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JANUARY | Video performance and photos | Catalogue | Exist-ence festival | Brisbane, Australia

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FEBRUARY | Video performance | Flyer | Ronda de Poetas | Uruguay

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FEBRUARY | Video performance | Press | Ronda de Poetas | Uruguay

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FEBRUARY | Video performance | Embassy note | Ronda de Poetas | Uruguay

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MARCH | Collage | Taboo exhibition | Photo from the inauguration | Arteevida Zavod | Slovenia/Paraguay

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MARCH | Collage | Taboo exhibition| Invitation | Arteevida Zavod | Slovenia/Paraguay SUBVERSIVE HANDICRAFTS – TABOOS IN OUR CULTURAL FABRIC You are cordially invited to attend the opening of the international group exhibition Subversive handicrafts – taboos in our cultural fabric that will take place at 7 pm on Thursday, 25th March, in the gallery in Modra hiša, Bravničarjeva 13, Ljubljana. The exhibition Subversive handicrafts – taboos in our cultural fabric presents a selection of seventeen artists and art groups from Croatia, Japan, the Netherlands, Paraguay, Slovenia, Serbia, Sweden, Turkey and USA. The exhibition joins the formally untouchable tradition of taboos and the handicraft tradition. By reviving nostalgia and the trust in tradition it helps weaken the resistance towards the deeply rooted taboos, which in turn enables the artists and visitors to experience a more relaxed and in-depth insight into their essence and the reasons of their existence. At the opening you will be welcome to try a fine selection of taboo specialties and subversive drinks! Exhibiting artists: Stella Bernhardt, Margareth Degeling, Ana Dimitrijević and Aleksandar Popović, Henrik Hedinge and Ann Lee, Sonja Hržina Majstorović, Meta Jakič, Jasminka Končić, Ljubica Marčetić Marinović, Nataša Skušek, Urh Sobočan, ŠKART, Martina Štirn, Hiroko Tsuchimoto, Evrensel Ürüm, Roberta Weissman Nagy, Theresa M. Winge and Rebecca Schuiling. The exhibition is organised by Artevida, the non-profit Institute for Cultural Studies & Art. The selectors at the exhibition were Kristina Babošek, Petja Grafenauer and Veljko Njegovan. The catalogue was designed by Vasja Cenčič. http://artevidaorg.wordpress.com MARCH | Collage | Taboo exhibition | Press in Paraguay | Paraguay/Slovenia Paraguaya expone en Eslovenia Una obra de la artista paraguaya Ann Lee y del sueco Henrik Hedinge forma parte de la muestra colectiva titulada Artesanías subversivas, tabúes en nuestro tejido cultural, que se habilita en Liubliana (Eslovenia). La exposición internacional de arte se habilita mañana, en la galería Hi?a Modra. La colección presenta una selección de 17 artistas y grupos de arte de Croacia, Japón, Países Bajos, Eslovenia, Paraguay, Serbia, Suecia, Turquía y Estados Unidos. La muestra se une a la costumbre formalmente intocable de los tabúes y la tradición artesanal. Según los organizadores, la reactivación de la nostalgia y la confianza en la tradición, ayudan a debilitar la resistencia frente a los tabúes profundamente arraigados. De este modo, se ofrece a los artistas y visitantes una experiencia más relajada y una visión en profundidad en su esencia y las razones de su existencia. La exposición está organizada por Artevida, entidad sin fines de lucro para el estudio de la cultura y el arte. DETALLES. Embarazo del hombre (2010) se titula la obra de arte que se expone en Eslovenia, que pertenece a los artistas Henrik Hedinge (Suecia) y Ann Lee (Paraguay). Esta pieza explora y reconstruye las imágenes comunes utilizadas para 2010 | Henrik Hedinge | Material

