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Transposing Score

Rosy Retrospection

 

Alto Saxophone

 

Trombone

Ben Norton

Straight h = 75

 

 

A&7(#9)

 Vibraphone or Guitar     

       

     



mf

     

A&7(#9)                   

Piano

mf

        

    

       

  

Upright Bass

mf

   

Drum Set

        

7

       

     



 

 

 

      G7[ìðîëÓ]

 

Pno.

  G7[ìðîëÓ]

U. Bass

Dr.

       

 

G7[ìðîëÓ]

Vib. /Gtr.

 

        

mf

Tbn.

        

                                                        A&7(#9)

Alto Sax.

       

 

A&7(#9)

   

     

A&7(#9)            

 

     

         

 

 

          

                                        A&7(#9)

     

    

 

   

 

 

     

     



 

Copyright 2010 Ben Norton

 

 

      

     



 

   


2 13

Alto Sax.

Tbn.

 

 

 

Pno.

U. Bass

      

  

  

       

  

         

mf

G7[ìðîëÓ]

G7[ìðîëÓ]

 

   

  

(Optional 8va)

 Vib.    /Gtr.          

  

mf

 

A    

mf

A&7(#9)            

          

A&7(#9)

   

mf

               

G7[ìðîëÓ] A&7(#9)                  

      

mf

        

Dr.

        

19

Alto Sax.

Tbn.

Vib. /Gtr.

Pno.

U. Bass

Dr.

  

 

    

  

 

  

 

          

   G7[ìðîëÓ]

 

  

 

G7[ìðîëÓ]

 

 

        

             

 

 



  

  

  

        

  

A&7(#9)

A&7(#9)          

     

 

   



              

 

   

 

           

          

     

    

                   

  

   

          

   

   




3 24

 

Alto Sax.

       

Tbn.

     

     

Vib. /Gtr.

        

 

Pno.

U. Bass

  

  

  

       

  

   

 

 

Dr.

 

     

         

  

 

  

              

    

  

     

  

       

          

B     

Alto Sax.

 

mp

Tbn.

           

fp

  

          

  

    

    

   G7[ìðîëÓ]

 

 

   

 

 

   

 





  

 

  

mf

 

G7[ìðîëÓ]          

Meno mosso, molto rubato (h = ca. 60) 29

rit.

mp

F©‹7

Vib. /Gtr.

    

EŒ„Š7

 

F©‹7

 

mp

           

                        

   

  

F©‹7

Pno.

mp

     

EŒ„Š7

F©‹7

U. Bass

F©‹7

     

  

EŒ„Š7

 

F©‹7

  

 

 

   

 

 

mp

Dr.

mp


4

Alto Sax.

Tbn.

       

         

       

34

 

   

 

 pp

 

 



 

Vib. /Gtr.

 

Pno.

U. Bass

  

Dr.

Tbn.

Pno.

U. Bass

Dr.

mp

pp

   

   

CŒ„Š7(b13)/E¨

  

             

             

  

EŒ„Š7

      

CŒ„Š7(b13)/E¨

   

 

   

 



  

   

mp

mp

Vib. /Gtr.

          

39

Alto Sax.

 

pp

CŒ„Š7(b13)/E¨

EŒ„Š7

     



mp

pp EŒ„Š7



p

mp

pp

  

 p

poco rit.

mp

           



    

          



     

mp

pp

mp

         

    

   



      



       

     

   



      

        

         

      

 

 

   

 

 

     

  

 

   

 

 

 



 





 





 





 

 

     


5

A tempo, Double-time feel, Swing q = 150 44

Alto Sax.

Tbn.

  

U. Bass

   

Vib. /Gtr.

Pno.

U. Bass

Dr.

      

       

      

       

      

    

       

      

       

      

A&7(#9)

     mf

A&7(#9)

     mf

A&7(#9)

    

    

   

    

       

      

     

 

    

       

      

50

Tbn.

  

Dr.

Alto Sax.

       

mf

 Vib. /Gtr.    

Pno.

C F©&7(#9)     

mf

A&7(#9)

mf

mf

E7[âÄ]

F©&7(#9)

   

   

  

   

        

   

   

        

   

   

  

   

  

   

   

   

G7[âÄ]

G7[âÄ]

        

 

  

 

 

  

 

 

  

 

        

 

  

 

        

 

  

 

        

 

  

 

        

 

  

 

A&7(#9)

A&7(#9)

A&7(#9)

A&7(#9)


6 56

Alto Sax.

Tbn.

