Page 1

III

CREATIVE & MODERN

OFFICE

现代创意办公空间 Ⅲ

室内设计

定价:348.00元

大连理工大学出版社

上架建议

CREATIVE & MODERN 现代创意办公空间Ⅲ

OFFICE III 高迪国际出版有限公司 编

大连理工大学出版社


现代创意办公空间 Ⅲ

OFFICE III 高迪国际出版有限公司 编 李青云 邱凌云

大连理工大学出版社


PREFACE

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序言 01

It was only thirty years ago when a personal computer Apple Lisa appeared.

with a magnetic coating, all kinds of acoustic materials , developed sails

For the first time it used a graphical user interface and a mouse pointing

and hundred-meter lamps. We had to create submarine shaped flower

device for individual business users. Since then we can say offices began to

pots, equipped offices with bars, covered walls and ceilings with carpet and

change fast as information technology has given a power kick-start to various

designed polymer structures.

branches of human activity, which resulted in dozens previously unthinkable

Our offices are filled with bright colors. Varnished concrete, original furniture

professions. All those professions have one trend in common – they all

and all kinds of complex geometric structures can be found there. As

are creative, focused on the intelligent, virtual product. These changes

architects we should keep in mind that such a powerful “visual range” is a

embodied in a new type of workspaces – offices for creative people. This

kind of responsibility. This responsibility extends far beyond the customer and

kind of workspace expects lack of hard dress code and standard working

his wishes – because there are hundreds or even thousands of employees

day, the ability to switch from work to rest and vice versa. Employers had to

who will stay in this workspace the most part of the day. Therefore, the

revise their views on how workspace should look, which areas in the office

major priority for us is to create humane conditions for employees and to

are exactly required, which corporate values it should represent. Another

take care about a variety of opportunities for relaxation and activity changing.

challenge was to attract highly skilled employees, for which, as it turned out

Maybe this is a kind of self-limitation, perhaps even against our own creative

not only the location of the office was an important factor in particular, but

impulses and ambitions.

its usability, ergonomics, recreational opportunities, visual appeal as well.

The architecture is still based on the three Vitruvian’s principles as it was two

We are one of the few companies in our country known primarily due to our

thousand years ago – durability, utility and beauty. Beauty, no wonder, is

innovative approaches in workspace construction. Our clients are mainly IT

in the last place, so while creating a modern office, one should not forget

companies that come to us for “an unusual bright office”. Every time it's a

the fact – beauty is important, but its role is secondary to functionality and

complex, but exciting challenge – because it often happens that we have to

comfort. I would generally expand Vitruvian triad in reference to the office

use unusual methods and materials to achieve a certain visual effect or a

design, and add to it the concept of “humanity” – as one of the most

non-trivial design. Merely in last two years, while working on office projects

important criteria of the creative workspace.

we had a chance to pick up pickling solutions for copper sheets, worked

三十年前问世的苹果 Lisa 个人计算机,首次采用了图形用户界面和鼠标定位装置技术。自那以后 IT 技术的发展为人类各种 活动的改变和发展提供了强劲的推动力,办公场所也在迅速改变和发展着,这些改变和发展也产生了很多新型的以前不可预想的 职业,这些新型的职业有着共同的发展趋向──富有创意、专注于产品的智能化和虚拟化。这种变化也在新型的专为创新型人才 打造的办公场所中有所体现。新型的办公场所不需要严格的着装要求和标准的工作时间,其设置能让工作其中的员工很快地从工 作状态转换到休息状态,或者从休息状态转换到工作状态。对于办公场所应该是什么样子、其中需要哪些功能区域、办公环境应 该体现什么样的公司价值和理念等等问题,雇主也必须得改变自己的观念。办公场所的设计所面临的另一个挑战是要吸引技艺精 湛的员工。事实证明,人们非常关注办公室的地理位置,同时也很关注办公场所的实用性、舒适度、娱乐设施和视觉效果。 我公司是全国为数不多的在办公场所的设计建设中因追求创新而闻名的公司之一。我们的客户主要是 IT 公司,他们要求我 们为之打造出“非同寻常、色彩明丽的办公室”。几乎每个工程于我们都是错综复杂、激动人心的挑战,因为为了获得非凡的、 独特的视觉效果,我们不得不使用一些非同寻常的方法和材料。比如,仅仅在过去的两年间,在办公空间的设计建造中我们利用

Peter Zaytsev (Right)

了酸洗液来清洗铜板,使用了磁涂层和各种隔音材料,开发了帆布材质和百米长的灯饰;我们打造了状如潜艇的花盆,在办公场

Architect and Co-owner of za bor architects

所建造吧台,用地毯和精心设计的高分子结构材料装饰墙面和天花板表面。 我们所打造的办公室色彩明丽,我们会在设计中使用涂漆的混凝土、原创家具和各种复杂的几何结构。作为建筑设计师, 我们时刻铭记,创造超强的“可视范围”是一种责任。这种责任使我们打造的作品远远超出我们客户的预期──因为我们知道几 百甚至上千的员工一天的绝大部分时间里都会待在我们所设计的办公室里,因而我们首先考虑的是为员工营造一种人性化的环境, 让他们在这个办公场所中能有很多机会进行休息放松或转变工作内容。当然这样的考虑也许会为我们带来自我限制,也许会与我 们的创作灵感和创作理念相违背。 现代的建筑依然基于两千年前就已经存在的 Vitruvian 三原则,即坚固性、实用性和美观度。无疑,在这三原则中美观度是 最不重要的,所以在创建现代办公场所时,人们不应该忘记这样的事实──美观固然重要,但是更值得关注的是办公场所的功能 性和舒适度。在现代办公建筑的设计建设中,我想在 Vitruvian 三原则的基础上再增加一条,即“人文性”,作为创新型办公空 间的最重要的评判标准之一。

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PREFACE

02

序言 02

Thanks in large part to technological advances, the modern office is an increasingly connected one; collaboration now drives productivity, as opposed to solitary work. As a result, the landscape of the office itself is changing to be more open and collaborative. Ideas flow freely when barriers are removed. It’s no surprise then that private offices are less important, while benching systems and open office layouts become more popular every year. With the removal of these barriers, we’re also seeing the modern office become more democratized. Whereas in previous eras, windows with views and natural light were reserved for executives with elusive corner offices, the contemporary workspace now is more likely to open up these views to everyone. It’s not unusual to find CEO working out in the open office and collaborating directly with employees. The global workforce as a whole is also more mobile than ever, and requires an equally flexible workspace. There is a greater need for spaces that can accommodate multiple functions – a work cafe, for example, that can also house all-hands meetings during the day and movie nights in the evening, or even, as we’ve seen in one case, a reception desk that doubles as a bar counter during happy hour. While a variety of design trends are at play in the modern office, from homey and rustic to sleek and modern, the overall focus is on making the office a flexible and welcoming space, one where users feel both comfortable and productive. New workspaces also set forth the challenge to create more efficient, green, and earth-friendly environments. Companies are expressing a greater interest in efficient fixtures and recycled or multifunctional materials, which reduce energy costs, keep materials out of landfills, and reduce stress on the environment. Whether the company is technology, finance, or retail based, new workplaces reveal an increasing focus on innovation – how to work in faster, smarter, and more exciting ways. The modern office not only encourages collaboration, but also gives users space to grow and develop better ways of working in the future.

Melissa Wallin CEO of Design Blitz Seth Hanley Creative Director of Design Blitz

从很大程度上来说,由于科学技术的进步,现代办公空间各部门间的联系越来越紧密。现在,与孤立工作相对的各部门相 互协作使生产效率越来越高。正因为此,办公空间的布局本身也在发生着变化,变得越来越开放,越来越体现合作理念。 禁锢一旦解除,各种观点就可源源不断地自由流淌。因此现在私人办公室越来越不受重视,而台架设备和开放式的办公室 布局越来越受欢迎也就不再奇怪了。随着办公区域之间的壁障的拆除,现代办公氛围也变得日益民主。以前,留给机构管理层 的办公室总是光线充足、窗外风景优美,并且一般位于略显神秘和安静的角落;而现在,这样的办公室,机构中的每个人都有 机会得到。越来越多的公司总裁也都选择在开放的办公室里办公,直接与员工沟通协作。 从全球范围来看,劳动力总体流动性比以往任何时候的都大,与之相对应,办公场所也同样需要具有灵活性。这样就需要 更多的具有多重功能的办公空间,比如办公楼的咖啡厅可在白天工作时间里用来主办全体工作人员大会,而到了晚上则可用作 影院。我们甚至见过这样一个案例,办公室的前台在娱乐休闲时间里兼做吧台。在现代办公建筑的设计建造领域有很多流行趋 势,但无论是居家式质朴风格的办公环境还是时髦现代派的办公环境,从总体来看,都是为了让办公环境更具灵活性和舒适度, 让使用者们感觉舒适,工作起来更有成效。 现代办公场所的设计建造也面临这样的挑战,即办公场所应更高效、绿色、环保。众多公司也对高效设备、可再生材料和 多功能材料表现出更浓厚的兴趣,这样的设备和材料能降低能耗,不浪费资源,减轻环境的压力。 不管是科技公司、金融公司还是零售类的商业公司,都越来越关注办公场所的创新性——怎样能促使员工更快、更敏捷、 更激情澎湃地工作。现代办公建筑不光激发了员工的协作精神,也让他们在未来的工作中不断成长,开发更好工作方式。

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CONTENTS 目录

6

8

64

110

Google Office

Yandex Saint Petersburg Office II

Engine Innovation Labs

22

76

116

One Workplace Headquarters

Skype’s North American Headquarters

Google CSG Super HQ

34〖〗〕〗】

86

126

Ebay GittiGidiyor

Castrol Office

Unilever office

46

96

136

Ogilvy & Mather, Jakarta

Ropemaker

JWT

56

102

144

Tencent Dazu Office

360 HQ Office

Red Bull


156

230

296

SIDN

GOOGLE TOKYO

Yemeksepeti.com Office

164

236〖〗〕〗】

304

Engine offices, London

Microsoft Headquarters in Vienna

Office+Showroom for DK

174

244

312〖〗〕〗】

B+L HQ

Red Bull Canada Office

Aegis Media

184

252

320〖〗〕〗】

Google L3

iSelect

198

262

Heavybit

Kazan Yandex Office

Grupo Gallegos Creative Headquarters

326 Astral Media

206

270

HQ Samsung Vienna

SquareTrade

336 Peer 1 Office

214

278

Microsoft Briefing Center

Atlassian Offices

220

288

Adidas WORKOUT

Sahibinden.com Office

348 Index

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LOCATION Dublin,Ireland

GOOGLE OFFICE DESIGNer Camenzind Evolution

ASSOCIATE Henry J. Lyons Architects

PROJECT MANAGEMENT, QS Gardiner and Theobald

MECHANICAL AND ELECTRICAL ENGINEERING Ethos, AxisEng

STRUCTURAL ENGINEERING AECOM

LEED CONSULTANCY Mott McDonald

PLANNING CONSULTANCY John Spain Associates

FIRE AND DAC CONSULTANCY Maurice Johnson & Partners

CATERING CONSULTANCY Tricon PLC

ACOUSTIC ENGINEERING I-Acoustics

AREA 47,000 m²(Floor)

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Google Dublin – A thriving new campus boosting the spirit of innovation Google Ireland opens the doors to its thriving new campus: Four buildings located in the heart of Dublin’s historic docklands district! With over 47,000 m2 of unique office space, the campus represents an amazing workplace for Google’s ever growing sales, marketing, finance and engineering teams, coming from more than 65 countries and speaking over 45 languages. The tallest of the four campus buildings is the newly constructed 14-storey building “Google Docks” which is also the tallest commercial building in Dublin. Two other buildings – “Gasworks House” and “Gordon House” – have been home for Google already and were completely refitted. The fourth building, “One Grand Canal” - fondly referrred to as “1GC” - was newly fitted out. For the Masterplan the architects had to find a smart solution for the nearly impossible – to create a stimulating and interactive campus within a bustling environment in the midst of the inner city. Apart from innovative office spaces, the Masterplan required the successful organization of a multitude of additional functions, such as 5 restaurants, 42 micro kitchens and communication hubs, game rooms, fitness center, pool, wellness areas, conference, learning & development center, tech stops, over 400 informal and formal meeting rooms and phone booths, etc. All these additional functions are part of the holistic work philosophy of Google, encouraging a balanced, healthy work environment and enabling as much interaction and communication between the Googlers as possible. In fact, as empirical researches and studies show, interaction and communication are crucial for creativity and innovation. In order to achieve these important goals, the locations of all functions were very carefully balanced between the different floors and buildings. In addition, a bridge is planned to be built to connect “Google Docks”, “Gasworks House” and “Gordon House” together, encouraging an easy flow between buildings and people.

