Page 1

Prelude from

OS MORTOS VIAJAM DE METRO

THE DEAD TRAVEL BY METRO Opera in one act with prelude (in Portuguese)

Music: Hugo Ribeiro Librett Libretto: Armando Nascimento Rosa


Characters Young Suicidal Woman/O oman/Ophelia /Ophelia Florbela Espanca Espanca Virginia Woolf Agatha Christie Sylvia Plath Sarah Kane

The opera is set in a disused tube station, long abandoned by the living.

Short synopsis synopsis In a long since abandoned tube station, a suicidal young woman wants to bring her life to an end with a revolver. She has lost the memory of who she is or who she was and is only driven by the all-consuming idea of her own suicide. In this underground metro station where trains no longer pass through, there are also other characters, but none of them knows what brings them there, to such an inhospitable spot. They are ghosts of female writers, whom have committed suicide: Florbela Espanca, Virginia Woolf, Sylvia Plath and Sarah Kane. Among them, is also Agatha Christie trying to solve the mystery. However, none of them knows the identity of the suicidal young woman, which may offer the key to release them from this strange limbo, by which singing is the only means of communication with each other. In order to understand who this lonely young girl is it is necessary to decipher the name of their surroundings – namely the metro station. In this opera for six female singers, the connections between poetic creation and the urge for death are fictionalised in a serious and lyrical parody giving voice to feminine icons of our collective consciousness.


Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling Cor Anglais) 2 Clarinets in B-flat (2nd doubling Bass Clarinet in B-flat) 2 Bassoons

2 Horns in F 2 Trumpets in C 1 Tenor Trombone

2 Percussionists: 1. Tam - tam, 2 Suspended Cymbal, Snare Drum, Tubular Bells, Triangle, 2 Gongs and Crotales:

2. 2 Timpani [(28’’ e 25’’), plus an extra cymbal to put on the membrane], Vibraphone, Bass drum, Triangle, Glockenspiel, Whip, 2 Suspended Cymbals and 2 Gongs

Piano

I Violins (4) II Violins (4) Violas (3) Violoncellos (3) Double Bass (1)

Score in C: C: glockenspiel sounds two octaves higher, piccolo and crotales sound one octave higher, double bass sounds one octave lower.

General Instructions Beginning on the beat (or any part of the beat), execute the musical gesture as fast as possible

Repeat the content between repetition signs for the full extent of the arrow Note Note: to facilitate the execution of the effects inside the piano, the pianist should label the strings to be used.


(A young woman enters the stage carrying a revolver. Her facial expression shows the desperate persistence of one who seeks death.)

What can I expect from this life? Nothing times nothing times nothing Living is a bad disease I want to cure myself from it and there’s no better remedy than the spasm of a pistol How sweet and cold the steel of this gun is One bullet would be enough - Friend, come and play hide and seek until death comes out of your barrel and crosses my brain Let’s play together the most dangerous game of pursuit You don’t need to run after me I’ll pretend to escape but will not move from here I want to be grabbed by your soft and smooth touch Bite your fire bait I am a fish that is tired of keeping the poison within my blood that kills the oceans little by little I will return to nothing where I came from, where everyone came from Dive into the darkness where there is no longer night or day nor crying or pain Only pure joyfulness of abandoning this comedy forever (Presses the trigger, but no bullet appears.)

Lying trigger you seem to take the form of a person You betrayed me but you will not betray me forever Prepare yourself, head, for the crash and the collision Death is a hard punch My explosion will come from you To kill my desire of silence and loneliness And I will no longer be the person who scared me when I looked in the mirror after first waking up And I did not recognise the one who was looking back at me In my face the horror of an abyss is infinite What I think I am has to end now so I can see myself in the light of nothing (Presses the trigger one more time, again no bullet appears.)

You are playing with me, whimsical death You will get out of there to clear my mind Under the ground where trains no longer pass This is the best place to die to undo my fake life my ghost An already dead station I would like to be Pasture for the worms our destiny is to end up in their tripe And I never give up from dying They say women don’t kill themselves with guns (Presses the trigger for the third time, again no bullet appears.)

Beautiful bullet you are shy You don’t want to leave your house to give me peace Fatal lozenge You give eternal sleep, the sleep I desire I want to stop hearing the sounds of the world You will take me away from the insomnia of living Come on, don’t hold yourself as a male lover delaying the splendour of pleasure Give out the death seed that always burnt the human race Use my brain matter and my blood as your hole of pleasure The hole that you tear and splinter At the time of the shot Cold bullet in fire you will stay You open in me the maternal wound from where I will be born giving birth to death Won’t you now come for me? (Presses the trigger and this time the bullet is released. Falls to the ground unanimated. Absolute silence.)


THE DEAD TRAVEL BY METRO Opera in one act with prelude

Prelude

Music: Hugo Ribeiro Libretto: Armando Nascimento Rosa

[introduction ] Misterioso, contemplativo ( q = ca. 48)

rall.

  Flauto 1  

 

 

 

 

 

 

  

  

Piccolo

Oboe 1

Oboe 2

Clarinetto in Sib 1

Clarinetto in Sib 2

Fagotto 1

Fagotto 2

(vary the pitch of the notes whilst holding the three valves half depressed) Corno in Fa 1

Corno in Fa 2

p

    

   

p tenuto

Tromba in Do 1

Tromba in Do 2

Trombone

 

 

   

   



p tenuto

Campane

bacchette morbide

Percussione 1

  p              mf Tam-tam

   

mf

 

Pianoforte

Violini I

Violini II

Viole

Violoncelli

  

p

f gliss.

gliss.

 

 

(striking with the palm of the hand in bass strings inside the piano)

f

    

...etc. (ad lib) gliss.

gliss.

      

(mute string near the bridge) f

     



gliss.

    f

(l.v. al niente)

rall.

Misterioso, contemplativo ( q = ca. 48)

 

 

   

   

p tenuto

   

    

1

  

Timpano 25’’ (slide the finger across the membrane)

(remove cymbal)

...etc. (ad lib)

(l.v. al niente)

       

p

 

   

 

p tenuto

Contrabbasso

 

 

    mf   

 

Timpano 28’’ (with cymbal on the membrane)

2 Gonghi

Percussione 2

    


a tempo ( q = ca. 48) 6

a tempo ( q = ca. 48)

rall.

 

Picc.

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Fl. 1

5

Fg. 1

Fg. 2

Cor. 1

    

   

  

   

 

p tenuto

gliss.

p

   

gliss.

p

Cor. 2

   

sf

   

p tenuto con sord. (harmon - stem in )

Tba. 1

3    

gliss.

 

p

sf

con sord. (cup)

Tba. 2

3

 

  

gliss.

p

Tbn.

  

Campane

Perc. 1



p tenuto

p   

   

 

2 Piatti sospesi

 

con arco

  

    

 

f

mf Tam-tam



Perc. 2

   p

      

 mf

Vln. I

 

Vln. II

Vle.

mf

f

 

 

      

bacchette morbide

 

 

 

 

      

p

mp

  

mp

  

(ord.)

 

 

 

 

p

(striking with the palm of the hand in bass strings inside the piano)

 

    

f

(l.v. sempre)

(l.v. al niente)

a tempo ( q = ca. 48)

rall.

a tempo ( q = ca. 48)

    

 

2 Gonghi

p tenuto

Cb.

  

mp

3

    f molto espress.

Vc.

bacchette morbide

(l.v. sempre)

Pf.

2 Gonghi

Tam - tam

Vibrafono (motor off)

bacchette morbide

    



p tenuto

f

sf

  

p tenuto

    



     pp

p tenuto

    



p tenuto

2

    

  


a tempo ( q = ca. 48)

rall.

12

Fl. 1

 

Picc.

Ob. 2

Cl. 1

 

   

          

 

   

  

   



 



 



 



 

                

( )

             

( )

             

pp

Cl. 2

( )

pp



            

pp

   

rall.

( )

pp

a tempo ( q = ca. 48)

rall.

( )

pp

Ob. 1

1

    

( )

             

pp

Fg. 1

 

gliss.

sf 5

Fg. 2

  

gliss.

p

  sf

 

Tba. 1

 

Tba. 2



Cor. 1

Cor. 2

 

 

   

  

p tenuto sempre

Tbn.

   

 



 

p tenuto sempre

2 Piatti sospesi

Perc. 1

 

   f

  

bacchette morbide mp

sf

 



mf

  

p

mf

f

        

        



bacchette morbide

   p

    

Pf.

    

  

mf

2 Piatti sospesi

 

 

  

        

Vln. I

 

   

f

 

Vc.

1

sf

Triangolo

  

mf

 

(mute string near the bridge)

f

      

(l.v. al niente)

a tempo ( q = ca. 48) senza vib. poco sul pont.

 





  p tenuto sempre

Cb.

f

  

div. (1.2.)

(3.4.)

 

div. (1.2.)

(3.4.)



p tenuto sempre

3

 

   

 

   

rall.



p





 

 

  

 

 





mf



p senza vib. poco sul pont.

Vle.

 

senza vib. poco sul pont.

Vln. II

raschiare con bacchetta di ferro

a tempo ( q = ca. 48)

p

rall. rall.

(l.v. sempre)

p

       

Tam-tam

Vibrafono (motor off)

   

bacchette morbide

Triangolo

Tam - tam

Perc. 2

   

Campane

raschiare con bacchetta di ferro

2 Gonghi



  mf

p

 mf

 



   

 



   


a tempo ( q = ca. 48)

18

Fl. 1

    

Picc.

 

Ob. 1

pp

( )

                 pp

( )

                          pp

         

a tempo ( q = ca. 48)

rall.

( )                         





 





 

a tempo ( q = ca. 48)

rall.

( )

 

Ob. 2

 

Cl. 1

pp

( )

pp

( )

                                           pp

         





 

 





( )

      

pp

( )                 

 



 



     



pp

pp

( )                  pp

( )                 



( )                 







 

 

 

 

 

 

 

 

Cl. 2

pp

pp

Fg. 1

Fg. 2

( )                         

    5

p

(vary the pitch of the notes whilst holding the three valves half depressed) Cor. 1

Cor. 2

Tba. 1

 

  

Tba. 2

 

 

 

 

  



p

      

 

    

 

 con sord. (cup)

3



gliss.

3

con sord. (harmon - stem in )

  

 

p

  

 

     

   



 

gliss.

sf

   

p

Tbn.



sf



  

2 Piatti sospesi

raschiare con bacchetta di ferro Campane p

Perc. 1

   

     

Triangolo

Tam - tam

  

mf

mf

 

mf

Perc. 2

p

 

 mf

  f

    



 (striking with the palm of the hand in bass strings inside the piano)

  

     

    

Cb.

mp

(ord.)

            



    

   

 

 

 

        f

(l.v. sempre)

 





p

f

 

p

(l.v. sempre)

a tempo ( q = ca. 48)

rall.

   

  

flautato



p

mp

flautato       

 



p

mp

 



p

mp

a tempo ( q = ca. 48)

  

    



    

 

   





 

 

      



   



  

   

 

      



   



  

 

rall.