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describir al hombre y/o a la mujer. Esta obra se inició cuando Henrik Hedinge presentó la performance Me siento un poco LesBiGayTrans en la Galería Larizza Giménez Planta Alta, de Asunción. La artista Ann Lee asistió a dicha performance e hizo una ilustración de Henrik. Posteriormente, la imagen fue intervenida para la actual exposición, añadiendo recortes de un libro viejo de educación sexual, que detalla la relación entre la mujer y el hombre. | EDICION IMPRESA | Miércoles, 24 de Marzo de 2010 http://www.ultimahora.com/

APRIL | Performance | Own text | Peş Peşe… performance event | Istanbul, Turkey

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APRIL | Performance | Invitation | Peş Peşe… performance event | Istanbul, Turkey 1 Nisan 2010, Perşembe 20:00 Aylık açık performans akşamı, her sanatçıya 15 dakka, peş peşe… Et, zarafet, yücelik 2 “Ortalama bir göbek, sağlam sıkı, akça pakça ya da zambak gül karılımı bir ten, pürüzsüz etli, düzgün, kar beyazı tüysüz bir yüz...Derisi fazla gevşek olmayan, sarkmayan bir karın…” Rubens, İnsan Figürünün Teorisi PERFORMANSLAR *Çiğdem Kaya: “Uyuyan Yolcuları Soymaya Çalışan Hırsızı Yılanın Sokması *Luk Sips, Nihali Ayribir: “Siyah Dul” *Henrik Hedinge: “Balonlu Çiklet Tümörleri” *Anne Weshinskey: “Harika Kabine Varyetesi” *Ayşe Nur Ergen (ses), Volkan Ergen (video): “Beklemek” *Kainat Güzeli: “Üçleme” Giriş: 10 TL http://www.facebook.com/group.php?gid=113066542041242&ref=ts Rengahenk Sanatevi İstiklal Cad. Olivo Han Geçidi n.5 Kat:2 Galatasaray (Barcelona Pastanesinin üstü) Tel: 212 292 32 47 www.rengahenk.biz rengahenksanatevi@gmail.com

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APRIL | Performances | Website | ÜsküdarArt Space | Asian part of Istanbul, Turkey

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APRIL | Group exhibition | Text about the art work | Malmö, Sweden. April 10: Kueer Qonstutställning, Malmö, Sweden Participation in the "Kueer Qonstutställning" (Kueer Art Exhibition) at Galleria Ocampo in Malmö, Sweden, together with Marina Markovic. Galleria Ocampo at Facebook. She doıng me from behınd. She doıng me from the front. Woman gettıng the man pregnant. Protectıon. Dont`t we need protectıon? I haven`t taken my pılls. I don`t have a condom. It doesn`t matter. It ıs just a fuck. 'Come on get me pregnant' Do me pregnant. Fuck me over. From behınd. Protectıon ıs not nessecary, ıt ıs just a fuck. Come on woman. Get me pregnant. Concept, text, performer: Henrık Hedınge (Sweden), some kınd of man http://www.henrikhedinge.blogspot.com/ Drawıngs by Marina Markovic (Serbıa), some kınd of woman http://www.serbiancontemporaryart.info/umetnici.php?id=102&lang=1 Long runnıng project. Text by Henrık Hedınge about the project. Started some years ago when I had relatıonshıps wıth partners that had chıldren from the earlıer relasıonshıps. How wıll I feel ın such a sıtuatıon, where the other person has a bıologıc tıe to the 2010 | Henrik Hedinge | Material | 11