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Google 都伯林──蓬勃发展的新园区,创新精神的新典范

易的,需要建筑师在总体规划的基础上寻找巧妙的解决方案。除了要设计创新型的办

Google 爱尔兰开起了 Google 在爱尔兰的新篇章,建筑位于都柏林历史悠久的

公空间,总体规划还要组织好空间的配套功能设施,包括:5 个餐馆、42 个微型厨房、

码头区的心脏地带!拥有超过 4.7 万平方米的办公面积,由四栋大楼构成。新园区各

交流中心、游戏室、健身中心、室内游泳池、保健中心、会议室、学习与开发中心、

项设施令人赞叹,服务于 Google 日益壮大的销售、营销、财务和工程团队,这里有

技术服务站以及 400 多个正式或非正式的会议室、电话亭等。

来自 65 个国家的员工,使用语言超过 45 种。 四栋建筑中,最高的一栋是新近建造的高 14 层的主楼“Google Docks”,这 栋楼也是都柏林现有的最高的商业大楼。另外两栋楼, “Gasworks House”和“Gordon House”,经过翻新改造后成为了 Google 的办公楼。第四栋楼名为“One Grand Canal”,曾被人亲昵地称为“1GC”,最近才装修完毕。 在繁华的中心地段,建造一个吸人眼球且能与周围环境和谐相融的建筑是相当不

所有的这些配套功能设施都是 Google 办公楼整体设计的一部分,此种设计有助 于营造平衡、健康的工作环境,并能最大限度地促进 Google 员工间的互动和沟通。 事实上,经研究调查证实,互动和沟通对于创新精神和创造力来说至关重要。 为了实现上述理念,新园区在设计时充分考虑了各功能设施在各栋大楼和楼 层 间 的 平 衡。 除 此 之 外, 还 规 划 建 造 一 座 桥, 将“Google Docks”“Gasworks House”和 “Gordon House”连成一个整体,以使人们更容易在各大楼间穿梭。 21


LOCATION Santa Clara, California, USA

ONE WORKPLACE HEADQUARTERS DESIGNER Design Blitz

AREA 3,252 m²

PHOTOGRAPHER Bruce Damonte

When One Workplace decided to move its headquarters and showroom, it

both the client and user experiences through the space. The mapped

had grand ambitions for its new location. Interestingly enough, the company

experiences demonstrated that both customers and users would be sent

succeeded in its visionary goals by embracing the past and renovating an

out into the space to experiences a series of carefully planned touch points

older industrial warehouse and office that had fallen into disrepair. One

and then brought back to their starting point – much like the path taken by

Workplace collaborated with Design Blitz, a young architecture firm with a

a boomerang. The boomerang further manifested itself in the creation of

track record of creating innovative offices for successful tech companies, to

the two-storey stacked “boomerang” mezzanine in the center of the open

create a bleeding edge, world class workplace. Design Blitz’s design for the

office space. The elevated conference room and observation platform

new facade and landscape improvements expand One Workplace’s space

allow members of the One Workplace team to quickly survey the floor and

into a multifunctional indoor-outdoor environment that transcends both office

show customers how a variety of systems solutions can intermix to create a

and showroom norms.

unified, flexible and layered approach to workplace layout.

During initial conversations with the client, Design Blitz began mapping

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在 One Workplace 决定搬迁其总部和陈列馆时,曾对新址办公场所期望颇高。有趣的是,One Workplace 通过回顾历史、改造年久失修的老工业厂房和办 公室实现了其最初的设计目标。One Workplace 最终选择与新兴的建筑设计公司 Design Blitz 合作,该公司曾为多家高科技公司成功设计出世界级、高品质、创新 型的办公空间。Design Blitz 设计的办公楼将办公场所与陈列室融为一体。其新立面和景观规划相得益彰,使整个总部的室内、室外互为映衬,功能更为全面。 从 Design Blitz 最初和 One Workplace 接洽设计事宜时,就开始描绘 One Workplace 公司职员和其客户在此空间内的工作和生活场景。在设计者的观念中, 未来的 One Workplace 的职员在带着客户体验一系列的精心规划的展示点之后,会再次回到起点──该活动轨迹颇像回力标的运行轨迹。回力标这一理念更进一 步地体现在开放式办公空间的中心区域,那里有一个两层的阁楼,其形状就是一个直立的回力标。 阁楼上的会议室和观察平台能让 One Workplace 的员工俯览一 楼的情形,方便向客户展示系列的产品方案,从而营造出一个统一的、灵活的和层次化的办公场所设计方案。

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LOCATION

Istanbul, Turkey

EBAY GITTIGIDIYOR DESIGNER O.S.O Architecture & Interior Design

AREA 2,000 m²

PHOTOGRAPHER Gürkan Akay


The new office of “eBay - GittiGidiyor” which is one of the most

visitors allowed to see, besides the meeting rooms. So, the place

important players of e-trade in global and local markets is located in

welcoming the visitors and used for celebrations of office staff in-house

My Office Building in Istanbul Atasehir. In line with the global trend of

also includes various services like: cafe-bar, library, on-line music, TV,

change in today's modern offices, eBay Istanbul office is planned as an

projection and play station games. A terrace is related with this place

“open office”. Accordingly, the inside office areas can be described by

which can also be used as a smoking area.

4 functions: the entrance hall & social facilities, open office, meeting

The open space working area holds 164 staff on 1,100 m2 with a

rooms and technical & service areas.

maximum of 225 seats. The ceiling design of the open space – which

The entrance hall that will build the initial perception of visitors for

is a challenge to overcome the typical acoustical problems encountered

the office is designed as an impressive & inviting place. The desired

in such areas, reflects an irrational order of lighting instruments and

“inviting sense” is emphasized by the natural wood work at the floor and

acoustical panels.

ceiling and by the reception desk positioned at the back. The wooden

There are 12 meeting rooms with different sizes, 7 of which are used

pergola representing the entrance hall invites people to walk through the

externally. The hi-tech infrastructures of the rooms are export from

reception.

UK. Acoustical panels are used in ceiling design of these rooms where

The “social place” positioned behind the entrance hall is the only place

international meetings are held.

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电子商务领域的 eBay - GittiGidiyor 公司在国际上举足轻重,公司将新办公室 设 于 伊 斯 坦 布 尔 Atasehir 的 My Office 大楼上。该办公处所追随着当今世界办公 新潮流,设计成了“开放式的办公空间”。 其内部区划依据功能不同分为四个区域, 分别是:门廊和公共设施区域、开放式办 公室、会议室和技术服务处。 门廊是访客最先接触的区域,也是给 访客留下最初印象的场所,因而该区域的 设计引人注目,令人印象深刻。通过使用 天然的实木地板、实木天花板,并将前台 靠后,设计成功营造了“引人注目”的感觉。 木制棚架结构凸显了门廊,引领人们穿过 前台,进入办公空间。 门廊背后的“公共区域”是除会议室 以外的访客唯一可以参观的场所。因此, 此处主要用来招待客人,或是用来举办内 部员工聚会,这里设有各种服务设施,比 如,咖啡吧、图书馆、在线音乐、电视、 投影和 PS 游戏,本区域还与一个露台相连, 露台也可用作吸烟区。 这 个 容 纳 了 164 名 员 工 的 开 放 式 办 公区域面积达 1100 平方米,最多可提供 225 个办公位。此类开放式区域的天花设 计,通常需克服声学方面的巨大挑战,此 工程的解决方案是将灯光设备和隔音板相 间无序排列。 会议室大大小小共有 12 个,其中 7 个可被外人所用。会议室里的高科技设备 都是英国生产和销售的。会议室的天花板 上安装了隔音板,可召开国际会议。 43


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LOCATION Jakarta, Indonesia

OGILVY & MATHER, JAKARTA DESIGNER M Moser Associates

AREA 2,603 m²

PHOTOGRAPHER Jack Shea

The need for this workplace initially arose from Ogilvy & Mather’s desire

the background marking the top of a new staircase to level 10.

to consolidate its multiple Jakarta offices into a single location. As well as

Flanking the reception are glass-encased meeting rooms and a conference

cutting property expenses, bringing all staff together under one roof would

room, their basic white minimalism animated by light fixtures in matte black

improve teamwork and creativity, and bring coherence to Ogilvy’s brand

and hammered copper. The work area is similarly minimalist, with open

image in the city.

bench-type desks arranged around the naturally lit circumference of the floor.

Collaborating closely with Ogilvy, the M Moser design team examined

Enclosed areas were located against the building core.

the firm’s operational dynamics in depth to refine the project brief. Key

Descending the staircase’s conventional steps or built-in slide brings one into

requirements emerged for a mixture of open and enclosed spaces, and for a

a versatile “café”. For private discussions, a circular timber platform with

multipurpose café/meeting area.

seating for six beckons, partially enclosed with curved panels of fabric mesh.

Ogilvy’s desire for a contemporary Indonesian aesthetic inspired the “Bali

Nearby is a long space enclosed on three sides with cosy, café-like seating.

spa” atmosphere of the 11th floor reception. Sitting atop a low timber

For those who simply need to relax, a series of “daybeds” are located

platform, the glass-topped desk is supported by eight solid timber discs. “Silk

against the window wall, complete with drop-down privacy curtains.

cocoon” fixtures hang from the ceiling above, with another trio of fixtures in

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Ogilvy & Mather(奥美公司)意欲整合其在雅加达的多个办公室,于是奥美集团雅加达办公室就应运而生了。此规划可降低公司运营成本,同时,将 所有员工聚集在同一屋檐下,还能培养员工的团队意识和创造精神,进而增强奥美品牌在该市的凝聚力。 M Moser 公司的设计团队与奥美公司紧密协作,在深入研究奥美公司的经营理念之后,不断完善设计方案。最终,设计的重点是要营造开放而又封闭 的工作区间,以及一个多功能的咖啡休闲区 / 会议区。 奥美集团希望设计呈现现代印尼风,于是 11 楼的接待处就有了“巴厘岛温泉度假胜地”的色彩。低矮的木质平台上有一个长条桌,桌面设计成了玻璃 面,而支撑玻璃桌面的则是八个结实的木质圆盘。桌面上方的天棚上悬挂着“蚕茧”状的照明设施,此外,11 楼通往 10 楼的楼梯上方也同样设置了 “蚕茧” 状的照明装置,使楼梯显得与众不同。 接待处的两侧是由玻璃合围的小型会议室和一个大型会议室,虽然这些会议室采用了白色极简风格装饰,但磨砂黑和锻铜色的照明设备使其生动活泼。 工作区间也奉行极简主义,开放式的长条桌设置在自然光照明的工作区域内,而合围封闭空间则位于核心地带周围。 上下楼的多元动线别出心裁,员工既可以从传统的楼梯下楼,又可以滑滑梯下到功能多样的咖啡休闲区。在这里,人们如果需要进行私密的交谈,可以 使用一个可容纳 6 人就座的圆木桌,圆木桌由网眼弧形面板包围着。旁边是一个狭长的空间,三面都安装了舒适的咖啡座。依窗而设的“坐卧两用长椅”配 上可下拉的布帘,为那些只想休闲放松的员工提供了慵懒舒适的环境。

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LOCATION

Saint Petersburg, Russia

YANDEX SAINT PETERSBURG OFFICE II DESIGNER za bor architects

AREA 3,310 m²

PHOTOGRAPHER Peter Zaytsev

It is indicative that this office is to some extent a return to the roots of

The project has turned out rather complex, the first thing because no one

cooperation of za bor architects and the largest Russian IT-corporation

did such things before, not only in Saint Petersburg but even in Russia.

Yandex.

Therefore, many solutions are made on the spot during on-site designer

After a long thought Peter Zaytsev, and Arseniy Borisenko, the project

supervision.

architects, decided to use the double loaded zoning, with meeting “cells”,

As Yandex offices have twenty-four-hours operation schedule, the project

work areas, and unusual objects located along the corridor. As a result of

was provided with variety of well-developed recreation zones. In addition

this concept implementation, guests find themselves “inside” the Yandex

to working areas and rooms, the office has a gym, cafeteria, showers,

search service: at the reception they are met by a well-known “Search”

and several coffee-points. The number of formal and informal points

button and a yellow arrow (an unofficial Yandex logo and a significant

for negotiation, two lecture halls, and workplaces perfectly equipped

part of the web-site). While passing the corridors they see the familiar

with Herman Miller and Walter Knoll systems, make this office a place

user name and e-mail password input boxes, and at each step they meet

of attraction, fascinate visitors, and surely makes work very enjoyable

symbols and icons of Yandex services, although they are not always easy

pastime.

to recognize as tiny pixel icons, had turned into 3D objects.

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Yandex 是俄罗斯最大的互联网公司,其圣彼得堡办公空间的成功打造从某种意义上来说完全归功于本公司与 著名的 za bor architects 建筑设计事务所的通力合作。 经过周密的考虑,项目建筑师 Peter Zaytsev 和 Arseniy Borisenko 决定使用内廊式设计来打造 Yandex 公司 新的办公空间,即会议室、工作区沿着走廊分布。办公室内的装饰风格紧扣公司的搜索服务,来访者会发现接待处 有一个巨大的搜索键图标和一个黄色箭头 ( 分别代表 Yandex 的非官方标志和其网站的一个重要组成部分 )。在走 廊上,来访者就可以看到熟悉的用户名和电子邮件密码输入框的形象 , 每隔一段就可以看到代表 Yandex 服务的符

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项目进行得异常艰难,因为之前没有人做过这样的设计 , 不仅在圣彼得堡没有,在俄罗斯也没有。所以 , 许多

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LOCATION Palo Alto, California, USA

SKYPE’S NORTH AMERICAN HEADQUARTERS DESIGNER Design Blitz

AREA 5,017 m²

PHOTOGRAPHER Hoffman Chrisman, Matthew Millman

Skype’s primary goal was to create a world-class office that would

are unique and there are three distinct phone booth types: light and bright

differentiate them from their Bay Area competitors in the recruitment of

for active thought; medium colored for meditative thought; and dark cave-

talent. Skype hired Design Blitz architects to design their new North American

like rooms for introspective thought. Like many organizations, Skype

headquarters on an aggressive budget and schedule.

required three distinct types of spaces: collaboration, contemplation and

To really understand how Skype operates culturally, Design Blitz undertook

concentration spaces.

extensive user-group surveying, and researched workspace typology before

The building itself provided the greatest source of design inspiration. It was

ever laying pen to paper. A significant portion of Skype’s culture is built

a dark and dingy space with years of tired tenant improvement projects

around Scrum development and a philosophy called “Agile Thinking”. To

layered on top of one another. The architects made a decision to rip out

support Scrum, Blitz designed a system of mobile white boards called

all the existing ceilings and furring around the steel and never looked back.