 

mp

 

 

pp

Vc.

p

bacchette morbide

pp

Vle.

  

  



pp

mf

(l.v. al niente)

      

Vln. II

Triangolo

    

Vibrafono (motor off)

bacchette morbide

p

a tempo ( q = ca. 48)

Vln. I

    

(l.v. sempre)

Pf.

Tam - tam 2 Gonghi

Vibrafono (motor off)

   

sf

mf

Tam-tam

bacchette morbide



f

div. (1.2.)

  

(3.4.)

div. (1.2.) (3.4.)

p

p

 

flautato

 

p

4

p

pp

 

pp

p

 

pp

p


a tempo ( q = ca. 48)

rall.

24

Fl. 1

 

Picc.

Ob. 1

Ob. 2

Cl. 1

(  )                         

pp

     







 

 

 

 

 

 













 

 

    



( )

          

(  )                           pp

pp

     

pp

  





( )

   

(muta in flauto)

( )

           

             

pp

Cl. 2





( )

            

pp

Fg. 1

gliss.

 

 

sf

Fg. 2

Cor. 1

 

5

 

gliss.



p

sf

 



   

  

  

Cor. 2

Tba. 1

 

 

Tba. 2





Tbn.

 

   

  

 

 

   

  

Campane

Perc. 1

bacchette morbide

 

p

 

 

 

            

 

 

 

      

           

mf Tam-tam 2 Piatti sospesi

Perc. 2

      

p

raschiare con bacchetta di ferro

 

f

sf

rall.

 

f

     





ord.

 

div. (1.2.) (3.4.)

div. (1.2.)

(3.4.)

3

    f molto espress.



mf

 

p

 

(l.v. al niente)

ord.

Vc.



a tempo ( q = ca. 48)

Vle.

bacchette morbide

 

   

 

 

 pp

 

  

 





p semplice



   

    

     

    

 

p semplice ord.

Vln. II

2 Piatti sospesi

Triangolo

   



(mute string near the bridge)

Vln. I

 

Pf.

 



p semplice

  

 

 

 

mp

p espress.

 

  



 

 



  mp

p espress.

   

 





mp

p espress.

    



    

 unis.     

mf molto espress.

fp

     

unis.      

   

    

mf molto espress.

mf molto espress.

fp

fp

 fp

Cb.

 

   

 

  

  

    

 fp

5


accel.

2 30

Fl. 1

 

Fl. 2

Ob. 1

Ob. 2

 

   



p

 



Fg. 1

Fg. 2

  

   

pp

   

pp



pp

Tbn.



pp

     



 

 



      

 

  



      

 

   



 

   



     

  

  



     

 



 

  fp

   

fp



fffff

fp

    ppp

 

 

 

    





 

   





  

    

 

 

  

    

 

 



ppp

ppp

fff

ppp

fff

mf

ppp

fff

ppp

fff

Tam - tam

bacchette morbide

 

ppp





ppp

ppp

fff

 

ppp

    

2 Gonghi fff

          

ppp

  

 

 



ppp

fffff

ff

   

ff

ppp

fffff

ff

 



fffff

ff

  

fffff

    

 

fp



fffff

ff

   

pp

Campane

Perc. 1

  

fffff

ff



ff

 

p   



   

ff

senza sord.

Tba. 2



ff

senza sord.

Tba. 1

fffff

ff

 

Cor. 2

    

fp

p

Cor. 1

ff

  



  

p

  fp

  

p

   

ff

 

f

fp



ff

 

 



     

fp



p

p

Cl. 2

 

p

Cl. 1

 

 

 



ff

f



(soffocare)

Tam-tam

Perc. 2

 (l.v.)      

2 Piatti sospesi

bacchette morbide

    

mf

Pf.

2

  

 

Vln. II

 

Vle.





 f

 f

Vc.

 

Cb.

 

ff

div. (1.2.) (3.4.)

 



gliss.

 

p

div. (1.2.) (3.4.)

  

 

 













p



 

 

fffff

   



ppp

accel.

     unis.

mp

       

unis.

       ppp

6

  

ppp

fffff

div. (1.2.) (3.)

  

   

gliss.

p

  

  

fffff

div. (1.2.) (3.)

  

ff

  

gliss.

p

f

f



   

f



pp

ff

ff

     

Timpani

  



(mute string near the bridge)

Vln. I

ppp

  (l.v.)    

  

unis.

9

9

            6

mf

 

           

          

 

 

 

p

 





 

 

p

f

unis.

    

gliss.

fffff

   

gliss.

p

fffff

6

3                 3  p ff

ppp

        ppp

ff

  p


3 Calmo ( q = ca. 60) 36

Fl. 1

  

5

  

 

gliss.

Ob. 1

Ob. 2

 

 

 

5

  

p

mf

Fl. 2

  

gliss.

         tempo ad lib. *

p

          tempo ad lib. *

p

          tempo ad lib. *

p

    

     

multiphonics ( ad lib. )

multiphonics (ad lib.) Cl. 1

 

p

Cl. 2

 

Fg. 2

Cor. 1

 

  

   

p



 

 

  

gliss.

p



3

 

p

mf

mf

3   

p



mf

 3

Fg. 1

p

mf

mf



(vary the pitch of the notes whilst holding the three valves half depressed)

   



p

pp

mf espress.

(vary the pitch of the notes whilst holding the three valves half depressed) Cor. 2

 

 

 etc. (ad lib) 

 

p

Tba. 2

 

   

 

p

 p

tempo ad lib. * con sord. (harmon - stem in )

con sord. (harmon - stem in )

Tba. 1

    

con sord. (cup) Tbn.

  

       mf

Perc. 2

Pf.

 

 

gliss.

   

 

f

f

con arco

 



 

gliss.

  

f

Vibrafono (motor on - vib. rapido)

con arco

 

   

f

2 Piatti sospesi

  

mf

Crotali

con arco

con sord. (cup)

p

mf

Triangolo

Perc. 1



   

f

f

(l.v. sempre)

 

 

3 Calmo ( q = ca. 60)

Vln. I

  



   

p

trem. rall. (ad lib.)

 

ppp

Vln. II

Vle.

Vc.

   



      

    

pp

ppp

 

 

ppp

     

     

ppp









pp

ppp

Cb.



p

  

ppp

  

      p

 

pp

ad. lib.

             9











pp

ppp * repeat the material between the two repetition signs for the full extent of the arrow, in a tempo independent of the conductor. vary the tempo on each repetition. 7



          pp



ppp sul G - gliss. (suoni reali)

non trem.




43

Fl. 1

 

         tempo ad lib. *

5

  

  

gliss.

p

p

mf

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Fg. 1

 

Cor. 1

    

 tempo ad lib. *

         

   

tempo ad lib. *

     

           tempo ad lib. *

p

Cor. 2

p

p

Fg. 2

 

   

     

   

tempo ad lib. *

  

p

Tba. 1

Tbn.

Tba. 2

 con sord. (cup)

  



p

 

 

gliss.

Perc. 1

con arco

  

con arco

 

 

Pf.

Vln. I

  

Vle.

Vc.

Cb.

   

f

f

  

f

(l.v. sempre)

 

  

ppp

Vln. II

f

Vibrafono (motor on - vib. rapido) Perc. 2

p

mf Crotali

 

p

         



      

     

pp

trem. rall. (ad lib.)

   







pp

  

 



p

ppp

  

    







    





p

ppp





         

 





non trem.

p

p

ppp

sul G - gliss. (suoni reali)

                

ad. lib.

10

ppp

* see note on page 7

8


   

48

Fl. 1

Fl. 2

Ob. 1

Ob. 2

  

multiphonics ( ad lib. )

 

Cl. 1

  p



 

mf

Cl. 2

Fg. 1

tempo ad lib. *            tempo ad lib. *

Fg. 2

Cor. 1

p

   

 

     



Cor. 2

Tba. 1

Perc. 1

        

 

Tba. 2

Tbn.

tempo ad lib. * con sord. (cup)

p

tempo ad lib. * con sord. (cup)

            p

Crotali

  

con arco

 

f

 

f

Vibrafono (motor on - vib. rapido)

con arco

Perc. 2

  

 

f

Pf.

Vln. I

Vln. II

Vc.

 

f

 

     

    



 

  



  



trem. rall. (ad lib.)

    

  

  

  

  









 

pp

 



     p



pp











p

ppp

p

Cb.

f

(l.v. sempre)

ppp

Vle.

f





  



p

ppp

* see note on page 7

9

non trem.

ppp


rall. 53

Fl. 1

 

    

Fl. 2

   

Ob. 1

   



Ob. 2

tempo ad lib. *

       p

Cl. 1

Cor. 1

   

    

  

    

   

Tba. 1

   

Crotali

  

con arco

f

con arco

 

f

Pf.

Vln. I

Vln. II

Vle.

Vc.

Cb.

con arco

 

  

f

f

  

(mute string near the bridge)

  f

     



 



   

pp



gliss.

 

    p

   pp

         

 





trem. rall. (ad lib.)

pp

non trem.

 

(l.v.)

rall.

 

pp

 

   



(Entra em cena uma Jovem com um revólver nas mãos. Traz no rosto a obstinação desesperada de quem procura a morte.)

   

   

ppp

  

   

f

  

pp

   

sul tasto

mf



p

   

pp

  

 

 

 











f



2 Piatti sospesi

 

2 Piatti sospesi Perc. 2

    

Tba. 2

Perc. 1

   

Cor. 2

Tbn.

   



Fg. 1

(muta in corno inglese)

Cl. 2

Fg. 2

(muta in piccolo)

     

    

attacca

* see note on page 7

10


[scene 1]: Young suicidal woman Molto calmo ( q = ca. 48)

Flauto 1

Piccolo

Oboe 1

Corno Inglese

  



 



 



 

 

  

 

  

Clarinetto in Sib 2

Fagotto 1

Fagotto 2

Corno in Fa 1

Corno in Fa 2

Tromba in Do 1

Tromba in Do 2

Trombone

 

 

 

p

 



 

  

p

mp molto espress.

trilo timbrico usando un'altra diteggiatura o chiave d'ausilio Clarinetto in Sib 1

pp

mf



 

 

  

 

  

 

 



 



 

 

  



  

 



   

p

2 Piatti sospesi Percussione 1

 

con arco

f

Vibrafono (motor on - vib. lento)

Percussione 2

  

bacchette morbide

 

  

  

Pianoforte

 

Young suicidal woman

(mute string near the bridge)

mp legg. sempre

(ord.)





Violini II

 

    

  

pp

Viole

Violoncelli

 

 

 

 

f

sul pont.

p

 

 

  

 

3   





3



 

mp legg.

p molto doloroso

poco cresc.

3          

pos - so_eu 'spe - rar

     

    

 

 

a

-

sempre dolente

       in - da des - ta

vi

 -

-

da?

                

3

  Na

-

da

ve - zes

mp

     

na - da

ve - zes

na

poco sul tasto

 

p tenuto

pp

ord.

 

p tenuto

pp 3

senza vib.

