, London. Wanders has further published numerous books and is extensively profiled in the global media, appearing in such publications as the New York Times, Domus, The Financial Times and Wallpaper Magazine.

JOI- DESIGN GMBH

JOI-Design was founded in Hamburg in 1984 by Peter Joehnk, who, alongside Corinna Kretschmar-Joehnk, has cultivated the practice into one of Europe’s most respected leaders in hospitality design. Twenty-five years experience has led to a firm belief that design is the hotelier’s best marketing tool. This principle manifests itself in a genuine interest in the art, architecture and social inheritance of the location, which is ingeniously woven into the internal character of each project. JOI-Design’s portfolio reflects a wide diversity of projects encompassing sophisticated modern hotels, grand historic establishments, vibrant restaurants, sumptuous spas, and new-build airport and business hotels.

Nicholas Graham ﹢ Associates Pty Ltd

Under the creative direction of Nic Graham, g+a is a small team of skilled designers, interior architects and design technicians. They have been in cooperation since 1999, with 18 years of professional practice overall. They specialise in hospitality and high and residential projects, in Australia and Asia. With considerable hospitality experience and passion for design within their team, they have worked with many esteemed hotel groups. Their projects style is varied, but they are increasingly credited for projects that have a sense of narrative, humour and multi layered approach that embraces colour, graphics and unique ideas. This in turn makes their spaces memorable, intriguing and imbuing a warm sense of character. Each solution is individually tailored, delivered with integrity and passion. They are passionate about the finer details in their projects, and continue to collaborate with artisans, artists, furniture makers, graphic designers and engineers to make memorable spaces and noteworthy design “moments”.

382

AEBERLI VEGA ZANGHI ARCHITEKTEN

AEBERLI VEGA ZANGHI ARCHITEKTEN is a Zurich-based practice working with a holistic understanding of architecture. It was formed by: Daniela Aeberli, Daniel Vega and Diego Zanghi (an interior architect and two architects). The team has a broad and international knowledge that is individually applied to each project. Innovation is cultivated through synergy and an interdisciplinary approach towards the projects. Aeberli Vega Zanghi Architekten are currently working on a wide spectrum of projects, covering interior design, hotels, restaurants, refurbishments and medium to large-scale housing projects. Their aim is to create architecture and interior spaces that generate longevity for the user and location. They evolve projects with a distinct architectural vocabulary using deep care for materials and minded detailing that creates architectural atmosphere. Their integrated approach is a design process based on their inspiration, extended knowledge and experience.

Alfredo Haberli KARIM RASHID

Karim Rashid is one of the most prolific designers of his generation. Over 3,000 designs in production, over 300 awards and working in over 35 countries attest to Karim’s legend of design. His award winning designs include democratic objects such as the ubiquitous Garbo waste can and Oh Chair for Umbra, interiors such as the Morimoto restaurant, Philadelphia and Semiramis hotel, Athens. Karim collaborated with clients to create democratic design for Method and Dirt Devil, furniture for Artemide and Magis, brand identity for Citibank and Hyundai, high tech products for LaCie and Samsung, and luxury goods for Veuve Clicquot and Swarovski, to name a few. Karim’s work is featured in 20 permanent collections and he exhibits art in galleries world wide. Karim is a perennial winner of the Red Dot award, Chicago Athenaeum Good Design award, I.D. Magazine Annual Design Review, IDSA Industrial Design Excellence Award.

AS SCENARIO INTERIØRARKITEKTER MNIL

Alfredo Häberli was born in 1964 in Argentina and came to Switzerland when he was 13. After his schooling as a structural engineering draughtsman, he studied industrial design at the Zurich University of the Arts until 1991 and shortly thereafter founded his own studio. During his studies he had already participated in concepts for exhibits and later curated such extensive projects as the Bruno Munari show in the Museum für Gestaltung. His international breakthrough as an industrial designer came to be with the modular shelf system “SEC”, which Häberli designed for the Italian company Alias in 1997. Since then he's created countless designs with a strong mix of emotionality and function for internationally important brands like Camper, Iittala, Kvadrat, Luceplan, Georg Jensen, Vitra and Moroso. Alfredo Häberli has received many awards and in 2009 was named Designer of the Year by Architektur & Wohnen magazine. His current studio, “Alfredo Häberli Design Development” he founded in 2000 and he works with his current team in Zurich Seefeld.

KEMPINSKI NILE HOTEL

Nestled amidst the picturesque expanses in Garden City with a breathtaking vista of the Nile river. A luxury boutique hotel in every sense of the word, this charming setting is cosy and intimate in size, European contemporary in style, impeccable in detail and unequivocally personal in its comfort and service. Boasting an expansive list of top tier amenities and services including a personal butler on every level, along with a wide range of business and leisure facilities, Kempinski Nile Hotel brings convenience and service to those who value a truly distinguished and exclusive hotel experience.