Skype-its that are distributed throughout the project. The boards can be

The resulting space is raw, industrial, and suggestive of a warehouse, which

easily moved and stored depending on a development team’s process

stands in perfect contrast to the highly refined meeting room pods that Blitz

and requirements. Blitz also created a multitude of different environments

inserted into the open space.

to support different thought processes. All of the casual meeting areas 76


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电话间

Skype 的初衷是创建一个世界级的办公室,

壁龛

使其区别于旧金山湾区的竞争者们,以便招募 更多的人才。Skype 雇请了 Design Blitz 公司

电话间

玻璃装配

的建筑师,并提供了充足的时间和资金使其设 计他们的北美新总部。 为了理解 Skype 的运营文化,Design Blitz

电话间

公司做了大量的用户调查,研究其工作区类型,

打印室

之后才下笔着手设计。Skype 文化中很大一部 分是围绕着 Scrum 敏捷软件的开发与 “敏捷 思维”这一哲学建立起来的。为了支持 Scrum

团队办公室

敏捷软件开发工程,Design Blitz 设计了一个移 动白板系统── Skype-its,分布于整个项目中。

白板墙

这些白板可依据开发团队的操作和要求轻易移 动和存放。Design Blitz 还创造了各种不同的环

金属板天花板

影音设备

境来支持不同的思维过程。所有的休闲会议区 都是独一无二的,还设计了三种独特的电话亭: 轻松明亮的活跃思维区,中度色调的冥想思维

夹板

协作空间

区以及黑暗的洞穴式房间的内省思维区。像许

团队办公室

多机构一样,Skype 需要三种独特的空间类型: 合作空间、沉思空间和专注空间。 建 筑 本 身 就 是 最 大 的 设 计 灵 感 来 源。 昏

电话间

暗脏乱的空间里面堆积着经年累月的令人厌烦 的房客改进方案。设计师们义无反顾地决定拆 掉现有的天花板和铁器上的镶边。结果出现了 一个粗制的工业用空间,让人联想到仓库,与 Design Blitz 嵌入开放空间里的精致的小型会议

电话间

电话间 移动白板

室形成鲜明的对比。

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LOCATION

London, England

GOOGLE CSG SUPER HQ DESIGNER PENSON

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AREA 14,865 m²

One of Europe’s leading interior design and architecture studios PENSON

The Town hall has a capacity to showcase two hundred guests in a fully

has delivered Google’s new super HQ at Central Saint Giles, Covent

velvet curtained hall, with open exposed ceilings, a massive Video Wall,

Garden, London.

amazing acoustics and hi-fi capabilities. This space has been placed

The Secret Gardens are accessed from the main café space through

in the heart of the floor connecting to the Main Reception with a gallery

little concealed garden gates. They also connect with Google Park,

of artwork and trinkets. Glittery walls splashing huge Union Jacks also

which is a huge garden area also on a sun-trapped balcony. The café

help to celebrate the UK whilst adding an economical finish that looks

again looks non-commercial; it sucks in sky blue from above via water

amazing whilst being water based.

based paint to ceilings, draws in light and fun atmospheres from the

The Gymnasium has some of the best views across to the south, and

park outside.

provides very quirky shower, change and massage facilities, with a cool

The Google Green is an interior space which looks out across the Secret

Bikedry which provides hanging space for bike gear to air and dry for

Gardens and joins the café, Town hall and small desking area. This

one’s return commute. A dance studio not only assists in flexibility but

space is flexible, as it can be used for “All Hands” meetings, one-to-

also in Googlers health and fitness at work. The shower block is painted

one slouching in cool Moroso couches, or can be used to entertain large

in an incredible illuminous orange paint that whacks you with a slap of

groups of Town Hall guests whilst on their lunch or coffee breaks.

energy.


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欧洲顶级室内设计与建筑工作室 PENSON 设计打造了位于伦敦考文特 Central Saint Giles 的 Google 新总部。 从隐蔽的花园小门出发穿过主咖啡厅就可以进入“秘密花园”。 “秘密花园”与 Google 绿园相连,Google 绿园是一个阳光充足的露台花园区。 咖啡厅的商业色彩并不浓,咖啡厅的天花板漆的是水性漆,这让室内的光线变成了天蓝色,咖啡厅内的光线很充足,坐在厅里,能体会到室外欢快的氛围。 Google 绿园是在大楼内开辟的一处空间,身处其中,抬眼可以看到秘密花园和咖啡厅、大会堂和小型桌椅区。人们可以利用这个区域进行各种活动, 比如,召开“全员”会议,随意地坐在舒适惬意的 Moroso 长凳上一对一密谈,或者在午休或茶歇时招待大批来大会堂开会的客人。 配有裸露的天花板、巨型视频墙、 高保真音响和丝绒窗帘,大会堂可容纳 200 人。大会堂位于一楼的核心位置,大会堂和主服务台之间的长廊上布 满了各种艺术品和小装饰品。闪亮的墙壁上喷上了巨型英国国旗之后又漆了水性漆,更经济,也更惊艳。 健身房朝南,可以一眼望到室外的美景,内有沐浴、更衣和按摩设备。还辟有一个自行车干燥区,专门提供空间,可将自行车挂起来以在回程使用 自行车之前将其晾干。舞蹈室既可让在这里跳舞的 Google 员工保持身体的灵活性,又可强身、塑身。浴室被漆成了可立即让人活力重现的鲜亮的橙色。

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LOCATION Switzerland

UNILEVER OFFICE DESIGNER Camenzind Evolution

Camenzind Evolution’s concept created a new workspace layout to support

Within this zone, designated Quiet Areas offer a diverse range of work areas

the Unilever values and visions in the context of Agile Working. It was

with different moods and atmospheres, such as the cozy and soothing

essential to transform existing traditional workspaces into flexible space

“Library” or energizing “Garden”. This creates a choice for the employees

designed to drive innovation and ideas sharing. This was achieved by

depending on their preference and increases their feeling of wellbeing.

distributing differentiated functions along the periphery of the building, and

The fresh and vibrant “Deli-Bar” and the warm and inviting “Coffee Hub”

additionally creating an open, centrally located staircase linking all three

in the Vitality Zone introduce new social spaces on the building’s two main

floors for visual and social connectivity. The new open-plan office creates

floors. Their central location makes them an informal alternative to meeting

a greater sense of a single team working together, and allows for people to

rooms, for collaboration, networking and creative brainstorming. Dedicating

choose where they sit, depending on the team they are working with on any

special areas for employees to revitalize and relax also brings to life for

given day.

employees Unilever’s commitment to helping people “feel good, look good

In the Focus Zones, the goal was to create well-designed and innovative

and get more out of life”.

spaces that motivate and inspire employees to excel in their daily work.

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活动区 中心区 安静区 连接区

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Camenzind Evolution 的设计理念创造了一个全新的工作空间,展示了联合利华 的价值观和美好愿景:让员工在轻松愉快的环境下工作。为此,必须将现有的传统工 作空间转换为灵活的弹性空间来激发创新、分享创意。其设计思路是将不同功能区分 布于办公楼四周,另外设计一个开放的中央楼梯来连接三个楼层,以此保持视觉的畅 通性和社交的便利性。新的开放式办公室创建了一种更广义的一个团队在一起工作的 理念,即在任何一天,人们都可以根据与他们合作的不同团队,选择不同的办公地点 进行工作。 重点地带要创建成设计精美、充满创意的空间,激励员工将他们的日常工作做得 尽善尽美。在这一地带,指定的安静区域中又提供了各种各样的工作区域,有根据不 同的情绪设计的,也有根据不同的氛围设计的,如舒适、舒缓的“图书馆”或醒脑提 神的“花园”。员工可以根据自己的偏好自由选择工作区域,从而增加了工作带给他 们的幸福感。 在活力地带,新鲜而充满活力的“熟食吧”以及温暖而诱人的“咖啡中心”成为 了两个主要楼层的新社交空间。独特的中央位置使这两个区域兼具非正式会议室的功 能,人们可在此洽谈合作、建立人际关系网以及集思广益寻找灵感。特别区域让员工 充满活力、身心放松,同时也让员工在日常生活中践行联合利华的一贯承诺:让人们“心 情愉悦,神采焕发,享受更加完美的生活”。

活动区 中心区 安静区 连接区

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LOCATION Amsterdam, the Netherlands

RED BULL DESIGNER Sid Lee Architecture

PHOTOGRAPHER Ewout Huibers


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Chosen over two other firms, Sid Lee Architecture and Sid Lee’s Amsterdam atelier were mandated to create the new Red Bull Amsterdam headquarters. The company agreed to settle in the North side of Amsterdam’s port area, in a site evocative of both an artistic street culture and the intensity of extreme sports. The project landed in an old heritage shipbuilding factory, facing a timeless crane and an old disused Russian submarine. “To design the inner space, we aimed at retrieving Red Bull’s philosophy, dividing spaces according to their use and spirit, to suggest the idea of the two opposed and complementary hemispheres of the human mind, reason versus intuition, arts versus the industry, dark versus light, the rise of the angel versus the mention of the beast”, says Jean Pelland, lead design Architect and Senior Partner at Sid Lee Architecture. Inside the shipbuilding factory, with its three adjacent bays, the architects focused on expressing the dichotomy of space, shifting from public spaces to private ones, from black to white and from white to black. Our goal in this endeavour was to combine the almost brutal simplicity of an industrial built with Red Bull’s mystical invitation to perform. The interior architecture with its multiple layers of meaning conveys this dual personality, reminding the user of mountain cliffs one moment and skate board ramps the next. These triangle-shaped piles, as if ripped off the body of a ship, build up semi-open spaces that can be viewed from below, as niches, or from above, as bridges and mezzanines spanning across space. In the architecture we offer, nothing is clearly set; all is a matter of perception.

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在与其他两个公司的竞争中胜出的 Sid Lee Architecture 设计公司和 Sid Lee 阿姆斯特丹工作室受命打造红牛阿姆斯特丹新总部。总部位于阿姆斯特丹港口区的 北侧,是一处充满街头文化气息和极限运动精神的场所,红牛新总部的前身是一个 老旧的造船厂,面对着一个年久的集装箱起重机和一艘废弃的俄罗斯潜艇。 “我们在进行内部空间设计时,立足于红牛的品牌哲学,根据空间功能和空间

设计师在设计时着重表达了办公空间的对立统一性:公共场所与私人空间的转换、 从白色到黑色以及从黑色到白色间的转换。 该设计项目努力将先前简单得近乎残酷的工业造型与红牛的神秘激情相融合。 内部的设计以多层次的架构来传达空间的双重性,其造型让用户忽而想到山崖,忽 而又想到滑板坡道。三角形的板块,看起来如被撕破的船体,被打造成半开放的空间,

精神来划分区域,暗含了人类思维里一些对立而又互补的概念:理性与直觉、艺术

从下面看上去犹如壁龛,从上面看下去,如横跨整个空间的桥梁和夹层。该项目中,

与工业、黑暗与光明、天使与野兽等等。” Sid Lee Architecture 设计公司的主设

所有的功能区域都是模糊的,所有的元素表达的都是理念和感觉。

计建筑师和资深合伙人 Jean Pelland 这样说道。造船厂内部有三个相通的分隔区域, 155


LOCATION London, England

GOOGLE L3 DESIGNER PENSON


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Leading global architecture & interior design agency PENSON, has released images of their latest revolutionary Headquarters for Google, located in Victoria, London. Just take a peak into the Deli, which serves up a great combination of natural materials to compliment the healthy food. The Flight Pods seen in some previous PENSON schemes have been developed a little further, they are lighter, yet more acoustic and provide more fun internally with more white-board externally. They even accommodate a LED monitor for reporting important information to Engineers on a constant basis. These flat pack rooms as per usual provide a multifunction space that can be used for meetings, brainstorming, warrooming or Friday pizza consuming. Other spaces such as the workshop continue to recycle & thrive on Google’s Red List of healthy ingredients in terms of building materials & finishes. Each space is different yet is linked by some very cool circulation routes that always provide inherent opportunities for collaborating, grabbing a print you’ve sent or grabbing a vista into a cool nook & cranny to brighten up one’s day. PENSON have used recycled seat belts & scaffold poles to create “not-seen-before” details to economically design-up these routes. There is also a naked “exposé” theme running through the spaces, where the workings of the HQ can be seen through glimpses of linings is missing. This occurs to some table tops also, with little trinkets beneath to add a bit of zest to one’s video conference. What with the cool Micro-Kitchens, wide variant of meeting room sizes, shrewd space-planning & overall interior design, is a great HQ and this underlines PENSON’s standing as one of the world’s best workplace architects. 186