chıld whıle I not? More thoughts emerged: how does the bıology of the body and the man effect the relatıonshıp to chıldren and people ın general? Men lıvıng wıthout the experıence of growıng a chıld ın theır body. Wıtout the experıence of feedıng someone dırectly from hıs own body. How does thıs effect the relatıon and relatıonshıps to people ın general? Work took started ın Buenos Aıres wıth some performance pıeces where food was attached to my body. Later on ın Paraguay less subtıle connectıons where made by addıng contaınters of mılk to my body (even a Tetra Pak, maybe thıs became somethıng wıth mother Sweden?). Larger sets of food were connected to the body ın other performances. Large stomachs made up of red and yellow pınjata balloons were attached to sımulate pregnancıes ın dıfferent ways, maybe more as colourful metaphours than actually lookıng lıke pregnancıes. Back ın Sweden the work contınued but ın more subtle ways. Pregnant man cakes were made and brought over to people for a fıka. A dıscussıon wıth a paınter ın Paraguay was ınıtıated about usıng my body ın paıntıngs but as beıng pregnant. Project stalled a bıt but contınued wıth the experıment of usıng the lıfe drawıng sıtuatıon at a school ın Sweden. I was the nude lıfe drawıng model and the students were asked to draw me as they normally do ın such a sıtuatıon but wıth the added ınstructıon of drawıng me pregnant. I was ıntvıted to partıcıpate ın a group exhıbıtıon ın Ljubljana wıth an artwork together wıth a Paraguayan artıst. The artwork was an ıllustratıon of me by the Paraguayn artıst repeated sıx tımes. On top of thıs I sew cut outs from a love and sex ınstructıonal book from the 70tıes, of the chıld ın the woman`s body durıng the dıfferent stages of the pregnancy. The theme of the exhıbıtıon was taboos depıcted by tradıtıonal handcrafts. When I sent of the proposal, I dıd not have a clue ıf `male pregnancy` was consıdered to be a taboo, but the art work was accepted. When I came to Beogrado I started to thınk ıf I could develop the work there but after that a lot of people saıd that gays and lesbıans etc have very much problems there ın the publıc sphere. I started to thınk that ıt was not safe to develop any work there. A connectıon lead to another connectıon and I meet thıs serbıan artıst that also had worked a lot of tıme wıth ıssues concerıng the body. We dıscussed the lıfe drawıng experıments I had done and started talkıng about ıf we should do ıt togeter but just ın the format of one woman and one man, the heteronormal format of a relatıon and also the sex sıtuatıon. We realızed that the set up of a woman drawıng a man pregnant had quıte many surprısıng conotatıons, both comıcal ones and also quıte ınterestıng conotatıons around the man-woman relatıonshıp. The woman gettıng the man pregnant. Henrık Hedınge Istanbul, Aprıl 1st 2010

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MAY | Lecture and performances | Gallery invitation | Remont Gallery | Belgrade, Serbia.

3 performances and a talk in Belgrade the 6th of May. At Remont Gallery. http://www.remont.net/ SERBIAN TEXT (English text below): Galerija REMONT U četvrtak 06. maja u 17:30 GenderFlux Henrik Hedinge Prezentacija performerske prakse Henrika Hedingea i tri performansa na temu roda i stereotipa ********************************************************************* ******************************** Ljudi u potrazi za svojom ličnošću. U potrazi su za poželjnim telom ili su izgubljeni u svom telu. Normalni hetero načini života se menjaju. Hormoni menjaju tela i ličnosti, namerno ili pod uticajem zagađenja. Brzi protok informacija putem interneta čini da sanjamo i osećamo mnogo više stvari nego pre. Nekada ste možda mogli osećati da ste muškarac ili žena ili gej. U današnjem nervoznom toku brzih informacija želje i koncepcije se menjaju sve brže i brže. Više 2010 | Henrik Hedinge | Material