Vib. /Gtr.

Pno.

U. Bass

     

G7[âÄ]

   

Vib. /Gtr.

Pno.

U. Bass

Dr.

G7[âÄ]

  

F©‹7

  

  

EŒ„Š7

  

  

F©‹7

  

EŒ„Š7

         

        

  

  

  

   

     

  

  

  

   

        

G7[âÄ]

G7[âÄ]

                   

  

  

 

   F©‹7

  

 

 

 

  

EŒ„Š7

  

  

  

  

  

  

C©Œ„Š7

 

 

 

   

 

   

 

   

EŒ„Š7

 

 

F©‹7

 EŒ„Š7

F©‹7

  

F©‹7

D©‹7

62

Tbn.

     

C©Œ„Š7

        

Dr.

Alto Sax.

D D©‹7             E7[âÄ]

 EŒ„Š7

 

 

F©‹7

 EŒ„Š7

 

 

 

 

 

   

 

 

 

 

   

F©‹7

EŒ„Š7

 

 

 

 

   

 

 

 

 

 

   


7 67 BŒ„Š7

Alto Sax.

Tbn.

  

A‹7

  

 

DŒ„Š7

 

  

 

U. Bass

  

Vib. /Gtr.

U. Bass

Dr.

 

  

 

  

 

  

F‹7

  

  

  

  

  

  

  

  

  

  

  

  

 

 

  

 

 

  

  

  

  

  

 DŒ„Š7

C‹7

  

 

 

  

 

  

 

 

  

     

 

   

   

   

 

CŒ„Š7

  

  

F‹7

   

 

E¨Œ„Š7

F‹7

D‹7

E¨Œ„Š7

    

CŒ„Š7

 

E¨Œ„Š7

  

E¨Œ„Š7

  

  

F‹7

   

  

F‹7

  

  

F‹7

 

    

Pno.

C‹7

72

Tbn.

  

  

Dr.

Alto Sax.

 

C‹7

DŒ„Š7

Pno.

C‹7

DŒ„Š7

Vib. /Gtr.

E D‹7      

  

E¨Œ„Š7

  

  

F‹7

  

E¨Œ„Š7

   

 

  

  

  

   

 

  

  

  

E¨Œ„Š7

F‹7

E¨Œ„Š7

   

   

 

  

  

  

    

   

 

  

  

  


8 78

Alto Sax.

Tbn.

Vib. /Gtr.

     

   

    

U. Bass

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

B‹7

 

 

D¨Œ„Š7

 

  B‹7

 

 

D¨Œ„Š7

  B‹7

 

 

 

 

 

 

 

 

 

 

 

 

 

 

D¨Œ„Š7

B‹7

   

 

 

 

 

 

 

 

    

 

 

 

 

 

 

 

Dr.

G©‹7

D¨Œ„Š7

    

Pno.

B¨Œ„Š7

F 83 AŒ„Š7(b13)/G

Alto Sax.

                    

   

     

   

     

   

     

                    

   

     

                   

   

     

                   

   

     

                    

   

     

CŒ„Š7(b13)/B¨

Tbn.

                    CŒ„Š7(b13)/B¨

Vib. /Gtr.

                      CŒ„Š7(b13)/B¨

Pno.

CŒ„Š7(b13)/B¨

U. Bass

Dr.


9 AŒ„Š7(b13)

90

Alto Sax.

                          

    

CŒ„Š7(b13)

Tbn.

                         

    

CŒ„Š7(b13)

  Vib. /Gtr.                            

    

CŒ„Š7(b13)

Pno.

                          

    

                         

    

CŒ„Š7(b13)

U. Bass

                         

    

                          

    

Dr.

G B¨Œ„Š7/B           

          

           

   

           

            

           

            

  

          

   

          

97

Alto Sax.

Tbn.

Vib. /Gtr.

Pno.

U. Bass

Dr.

    

D¨Œ„Š7/D

  

   

BŒ„Š7

  

DŒ„Š7

D¨Œ„Š7/D

  

   D¨Œ„Š7/D

  

AŒ„Š7/B

   CŒ„Š7/D

  

B¨Œ„Š7/B

   D¨Œ„Š7/D

  

DŒ„Š7

D¨Œ„Š7/D

CŒ„Š7/D

D¨Œ„Š7/D

DŒ„Š7

D¨Œ„Š7/D

CŒ„Š7/D

D¨Œ„Š7/D

            

D¨Œ„Š7/D

D¨Œ„Š7/D

  

B¨Œ„Š7/B

DŒ„Š7

  

  

D¨Œ„Š7/D

  

  

CŒ„Š7/D

  

  

D¨Œ„Š7/D

  

  


10 104 BŒ„Š7

Alto Sax.