  

 

pp

 p

Contrabbasso



 

Molto calmo ( q = ca. 48)

pp

 

(l.v. sempre)

     

 

(l.v. sempre)

Que

Violini I

mp legg.

f

   

  

 

   

3

gliss.

 

 

poco sul tasto

p tenuto



poco sul tasto



p tenuto

  mf

  p

11



   

 

 -

da

 


colla parte 5

Fl. 1

 

  

3

pp legg.

   

3

  

   

pp legg.

Picc.

Ob. 1

C. I.

Cl. 1

3



pp legg.

Cl. 2

 

pp legg.

Fg. 1

Fg. 2

Cor. 1

   



pp legg.

 

pp legg.

   

   

 

  p

 

   

   

   

   

   

  

con sord. (harmon - stem in )

3

p dolce

con sord. (cup) 3



con sord. (cup)

 

p dolce 2 Piatti sospesi

2 Piatti sospesi Perc. 1

3

p dolce

Tbn.

p

Tba. 2

Tba. 1

   

  

Cor. 2



con arco

 

f

bacchette morbide

 

 (l.v.)    

p

mf

Vibrafono (motor on - vib. lento) Perc. 2

Pf.

Young suicidal woman



bacchette morbide

 



(l.v. sempre)

  

3





3



mp legg. sempre





3



 

3



 

 f

mp legg.

p sostenuto

   Vi

   

- ver

é

 3     u - ma

 

do - en

-

 



ça

(l.v. sempre)

mp espress.

cresc.

  

Que

-

 

ro

   

cu - rar - me

poco accell..

            

 

de - la

e

não há

me - lhor

re - mé - dio que

o

dim.

 

'spas

-

 

 

mo

da

 

pis - to

 -

la

colla parte

Vln. I

    

Vln. II

Vle.

   

   

 

Vc.

ord.

 gliss. 



p

mf

p

poco sul tasto

   p tenuto

poco sul tasto 3



p tenuto

poco sul tasto



p tenuto

  gliss.    mf

Cb.

3

p

   

  

pizz. (ord.)

   

 

   

 

   

pizz. (ord.)   

 

pizz.  

pizz. (ord.)

mf

mf

pizz.

mf

mf

12

mf


accel. 9

 

Picc.

Ob. 1

C. I.

Fl. 1



 

 

    p

mp molto espress.

Cl. 1



          pp

mf molto espress.

Cl. 2



 

Fg. 1

   

p

 

Cor. 2

Tba. 1

Tba. 2

Fg. 2

Cor. 1

Tbn.

Campane

2 Piatti sospesi

bacchette morbide

Perc. 1

  



mf

bacchette morbide

  

mf

 (l.v.)    

p

 

p

mp

Vibrafono (motor off)

Vibrafono (motor on - vib. lento) Perc. 2

con arco

 

bacchette morbide

5

       

(l.v. al niente)

(mute string near the bridge)

(ord.)

 

f

3        

Co - mo

é

do

-

più espress.

 

  

ce_e

fri

  -

     

o

o

a

   -

ço

des

-

 



ta

ar

 -

-

 

ma

sostenuto

 

Bas

-

 

 

ta_a - pe

p

mf

       5 

(l.v. sempre)

p come prima

  

mf

f

mp legg.

Young suicidal woman

3     

 

Pf.

 

    -

nas

 

u - ma

 ba

-

-

-

-

accel.

Vln. I

  

arco



gliss.

mf

    p

mf

         arco

Vln. II

p

pizz.  

 

Vle.

pp

mf

arco

Vc.



Cb.

pp

p tenuto

poco sul tasto   



 



p

p tenuto

   

f molto espress.

poco sul tasto

 

arco

mf

 

 gliss.  



poco sul tasto

 

p tenuto

13


4 Più mosso ( q = ca. 60)

13

 

Picc.

Ob. 1

C. I.

Fl. 1

molto espress.





  

 p

Cl. 1

    

  

pp

f



p

    

   

     

p

Cl. 2







p



p

 

Cor. 2

Tba. 1

Tba. 2

Fg. 1

Fg. 2

Cor. 1

Tbn.

Perc. 1

Perc. 2

 (l.v.)   



  

(l.v. al niente)

Young suicidal woman

mf

mf

f

Pf.

 

Triangolo

(l.v. al niente)

  

mp sarcastico

 

  

la

A -

mi

 

-

3    

ga

vem

jo - gar

 6    às

poco espress.

  

es - con - di

  -

-

das

   a

    

-

 

 

té que_a mor - te

sa

 

 

 

 

 

ia

do

teu

ca

- no

-

 

 



 

dis - pa - ra

-

da

4 Vln. I

 

Più mosso ( q = ca. 60)

      



            3

Vln. II

3

3

3

 



3

 

3





pp

mf sul tasto

3

3

 

3

 

3

3

     

3

 

3

3

     

3

3

    

p sempre sul tasto 5

5

                    

Vle.

5

5

p sempre

ord.

   

Vc.



p tenuto sempre

 

pizz.

Cb.

 

 

5

           5



 

5

5

5

 

5

                       

 

mf sempre

14

5

 

5

 

 

5

5

 

5

                 

 

5

 

 


  

  

 

 

 

p

  

p

C. I.

Cl. 1

    



   





   

 

 





 

 





pp

 

3

p



3

p



pp

  

3

3

Ob. 1

rall.

pp

3

Picc.

    3

3

17

Fl. 1



 3

pp

p

    

Cl. 2

 

 





 





Cor. 2





Tba. 1

 

 

Tba. 2





 

 





  

 

 

Fg. 1

Fg. 2

Cor. 1

Tbn.

Triangolo Perc. 1

 

3  

mf

 

3

mf

2 Piatti sospesi Perc. 2



bacchette morbide

 

   p

Pf.

 

 

poco agitato

Young suicidal woman

    e

Vln. I

 

  3

me_a

-

tra

-

ves

  

 

  -

se_o

crâ

  -

p dolce

 

Vle.

 

3

 5

  

3

5

3

  

 

   

6

Cb.



 

 

3

5

 

-

  ao

 

     

mais

p'ri - go - so

6

    jo - go

6

 

   

da_a - pa -

3





3

 

3

3

5

5

15

5

   



p sempre

 



pp

            

3

as

ord.

 

as du

 

mf

sul tasto

Vc.

nós

 

  

p tenuto sempre

 

    

     

                  5

 

rall.

pp

Jo - gue - mos

mf

 

3

nio

          

Vln. II

3





 

3

 

5

    

5

5

  

 

  



                  

3

5

   

 


5 Poco meno mosso

20

Fl. 1

Picc.

Ob. 1

C. I.

Cl. 1

Cl. 2

Fg. 1

Fg. 2

Cor. 1

Cor. 2

Tba. 1

Tba. 2

Tbn.

  



 

 

 



 



 

 

 

 

  

  

 

 



 

 



 



 

 

  

 



 

    

Tam - tam

Perc. 1

mf

Perc. 2

      

(l.v.)

(muta in clarinetto basso)

mf

Pf.

 



 



mp ancora più sarcastico

Young suicidal woman

      nha

  -

da

  3

 

Não

pre

 

-

ci

 

 

sas

cor

3

-

  -

rer

  a

 

 



trás

de

mim

-

  3

 

vou

fin

  -

3

 

gir

que

 

 

'sca

-

po

 

 

mas

não

3 

  sa

-

io

 

  da

-

5 Poco meno mosso

Vln. I

Vln. II

3

   

  

 

 

3

3

mp sempre

  

3

ord.

 

mp sempre

  

div. (1.2.)

Vle.

(3.)

3    3

3  

mp sempre

div. (1.2.)

Vc.

   (3.)

Cb.

ord.

  3

 

mp sempre

arco     



  3

 

3   3

 

3

3

3

 

 

   

  3



3    3

3  

 

mp sempre

16

3

3

 

 

 

 

3

 

  3   3 3 

3

3

 

 

 

 

 

 

 

    3   3

3 



 

3

 


6 a tempo ( q = ca. 60)

25

Fl. 1

Picc.

Ob. 1

C. I.

  







 







 

 

 

  

 

3       

3

p

Cl. 1

    3

f

 

              3

 

 



mp molto espress.

 

p





      



p

Cl. B.

Fg. 1

Fg. 2

Cor. 1

 

 

       

    



 

 

 

  

 

 

 

   

 

 

 

 

 

3

p

    

p

p

Cor. 2

3     

  

 

 

 

 

 







   





   









p Tba. 1

Tba. 2

Tbn.

Perc. 1

 

3

con sord. (straight)

      p

3

 

Tam - tam

Triangolo

  

 

mf

mf

2 Piatti sospesi

bacchette morbide

       3

Perc. 2

p

Pf.

  (l.v.)   

  

mp

 

 

 

 

 

 

 

 

     

  

p sostenuto, poco cresc. Young suicidal woman

qui

3          

Que - ro

ser

mp molto espress. sempre

 

a - gar - ra - da

a

 

es

 

-

te

 

  to

-

   

  

tão

su - a

que

  -

  

ve,

 

 

tão

ma

-

ci

  -

 

o

6          3

Vln. I

Vln. II

3    3

     

  

div. (1.2.)

(3.)

Cb.

     

3

3

pp

   (3.)

Vc.

a tempo ( q = ca. 60)

pp

3       

div. (1.2.)

Vle.

3

3







 

sul tasto

3

 

p sempre

3

3

 

3

unis. sul tasto

pp

5

5

 

 

         

3

 

 

mp molto espress.

3



 

3

 

  

   

pp

3



3

3





5 5 5 5 5 5                                    

p sempre

pp

  pp

 pp

3

 

 

3

3

unis.

 p tenuto sempre  

pizz.

  

mf sempre

17

  



  

 

   

  

 

 


 



7 











 

 



30

Fl. 1

Picc.

Ob. 1

   

 

C. I.

  

   



mp molto espress.



 

mp molto espress.

 



 



   

 p

f

Cl. 1

      

           

   

p

p

    

Cl. B.

       

    

p

        

p

p

 

 

 

 









 

 

 

 

 

 

 

 

 

Tba. 1

 

 

 

 

Tba. 2

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

  



  

Fg. 1

Fg. 2

Cor. 1

Cor. 2

Tbn.

Perc. 1

Perc. 2

Pf.

dolce

Young suicidal woman

3   3       

Mor

-

der

  3  

o

teu

is - co

de

fo

-

mp molto espress.

3          3

go

Sou

7 Vln. I

  

Vln. II

Vle.

 

3

 

3

3





 



3

3

  



  

 

um

pei - xe

can



3

  

3

 

-

 

mp molto espress.

 

    sa

5 5 5 5 5                                

Cb.



 

 

 

-

gar

no

   

san

    

-

gue

3      o

ve - ne

  -

no

  

 

3

  

3

5

  3

 

3

   

 

3

 

3

 

 5

                                                  

    

de_al - ber

   

ord.



do

3      

 

sul tasto

-

3  

mf 3

p tenuto sempre

Vc.

 

5

p sempre

   

5

5

5

18

5

   

5

   

5

 


35

Fl. 1

  

Picc.