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nema vremena za promenu pola. Vaš pol je postao konstantan tok polnih metamorfoza. GenderFlux. Henrik Hedinge je počeo da se bavi performansom vezano za teme sporta i lend arta u Švedskoj. U svom daljem performerskom radu, širom Evrope, istraživao je nove teme vezane za medije i popularnu kulturu. Zatim je usledio jednogodišnji performerski rad po Latinskoj Americi – fruity torture, strawberry football, lucha libre, violent banana amputations. Henrik je sada ponovo u Evropi sa novom serijom performansa - GenderFlux. www.HenrikHedinge.blogspot.com www.KuradoriaHenrikHedinge.blogspot.com www.youtube.com/henriktv www.youtube.com/henrikhenrikhenrik3 Henrik Hedinge (1980,Švedska) Performer, kustos i organizator performerskih umetničkih projekata. Prezentovao je performanse u galerijama, muzejima, kulturnim centrima i festivalima performansa u Argentini, Boliviji, Kolumbiji, Ekvadoru, Engleskoj, Italiji, Norveškoj, Paragvaju, Švedskoj, Urugvaju, Venecueli i Turskoj. Video performanse je prikazivao i predstavljao na umetničkim festivalima, festivalima performansa, filmskim festivalima, muzejima i galerijama u Argentini, Australiji, Estoniji, Meksiku, Rusiji, Švedskoj i Urugvaju. Učestvovao na izložbama u galerijama, muzejima i kulturnim centrima u Brazilu, Kanadi, Italiji, Švedskoj, Paragvaju i Sloveniji. Održao predavanja na temu performansa na univerzitetima, školama, muzejima, kulturnim centrima i festivalima performansa u Argentini, Boliviji, Kolumbiji, Ekvadoru, Engleskoj, Italiji, Norveškoj, Paragvaju, Švedskoj i Venecueli. Rezident program u Italiji, Estoniji, Norveškoj, Boliviji, Argentini i Paragvaju. U domenu performansa je organizovao i kurirao izložbe, video projekcije i saradničke projekte u Švedskoj, Kolumbiji, Italiji i Paragvaju. ENGLISH TEXT 3 performances and a talk in Belgrade the 6th of May. At Remont Gallery. http://www.remont.net/ Text in progress. Text looking something like this at the moment: GenderFlux Three performances and a lecture. A lecture about Henrik Hedinge’s performance art combined with three performances about gender and stereotypes. People looking for their persona. Their personality. Looking for their body of desire or being lost in their body. Hetero normal ways of living are changing. Hormones 14 |

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changing bodies and personas voluntarily or forced by pollution. Fast information flux in the era of internet making us dream and feel many more things than before. Before maybe you felt that you were a man or a woman or gay. In today's twitter flow of quick information, desires and conceptions change quicker and quicker. No time to change your gender. Your gender has become a constant flow of gender metamorfis. GenderFlux. Henrik Hedinge started working with performance in connection with sports and land art in Sweden. With further performance work around in Europe new issues around media and popular culture were explored. The period in Europe lead to a one year period of performance work in Latin Amerika with fruity torture, strawberry football, lucha libre and violent banana amputations. Now he is back in Europe with a new series of performances - GenderFlux.

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MAY | Lecture and performances | Facebook invitation | Remont Gallery | Belgrade, Serbia.

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MAY | Lecture and performances | Other invitation | Remont Gallery | Belgrade, Serbia.

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JUNE | Video performance | Site | El Galpon Epacio Cultural | Lima, Peru.

JULY | Video performance | Poster | Enzaubert Festival | Berlin, Germany.

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JULY | Video performance | Part of program | Enzaubert Festival | Berlin, Germany.

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JULY | Lecture | Invitation | Blåvik, Sweden. Henrik Hedinge bjuder på: "För mycket foton och för lite fika" Välkomna till Blåvik på lördag 10 juli för ett fika-föredrag om Henrik Hedinges år i Syd Amerika som performance konstnär. Det blir bullar och historier om performance på Venezuelas National Museum för Konst, bokpublisering på Asuncións bokmässa, jordgubbsfotbollar i Quito, kristallkronor i Buenos Aires, konstsmuggling i Bolivia och om föredrag på universitet i Bogota. Plats: Kalvuddens badplats, Blåvik, Östergötland - Ocultar texto citado Tid: 1500, 10 juli Kontakt: Henrik Hedinge 073 - 811 0 889

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AUGUST | Video performance and performance photos | Flyer | IN:ACT festival | Hanoi, Vietnam.

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AUGUST | Video performance and performance photos | Exhibition documentation | IN:ACT festival | Hanoi, Vietnam.

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AUGUST | Article | Newspaper Corren | Sweden.