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国际顶级建筑与室内设计机构 PENSON 发布了他们的最新创新力作──位于伦 敦维多利亚的 Google 总部的图片。 熟 食 店 顶 层 使 用 的 都 是 天 然 材 料, 与 店 里 所 供 的 健 康 食 物 相 得 益 彰。 在

样各部分间的协作就显得非常方便,比如你可以通过通道到别的工作间取你送出去 打印的资料,随处可见的美妙的布景,让你一整天都能保持靓丽的心情。PENSON 在设计这些回廊通道时使用了回收的安全带和支架,创造了“前所未见”的空间细

PENSION 以前的工程中反复出现的飞行舱型元素在这里也得到了进一步发展,其

节,而且经济实惠。回廊区域空间也贯穿了坦诚“陈述”的主题,没有安装里衬装饰,

使用的材料更轻,声学效果更好,舱内的布景更有趣,舱外也安装了更多的电子白板。

不经意的一瞥,总部里的陈设和活动就可一览眼底。甚至能看到桌面的布置,一些

为了给在此工作的工程师不间断地提供重要信息,舱内还安装了 LED 显示屏。这些

小装饰可为枯燥的视频会议增加一点乐趣。

扁平的房间也同样是多功能的空间,可以用来开会、集体讨论、工程指挥,在周五 时人们还可以聚在这里享用比萨。 飞行舱之外的办公室使用的建筑材料和罩面漆都是 Google 指定的红色名单里

此外,设计精妙的微型厨房,大小不一、形状各异的会议室,巧妙的空间规划 和精致的整体内部设计都使 Google 总部尤为引入注目,也进一步印证了 PENSON 作为世界顶级办公空间建筑设计机构的地位。

的健康可再生的材料。精心设计的室内回廊通道将风格迥异的工作间连接起来,这 191


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LOCATION

San Francisco, California, USA

HEAVYBIT DESIGNER IwamotoScott Architecture

Heavybit, a new, curated community for cloud developers, is designed as

plates, from the side it almost disappears. On the second floor, the fins

a series of architectural interventions inserted into an existing three-storey

extend upward to become a guardrail “box” for the stair, with a bar height

warehouse shell. The interventions define space, accommodate program

work-shelf on one side. The ground floor conference room and bike room

and work materially with the client’s concept of heavy physicality coupled

are defined by a gray, reclaimed wood and glass wall, and the kitchen is

with the ephemerality of the cloud.

made of dark gray stained plywood. The second and third floor workspaces

Given the project brief and a limited budget, the program is addressed

are planned as an open environment with several conference rooms on each

through a series of designed interventions inserted into the existing shell.

floor. The conference rooms are made to appear as a set of sliding walls

The largest of these is a multi-functioning platform at ground level with a

constructed of Polygal over steel frame and painted exposed metal studs.

new stair leading to the second floor. The platform, constructed as a “solid”

Lastly, three smaller interventions were commissioned on a design-build

laminated plywood object houses the reception desk located opposite the

basis. These include the rope room, and also “hex cell light” over the

main entry, bar-height work counter that doubles as seating on the raised

kitchen island, and “hex cell ceiling”, a fabric light diffuser in the first floor

platform side, speaker stage facing the dining area, pass-through ramp,

conference room.

and U-shaped lounge seating. From the rear it appears as a series of steel

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CONFERENCE ROOM

BIKE GARAGE

LOUNGE

IDEA BAR

9th STREET

MULTI-FUNCTION PLATFORM

KITCHEN

RECEPTION MAIN ENTRANCE COLLECTIVE DINING / MEETING

LOUNGE / MEETING

LOUNGE

RINGOLD STREET 0

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VIEWING LOUNGE

CONFERENCE ROOM

MEETING / LOUNGE

LOUNGE

IDEA BAR

CONFERENCE ROOM

MEETING / LOUNGE

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CONFERENCE ROOM

BIKE GARAGE

LOUNGE

IDEA BAR

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MULTI-FUNCTION PLATFORM

KITCHEN

RECEPTION MAIN ENTRANCE COLLECTIVE DINING / MEETING

LOUNGE / MEETING

LOUNGE

RINGOLD STREET 0

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Heavybit 办公楼作为一个全新的专为云开发商们精心设计打造的办公场所,

坡道和 U 形休闲沙发。从大楼后面看,该区域是钢板,从侧面就看不到该区域了。

是由一个三层的仓库经过一系列的建筑改造装修而成的。这种改造重新定义了大楼

二楼,向上伸展的散热片也用作楼梯的护栏,在一边的护栏上还安装了与吧台等高

空间,让大楼从物质层面契合了客户的理念──信息量大、变化无常而需厚重的物

的工作架。一楼的会议室和自行车棚的材质选用的是灰色二次利用的木材和玻璃,

质体来支撑。

而厨房选用的是深灰色花纹的胶合板。二楼和三楼打造成了开放的工作区域,每层

用于改造的预算非常有限,设计建筑方也只被告知了工程简介,之后,在原有 仓库框架上进行的系列设计改造就开始了。该改造工程中最大的改动是地面一层, 此处打造了一个多功能平台,在多功能平台区还新建了一个通向二楼的楼梯。多功 能平台区表面包上了“结实”的胶合板,在主出口的正对面设有前台,在凸起的区

楼上都设有不同的会议室。会议室由裸露的刷有油漆的金属龙骨和钢筋架配上由 Polygal 板打造的滑动墙建成,形成了开放的氛围。 最后,需要提到三个微改造措施,包括“绳室”、厨房上空的“六边形灯”以 及一楼会议室顶由布织成的散光罩所组成的“六边形天花板”。

域还设有可兼作座位的齐吧台高度的工作平台、面向餐饮区的演讲台、用作过道的 203


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LOCATION

Wallisellen, Switzerland

MICROSOFT BRIEFING CENTER DESIGNER COAST Office

PHOTOGRAPHER David Franck

With its design of the Microsoft Briefing Center in Wallisellen, Switzerland,

to create a dynamic, technological and immaterial space which is brought

the Stuttgart-based agency COAST Office successfully created a new

to life alone by the color and content of the media and by Microsoft's

interactive product presentation and event space that exhibits a high degree

customers, staff and visitors. The color scheme of rooms of the Microsoft

of usage flexibility. The challenge was not to display the products in a

Briefing Center is therefore strictly black and white. The space is structured

conventional shop setting. Importance was attached instead to integrating

by wave-like furniture units which divide the room into a lounge at the front

Microsoft technology into the space and to using it for interaction and

and a conference and presentation room towards the rear. The drapes

product presentations: through the media integrated in the furniture and

around the room form a deliberate contrast to the otherwise hard technical

walls, for instance, motion sensors and touch technology is used to control

surfaces. Moreover, having two layers of drapes in different shades of gray

product presentations and content and to illustrate the technology to

and differing degrees of opaqueness makes it possible to close off or open

visitors. Intuitively, customers and employees thus use the various interlinked

up the rooms to accommodate the needs of an event. In this way, the color,

communication solutions.

brightness and mood of the room can also be changed and they have a

Their design aimed to achieve a firm focus on media content, products

positive impact on the acoustics of the room.

and direct communication with both customers and visitors. The idea was

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概念平面图

由总部位于斯图加特的建筑设计公司 COAST Office 打 造 的 位 于 瑞 士 Wallisellen 的 微软办公室 Microsoft Briefing Center,成功地 展示了办公空间的交互式功能和活动场所的灵活 性。设计的挑战是打破产品传统的店铺式展示形 式,将微软的技术完全融入到办公空间中,使其 与客户产生互动,比如,设置在家具或墙面上的 媒体设备,可通过运动传感器和触控技术来控制 产品展示形式及展示内容,以便向到访者示范产 品的高科技技术。客户和职员可以很直观地使用 互联的沟通通信方案。 项目设计旨在突出媒体呈现的内容、微软的 产品以及其与客户和到访者之间的直接沟通,其 构想是通过颜色的搭配、媒体的内容以及微软的 客户、职员和到访者一同营造出动态的、高技术 的以及非物质的空间。因而 Microsoft Briefing Center 内的空间由黑、白两种颜色构成。运用 波浪式的家具将空间的前部设计成休闲室,而靠 后的部分则设计成会议室和展示空间。窗帘的设 计与冷硬的技术装备形成鲜明的对比,窗帘共两 层,每层的灰度和透光性都不同,这样就可以根 据活动需要来遮挡或开放空间。这样的设计也能 改变办公室的颜色、亮度和氛围,并对室内的音 响效果也产生了一定的积极影响。

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平面图

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LOCATION Tokyo, Japan

GOOGLE TOKYO DESIGNER Klein Dytham architecture

PHOTOGRAPHER Daici Ano, Koichi Torimura

Klein Dytham architecture (KDa) recently completed Google’s new Japan

of a traditional Japanese neighbourhood bathhouse.

office. This ambitious interior project is located in the Roppongi Hills tower in

Color and cultural imagery is used to help with wayfinding. KDa divided the

central Tokyo.

interior into various zones and employed vivid textures and bold graphics to

Reflecting Google’s ambition to invent amazing things, KDa sought to create

give each area a distinct character. Circulation routes were defined by block

a fun, inspiring workplace with places for brainstorming, casual chats, or

walls to suggest the winding lanes of Tokyo’s residential areas, wall graphics

simply to hang out between bursts of work. These include a series of spaces

were designed to recall Japan’s timber architecture, and wallpaper patterns

each with a unique theme – a “hairy” blue café space clad in the huge

cleverly incorporate Google icons.

brushes used in carwashes, and a presentation space created in the image

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Klein Dytham architecture 建筑师事务所 (KDa) 的最新力作是 Google 日本总部。该总部位于东 京中部的六本木,室内设计彰显其 雄心壮志的一面。 为了体现 Google 致力于创造 惊喜的企业理念。KDa 力图设计出 富有情趣,易于激发创意的办公空 间,并设置集体自由讨论区、闲谈区, 以及供员工在紧张的工作之余随意 走动以放松自己的场所。这一系列 空间,每一个都有自己的主题,比如, 由洗车场里使用的巨型蓝色毛刷装 饰而成的“毛茸茸”的蓝色咖啡厅, 以及体现了传统日本公共浴室设计 元素的展现空间。 指示牌都使用了明亮的色彩和 富有日本文化气息的形象。KDa 将 室内空间分成不同的区域,每个区 域都有特色鲜明的纹理和大胆创意 的图案,进而区分了各个区域。室 内通道两边的砌块墙营造出了居民 区曲折蜿蜒的小巷形象,墙壁图案 的设计让人感受到日本木质建筑的 特 色, 墙 纸 的 图 案 巧 妙 地 结 合 了 Google 公司的图标。

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LOCATION Vienna, Austria

MICROSOFT HEADQUARTERS IN VIENNA DESIGNER INNOCAD

AREA 4,500 m²

PHOTOGRAPHER Paul Ott, Christian Dusek

In order to create the ideal constellation of physical, social and virtual work environments for the company’s employees, Microsoft has conducted several studies on this topic in recent years. The complete renovation of the 4,500m² headquarters in Vienna took this concept to heart and even took it one step further: the “sealed-off” employee floors were broken up and arranged in a transparent manner. An average of 10 percent greater employee satisfaction, a 12 percent increase in productivity and efficiency, improved CO2 footprints and many other similar benefits can be expected – and some can even already be measured. An architectural “life-line” traverses the entire building in the form of accessible, multifunctional furniture, providing a spatial bracket around all of the floors, and facilitates a variety of functional settings. The greatest possible flexibility is also provided in the closed meeting rooms: Every employee can select their ideal environment, according to their needs and mood. All high-traffic areas, such as corridors and foyers, were designed to be intentionally dynamic. The striped vinyl floor and a slide that allows quick access from the second to the first floor both symbolize movement. The accompanying green walls in all of the floors have both an atmospheric and positive effect on the climate of the space. The lighting concept works with as few light sources as possible. Neutral, uniform lighting in the form of linear light elements in the “life-line” creates an atmospheric undertone. 数据总线

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交互循环家具

会议室


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近年来,微软一直在研究探索为员工打造将物质、社会、 虚拟等各种功能完美集于一身的理想的办公场所。 该理念在微软维也纳总部得到了完美体现,甚至得到了进 一步发展。4500 平方米的空间经过翻新后,原本“密闭”的空 间被打破,整体变得通透。翻新后的总部在员工中的满意度增 加了 10% 左右,员工的生产力与效率提高了 12%,同时也改善 了碳足迹,许多其他的优势也会渐渐显现出来,其中一些优势 已经让人们受益颇多。 总部大楼内便于操作的多功能家具随处可见,它们构成了 大楼的“生命线”,形成了各层楼的空间骨架,提供了不同的 功能区域。连封闭的会议室也具有灵活性的特性:每个员工都 可根据自己的心境和需求选择理想的办公场所。设计在人流多 的地方,比如,走廊和大厅,显得动感十足。绿色乙烯基条纹 地板和能让人快速从二楼到达一楼的滑道都体现了“运动”这 一特征。各楼层的墙面都被刷成了绿色,为总部的室内气候带 来了积极的色彩。设计在照明方面的理念是尽量减少灯光的使 用量。“生命线”上线性光元件所发出的无色彩、均匀的照明 为办公空间营造了一种朦胧的浅色调,让人倍感温馨。

数据总线

交换循环家具

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开放式工作空间 239


滑梯 创意研究中心

肥胖人士专用 天顶 图书馆 图书馆休息室

小广场

拿铁咖啡区域

小圆形舱式空间

绿色区域

中式休息室

运动场

自助餐厅 休息场所 1

桌面足球 酒吧

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即用办公室

休息室 休息场所 2


Structural modeling 结构模型图

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LOCATION Toronto, Canada

RED BULL CANADA OFFICE DESIGNER Johnson Chou Inc.