 



 

Ob. 1

  

Cl. 1

Cl. B.

 

   



 



    

   

mp molto espress.

C. I.



rall.

8





 

 



    



mp molto espress.

 

        

p

  

    f

 

p

    p







 

 

 

 

 

 

 







Tba. 1

 

 

 

Tba. 2













Perc. 1



 

 

 

Perc. 2







 

Fg. 2

Cor. 1

Cor. 2

Tbn.

 p

Fg. 1

p

         

   

        

p

         

2 Piatti sospesi

bacchette morbide

  p

Pf.

Young suicidal woman

 

 

 







 

    

 

3

que

ma

-

ta

 

 

 

pou -

co_a

pou

     3    -

co

os

mp misterioso

o - ce - a

-

nos

 3     

 

 

Vou

ao

na

re - gres - sar

  -

3       

da

don - de

3       

vim,

don - de

 

vi - e -

mos

 

 

to -

dos

rall.

Vln. I

       



8



    

Vln. II

Vle.

     

3



3

3

3

  

3

 

    



3

3

   



    

  

mf

      3

 

  

       

3

3

 



3

  

        3



3

3

 5

                                                                                       5

Vc.

5

5

5

Cb.

       

3



mp molto espress.

pp 3

  

5

5

 

5

   

5

5

5

 

19

5

5

5

   

5

   

5

 


a tempo ( q = ca. 60)

accel.

Poco meno mosso

40

 





Picc.





Ob. 1

 

 

C. I.

Fl. 1



 

          mf

f

Cl. 1

Cl. 2

 



Fg. 2

Cor. 1

p

   

p

 

senza sord.



  

     

 

 









 

 





 

 

 

  

 

 

p

mf

Tam - tam

Perc. 1

 

f

mf

f

mf

p

 

mf

      

p

mf

Tbn.

senza sord.

Tba. 2

mf

f

mf

Tba. 1

        

mf

Cor. 2

        

p

f

 

      

      

f

Fg. 1

 

f

    

Cl. B.

 

 

 

Triangolo

mf

mf

2 Piatti sospesi Perc. 2

    

(l.v.)

bacchette morbide

   p

mf

Pf.

 

 

 



 

mf intenso, sostenuto

Young suicidal woman

  

6             

 3  Mer

-

gu - lhar

na 'scu - ri - dão

        più espress.

on - de

não

cresc.

  há

noi

 

 

te

nem

3

  -

    

di

   



gliss.



 

gliss.

Cb.

 

gliss.

p

arco

 p

 mf

ord.



 mf

p

Vc.

-

a

nem

gliss.



 

 

gliss.

p

mf

 

  

gliss.

p

mf

  





3      

cho - ro

nem

dor

a tempo ( q = ca. 60)

f

ord.

p

Vle.

-

mf agitato

        

pp

Vln. II

accel.

Poco meno mosso

Vln. I



mf

 

gliss.

p

mf

 

       

 p

f

   p

f

mf

20

mf

  

 p

mf

pp

mf

       

 

       f

mf

      mf


9

accel.

44

Fl. 1

 

Picc.

Ob. 1

C. I.

//

 

 

fff

 



fp



  

fff







fp

Cl. 1

   





 

 





 

 

 

soffocare



soffocare



 

 



(muta in clarinetto in sib) fff

 

 





fp

Fg. 2

 

fff







fp

Cor. 1

fff

  

 







fp

 

Cor. 2

  

fff

fp

 

fff



fp

 

Tba. 2

Tbn.

Tba. 1

 

 

senza sord.

   fp

fff





fff



fp

fff 2 Piatti sospesi

Tam - tam

Perc. 1

 

bacchette morbide

  

mf

p

2 Piatti sospesi Perc. 2

   

(l.v.)

bacchette morbide

   

f sempre

Young suicidal woman

  

f più agitato, cresc.

 

 

a







 

 

 

-

le

-

gri

-

 

 

a

cru

 

Vln. II

Vle.

  -

a



  de_a

 

  -

ban

-

do

  -

nar

 

 

de

vez

  es

  -

ta



  co

-

accel.

9 Vln. I















 -

-

  ad lib.   

  ad lib. 

f

 

  ad lib. 

  ad lib.    

//



P.G.



 

 

 

 

fff



 

fff



fp

Cb.

(Prime o gatilho, mas não há disparo de bala.)

fff

fp

Vc.

fff



ad lib.

dia

f

  

fff

   

p

mf

Pf.

  

 fff

fp

Fg. 1

(muta in oboe)

fff

fp

 

Cl. B.

  

fp

(muta in flauto)

fff





fp

P.G.



fff





fp

fff

21


10 q = 60 <>66) 66)

Moderato, flessibile, tempo rubato (colla voce) ( 48

Fl. 1

Fl. 2

  

 

tremolo usando armonici de due fondamentali differenti

Ob. 2

Cl. 1

 

Fg. 1

Fg. 2

Cor. 1



 

mf

 

    

p

trilo timbrico usando un'altra diteggiatura o chiave d'ausilio

  

 



 

 

pp

mf

 

 

  

  

fp

      

   

sfp

Cor. 2

 

gliss.

 

pp

Cl. 2

mp

p

Ob. 1

  

       

  

sfp

     

 

sfp

 

 etc. (ad lib)    

con sord. (harmon - stem in )

Tba. 1

Tba. 2

Tbn.

Perc. 1

 

 

  

  

Triangolo

   

mf

       con arco

 

Young suicidal woman

Vle.

Vc.

Cb.

  

con arco

    

f

con sord. (cup)

   

f

        

f

  

 

f

 

Triangolo

mf

 

   

     

mp dolente

   Ga - ti

-

 

   

lho

men - ti -

 

 -

poco cresc.

so

 

  

       

-

re - ces

  3    ter for - ma de gen

arco   

  

Solo (1.)

con vib. lento al 1/4 di tono





-

p

gettato

       

 

tutti unis. ord.

 

mf

 

pizz.

mf

22

  

   

ga - nas sem -

 

en -

 

p

não

f

mf

pp

mas

 

 

f

 

te - me

 ss.    gli   

   

p

  

 

f molto espress.

mf sostenuto

       En - ga - nas

 

mp

pizz.

te

p

gettato

 

-

mf

 

q = 60 <>66) 66)

  

3  3      

pa

mf

pizz.

ro



p

  

(l.v. sempre)

Moderato, flessibile, tempo rubato (colla voce) (

Vln. II

 

 

10

Vln. I

   

pp

2 Piatti sospesi

f

Pf.

pp

Vibrafono (motor on - vib. lento)

Perc. 2


colla parte 53

Fl. 1

 

 

  

 

     pp

f espress.

   

 

Ob. 1

 

Fl. 2

 

   

   

 

Cl. 1



   

 

 

Cor. 1



 

 



 



 

 

  pp

 

 

  

mp

pp

mp



 

 

p

    

pp

pp

 

 

 

 





  

sfp

mp

  

 

 

 

Tba. 1







Tba. 2

 

 

 

 

 

 



 



 

2 Piatti sospesi

Vibrafono (motor off)

Perc. 2



Pf.

Young suicidal woman

  

p

mf

 

  

f

 

  

f

3             

Pre

  

-

pa - ra - te

ca

-

 

p tenuto

Vln. II

        p f

Vc.

be - ça

 

-

ra_o 'stron - do_e o

em

  

 

 (l.v. al niente)

 

 

 

-

ba - te

   

f

molto allargando, dim.

    f espress.

mp molto espress. sempre

     

A

te_é

um

 

 

mor

 

so - co

  dos

   va - len

 -

tes

p

  

-

 

   p

pp

 

 

            

3

pa

    

con arco

(l.v. al niente)

 

mf

Cb.

 

p tenuto

Vle.

mf

 

colla parte Vln. I

 

Triangolo

Vibrafono (motor off)

 

mf cresc.

pre

 

  

(soffocare)

(mute string near the bridge)

 

  

(l.v. sempre)

 

mf

mf

bacchette morbide

   

bacchette morbide

 

    

f espress.

Perc. 1

 p

 p

Cor. 2

Tbn.



pp

  

p

 



pp



mf

 

mf

mf molto espress.

Fg. 2

trilo timbrico usando un'altra diteggiatura o chiave d'ausilio

  

p

Fg. 1

        

       

 



p

trilo timbrico usando un'altra diteggiatura o chiave d'ausilio

 

Cl. 2

pp

f espress.

Ob. 2

 

 



  

 

 

23

   

p tenuto

pizz.

mf





 

 

 

 

pizz.

mf


58

Fl. 1

 

Fl. 2

Ob. 2

 



  

 

 

trilo timbrico usando un'altra diteggiatura o chiave d'ausilio Cl. 1

 

 

Cor. 1

   

 

  

  

 



   

 

    

fp

  

 



pp

 

 

p



Fg. 1

Fg. 2



mf trilo timbrico usando un'altra diteggiatura o chiave d'ausilio

Cl. 2

  

 

p

 



 

 

  

  

mp

 

Ob. 1

tremolo usando armonici de due fondamentali differenti

11 

 



pp

mf





 

 





 

 

pp

Cor. 2

   

sfp

Tba. 1





Tba. 2

 

 

 

 





 

Tbn.

Perc. 1





con sord. (cup)

  

   p

mf

 Vibrafono (motor off)

Perc. 2

Young suicidal woman

 

           de mim vi - rá

de

  f

mf

  (l.v.)

 

 

 

 

(l.v. al niente)

mp ancora espress., doloroso



ti

Ma

   

  

(l.v. al niente)

      

Vln. II

bacchette morbide

(mute string near the bridge)

A 'xplo- são

Vln. I

mf

Pf.

Vibrafono (motor off)

bacchette morbide

 



 

 

 

 

-

tar

o

meu

de

11

2 Soli (1.)

se

  

jo

de

-

 

  si

  

-

lên

-

 

 

cio_e

a

  

  

f



f

-

 

   

 

 

  -

ban

 -

do

 -

-

  

 

no

  



 

arco flautato

7



7

7

7

7

                                          7

p sempre

Vle.

 gliss.   

 

(2.)

       arco flautato

             

      

       

 

p sempre

Vc.

Cb.

arco

p

f

pizz.

 

mf

pp

 

  p

pizz.

gliss.

      mp

  

mf

24



  

pizz.

mf

 


12 Meno mosso ( q = ca. 52)

rall. 63

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

       

 

 

 

 

 

 

 

 

 

 

 

 

  

 

   

mp

fp

trilo timbrico usando un'altra diteggiatura o chiave d'ausilio

  



 

 

  

 

 

 

p

Cl. 2

 

 



 

 

Fg. 2

Cor. 1

  



  

mp

  

 



mp

 





pp

mf

 

 

 

 

 

  

 

 

 

 

  

  

 

  

sfp

Cor. 2

p

Fg. 1



pp

mf trilo timbrico usando un'altra diteggiatura o chiave d'ausilio

 

 

 



 gliss.      



 

 etc. (ad lib)    

  

 



mp

 

 

   

 

 

 

 













con sord. (harmon - stem in )

Tba. 1

 

pp

Tba. 2

Tbn.