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SEPTEMBRE | Performances | Flyer | Yttre Vång Art Event | Älmhult, Sweden

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SEPTEMBRE | Performance | Poster| Imaf Festival |Odaszi, Serbia

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SEPTEMBRE | Performance | Article | Blic Newspaper | Serbia

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SEPTEMBRE | Performance | Invitation | Open Grafic Art Studio at the Museum of the City of Skopje| Skopje, Macedonia 23 септември (четврток), 21 часот Отворено графичко студио Презентација на перформерската практика на Henrik Heding и перформанс на тема род и стереотипи ********************************************************************* **Луѓе кои се во потрага по својата личност. Луѓе кои се во потрага по пожелно тело или пак се изгубени во своето тело. Вообичаените хетеро начини на живот се менуваат. Хормоните го менуваат телото и личноста, природно или под влијание на загадувањето. Брзиот проток на информации во ерата на интернетот прави да сонуваме или чувствуваме многу повеќе отколку претходно. Некогаш можеби сте можеле да се почувствувате дека сте маж или жена. Во денешниот нервозен тек на брзи информации желбите и концепциите се менуваат се побрзо. Повеќе нема време за промена на родот. Вашиот род станува константен ток на полови метаморфози. GenderFlux. Henrik Hedinge (1980) е шведски уметник чиј предмет на интерес е уметноста на перформансот и сродните полиња од областа на видео артот и инсталацијата. Уметнички проекти презентирал насекаде низ Европа и Латинска Америка. Неговата работа, фокусирана на темата на различните начини на промена на телата и полот, прикажана е преку работилници, видео арт, веб перформанси и перформанси.

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SEPTEMBRE | Performance | Article | Newspaper Nova Makedonja | Skopje, Macedonia

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SEPTEMBRE | Illustrations, Group exhibition | Event info | Gallery Hamilton Artists Inc. | Hamilton, Canada. "Peripheral Zones September 10 - October 2, 2010 An exhibition of drawings, video and performance by: Gabriela Alonso, Nelda Ramos and Zonadearte gallery artists (Quilmes, Argentina). Curated by Irene Loughlin Location: Hamilton Artists Inc. 161 James St North Hamilton ON Opening: Friday, September 10th, during the James St. North Art Crawl, 7-11 pm, with a live performance by Gabriela Alonso and Nelda Ramos at 9 pm Gallery hours: Tues-Fri 12-5, Sat 12-4" http://www.hamiltonartistsinc.on.ca/intro.shtml http://zonadeartenaccion.blogspot.com/

SEPTEMBRE | Illustrations, Group exhibition | Photo | Gallery Hamilton Artists Inc. | Hamilton, Canada.

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SEPTEMBRE | Video performance | Poster | 2nd Moving Frames Festival | Mytilene, Greece

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SEPTEMBRE | Video performance | Poster | namaTRE.ba 4 project | Bosnia

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SEPTEMBRE | Performance and lecture | Photo | High school | Novi Sad, Serbia

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OCTOBRE | PerformancePainting | Test-collaboration between performance artist and paintor | Painting, oil on canvas, 200x150 m | Hedinge&Quiroz | Asunci贸n, Paraguay

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OCTOBRE | Video performance & Web performance| Poster | Enlaces festival cultural | Buenos Aires, Argentina

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OCTOBRE | Video performance & Web performance| Program | Enlaces festival cultural | Buenos Aires, Argentina