St. Regis Hotels & Resorts

Combining classic sophistication with a modern sensibility, St. Regis is committed to delivering exceptional experiences at over 30 luxury hotels and resorts in the best addresses around the world. Since the opening of the first St. Regis Hotel in New York City over a century ago by John Jacob Astor IV, the brand has remained committed to an uncompromising level of bespoke and anticipatory service for all of its guests, delivered flawlessly by signature St. Regis Butler Service. From Bal Harbour to Bangkok, Saadiyat Island to Shenzhen, the St. Regis brand caters to a new generation of luxury travelers and continues to thoughtfully build its portfolio in the most sought after destinations at the heart of today’s grand tour.

HBA (Hirsch Bedner Associates)

World-renowned as the “Number 1 Hospitality Design Firm” (Interior Design) and honored in 2013 at the Hospitality Design Awards, Perspective Awards, Boutique Design Awards, and the European Hotel Design Awards, HBA unveils the world’s most anticipated hotels, resorts, and spas.  Leading the hospitality interior design industry since 1965, HBA remains keenly attuned to the pulse of changing industry trends. The company’s international presence, depth of experience, and detailed industry knowledge enables them to identify interior design trends at their source, make definitive predictions about new directions and innovations, and influence design standards at a global level. 

AS Scenario is an interior design practice with emphasis on professional planning, refurbishment, furnishings of commercial buildings and hotels, private housing and furniture design. The office was established in 1985 by Interior designer Linda Steen. Today, the office holds 26 interior designers, furniture designers, and administration with broad experience form different projects and education from both Norway and overseas. Their ambition is to visualise clients’ profile, vision and personality through interior design.

383


THG ARCHITECTS

THG Architects is a progressive, international design and consulting company with experience of every diverse field of architecture, project management and construction. THG architects was founded in 1994 and ever since then the offices’ main ambition is to fulfill and meet the client’s needs in the most professional and economical manner. From day one the office has been among leading architecture offices in city planning, building design and construction services in Iceland and has expanded the services internationally with offices in Copenhagen, Denmark and associated office in NY City, USA. The staff has years of experience collaborating with foreign design offices and consulting companies in coordinating large scale as well as small scale planning and architectural projects. Their project list includes every aspect of urban design and development such as, retail, housing, commercial, cultural, office, industrial, city planning, plot planning, interior design, etc.

MARCEL WANDERS

Marcel Wanders is a product and interior designer who drew international recognition for his Knotted Chair produced by Droog Design in 1996. His work is ubiquitous; designing for leading international companies such as Flos, Alessi, Puma, KLM Royal Dutch Airlines, MAC Cosmetics, Cappellini, B&B Italia, Moroso and Target. Wanders also designs for architectural projects, such as the Kameha Grand hotel in Bonn, the Mondrian South Beach hotel in Miami and the Villa Moda store in Bahrain. In addition to running his studio, Wanders is co-founder and Artistic Director of the successful design label Moooi (2001). He exhibits widely and his work is included in such significant museum collections as MoMA New York, The Stedelijk Museum, Amsterdam, and the V&A Museum, London. Wanders has further published numerous books and is extensively profiled in the global media, appearing in such publications as the New York Times, Domus, The Financial Times and Wallpaper Magazine.

JOI- DESIGN GMBH

JOI-Design was founded in Hamburg in 1984 by Peter Joehnk, who, alongside Corinna Kretschmar-Joehnk, has cultivated the practice into one of Europe’s most respected leaders in hospitality design. Twenty-five years experience has led to a firm belief that design is the hotelier’s best marketing tool. This principle manifests itself in a genuine interest in the art, architecture and social inheritance of the location, which is ingeniously woven into the internal character of each project. JOI-Design’s portfolio reflects a wide diversity of projects encompassing sophisticated modern hotels, grand historic establishments, vibrant restaurants, sumptuous spas, and new-build airport and business hotels.

Nicholas Graham ﹢ Associates Pty Ltd

Under the creative direction of Nic Graham, g+a is a small team of skilled designers, interior architects and design technicians. They have been in cooperation since 1999, with 18 years of professional practice overall. They specialise in hospitality and high and residential projects, in Australia and Asia. With considerable hospitality experience and passion for design within their team, they have worked with many esteemed hotel groups. Their projects style is varied, but they are increasingly credited for projects that have a sense of narrative, humour and multi layered approach that embraces colour, graphics and unique ideas. This in turn makes their spaces memorable, intriguing and imbuing a warm sense of character. Each solution is individually tailored, delivered with integrity and passion. They are passionate about the finer details in their projects, and continue to collaborate with artisans, artists, furniture makers, graphic designers and engineers to make memorable spaces and noteworthy design “moments”.