PHOTOGRAPHER Tom Arban

The client’s brief was essentially three-fold: to create a space consistent in

to either wall to prevent entry. The custom workstations, composed like a

concept and form to the original yet be a reinterpretation of it; that the space

ribbon, transform from a floor surface to a work surface to a ceiling plane,

be inspiring for staff in administrative/accounts who are normally relegated

providing color, texture, warmth and a sense of enclosure. A defunct

to bland, impersonal spaces; and that the predominant materials be that

elevator core is re-formed and clad with varying colors and thickness of felt,

from a reclaimed source. Continuing the narrative or architectural concept

utilized for its sound absorption qualities. The organic form is evocative of

of vessels for transformation, the design focuses on four main components:

the natural contours of a mountain or the muscular torso of a bull.

a bar/lounge area, a linear open workstation concept, a wool felt-clad form

A new meeting room composed of felt, blackboard and tamarack wood

and a boardroom.

strips positioned in a random pattern is another vessel or “primitive hut”. The

As Red Bull is host to many social gatherings, from art openings, parties

lighting and the wood strips in the ceiling are intending to evoke the effect

and receptions, the bar/lounge area functions to anchor the public areas

of light filtering through branches. A long boardroom table fabricated from a

of the space. An aluminum mesh screen divides the bar from the open

cherry tree felled on the millworker’s own property anchors the space.

workstations. For public events the screens, suspended from tracks, slide

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1. ENTRANCE STAIR 2. TRANSITION TUBE 3. WAITING / LIBRARY 4. RECEPTION 5. GALLERY 6. ATRIUM 7. DINING/ LUNCH AREA 8. KITCHEN 9. PRIVATE OFFICES 10. OPEN WORKSTATION 11. TEAM OFFICE 12. PRINTING STORAGE 13. BAR MEETING AREA 14. LOUNGE MEETING AREA 15. BOARDROOM 16. EXTERIOR DECK

1. 入口楼梯 2. 过道 3. 等待区 / 图书馆 4. 接待室 5. 走廊 6. 中庭 7. 餐饮 / 午餐区 8. 厨房 9. 私人办公室 10. 开放工作室 11. 团体办公室 12. 打印存储 13. 酒吧会议室 14. 会议休息室 15. 会议室 16. 外部露天台

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1. ENTRANCE STAIR 2. TRANSITION TUBE


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客户对项目的设计诉求主要有三个方面:一是空间形式和理念与原有空间一致,但却是对原有空间的新演绎;二是空间要对那些经常在乏味、 没有人情味的场所内工作的行政部门或者财会部门的员工具有启发鼓舞的作用;三是要将可再生资源作为主要材料。该项目在设计过程中一直坚持 打造创新空间的形式和理念,着重关注四个元素:吧台休闲区域,线性开放式办公平台理念,羊毛毡饰面和会议室。 红牛公司经常主办如艺展开幕式、聚会和招待会等社会交际活动,在这些场合中,吧台休闲区就成了主办活动的公共区域。一个铝网屏风将吧 台区域与开放式的工作空间分隔开来。举办公共活动时,悬吊在滑槽中的铝网可以左右滑动,阻挡人员进入。定制的工作空间呈带状,地板、工作台面、 天花板都呈现出带状特点,给人一种色彩纷呈、质地多样、温暖舒适的围合之感。废弃的电梯道经过重新改造,包上了厚厚的彩色毛毡,具有很好 的吸音效果,其设计形式让人联想到山脉的天然轮廓和公牛的健壮形体。 新型会议室装有毛毡饰面、黑板和随机布置的落叶松木条,成为了另一个“原始小屋”。天花板上的灯和木条营造出阳光穿透树枝照射进室内 的感觉。会议室里占据了整个空间的长长的会议桌是用工人自家砍伐的樱桃树制成的。

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LOCATION San Francisco, California, USA

ATLASSIAN OFFICES DESIGNER Sarah E. Willmer

DESIGN COMPANY Studio Sarah Willmer Architecture

DESIGN TEAM MEMBER Doris Guerrero, Megan Carter, Josue Munoz-Miramon, Olya Piskun

AREA 3,902 m²

PHOTOGRAPHER Jasper Sanidad

The new headquarters for Atlassian Inc is a 3,902m2 adaptive re-use of a

untouched. Some existing rooms remain and many salvage doors have been

freestanding 1924 industrial building on Harrison Street in San Francisco’s

reconditioned and reinstalled. Rather than re-carpeting the entire building,

SoMa district. The location offers proximity to neighborhood amenities and

newly exposed concrete floors reveal a natural finish surface at major public

mass transit with easy bike access for employees and clients. Generous

spaces. Existing floor tile and accessories are re-used in the restrooms. 80%

bike storage, office share bicycles, and employee showers are provided.

of the existing lighting fixtures remain in place or have been relocated.

The building was selected by the architect-client team for its urban location,

An existing clerestory provides natural daylight to all employee work areas.

passive environmental features, and long-term occupancy. The building

New conference rooms are glazed, taking advantage of the daylight.

offers excellent natural ventilation, daylight to all employee work areas, and

Additionally, the clerestory is operable and provides fresh air and natural

ample, flexible collaborative workspace for employees and clients.

ventilation throughout the space. Windows on the west and south walls utilize

Demolition was selective to maximize re-use and to create ease of

solar shades to mitigate heat gain and glare at workstations. The existing

circulation. The existing base building, structure, exterior glazing, elevator,

mechanical system has been re-used and augmented only where necessary

bathrooms, exit stairs, mechanical rooms and server rooms remained

at primary conference rooms.

278


截面图 AA SECTION AA 5

Atlassian II Offices

10

Atlassian 办公区

WOOD BOX CONFERENCE ROOM

CONFERENCE ROOM

木盒子会议室

会议室

STAINLESS STEEL CABLE RAIL

不锈钢电缆铁横杆

(E) MECHANICAL SYSTEM

机械系统

EVENT SPACE/ TOWN SQUARE

WOOD AMPITHEATER

城市广场

木质活动 举办地

GLASS GAURDRAIL + HANDRAIL AT AMPHITHEATER

活动场地的玻璃栏 杆和扶手

CONFERENCE ROOM

(E) TRUSS STRUCTURE

CO RO

会议室

桁架结构

位于旧金山的 SoMa 区 Harrison 路上的一处建于 1924 年的独立工业建筑经

房和服务器机房等都保持原样。有些现存的房间也保持着原样,残破的门得到修复

过重新改造之后成了 Atlassian 股份有限公司的新总部,其面积达 3902 平方米。

或者重新安装。设计并没有在整幢楼内铺设地毯,相反,在很多公共区间,混凝土

该总部毗邻大型社区和公共交通设施,员工或者客户骑着自行车就能到达,十分便

地面天然光亮的表面直接暴露在外。洗手间里保留了原有的地板砖和一些附属设施。

利,有宽敞的自行车停放场地,楼内还提供共享自行车,员工也可在此沐浴。因此

80% 的原有照明设施保持不动,有的照明设施的位置稍作修改。

处所在的区域位置、被动的环境特征和久远的年代感,设计师和公司共同选定其为

原有建筑安装的高侧窗为所有的楼内工作区域都提供了充足的自然光。新设计

公司总部。该处有极好的自然通风条件,所有的工作区间都有充足的自然光线,可

的会议室全部安装上了玻璃,充分利用自然光。而且,高侧窗是可以进行开合操作

为公司和客户提供充足、灵活的协同工作区。

的,这样就可自然通风,为整座楼提供新鲜的空气。在西面和南面墙上的窗户上还

该项目有选择性地拆除了一些建筑设施,最大限度地保留原建筑,使其便于交 流沟通。原有的基地建筑和结构、室外玻璃幕墙、扶梯、洗手间、安全楼梯、机械

安装了遮阳篷以减缓热辐射,避免眩光。原有的机械系统被重新利用,只在主要的 会议室处根据需要增加了新的机械系统。

截面图 BB SECTION BB 5

Atlassian II Offices

Atlassian 办公区 280

10 GARDEN RETREAT

(E) STRUCTURE AT OPEN WORK AREA

STOREFRONT CONFERENCE ROOMS

花园式 休息区

开放工作区域结构

店面会议室

(E) OPERABLE CLERESTORY WINDOWS

可开启天窗

WOOD BOX CONFERENCE ROOM WITH FRAMELESS GLASS

无框架木盒子会议室

STOREFRONT CONFERENCE ROOMS

店面会议室

(E) TRUSS STRUCTURE

桁架结构

(E) STRUCTURE AT SECOND FLOOR MEZZANINE

TRANSLUCENT LIGHT WALL AT (E) STRUCTURE

STOREFRONT AT (E) CONFERENCE ROOMS BEYOND

二楼夹层结构

半透明墙结构

会议室对面的店面


E

SECOND FLOOR CAFE

(E) STRUCTURE AT OPEN OFFICE AREA

CONFERENCE ROOM

会议室

(E) OPERABLE CLERESTORY WINDOWS

二楼咖啡厅

开放工作室结构

可操作天窗

SUM

S UN

N 2

3

2

3

3

S UN

S UN

3

UUNN

SUM

2

MER

6 2

6

SU

3 3 6

N

N

S UN

2

3

2

3 4

N

4

2

3

4

S UN

SU

WI NT ER

SU

N

M ER

3

4

SU

SU M

MER

4

2

N

MER

SU

N

U ER S

SUM

WI NT ER

SU

M SUM

N

WI N2T ER

RSS

N

S UN

SU

U ER S

MER

WI NT ER

WIW NITN ETER

WI NT ER

S UN

MER

MER

SUM

SUM

M SUM

SUM

WI NT ER

WI NT ER

FLEXIBLE OFFICE

自由办公室

3

8

8

5

5

5

5 7

3 4

8

7

5

5

6. LIGHTING LEGEND: 1. ADAPTIVE REUSE 80% OF (E) LIGHTING FIXTURES WERE (E) BASE BUILDING: ELEVATOR, RESTROOMS, 6. LIGHTING ADAPTIVE REUSE RE-USED AND/OR RELOCATED EXIT STAIRS, MECHANICAL ROOMS, SERVER 80% OF (E) LIGHTING FIXTURES WERE (E) BASE BUILDING: ELEVATOR, RESTROOMS, 6. 照明设备 ROOMS, STRUCTURE AND EXTERIOR GLAZING1. 适应性再利用 6. LIGHTING RE-USED AND/OR RELOCATED EXIT STAIRS, MECHANICAL ROOMS, SERVER 7. CONCRETE FLOOR REMAIN 80% OF (E) LIGHTING FIXTURES WERE (E) BASE BUILDING: ELEVATOR, RESTROOMS, AND EXTERIOR ROOMS, STRUCTURE GLAZING 基地建设:电梯、 公共洗手间、 安全楼梯、 80% 的照明设备被重新利用 EXPOSED CONCRETE FLOOR PROVIDES RE-USED AND/OR RELOCATED EXIT STAIRS, MECHANICAL ROOMS, SERVER 7. HEAT CONCRETE FLOOR THERMAL MASS FOR SUMMER COOLING REMAIN 2. NATURAL DAYLIGHT / PASSIVE ROOMS, STRUCTURE AND EXTERIOR GLAZING EXPOSED CONCRETE FLOOR PROVIDES 7. 混凝土底板 CONCRETE FLOOR NATURAL LIGHT TO 机械房、服务区、保留结构与室外玻璃 REMAIN (E)7.WINDOWS PROVIDE THERMAL MASS FOR SUMMER COOLING 2. NATURAL DAYLIGHT / PASSIVE HEATCONCRETE FLOOR PROVIDES EXPOSED 8. ALTERNATIVE TRANSPORTATION ALL EMPLOYEE WORK AREAS AND PASSIVE 2. 日光 混凝土底板为夏季冷却提供热质量 THERMAL MASSTO FOR SUMMER COOLING NATURAL DAYLIGHT / (E) PASSIVE HEAT PROVIDE NATURAL WINDOWS LIGHT AMPLE BIKE STORAGE PROVIDED FOR SOLAR HEATING 8. ALTERNATIVE TRANSPORTATION (E) WINDOWS PROVIDE NATURAL LIGHT WORK TO ALL EMPLOYEE AREAS AND PASSIVE EMPLOYEE BIKES; ADDITIONAL BIKES 玻璃窗为所有工作区域提供日光, 供暖。 8. 备用交通工具 8. ALTERNATIVE TRANSPORTATION ALL EMPLOYEE WORKSOLAR AREAS HEATING AND PASSIVE AMPLE BIKE STORAGE PROVIDED FOR AVAILABLE FOR LOCAL USE 3. NATURAL VENTILATION AMPLE BIKE STORAGE PROVIDED FOR SOLAR HEATING EMPLOYEE BIKES; ADDITIONAL BIKES EMPLOYEEWINDOWS BIKES; ADDITIONAL BIKES (E) OPERABLE AND CLERESTORY 3. 自然通风 为员工提供了足够的自行车 ; 其他剩 USE TRANSPORTATION 3. NATURAL VENTILATION AVAILABLE FOR LOCAL USE AVAILABLE FOR LOCAL 9. PUBLIC NATURAL VENTILATION PROVIDE FRESH AIR (E) OPERABLE WINDOWS AND CLERESTORY (E) OPERABLE WINDOWS AND CLERESTORY 可操作窗户和天窗提供新鲜空气 5 BUS ROUTES WITHIN SEVERAL余的自行车也可供当地群众使用 9. PUBLIC TRANSPORTATION 9. PUBLIC TRANSPORTATION PROVIDE FRESH AIR PROVIDE FRESH AIR 4. SOLAR SHADING / GLARE CONTROL BLOCKS; LOCATED LESS THAN A MILE 5 BUS ROUTES WITHIN SEVERAL 5 BUS ROUTES4.WITHIN SEVERAL 遮阳 /FROM 防止眩光 9. 公共交通工具 CALTRAIN AND BART MITIGATES HEAT GAINLESS ANDTHAN SCREEN GLARE SOLAR SHADING4. / GLARE CONTROL BLOCKS; LOCATED A MILE SOLAR SHADING / GLARE CONTROL BLOCKS; LOCATED LESS THAN A MILE TO WORKSTATIONS FROM CALTRAIN AND BART FROM CALTRAIN AND BART MITIGATES HEAT GAIN AND SCREEN GLARE MITIGATES HEAT GAIN AND SCREEN GLARE 调节工作区域热量强度,防止出现眩光 5 条公交线穿梭在几个街区,离加州 TO WORKSTATIONS TO WORKSTATIONS 5. AMBIENT LIGHT 5. 自然光 铁路还不到一英里 AMBIENT LIGHT (E) WINDOWS AND CLERESTORY PROVIDE 5. CLERESTORY AMBIENT LIGHT (E) WINDOWS AND PROVIDE NATURAL AMBIENT LIGHT THROUGHOUT NATURAL AMBIENT LIGHT THROUGHOUT 窗户和天窗提供自然光 (E) WINDOWS AND CLERESTORY PROVIDE NATURAL AMBIENT LIGHT THROUGHOUT