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OCTOBRE | Web performance| Email| PerfoArtNet2010 | Bogotá, Colombia PerfoArtNet 2010 Bienal Internacional de Performance Del 12 al 16 de Octubre de 2010 www.perfoartnet.org Talleres Rosemberg Sandoval - Colombia Clemente Padín - Uruguay Fernando Pertuz - Colombia Charlas Silvio de Gracia - Argentina Yury Forero - Colombia Gustavo Alvarez - Mexico Edwin Jimeno - Colombia Adraán Gómez - Cuba/Colombia Acciones / Performance 17 Países /Countries - 33 Artistas/Artists USA - Canadá - México - Colombia - Perú - Bolivia - Brasil - Chile - Argentina Cuba - Islas Canarias/ Canary Islands - España/Spain - Francia/France - Italia/Italy Alemania/Germani- Suecia/Sweden Alexander Escalona – Agua – Venezuela Carlos Saboria – Ready Dress – México Carolina Bonfim – Hogar dulce Hogar – Brasil Chuck Chaney – USA Colectivo Okan – Transmisión 3 – Colombia Colectivo Zunga - Serenata A(r)mada - Colombia Cynthia Mendoca - Parangolé Ojo - Brasil Edwin Jimeno - Falso o Positivo - Colombia Edwin Rojas – Claustro emocional – Colombia Félix Méndez – Crónica de un recital Poético – Perú Henrik Hedinge – Male Pregnancy: Web Life Drawing – Suecia José Ballivian – Línea pixel – Bolivia Laccila Cósmica – México al Chile – México Laura Bilbao – 5’ – Argentina Libertad Restrepo – Presagio de Virgen negra – Colombia Lulu – Vuelve Bolivia – Bolivia Liliana Caycedo - Je ne sais pas - Colombia Marcela Cadena – IN-MACULADA - Colombia Marcus Vinicius – Resistencia – Brasil 36 |

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María Cristina Agudelo y Andrea Sutton - Macarena – Colombia - USA Mauricio Vargas – Transfer – Chile Natalie Fougeras - Francia Pedro Alba – Parte del sistema – España Pilar Talavera – Singing in the rain – Perú Rita Kamacho – Speaker – listener – Canadá Rosa María Mesa – Reality Performance - Islas Canarias Sebastián Macchia – Visual Turntablism – Argentina Verena Stenke – Andrea Pagnes – Speak that I can see you - Italia – Alemania Yamila Chavez – Mundo Paralelos – Bolivia Yury Forero – Razón – Colombia Inscripción: perfoartnet2010@yahoo.com Más información y programación: www.perfoartnet.org

OCTOBRE | Performance | Logo of the event | Arte en Acción | Madrid, Spain

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NOVEMBRE | Participation in a workshop | Description | Softpower | Bilbao, Spain.

del 2 al 5 de noviembre 2010, de 16h00 a 19h30 sábado 6 de noviembre 2010, 18h00: presentación de proyectos Sala Rekalde, Alameda de Recalde 30, Bilbao La participación en el taller se convalidará por 1 crédito de libre elección. El taller se desarrollará íntegramente en inglés. No se requieren conocimientos científicos. INSCRIPCIÓN “El cuerpo del artista/investigador (nuestros cuerpos) y la experiencia cotidiana son a la vez sujeto y objeto de observación. Entendemos el cuerpo situado en el marco del cuerpo post-humano: el cuerpo distribuido, el cuerpo socializado en las redes, el cuerpo cyborg, el cuerpo con género, el cuerpo estudiantil, el cuerpo ciudadano, el cuerpo prostético, el cuerpo medicalizado, el cuerpo enfermo, el cuerpo virtual, el cuerpo comercializado, el cuerpo informacional, el cuerpo pensante, el cuerpo militar, el cuerpo sin edad, el cuerpo bello, el cuerpo animal, el cuerpo trabajador, el cuerpo espiritual, el cuerpo del arte…” El colectivo ciberfeminista subRosa, integrado por Faith Wilding y Hyla Willis, trabaja en la intersección entre arte y ciencia desde 1997. En este taller los participantes tendrán la oportunidad de experimentar de un modo diferente con la producción, el intercambio y la representación de conocimiento interdisciplinar, a través de lecturas, discusiones y visionados y de una presentación de la manera en que subRosa trabaja en contextos participativos e interdisciplinarios, desde la teoría hacia 38 |