  

  

      

con sord. (cup) pp

con sord. (cup)

   

p

mf

2 Piatti sospesi

    

con arco

Perc. 1

f

 

f

 

con sord. (straight)    mp

Tam - tam

 







mf

2 Piatti sospesi

Perc. 2

  



bacchette morbide

  (l.v.)    

 

pp

 

Pf.

 



 



mf

     

(ord.)

 

mf sempre

 

mf libero, molto espress.

Young suicidal woman

3    

   3     E

não

se - rei

ja

  -

mais

3     

 

es - te

que

eu

    me_as

  -

sus

-

mp dolce



 

tou

des

      

-

de

que



pus

  

dolente, poco dim.

 

 

o

meu

           o - lhar

no

'spe - lho_ao

a - cor

  -



     



 

dar

12 Vln. I

     

pp

Vln. II

 

   

 

p tenuto

Vle.

     

mf

Cb.

  

 

 

 

 

 

 



  

  

 

  

 pizz.

Vc.

Meno mosso ( q = ca. 52)

rall.

tutti unis.

 p

gliss.

f

pp

 

 

 

 

 

   

25



mp

 arco

mp

     


68

Fl. 1

   

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Fg. 1

Fg. 2

Cor. 1

Cor. 2

  

   

 



   

p

mp

 

    

Tba. 2

Tbn.

Perc. 1

 

 

  

 

  

mp

p

   

 

 



 

 



  

 

 

 



 

   

   

p

  



 







mf

 

 

não

re - co - nhe - ci

  

 

mp

 

          a - que - la





que me_o - lha

-

     



va

 3     Na

mi - nha

p

mp



mf

div. (1.2.) (3.4.)

 

   

p





 

 



pa - vor de_um só

(mute string near the bridge)

f

a - bis - mo

é

in - fi



 poco disperato

 3       

 -

ni

mp

    

   

  

 -

-

to

 3     é

 

in - fi -

 

 

arco

   

  

 sul pont.

 



mp



 

p

p

mp

p

mp

(l.v. al niente)

           

3 

fa - ce_o

  



p

  

 

p



p

mp

   

 

  

   

 



p

    

 

bacchette morbide

mf



3      3           

(3.4.)

p

  

  

Campane

  

div. (1.2.)

Cb.

 

E

Vc.



mf poco doloroso

Vle.

p

 

Vln. II

 

  

Vln. I

 

Young suicidal woman

p

bacchette morbide

Pf.

 ( )



Vibrafono (motor off)

Perc. 2

 

p

mp

Tba. 1

   

pp

  

ad libitum *



p

  

  

   

p

mp

p

 mp

* repeat the material between the two repetition signs for the full extent of the arrow, in a tempo independent of the conductor. 26

  

p

 


Fl. 1

ad libitum * 72           ( )   pp

(  )

Fl. 2

    

(  )

(  )

 ( )

 ( )

 ( )

  ( )

   

Ob. 2

Cl. 1

 



pp

   (  )    

ad libitum *

 

 

 ( )

pp



  

    



  



    ( ) 

ad libitum *

Ob. 1

3





  

    

mf semplice

Cl. 2

Fg. 1

Fg. 2

Cor. 1

 

 

 ( )

 

  

ad libitum *

   

 

 ( )

pp

 



  

     

 

 

 

 

 

  

   

  ( )



mf molto espress.

Cor. 2

Tba. 1

Tba. 2

Tbn.

Perc. 1

 







 







 







  

 

 

 

  

 

 

 

  

 

 

  

 

 

 

 







 2 Piatti sospesi

Perc. 2

bacchette morbide

 

p

Pf.

 

Young suicidal woman

(l.v. al niente)

     ni

div. (1.2.)

Vln. I

  

  -

-

(3.4.)

to

é

sul pont.

sul pont.

 3  

 

p

 p  

3

 

 



in - fi

-

ni

  

 

div. (1.2.) p sul pont.

Vln. II

      

 

(3.4.)

Vle.

 

 

div. (1.2.) (3.) 2 Soli (1.)



-

-

-

to

O

    

    

 

  

 

p sul pont.

 

gliss.

(2.)

 

sul pont. moltissimo

  p

f

   

que

3 

   

jul - go

 

ser

tem de_a - ca - bar

 



a

-

go

 -

ra

 gliss.



gliss.

   



 

gliss.

 

* see note on page 26 27

gliss.



gliss.

   

p amoroso

 

pa

 

-

ra

  

   

gliss.

 

  

p

       

    

   gliss. 

  

   

sul pont. p

p

    

3    

  

Vc.

Cb.

mp più dolce



 

 

  

     

gliss.



gliss.

 

  


Ancora meno mosso ( q = ca. 48) 76

 







Fl. 2

 

 

 

Ob. 1

 

 

 

Ob. 2











Fl. 1

  

   

Cl. 1

mp

Cl. 2

Fg. 1

Fg. 2

Cor. 1

 

 

 







 

 

 

 

  

  





  

   

 

 

p

Cor. 2

p

Tba. 1







Tba. 2

 

 

 

 

 

 

Tbn.

2 Piatti sospesi Tam - tam

Perc. 1

 



   

mf

bacchette morbide

Perc. 2

(l.v.)

bacchette morbide

mf sempre

Young suicidal woman

 

 

 

 





 

 

 

 

 

 

 

 

 

 

 

 

pizz. (ord.)





 

 

  me

 



pos - sa

ver

 

Ancora meno mosso ( q = ca. 48)

mf

 

  

à

luz

do

na

(Prime o gatilho uma segunda vez, de novo sem efeito.)

 -

-

da

ord.

  

 

 

 

 

unis. pizz. (ord.)

 

p secco

unis. pizz. (ord.) mf secco

  

   pizz. (ord.)

 

p

tutti unis.

  

 

unis.

 

p

Cb.

 

Vc.

 



   

Vle.

Vln. II

 

que_eu

Vln. I

 



mp

Pf.

  

p

Vibrafono (motor off)

    

 

 

p secco

  

arco



mp

28

 


13 Moderato (risoluto) ( q = ca. 66)

80

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2



   

pp legg.

  

 

pp legg.

 

 

     

Fg. 2

Cor. 1

Cor. 2

Tba. 1

Tba. 2

Tbn.

Perc. 1

 

 

 

 

 pp legg.

  

3



 



 

 

 

 

p poco espress.

 

 3

  

p espress.

 

 

 

 

 

  

  

 



 

pp

 



pp legg.

Fg. 1

 

pp legg.

pp legg.

  

 

3

pp legg.

 

  

pp legg.

 

 

 

 

 

  

 

 

 

 

  









 

 

 

 

 

 

 

 

 

 

 









  

 

 

 

 

 

  

 

   (l.v.)     

2 Piatti sospesi

 

con arco

f

 

(muta in corno inglese)

f

mp

Vibrafono (motor on - vib. lento)

2 Piatti sospesi

    

con arco

Perc. 2

bacchette morbide

3       

f

mf legg.

  

(ord.)

Pf.

 





p

    





(l.v. sempre)

p sarcastico

    

 

'stás

go

a

    -

zar

co

   -

mi

 -

go,



mor

-

 

 

te

ca - pri



  

 -

cho

 -

 

sa

    3



  







 

gettato

      

 

Vle.

Vc.

Cb.

3 3            

Hás - de

sa - ir

   

da - í

(l.v.)

 

 

pa - ra

  3       me_a - pa - ga - res









 

 

 

 

 

 









 









  

 

 

 

 

29

mp

Vln. II



Moderato (risoluto) ( q = ca. 66) Vln. I

simile

13    

f

(l.v. sempre)

mp poco disperato

 

 

f

mp legg.





f

3

 

p

f

  

 

3           

con arco

 

(l.v. sempre)

mp legg.

 

Young suicidal woman

   

Vibrafono (motor on - vib. lento)



a


14 // Subito molto meno mosso ( q = ca. 48)

accel.

   

 

   

       85

Fl. 1

ppp

Fl. 2

Ob. 1

3

  p

Cl. 1

 

   

Cl. 2

 

  

 



Fg. 1

p





3

      

 

Cor. 1

mf

 

    

p

 

  

  

sfp

pp

mf

Cor. 2

          

 

p

Fg. 2

pp

mf

p

C. I.

     

p

   

sfp

  

 

sfp

  

 

  



p molto espress.

  p

Tba. 1

Tba. 2

Tbn.

con sord. (cup)

Crotali Perc. 1

arco  con    

   p

   

mf

2 Piatti sospesi

  

con arco f

f

Vibrafono (motor on - vib. lento)

Perc. 2

bacchette morbide

   mf 

 

      

  

bacchette morbide

mf

2 Piatti sospesi

mp legg.

(l.v. sempre)

mp

 

 (l.v.)    

p

mp

      ff

Young suicidal woman

Pf.

Tam-tam

    

poco espress.

mp misterioso

  3         

men - te

De - bai - xo

do chão

3  3       

on - de não pas - sam com - boi

 -

mp amoroso

                

os

Es - te_é o me - lhor lu - gar

        

pa - ra mor - rer

p'ra des - fa - zer a

fal - sa vi -

  3  da

o meu

(l.v. al niente)

       fan - tas - ma

14

Vln. I

 

Vc.

 p

Cb.

pp

 

 

 



 ord.    p



   

    

 

div. (1.2.) (3.)

mf

pizz.

mf

arco

p

 p

30

ord.

   pp

mf arco sul pont.

p

arco

mf

arco sul pont.

p

Vle.

ord.

   

   

sul pont.

p

Vln. II

   

// Subito molto meno mosso ( q = ca. 48)

accel.

 


90

Fl. 1

 

Più mosso









Fl. 2

 

 

 

Ob. 1

 

 

 

C. I.







Cl. 1









 

 

 

(muta in clarinetto basso)

Cl. 2

 

 

 

 

 









Fg. 1

Fg. 2

Cor. 1

    

(muta in piccolo)

   

(muta in oboe)



 

 

 

 

   









Cor. 2

Tba. 1

 

 

 

 

Tba. 2

 

 

 

 















 

Tbn.

Campane

Perc. 1

 bacchette morbide  

Tam-tam

 

mf

mf

2 Piatti sospesi Perc. 2

bacchette morbide



  

 

 

 

 

 

 

 

 

  

p

Pf.

mf dolente Young suicidal woman

   U

-

3 

  

 

ma

'sta - ção

 

 

mor - ta

3   

3       

que - ro

ser

Più mosso

Vln. I

 

Vln. II

  

div. (1.2.) Vle.

(3.)

 

Vc.





     

co - mo

e

  -

la

  

    

(l.v.)

poco disperato

 3     

  

Pas

 

  

-

to

 

pa - ra_os ver - mes

          nos - so

des - ti - no_é

a - ca

   -

bar

 

    



 

    

  

   

div. (1.2.)

ppp (3.4.)

pp

div. (1.2.)

ppp (3.4.)

pp

     

   

 

  

 



   

 



f pesante

31

 

  

p

f pesante

Cb.

mf

f pesante

  

3      

na

tri - pa

 



de - les

  ppp

ppp

   

p

  



p

   p

 


Fl. 1

Picc.