7 SUSTAINABLE 1. LEGEND: SUSTAINABLE STRATEGIES STRATEGIES LEGEND: 1. ADAPTIVE REUSE SUSTAINABLE

STRATEGIES 可持续战略

2.

3.

4.

Atlassian Offices Atlassian

Offices

Atlassian Offices Atlassian 办公区

5.

281


282


283


284


285


B

B

1414 7

4

BB 8 88 8

3

18

4 4

DN

4

BELOW

M

14

4 4 4

18 3 3

DN

14

144 4 M

W

WW

MM

1414 1313

1313

15151818

MM

WW

4 DN

1515

UPUP 1515

1616

4

4

4 4

AOPEN A TO 4 3 3

6

W 3 7 7

UPUP

UPUP

4

A

14

8 88 8

4

4

7

4 UP UP

DN

TO 4 4OPEN 1 BELOW

DN

4

12 1 1

2 21

1717

4

4

4 4 6

12

A

5 5

3 36

A

5 5

AA

1919

2020

5 5

8 8

4

OPEN TO BELOW

OPEN TO BELOW

4

4 4 DN

DN

8 88 88 8

2323

2222

2121

UPUP

11

7

3

7

8 13

B

B

5 10

20 0 30 05 10 5 10 2020 3030

N N

N

Atlassian Atlassian Atlassian Offices Offices Offices 286

4

83 3 9 13

4

3

8 8 9 9

1010

3 4 4

4 4 1414

BB

FLOOR PLAN FIRST FLOOR PLAN FIRST FLOOR PLAN LOOR SECOND PLAN 30

79 7 3

Atlassian 办公区

一层平面图 LEGEND:

2 楼咖啡厅 露台 AMPHITHEATER 1. CAFÉ 1.12. 12.12. 2ND FLOOR CAFÉ 1.AMPHITHEATER AMPHITHEATER 2ND FLOOR CAFÉ 1. LEGEND: AMPHITHEATER 2ND FLOOR CAFÉ 12. 2ND FLOOR LEGEND: LEGEND: 服务 /ROOM 机房 2. EVENT SPACE/ I.T.13. ROOM 2.13. SPACE/ SERVER/ I.T.I.T. 2.EVENT EVENT SPACE/ SERVER/ ROOM 2. EVENT SPACE/ SERVER/ I.T. ROOM13. SERVER/ 13. 机械房 ROOM / 广场 SQUARE 14. MECHANICAL ROOM SQUARE 14.14. MECHANICAL MECHANICAL ROOM TOWN SQUARE TOWN SQUARE 活动场地TOWN 14.TOWN MECHANICAL ROOM 储藏室ROOM OPEN WORK ROOM 3.15. OPEN WORK AREA STORAGE 3.AREA OPEN WORK AREA15. STORAGE15. 15. STORAGE ROOM 3. OPEN WORK AREA 3. 开放工作室 STORAGE ROOM 厨房 4. 会议室 CONFERENCE ROOM 16. MAIN KITCHEN 4.16. ROOM 16.16. MAIN KITCHEN 4.CONFERENCE CONFERENCE ROOM MAIN KITCHEN 4. CONFERENCE ROOM MAIN KITCHEN 三文治岛 OFFICE 17.17. SANDWICH ISLAND FLEXIBLE 5. OFFICE ISLAND SANDWICH ISLAND 5.FLEXIBLE FLEXIBLE OFFICE 5. FLEXIBLE OFFICE 5.灵活办公区 17. SANDWICH ISLAND17. SANDWICH 公共淋浴间 LOUNGE 18.18. COED. SHOWERS COMMON 6. LOUNGE COED. SHOWERS 6.COMMON COMMON LOUNGE18. COED. SHOWERS 6. COMMON LOUNGE 6. 休息室 18. COED. SHOWERS 餐饮区 7.19. LOUNGE 19.19. DINING AREA 7. TEAM LOUNGE AREA/ 19. DINING AREA 7.TEAM TEAM LOUNGE AREA/ DINING AREA 7. TEAM LOUNGE AREA/ DINING AREA AREA/ 娱乐室 20.20. GAME ROOM WORKSTATIONS GAME ROOM FUTURE WORKSTATIONS FUTURE WORKSTATIONS 20. GAME ROOM 团队休息室 / FUTURE 未来工作室 FUTURE WORKSTATIONS 20. GAME ROOM 培训室 ROOM TRAINING 8.21. BOOTH 21. TRAINING ROOM 8.SKYPE SKYPE BOOTH 8. SKYPE BOOTH ROOM 8. SKYPE BOOTH 公用电话亭 TRAINING ROOM 21. TRAINING21. 咖啡馆 22.22. COFFEE BAR 9.22. COFFEE BAR 9.ELEVATOR ELEVATOR 9. ELEVATOR 22. COFFEE BAR 9. ELEVATOR 电梯 COFFEE BAR 自行车停放场所 23.23. BIKE STORAGE ENTRY BIKE STORAGE 10. ENTRY 10. ENTRY 10. 23. BIKE STORAGE 10. ENTRY 入口 23. BIKE STORAGE 11.11. GARDEN RETREAT 花园式休息区 GARDEN RETREAT GARDEN RETREAT 11. GARDEN RETREAT 11.


B

B 4

14

44 7

4

3

7

14

4

8 8

4

DN

OPEN TO 1 44 BELOW

M W 14 14 W 4 18 18 DN

4

M M

6

12 1 1

12

A

OPEN TO BELOW

7

8

3

8 33 13

9 4

3

4

44

DN DN

44

44

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6 12 12

A

66

AA

DN

88

99

13 13

44

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DN DN

33

B B

FLOOR PLAN OOR SECOND PLAN SECOND SECOND FLOOR FLOOR PLAN PLAN 30 55 10 10

9 77 4

14 14

OPEN OPEN TO TO BELOW BELOW

DN

3

14

4 4

4 DN DN

44

B

20

DN

OPEN OPEN TO TO1 BELOW BELOW

13

5 10

W

OPEN TO BELOW

7 11 11

B

DN

14 33 18

4 44

488 88

11

M

DN DN

TO AAOPEN 4 BELOW 66

6

3 7W 7

18

44

DN

A

B B

20 20

30 30

NN

N

Atlassian Atlassian Atlassian Atlassian 办公区 Offices Offices Offices

LEGEND: 二层平面图

2 楼咖啡厅 露台 AMPHITHEATER 1. CAFÉ 1. LEGEND: AMPHITHEATER 12. AMPHITHEATER 2ND FLOOR CAFÉ 12. 2ND FLOOR 12. 2ND CAFÉ 1. LEGEND: 12.ROOM 2ND FLOOR FLOOR CAFÉ 1. AMPHITHEATER 服务 / 机房 LEGEND: 2. EVENT SPACE/ 2. EVENT SPACE/ 13. EVENT SERVER/ I.T. ROOM13. SERVER/ I.T. 13. SERVER/ I.T. ROOM 2. SPACE/ 2. EVENT SPACE/ 13. SERVER/ I.T. 机械房 ROOM / 广场 SQUARE 14. MECHANICAL ROOM TOWN SQUARE 活动场地TOWN 14. TOWN MECHANICAL ROOM SQUARE 14. MECHANICAL ROOM TOWN SQUARE 14. MECHANICAL ROOM 储藏室 OPEN WORK 15. STORAGE 15. ROOM 3. OPEN WORK AREA 3. 开放工作室 15.AREA STORAGE ROOM 3. OPEN WORK AREA STORAGE ROOM 15. STORAGE ROOM 3. OPEN WORK AREA 厨房 4. 会议室 CONFERENCE ROOM 16. MAIN KITCHEN 4. CONFERENCE ROOM 16. CONFERENCE MAIN KITCHEN 16. MAIN 4. 16. MAIN KITCHEN KITCHEN 4. CONFERENCE ROOM ROOM 三文治岛 FLEXIBLE OFFICE ISLAND 5. FLEXIBLE OFFICE 5.灵活办公区 17. FLEXIBLE SANDWICH ISLAND17. SANDWICH17. 5. OFFICE SANDWICH ISLAND 5. FLEXIBLE OFFICE 17. SANDWICH ISLAND 公共淋浴间 休息室 6. COMMON LOUNGE 18. COED. SHOWERS 6. COMMON LOUNGE 18. COMMON COED. SHOWERS 6. LOUNGE 18. COED. SHOWERS 6. COMMON LOUNGE 18. COED. SHOWERS 餐饮区 7. TEAM LOUNGE AREA/ AREA AREA/ 19. DINING AREA 7. TEAM LOUNGE AREA/ 19. TEAM DINING 7. 19. AREA 19. DINING DINING 7./ 未来工作室 TEAM LOUNGE LOUNGE AREA/ 娱乐室 AREA FUTURE WORKSTATIONS 20. GAME ROOM 团队休息室 FUTURE WORKSTATIONS 20. GAME ROOM FUTURE WORKSTATIONS 20. GAME ROOM 20. GAME ROOM FUTURE WORKSTATIONS 培训室 8. SKYPE BOOTH 8. SKYPE BOOTH 公用电话亭 21. SKYPE TRAINING ROOM 21. TRAINING ROOM 8. 21. ROOM 21. TRAINING TRAINING ROOM 8. SKYPE BOOTH BOOTH 咖啡馆 9. ELEVATOR9. 22. COFFEE BAR 9. ELEVATOR 电梯 22. ELEVATOR COFFEE BAR 22. COFFEE BAR 22. COFFEE BAR 9. ELEVATOR 自行车停放场所 10. ENTRY 23. BIKE STORAGE 10. ENTRY 入口 23. BIKE STORAGE 10. 23. 23. BIKE BIKE STORAGE STORAGE 10. ENTRY ENTRY 花园式休息区 GARDEN RETREAT 11. GARDEN RETREAT 11. 11. 11. GARDEN GARDEN RETREAT RETREAT

287


LOCATION Bostancı, Istanbul, Turkey

SAHIBINDEN.COM OFFICE DESIGNER Erginoğlu & Çalışlar Architects

AREA 5,000 m²

PHOTOGRAPHER Emre Dörter


The Sahibinden.com project is an office in the Bostancı district at the Asian

space and in the attempt to disconnect them from the office areas.

side of Istanbul, with a total area of 5,000 m² on two floors. The office

A running track and the idea of integrating the recreational functions with

has been designed in accordance with the spirit and corporate stance of

the working areas was given precedence. Another important aspect of the

this technology company, to enhance employee productivity and overall

planning of this floor is the meeting area located right at the center of the

comfort.

building. This space is reinforced by entertainment areas, such as a games

The board room, meeting rooms and most of the working areas were

room and TV corner, where the employees can spend free time, and which

located on the second floor, the plan of which was guided by the elliptical

can double as spaces for different types of meetings. Off this section are

form of the building. The working area, which for the most part was

a basketball court, fitness and cafe areas and an office. The latter space is

designed as an open-plan office, and closed spaces like the meeting and

the “brainstorming” area, which the employees of sahibinden.com, having

board rooms were resolved without relation to the facade, again on account

a young and dynamic structure, can use for developing new ideas. For this

of the building's shape. When planning spaces belonging to the meeting

they needed a conducive space apart from the office areas, and it has been

and board rooms inside the entrance to the second floor, amorphic forms

designed so that they feel they are in a different atmosphere.

were created by means of blind walls as a means of making best use of the

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Sahibinden.com 公司办公室位于伊斯坦布尔亚洲部分的 Bostancı 区,共两层,总面积为 5000 平方米。整个办公室的设计风格与该高科技公司的公司理念和立场保持一致,即促进员工生 产力,从整体上提升办公舒适度。 董事室、会议室和大部分的工作间都设在二楼,所有的设计方案都充分参考大楼的椭圆形外形。 大部分的工作区域都被设计成开放式办公室,而像会议室和董事室等封闭空间的设计由于大楼的 特殊外形,根本不用考虑外立面。为了最大限度地利用空间,也为了让会议室和董事室与办公区 域分离开来,在规划时,将它们规划在二楼入口处,依着没有窗户的外墙而建,因而其形状也不 规则。 该项目的设计理念是将娱乐功能整合到办公区域内,因而在工作区域的外围设计了一条跑道。 该项目的另一重要特点是位于建筑正中心的聚会区域,此区域是员工们欢度闲暇的娱乐场所,设 置了游戏室、电视角等等,也可兼作不同规格、不同类型的会议区间。离此娱乐区域稍远的地方 有一个篮球场、一个健身房、多个轻松茶座和一个办公室。后方的空间是 sahibinden.com 公司 里年轻而富有朝气的员工们进行“头脑风暴”的地方,很多创意就是在这里产生的。员工需要这 样一个远离办公区域的空间,这个空间能让他们感觉他们处在非常不一样的氛围里。

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LOCATION Moscow, Russia

OFFICE+SHOWROOM FOR DK DESIGNER Megabudka

Objective: To design bright multifunctional space convenient for office

intricately move between the functions. And the object itself zones initial

work, visual for demonstration of interior elements, comfortable for

space around.

lectures and prepossessing to communication at friendly meetings.