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la práctica y viceversa. Las actividades podrán incluir escritura, dibujo, trabajo con el cuerpo, visitas a campos tecnológicos, laboratorios o espacios de experimentación agrícola. Los participantes serán dividos en grupos, cada uno de los cuáles producirá un proyecto para la presentación final que tendrá lugar el sábado 6 de noviembre. Esta podrá tomar la forma de presentaciones visuales, posters, manifiestos, acciones públicas, instalaciones, recorridos, objetos situados, performances, videos, etc. El taller incluye además una parte de carácter práctico en la que se introducirá a los participantes en el uso de equipamientos habituales en los laboratorios (como placas petri o microscopios), en las técnicas básicas de la extracción de ADN y en la fabricación de microscopios caseros a partir de sencillas webcams. El colectivo subRosa, creado en 1997, se define como una célula ciberfeminista reproducible integrada por investigadoras culturales. subRosa combina el arte, el activismo y la política con el fin de explorar críticamente las intersecciones entre tecnología, ciencia, género y capital global y sus consecuencias para los cuerpos, las vidas y el trabajo de las mujeres en el circuito integrado. Los miembros actuales del colectivo son Faith Wilding y Hyla Willis.

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NOVEMBRE | Performance | Logo of the space| Tabacalera | Madrid, Spain.

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NOVEMBRE | Performance | Poster of the event | Epipiderme | Lisboa, Portugal.

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NOVEMBRE | Performance | Text about my art | Epipiderme | Lisboa, Portugal. Esta proposta GenderFlux ensaia a temática de Género. Henrik Hedinge nesta acção foca a questão de como o uso de comunicação à escala global por internet redes sociais, altera o corpo de desejo de cada um, de como esta velocidade também pode alterar a forma como as pessoas resolvem a sua personalidade interagindo com personagens múltiplas, relativizando identidade e género. Para o performer o estimulo da comunicação é tão fugaz que já nem existe tempo para a mudança de género, o que existe é metamorfoses constantes, fluxos de género que ele denomina de GenderFlux. Na performance irá trabalhar com a manipulação da ideia de género de forma plástica, usará o seu próprio corpo como forma transformável e com a interactividade face a este corpo, com ajuda do publico. Tem executado os seus trabalhos em vários locais da Europa ao Continente Americano, desdobrando-se também enquanto personagem transformista nómada. NOVEMBRE | Performance | Poster | L’ovella Vermella | Tarragona, Spain .

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NOVEMBRE | Performance | Description | L’ovella Vermella | Tarragona, Spain. 24 NOV.// 22:00h.// SALA LES MONGES// L´OVELLA VERMELLA //LA RIERA DE GAIÁ "Les persones en recerca dels seus personatges de les Seves personalitats. Busquen el seu cos del desig o perdut en el seu cos. Formes hetero normals de la vida estan canviant. Les hormones canvien cossos i personatges voluntàriament o forçat per la contaminació. El flux ràpid d'informació en l'era d'Internet fent-nos somiar i sentir moltes coses més que abans. Abans potser vós vas sentir que era un home o una dona o gai. Al twitter flux ràpid d'informació d'avui, les desitjos i els concepcions canvia cada vegada més ràpid. No hi ha temps per canviar el seu gènere. El seu gènere s'ha convertit en un flux constant de metamorfisme de gèneres. GenderFlux. " NOVEMBRE | Video performance | Flyer | 3rd Festival Internacional de Vídeo Arte| Camagüey, Cuba.

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NOVEMBRE | Installation | Poster | Exist-ence | Brisbane, Australia.

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NOVEMBRE | Installation | Presentation of work | Exist-ence | Brisbane, Australia.