Ob. 1

Ob. 2

Feroce ( q = ca. 69)

accel.

15 94

  



 

 

 

 

 





Cl. 1

Cl. B.

Fg. 1

Fg. 2

 

 

 

  

 

fp



 

 





fp

fffff

fp

  

    

fffff



  

fffff



fp

Cor. 1

Cor. 2



 

 



  



 



fffff

fffff

fffff

 



 

  

 



fp

fffff





fp

Tba. 1

Tba. 2

Tbn.

      

 

  

fp

Tam-tam

Perc. 1

   

f

 

 

senza sord.

 

p

fffff

fp

  

fffff



fp

 



 

 



fp

fp

 

 

 

 

 

 

p

fffff

fp

   fp

  ff





senza sord.

fffff

senza sord.



fffff

 



fffff Tam - tam

fffff tutta la forza 2 Piatti sospesi

Perc. 2

     

(l.v.)

bacchete morbide

 

f

(mute string near the bridge) f





(ord.)







 









3      

E_eu





não

 

de - sis

-

 

       

to

nun - ca

de

   

mor

-

rer

f passionato, cresc.

  

        Diz - em que_as mu

-

3          

Vln. II

    

fp

unis. poco sul tasto

Vle.

   

fp

    

poco sul tasto

Vc.

fp



lhe - res

não

se

ma - tam

com

ti

-

        

 

f

 

 

fp

 

  ad lib.   gliss.    f



 

f

mp

gliss.

fffff

  ad lib.  fffff

  ad lib.  



fp

fffff

ord.

 

f

  f

 

mp

  mp

 ad lib.  ord.

   

ad lib.    

 fffff

fp

 f

mp

 

 fffff

fp

32

Feroce ( q = ca. 69)

ord.

   

Chromatic cluster

ros

ord.

poco sul tasto

Cb.

(Prime o gatilho uma terceira vez, uma vez mais sem efeito.)



unis.

 unis. poco sul tasto

ffff secco

accel.

  



15 Vln. I

(l.v.) mf agitato

    

 

 f sempre

      

Young suicidal woman

 

fff

pp

 

Pf.

  


98

Fl. 1

 

Picc.

Ob. 1



  p

p

 



  

 

 p

Perc. 1

Perc. 2

  

 p

ff

ff

Campanelli

3

3

    

3          3

Vln. I

Vln. II

ff

 ff

ff

Vc.

 

p

 p

  ff





f

 

 

 

  

2 Piatti sospesi

 

 p

  p

 

 

p

3

       3

p

 f

 p

 



f

 p



 

f

 p

 

 p

f

 

  mf

mf

 p

 

 p

f

 

 p

 

mf



mf

2 Piatti sospesi

bacchette morbide

 

p

 

ff

    3

    f

   

 

 

 

 

  

  

  

  

p

 

 

 

  

  

  

 

 

 

 

 

 

 p

f

(l.v.)

   

 

p

f

3

f

p

    

 

3

     

 

 

f

p

p

p

f

 

 f

 

bacchette morbide

3

p

  

 

 

f



 f

  

f

  

  

f

  

  

ff

f

33

  

  

  

  

 

f

   

ff

Cb.



f

 

Vle.

ff

 

 



   

 

p

Young suicidal woman

 

 



p

Pf.

 

  

 

  

p

 

  

ff

 

p

ff

 

 

ff

 

Tba. 2

Tbn.

p

  

  

 

p

 

  



  

ff

ff

ff

p

Tba. 1

 

 p

p



  

ff

   

   

 

  

ff

p

Cor. 2

p

    

p

 

Fg. 1

p

  

ff

 

Cl. B.

 

 

Cl. 1

Cor. 1

 

Ob. 2

Fg. 2

f

  f

 

 


Meno mosso ( q = ca. 60) 102

Ancora meno mosso ( q = ca. 52)

Ancora meno mosso ( q = ca. 44)

 









 

 

 

(muta in flauto)

Picc.

 

Ob. 1

 

 

 

 

Ob. 2

 

 

 

 

 















 

 

 

 

 

Fl. 1

 

 

 p

 

Fg. 1

 

Cl. B.

Cl. 1

 p

 



 

 

mf

Fg. 2

   p

Cor. 1

 

 p

mf

 



p

mf

  

 

p

  

  

 

p

mp

 

 

 

 









 

 

 

 

 

 

 

 

p

Cor. 2

Tba. 1

Tba. 2

 

 p

Tbn.

Perc. 1

 

 p

mp

 

  

   

p

 p

(l.v.)

 

 

mf

 

 

p

f

f

  



p

mp

Perc. 2

 

Pf.

Young suicidal woman

Vln. I

  p

f

 

 

 

 



  

p

bacchette morbide

 



 

f

bacchette morbide

p

  

  

  

   

 

 

 

 

 

pp

Ancora meno mosso ( q = ca. 52)

(l.v.)





p

  

   

  

  

   

  

 

 

   

 

 

  

 



 

 

 

 

 

 

p

   f

f

Meno mosso ( q = ca. 60)

mf

Vc.

  

  

Vle.

Cb.

 

Vln. II

f

 

   

f

  

  



2 Piatti sospesi

f

   

 p

2 Gonghi

(l.v.)

2 Gonghi

bacchette morbide

  

p

 Ancora meno mosso ( q = ca. 44)



 

 

















 

 

  

mp

  

 

mf

mp

  

 

mf

mp

34

   

   

   

   

p

p

 

    pp

 


16 Lento, pesante ( q = ca. 56) 107

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Poco più mosso ( q = ca. 60)

  





 

 

 

 

 

 

 





 



  



mp

Fg. 1

Fg. 2

 

    

 

   

Cor. 1

  

 

     

 

p

Cor. 2

Tba. 1

Tba. 2

Tbn.

 





 

 

 

 

 

 

p

     f

Perc. 2

     f

bacchette morbide



 p





 

p



 





 

  

 

  



 



-

 

 

la

be

Cb.



  

p Campane

bacchette dure



mf

mf

 

p

   

mf

(ord.)



mf

   

-

mf

(mute string near the bridge)

  

  

  

p simile

la

 



   

    

 

p

 

 

'stás

u

  -

ma_en

  -

ver

  -

go

 -

nha

-

da

p poco espress.

Não

Poco più mosso ( q = ca. 60)

    p

 

pizz.  

  

 



   

     

 

gliss.

mf

 p

pizz.

 

  mf

mf

   

 

 p

mf

35

p

mf

Vc.



bacchette morbide

pp senza espressione

 

Lento, pesante ( q = ca. 56)

 

mf

Vle.

mf

 

p

mf

ff

Ba

Vln. II

mf

   

  



16 Vln. I

 

 

ff

    

mf

(l.v. sempre)

       

Young suicidal woman

fp

Vibrafono (motor off)

(l.v.)

     

Pf.

 

mf

2 Gonghi Tam-tam

Perc. 1

 

  

 

    

 



p

 

p





     p



mf

Cl. B.



mf




Ancora più mosso ( q = ca. 69) 112

Fl. 1

 

Meno mosso ( q = ca. 63)

 

 

Fl. 2

 

Ob. 1

  

 

p



 

Cor. 1

 



 

p

 



  





Tba. 2

Tbn.

  

 

 

  





 

 

 

  

 

 

 

 



  

 

 

  

 

 

pp

f

 

pp

f Tba. 1

  

p

p Cor. 2

 

pp

f

Fg. 2



 

pp

f

Fg. 1

pp

f

Cl. B.





pp

 



p

 

 

 

f

Cl. 1



Ob. 2

pp

f

 

  p

 

 

 

f

p

  

 



Campane Perc. 1

 



bacchette dure



f

 

Vibrafono (motor off) Perc. 2

Pf.

Young suicidal woman

f

 

  

sa - ir

de

ca

-

sa

pa - ra

me

dar

sos - se

3

   -

 

  

  

mf

   

 3 3          

 

 

 

 

 





mf

f

  3  3   3          

 mf precipitato

go

 

       3

Dra - ge - ia

mp espress.

 

Dás

so - no_e



fa - tal

Ancora più mosso ( q = ca. 69)

 

Vln. II

  

(l.v. sempre)

que - res

Vln. I

bacchette morbide



 



Meno mosso ( q = ca. 63)

 

  -

ter -



 

  p

Vle.



  



p

p

Vc.



 

 

arco

  p

Cb.

  p



 

 

p

f

36

 

  no,

  o

 

 

so - no

  que_eu

 



de -

  



 

 

 


Più mosso ( q = ca. 69) 117

Fl. 1

Fl. 2

Ob. 1

Ob. 2

  

 

 

  



  



  



p

p

p

 



 



 

  

 

   

p

p

p





   f

Cl. 1

Cl. B.

Fg. 1

Fg. 2

Cor. 1

Cor. 2

 

 

 

  



mp

   



mp

   



 

 

 

 

   









 

  

 

 

 

 









  



 f

Tba. 1

Tba. 2

Tbn.

 

    

   



   

p

p

 



mp

     

 

  

Campane Perc. 1

  

  

bacchette dure

 

mf 2 Gonghi

Perc. 2

Pf.

Vln. II

    

Vle.

Vc.

Cb.

           

  

bacchette morbide

   

f



f

(l.v. sempre)

 -

     

mp simile



 

jo



(mute string near the bridge)



Que



-

 

  3

 

-

ro

dei

-

 

xar

3 

 

de_ou - vir

 

 

 

o

som

3

 

f

 

     

 



 

se

Vln. I

 

mf

mf

 

Young suicidal woman

Vibrafono (motor off)

bacchette morbide

  

mf

 



do

mun

-

do

Vais





 

 

   

 

   



   



mp

mp

37

f

 

  

 

   

f

f

  li

   

  

3



Più mosso ( q = ca. 69)

mf cresc.



  - vrar

  -

me


17 Ancora più mosso ( q = ca. 72) 122

Fl. 1

 

Ob. 1

Ob. 2







 





pp





  

   

 

  

  

 

 

 

  

   

 

 

Fl. 2



  

pp

 

p

 

 

 



  

Cl. B.

Fg. 1

Cl. 1

Fg. 2

Cor. 1

   

  



pp

 

 

 

 

 

pp











 









Cor. 2





   





p

Tba. 1



 

  





Tba. 2

 

 

 













Tbn.

Perc. 1

 







 bacchette morbide

p



 (l.v.)    

   

 

da

in

dim.

  -

 

só - nia

  de

  'star

vi

 -

        3

va

(l.v.)











f

f

  

 

mf

  

(ord.)

f con brio

  

  

 

p

 

(mute string near the bridge)

Young suicidal woman

mf

mf



Pf.

   

Tam - tam

 



p

f

2 Piatti sospesi

Perc. 2

  

  

 

Vá,

 

  não

te

 

 

 

con - te - nhas

 

co - mo_a

3 3               

          3

  -

man - te

ma

-

cho

a

a - di - ar

o

 

'splen -

17 Vln. I

 

 

 

    

 

f

p

Vln. II

 

Vle.

p

 

Vc.

p

Cb.