Now new office+showroom for DK Project company is a bright point

Concept: We departed from regular view on interior by getting free from

of design and communications in Artplay, it unites designers, architects and

complexes of horizontal floor by floor project and placed complicated art

creative people who appreciate quality and are ready to share new ideas,

object consisting of parallelepipeds into original empty space.

collaborate and develop concepts of modern design.

Internal color of each parallelepiped depends on its function. You can

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LOCATION

Huntington Beach, California, USA

GRUPO GALLEGOS CREATIVE HEADQUARTERS DESIGNER Lorcan O’Herlihy Architects

AREA 2,787 m²

PHOTOGRAPHER Lawrence Anderson(Esto)

The Grupo Gallegos Creative Headquarters is a non-traditional workplace

existing ticket booth was transformed into a juice bar, and mezzanine level

that supports a Spanish language advertising company’s unique culture.

conference rooms hover over the open floor plan below.

Located adjacent to the pier in Huntington Beach, California, USA, this

These protruding chambers double as billboards; when their louvered

project incorporates elements of the robust beach culture into its design.

facades are pulled shut, the emblazoned word “ocupado” is formed to

The office’s vibrant colors aesthetically engage with the adjacent coastal

affirm the room’s use. Over 300 white sunbrellas that allude to the reflective

lifestyle, and a gymnasium, key to the initial programming of the space,

umbrellas of photography studios are repurposed to brighten the space

caters to local youth sport leagues, bringing the community into the highly

and conceal fire protection. The resulting space resourcefully dials into a

creative environment. LOHA utilized much of the existing structure as

contextual economy of means.

an opportunity. An amphitheater-stairway creates a transition between

The broad programming and refreshing design thus cultivate an environment

departments while providing a collaborative meeting and event space, the

that feels as much like a community hub as it does a workplace.

320


DN

DN DN

SAND TRAP

BUILT-IN SEATING

OUTDOOR CAFETERIA

BUILT-IN SEATING

I UP

GREEN ROOM

REC STOR

FILE STOR

MOVIE ROOM

COPY SUPPLY

G

LIBRARY ART PREP

BIKES ABOVE

C

OFFICE

OFFICE

OFFICE

CONFERENCE KITCHENETTE

MEN’S

SE

AT IN

G

UP

B

PROJ SCREEN ABOVE

CONT STOR

LOCKERS

SHOWERS SHOWERS

JUICE & COFFEE BAR

CAFETERIA

12-14

UP

ENTRY

WAITING AREA

GRAND STANDS

DN

ENTRY ELEVATOR & STAIRS

BUILT-IN TVs

F A

WOMEN’S

RECEPTION

UP UP

GG DISPLAY WALL

AWARDS

STOR

WOMEN’S

MEN’S MAIL/ FIRST AID

PRODUCTION SUITE

JAN WORKSTATION AREA SUPPLY COPY OFFICE CONFERENCE

14-16

OFFICE

ELEV MACH

私人办公室 PRIVATE OFFICE 工作站区域 WORKSTATION AREA 后勤工作区 BACK OF HOUSE 行政区 ADMIN / SUPPORT SPACE 会议室 FORMAL MEETING SPACE 公共接待室 PUBLIC RECEPTION 休息室 INFORMAL/RECREATION ARE 健身房 GYMNASIUM

0 1’ 5’

10’

321


DN

N

LONG TERM STORAGE

ELECT ROOM

OPEN TO BELOW WAR RM

WAR RM

LOUNGE

WAR RM

WAR RM

DN

FIN/ HR STORAGE

RAMPDN

DN DN

OFFICE

CONF CABANA BRIDGE

LONG TERM STORAGE

ELECT ROOM

OPEN TO BELOW WAR RM

WAR AREA

LOUNGE

RAMP

WAR RM

CABANA BRIDGE

DN

OFFICE

CONF GRAND STANDS

OFFICE OPEN TO BELOW

OFFICE

PROJ SCREEN

6-8

EXEC CONFERENCE DN

OFFICE GRAND STANDS

OPEN TO BELOW

OFFICE

STOR

COPY

DN

OPEN TO BELOW

OFFICE

NORA WS

OPEN TO BELOW

WAR RM

PROJ SCREEN

6-8

DN

DN

OFFICE

DN DN

WAR RM

FIN/ HR STORAGE OFFICE

STOR

COPY

WAR AREA

MEN’S

WOMEN’S

OFFICE

EXEC DN CONFERENCE DN

CEO OFFICE

NORA WS WORKSTATION AREA

18-20

OFFICE

OFFICE

WS AREA

WORKSTATION AREA

LOUNGE

ELEV OFFICE

OFFICE

DN

CEO OFFICE

MEN’S

WOMEN’S

GYM

IT/ SERVER

私人办公室 PRIVATE OFFICE

MEDIA VAULT

工作站区域 WORKSTATION AREA 后勤工作区 BACK OF HOUSE

18-20

WORKSTATION AREA

OFFICE

OFFICE

WS AREA

LOUNGE

WORKSTATION AREA

ELEV OFFICE

OFFICE MEDIA VAULT

IT/ SERVER

行政区 ADMIN / SUPPORT SPACE

GYM 体育馆

PRIVATE OFFICE

会议室 FORMAL MEETING SPACE

WORKSTATION AREA 公共接待室 PUBLIC RECEPTION BACK OF HOUSE 休息室 INFORMAL/RECREATION AREA ADMIN / SUPPORT SPACE FORMAL MEETING SPACE 0 1’ 5’

10’

PUBLIC RECEPTION

Grupo Gallegos 创意总部是一个非传统意义上的工作空间,承载了一个使用西班牙语的创意广告公司的独特文化。该总部毗邻美国加州的 Huntington 海滩码头,因而, 该项目在设计中融入了浓郁的海滩文化元素。

INFORMAL/RECREATION AREA

办公室里明亮的色彩与临近的海滨生活风格相映衬,办公空间原始的规划中极为重视健身场馆的设计,其设计迎合了当地年轻人的运动需求,因而该项目使整个社区 环境都充满了创新的味道。LOHA 设计公司在打造 Grupo Gallegos 创意总部时充分利用了原有的建筑结构。原有的剧院楼道被设计成各部门之间的过度空间,同时也可 用作碰面协商空间和各种活动的场地;原有的售票处被改造成了运动饮料店;悬在开放的楼面之上的夹层被改造成了会议室。 楼内外凸的部分可兼做广告牌,当外墙上的百叶窗关闭时,单词“ocupado”就会显现出来,凸显空间主题。办公室内装有 300 多个定制的白色遮阳伞,其作用如 照相馆里的反光伞一样,意欲增添办公室的亮度,同时也遮掩了办公室内的消防设施。因此,设计元素既与空间和谐相融,又经济环保。 该项目规划时充分考虑了周围广阔的环境,再加上清新的设计,使项目不仅是一个办公空间,更像是一个社区中心。 322

0 1’ 5’

10’


323


324


325


INDEX 索引

edg D+Z Architecten+ Projectmanagers D+Z Architecten+Projectmanagers is a privately owned independent project management and interior design company, founded in 1994 and employing 31 project specialists. D+Z offers turnkey solutions, guaranteeing deliver y within confines of planning and budget. They take full responsibility for all parts of a project from the initial preparation phases to the very last details when completing the project and they allow their principals maximum insights and monitoring capabilities throughout the project. D+Z has an in house architect studio,

Space & Solutions UK based Design & Build, Office and Relocation Company Space & Solutions has been designing & building offices that people love to work in since 2008. Specializing in cutting edge, modern and innovative office interiors, their highly experienced and personable team work closely with clients

edg is devoted to enhancing the value between human and spatial environments and to be a first-class enterprise bringing new standards to the industry. Through superior design and construction quality services throughout the China Mainland, edg builds environmentally healthy, comfortable and over-fulfilling spaces for its clients.

nationally and internationally to transform

edg is specialized in the interior design and

their business and aspirational objectives into

construction of corporate offices, commercial

inspiring and functional work environments.

spaces, boutiques, financial facilities and

Not only does the team look to maximize

medical facilities. edg has the capability

workspace & efficiency, they also design

of bringing the most suitable design and

workspaces that are comfortable and easy to

most current building methodologies and

work in which in turn has a positive impact on

technologies to each project based on its

staff happiness and overall productivity of the

rich experience in international design and

organization.

construction.

employing 10 (interior) architects. Traditional or innovative, functional or representative, based upon our principals DNA D+Z has created a great variety of office concepts and interior designs. The designs often have a distinctive character according the famous

Clive Wilkinson Architects

‘Dutch Design’. D+Z is proud to have successfully completed complex relocation projects for international companies such as: Apple Benelux, Nike, McAfee International, VimpelCom, Cargill and Kia Motors.

Clive Wilkinson Architects is a distinguished architecture and design practice that collaborates with progressive clients to envision and design new buildings and environments that support, enhance and reinvigorate contemporary life.

KINZO Founded in 1998 as a label for film, design, architecture, brand and event projects, KINZO has become internationally established for its unmistakable style and grown to be one of the ambassadors of Berlin design avantgarde. Starting from interior projects for shops, lofts and offices, fairs and exhibitions as well as

Through a humanistically centered work

design for events and film sets, the three

p ro c e s s , t h e f i r m s t r i ve s to c o n n e c t

architects and founders of the company Karim

people, shape relationships and empower

El-Ishmawi, Chris Middleton and Martin Jacobs

organizations to produce new invigorating

have become famous for their distinctive, sport

forms of human community. The firm has

and science-fiction inspired elegance. In 2008,

acquired a depth of experience for the

KINZO successfully ventured into product

enrichment of future projects by working with

design: Its office furniture programme KINZO

many of the world’s most creative companies

AIR was awarded the red dot design award

They have been working for private and public

and institutions over the course of twenty

and nominated for the 2009 German State

clients, both in Poland and abroad since 2006.

years.

Design Price.

137kilo 137kilo is a studio that operates in many scales from object and interiors to architecture. Their design process is based on strong concepts, rigorous analysis and contextual storytelling.

348


za bor architects za bor architects is a Moscow based architectural office founded in 2003 by principals Arseniy Borisenko and Peter Zaytsev. The bureau’s objects are created mainly in contemporary aesthetic. What distinguishes them is an abundance of architectural methods used both in the architectural and interior design, as well as a complex dynamical shape which is a visiting card of za bor projects. The interiors demonstrate this feature especially brightly, since for all their objects architects create built-in and free standing furniture themselves.  za bor architects have been involved in more than 60 projects including residential houses, an office building, a cottage settlement, many offices. Among the clients of za bor architects there are media, business and government

O.S.O Architecture & Interior Design O.S.O Architecture & Interior Design is an Istanbul-based architectural studio established by Okan Bayık, Serhan Bayık and Ozan Bayık in 2007. A strong emphasis is given to the critical design process within the studio; They resist predetermining architectural solutions to a client’s brief prior to a thorough investigation of each project’s unique situation. Their criteria for design is to pay close attention to contemporar y design methods, new materials and the economic considerations of the client. They believe that a good project must combine all these areas. Moreover, the most important thing for them is to look at a project from a new perspective. O.S.O

Klein Dytham architecture Klein Dytham architecture, established by Royal College of Art graduates Mark Dytham and Astrid Klein is based in Tokyo. The Japanese thirst for the new, sensitivity to material and detail in crafting, and an ever-changing urban environment nourish KDa’s ideas and production. Their client list includes Google, Tsutaya, Sony, Nike, and Shiseido. Klein Dytham co-founded SuperDeluxe, a art space which is the birth place of PechaKucha Night, a showand-tell evening where each presentation is 20 slides x 20 seconds. PechaKucha Nights taking place in over 630 cities around the world in 2013.