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NOVEMBRE | Article | Blogger | Sweden. “Henrik ser ut att vara lite vilsen, då hans scen vanligen är på andra platser i Latinamerika, men också Italien och Serbien. ”När jag kom tillbaks från Latinamerika hade jag ingen att diskutera med eller ingen scen att visa det jag gör” Henrik Hedinge Jag möter honom på en kolonistuga på Östra stranden, nära Halmstad. Henrik hade skickat saker på nätet till latinamerikaner som reagerade på hans arbeten, han bjöds dit och det blev många framträdanden, bland annat på konstskademier och på konstmässor. Vid återkomsten till Sverige fanns ingen att diskutera med och ingen scen för det han vill visa och Östra stranden blev vid detta tillfälle en liten scen för performance och en samlingsplats för vilsna själar i det ödsliga sommarparadiset. Henrik kallar sin performancekonst Genderflux ett begrepp som kan härledas från orden fluxus vilket betyder flöde och gender, vilket betyder genus, och är den vetenskap som bygger på frågeställningar av könsaspekter och identitet. Nu befinner sig två ytor med foton, tillsammans bildande två mycket stora foton, vilka visar några av Henrikss performances ute i världen och fyra olika människor, på ett golv i Henrik Hedinges föräldrars kolonistuga. De skall senare på gå en tipspromenad om hans konst. Sin första performance gjorde Henrik Hedinge då han gick på högstadiet. Klassen hade i uppgift att uppföra ett scenframträdande. Henrik föreslog något rätt okontroversiellt som röstades ned. Idén hade därmed fått utrymme hos Henrik. Han förstod inte riktigt hur hans nytänkande skulle förklaras för andra men tio år senare förstod Hedinge att sådana saker hade gjorts över hela världen sedan 60-talet. Då han senare flyttade till England för att gå konstskola, blev det lite av samma sak som på högstadiet. Lärarna på konstskolan var i någon mån insatta i performance, dock i väldigt ringa omfattning. Färgerna som används är glada. henrik använder endast gult och rött i sina performances. Det snällaste som finns är frukt, det använde Henrik på Venezuelas Nationalmuseum 2008, i en performance som anspelar på tortyr, vilken hans medhjälpare bidrar med. Fotodokumentationen ser Henrik Hedinge som en betydande del av verket, vilket kanske skulle kunna gå att sälja – som det foto jag nu står inför i den lilla kylslagna kolonistugan. Vid Östra stranden visar Henrik Hedinge ett foto, uppdelat i hundra delar vars titel är GenderFlux, vilket är en del i en större helhet som bland annat består av verk som via stadier av utveckling, först visades på en utställning i Belgrad; sedan på en genusfestival i Berlin, där det fick namnet GenderFluxβ, som anspelar på mjukvaror som utvecklas och som man kan få del av innan den färdiga versionen blir presenterad. 2010 | Henrik Hedinge | Material | 47


”People looking for their persona. Their personality. Looking for their body of desire or being lost in their own body. Hetero normal ways of living are changing. Hormones changing bodies and personas voluntarily or forced by pollution. Fast information flux in the era of internet making us dream and feel many more things than before Before maybe you felt that you were a man or a woman or gay. In today’s twitter flow of quick information, desires and conceptions change quicker and quicker. No time to change your gender. Your gender has become a constant flow of gender metamorfis. GenderFlux”. Texten är inspirerad av olika saker men sammansatt Av Henrik Hedinge för att beskriva det han arbetar med. Texten är inspirerad av science fiction, J.G Ballard och här finns inspiration från nutida diskussioner och användning av Twitter och andra sociala medier. ”Nihilismen inom konsten var stark på 60-talet, det var provocerande då men inte nu” Henrik Hedinge. ”Konstnärer vet vem Herman Nitsch och wienauktionisterna är, men nu behövs komplexa strukturer – och ett konstrasterande sätt att jobba” A fruity torture uppstod som en utveckling av det Wien-aktionisterna med Herman Nitsch gjorde. De var en anti-grupp som opponerade mot klassisk kultur såsom opera o.s.v. Han vill betona att det finns en annan publik , den han kallar mediapublik. En publik som känner igen sig i andra aspekter än det, vilka de som befinner sig inom bildkonstområdet, gör. Henrik Hedinge har satt ihop ”Fruity torture” på ett sätt som skall ge reaktioner. ” I mycket performance skär sig konstnärer eller skapar fysisk smärta, men man blir blasé och väljer bort sådana uttryck” -Det monster man inte kan se i en film är oftare mer skrämmande än monstret man kan se, säger Henrik Hedinge.” Text: Magnus Sjöbleke

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NOVEMBRE | Illustrations, Group exhibition | Photo |Curated by Zona Arte de Acci贸n | EMBA Escuela de Bellas Artes Carlos Morel| Quilmes, Buenos Aires, Argentina.

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2010 | Henrik Hedinge | Material  

Material from the projects and events of 2010.