382

AEBERLI VEGA ZANGHI ARCHITEKTEN

AEBERLI VEGA ZANGHI ARCHITEKTEN is a Zurich-based practice working with a holistic understanding of architecture. It was formed by: Daniela Aeberli, Daniel Vega and Diego Zanghi (an interior architect and two architects). The team has a broad and international knowledge that is individually applied to each project. Innovation is cultivated through synergy and an interdisciplinary approach towards the projects. Aeberli Vega Zanghi Architekten are currently working on a wide spectrum of projects, covering interior design, hotels, restaurants, refurbishments and medium to large-scale housing projects. Their aim is to create architecture and interior spaces that generate longevity for the user and location. They evolve projects with a distinct architectural vocabulary using deep care for materials and minded detailing that creates architectural atmosphere. Their integrated approach is a design process based on their inspiration, extended knowledge and experience.

Alfredo Haberli KARIM RASHID

Karim Rashid is one of the most prolific designers of his generation. Over 3,000 designs in production, over 300 awards and working in over 35 countries attest to Karim’s legend of design. His award winning designs include democratic objects such as the ubiquitous Garbo waste can and Oh Chair for Umbra, interiors such as the Morimoto restaurant, Philadelphia and Semiramis hotel, Athens. Karim collaborated with clients to create democratic design for Method and Dirt Devil, furniture for Artemide and Magis, brand identity for Citibank and Hyundai, high tech products for LaCie and Samsung, and luxury goods for Veuve Clicquot and Swarovski, to name a few. Karim’s work is featured in 20 permanent collections and he exhibits art in galleries world wide. Karim is a perennial winner of the Red Dot award, Chicago Athenaeum Good Design award, I.D. Magazine Annual Design Review, IDSA Industrial Design Excellence Award.

AS SCENARIO INTERIØRARKITEKTER MNIL

Alfredo Häberli was born in 1964 in Argentina and came to Switzerland when he was 13. After his schooling as a structural engineering draughtsman, he studied industrial design at the Zurich University of the Arts until 1991 and shortly thereafter founded his own studio. During his studies he had already participated in concepts for exhibits and later curated such extensive projects as the Bruno Munari show in the Museum für Gestaltung. His international breakthrough as an industrial designer came to be with the modular shelf system “SEC”, which Häberli designed for the Italian company Alias in 1997. Since then he's created countless designs with a strong mix of emotionality and function for internationally important brands like Camper, Iittala, Kvadrat, Luceplan, Georg Jensen, Vitra and Moroso. Alfredo Häberli has received many awards and in 2009 was named Designer of the Year by Architektur & Wohnen magazine. His current studio, “Alfredo Häberli Design Development” he founded in 2000 and he works with his current team in Zurich Seefeld.

KEMPINSKI NILE HOTEL

Nestled amidst the picturesque expanses in Garden City with a breathtaking vista of the Nile river. A luxury boutique hotel in every sense of the word, this charming setting is cosy and intimate in size, European contemporary in style, impeccable in detail and unequivocally personal in its comfort and service. Boasting an expansive list of top tier amenities and services including a personal butler on every level, along with a wide range of business and leisure facilities, Kempinski Nile Hotel brings convenience and service to those who value a truly distinguished and exclusive hotel experience.

St. Regis Hotels & Resorts

Combining classic sophistication with a modern sensibility, St. Regis is committed to delivering exceptional experiences at over 30 luxury hotels and resorts in the best addresses around the world. Since the opening of the first St. Regis Hotel in New York City over a century ago by John Jacob Astor IV, the brand has remained committed to an uncompromising level of bespoke and anticipatory service for all of its guests, delivered flawlessly by signature St. Regis Butler Service. From Bal Harbour to Bangkok, Saadiyat Island to Shenzhen, the St. Regis brand caters to a new generation of luxury travelers and continues to thoughtfully build its portfolio in the most sought after destinations at the heart of today’s grand tour.

HBA (Hirsch Bedner Associates)

World-renowned as the “Number 1 Hospitality Design Firm” (Interior Design) and honored in 2013 at the Hospitality Design Awards, Perspective Awards, Boutique Design Awards, and the European Hotel Design Awards, HBA unveils the world’s most anticipated hotels, resorts, and spas.  Leading the hospitality interior design industry since 1965, HBA remains keenly attuned to the pulse of changing industry trends. The company’s international presence, depth of experience, and detailed industry knowledge enables them to identify interior design trends at their source, make definitive predictions about new directions and innovations, and influence design standards at a global level. 

AS Scenario is an interior design practice with emphasis on professional planning, refurbishment, furnishings of commercial buildings and hotels, private housing and furniture design. The office was established in 1985 by Interior designer Linda Steen. Today, the office holds 26 interior designers, furniture designers, and administration with broad experience form different projects and education from both Norway and overseas. Their ambition is to visualise clients’ profile, vision and personality through interior design.

383


Top Design Hotel