Architecture specializes in architecture, interior design and project management. Their aim is to create examples which are not only unique, but also combining efficiency, economy design.

companies such as Forward Media Group, Yandex, Inter RAO UES, Moscow Chamber of

COAST Office

Commerce and Industry and others.

Jump Studios Jump Studios is a London based architecture and design practice. Established in 2001 by Shaun Fernandes and Simon Jordan, Jump Studios has completed several award-winning projects to date for clients including Nike, Levi’s, Innocent Smoothies, Red Bull, Adidas, Wieden + Kennedy, The Science Museum and Honda. Jump is currently working on projects for Starwood Hotels and The Marketing Store among others.

M Moser Associates

COAST Office is a multidisciplinary design

M Moser Associates is an interiors and

practice active internationally in the fields

architecture firm specializing in workplace strategy and design. Their Integrated Project Delivery approach optimizes diverse project team capabilities to deliver solutions that effectively facilitate the way clients work. Since 1981, M Moser has completed more than 4,500 workplace projects, ranging from interiors to corporate base buildings, campuses and tech-intensive facilities like labs and data centers. Their 700+ staff includes planners, interior designers, architects, engineers, construction professionals and specialists in IT integration and sustainable design, all working collaboratively from 17 global locations.

of architecture, interiors and exhibitions. Founded and directed by Zlatko Antolovic and Alexander Wendlik, the core work of COAST Office is to develop architecture and spaces that engage all the senses and foster interaction between humans, space, nature and technology – bringing together past, present and future. The diversity of their work is the result of their conceptual approach that explores and analyzes history, cultural and traditional backgrounds, nature, society, technologies and brand identities to find a specific solution to each client, task and location. 349


Lorcan O’Herlihy Architects PENSON PENSON focuses on providing talented architecture, interior design, structural,

Lorcan O’Herlihy Architects (LOHA) is committed to engaging the complexities of contemporary society.

civil, mechanical & electrical engineering

LOHA approaches their work with ruthless

consultancy services, specializing in all sectors

optimism. They believe that pragmatics can

of buildings & uses.

inspire a creativity that is resourceful, authentic,

They are unique because their chartered architects, designers & engineers sit together, to simplify communication whilst improving coordination & efficiency. They

and profound. They steep their process in rigorous exploration and then they improvise; They pair poetry with reason to achieve essential solutions.

Camenzind Evolution Winner of the RIBA Worldwide Award, the Young Architect of the Year Award and the International Design Award, the Swiss architectural studio Camenzind Evolution has placed its selves firmly within the new generation of up-and-coming architects. Fundamental to their very diverse work is the fusion of emotional design ingenuity with Swiss quality. Having gained many years of international experience in the architectural offices of Nicholas Grimshaw in London and Renzo Piano in Paris, in 2004 Stefan Camenzind founded the architectural studio

grow by working hard to create award

LOHA builds their ideas within real world

Camenzind Evolution which has evolved into a

winning solutions, whilst paying close

politics. They work with the conviction that

partnership with Russian born architect Tanya

attention to every project's commercial &

architecture dynamically integrates and can

Ruegg-Basheva. The studio has grown to 15-

deliverable needs.

incrementally enhance lives.

20 architects today.

Their team unites London’s best young talent

Since 1990, LOHA has built over 75 projects

Specialized Fields

leading the field of design & sustainability.

in three continents ranging in typology from

They help to judge international design

institutional buildings to bus shelters, and from

competitions, speak at conferences, teach

large-scale developments to single-family

architecture & write articles for some of the

homes. LOHA has garnered over a hundred

world's leading design journals. PENSON also

awards, including the 2010 AIA Los Angeles

host frequent events for numerous charities for

Firm of the Year.

fun & enhanced team building.

Camenzind Evolution are the designers of the extraordinary workplace designs of the Google Offices in Dublin, Tel Aviv, Zurich, Moscow, Oslo & Stockholm, and have also created and designed outstandingly unique and innovative workplace solutions for Unilever, Credit Suisse and other renowned companies. They celebrate an user-inclusive design approach, using psychological research methods to create a work environment which suits people’s personalities, matches their senses, energizes their bodies and minds – and ultimately, stimulates and inspires people to their highest levels of creativity and innovation.

Sid Lee Architecture Sid Lee Architecture is a partnership between

Johnson Chou Inc.

Sid Lee, a global commercial creativity

Johnson Chou Inc. is an internationally

company, and seasoned architects Jean Pelland

recognized interdisciplinary design practice

and Martin Leblanc.

encompassing architecture and interiors,

Their core belief is that architecture can shape

furniture, industrial and graphic design – a

the identity of companies, organizations and communities. Their novel approach consists of leveraging the power of multidisciplinary thinking by teaming architects with artisans from different fields to give rise to a completely new vision of architecture as a vehicle to create immersive experiences that go beyond form and function by integrating rich narratives. Put simply, they mix architecture and branding. Sid Lee Architecture’s uniqueness is rooted in the understanding of this potent interrelation. 350

body of work characterized by conceptual

Megabudka

explorations of narrative, transformation

Megabudka is a wonderful office/workshop/

and multiplicity. By creating “narratives of

creative association/team/group of architects

inhabitation”, be it a residence, office or retail

from Moscow. Company was founded in 2008

space, the studio’s projects are characterized

by graduates of the Moscow Architectural

by forms imbued with metaphoric content and

Institute. For 4,5 years megabudka has won

richness of detail – objects and spaces that are

(1st, 2nd, 3rd places) more than 10 architecture

“portraits” of their clients.

competitions and got 5 honorable mantion. They're trying to prove to the world that in Russia there is a qualitative ideological architecture.


Design Blitz Design Blitz was founded in 2009 during one of the worst recessions in history. The founders of Design Blitz, Seth Hanley and Melissa Wallin, saw the economic decline as an opportunity to reinvent the practice of architecture using the business and project implementation philosophies of their successful peers in the technology sector. Eschewing “business-asusual” for a leaner, agile work-flow, Design Blitz flourished while other companies shuttered their doors. Design Blitz has since grown into a dynamic group of creative architects and designers with eclectic backgrounds who are obsessed with creating really cool flexible

V Arc V Arc is an innovative and responsive design practice, focused on collaboration between staff and client. Frank Bambino and Sergio

INNOCAD

Pettrica established V Arc more than 14 years ago with the aim to produce architecture and interiors that make a significant contribution to the urban environment.

INNOCAD carries out numerous projects in housing, offices, health service, retail, interior and product design, e.g. Flur20 a

V Arc’s portfolio includes projects across

social housing project, Rolling Stones –

Australia in Corporate, Retail & Hospitality,

Landeszeughaus Graz, Samsung Vienna

Aged & Health Care, Residential & Resort,

headquarters, Microsoft Vienna headquarters

Institutional. This includes the recently

awarded with the “great place to work

completed global headquarters for Telstra, a

2012”, best architects label 13 and with the

40 floor refurbishment for 50,000 staff as part

34th annual interior award, XAL Corporate

of Australia's largest leasing negotiation in

Architecture, including the XAL Competence

history.

Center awarded with the 34th annual interior

environments that are fresh and innovative. As

V Arc have a 30 strong team with offices in

a full service architecture and interior design

Melbourne and Sydney, and associated offices

firm, they provide the complete range of

in Brisbane, Gold Coast, Adelaide and Perth. V

architectural services required to take a project

Arc are driven by the desire to operate around

from programming through construction.

a studio philosophy, working as a team with

Though their focus is the built environment,

Their clients to be first choice and to achieve

Design Blitz is committed to total design

the best results and producing architecture

solutions – balancing buildings, branding, and

and interiors that make a significant impact on

experiences.

the end users.

award and trade fair booths and showrooms around the globe, penthouse in New York, neurological out-patient department at LKH Feldbach awarded with the AIT award and the GerambRose, residential and office building “Am Kai” Graz, residential and office building “Rose am Lend”, nominated, among other things, for best architects label 2013 and for the Styrian Provincial Construction Prize, Voestalpine headquarters, and the office and residential building Golden Nugget. The latter received the 2005 TECU Architecture Award, Special Prize for Residential Buildings, and the 2006 International VELUX Award for architecture.

AEI Arquitectura e Interiores (Aei) is a full service Colombian architectural company, specializing in award-winning corporate and commercial interior fitout. They are a founding member of a Latin American partnership of industryleading design & construction firms; together they maintain a staff of over 1,000 architects in 11 countries throughout the region and offer a full range of services that include design,

Lemay Established in 1957 and boasting over 55 years of success, Lemay is one of the largest integrated design firms in Canada, with offices in Montréal, Québec and Toronto, as well as in Algeria and Costa Rica. Backed by its team of multidisciplinary designers, the firm offers a vast range of creative services in architecture, urban design, interior design and graphic

Erginoğlu & Çalışlar Architects is an Istanbul

design.

based, independent firm of architects founded

construction, project management, change

Lemay distinguishes itself from its competitors

management, as well as LEED consultation.

with distinctive, original and memorable

They create office spaces that are not only aligned to the core business of their clients, but also respond to the changing dynamics of the workplace. They offer an integrated, coordinated and flexible service that exceeds their clients´ expectations.

Erginoğlu & Çalışlar Architects

projects of all scales and complexities. The fruit of collective knowledge supported by a half-century of experience, these projects are

in 1993 by Hasan Çalışlar and Kerem Erginoğlu. The firm specializes in urban planning, architecture, and interior design projects together with providing assistance for planning applications.

also the result of the firm’s unique creative

The ethos of the company is to view each

approach. This driving force is animated by

project within its individual context and

a constant search for excellence and a firm

contribute to it through innovative architectural

volition to innovate and question conventional

solutions. The firm has vast experience gained

practices, particularly those pertaining to the

through successful completion of a wide

environment. A true partner to its clients,

variety of both national and international

Lemay offers a memorable service experience

projects on a range of scales.

founded on a synergy of expertise, teamwork and the talent of its multidisciplinary creators. 351


IwamotoScott Architecture Studio Sarah Willmer Architecture Studio Sarah Willmer Architecture is an award-winning nationally and internationally published architecture and interiors firm based in San Francisco. The primary premise of the studio is a strong belief that collaboration with the client creates a more dynamic and unique design solution for each project. The principles of simplicity, of spaciousness and light, of synthesis and function are realized in each project. Three principals guide the design process with each client: the building’s structure as a primary expression of space, the control and infusion of natural light, and an environmentally sensitive and elegant material palette. The creative energy at Studio Sarah Willmer is vitalized by the extensive experience of its senior staff and youthful enthusiasm of recent grads from University of California, Berkeley and California College of the Arts. The team is tight and selected for their unending commitment to quality architecture and critical design.

IwamotoScott Architecture is a San Francisco based practice led by Lisa Iwamoto and Craig Scott. IwamotoScott’s design process proceeds from the belief that each project can achieve a unique design synthesis. Dedicated to intensive design research, the practice engages in projects at multiple scales and in a variety of contexts consisting of fullscale fabrications, museum installations and exhibitions, theoretical proposals, competitions and commissioned design and building projects. Conceptual themes of the work focus on strategies of adaptation, and intensifying the experiential and performance based qualities of architecture. These conceptual directions are pursued through exploration in computational techniques, hands-on prototyping, investigation into material behavior, as well as empirical studies of the experiential effects afforded by formal, spatial and material strategies. IwamotoScott are committed to employing new technologies in the production of architecture, capitalizing on their potential to inform the design process and gear the evolution of the designs.

后记 本书的编写离不开各位设计师和摄影师的帮助,正是有了他们专业而负责的工作态度,才有了本书的顺利出版。参与本 书的编写人员有:

edg, David Ho, Serena Shu, Tina Ren, Echo Zhang, Shi Xiaozhou, KINZO, Werner Huthmacher, D+Z Architecten+Projectmanagers, Lemay Associés, Mr. Claude-Simon Langlois, Studio Sarah Willmer Architecture, Jasper Sanidad, 137kilo, za bor architects, Peter Zaytsev, O.S.O Architecture, Gürkan Akay, Jump Studios, PENSON, Camenzind Evolution, Gardiner, Theobald, Henry J. Lyons Architects, John Spain Associates, Mott McDonald, AECOM, Ethos, AxisEng, Maurice Johnson & Partners, Tricon PLC, I-Acoustics, Klein Dytham architecture, Daici Ano, Koichi Torimura, Lorcan O’Herlihy Architects, Lawrence Anderson, IwamotoScott Architecture, INNOCAD, Paul Ott, V Arc, Aei, Andrés Valbuena, COAST Office, David Franck, Christian Dusek, Megabudka, M Moser Associates, Jack Shea, Design Blitz, Bruce Damonte, Space & Solutions, Johnson Chou Inc., Tom Arban, Sid Lee Architecture, Ewout Huibers, Riddle Stagg, Clive Wilkinson Architects, Erginoğlu & Çalışlar Architects, Emre Dörter, Hoffman Chrisman, Matthew Millman, Xuanyi Li, Jerry Li, Celline Su, David Gao, Sun Zhong Bao. 本书的译者为武昌理工学院的李青云、邱凌云

ACKNOWLEDGEMENTS We would like to thank everyone involved in the production of this book, especially all the artists, designers, architects and photographers for their kind permission to publish their works. We are also very grateful to many other people whose names do not appear on the credits but who provided assistance and support. We highly appreciate the contribution of images, ideas, and concepts and thank them for allowing their creativity to be shared with readers around the world.

352

Creative & Modern Office III  

ISBN: 978-7-5611-9144-6, 352 Pages

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