Ancora più mosso ( q = ca. 72)

 

  p

 

    

 

  

   

  

   

 

f

p

  

 

  

   

 

  

 

f

p

f

38

 

 

 


127

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. B.

Fg. 1

Fg. 2

Cor. 1

Cor. 2

  

Meno mosso ( q = ca. 63)



    

 

  

  





pp



    

  

 

 

  

  

 

Tba. 2

Tbn.

Perc. 1

 

  

  

Pf.

Young suicidal woman

pp

 

 

 







  

 

 

  

Tam - tam

mf

f

 



 

      

 

p

  

 

 

  

 

  

  

  

 

 

 

 

mf





 

 



p

   

   p

 

  

p

 



mf



  

p

 

pp

    

 

 



  

mf

p

  

   (l.v.)   

 

 





 

mf

p

 



 

 





 

  

 





 

f

mf

mf

   

 

p

 

 

 



bacchette morbide

Perc. 2

 

p

2 Piatti sospesi

 

 

  

     

pp

  

fp

 



 

fp

Tba. 1



 



    



 

     

  

(l.v.)

 

f









 

 

 

 

(mute string near the bridge)

3         

dor

do

go -

f

ff appassionato

 

 

zo

 

Dei - ta

3      

fo - ra_a

se - men

-

3

 

 

te

da

 

 

 

mor - te

3



 



que

sem

  -

 

pre

 

dim.

 

in - cen

      

  -

di

-

ou

a



ra - ça_hu -

Meno mosso ( q = ca. 63)

Vln. I

Vln. II

  

 

   

     

 



 

 

 

 

 

 

 

 

ff

Vle.









p

ff

Vc.

    

  

Cb.

  







  

  

  

 

  

  

  

 

p

ff

     

p

ff

39


Ancora meno mosso ( q = ca. 56) 132

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. B.

Fg. 1

Fg. 2

Cor. 1

Cor. 2

Tba. 1

Tba. 2

Tbn.

  

 

 

   





pp



pp

mf

 

mf

 



 

 

 







 

 

 

 

pp



   

pp

 











 

 

 

 

 

 

   

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 



 

p

mf

  

 

 

 

  







  

mf

Campane Perc. 1

bacchette morbide

 

 

 

mf sempre

Perc. 2

Pf.

Young suicidal woman

Triangolo

  

 

 

  

mf (ord.)

 

 

 

   

 

 

 

 







 

 

 







mf

  

     ma

 -

-

na

mf indifferente

 

 

 

Faz

da

ma - té

 

 

 

 

- ria

ce

- re

 

 

 

 

bral

e

do

meu

-

 

 

san

-

gue

  o

  

teu

 

bu

  -

ra

-

 

 

co

de

3

 

pra -

 

zer

 



Ancora meno mosso ( q = ca. 56) Vln. I

Vln. II

Vle.

Vc.

  

 

 

 

 

 

 

 

   



  

mf

p



   p

mf

Cb.

   

 

 

40

 

 

 



 

 


Più mosso ( q = ca. 63)

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. B.

Fg. 1

Fg. 2

Cor. 1

Cor. 2

 136    

 

     

 



 

   

 

 



 

  

p

  

    

 

  





p

Tba. 2

Tbn.

 

  

 

 

 

   

 (muta in corno inglese)

 





 

 



  



 

(muta in clarinetto in sib)

 

p

 







  





 

  





  

   

 

 

 

 

p

Tba. 1

 

  



 

  

p

   



p

  

p

 

 



p

 

 

Campane

bacchette morbide

Perc. 1

     

  

Vibrafono (motor off)

      

f

Vln. I

Vln. II

Vle.

f

 3

 -

 

 -

-

ra

-

3 

 

co

que

 

 

 





 

 

 

 

 



 

(mute string near the bridge)

    

 

 

ras

-

 

  

 

e

'sti

3

  

gas

  -

lha

  -

ças





  

mp dim.

  

3

 

 

na

du

  -

ra

-

 

 3 

ção

do

    

    p

   

ti

-

ro

   

f

 



p

poco sul pont.

f



       

p

Cb.

 

mf

Più mosso ( q = ca. 63)

   

mf

   

    

  

bacchette morbide

 

    

poco sul pont.

Vc.



Bu

(l.v. al niente)

mf simile

Young suicidal woman

mf

 

 

Pf.

  

2 Gonghi

bacchette morbide

Perc. 2

mf

 

 

 

 

 



 

 

 

ff

 

41


18 Molto lento ( q = ca. 48) 140

Fl. 1

Fl. 2

Ob. 1

  

 

  

   

 

Cl. 2

 

 

Fg. 2

Cor. 1

Cor. 2

  

  

 













 

 

 

    





     

 

 

  

pp

3

 



pp legg.

Fg. 1





pp legg.

 

          

mp molto espress.

Cl. 1

   

pp legg.

p

C. I.

3    



  

p

3

    

   

 

  

 





p

 

 

 

 

3



pp legg.



pp legg.

Tba. 1

Tba. 2

Tbn.

Perc. 1

 

  

 

pp legg.

  

 

 

 







  







  







    







3    



 

Triangolo

 

mf

Vibrafono (motor on - vib. lento)

bacchette morbide

Perc. 2

     

mf

-

p molto espress.

la que_és fri - a

(l.v. sempre)

 

 

(ord.)



mp legg.

f

         Ba

mp legg.

 

    

3

(mute string near the bridge)

 

Young suicidal woman

(l.v. sempre)

 

Pf.

(l.v. al niente)

           em

lu - me_i - rás

fi - car

 

 

 

3

A - bres

   

 

em mim

a

 

(l.v. sempre)

3 3                      

f'ri - da ma - ter - nal

por

on - de_i - rei nas - cer

pa - ri - da pa - ra_a

mor

 -

 

te

18 Molto lento ( q = ca. 48) arco poco sul tasto Vln. I

    







  



 



pp legg. poco sul tasto

Vln. II

  

pp legg.



poco sul pont.

        div. (1.2.)

Vle.

(3.)

(3.)

Cb.

poco sul pont.

 (1.2.)       div.

Vc.

pp legg.

  

pp legg.

  



 

   

   

    

    

   

   

    

   

42

 

 



 

 

 


The duration of the pause should not be less than 10''

Fl. 2

Ob. 1

C. I.

Cl. 1

Cl. 2

P.G.

  



 

 



 

 



 

 

 



 



145

Fl. 1

      

 

   pp

 pp

Fg. 1

Fg. 2

Cor. 1

Cor. 2

Tba. 1

Tba. 2

Tbn.

 

 

 

 

 

 

 

  



 

  



 

 

 

 

 



 

 



 

  



 





 

 

 

 

2 Piatti sospesi Perc. 1

 

pp

   

con arco

 

f

Crotali



 

 



(soffocare)



(soffocare)

(muta in oboe)

mf

Vibrafono (motor on - vib. lento)

bacchette morbide

Perc. 2

Pf.

       mf   

 

Triangolo

    

mf

(l.v.)

 

Young suicidal woman

pp semplice 3





Não

  te

        vens

  

a - go

-

 

ra

  pa

-

 

ra

Gunshot

 

sfz



 

 

(Prime o gatilho e desta vez o tiro acontece. Cai no chão inanimada. Silêncio absoluto.)

 

mim?

The duration of the pause should not be less than 10'' poco sul tasto Vln. I

 

     

pp legg. poco sul tasto

Vln. II

   

 

pp legg. poco sul pont.

        (3.)

Vc.

(3.)

Cb.

pp legg. poco sul pont.

          div. (1.2.)

  

 

    

div. (1.2.)

Vle.

P.G.

 

     

pp legg.

 

43

 

 

 

 

 


19 Feroce ( q = ca. 80)

 

149

Fl. 1

 

fffff

mf



Fl. 2

f

mf

   

fffff

Fg. 2

 

fffff

Cor. 1

mf

fff



Tba. 1

fff

mf

  

Tba. 2

Perc. 1

Perc. 2

mf

  Tam - tam

Timpani

  fff

 mp

mp

ff

             

  

 

p

    

 

  

ad libitum *

        pp

p

mf

   ff

mf

 p

 

p

mf

 

mf



p

p

mf

 

mp

p

mf

 

  

 

ppp

Chromatic cluster

Pf.

fffff secco

19 Feroce ( q = ca. 80) div. (1.2.)

  Vln. I

 

ord.

       

  

ff

p

  

  

 

 

 

 

 

fffff

  

ord.

 

fffff

 

(3.) ord.   

 

fffff div.

ord.

(1.2.)    

fffff

(3.)

ord.

 

 

fffff

 

fffff

  

p

 

 

 

 

mf

  

  

mf

 

 

 

 

 p

 



gliss.

ff

* repeat the material between the two repetition signs for the full extent of the arrow, in a tempo independent of the conductor. 44

 

. gliss

ff

p

mf



       

  mf

   

          ff

mf

  

Vc.

mf

 

mf

  

fffff

mf

 

 

  

(3.4.)

        

  

div. ord. (1.2.)

Cb.

   

fffff div. (1.2.) ord.

Vle.

 

fffff

(3.4.) ord.

Vln. II

 

  

mf



mp

p

 

 





p

mp



ff

 

 

 

mp

    

ff

mf

f

 

 

 mp

 p

mf

             

 

fffff tutta la forza

 

   

 

 

mp

f

  mf

f

mf

p

mf



f

 

 

f

  

fff



  

    

fff

Tbn.

mf

mf

mp

    

 

Cor. 2

 p

mp

mp

 

 

mp

mf

mf



f

mf

 



f

f

 p

 

 p

mp

    

fff

p

 



mf

mf

  

  

  





p

f

mf

mf

 

pp

p

ad libitum *

      

 

mf

   

fffff

fffff

   

    mf

 

 

mf

mp

ff

       

mf

   

f

 

Fg. 1

mp

   mf

           

   

f

mp



Cl. 2

    

fffff

mp

f

 

Cl. 1

  

mf

fffff

Ob. 2



fffff

 

Ob. 1

  


  

153

Fl. 1



  



 

pp

f

Fl. 2

          

p

ad libitum *

   

   

  



pp

ff



f

pp

f

        

     





f

Ob. 1

Ob. 2

 

 

 

p

p



p

 pp

   

f

ff

 

p

   

pp

  pp

  

Cl. 1

Cl. 2

 

   

Fg. 1

ad libitum *



 

p

          ff

 

  p

mp

Fg. 2

Cor. 1

  p

   

pp

 

pp

   

 

p

 

pp



 

 



 



ppp



  

f

  f

     f

   

 

f

   

   





   

 

 

  





  

 

 





ff

ff

ppp Tbn.

      

 

ff

ppp

Tba. 2

f



 



 

 

  

pp

f

p



f

    



p

 

   

ppp

Tba. 1

  

mp

 

Cor. 2

   



pp

f



ff

2 Piatti sospesi Perc. 1



bacchette morbide

   

  

  (l.v.)    

  

ppp Perc. 2

Pf.