Tbn.

    

DŒ„Š7

  

B¨Œ„Š7/C

AŒ„Š7/C

  

B¨Œ„Š7/C

  

BŒ„Š7/C

  

B¨Œ„Š7/C

  

AŒ„Š7/C

  

  

C7½    

 

    

 

sfz

D¨Œ„Š7/E¨

CŒ„Š7/E¨

  

D¨Œ„Š7/E¨

  

DŒ„Š7/E¨

  

D¨Œ„Š7/E¨

  

CŒ„Š7/E¨

  

E¨7½

  

sfz

E¨7½       Vib.                              /Gtr. 

 

E¨7½                                    

 

DŒ„Š7

D¨Œ„Š7/E¨

CŒ„Š7/E¨

D¨Œ„Š7/E¨

DŒ„Š7/E¨

D¨Œ„Š7/E¨

CŒ„Š7/E¨

sfz

DŒ„Š7

Pno.

CŒ„Š7/E¨

D¨Œ„Š7/E¨

DŒ„Š7/E¨

D¨Œ„Š7/E¨

CŒ„Š7/E¨

sfz

                                  DŒ„Š7

U. Bass

D¨Œ„Š7/E¨

D¨Œ„Š7/E¨

CŒ„Š7/E¨

D¨Œ„Š7/E¨

DŒ„Š7/E¨

D¨Œ„Š7/E¨

CŒ„Š7/E¨

                     

 

E¨7½    

 

    

 

sfz

   

Dr.

  

  

 

       

      

 

       

        

  

      

mf

G©&7(#9)

Vib. /Gtr.

mf



 

      



      

G©&7(#9)

               

Pno.

mf

          

        

G©&7(#9)

U. Bass

   mf

Dr.

  

H Half-time feel, Straight h = 75         mf

Tbn.

  

    mf

  

sfz

112

Alto Sax.

  

 

 

    

 

  

           

 

 



  

 

      

     

  

       

      

 

 


11 117

Alto Sax.

Tbn.

Vib. /Gtr.

 

                

 

      

             

  

      

 

 

       

           

  

 

      

         

      



      

 

 

    

  

Pno.

U. Bass

     

Vib. /Gtr.

 

 



  

Pno.

U. Bass

Dr.

  



 

    



    

    

       

  

   

  

  

     

          

  

 

F©7[ìðîëÓ]

 

  

 

   

F©7[ìðîëÓ]           

  

rit.

  



           

    





     

  

  



     

   

 

   

 

G©&7(#9)

    

 

    

F©7[ìðîëÓ]

 

G©&7(#9)

  

   

 

  

     

122

Tbn.

F©7[ìðîëÓ]

 

       

Dr.

Alto Sax.

  

 

    

 


12

I Meno mosso, Molto rubato (h = ca. 60)                     

126

Alto Sax.

mp

Tbn.

fp

   

 



    

mf

 

 

mp

F‹7

E¨Œ„Š7

 Vib. /Gtr.    

  

   

F‹7

   

  

  

mp

                                     F‹7

Pno.

E¨Œ„Š7

mp

  

     

  

F‹7

U. Bass

F‹7

   

 

   

 

E¨Œ„Š7

F‹7

 

  

   

   

  

  

  

  

   

   

  

  

mp

Dr.

mp

   

131

Alto Sax.

Tbn.

 

      

         



 

 

  pp

 

 

Vib. /Gtr.

 

E¨Œ„Š7

U. Bass

Dr.

                            

pp





mp

pp

BŒ„Š7(b13)/D

E¨Œ„Š7

Pno.

mp

 pp

              

   

BŒ„Š7(b13)/D

             

  

E¨Œ„Š7

 

   

BŒ„Š7(b13)/D

   

 

   


13 136

Alto Sax.

Tbn.

   



mp



Pno.

U. Bass

 p



 p

   



   

 

   



   

Dr.

 

    

poco rit.

pp



pp

 



  

 

 



  

 

    

 

139

Alto Sax.

          



    

Tbn.

            



     

 

  

 

  

 

 

   



 

 

 

Vib. /Gtr.

Pno.

U. Bass

Dr.

   

  

    



  

  

    



 

     

    

 

  

 

mp

 

 

mp



mp

 



mp



mp

Vib. /Gtr.


Rosy Retrospection