 

 





 

 

div. (1.2.)

 

 

 

mp

p

pp

 

 

 

div. (1.2.)

mp

   (3.4.)

  

 p

 

   

 

ff

 

p

pp

 

   

p

       

gliss.

 

      

gliss.



      

gliss.



f

ppp

(3.4.)

  

Vln. II

fff

  Vln. I

f

ppp

f

pp

 

 

 

pp div. (1.2.)

 Vle.

(3.)

div. (1.2.)

 Vc.

(3.)

 

   

   

 p

 

mp Cb.

 



 

mp

     ff

 

mp

 

 p

   ff

 

p

   ff

  

  

   

 

 

 

 

p

 pp

pp

* see note on page 44 45

 

    

gliss.



    

gliss.

 

 

f

 

 

ppp

p

gliss.

f

pp

pp

 

      f

 

mp

 

gliss.

f

pp

mp

 

    



gliss.

f

 


20 

 

158

Fl. 1

  

fffff

 mp

fffff

 

  pp

mf

 

 pp

mf

   

Ob. 1



mp



 

Fl. 2

     p

 

mf

fffff

mf

pp

fffff

mp

   

 

mf

mp

 

 

   



   



p

mf

mp

p

mp

 pp

Cor. 2

mf

fff

Tba. 1

mf

  

 

   



fff

Tba. 2

 

 mf

 

mf

fff

Perc. 1

mf

   

fff

                

    

 



 

       

 

mf

mf

 mp

p

mp

mp

p

      

mf

p

mf

 mp

mp

 

   

 

mp

p

    p

 

mf

  mp

 

 













 

 

 

 





 pp

mf

 

 pp

 

 pp

mf



 

mf

 





pp

   

   



p

p

 

mp

mf

 

   

 Timpani

Perc. 2

mp

 

mp

 

p

mf

     



p



p

mf

mf

   

mp

   

pp

mf

   

 

mp

p

 

p

mp

       

p

mf

mf

fff

Tbn.

mp

mf

fff

     

mp

mf

           

p

pp

  

     



mf

mf

mf

   

mp

  

p

   

p

mf

pp

    

p

   

p

mp

fffff

Cor. 1

mp

 

mf

fffff

Fg. 2

mf

         

   

p



p

    

 

fffff

   

Fg. 1

pp

   

Cl. 2

 



 

Cl. 1

mp

 

  

   

mp

         

pp

    

Ob. 2

mf

   



fffff

mp



   

pp

Chromatic cluster

Pf.

 

 

 

 

fffff secco

20 div. (1.2.)

    

  

(3.4.)     

 

pp

fffff

Vln. I

div. (1.2.)

fffff

   

fffff

Vln. II

(3.4.)

    div.

 

 

p

pp

 

 

 

  

  

  

pp

  pp

 

 

(3.)

 

 

 

 

 

 pp

fffff div.

(1.2.)   Vc.

(3.)

 

 

     

fffff

   f

  p

 

 

46

 

 

    f

  

p

f

 

 pp

fffff Cb.

  pp

fffff

   

 

p

pp

fffff

   

  p

 pp

    f

 



 



 



 



 

 

 

 

 



 

 

pp

f

 

pp

f

p

 

pp

f

p

 

 

  

fffff

(1.2.)    Vle.

 

mf

pp

pp

pp

pp

pp

 


21    

 



162

Fl. 1

fffff

Fl. 2

Ob. 1

 

 mp



mp

  

   

p

mp

fffff

   

mp

fffff

Cl. 1

 mp

  

   

   

 mp

    

 mp

    



 

mp

 

 



   

 

 

 

Tam - tam

 

fffff tutta la forza

Perc. 2

  

             

      ()

    () 

ppp

ppp

ppp

 

()

 

()

   

   

   

  

   

f

   

  

  

  

  

f

f

 

   



 

   

 

  

   

 

 

  



f

f

f

f

f

     f

f

f

  

f

    f

f

ppp

   

      ()

f

ppp

   

 ()

f

ppp

fff

Perc. 1

ppp

fff

Tbn.

ppp

   

pp

mp

ppp

  

 ()

     () 

pp

 

ppp

ppp

fff

Tba. 2

    

pp

fff

Tba. 1

pp

  



pp

  

pp

mp

fff

Cor. 2

p

 

mp

 

fffff

Cor. 1

 

 





pp

p

mp

mp

fffff

Fg. 2

mp

fffff

Fg. 1

 

   

p

mp

fffff

Cl. 2

 

p

  



mp

fffff

Ob. 2

f

f

f

f

 

 





Chromatic cluster

Pf.









fffff secco

21     

 

(3.4.)     

 

div. (1.2.)

 

 

fffff

Vln. I

div. (1.2.)

Vln. II

 

fffff

(3.4.)

   

  

  

p

 

fffff

fffff

    (3.)

div.

ppp

 

fffff

(1.2.)    



p

 

p

ppp

     (3.)

 

 

fffff

     

fffff

 ppp

 



p

 

 ppp

 



p

47

  

p

ff

 

ff

   

 

 

 

 

 

 

ff

ff

 

 

p

 

 

 



ff

ff

 

 

 

 

 

 

 

 

 





ff

ff

  p

ff

  p

    ff

p

p

  

 

p

ff

ppp

 

 

ff



  p

 

p

fffff

Vc.

Cb.

 

ff



ppp

 

  



ppp

div.

(1.2.)     Vle.

ppp

  p

fffff

    

ppp

  



  

 

ff

ff

 

 


ad libitum * 166

Fl. 1

   ()  

 

         

Fl. 2

      





   





   





   

 



   

 



   

 



   





   





   



fff ad libitum *

 ()  



 





 



         

  

 

  

 

  

 

 





fff ad libitum * Ob. 1

Ob. 2

Cl. 1

 ()    ()  

 



fff

  

ad libitum *

  fff



 ()  

ad libitum *

 ()  

ad libitum *

 



 





fff

Cl. 2

 



  







 

 



  

   







 





  

























 





  

 



fff

Fg. 1

Fg. 2

Cor. 1

Cor. 2

    ()     () 

ad libitum *

 



  

 

  





fff ad libitum *

 



fff

  



  

  



 

  

 

 

ff

ff

Tba. 1

Tba. 2

Tbn.

 

 

 

 

 

  

 

 

 

ff

ff

ff

2 Piatti sospesi

 

  

bacchetta di legno

Perc. 1

Perc. 2

fff secco

  

Grancassa

 

ff secco



Chromatic cluster (very high)



  

 

Pf.

div. (1.2.)

 

al tallone

 

gliss.

(3.4.)

div. (1.2.)

al tallone

 

gliss.

fff

 

 



al tallone

(3.4.) al tallone

 

gliss.

fff

div. (1.2.)

 

 

 

 

(3.)

gliss.

fff al tallone gliss.

 

gliss.

 

gliss.



al tallone

(1.2.)    (3.)

 

al tallone

 

gliss.

gliss .

  

gliss.

fff

Cb.

  

al tallone  fff

 

 

gliss.

fff

 

 

 

gliss.



fff

div.



 

  

al tallone



gliss.

gliss.

 

 



* repeat the material between the two repetition signs for the full extent of the arrow, in a tempo independent of the conductor. 48

 

gliss.

 

 

 

gliss.

  

gliss.

fff

 

Vc.

gliss.

fff

 

Vle.

 

Vln. II

 

 

fffff secco

 

   Vln. I

gliss.





gliss.

gliss.

  gliss.

gliss.

gliss.

  



  

 

 

gliss.

 

 



gliss.

gliss.

   gliss.

 

gliss.

 

  gliss.

 

 

gliss.

 

gliss.

 



  



gliss.

gliss.



glis s.

   

gliss.





 

   gliss.

 

 



gliss.

gliss.



 

 

  glis

s.

gliss.

  gliss.

 

 

  

gliss.

 

   

 

  



gliss.

  



gliss.

gliss .

gliss.

   

gliss.

 

gliss.



 

glis s.

 

gliss.

 

gliss.

 



gliss.

gliss.

 

 

gliss.

   

gliss.

   gliss.

 

 

gliss.

gliss.

gliss.

 

gliss.



gliss.



    



   

 

    

 

   

 

   

 

   

 

   

 

    

 

   

 


22    

     

169

Fl. 1

ff sempre

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Fg. 1

Fg. 2

         



        

     



      

    

 

        

        

      ff sempre

 

ff sempre



   

         

       

      



 

 









 



     



      

    

  

       



      

    

      







       



 

          

fff

pp

    

 

  

 

 

 



  

      

 

    

     



 

     



pp

   

pp

   

ff

ff

 

 

pp

       

      

ff

ff

ff

  

  

      

  

  

pp



ff

  

pp

    

p

ff

pp

     



  p



 



p

p

 



 

    



 

pp



 

ff



 



 



22

(3.4.)

 

div. (1.2.)

 

(3.4.)

 

  fff



  pp

 

pp

fff



  pp

fff

 

 

pp

fff

div.

(1.2.)    

   

 

pp

fff

(3.)

div.

(1.2.)    

    

    

Vc. (3.)

49

       

 

      



        

         

   

 

gliss.



   

   

 

glis s



    

      

gliss .



glis

 

ff

 

 

 

       ff

 

      

pp

fff

 

ff

.

ff

ff

pp

fff

       

ff

pp

fff

 

ff

pp

fff

        ff

Vle.

Cb.

      

  

Vln. II

 

div. (1.2.)

Vln. I

fff

Pf.

    

Timpani

Perc. 2



 

ff

Perc. 1

       

 

   

ff

Tbn.

     

ff sempre

ff

Tba. 2



      

ff

Tba. 1

    

ff sempre

ff

Cor. 2

 

                

ff sempre

fff Cor. 1

      

ff

s.





 

 


Subito molto lento ( q = ca. 52)

     

 

    

 

   

 

     

 

   

 

    

 

    

 

     

 

    

 

   

 

   

 

   

 

     

 

172

Fl. 1

fff

Fl. 2

fff

Ob. 1

fff

Ob. 2

fff

Cl. 1

fff

Cl. 2

fff

Fg. 1

fff

Fg. 2

fff

Cor. 1

fff

Cor. 2

fff

Tba. 1

fff

Tba. 2

fff

Tbn.

fff

Tamburo piccolo (R.S.)

Perc. 1

Perc. 2

Pf.

     ff

con arco

 

f

2 Piatti sospesi

 

 

 

 

 

 

 

Subito molto lento ( q = ca. 52)

(3.4.)

 

div. (1.2.)

 



con arco

f

 

f



 

 

ppp



 

 

ppp



 

 

ppp

(3.4.)



 

 

  



 

 

 



 

 

(1.2.)    

  

 

   

  

ppp

div. (1.2.)

ppp

Vle. (3.)

ppp

div.

ppp

 

 

Vc. (3.)

ppp

Cb.

 

f

  

Vln. II

2 Piatti sospesi

  

div. (1.2.)

Vln. I

ppp

 

 

50

 

 

(muta in piccolo)

Os mortos viajam de metro (prelúdio)  

Ópera com prelúdio e um acto

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